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How Creative Writing Can Increase Students’ Resilience

Many of my seventh-grade students do not arrive at school ready to learn. Their families often face financial hardship and live in cramped quarters, which makes it difficult to focus on homework. The responsibility for cooking and taking care of younger siblings while parents work often falls on these twelve year olds’ small shoulders. Domestic violence and abuse are also not uncommon.

To help traumatized students overcome their personal and academic challenges, one of our first jobs as teachers is to build a sense of community. We need to communicate that we care and that we welcome them into the classroom just as they are. One of the best ways I’ve found to connect with my students, while also nurturing their reading and writing skills, is through creative writing.

For the past three years, I’ve invited students in my English Language Development (ELD) classes to observe their thoughts, sit with their emotions, and offer themselves and each other compassion through writing and sharing about their struggles. Creating a safe, respectful environment in which students’ stories matter invites the disengaged, the hopeless, and the numb to open up. Students realize that nobody is perfect and nobody’s life is perfect. In this kind of classroom community, they can take the necessary risks in order to learn, and they become more resilient when they stumble.

Fostering a growth mindset

how does creative writing benefit students

One of the ways students can boost their academic performance and develop resilience is by building a growth mindset. Carol Dweck, Stanford University professor of psychology and author of the book Mindset , explains that people with a growth mindset focus on learning from mistakes and welcoming challenges rather than thinking they’re doomed to be dumb or unskillful. A growth mindset goes hand in hand with self-compassion: recognizing that everyone struggles and treating ourselves with kindness when we trip up.

One exercise I find very useful is to have students write a story about a time when they persevered when faced with a challenge—in class, sports, or a relationship. Some of the themes students explore include finally solving math problems, learning how to defend themselves, or having difficult conversations with parents.

I primed the pump by telling my students about something I struggled with—feeling left behind in staff meetings as my colleagues clicked their way through various computer applications. I confided that PowerPoint and Google Slides—tools (one might assume) that any teacher worth a paperweight has mastered—still eluded me. By admitting my deficiency to my students, asking for their help, and choosing to see the opportunity to remedy it every day in the classroom, I aimed to level the playing field with them. They may have been reading three or four grade levels behind, but they could slap a PowerPoint presentation together in their sleep.

For students, sharing their own stories of bravery, resilience, and determination brings these qualities to the forefront of their minds and helps solidify the belief that underlies a growth mindset: I can improve and grow . We know from research in neuroplasticity that when students take baby steps to achieve a goal and take pride in their accomplishments, they change their brains, growing new neural networks and fortifying existing ones. Neurons in the brain release the feel-good chemical dopamine, which plays a major role in motivating behavior toward rewards.

After writing about a few different personal topics, students choose one they want to publish on the bulletin boards at the back of the classroom. They learn to include the juicy details of their stories (who, what, when, where, why, and how), and they get help from their peers, who ask follow-up questions to prompt them to include more information. This peer editing builds their resilience in more ways than one—they make connections with each other by learning about each other’s lives, and they feel empowered by lending a hand.

In my experience, students are motivated to do this assignment because it helps them feel that their personal stories and emotions truly matter, despite how their other academics are going. One student named Alejandro chose to reflect on basketball and the persistence and time it took him to learn:

Hoops By Alejandro Gonzalez Being good takes time. One time my sister took me to a park and I saw people playing basketball. I noticed how good they were and decided I wanted to be like them. Still I told my sister that basketball looked hard and that I thought I couldn’t do it. She said,“You could do it if you tried. You’ll get the hang of it.” My dad bought me a backboard and hoop to play with. I was really happy, but the ball wasn’t making it in. Every time I got home from school, I would go straight to the backyard to play. I did that almost every day until little by little I was getting the hang of it. I also played with my friends. Every day after lunch we would meet at the basketball court to have a game. … I learned that you need to be patient and to practice a lot to get the hang of things. With a little bit of practice, patience, and hard work, anything is possible.

Originally, Alejandro wasn’t sure why he was in school and often lacked the motivation to learn. But writing about something he was passionate about and recalling the steps that led to his success reminded him of the determination and perseverance he had demonstrated in the past, nurturing a positive view of himself. It gave him a renewed sense of investment in learning English and eventually helped him succeed in his ELD class, as well.

Maintaining a hopeful outlook

Another way to build resilience in the face of external challenges is to shore up our inner reserves of hope —and I’ve found that poetry can serve as inspiration for this.

For the writing portion of the lesson, I invite students to “get inside” poems by replicating the underlying structure and trying their hand at writing their own verses. I create poem templates, where students fill in relevant blanks with their own ideas. 

One poem I like to share is “So Much Happiness” by Naomi Shihab Nye. Its lines “Even the fact that you once lived in a peaceful tree house / and now live over a quarry of noise and dust / cannot make you unhappy” remind us that, despite the unpleasant events that occur in our lives, it’s our choice whether to allow them to interfere with our happiness. The speaker, who “love[s] even the floor which needs to be swept, the soiled linens, and scratched records,” has a persistently sunny outlook.

It’s unrealistic for students who hear gunshots at night to be bubbling over with happiness the next morning. Still, the routine of the school day and the sense of community—jokes with friends, a shared bag of hot chips for breakfast, and a creative outlet—do bolster these kids. They have an unmistakable drive to keep going, a life force that may even burn brighter because they take nothing for granted—not even the breath in their bodies, life itself. 

Itzayana was one of those students who, due to the adversity in her life, seemed too old for her years. She rarely smiled and started the school year with a defiant approach to me and school in general, cursing frequently in the classroom. Itzayana’s version of “So Much Happiness” hinted at some of the challenges I had suspected she had in her home life:

It is difficult to know what to do with so much happiness. Even the fact that you once heard your family laughing and now hear them yelling at each other cannot make you unhappy. Everything has a life of its own, it too could wake up filled with possibilities of tamales and horchata and love even scrubbing the floor, washing dishes, and cleaning your room. Since there is no place large enough to contain so much happiness, help people in need, help your family, and take care of yourself.   —Itzayana C.

Her ending lines, “Since there is no place large enough to contain so much happiness, / help people in need, help your family, and take care of yourself,” showed her growing awareness of the need for self-care as she continued to support her family and others around her. This is a clear sign of her developing resilience.

Poetry is packed with emotion, and writing their own poems allows students to grapple with their own often-turbulent inner lives. One student commented on the process, saying, “By writing poems, I’ve learned to be calm and patient, especially when I get mad about something dumb.” Another student showed pride in having her writing published; she reflected, “I feel good because other kids can use it for calming down when they’re angry.”

To ease students into the creative process, sometimes we also write poems together as a class. We brainstorm lines to include, inviting the silly as well as the poignant and creating something that represents our community.

Practicing kindness

Besides offering my students new ways of thinking about themselves, I also invite them to take kind actions toward themselves and others.

In the music video for “Give a Little Love” by Noah and the Whale, one young African American boy—who witnesses bullying at school and neglect in his neighborhood —decides to take positive action and whitewash a wall of graffiti. Throughout the video, people witness others’ random acts of kindness, and then go on to do their own bit.

“My love is my whole being / And I’ve shared what I could,” the lyrics say—a reminder that our actions speak louder than our words and do have an incredible impact. The final refrain in the song—“Well if you are (what you love) / And you do (what you love) /...What you share with the world is what it keeps of you”—urges the students to contribute in a positive way to the classroom, the school campus, and their larger community.

After watching the video, I ask students to reflect upon what kind of community they would like to be part of and what makes them feel safe at school. They write their answers—for example, not being laughed at by their peers and being listened to—on Post-it notes. These notes are used to create classroom rules. This activity sends a message early on that we are co-creating our communal experience together. Students also write their own versions of the lyrics, reflecting on different things you can give and receive—like kindness, peace, love, and ice cream.

Reaping the benefits

To see how creative writing impacts students, I invite them to rate their resilience through a self-compassion survey at the start of the school year and again in the spring. Last year, two-thirds of students surveyed increased in self-compassion; Alejandro grew his self-compassion by 20 percent. The program seems to work at developing their reading and writing skills, as well: At the middle of the school year, 40 percent of my students moved up to the next level of ELD, compared to 20 percent the previous year. 

As a teacher, my goal is to meet students where they’re at and learn about their whole lives. Through creative writing activities, we create a community of compassionate and expressive learners who bear witness to the impact of trauma in each others’ experiences and together build resilience.

As a symbol of community and strength, I had a poster in my classroom of a boat at sea with hundreds of refugees standing shoulder to shoulder looking skyward. It’s a hauntingly beautiful image of our ability to risk it all for a better life, as many of my ELD students do. Recognizing our common humanity and being able to share about our struggles not only leads to some beautiful writing, but also some brave hearts.

About the Author

Headshot of Laura Bean

Laura Bean, M.F.A. , executive director of Mindful Literacy, consults with school communities to implement mindfulness and creative writing programs. She has an M.F.A. in Creative Writing and presented a mindful writing workshop at Bridging the Hearts and Minds of Youth Conference in San Diego in 2016.

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The Science of Writing

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how does creative writing benefit students

The role of creativity in the writing process

Creativity plays a crucial role in the writing process. It is the driving force behind originality, imagination, and the ability to produce engaging and impactful written work.

Students and creativity in writing go hand in hand. Writing is not only a fundamental skill but also a means of self-expression and exploration of ideas. Nurturing creativity in writing can significantly enhance a student’s ability to communicate effectively and develop their unique voice. Here are some ways to encourage creativity in student writing:

  • Provide freedom and choice: Allow students to choose their topics or writing prompts. When given the freedom to explore their interests, students are more likely to tap into their creativity and produce unique and engaging pieces.
  • Foster a supportive environment: Create a classroom atmosphere that encourages risk-taking and values creativity. Establish an open dialogue where students feel comfortable sharing their ideas without fear of judgment. Encourage peer feedback and constructive criticism to help students refine their work.
  • Incorporate different writing styles and genres: Introduce students to various writing styles and genres, such as poetry, short stories, persuasive essays, and creative nonfiction. Exposing them to different forms of writing expands their horizons and allows them to experiment with different techniques.
  • Use visual aids and prompts: Visual aids, such as images, paintings, or videos, can serve as excellent prompts for writing. Encourage students to observe and reflect on visual stimuli and let their imagination take over as they create narratives or descriptions inspired by the visuals.
  • Emphasize the revision process: Teach students that writing is an iterative process. Encourage them to revise and refine their work, focusing on aspects like structure, word choice, and clarity. Emphasize that creativity can be nurtured through revisiting and reimagining their initial ideas.
  • Encourage reading: Reading is an essential component of developing strong writing skills. Encourage students to read widely and expose them to different literary styles and voices. Reading can inspire their creativity and provide them with a broader understanding of storytelling techniques.
  • Incorporate collaborative writing activities: Collaborative writing activities, such as group storytelling or shared writing exercises, can foster creativity by encouraging students to build on each other’s ideas. Collaboration helps students see different perspectives and learn from their peers’ creativity.
  • Provide time for unstructured writing: Dedicate class time for free writing sessions where students can explore their thoughts and ideas without constraints. This unstructured writing time allows them to tap into their creativity and develop a habit of expressing themselves freely.
  • Celebrate and showcase student work: Recognize and celebrate students’ creative writing achievements. Share their work with the class, display it on bulletin boards, or create a class anthology. Public recognition and validation of their creativity can inspire students to continue exploring their writing talents.

Remember, each student is unique, and their creative processes may differ. Encourage individuality and personal expression while providing guidance and support along the way. By fostering creativity in writing, you empower students to develop their voices, think critically, and communicate effectively in a variety of contexts.

Pressto helps students write across a range of subjects and interests and produce their own digital essays or pages, or printable zines.

Learn more: https://www.joinpressto.com/

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The Benefits of Creative Writing

Nanowrimo , blog.

how does creative writing benefit students

To some, creative writing is a fun hobby that has little benefit, and can in fact serve as a time sink wherein nothing is accomplished other than words being spewed onto a page. To others, creative writing is a vital way of expressing oneself. It can be difficult to say which group is correct, but there are some definitive benefits to engaging in creative writing.

One of the first benefits is that it helps to develop creative problem solving skills. Creative writing is an exercise in solving problems, either for the characters within the story or for the author themselves. Characters within stories need to be navigated through a series of difficulties, and if the problems take place in the real world, then the solutions must also be real-world solutions. If the problem is a literal dragon that needs slaying, there’s somewhat less need for it to mimic a real-world solution, since that’s not typically a problem that we have. By navigating fictional characters through difficult times in their lives, either emotionally or financially, writers can learn how to handle those problems in the real world as well, without the stress of trying to figure it out when they’re already in the middle of the situation.

Another benefit of creative writing, particularly if the writer is involved in a formal class or writing group, is that it gives the writer experience in both taking and giving constructive criticism. The first time someone hears that there’s something wrong with their writing can be difficult, but over time, it does get easier. Trust me. I’ve had my fair share of critical remarks, and I’d like to think I’ve gotten better about responding to them. I no longer cry and throw things, so that’s a definite bonus. Taking criticism well is a vital skill, especially in the workplace, because employers often have feedback for their employees that might not necessarily be what the employee wants to hear. Giving criticism that is also constructive is another incredibly valuable skill. If someone believes they are just being torn down, they will not listen to a piece of criticism that might genuinely be designed to help. For this reason, it is important to understand that there are ways to provide tips for improvement without ripping someone’s work apart. Working in a workshop or a creative writing class will help improve these skills.

Creative writing helps to build vocabulary. Do you know how many types of swords there are? I don’t either, actually, but I know many of them. Do you know how many ways there are to say mean? Well, there’s mean, of course, but there are also words like malevolent and malicious and cruel, which all help to paint a more accurate picture of whatever it is that the writer is trying to portray. Once the writer knows these words, they aren’t likely to ever be forgotten. At the very least, the next time the writer is trying to describe someone as mean, they might remember that there are two other, more impressive sounding words that start with ‘m’ that might be used to describe said person.

Creative writing helps to improve outlining skills, which are vital for any kind of large project. Without an outline, creative writers might find themselves bogged down in details they didn’t intend to get lost in, or might lose track of vital plot threads that they’ll need to remember for later in this story. This is also true for any kind of large project, whether it be academic or professional. Presentations made without an outline in place can meander and get lost in themselves, making them difficult to understand or follow. For this reason, outlining is a good skill to pursue, and can be learned or improved upon through the use of creative writing.

One of the most subjective benefits to pursuing creative writing is the way that it can benefit the writer’s emotional well-being. I was skeptical about this one for a long time, because I love writing, but found it to be more stressful than anything else when I did indulge in writing. However, I have found that as I’ve adopted a regular writing schedule and have stuck to it, my mood has begun to improve greatly. I have had friends tell me that I’m happier now, and I do genuinely feel it. But I’m definitely willing to acknowledge that the same might not be true for other people

Creative writing is incredibly beneficial to burgeoning writers, and to students of all kinds. It requires effort, yes, but the more effort someone puts into it, the more likely they are to reap the benefits of it.

27 March, 2017 by McDaniel College Writing Center

how does creative writing benefit students

Creativity and Innovation in the Writing Classroom

Learn more about how to teach creativity and innovation along with, and as an important part of, traditional writing and research skills.

“You can’t use up creativity. The more you use, the more you have.” —Maya Angelou

Creativity is fundamental to the teaching of writing. Although WR 153 focuses specifically on creativity and innovation, all WR courses ask students to approach their reading, viewing, writing, and research in creative ways. One important approach to creativity is “design thinking,” which emphasizes that creativity is a non-linear, iterative process. Design thinking is based on two foundational assumptions:

  • Everyone can be creative.
  • Creativity can be taught.

The principles of design thinking can be used in any WR course to teach students that creativity is a process of asking questions, using multiple strategies and approaches in answering those questions, taking risks in conceiving and executing original work, developing and refining ideas in response to feedback, and learning from productive failure. The metacognitive aspects of design thinking invite students to think about their own creative processes and identify factors that promote creativity.

Although WR 153 is structured by the steps of the design process (understand, empathize, define, ideate, prototype, test, assess/reflect), all WR courses can benefit from incorporating elements of design thinking and an emphasis on creativity and innovation. Approaching writing instruction in this way can:

  • Increase student engagement by focusing on creative responses to problems that students care about;
  • Give students a sense of agency as a result of greater choice in what to write and how to write about it;
  • Encourage taking intellectual risks and reward productive failure as a means of learning;
  • Help students develop skills that are transferrable to other academic situations and their professional lives; and
  • Enhance students’ personal lives by allowing them to learn about themselves and their own creative potential.

Principles of Design Thinking

Design thinking is a non-linear, iterative approach to creativity that involves between three and seven steps. Although it is based on theories of design practice that go back to the early twentieth century, it has most recently been popularized by the design firm IDEO and the Hasso Plattner Institute of Design at Stanford, commonly known as the d.school. The process involves understanding the issues involved in a design project, empathizing with the audience for an end product, defining the scope of the project, generating ideas for and creating prototypes of the product, testing and assessing those ideas and prototypes, and revisiting the steps of the design process until a final product is created.

The complete set of seven steps can be applied to the writing process in a WR course:

Understand: Students develop a foundation for their work by exploring issues and approaches relevant to the course topic, as well as previous work in the field.

Empathize: Students practice empathy by demonstrating their awareness and understanding of the audience for whom they write or create.

Define: Based on their observations and insights, students articulate a problem or question that will motivate their work over the course of the semester.

Ideate: Students generate new ideas and possible solutions by challenging assumptions and engaging in a variety of creative activities.

Prototype: Students start to create solutions and implement their ideas into written, digital or other forms in order to capture ideas, but also redefine choices.

Test: Students share drafts with others in order to gain feedback and insight into improving final versions.

Assess/Reflect: Students reflect on and evaluate their peers’ and their own processes and final outcomes.

The steps of the design thinking process are not meant to be followed in a rigid way. They should be flexible and customizable to the particular project: students may need to define, ideate, and prototype multiple times and in various modes/genres before they are ready to create a final draft. The skills students gain in going though these steps should be transferrable to other projects and courses.

Learn more about design thinking:

  • “What is Design Thinking and Why Is It So Popular?” by Rikke Friis Dam and Teo Yu Siang provides an overview of design thinking.
  • David Kelly of IDEO explains the history of design thinking in “How to Design Breakthrough Inventions,” an interview with 60 Minutes .
  • “How to Solve Problems Like a Designer,” which includes an interview with Tim Brown of IDEO, explains the basic principles of design thinking.

Understand and Empathize

The first step of the design process asks students to understand not only the course material, but also the resources necessary for their particular project. Since this usually involves additional reading/viewing, the “understand” step is part of the research and information literacy component of WR15X. Assignments that focus on this step may include conducting library or online research, categorizing research material using BEAM/BEAT, and creating annotated bibliographies.

Define, Ideate, and Prototype

Before they begin the process of generating ideas, it is often useful for students to define, at least in a preliminary way, what question or problem their paper/project is addressing. Assignments that help students define their projects may include questionnaires that ask students to state what they intend to work on and why, as well as more formal paper/project proposals.

In the IDEO design process, the goal of ideation is to generate a multitude of ideas without rejecting those that may seem impractical or even silly. Ideas can be rejected later, after a sufficient number of ideas have been generated. The most common ideation assignment involves various forms of brainstorming, often in teams. Ideas should be written down in some way, such as on sticky notes or index cards. To encourage divergent thinking in the brainstorming process, consider posting some fundamental principles in the classroom, such as these from IDEO:

  • Defer judgment.
  • Encourage wild ideas.
  • Stay focused on the topic.
  • Build on the ideas of others .

In the IDEO design process, prototypes are models that can be easily revised and even discarded if necessary. Prototypes for writing courses might include outlines, storyboards, slide decks, oral or video presentations, and preliminary drafts. Prototypes should be tested and assessed in some way that allows for reconsideration and revision before students turn in their final products.

Learn more about brainstorming and prototyping:

  • “What is Brainstorming?” by Rikke Friis Dam and Teo Yu Siang provides helpful information and ideas for the ideation step of the design process.
  • This example of “Brainstorming at IDEO” shows one popular way of brainstorming with sticky notes.

Test and Assess/Reflect

The final steps of the design process, testing and assessing/reflecting, are not meant to be the final steps in completing a student’s paper/project. After testing and assessing a prototype, students will likely need to reconsider and revise their papers/projects, which will take them back to earlier steps—they may need to conduct further research, generate additional ideas, or refine their prototypes. The design process is meant to be iterative, with students returning to steps in the process as needed until they have completed a final draft.  

Just as designers test their prototypes, students should test drafts of their papers/projects by sharing them with others. Assignments that focus on this step usually involve workshopping with one or more peers, but testing may also include making an oral or video presentation to the class, meeting with the professor or a writing tutor, or sharing the student’s work with any other reader/viewer capable of providing feedback. Students may also test their papers/projects using techniques such as reverse outlining to assess the strength and clarity of their arguments.

The final step in the design process, assessing the student’s work, may lead back to any earlier step as students come to understand what they still need to work on to complete their papers/projects. This step may also involve the broader metacognitive task of reflecting on the student’s creative process. Assignments that focus on this step may include a variety of reflective exercises, including a final reflection for the course.

A Note on Assessment

“Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.” —Samuel Beckett

Because WR 153 courses can include such a wide range of papers and project, contract grading is recommended. Other WR courses that incorporate creativity and innovation may also wish to use contract grading, either for specific assignments or the course as a whole. More information on contract grading can be found here .

An important component of creativity and innovation is productive failure. We learn to create new things or develop new skills by failing and trying again until we succeed. Productive failure is failure that leads to new knowledge, insight, or innovation. Courses that focus on creativity can encourage productive failure by requiring prototypes that will be reconsidered and revised extensively, asking students to share examples of failure as valuable learning experiences, and assigning reflective work on how students have grown through failure over the course of the semester.

Learn more about productive failure:

Both readings below argue for the importance of productive failure. The Burger article contains specific examples of how to validate and reward productive failure in the classroom.

  • “Next Time, Fail Better” by Paula M. Krebs, The Chronicle of Higher Education , May 11, 2012.

Further Reading

The quickest and easiest way to understand design thinking is to start with videos that explain the concept, where it originated, and how it can be used to address a variety of problems.

  • In “How to Design Breakthrough Inventions,” David Kelly of IDEO and the Stanford d.school talks about design thinking in an interview on 60 Minutes and CBS This Morning .
  • In “How to Solve Problems Like a Designer,” Vox provides a general overview of design thinking, featuring IDEO CEO Tim Brown.

If you would like to deepen your understanding of design thinking, there are a number of websites that address the concept in greater detail.

IDEO is a design and consulting firm that popularized the concept of design thinking. According to IDEO’s website, “Thinking like a designer can transform the way organizations develop products, services, processes, and strategy. This approach, which is known as design thinking, brings together what is desirable from a human point of view with what is technologically feasible and economically viable. It also allows people who aren’t trained as designers to use creative tools to address a vast range of challenges.” The IDEO website has a number of useful resources on design thinking:

  • A definition of design thinking .
  • A brief history of design thinking .

IDEO U, the educational arm of IDEO, has a separate website that contain more information on design thinking as well as additional resources.

  • What is design thinking?
  • Resources related to design thinking .
  • An overview of brainstorming .
  • Resources related to innovation .

The Interactive Design Foundation provides useful information on design thinking on its website. According to “What is Design Thinking and Why Is It So Popular?” by Rikke Friis Dam and Teo Yu Siang, “Design Thinking is an iterative process in which we seek to understand the user, challenge assumptions, and redefine problems in an attempt to identify alternative strategies and solutions that might not be instantly apparent with our initial level of understanding. At the same time, Design Thinking provides a solution-based approach to solving problems. It is a way of thinking and working as well as a collection of hands-on methods.” This article describes the basic concept of design thinking and five basic steps: empathize, define, ideate, prototype, test.

Books on design thinking are generally aimed toward a popular audience. They draw on anecdotal evidence rather than research to support their claims, but they can be valuable resources for understanding how design thinking is applied in a variety of settings, including both corporations and the educational sector. To provide a sense of how design thinking developed over time, these books are listed chronologically:

  • The Art of Innovation by Tom Kelly, Doubleday, 2001.
  • Change by Design: How Design Thinking Transforms Organizations and Inspires Innovation by Tim Brown, HarperCollins, 2009, revised and updated 2019.
  • Design Thinking: Understanding How Designers Think and Work by Nigel Cross, Bloomsbury, 2011.
  • Design Thinking: A Guide to Creative Problem Solving for Everyone by Andrew Pressman, Routledge, 2018.
  • The Design Thinking Toolbox: A Guide to Mastering the Most Popular and Valuable Innovation Methods by Michael Lewrick, Patrick Link, and Larry Leifer, Wiley, 2020.

Resources on design thinking in writing pedagogy:

If you would like to focus specifically on how the design thinking process relates to writing pedagogy, there are number of academic articles that address design thinking in the writing classroom as well as the larger issue of creativity as it relates to composition. To provide a sense of how the scholarship on creativity and design thinking in writing pedagogy developed over time, these articles are listed chronologically:

  • “The Cognition of Discovery: Defining a Rhetorical Problem” by Linda Flower and John R. Hayes, College Composition and Communication 31.1 (1980), 21-32.
  • “Process Paradigms in Design and Composition: Affinities and Directions” by Charles Kostelnick, College Composition and Communication 40.3 (1989), 267-81.
  • “Wicked Problems in Design Thinking” by Richard Buchanan, Design Issues 8.2 (1992), 5-21.
  • “Design and the New Rhetoric: Productive Arts in the Philosophy of Culture” by Richard Buchanan. Philosophy & Rhetoric 34 (2001), 183-206.
  • “From Analysis to Design: Visual Communication in the Teaching of Writing” by Diana George, College Composition and Communication 54.1 (2002), 11-39.
  • “Embracing Wicked Problems: The Turn to Design in Composition Studies” by Richard Marback, College Composition and Communication 61.2 (2009), 397-419.
  • “Design as a Unifying Principle: English Departments in a New Media World” by Maureen Goldman, Design Principles and Practices: An International Journal 5.3 (2011), 249-257.
  • “Sustainability as a Design Principle for Composition: Situational Creativity as a Habit of Mind” by Matthew Newcomb, College Composition and Communication 63.4 (2012), 593-615.
  • “Design Thinking: Past, Present, and Possible Futures” by Ulla Johansson-Sköldberg et al., Creativity and Innovation Management 22.2 (2013), 121-146.
  • “Writing in Design Thinking: Deconstructing the Question of Being” by Tassoula Hadjiyanni and Stephanie Zollinger, International Journal of Architectural Research 7.1 (2013), 116-127.
  • Design Thinking and the Wicked Problem of Teaching Writing by Carrie S. Leverenz, Computers and Composition 33 (2014), 1-12.
  • “What Can Design Thinking Offer Writing Studies?” by James P. Purdy, College Composition and Communication 65.4 (2014), 612-641.
  • “Wicked Problems in Technical Communication” by Chad Wickman, Journal of Technical Communication 44 (2014), 23-42.
  • “The UnEssay: Making Room for Creativity in the Composition Classroom” by Patrick Sullivan, College Composition and Communication 67.1 (2015), 6-34.
  • “Design Thinking Via Experiential Learning: Thinking Like an Entrepreneur in Technical Communication Courses” by Jennifer Bay et al . , Programmatic Perspectives 10.1 (2018), 172-200.
  • “Dissensus, Resistance, and Ideology: Design Thinking as a Rhetorical Methodology” by April Greenwood et al., Journal of Business and Technical Communication 33.4 (2019), 400-424.
  • “Using Design Thinking to Teach Creative Problem Solving in Writing Courses” by Scott Wible, College Composition and Communication 71.3 (2020), 399-425.

General resources on creativity:

If you are interested in resources that focus on the larger issue of creativity, one place to start is with videos that define what creativity is and how it can be cultivated, including in an academic setting.

  • Ken Robinson’s “What is Creativity” addresses the general issue of how we can both define and encourage creativity.
  • Elizabeth Gilbert’s “Your Elusive Creative Genius” offers one way to think about creativity and deal with fear of failure.
  • David Kelly’s “How to Build Your Creative Confidence” discusses how we can be more confident in our creativity and build creative confidence in others.

There are a number of books that focus more generally on creativity. Some of these books are theoretical, while some focus practically on how we can become more creative in work and life. The books by Tom and David Kelly, and by Sarah Stein Greenberg, approach creativity from the design thinking paradigm used at the Stanford d.school.

  • Creativity: The Psychology of Discovery and Invention by Mihaly Csikszentmihaly, HarperPerennial, 1996.
  • The Cambridge Handbook of Creativity , edited by James C. Kaufman and Robert J. Sternberg, Cambridge University Press, 2003, revised and updated 2019.
  • The International Handbook of Creativity , edited by James C. Kaufman and Robert J. Sternberg Cambridge University Press, 2006.
  • Developing Creativity in Higher Education: An Imaginative Curriculum , edited by Norman Jackson, Martin Oliver, Malcolm Shaw, and James Wisdom, Routledge, 2006.
  • Creative Confidence: Unleashing the Creative Potential Within Us All by Tom Kelly and David Kelly, HarperCollins, 2013.
  • Habits of the Creative Mind: A Guide to Reading, Writing, and Thinking , by Richard E. Miller and Ann Jurecic, Macmillan, 2015, revised and updated 2020.
  • Creative Acts for Curious People: How to Think, Create, and Lead in Unconventional Ways by Sarah Stein Greenberg, Ten Speed Press, 2021.

The following books are listed separately because they reflect creative practices in specific fields, such as creative writing, the visual arts, and dance. They contain ideas and exercises that are transferrable to writing classes and may be helpful in designing WR courses.

  • The Artist’s Way: A Spiritual Path to Higher Creativity by Julia Cameron, Tarcher/Putnam, 1992, reissued 2002.
  • Bird by Bird: Some Instructions on Writing and Life by Anne Lamott, Anchor Books, 1994.
  • The Creative Habit: Learn It and Use It for Life by Twyla Tharp, Simon & Schuster, 2003.
  • Steal Like an Artist: 10 Things Nobody Told You About Being Creative by Austin Kleon, Workman Publishing Company, 2012.
  • Big Magic: Creative Living Beyond Fear by Elizabeth Gilbert, Riverhead Books, 2015.
  • You Are an Artist: Assignments to Spark Creation by Sarah Urist Green, Penguin, 2020.

Writers.com

Why learn creative writing? Truthfully, creative writing is one of the most misunderstood disciplines in the 21st century. When people think of a creative writing course, they often imagine a group of lofty, out-of-touch people who wear argyle sweater vests and have unproductive conversations about abstract concepts.

In reality, nothing could be further from the truth: the best writing classes remain engaged with the real world, and the skills gained in a creative writing course apply to nearly every facet of daily life.

If you’re wondering whether it’s worth picking up a course in fiction, nonfiction, or poetry, we have five reasons to learn creative writing. But first, let’s talk about what actually happens in a creative writing course.

The Basics of a Writing Workshop

Whether you’re enrolled in a poetry, fiction, or nonfiction writing class, you can expect the following writing process – at least in a quality writing course like the ones at Writers.com.

  • Weekly prompts and writing exercises to sharpen the precision and necessity of each word you use.
  • Constructive critiques from a community of writers who are each growing their writing skills alongside you.
  • A creative space to explore new ideas, experiment with language, and arrange words in new and exciting ways.
  • Focused writing instruction from a master of the craft.

The benefits of creative writing come from engaging with the course material, the writing prompts, and the other class members. These elements help you become a better writer, both in creative realms and in everyday life. How? No matter what form of writing, a creative writing class pushes you to connect ideas and create effective narratives using the best words – and that skill translates into real world success.

The Benefits of Creative Writing

1. why learn creative writing: improved self-expression.

Improving your writing skills leads to stronger communication. When you practice finding the right word in a story or poem, you engage the same parts of your brain that are active in everyday writing and speaking. A creative writing course subconsciously turns you into a more effective communicator.

The importance of precise language and self-advocacy translates well into both interpersonal relationships and working environments. Take it from this expert on how writing and self-advocacy results in career and leadership success.

2. Why Learn Creative Writing: Job Success

This brings us to our next point: great writing leads to job success. Of course, your boss probably isn’t expecting you to write emails in the form of a short story or a sonnet – though if they are expecting this, you have a pretty cool boss.

In reality, almost every job requires some sort of written work, whether that’s simple written communication or something more elaborate, like publishing data or marketing materials. In a creative writing class, you practice the style and grammar rules necessary for effective writing, both within the realms of literature and in career-related writing. Sharpening your writing and creativity skills might just land you your next promotion.

3. Why Learn Creative Writing: Improved Thinking Skills

Strong writing leads to strong thinking. No matter what type of writing you pursue, learning how to write is another form of learning how to think.

That might seem like a bold claim, so think about it this way. Without language, our thoughts wouldn’t have form. We might not need language to think “I’m hungry” or “I like cats,” but when it comes to more abstract concepts, language is key. How would you think about things like justice, revenge, or equality without the words to express them?

When you hone in on your ability to find choice, specific words, and when you work on the skills of effective storytelling and rhetoric , you improve your ability to think in general. Good writing yields great thinking!

4. Why Learn Creative Writing: Empathy

Reading and writing both rely on empathy, especially when it comes to being an effective workshop participant. When we read and write stories, we situate ourselves in the shoes of other people; when we read and write poetry, we let language navigate us through emotion.

The importance of creative writing relies on empathy. We practice empathy whenever we listen to another person’s life story, when someone tells us about their day, and when we sit down with a client or work partner. When we write, we practice the ability to listen as well as to speak, making us more effective communicators and more compassionate human beings.

5. Why Learn Creative Writing: It’s Fun!

In case you’re not convinced that a writing course is right for you, let’s clarify one more fact: creative writing is fun. Whether you’re in a fiction writing course, starting a memoir, crafting a poem, or writing for the silver screen, you’re creating new worlds and characters. In the sandbox of literature, you’re in control, and when you invest yourself into the craft of writing, something beautiful emerges.

The Importance of Creative Writing

Simply put, creative writing helps us preserve our humanity. What better medium to explore the human experience?

To learn creative writing, like any art form, requires compassion, contemplation, and curiosity. Writers preserve the world as they observe it in stories and poetry, and they imagine a better world by creating it in their works.

Through the decades, literature has explored society’s profound changes. Literary eons like the Naturalist movement and the Beat poets responded to the increase in Western Industrialization. Confessional poets like Virginia Woolf helped transform poetry into a medium for emotional exploration and excavation. And, genre movements like the cyberpunk writers of science fiction helped popularize the idea of an “information economy.”

Thus, the importance of creative writing lies in its ability to describe the world through an honest and unfiltered lens. Anyone who engages in creative writing, no matter the genre or style, helps us explore the human experience, share new ideas, and advocate for a better society. Whether you write your stories for yourself or share them with a wide audience, creative writing makes the world a better place.

Jobs for Creative Writers

Because creative writing isn’t a STEM discipline, many people don’t think that learning it will help their job prospects. Why learn creative writing if it doesn’t make any money?

In fact, nothing could be further from the truth. Creative writing skills are much sought after on resumes, since both creativity and the ability to write are soft skills in decline. Additionally, if you’re considering a career change—or ready to start one!—these are some popular jobs for creative writers.

  • Average Starting Salary: $51,000
  • Demand: High
  • Skills needed: creativity, grammar, timeliness

Copywriters help companies put their branding into words. A copywriter might write emails, blogs, website content, or ad copy that encompasses the company’s voice and purpose. Copywriting requires you to write in a mix of styles and forms, flexing your writing muscles in new and exciting ways.

Grant Writer

  • Average Starting Salary: $50,000
  • Skills needed: storytelling, research, argumentation

Nonprofits and research facilities rely on local and national grants to fund their projects. Grant writers help secure that funding, writing engaging grants that tell the organization’s story in an engaging, tailored, and convincing way. Creative writers will enjoy the opportunity to tell a meaningful story and create positive community change through this career.

Communications/Public Relations Specialist

  • Skills needed: creativity, communications, social media

A communications specialist helps drive a company’s image through various social channels. They may help create a positive narrative for their company through blogs, journalist outreach, social media, and other public-facing avenues. Much like copywriting, a PR specialist helps weave an effective story for a company.

  • Average Starting Salary: $55,000
  • Demand: Medium/High
  • Skills needed: creativity, storytelling, organization, self-reliance

The dream job for many writers is to write and sell books. Being a novelist is an admirable career choice—and also requires the most work. Not only do you have to write your stories, but you also have to market yourself in the literary industry and maintain a social presence so that publishers and readers actually read your work. It’s a tough business, but also incredibly rewarding!

Reasons to Learn Creative Writing: Finding a Writing Community

Finally, creative writing communities make the writing struggle worth it. The relationships you foster with other creative writers can last a lifetime, as no other group of people has the same appreciation for the written word. Creative writing communities create transformative experiences and encourage growth in your writing; if there’s one reason to study creative writing craft, it’s the friendships you make in the process.

You don’t need a class to start writing, but it’s never a waste of time to learn the tools of the trade. Creative writing requires the skills that can help you in everyday life, and a creative writing course can help.

At Writers.com, we believe that creative writing can transform both individual lives and the world at large. See the importance of creative writing for yourself: check out what makes our creative writing courses different , then take a look at our upcoming course calendar today.

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Sean Glatch

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Would like to apply for a course to write a novel.

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I’d be happy to help! Please email [email protected] with any questions, and we’ll find the right course for your writing.

[…] Sean. “Why Learn Creative Writing.” writers.com. June 7, 2020. https://writers.com/why-learn-creative-writing . Accessed November 7, […]

[…] And last of all it’s fun! I hope to live my life doing the things I love, with like-minded creative people who I love. I have many exciting things upcoming as I continue with the process of completing my first novel, Les Année Folles, such as publishing to my first magazine, journal, and working on the millions of short story ideas I have stored in my head. Stay tuned! References: Glatch, S. (2020, June 7). WHY LEARN CREATIVE WRITING? Retrieved from Writers.com: https://writers.com/why-learn-creative-writing […]

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Think It, Write It: Creative Writing Across the Curriculum

Explore strategies and tools that students can use to write creatively across the curriculum.

This resource was created by AVID

The internet has been the most significant amplification of the written word since the Gutenberg printing press. It has introduced us to websites, blogs, social media posts, email, and so much more. In many ways, people write more today than ever before, and modern writers have an unmatched opportunity to share their thoughts with an extensive audience—essentially anyone with a computer and internet connection.

This writing revolution has opened up almost endless opportunities for our students to express themselves through the written word. Of course, this doesn’t mean they need to be limited to text alone. Writing can be shared in many formats and is often mashed up with other forms of media, like images, video, and audio recordings.

It’s tempting to think that academic writing is the responsibility of language arts teachers, but writing is an essential skill for our students all across the curriculum. Writing in subject areas other than language arts provides students with an authentic context for their writing, and it forces them to think more deeply about the subject matter being studied.

Writing is one of the most cognitively complex tasks that we can ask our students to perform. It can and should be done in every subject area. Writing boosts critical thinking and requires the mental organization of new learning. In turn, it increases retention while deepening the understanding of that new learning. Writing can also be leveraged to have students dive deeper into the metacognitive aspect of the learning process. This type of writing can help students better understand their thought processes while identifying how they learn best.

No matter the context or subject area, writing can help develop critical communication skills, and when shared with authentic audiences beyond the teacher, it can increase motivation and relevance for the student. In many ways, writing across the curriculum is a win–win dynamic. Students gain a deeper understanding of their content and learning process while they simultaneously develop the writing skills that will benefit them throughout their lives.

In this article, we’ll explore seven different digital formats that can be integrated across all subject areas. Within each of those formats, we’ll share writing tools and strategies that you can use to get students writing in your classroom.

7 Digital Formats to Get Students Writing

There will probably be times when you determine the writing format for your students, and there will also be times when it’s better for your students to choose their own format. Whenever it makes academic sense, consider allowing your students to choose the format. This will increase their interest and motivation in the writing project. This often keeps them more engaged and results in a better final product. While we will not list every writing platform available to you in the classroom, the following list will highlight seven top choices to get you started.

In this familiar format, students use a word processing program, like Microsoft Word or Google Docs, to write something. Here, the message and writing take center stage, and the visual format is secondary. Once the core writing has been completed, this text can be repurposed and reformatted in many ways.

Writing Tools:

  • Microsoft Word
  • Google Docs

Integration Ideas:

  • Position paper
  • Research report

Blogs are personal essays published online. Typically, bloggers will set up a website where they continue to add posts on a regular basis. Many blogging sites allow people to “follow” a blog. This allows followers to get notified whenever a new post is published. Blogs have become a popular way for writers to share their ideas with a wide audience at minimal to no cost. Blogs also allow readers to respond to posted ideas, making it more of a dialogue than a stand-alone piece of writing.

Blogging Tools:

  • Google Sites ( Tips )
  • Seesaw Blogs
  • A full-class blog (class news, highlights, etc.)
  • A passion project/topic
  • Reflections on class content
  • Book discussions
  • Student perspectives on current events
  • Class blogger of the week (students take turns)

3. Websites

Websites have become so common that we might be tempted to take them for granted. However, allowing students to create their own sites can be extremely empowering, and it offers many opportunities for creativity. Written messages can be combined with images, video, audio, interactive maps, and more. One significant supplementary benefit of students creating their own websites is that the process demystifies the concept of a website, often making students more informed and critical consumers because they know how a website is set up.

Website Creation Tools:

  • An overview of a year in history
  • A research project
  • A documentation of the scientific process
  • A learning journal documenting class progress
  • A collection of creative writing
  • An instructional site about a topic
  • A how-to guide
  • A personal learning journal

Comic strips are fun to read, but they can also serve as powerful learning artifacts when students create them to communicate a message or demonstrate their learning. Comics also allow students to be creative and tap into their artistic and visual skills. This can be very motivating for some students. To help guide students in the process, there are several online tools that provide frames, characters, settings, and more. Students can also use a slideshow or word processing tool to create their own comic strip from scratch.

Comic Strip Tools:

  • Google Slides
  • Microsoft PowerPoint
  • StoryJumper
  • MakeBeliefsComix
  • Storyboard That
  • Recreate a historical conversation
  • Engage in digital storytelling
  • Introduce a concept or topic
  • Raise awareness of a social issue
  • Apply vocabulary and subject-matter concepts
  • Communicate satire or parody
  • Tell a story

Students often take a great deal of pride in their writing when they see it published in book form. It provides an increased sense of accomplishment and affirms the worth of their words. Fortunately, it’s easier (and cheaper) than ever before for students to publish their work as a book. Several websites allow students to create digital books for free, while some charge only if you want to have them printed. Digital books provide the added advantage of being able to add multimedia alongside the written text. Again, the authentic product at the end of the process can increase student motivation in the project.

Book Creation Tools:

  • Book Creator ( Tips )
  • Write a piece of historical fiction
  • Retell history from different points of view
  • Write a biography
  • Tell an original story
  • Document learning
  • Teach a concept
  • Create a book of poetry
  • Make a picture book

6. News Articles

Students can integrate newswriting into many of these formats. Specifically, this would fit well with the creation of a website. It could even be a class news site, with each student adding their own article. However, you could also take a more traditional approach and have students create a print newspaper or magazine. This defined format helps give them focus and purpose. It’s also fun to see the final result printed out and displayed in the classroom. If you are teaching remotely, the finished pages can be posted digitally to your learning management system.

Newswriting Creation Tools:

  • Feature a day or year in history
  • Create a tribute to a scientist or mathematician
  • Publish a paper recounting events in a novel
  • Be a journalist for your school
  • Create an opinions page with editorials
  • Make your own version of a real magazine

7. Online Discussions

Most learning management systems have discussion tools built into their platforms. These can be great ways to get students writing collaboratively. It’s one thing to write for the teacher, but when a student knows that classmates will also be reading the posts, it changes the dynamic and motivation. In addition, it gives students a chance to think beyond their original post and reflect on feedback from their peers. Of course, you will want to define discussion protocols, model effective posts, and have students practice these skills. This process can ensure that the discussion experience is a positive and respectful one for all involved. Explore additional ideas for fostering substantive and respectful online discussions in a previous AOA article .

Discussion Tools:

  • Learning Management System ( Canvas , Schoology , Google Classroom , etc.)
  • Discuss a controversial topic
  • Conduct a virtual Socratic Seminar
  • Pose questions
  • Reflect on learning
  • Consider the impact of an event or opinion
  • Brainstorm ideas

Extend Your Learning

  • Why Students Should Write in All Subjects (Edutopia)
  • Blogging Resources (Ditch That Textbook)
  • Free Newspaper Templates (Free Google Docs Templates)
  • Google Slides Newspaper Template (Templates for Teachers)
  • Over 1,000 Writing Prompts for Students (The New York Times)
  • Best Apps for Creating Books and Storybooks (Common Sense Education)
  • Stimulate Classroom Time With These Student Website Project Ideas (WordPress)
  • Comic Strip Creations Lesson Plan (Grades 3–5) (Scholastic)
  • Five Ideas for Creating Comics in the Classroom (Creative Educator)

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How to Teach Creative Writing | 7 Steps to Get Students Wordsmithing

how does creative writing benefit students

“I don’t have any ideas!”

“I can’t think of anything!”

While we see creative writing as a world of limitless imagination, our students often see an overwhelming desert of “no idea.”

But when you teach creative writing effectively, you’ll notice that  every  student is brimming over with ideas that just have to get out.

So what does teaching creative writing effectively look like?

We’ve outlined a  seven-step method  that will  scaffold your students through each phase of the creative process  from idea generation through to final edits.

7. Create inspiring and original prompts

Use the following formats to generate prompts that get students inspired:

  • personal memories (“Write about a person who taught you an important lesson”)
  • imaginative scenarios
  • prompts based on a familiar mentor text (e.g. “Write an alternative ending to your favorite book”). These are especially useful for giving struggling students an easy starting point.
  • lead-in sentences (“I looked in the mirror and I couldn’t believe my eyes. Somehow overnight I…”).
  • fascinating or thought-provoking images with a directive (“Who do you think lives in this mountain cabin? Tell their story”).

student writing prompts for kids

Don’t have the time or stuck for ideas? Check out our list of 100 student writing prompts

6. unpack the prompts together.

Explicitly teach your students how to dig deeper into the prompt for engaging and original ideas.

Probing questions are an effective strategy for digging into a prompt. Take this one for example:

“I looked in the mirror and I couldn’t believe my eyes. Somehow overnight I…”

Ask “What questions need answering here?” The first thing students will want to know is:

What happened overnight?

No doubt they’ll be able to come up with plenty of zany answers to that question, but there’s another one they could ask to make things much more interesting:

Who might “I” be?

In this way, you subtly push students to go beyond the obvious and into more original and thoughtful territory. It’s even more useful with a deep prompt:

“Write a story where the main character starts to question something they’ve always believed.”

Here students could ask:

  • What sorts of beliefs do people take for granted?
  • What might make us question those beliefs?
  • What happens when we question something we’ve always thought is true?
  • How do we feel when we discover that something isn’t true?

Try splitting students into groups, having each group come up with probing questions for a prompt, and then discussing potential “answers” to these questions as a class.

The most important lesson at this point should be that good ideas take time to generate. So don’t rush this step!

5. Warm-up for writing

A quick warm-up activity will:

  • allow students to see what their discussed ideas look like on paper
  • help fix the “I don’t know how to start” problem
  • warm up writing muscles quite literally (especially important for young learners who are still developing handwriting and fine motor skills).

Freewriting  is a particularly effective warm-up. Give students 5–10 minutes to “dump” all their ideas for a prompt onto the page for without worrying about structure, spelling, or grammar.

After about five minutes you’ll notice them starting to get into the groove, and when you call time, they’ll have a better idea of what captures their interest.

Did you know? The Story Factory in Reading Eggs allows your students to write and publish their own storybooks using an easy step-by-step guide.

The Story factory in Reading Eggs

4. Start planning

Now it’s time for students to piece all these raw ideas together and generate a plan. This will synthesize disjointed ideas and give them a roadmap for the writing process.

Note:  at this stage your strong writers might be more than ready to get started on a creative piece. If so, let them go for it – use planning for students who are still puzzling things out.

Here are four ideas for planning:

Graphic organisers

A graphic organiser will allow your students to plan out the overall structure of their writing. They’re also particularly useful in “chunking” the writing process, so students don’t see it as one big wall of text.

Storyboards and illustrations

These will engage your artistically-minded students and give greater depth to settings and characters. Just make sure that drawing doesn’t overshadow the writing process.

Voice recordings

If you have students who are hesitant to commit words to paper, tell them to think out loud and record it on their device. Often they’ll be surprised at how well their spoken words translate to the page.

Write a blurb

This takes a bit more explicit teaching, but it gets students to concisely summarize all their main ideas (without giving away spoilers). Look at some blurbs on the back of published books before getting them to write their own. Afterward they could test it out on a friend – based on the blurb, would they borrow it from the library?

3. Produce rough drafts

Warmed up and with a plan at the ready, your students are now ready to start wordsmithing. But before they start on a draft, remind them of what a draft is supposed to be:

  • a work in progress.

Remind them that  if they wait for the perfect words to come, they’ll end up with blank pages .

Instead, it’s time to take some writing risks and get messy. Encourage this by:

  • demonstrating the writing process to students yourself
  • taking the focus off spelling and grammar (during the drafting stage)
  • providing meaningful and in-depth feedback (using words, not ticks!).

Reading Eggs Library New Books

Reading Eggs also gives you access to an ever-expanding collection of over 3,500 online books!

2. share drafts for peer feedback.

Don’t saddle yourself with 30 drafts for marking. Peer assessment is a better (and less exhausting) way to ensure everyone receives the feedback they need.

Why? Because for something as personal as creative writing, feedback often translates better when it’s in the familiar and friendly language that only a peer can produce. Looking at each other’s work will also give students more ideas about how they can improve their own.

Scaffold peer feedback to ensure it’s constructive. The following methods work well:

Student rubrics

A simple rubric allows students to deliver more in-depth feedback than “It was pretty good.” The criteria will depend on what you are ultimately looking for, but students could assess each other’s:

  • use of language.

Whatever you opt for, just make sure the language you use in the rubric is student-friendly.

Two positives and a focus area

Have students identify two things their peer did well, and one area that they could focus on further, then turn this into written feedback. Model the process for creating specific comments so you get something more constructive than “It was pretty good.” It helps to use stems such as:

I really liked this character because…

I found this idea interesting because it made me think…

I was a bit confused by…

I wonder why you… Maybe you could… instead.

1. The editing stage

Now that students have a draft and feedback, here’s where we teachers often tell them to “go over it” or “give it some final touches.”

But our students don’t always know how to edit.

Scaffold the process with questions that encourage students to think critically about their writing, such as:

  • Are there any parts that would be confusing if I wasn’t there to explain them?
  • Are there any parts that seem irrelevant to the rest?
  • Which parts am I most uncertain about?
  • Does the whole thing flow together, or are there parts that seem out of place?
  • Are there places where I could have used a better word?
  • Are there any grammatical or spelling errors I notice?

Key to this process is getting students to  read their creative writing from start to finish .

Important note:  if your students are using a word processor, show them where the spell-check is and how to use it. Sounds obvious, but in the age of autocorrect, many students simply don’t know.

A final word on teaching creative writing

Remember that the best writers write regularly.

Incorporate them into your lessons as often as possible, and soon enough, you’ll have just as much fun  marking  your students’ creative writing as they do producing it.

Need more help supporting your students’ writing?

Read up on  how to get reluctant writers writing , strategies for  supporting struggling secondary writers , or check out our huge list of writing prompts for kids .

reading-eggs-story-factory-comp-header

Watch your students get excited about writing and publishing their own storybooks in the Story Factory

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Creative Writing: Everything You Need to Know

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Introduction

In the heart of every storyteller lies the vibrant pulse of creative writing, a world where imagination reigns and where emotions, thoughts, and ideas find their voice. But what exactly is creative writing? At its core, creative writing is an art form that revolves around expressing oneself through narratives, poetry, scripts, and other forms of literature. It’s not just about stringing words together, but about crafting worlds, moulding characters, and eliciting emotions, all from the power of the pen (or keyboard).

The importance of creative writing stretches beyond the pages of a novel or the verses of a poem. Creative writing cultivates cognitive development , fosters empathy, and offers a therapeutic escape. Whether you’re penning an epic tale, jotting down a heartfelt poem, or expressing your thoughts in a personal diary, you’re delving into a form of self-exploration. Additionally, in the academic world, initiatives like the 11+ creative writing and A-level creative writing emphasise the pivotal role this skill plays in shaping young minds, boosting their analytical thinking, and enhancing their linguistic abilities.

With this guide, we hope to unravel the many facets of creative writing, from its foundational elements to the benefits it offers and how you can master it. Whether you’re a budding writer a seasoned author, or simply a student looking to learn, there’s always something to discover in this expansive world of creativity. 

The Foundations of Creative Writing

Creative writing, much like any art form, has its foundational principles that guide and enrich the craft. Whether you’re preparing for 11+ creative writing or diving into A-levels, understanding these foundations is crucial.

The 4 Types of Creative Writing

    1. narrative fiction.

This involves storytelling, and it’s what most people think of when they hear “creative writing.” Examples include novels, short stories, and novellas.

    2. Poetry

A rhythmic and metaphorical form of writing, poetry allows writers to express feelings, thoughts, and stories in a condensed and poignant manner.

    3. Drama

 Written to be performed, drama includes scripts for movies, plays, and television shows.

    4. Creative Non-Fiction

 This merges the truth and the artistic flair. Memoirs, biographies, and personal essays fall under this category. 

The 5 Genres of Creative Writing-Breaking down the Differences

    1. fantasy.

A genre that uses magic and other supernatural elements as main plot elements, themes, or settings.

    2. Mystery

 This centres on a mysterious event, often a crime, exploring the solution and the circumstances around it.

    3. Romance

A narrative driven by a relationship, exploring the nuances of love and connection.

    4. Horror

Aimed at evoking fear and excitement in the reader, it often delves into the supernatural and unknown.

    5. Science Fiction

 Utilising futuristic settings, advanced technology, space exploration, and often commenting on the state and direction of society.

The 6 elements of creative writing: What makes a story resonate?

    1. plot.

 The sequence of events or the main story arc.

    2. Characters

The individuals who move through the narrative, driving and being affected by the plot.

    3. Setting

 The time and place where the story unfolds.

    4. Theme

The central idea, message, or lesson that’s conveyed.

    5. Point of View

 Through whose eyes or perspective we understand the narrative.

    6. Style/Tone

 The manner in which a story is told can dramatically affect its reception and impact.

Whether for GCSE creative writing exercises or other creative writing courses, always remember the power and impact of these foundational principles. They serve as the backbone of compelling narratives and resonate deeply with readers.

Education and Creative Writing

Creative writing, while inherently artistic, is also deeply rooted in the educational fabric. Through structured courses and examinations, students are offered an avenue to hone their skills, understand key techniques, and showcase their abilities. Two critical facets in the UK’s education system that emphasise creative writing are the GCSEs and 11+ exams .

GCSE Creative Writing Learning from Real-world Samples.

Many students often wonder how to write creative writing in English for the GCSE or how to get an A in English GCSE creative writing. One of the best ways to grasp the expectations is to analyse real-world samples. By understanding the structure, tone, and content of top-scoring pieces, students can identify the qualities that examiners look for. 

    How to Get an A in English GCSE Creative Writing

 Achieving a top grade requires a combination of factors:

        1. Understanding the Prompt

Ensure you’ve fully grasped the theme or topic.

        2. Planning

 Before diving into writing, structure your thoughts, plot, and character arcs.

        3. Using Varied Vocabulary

 Showcase your linguistic prowess without overcomplicating the narrative.

        4. Engaging the Reader

The opening should hook the reader, and the narrative should maintain interest throughout.

        5. Editing and Refining

Always review and revise. It’s at this stage that good writing often becomes great.

11+ Creative Writing

The 11+ examination , aimed at students transitioning to secondary education, places a significant emphasis on creative writing. The 11+ creative writing segment tests a student’s ability to construct a coherent narrative, use varied vocabulary, and demonstrate grammatical prowess. 

Why is it Essential?

The 11+ creative writing not only evaluates a student’s writing capabilities but also their cognitive abilities like imagination, logical structuring, and time management . High-quality 11-plus creative writing examples showcase a blend of creativity and structured thinking, essential skills for further education and life in general.

Incorporating the educational aspects into your creative writing journey can seem challenging, but remember, every exam and grade is merely a stepping stone. What truly matters is the continuous growth, learning, and love for the craft.

The Career of a Creative Writer

Choosing a career path often involves aligning one’s passion with practicality. For those drawn to the art of storytelling and expression through words, creative writing emerges as a captivating choice. But is it a viable profession? What does the day-to-day life of a creative writer look like? Let’s delve into these queries.

Is Creative Writing a Good Major? The Pros and Cons

 advantages.

       1. Passion for Profession

For those who have an innate love for writing, this major allows them to pursue what they genuinely love.

       2. Versatility

 A degree in creative writing isn’t just limited to penning novels or poetry. Graduates can venture into journalism, content creation, advertising, scriptwriting, and more.

       3. Skill Development

Beyond writing, this major hones skills like critical thinking, communication, research, and more, which are valuable in numerous professions.

       4. Networking

 University programs often provide opportunities to meet authors, agents, publishers, and other industry professionals.

  Disadvantages

       1. Job Market Competition

While there are opportunities, the writing domain can be competitive, with many vying for the same positions.

      2. Income Variability

Unlike some professions, writing may not always offer a stable monthly income, especially for those freelancing or looking to publish.

       3. Subjectivity

 Writing is subjective. What one editor or publisher loves, another might reject. This can be challenging for emerging writers to navigate.

What Do Creative Writers Do? An Overview of the Profession

At the core, creative writers craft stories, narratives, poems, articles, and content that resonate with readers. Their days might be spent:

      Brainstorming Ideas

This is where every piece begins—finding a theme, message, or story worth sharing.

      Researching

Especially crucial for genres like historical fiction or specific articles. Research ensures accuracy.

      Writing and Re-writing

Crafting the initial draft and then refining it multiple times to ensure it aligns with the desired quality.

      Pitching and Submitting

For those looking to publish, a significant time might be spent pitching to agents, editors, or publishers.

      Continuous Learning

Like any profession, trends and techniques in writing evolve. Writers often attend workshops, seminars, or courses (like online creative writing courses) to enhance their skills.

In conclusion, the life of a creative writer is multifaceted. It’s a blend of creativity, determination, continuous learning, and, at times, resilience in the face of rejection. But for those truly passionate, the joy of creating worlds with words and impacting readers is unparalleled.

Starting with Creative Writing

Diving into the vast ocean of creative writing might seem overwhelming at first, especially for those new to the craft. It’s like staring at a blank canvas, waiting for that first brushstroke of inspiration. But fear not, every writer, renowned or budding, has been there. With the right guidance and techniques, that daunting blank page can turn into a canvas filled with words, stories, and imagination.

Creative Writing Ideas-Where They Come From and How to Cultivate Them

   observation.

Everyday life is brimming with stories. Observe people, places, and situations. Ask yourself, “What if?”.

   Reading

Books , articles, blogs – they all can spark an idea. Notice what intrigues you in others’ writings.

   Dreams

Our subconscious mind can be a treasure trove of bizarre, exciting, and unique ideas.

    Mind Maps

Start with a central theme and branch out with related concepts, characters, conflicts, and backgrounds.

  Current Events

News stories can provide a backdrop for a timely and relevant narrative.

Creative Writing Exercises

   free writing.

Set a timer (maybe 10 minutes) and write without stopping or editing. Let your thoughts flow onto the page.

   Word Association

Begin with a word and jot down everything it makes you think of. It can lead to unexpected connections and ideas.

   Character Development

Invent a character from scratch. Consider their background, fears, dreams, and quirks, and then place them in a situation.

   Image Inspiration

 Look at a photograph or artwork and craft a story around it.

   Story Prompts

There are countless prompts available online. They give a starting point, and you take it from there.

There will be moments of uncertainty, thrill, discovery, and enlightenment. But with the right tools and mindset, the process can be incredibly rewarding. So, grab your pen or keyboard and let the stories unfold.

Benefits of Creative Writing

Creative writing, often viewed as a whimsical hobby or a tool for academic enhancement, harbours a depth of benefits that many overlook. Its impact resonates not just in the literary world but also in our cognitive and emotional development.

Does Creative Writing Make You Smarter?

Contrary to the isolated image of a writer lost in their imagination, creative writing demands a lot from our brains. It sharpens our cognitive abilities, enhancing analytical thinking, vocabulary, and understanding of complex concepts. Storytelling requires a blend of logic and imagination, thus exercising both the left and right hemispheres of the brain. So, while it might not raise your IQ overnight, it undeniably sharpens your mind and hones your critical thinking skills.

How Creative Writing Helps Students: Academic and Personal Advantages

Beyond the realms of grades and classroom performance, creative writing offers students a unique set of advantages:

  Academic Growth

It improves vocabulary, grammar, and writing structure, which are vital across various subjects.

  Enhanced Empathy

Crafting stories allows students to step into different characters’ shoes, fostering a deeper understanding of human emotions and perspectives.

   Boosted Creativity and Imagination

Regular writing can expand a student’s horizon, encouraging them to think outside the box.

   Problem-Solving Skills

Developing plots and resolving story conflicts cultivate a student’s ability to tackle real-life challenges.

   Self-expression and Confidence

Creative writing provides an outlet for emotions, ideas, and opinions, boosting self-worth and confidence.

Creative Writing and Mental Health

The intertwining of pen, paper, and emotions runs deep. Creative writing is more than an art form; for many, it’s a lifeline.

Does Creative Writing Help Depression?

While creative writing isn’t a replacement for professional treatment, many individuals battling depression have found solace in the written word. Writing allows a release of pent-up emotions, creating a safe space for expression without judgment. Narrating their experiences provides a form of self-reflection and understanding, offering a means to navigate their feelings and potentially find a path towards healing.

How Creative Writing Helps Mental Health and Provides Therapeutic Value?

  catharsis.

Writing about traumatic or emotional events can serve as a release, helping individuals process their feelings.

   Mindfulness

The act of writing focuses the mind, keeping it in the present moment, similar to meditation.

   Sense of Accomplishment

Completing a piece, regardless of its length, provides a boost of self-worth and achievement.

   Reduction in Stress

Translating thoughts into words has been shown to lower anxiety levels, promoting a state of calm.

   Enhanced Self-awareness

It offers insights into one’s own emotions, behaviours, and triggers, promoting personal growth.

In conclusion, creative writing is a multifaceted tool that enriches our minds, enhances academic prowess, and offers therapeutic value. Whether pursued as a profession, hobby, or therapy, its benefits are profound and far-reaching.

11-Plus Student Practicing Creative Writing

Online and Traditional Creative Writing Courses

Creative writing in education has seen a significant transformation in recent years. With the rise of digital platforms and the ever-evolving nature of traditional institutions, aspiring writers are now spoilt for choice. Let’s delve into the contrasts and benefits of both.

Where to Learn Creative Writing: Physical Institutions vs. Online Platforms

Traditionally, universities and colleges have been the primary source for structured creative writing programs. These institutions offer comprehensive curriculums, renowned faculties, and the immersive experience of a classroom setting. Engaging directly with professors and peers can be invaluable, fostering a sense of community and providing hands-on feedback.

On the flip side, the digital era ushered in online learning platforms that break geographical boundaries. Online courses offer flexibility, allowing learners to progress at their own pace and often at a fraction of the cost of traditional programs. Whether you’re a working professional, a parent, or someone who resides in a remote location, online platforms can make learning accessible.

Online Creative Writing Courses: The Digital Learning Revolution

The proliferation of online courses has revolutionised how we perceive education. Platforms like Coursera, Udemy, and MasterClass, among others, have democratised access to top-tier instructors and curriculums from around the world. From beginner workshops to advanced storytelling techniques, there’s a digital course for every level of writer.

Another advantage is the myriad of formats available: video lectures, webinars, interactive assignments, peer reviews, and more, catering to diverse learning styles.

Advantages of Online Learning and Where to Find the Best Courses

    Flexibility and Convenience

Study anytime, anywhere. This adaptability is especially beneficial for those juggling multiple responsibilities.

    Diverse Course Offerings

With no physical constraints, online platforms can offer a broader range of courses, from niche genres to unique writing techniques.

    Cost-Effective

Without the overheads associated with physical institutions, online courses often come at a reduced price.

    Networking

Engage with a global community of writers. Online forums and discussion boards allow for networking opportunities that span continents.

    Up-to-date Material

Online platforms can quickly update their content, ensuring that courses remain current with evolving literary trends and technologies.

As for finding the best courses, thorough research is essential. Check for reviews, curriculum details, instructor qualifications, and any available trial periods or sample lessons. Edumentors is a great platform when it comes to online tutoring. They offer assistance from tutors from UK’s top universities-weather you’re a GCSE, A-level or 11-plus student looking for some guidance. With individually fitted assistance, you can be sure of a positive teaching experience.

Register And Find The Best Online Tutors From Oxford University In UK

In conclusion, whether you’re drawn to the allure of a traditional classroom or the flexibility of online platforms, the options for creative writing education are diverse and expansive. It’s a golden era for aspiring writers, with quality education just a click or a campus away.

Debates in Creative Writing

As with any art form or discipline, creative writing isn’t without its controversies and debates. At the heart of these discussions lie questions about the teachability of the craft and its influence on cognitive processes. Let’s delve into these topics.

Can Creative Writing Be Taught? Exploring Both Sides of the Argument

   the affirmative side.

Proponents of creative writing courses argue that while innate talent can’t be instilled, the skills and techniques that refine this talent can be imparted. They point to the structured environment of a class or workshop where students learn about plot development, character arc, pacing, and other foundational elements. Further, a guided environment can provide feedback, enabling budding writers to identify their strengths and areas of improvement.

  The Skeptical Side

 Detractors, on the other hand, believe that writing, especially its creative facet, springs from personal experiences, innate talent, and individual interpretation of the world. They assert that while techniques can be learned, genuine creativity cannot be taught. Moreover, they warn against the risk of homogenising voices, where students might end up emulating the style of their instructors or popular trends rather than finding their unique voice.

Regardless of where one stands on this debate, the surge in creative writing courses, both online and offline, suggests a significant demand and belief in the merits of guided learning.

For many, creative writing becomes a sanctuary—a space free from the confines of reality, where thoughts, emotions, and experiences metamorphose into stories, characters, and worlds. It provides a canvas for our deepest fears, joys, dreams, and hopes. As writers shape narratives, they’re not just building stories; they’re often reconstructing their understanding of life and their place in it. This continuous process of introspection and externalisation fosters personal growth, making creative writing an invaluable tool for self-awareness and development.

With the plethora of resources available today, from online courses to local workshops, there’s a platform for everyone. But the most crucial tool in your arsenal will always be your unique perspective and voice. Nurture it, believe in it, and let it resonate.

In the final reckoning, creative writing isn’t just about producing literary masterpieces. It’s about evolution, both personal and societal. It’s about finding clarity amidst chaos and deriving meaning from the mundane. So, as you close this blog and ponder over the world of creative writing, remember it’s a journey, and like all journeys, it’s best enjoyed one step, or in this case, one word at a time.

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Creative Writing: What It Is and Why It Matters

By: Author Paul Jenkins

Posted on Published: January 13, 2023  - Last updated: January 15, 2023

Categories Writing

Writing can be intimidating for many people, but creative writing doesn’t have to be. Creative writing is a form of self-expression that allows writers to create stories, characters, and unique settings. But what exactly is creative writing? And why is it important in today’s society? Let’s explore this further.

How We Define Creative Writing

Creative writing is any form where writers can express their thoughts and feelings imaginatively. This type of writing allows authors to draw on their imagination when creating stories and characters and play with language and structure. While there are no boundaries in creative writing, most pieces will contain dialogue, description, and narrative elements.

The Importance of Creative Writing

Creative writing is important because:

  • It helps us express ourselves in ways we may not be able to do with other forms of communication.
  • It allows us to explore our creativity and think outside the box.
  • It can help us better understand our emotions by exploring them through storytelling or poetry.
  • Writing creatively can also provide much-needed escapism from everyday life, allowing us to escape into a world of our creation.
  • Creative writing helps us connect with others by sharing our experiences through stories or poems they can relate to. This way, we can gain insight into other people’s lives while giving them insight into ours.

Creative Writing: A Path to Mental and Emotional Wellness

Writing is more than just a way to express your thoughts on paper. It’s a powerful tool that can be used as a form of therapy. Creative writing has been shown to improve emotional and mental well-being.

Through creative writing, we can gain insight into our emotions, develop self-expression and communication skills, cultivate empathy and understanding of others, and boost our imagination and creativity.

Let’s examine how creative writing can relieve stress and emotional catharsis.

Stress Relief and Emotional Catharsis

Writing has the power to reduce stress levels significantly. Writing about our experiences or about things that are causing us anxiety or distress helps us to release those complicated feelings constructively. By expressing ourselves through creative writing, we can work through the emotions associated with stressful situations without having to confront them directly.

This is especially helpful for people who struggle to share their emotions verbally or in person.

Improved Communication and Self-Expression

Creative writing is also beneficial for improving communication skills. Through creative writing, we can explore our thoughts and feelings more intensely than by speaking them aloud. This allows us to think more clearly about what we want to say before actually saying it out loud or in written form, which leads to improved self-expression overall.

Additionally, writing out our thoughts before speaking aloud allows us to articulate ourselves better when communicating with others—which is essential for healthy personal and professional relationships.

Increased Empathy and Understanding of Others

Through creative writing, we can also increase our empathy towards others by exploring different perspectives on various topics that may be unfamiliar or uncomfortable for us—such as racism, homophobia, sexism, etc.—and allowing ourselves the opportunity to see the situation from someone else’s point of view without judgment or bias. This helps us become better communicators and more understanding individuals overall.

The Professional Benefits of Creative Writing

Creative writing is a powerful tool that can help you communicate better and more effectively in the professional world. It can also help you develop various skills that prove invaluable in many industries. Whether you’re looking to build your résumé or improve your communication, creative writing can effectively achieve both.

Let’s take a closer look at how creative writing can benefit your career.

Preparing Students for Careers in Writing, Editing, and Publishing

Creative writing is the perfect foundation for anyone interested in pursuing a career in writing, editing, or publishing. It teaches students the basics of grammar and composition while allowing them to express their ideas in imaginative ways.

Creative writing classes also allow students to learn from professionals who have experience as editors, agents, and publishers. They can use this knowledge to learn creative writing, refine their craft and gain valuable experience before entering the job market.

Improving Skills in Storytelling and Marketing for Various Careers

Creative writing teaches students to think critically about stories and craft compelling narratives that draw readers in. This skill is precious for those who wish to pursue careers outside traditional writing roles—such as marketing or advertising—where storytelling is key.

People who understand the fundamentals of creative writing will be able to create persuasive copy that resonates with readers and effectively conveys a message.

Enhancing Team Collaboration and Leadership Skills

Creative writing isn’t just about expressing yourself through words; it also provides an opportunity to practice working collaboratively with others on projects. Many creative writing classes require students to work together on group projects, which helps them develop essential teamwork skills such as communication, critical thinking, problem-solving, and creativity.

As they work together on these projects, they will also gain confidence in their ability to lead teams effectively—an invaluable asset no matter what industry they pursue after graduation.

Uncovering the Power of Creative Writing

Creative writing has become an increasingly powerful force in shaping our society. Creative writing has many uses, from preserving cultural heritage to promoting social change.

Preserving Cultural Heritage with Creative Writing

Creative writing has long been used to preserve and share cultural heritage stories. This is done through fictional stories or poetry that explore a particular culture or group’s history, values, and beliefs. By weaving these stories in an engaging way, writers can bring a culture’s history and traditions to life for readers worldwide. This helps bridge cultural gaps by providing insight into what makes each culture unique.

Promoting Social Change & Activism with Creative Writing

Creative writing can also be used for activism and social change. Writers can craft stories that help promote awareness about important issues such as poverty, race relations, gender equality, climate change, and more.

With the power of words, writers can inspire readers to take action on these issues and work towards creating positive change in their communities.

Through creative writing, writers can raise awareness about important topics while fostering empathy toward individuals who may be facing difficult or challenging situations.

Fostering Creativity & Innovation with Creative Writing

Finally, creative writing can foster creativity and innovation in various fields. For example, businesses can use creative copywriting techniques to create compelling content that captures the attention of customers or potential investors.

Aspiring entrepreneurs can use storytelling techniques when pitching their ideas or products to potential partners or investors to make their cases more persuasive and memorable.

By harnessing the power of words through creative writing techniques, businesses can create content that resonates with their target audience while inspiring them to take action on whatever message they’re trying to convey. It often aids the overall creative process.

Frequently Asked Questions

What are the benefits of creative writing.

Creative writing has many benefits, both for the writer and the reader. For the writer, it can be therapeutic, helping them to explore their emotions and better understand themselves. It can also be used as entertainment or communication, allowing them to share their ideas with the world. For the reader, creative writing can provide enjoyment, escapism, and insights into the human condition.

How can I improve my creative writing skills?

There are several ways you can improve your creative writing skills. Firstly, make sure you allow yourself time to write regularly. Use a writing prompt to inspire a short story. Secondly, read as much as you can; great writers are also great readers. Thirdly, experiment with different styles and genres to find one that suits you best. Fourthly, join a writers’ group, writing workshop, or creative writing program to get feedback from other writers. Finally, keep a journal to track your progress and reflect on your work as a creative writer.

What is the importance of imagery in creative writing?

Imagery is an important element of creative writing, as it helps to create a more vivid picture for the reader. By using sensory and descriptive language, writers can transport readers into their stories and help them relate to their characters or themes. Imagery can bring a scene alive with detail and evoke emotion by helping readers create strong visual images in their minds. Furthermore, imagery can help make stories more memorable by giving readers a deeper connection with the characters or setting.

What are the elements of creative writing?

The elements of creative writing include plot, character, dialogue, setting, theme, and point of view. The plot is the structure or main storyline, while the character is the personage involved in this story. Dialogue includes conversations between characters to give insight into their emotions and relationships. Setting refers to the place or time in which a story takes place, while theme explores deeper meanings behind a story’s narrative. Finally, point of view defines how readers experience a story through first-person or third-person omniscient narration.

What’s the difference between creative writing and other types of writing?

The main difference between creative writing and other types of writing is that it allows the writer to create their own story, characters, settings, and themes. Creative writing also encourages writers to be inventive with their style and use descriptive language to evoke emotion or bring stories alive in readers’ minds. Other academic or technical writing types typically involve more research-based information and are usually more objective in their presentation. Additionally, most forms of non-creative writing will have stricter rules regarding grammar, structure, and syntax.

What is the golden rule of creative writing?

The golden rule of creative writing is to show, not tell. It’s the core creative writing skill. When it comes to creative writing, it’s essential to use descriptive language that immerses readers in the story and allows them to experience the events through their emotions and imaginations. This can be done through metaphors, similes, sensory language, and vivid imagery.

How important is creativity in writing?

Creativity is essential in writing as it allows writers to craft a unique story and evoke emotion from the reader. Creativity can bring stories alive with fresh perspectives and exciting plot lines while creating an escape for readers and giving them more profound insights into the human condition. Writers who combine creativity with technical aspects such as grammar, structure, language usage, and flow will create pieces that capture their audience’s attention and provide an enjoyable reading experience.

Writing can improve mental health – here’s how

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The image shows an open notebook, and a person holding a cup of coffee in one hand and pen in the other, ready to start writing.

Ernest Hemingway famously said that writers should “write hard and clear about what hurts” . Although Hemingway may not have known it at the time, research has now shown that writing about “what hurts” can help improve our mental health .

There are more than 200 studies that show the positive effect of writing on mental health. But while the psychological benefits are consistent for many people, researchers don’t completely agree on why or how writing helps.

One theory suggests that bottling up emotions can lead to psychological distress . It stands to reason, then, that writing might increase mental health because it offers a safe, confidential and free way to disclose emotions that were previously bottled up .

However, recent studies have begun to show how an increase in self-awareness , rather than simply disclosing emotions, could be the key to these improvements in mental health.

In essence, self-awareness is being able to turn your attention inward towards the self . By turning our attention inward, we can become more aware of our traits, behaviour, feelings, beliefs, values and motivations.

Research suggests that becoming more self-aware can be beneficial in a variety of ways. It can increase our confidence and encourage us to be more accepting of others . It can lead to higher job satisfaction and push us to become more effective leaders . It can also help us to exercise more self-control and make better decisions aligned with our long-term goals.

Self-awareness is a spectrum and, with practice, we can all improve. Writing might be particularly helpful in increasing self-awareness because it can be practised daily . Rereading our writing can also give us a deeper insight into our thoughts, feelings, behaviour and beliefs.

Here are three types of writing which can improve your self-awareness and, in turn, your mental health:

Expressive writing

Expressive writing is often used in therapeutic settings where people are asked to write about their thoughts and feelings related to a stressful life event. This type of writing aims to help emotionally process something difficult .

Research shows that expressive writing can enhance self-awareness , ultimately decreasing depressive symptoms , anxious thoughts and perceived stress .

Reflective writing

Reflective writing is regularly used in professional settings, often as a way to help nurses, doctors, teachers, psychologists and social workers become more effective at their jobs . Reflective writing aims to give people a way to assess their beliefs and actions explicitly for learning and development.

Woman pauses to look out the window while she writes in a notebook.

Writing reflectively requires a person to ask themselves questions and continuously be open, curious and analytical. It can increase self-awareness by helping people learn from their experiences and interactions. This can improve professional and personal relationships as well as work performance, which are key indicators of good mental health .

  • Creative writing

Poems, short stories, novellas and novels are all considered forms of creative writing. Usually, creative writing employs the imagination as well as, or instead of, memory, and uses literary devices like imagery and metaphor to convey meaning.

Writing creatively offers a unique way to explore thoughts, feelings, ideas and beliefs. For instance, you could write a science fiction novel that represents your concerns about climate change or a children’s story that speaks to your beliefs about friendship. You could even write a poem from the perspective of an owl as a way to represent your insomnia.

Writing creatively about challenging experiences, like grief , can also offer a way to communicate to others something which you feel is too complicated or difficult to say directly.

Creative writing encourages people to choose their words, metaphors and images in a way that really captures what they’re trying to convey. This creative decision-making can lead to increased self-awareness and self-esteem as well as improved mental health .

Writing for self-awareness

Self-awareness is a key component for good mental health and writing is a great place to start.

Why not take some time to write down your feelings about a particularly stressful event that has happened during the pandemic? Or reflect on a difficult work situation from the last year and consider what you have learned from it?

If you prefer to do something more creative, then try responding to this prompt by writing a poem or story:

Think about the ways your home reveals the moment we are currently in. Is your pantry packed with flour? Do you have new objects or pets in your home to stave off loneliness or boredom? What you can see from your window that reveals something about this historic moment?

Each of these writing prompts will give you a chance to reflect on this past year, ask yourself important questions, and make creative choices. Spending just 15 minutes doing this may give you an opportunity to become more self-aware – which could lead to improvements in your mental health.

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How to Teach Creative Writing to High School Students

How to Teach Creative Writing to High School Students

Creative Writing was forced onto my schedule; I didn’t ask for it. But it ended up becoming my favorite class period of the day. While academic English courses can feel high-stakes and always short on time, Creative Writing can be a refreshingly relaxed elective class. In many districts with loose curriculums, Creative Writing is what you make of it. In this post, I outline six steps to show you how to teach creative writing to high school students.

Why Teach Creative Writing

Before we get into the how , let’s first address the why . Why bother teaching Creative Writing in the first place? Students’ basic skills are lower than ever; is now really the time to encourage them to break the rules?

If you want to get really deep into why you should teach Creative Writing, I have a whole post about it here.

But think about why you love reading. Is it because you were made to annotate or close read a bunch of classic novels? Probably not. You probably fell in love with reading while you were reading something that was fun. And because it was fun, you read more, and your skills as a reader grew.

The same principle applies to writing. If we can make it fun for our students, perhaps we can foster a love for it. And passion is what leads, eventually, to mastery.

Giving our students the opportunity to fall in love with writing is a gift that might help them grow in their academic writing later.

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Teach Creative Writing to High School Students Step #1: Decide on Your Standards or Goals

Your school or district may have a mandated syllabus or curriculum. Mine did not. 

Whether you’re given student goals or have to create them, you must have an overall vision for what your Creative Writing class will accomplish. 

Is this a laid-back, engaging course designed to help students discover the fun in writing? Or is it a supplement to rigorous academics for college-bound high school students? 

If you know your school’s student population well, I encourage you to think about their needs. Some students just need to write more–more of anything, but lots more. Some students are high achieving and ready to write their first novels! If possible, design your course around the needs and interests of the general student population in your school or district. 

Regardless of how rigorous your Creative Writing course will be, deciding on these goals first will help you in backwards planning. 

Teach Creative Writing to High School Students Step #2: Choose Your Final Assessments and Big Projects

Before we can start planning our lessons, we have to decide what skills or knowledge our students will need. And to know what they need, we have to decide on their summative assessments.

Cover for It's Lit Teaching Resource: Fairy Tale Retelling Creative Writing Project

Will your final assessment be a short story? A collection of poetry? Are you required to offer a final exam?

Once you know what students will need to do, you can make a list of the skill they’ll need. This list will become a list of lessons you’ll need to teach.

Fairy Tale Retelling Project

My Fairy Tale Retelling Project is a great Creative Writing assessment. For this project, students had to first choose a fairy tale. Then, they rewrote the story from the perspective of the villain.

This project works really well because students have structure. They can pick any fairy tale they want, but they can’t write about just anything.

Cover for Teachers Pay Teachers product by It's Lit Teaching: Creative Writing Author Study Project

Secondly, students already know the story, so they don’t have to worry about a beginning, middle, and end. The open-endedness of writing a story completely from scratch has paralyzed my students before. Structure allows students lots of creative freedom without the excuse of “I don’t know what to write.”

Author Study Project

If you’d like your Creative Writing class to help beginner writers have fun and just get some practice with fiction writing, a Fairy Tale Retelling Project would probably be perfect for your class.

Another project I’ve done with my students is an Author Study . In this project, students choose one author to study in-depth. Then, they attempt to replicate that author’s style in an original work.

how does creative writing benefit students

If you’d like your class to also include lots of exposure to other writers or classic literature, then this might be a great assessment for your class.

Learn more about doing an author study in this step-by-step post.

Test or Final Exam

I also gave my students a final exam focused on literary terms.

This Literary Terms Test allowed me to test students on the academic knowledge they gained throughout class instead of their writing ability. This test also helped me fulfill my district’s requirement of having a final exam at the end of each course.

Once you’ve decided on your class’s major projects and assessments, you can begin designing the rest of your class.

Teach Creative Writing to High School Students Step #3: Backwards Plan

Now that you know what your students will need to do at the end of this class, you can list out everything you need to teach them in order for them to be successful.

For example, if you opt for an author study as a final project, you know what you will need to cover. You will need to teach students some literary terms so that they can describe an author’s style. You’ll need to show them how to analyze a poem.

During the course of your class, you’ll also want to expose students to a variety of authors and mentor texts. Students will need to practice basic writing techniques in order to replicate those of their chosen authors.

If you need some inspiration for what kinds of lessons to teach, check out this post on essential Creative Writing lessons.

Teach Creative Writing to High School Students Step #4: Decide on Your Class Structure

Once you’ve decided on the end goals for your Creative Writing class, you can use them to help create day-to-day plans. 

What will your class look like? Will it be full of lots of quiet and independent work time? Will it be full of frenetic energy with students working in collaborative groups? Are students writing in notebooks or on laptops?

Cover of It's Lit Teaching Resource: Creative Writing Journal Prompts for High School

Of course, a successful class will most likely include a mixture of all of the above. But it’s up to you to decide on your ratio. 

Again, I encourage you to think about your school’s population. If you’re on ninety-minute blocks, is it realistic for students to be quietly writing that whole time? If you have high-achieving students, might they benefit from working independently at home and then getting and giving peer feedback during class time?

Use your goals to help decide on a general class structure. 

Warm-ups for Creative Writing

You’ll need a consistent way to begin each class.

When I initially began teaching Creative Writing, I just wanted to provide my students with more time to write. We began every class period with free writing. I gave students a couple of prompts to choose from each day, and then we’d write for about ten minutes. 

( Those journal prompts are right here . Every day includes two prompts plus a third option of freewriting.)

Students were given the option to share part of their writing if they wanted to. Every couple of weeks I’d flip through their notebooks to make sure they were keeping up, but I only read the entries they starred for me in advance. 

Cover of It's Lit Teaching Product: Poem of the Week Bundle

Later, I wanted to add some rigor to my Creative Writing class and leverage more mentor texts. I created a Poem of the Week activity for each week of the course. 

This gave students the opportunity to study professional writing before using it as a mentor text for a new, original piece. 

(You can read more about using these Poem of the Week activities here.) 

As my goals for the class and my students change, so did the way we began class. 

How can you begin your class in a way that supports the end goals or teaches the desired standards? How often will peers work together?

Teach Creative Writing to High School Students Step #5: Focus on Engagement Strategies

Now you can actually start planning lessons and projects!

But as you do so, focus on creating engaging ones–especially if your class is meant to be a fun elective.

Need more tips? Check out this post full of Creative Writing teaching tips!

Use Mentor Texts and Lots of Examples

Have you ever tried putting a puzzle together without knowing what the image was going to look like? It would be pretty difficult! Similarly, students need lots of examples of strong writing to aspire to. 

Without clear models or mentor texts , students will happily turn in unread drafts. They’ll choose the first word that comes to their mind instead of searching for a better one. 

But if you surround students with great writing, highlight strong technique when discussing the writing of others, and challenge them to notice the details in their own writing, they’ll naturally become better at self-editing.

I don’t believe that you can provide students with too many mentor texts or examples of strong writing. As you teach Creative Writing, keep or take pictures of strong writing samples from students to use as examples later. 

Nearly all of my lessons and projects include an example along with instruction.

Model and Create with Your Students

You can even use your own writing as an example. When I had students free write to creative writing prompts, I always wrote with them. Sometimes I would then put my notebook under the document camera and model reading my own work.  

I would cross out words and replace them or underline phrases I thought were strong enough to keep. Model for students not just great writing, but the process of strengthening writing.

And then give them plenty of time to edit theirs. This is when having students engage in peer feedback is a game-changer. 

Without great writing to aspire to, however, students easily become lazy and turn in work that is “good enough” in their eyes. Don’t let them get lazy in their writing. Keep throwing greater and greater work in front of them and challenge them to push themselves. 

(This is another reason I love using Poem of the Week warm-ups –they expose students to a new writer every week!)

Set Clear Expectations

Creative writing causes a lot of students anxiety. There’s no “right” answer, so how will they know if they creatively wrote “correctly?”

Help them out by setting clear expectations. Offering a rubric for every project is great for this. If you can, give them specifics to include. “At least 500 words” or “three or more similes” are nice, concrete guidelines that students can follow.

Give Students Choice

Offering students choice always boosts engagement. It lets students take charge of their learning and pursue something that interests them.

For example, when I teach odes , students are given the opportunity to write about something they love.

With an author study , students can study a writer whose style and work they admire.

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Teach Creative Writing to High School Students Step #6: Use Clear and Structured Expectations

While showing students excellent prose or perfect poetry should help inspire students, your writers will still need some hard parameters to follow. 

Academic writing is often easier for students than creative writing. Usually, academic writing follows a structure or certain formula. The rubric dictates exactly how many quotes need to be included or how long an essay needs to be. MLA or APA formats tell students how to punctuate quotes and citations. 

These rules don’t apply to creative writing. And while that’s exactly what makes creative writing awesome, it’s often overwhelming. 

So do your students a favor and give them some clear expectations (without, of course, entirely dictating what they need to write about).  

The project also includes a rubric, so young writers know what should be included in their stories.

Don’t give your students so much creative freedom that it paralyzes them! Your writers are still students; give them the same level of structure and organization that you would in any other class. 

how does creative writing benefit students

Engage your students in more creative writing!

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Teach Creative Writing to High School Students Step #7: Give Students Choices

So how do you give students frameworks, requirements, and uphold high expectations without stifling their creativity?

Give students choices. You can write about A, B, or C, as long as you meet requirements 1, 2, and 3. 

Offering choices works with small one-day assignments or lessons as well as bigger, longer-term projects. 

Cover for It's Lit Teaching Resource: Show. Don't Tell Creative Writing Mini Lesson Workshop

The previously mentioned Fairy Tale Retelling Project is a great example of offering a narrow selection of choices that uphold expectations without dictating what students write. 

Another one of my favorite examples of offering students choices is my “Show. Don’t Tell” Mini-lesson . This lesson touches on everything students need to successfully learn creative writing. 

First I teach them the concept of showing vs. telling in writing through direct instruction. I show them lots of examples of expanding a “telling sentence” into a “showing paragraph.”

Then I model for students how I would write a paragraph that shows crucial information, rather than telling it. 

Lastly, I have students pick a strip of paper from a hat or a bag. Each strip of paper contains a “telling sentence” that they must then write as a “showing paragraph.” Students are limited by the sentences I provide, but they still have complete freedom over how they achieve that detailed paragraph. 

If you wanted to give students even more freedom, you could let them pick their sentences or trade with a peer rather than blindly choosing. 

Any time you can give students a choice, you give them permission to use their creativity and allow them to take some of the initiative in their own learning.

Teach Creative Writing to High School Students Step #8: Encourage Peer Collaboration and Feedback

We can tell students something a hundred times, but they won’t listen until a peer says the same thing. Us educators know the value of positive peer interaction, so don’t limit it in a creative writing class!

There are a ton of ways to implement peer interaction in a creative writing class. I often do this on the first day of class with a writing game. You’ve probably heard of it: everyone writes a sentence on a piece of paper, then everyone passes the paper and adds a sentence, and so on. 

I highly encourage you to use peer feedback throughout the class. I usually start having students share their work from day one with my free “I Am” Poem Lesson so that they can start getting used to having their work read by others immediately.

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Make getting feedback so routine in your room that students don’t even question it.

It’s really tempting to let students get away without sharing their work. We don’t want to make shy or anxious students uncomfortable. I mean, what better way to completely ruin creative writing for a student than to make them feel embarrassed all the time, right?

But keep trying to encourage shy students to share. Even if that means you share it anonymously or read it aloud for them. 

I recommend including some kind of peer feedback with every writing assignment . Yes, even short practice assignments. This will work as a kind of “immersion therapy” for receiving feedback on more involved work.

After some time, you might find that your students even begin to share their work without your prompting! 

I like to organize the desks in my Creative Writing class so that students are in little groups. I’ve found that at least half of my classes will begin talking and sharing with one another in their little groups while working on projects. 

They’ll ask each other questions or to remind them of a word. They’ll read sentences aloud and ask if they sound right. Personally, I would much rather hear this kind of chatter in my class than have a dead silent room of boring writers!

However you decide to allow students to work together, be sure to provide the opportunity. Reading and getting feedback from peers could possibly teach students more about writing than any of your instruction (sorry!).

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One of the truly great things about teaching creative writing to high school students is that there often isn’t a rigid curriculum. Of course, this is also sometimes one of the worst things about teaching creative writing to high school students!

You have total freedom over the assignments you give, the standards you teach, and how you organize and structure your classroom. After a few years of teaching Creative Writing, however, I’ve found that sticking to these six steps is a great way to have a successful semester.

If you’re excited about teaching your Creative Writing class, but are running low on prep time, check out my complete 9-week Creative Writing course ! Included are two different types of warm-ups, poetry analysis activities from well-known authors, mini-lesson, projects, and more!

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how does creative writing benefit students

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how does creative writing benefit students

To improve literacy, focus on writing

how does creative writing benefit students

Bita Nazarian

how does creative writing benefit students

Jaime Balboa

how does creative writing benefit students

Laura Brief

October 20, 2021.

how does creative writing benefit students

We have all been reading the news about disappointing literacy rates in California, which have been exacerbated by the pandemic and online learning. Last month, State Superintendent of Public Instruction Tony Thurmond announced a plan to improve literacy rates aimed at having all third graders in the state at reading level by 2026.

While this issue has made the news, it isn’t new. In fact, low literacy rates have been persistent and prevalent for decades, especially for students from low-income communities and students of color. Policymakers often exclusively focus on reading when addressing literacy gaps. However, research shows that writing skills help students become better readers and ultimately understand all subjects better.

On a national policy level, the critical importance of writing was underscored with the adoption of Common Core standards in 2010, which emphasize how writing must be taught and addressed across every subject area. Despite the focus on writing in the state standards, results from the National Assessment of Educational Progress ( NAEP ) in 2011 found that nationwide, only 27% of high school seniors and 10% of Black and Hispanic students are proficient in writing. In 2016, a national survey found that half of teachers felt that they did not have sufficient professional development to successfully implement the current writing standards. We know a focus on effective writing instruction is essential to any effort to improve literacy rates.

Whereas reading is knowledge, writing is agency, power and influence.

Writing not only helps students master new material, but it also serves as a tool for self-expression, reflection and community building. Writing can create new worlds and bring imagination to life. In a society that has historically devalued the voices of young people of color, writing empowers them to tell their own stories, succeed in school and career, engage in our national dialogue and become leaders in a global information economy. Writing skills are essential to building a just, equitable and democratic society where every voice matters.

In our research report, The Truth About Writing in America , we interviewed 19 experts in literacy education, including leading researchers, educators and writers, on the current state of writing education — its benefits as well as challenges. While the field has moved forward in some ways, many of the challenges remain. And while the data is daunting, we know that our students are capable of achieving so much more with the right support.

Let’s bring writing instruction front and center. From our conversations with the expert panel, we put forward four recommendations that policymakers and practitioners can follow to strengthen writing education:

  • Redefine the classroom: Encourage and support students to continue writing anywhere, anytime, and on anything, and with any platform.
  • Reunite reading and writing: Make the relationship between reading and writing explicit through discussion, examples and publishing student work. And start early.
  • Identify teachers as writers: Establish communities of practice for teachers to learn, share and grow as writers.
  • Level the playing field. Invest in responsive writing programming that meets the needs of students from low-income communities, students of color and English Learners.

As Hattie Bellino, a former 826 Valencia student, says, “My voice is important because my perspective and experiences have the power to shift my reality and my community’s reality towards equity.”

It is time to improve literacy WRITE NOW.

Bita Nazarian and Jaime Balboa are the executive directors of 826 Valencia and 826LA , nonprofit organizations dedicated to supporting under-resourced students ages 6 to 18 with their creative and expository writing skills and to helping teachers inspire their students to write. Laura Brief is the CEO of 826 National .

The opinions in this commentary are those of the authors. If you would like to submit a commentary, please review our  guidelines  and  contact us .

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Lori Gregg-Hammer 3 years ago 3 years ago

As a 20-year veteran teacher now doing a year of service with 826 Valencia through AmeriCorps, I cannot agree with this article more. I always struggled to teach writing to my students because I just didn't feel equipped to do the task. I love writing but I never really received strategic training on how to teach students how to write. "Identify teachers as writers: Establish communities of practice for teachers to learn, share and grow … Read More

As a 20-year veteran teacher now doing a year of service with 826 Valencia through AmeriCorps, I cannot agree with this article more. I always struggled to teach writing to my students because I just didn’t feel equipped to do the task. I love writing but I never really received strategic training on how to teach students how to write.

“Identify teachers as writers: Establish communities of practice for teachers to learn, share and grow as writers.”

This recommendation especially resonated with me as a writer, a teacher, a woman of color, and as one who hopes to help other people (young and old) own their identity as writers so they can amplify their own voices.

John Seethoff 3 years ago 3 years ago

Ralph mckay 3 years ago 3 years ago.

Congratulations on an excellent commentary. I loved this sentence: “Whereas reading is knowledge, writing is agency, power, and influence.”

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Writing Can Help Us Heal from Trauma

  • Deborah Siegel-Acevedo

how does creative writing benefit students

Three prompts to get started.

Why does a writing intervention work? While it may seem counterintuitive that writing about negative experiences has a positive effect, some have posited that narrating the story of a past negative event or an ongoing anxiety “frees up” cognitive resources. Research suggests that trauma damages brain tissue, but that when people translate their emotional experience into words, they may be changing the way it is organized in the brain. This matters, both personally and professionally. In a moment still permeated with epic stress and loss, we need to call in all possible supports. So, what does this look like in practice, and how can you put this powerful tool into effect? The author offers three practices, with prompts, to get you started.

Even as we inoculate our bodies and seemingly move out of the pandemic, psychologically we are still moving through it. We owe it to ourselves — and our coworkers — to make space for processing this individual and collective trauma. A recent op-ed in the New York Times Sunday Review affirms what I, as a writer and professor of writing, have witnessed repeatedly, up close: expressive writing can heal us.

how does creative writing benefit students

  • Deborah Siegel-Acevedo is an author , TEDx speaker, and founder of Bold Voice Collaborative , an organization fostering growth, resilience, and community through storytelling for individuals and organizations. An adjunct faculty member at DePaul University’s College of Communication, her writing has appeared in venues including The Washington Post, The Guardian, and CNN.com.

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Why Students Should Write in All Subjects

Writing improves learning by consolidating information in long-term memory, researchers explain. Plus, five engaging writing activities to use in all subjects.

An illustration of the inside of a mind while writing

For Kyle Pahigian, a 10th-grade math teacher at University Park Campus School in Massachusetts, a lesson on congruent triangles doesn’t start with calculators and protractors. Instead, she hands her students a treasure map and asks them to write detailed directions—using landmarks as a guide—to the buried treasure.

“I won’t tell the kids right away, ‘Today we’re going to learn about triangle congruence theorems,’” said Pahigian. “I want them to instead view it as them experimenting with something and doing something that they feel like they’re really good at.” Students often feel intimidated by math, and transforming the activity into a writing exercise eases some of the anxiety of introducing difficult concepts, she said.

In Pahigian’s math class, writing is regularly used as a learning strategy, one that gives her a window into her students’ thinking. “I like to do low-stakes writing when we’re coming up with definitions,” said Pahigian. Instead of telling her students what a polygon is, for example, she’ll show them a set of polygons and a set of non-polygons, and ask them, “What do you notice? What differences do you see?” Students spend a few minutes writing down their answers, and then join groups to compare responses.

“It’s really interesting and fun for me to read what they’ve written, because I can see all the questions. I can see the process,” said Pahigian.

A recent study sheds light on why writing is such a beneficial activity—not just in subjects typically associated with writing, like history and English, but across all subjects. Professor Steve Graham and his colleagues at Arizona State University’s Teachers College analyzed 56 studies looking at the benefits of writing in science, social studies, and math and found that writing “reliably enhanced learning” across all grade levels. While teachers commonly ask students to write about a topic in order to assess how well they understand the material, the process of writing also improves a student’s ability to recall information, make connections between different concepts, and synthesize information in new ways. In effect, writing isn’t just a tool to assess learning, it also promotes it.

Strengthening Memories

Why is writing effective? “Writing about content material facilitates learning by consolidating information in long-term memory,” explain Graham and his colleagues, describing a process known as the retrieval effect . As previous research has shown , information is quickly forgotten if it’s not reinforced, and writing helps to strengthen a student’s memories of the material they’re learning.

It’s the same cognitive mechanism that explains why practice tests are effective : In a 2014 study, students who took low-stakes practice tests in science and history classes scored 16 percentage points higher on their final exams than students who simply studied the material. “Practicing retrieval of recently studied information enhances the likelihood of the learner retrieving that information in the future,” the researchers of the 2014 study said.

Writing about a topic also encourages students to process information at a deeper level. Answering multiple-choice or short-answer questions may help with factual recall, but putting thoughts on paper encourages students to evaluate different ideas, weighing the importance of each one and considering the order they should be presented in, Graham and his colleagues write. By doing so, students may make new connections between ideas, ones they may not have made when initially learning the information.

A Metacognitive Tool

Students often believe that they understand a topic, but if they’re asked to write it down—and explain it—gaps in their understanding may be revealed. One of the most effective writing strategies that Graham and his colleagues found was metacognitive prompting, in which students are asked not only to recall information but also to apply what they’ve learned to different contexts by thinking about multiple sides of a position or making predictions based on what they currently know. For example, instead of simply reading about ecosystems in a textbook, students can write about their own impact by examining how much trash their household produces or the environmental impact of producing the food they eat.

5 Writing Strategies to Use in Any Subject

Here are a variety of ideas teachers have shared with Edutopia in recent years on incorporating writing into a variety of subjects.

“I wonder” journals: At Crellin Elementary School in Oakland, Maryland, teachers encouraged students to ask “I wonder” questions to push their learning beyond the classroom. After visiting a local barn and garden, for example, Dave Miller realized his fifth-grade students had more questions about animals and plants than he had time to answer, so he had them write down anything they were confused or curious about, which helped him plan future lessons and experiments.

“If they don’t wonder, ‘How would we ever survive on the moon?’ then that’s never going to be explored,” said Dana McCauley, Crellin’s principal. “But that doesn’t mean they should stop wondering, because wonderings lead to thinking outside the box, which makes them critical thinkers. As they try to figure it out, and reflect on what they’re doing, that’s where it all ties together for them. That’s where all that learning occurs—where all the connections start being made.”

Travel journals: Every student at Normal Park Museum Magnet, a K–8 school in Chattanooga, Tennessee, created a travel journal to chart their learning. These journals included not only charts, drawings, and graphic organizers, but also writing and reflection pieces that capture students’ learning about a topic.

When fifth-grade teacher Denver Huffstutler began a unit on earth science, he asked his students to imagine they were explorers looking for a new world that could sustain life. In their travel journal, they kept track of everything they were learning, from the impact of man-made disasters to their designs and calculations for a manned rocket that could reach distant planets.

Low-stakes writing: Writing can be daunting, so teachers at University Park Campus School used daily low-stakes writing activities to foster student voice, self-confidence, and critical thinking skills—a school-wide strategy used in every subject.

“The most important thing about it for me is that it’s not censored, and it’s not too highly structured,” said seventh-grade science teacher James Kobialka. “It’s about them getting their own ideas down, and then being able to interact with those ideas, change them, and revise them if they’re not correct.”

For example, when Kobialka’s students were learning about the conservation of mass, he didn’t start by defining it—he showed them a picture and asked, “What do you notice about the atoms on both sides? How can you explain that?” Students wrote down their observations, and the entire class came up with a definition. “From there,” he said, “once that consensus is formed, I’ll ask somebody to write it on the board, and we’ll talk about the key concepts.”

Student-created magazines: In Alessandra King’s algebra class, students created a magazine with dozens of articles about real world applications of math. For each article, they selected a primary source—an article from Scientific American , for example—read it closely, and then wrote a summary. Students wrote about a range of topics, from gerrymandering to fractals in Jackson Pollock’s paintings to invisibility cloaks.

“Effective writing clarifies and organizes a student’s thoughts, and the slow pace of writing is conducive to student learning because it allows them to reason carefully to make sure they’re correct before they state their thoughts,” King wrote. “Studies have shown that writing is valuable specifically for the math classroom—for example, it seems that a student’s ability to explain concepts in writing is related to the ability to comprehend and apply them.”

Creative writing: Former teachers Ed Kang and Amy Schwartzbach-Kang incorporated storytelling and creative writing into their after-school program’s science lessons. For example, they asked students to imagine a creature that could survive in a local habitat —the Chicago River, in their case. What color would it be? What features would help it to survive and defend itself? How would it hunt its prey? Students then wrote a story about their creature that combined science concepts with creative storytelling.

“There’s brain science to support using stories to help kids engage with content and create personal meaning,” explained Kang, who has a Ph.D. in neuroscience. “Listening to facts mainly stimulates the two language-processing areas of the brain. However, when we listen to a story, additional parts of the brain are also activated—regions involved with our senses and motor movements help listeners actually ‘feel’ the descriptions.”

What Benefits Might Reflective Writing Have for My Students?

Getting Started

Why include writing in my courses?

What is writing to learn?

WTL Activities

What is writing to engage?

What is writing in the disciplines?

WID Assignments

Useful Knowledge

What should I know about rhetorical situations?

Do I have to be an expert in grammar to assign writing?

What should I know about genre and design?

What should I know about second-language writing?

What teaching resources are available?

What should I know about WAC and graduate education?

Assigning Writing

What makes a good writing assignment?

How can I avoid getting lousy student writing?

What benefits might reflective writing have for my students?

Using Peer Review

Why consider collaborative writing assignments?

Do writing and peer review take up too much class time?

How can I get the most out of peer review?

Responding to Writing

How can I handle responding to student writing?

Sample Grading Sheets

How can writing centers support writing in my courses?

What writing resources are available for my students?

Using Technology

How can computer technologies support writing in my classes?

Designing and Assessing WAC Programs

What is a WAC program?

What designs are typical for WAC programs?

How can WAC programs be assessed?

More on WAC

Where can I learn more about WAC?

In The Reflective Practitioner: How Professionals Think in Action , Donald Schön notes that

When we go about the spontaneous, intuitive performance of the actions of everyday life, we show ourselves to be knowledgeable in a special way. Often we cannot say what it is that we know. When we try to describe it we find ourselves at a loss, or we produce descriptions that are obviously inappropriate. Our knowing is ordinarily tacit, implicit in our patterns of action and in our feel for the stuff with which we are dealing. (49)

He then explains one of the major functions of reflection for the practitioner:

Through reflection, [the practitioner] can surface and criticize the tacit understandings that have grown up around the repetitive experiences of a specialized practice, and can make new sense of the situations of uncertainty or uniqueness which he may allow himself to experience. (61)

As writers, students have less tacit understanding of how to construct texts generally and much less tacit understanding of how to construct texts in their new content disciplines. Thus, the first major contribution of reflective writing for students as writers is that such work allows student writers to examine their tacit understandings to see where and how those might be elaborated for the complex or uncertain rhetorical contexts they write within.

In addition to this advantage of reflection, many teachers of writing have found that students who reflect about their writing processes and decisions are able and careful critics of their own work. They often see exactly those shortcomings that a target reader will identify. Students can, then, anticipate the responses that teachers give to the text, often in productive ways if the reflective writing occurs before final submission of a writing assignment.

Teachers who assign reflective writing, however, are not solely concerned with having students consider their writing processes and rhetorical decisions. Many teachers across the curriculum strongly believe in the value of reflecting on one's knowledge and practices, particularly in clinical, professional, and classroom settings.

To sum up responses to the question, then, reflective writing benefits students because it

  • Helps students identify their tacit knowledge as well as gaps in that knowledge
  • Brings to the surface rhetorical and writing process decisions that can focus subsequent revision or learning
  • Encourages growth as a working professional

Beyond the Basics

Reflective writing is used across disciplines, but it most widely accepted as a pre-professional practice in nursing and teacher education. (See Mortari 2012, for a partial review of the literature in nursing.) The sheer number of recent titles on reflection in the literature of these disciplines puts an exhaustive review (or even listing) beyond the scope of this text, but the table below captures some of recent titles across the curriculum. Please search key disciplinary journals to find those sources most pertinent to the courses you teach.

(specific discipline; type of reflective assignment)

General

Ho & Lee, 2012 (interdisciplinary; essay)

Jehangir, 2010 (interdisciplinary; essay)

Leijen et al., 2012 (interdisciplinary; varied)

Lew et al., 2011 (interdisciplinary; journal)

Park & Milora, 2012 (interdisciplinary; varied)

Arts/Humanities

Baker & Krout, 2012 (music therapy; songwriting)

Barney & Mackinlay, 2010 (indigenous studies; journal)

Browning, 2011 (communication studies; short papers)

Gulwadi, 2009 (interior design; journal)

Ponte, 2006 (law; essay)

Prescott, 2012 (creative writing; "life-writing" commentary)

Ryan & Brough, 2012 (fashion design; garment critique)

Business

Bisman, 2011 (accounting; journal)

Chu et al., 2012 (nursing & information management; blog)

Vega, 2004 (business management; case writing)

Wills & Clerken, 2009 (business management; simulation and critical writing

Education

Badley, 2009 (education, essay)

Bairral & dos Santos, 2012 (mathematics pre-service; e portfolio)

Brown & Coles, 2012 (mathematics pre-service; analysis)

Ciminelli, 2011 (pre-service literacy education; interactive intervention)

Cisero, 2006 (educational psychology; journal)

Dianovsky & Wink, 2012 (elementary ed chemistry; journal)

Fadde et al., 2009 (pre-service education; video editing and writing)

Hagavik et al., 2012 (teacher education; action research)

Harland & Wondra, 2011 (pre-service education; blog and essay)

Hughes, 2008 (sexuality education; integration papers)

Kajdar & Parkes, 2012 (pre-service education; blog and videolog)

Knapp, 2012 (pre-service education; journal)

Lai & Calandra, 2010 (pre-service education; online prompted journal)

Lee, 2010 (physical education pre-service; journal)

Mortari, 2012 (teacher education; journal)

O'Connell & Dyment, 2011 (physical education pre-service; journal)

Parker, 2010 (pre-service education; literacy narrative)

Schwartz et al., 2004 (secondary science teachers; journal)

Starks et al., 2012 (pre-service education; teaching critique)

Social Sciences

Attard, 2012 (social sciences; narrative journal)

Brewer & Josefowicz, 2006 (economics; journal)

Holtzman, 2005 (sociology; activity)

McGuinness, 2009 (geography, diaries)

McGuire et al., 2009 (social work; essay)

Mott, 2008 (political science; personal essay)

Nesoff, 2004 (social work; journal)

Rusche & Jason, 2011 (sociology; sequence of tasks)

Trepagnier, 2004 (sociology; portfolio reflection)

Walmsley & Birkbeck, 2006 (social work; personal narrative)

Sciences

Bairral & dos Santos, 2012 (mathematics pre-service; e portfolio)

Balgopal & Montplaisir, 2011 (biology; 10 essays)

Brown & Coles, 2012 (mathematics pre-service; analysis)

Cisero, 2006 (educational psychology; journal)

Clark, 2010 (psychology; final paper)

Dianovsky & Wink, 2012 (elementary ed chemistry; journal)

Kalman, 2011 (general science; concept writing)

Kalman & Rohar, 2010 (physics; varied)

Mayne, 2012 (bioscience; reflective writing)

McDonald & Dominguez, 2009 (science, guided writing)

Parry et al., 2012 (bioscience; critical incident report)

Schwartz et al., 2004 (secondary science teachers; journal)

Shepherd, 2010 (health science; essay)

Simmons, 2008 (natural resources; memoir)

Walker, 2006 (sports science; journal)

Professional Practice

Chu et al., 2012 (nursing & information management; blog)

Lie et al., 2010 (internal medicine; narrative paper)

Hill et al., 2012 (speech therapy; journal)

Smith-Battle, 2012 (nursing education; student-created dramas)

Sung et al., 2009 (teachers; digital teaching portfolio)

Wald et al., 2009 (medical education; field notes)

Often, reflective writing is assigned or captured in journals (kept in hardcopy or online). One common complaint from students is that so many of their teachers assign reflective journals that students feel overburdened with this kind of writing. Teachers, on the other hand, sometimes complain that students do not engage in authentic reflection and rely instead on simple description of activities or events. To address these typical problems, Dyment et al. (2010) consider the factors that limit the effectiveness of reflective journals for students. They provide useful suggestions for setting clear expectations by specifying the purpose of the journal in the specific course as well as connecting journal goals to a larger educational program or professional practice. Dyment et al. also explore the importance of noting the audience for the journal and its "mechanics"—how much it counts in a course grade, how often students should write and for how long, what specific requirements the teacher has for entries, and so on. They continue their helpful logistical advice with notes about how to help students to read and write journal entries and how and when to respond and grade journals. (See also Mills, 2008.)

Hubbs & Brand (2010) add to this basic information about setting up a reflective journal by defining two dimensions common to journal activities -concrete/abstract and cognitive/affective spectra. They contend that having students analyze their own journaling helps them to connect and critique classroom learning and practical experience.

Moving beyond the journal as the vehicle for reflection, Rusche & Jason (2011) describe a detailed sequence of reflective writing tasks that culminate in a final reflective essay. Although their sequence derives from sociology, the activities might easily translate to other disciplines. Similarly, Mair (2012) describes an online resource designed to facilitate reflective writing, develop students' metacognitive awareness and, ultimately, enhance learning.

Rai (2012) turns to questions related to assessing reflective writing, focusing specifically on the emotional elements often included in reflection on practice in disciplines such as social work, nursing, and teaching. Like Rai, Tummons (2011) questions the validity of assessing reflective writing. Unlike Rai, Tummons' position is more critical of our current assessment practices. He argues that our typical assessment practices mask complexities and contradictions in how students write reflective assignments and how we read them. He calls for new assessment based on clearer theoretical underpinnings, particularly from social theories of language and literacy. Although not focused exclusively on assessment of reflective writing, Ross (2011) also takes up theoretical viewpoints on the affective dimension of reflective writing and how teachers might consider issues of identity, authenticity, ownership, privacy and performativity in compulsory reflective writing.

Attard, K. (2012). The role of narrative writing in improving professional practice. Educational Action Research, 20 (1), 161-175.

Badley, G. (2009). A reflective essaying model for higher education. Education & Training, 51 (4), 248-258.

Bairral, M.A., & dos Santos, R.T. (2012). E-Portfolio improving learning in mathematics pre-service teacher. Digital Education Review, 21 : 1-12.

Baker, F., & Krout, R. (2012). Turning experience into learning: Educational contributions of collaborative peer songwriting during music therapy training. International Journal of Music Education, 30 (2), 133-147.

Balgopal, M.M., & Montplaisir, L.M. (2011). Meaning making: What reflective essays reveal about biology students' conceptions about natural selection. Instructional Science, 39 (2), 137-169.

Barney, K., & Mackinlay, E. (2010). Creating rainbows from words and transforming understandings: Enhancing student learning through reflective writing in an aboriginal music course. Teaching in Higher Education, 15 (2), 161-173.

Bisman, J. (2011). Engaged pedagogy: A study of the use of reflective journals in accounting education. Assessment & Evaluation in Higher Education, 36 (3), 315-330.

Brewer, S.M., & Jozefowicz, J.J. (2006). Making economic principles personal: Student journals and reflection papers. Journal of Economic Education, 37 (2), 202-216.

Brown, L., & Coles, A. (2012). Developing "deliberate analysis" for learning mathematics and for mathematics teacher education: How the enactive approach to cognition frames reflection. Educational Studies in Mathematics, 80 (1), 15.

Browning, B.W. (2011). Gladwell and group communication: Using "The Tipping Point" as a supplemental text. Communication Teacher 25 (2), 90-93.

Chu, S.K.W., Chan, C.K.K., & Tiwari, A.F.Y. (2012). Using blogs to support learning during internship. Computers & Education, 58 (3), 989-1000.

Ciminelli, M.R. (2011). A model for developing pre-service teacher reflection: An interactive intervention strategy. AILACTE Journal, 8 : 1-14.

Cisero, C.A. (2006). Does reflective journal writing improve course performance? College Teaching, 54 (2), 231-236.

Clark, K.M. (2010). Applied and transformed understanding in introductory psychology: Analysis of a final essay assignment. Journal of the Scholarship of Teaching and Learning, 10 (3), 41-57.

Dianovsky, M.T., & Wink, D.J. (2012). Student learning through journal writing in a general education chemistry course for pre-elementary education majors. Science Education, 96 (3), 543-565.

Dyment, J.E., & O'Connell, T.S. (2010). The quality of reflection in student journals: A review of limiting and enabling factors. Innovative Higher Education, 35 (4), 233-244.

Fadde, P.J., Aud, S., & Gilbert, S. (2009). Incorporating a video-editing activity in a reflective teaching course for preservice teachers. Action in Teaching Education, 31 (1), 75-86.

Gulwadi, G.B. (2009). Using reflective journals in a sustainable design studio. International Journal of Sustainability in Higher Education, 10 (1), 43-53.

Hagevik, R., Aydeniz, M., & Rowell, C.G. (2012). Using action research in middle level teacher education to evaluate and deepen reflective practice. Teaching and Teacher Education, 28 (5), 675-684.

Harland, D.J., & Wondra, J.D. (2011). Preservice teachers' reflection on clinical experiences: A comparison of blog and final paper assignments. Journal of Digital Learning in Teacher Education, 27 (4), 128-133.

Hill, A.E., Davidson, B.J., & Theodoros, D.G. (2012). Reflections on clinical learning in novice speech-language therapy students. International Journal of Language & Communication Disorders, 47 (4), 413-426.

Ho, S., & Lee, V.M.W. (2012). Toward integration of reading and service learning through an interdisciplinary program. Asia Pacific Education Review, 13 (2), 251-262.

Holtzman, M. (2005). Teaching sociological theory through active learning: The irrigation exercise. Teaching Sociology, 33 (2), 206-212.

Hubbs, D., & Brand, C.F. (2010). Learning from the inside out: A method for analyzing reflective journals in the college classroom. Journal of Experiential Education, 33 (1), 56-71.

Hughes, J.L. (2008). Encouraging students to apply human sexuality material to themselves by using integration papers. American Journal of Sexuality Education, 3 (3), 247-253.

Jehangir, R. (2010). Stories as knowledge: Bringing the lived experience of first-generation college students into the academy. Urban Education, 45 (4), 533-553.

Kajder, S., & Parkes, K. (2012). Examining preservice teachers' reflective practice within and across multimodal writing environments. Journal of Technology and Teacher Education, 20 (3), 229-249.

Kalman, C.S. (2011). Enhancing students' conceptual understanding by engaging science text with reflective writing as a hermeneutical circle. Science & Education, 20 (2), 159-172.

Kalman, C.S., & Rohar, S. (2010). Toolbox of activities to support students in a physics gateway course. Physical Review Special Topics - Physics Education Research, 6 (2), 2011-2015.

Knapp, N.F. (2012). Reflective journals: Making constructive use of the "apprenticeship of observation" in preservice teacher education. Teaching Education, 23 (3), 323-340.

Lai, G., & Calandra, B. (2010). Examining the effects of computer-based scaffolds on novice teachers' reflective journal writing. Educational Technology Research and Development, 58 (4), 421-437.

Lee, O. (2010). Facilitating preservice teachers' reflection through interactive online journal writing. Physical Educator, 67 (3), 128-139.

Leijen, A., Valtna, K., Leijen, D.A.J., & Pedaste, M. (2012). How to determine the quality of students' reflections? Studies in Higher Education, 37 (2), 203-217.

Lew, D.N.M., & Schmidt, H.G. (2011). Writing to learn: Can reflection journals be used to promote self-reflection and learning? Higher Education Research and Development, 30 (4), 519-532.

Lie, D., Shapiro, J., Cohn, F., & Najm, W. (2010). Reflective practice enriches clerkship students' cross-cultural experiences. Journal of General Internal Medicine, 25 (2), S119-S125.

Mair, C. (2012). Using technology for enhancing reflective writing, metacognition and learning. Journal of Further and Higher Education, 36 (2), 147-167.

Mayne, L. (2012). Reflective writing as a tool for assessing teamwork in bioscience: Insights into student performance and understanding of teamwork. Biochemistry and Molecular Biology Education, 40 (4), 234-240.

McDonald, J., & Dominguez, L. (2009). Reflective writing: Developing patterns for thinking about learning in science. Science Teacher, 76 (3), 46-49.

McGuinness, M. (2009). Putting themselves in the picture: Using reflective diaries in the teaching of feminist geography. Journal of Geography in Higher Education, 33 (3), 339-349.

McGuire, L., Lay, K., & Peters, J. (2009). Pedagogy of reflective writing in professional education. Journal of the Scholarship of Teaching and Learning, 9 (1), 93-107.

Mills, R. (2008). "It's just a nuisance": Improving college student reflective journal writing. College Student Journal, 42 (2), 684-690.

Moore, F.M. (2008). Agency, identity, and social justice education: Preservice teachers' thoughts on becoming agents of change in urban elementary science classrooms. Research in Science Education, 38 (5), 599-610.

Mortari, L. (2012). Learning thoughtful reflection in teacher education. Teachers and Teaching, 18 (5), 525-545.

Mott, J. (2008). Passing our lives through the fire of thought: The personal essay in the political theory classroom. PS: Political Science & Politics, 41 (1), 207-211.

Nesoff, I. (2004). Student journals: A tool for encouraging self-reflection and critical thought. The Journal of Baccalaureate Social Work, 10 (1), 46-60.

O'Connell, T., & Dyment, J. (2011). Health and physical education pre-service teacher perceptions of journals as a reflective tool in experience-based learning. European Physical Education Review, 17 (2), 135-151.

Park, J.J., & Millora, M.L. (2012). The relevance of reflection: An empirical examination of the role of reflection in ethic of caring, leadership, and psychological well-being. Journal of College Student Development, 53 (2), 221-242.

Parker, D.C. (2010). Writing and becoming [a teacher]: Teacher candidates' literacy narratives over four years. Teaching and Teacher Education: An International Journal of Research and Studies, 26 (6), 1249-1260.

Parry, D., Walsh, C., Larsen, C., & Hogan, J. (2012). Reflective practice: A place in enhancing learning in the undergraduate bioscience teaching laboratory? Bioscience Education, 19 : 10.

Ponte, L.M. (2006). The case of the unhappy sports fan: Embracing student-centered learning and promoting upper-level cognitive skills through an online dispute resolution simulation. Journal of Legal Studies Education, 23 (2), 169-194.

Prescott, L. (2012). Life writing and life-learning: An analysis of creative writing students' work. Studies in Continuing Education, 34 (2), 145-157.

Rai, L. (2012). Responding to emotion in practice-based writing. Higher Education: The International Journal of Higher Education and Educational Planning, 64 (2), 267-284.

Ross, J. (2011). Traces of self: Online reflective practices and performances in higher education. Teaching in Higher Education, 16 (1), 113-126.

Rusche, S.N., & Jason, K. (2011). "You have to absorb yourself in it": Using inquiry and reflection to promote student learning and self-knowledge. Teaching Sociology, 39 (4), 338-353.

Ryan, M., & Brough, D. (2012). Reflections around artefacts: Using a deliberative approach to teaching reflective practices in fashion studies. Journal of Learning Design, 5 (1), 1-11.

Schwartz, R.S., Lederman, N.G., & Crawford, B.A. (2004). Developing view of nature of science in an authentic context: An explicit approach to bridging the gap between nature of science and scientific inquiry. Science Education, 88 (4), 610-645.

Schön, D. (1983). The Reflective Practitioner: How Professionals Think in Action . New York: Basic Books.

Shepherd, R. (2010). If these walls could talk: Reflective practice in addiction studies among undergraduates in New Zealand. International Journal of Mental Health and Addiction, 8 (4), 583-594.

Simmons, S.R. (2008). "Knowing our place and time": Memoir as pedagogy. Journal of Natural Resources and Life Sciences Education. 37 : 1-7.

Smith-Battle, L. (2012). Learning to see the other through student-created dramas. Journal of Nursing Education, 51 (10), 591-594.

Starks, D., Nicholas, H., & Macdonald, S. (2012). Structured reflective communication as a meta-genre in teacher education: Creative uses of "critique" in a teacher education program. Australian Journal of Teacher Education, 37 (3), 90-110.

Sung, T.Y., Chang, E.K., Yu, C.W., & Chang, H.T. (2009). Supporting teachers' reflection and learning through structured digital teaching portfolios. Journal of Computer Assisted Learning, 25 (4), 375-385.

Trepagnier, B. (2004). Teaching sociology through student portfolios. Teaching Sociology, 32 (2), 197-205.

Tummons, J. (2011). "It sort of feels uncomfortable": Problematising the assessment of reflective practice. Studies in Higher Education, 36 (4), 471-483.

Vega, G. (2010). The undergraduate case research study model. Journal of Management Education, 34 (4), 574-604.

Wald, H.S., Davis, S.W., Reis, S.P., Monroe, A.D., & Borkan, J.M. (2009). Reflecting on reflections: Enhancement of medical education curriculum with structured field notes and guided feedback. Academic Medicine, 84 (7), 830-837.

Walker, S.E. (2006). Journal writing as a teaching technique to promote reflection. Journal of Athletic Training, 41 (2), 216-221.

Walmsley, C., & Birkbeck, J. (2006). Personal narrative writing: A method of values reflection for BSW students. Journal of Teaching Social Work, 26 (1-2), 111-126.

Wear, D., Zarconi, J., Garden, R., & Jones. T. Reflection in/and writing: Pedagogy and practice in medical education. Academic Medicine, 87 (5), 603-609.

Wills, K.V., & Clerking, T.A. (2009). Incorporating reflective practice into team simulation projects for improved learning outcomes. Business Communication Quarterly, 72 (2), 221-227.

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Search form, resources for, creative writing, why take courses in creative writing.

The Creative Writing Department prioritizes an inclusive workshop climate where creative expression, experimentation, and collaboration thrive. Our program offers an in-depth and rigorous course of study with instruction, studio training, and coursework in a variety of genres, including poetry, fiction, nonfiction, screenwriting, and hybrid forms.

What kinds of questions does Creative Writing explore?

What are the conventions and possibilities of different genres (e.g., fiction, poetry, creative nonfiction)? 

  • What are the challenges of language in artfully expressing certain ideas, emotions or experiences, and how can writers push against these challenges? 
  • What role does feedback and criticism play in the creative writing process, and how can writers effectively incorporate feedback while maintaining their artistic vision?

What advice would you give students interested in taking courses in Creative Writing?

Our courses are open to students who may not have any prior formal creative writing training or practice. We aim to foster young writers of diverse aesthetics and backgrounds in the interrelated practices of writing, revision, close reading, constructive critique, and building an engaged, supportive community.

Taking Courses

Courses for non-majors or general interest.

  • First-year students are encouraged to take any 100-level to explore their interest in creative writing. 200-level courses are open to students beginning in the student’s second semester.

Getting started in the major

Admission to the major requires an application after the completion of two 200-level courses. Alternatively, students who have taken a 100-level course can apply while enrolled in a second 200-level course.

Advanced Placement Credit 

Creative Writing does not accept Advanced Placement (AP) credit toward major requirements. Refer to the  AP/IB chart for complete information about AP test scores. 

Majoring in Creative Writing

Provided are two examples of how a student could distribute courses required for the major over three or four years. See the catalog for additional details about major requirements.

  Fall Spring
Y1 CRWR 1XX CRWR 2XX
Y2   CRWR 2XX
ENGL 2XX
Y3 CRWR 3XX
AAST 2XX
CRWR 3XX
Y4 CRWR 3XX
CINE 2XX
CRWR 490
AAST 3XX
  Fall Spring
Y1    
Y2 CRWR 2XX CRWR 2XX
CMPL 2XX
Y3 CRWR 3XX CRWR 3XX
CMPL 3XX
Y4 THEA 3XX
CMPL 3XX
CRWR 3XX
CRWR 490

Related Areas of Study

Africana Studies; Cinema Studies; Comparative Literature; Languages; English; Theater.

Creative Writing Major Requirements Creative Writing Department  

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100 Last-Day-of-School Activities Your Students Will Love!

The Best Student Writing Contests for 2023-2024

Help your students take their writing to the next level.

We Are Teachers logo and text that says Guide to Student Writing Contests on dark background

When students write for teachers, it can feel like an assignment. When they write for a real purpose, they are empowered! Student writing contests are a challenging and inspiring way to try writing for an authentic audience— a real panel of judges —and the possibility of prize money or other incentives. We’ve gathered a list of the best student writing contests, and there’s something for everyone. Prepare highly motivated kids in need of an authentic writing mentor, and watch the words flow.

1.  The Scholastic Art & Writing Awards

With a wide range of categories—from critical essays to science fiction and fantasy—The Scholastic Awards are a mainstay of student contests. Each category has its own rules and word counts, so be sure to check out the options  before you decide which one is best for your students.

How To Enter

Students in grades 7-12, ages 13 and up, may begin submitting work in September by uploading to an online account at Scholastic and connecting to their local region. There are entry fees, but those can be waived for students in need.

2.  YoungArts National Arts Competition

This ends soon, but if you have students who are ready to submit, it’s worth it. YoungArts offers a national competition in the categories of creative nonfiction, novel, play or script, poetry, short story, and spoken word. Student winners may receive awards of up to $10,000 as well as the chance to participate in artistic development with leaders in their fields.

YoungArts accepts submissions in each category through October 13. Students submit their work online and pay a $35 fee (there is a fee waiver option).

3. National Youth Foundation Programs

Each year, awards are given for Student Book Scholars, Amazing Women, and the “I Matter” Poetry & Art competition. This is a great chance for kids to express themselves with joy and strength.

The rules, prizes, and deadlines vary, so check out the website for more info.

4.  American Foreign Service National High School Essay Contest

If you’re looking to help students take a deep dive into international relations, history, and writing, look no further than this essay contest. Winners receive a voyage with the Semester at Sea program and a trip to Washington, DC.

Students fill out a registration form online, and a teacher or sponsor is required. The deadline to enter is the first week of April.

5.  John F. Kennedy Profile in Courage Essay Contest

This annual contest invites students to write about a political official’s act of political courage that occurred after Kennedy’s birth in 1917. The winner receives $10,000, and 16 runners-up also receive a variety of cash prizes.

Students may submit a 700- to 1,000-word essay through January 12. The essay must feature more than five sources and a full bibliography.

6. Bennington Young Writers Awards

Bennington College offers competitions in three categories: poetry (a group of three poems), fiction (a short story or one-act play), and nonfiction (a personal or academic essay). First-place winners receive $500. Grab a poster for your classroom here .

The contest runs from September 1 to November 1. The website links to a student registration form.

7. The Princeton Ten-Minute Play Contest

Looking for student writing contests for budding playwrights? This exclusive competition, which is open only to high school juniors, is judged by the theater faculty of Princeton University. Students submit short plays in an effort to win recognition and cash prizes of up to $500. ( Note: Only open to 11th graders. )

Students submit one 10-page play script online or by mail. The deadline is the end of March. Contest details will be published in early 2024.

8. Princeton University Poetry Contest for High School Students

The Leonard L. Milberg ’53 High School Poetry Prize recognizes outstanding work by student writers in 11th grade. Prizes range from $100 to $500.

Students in 11th grade can submit their poetry. Contest details will be published this fall.

9. The New York Times Tiny Memoir Contest

This contest is also a wonderful writing challenge, and the New York Times includes lots of resources and models for students to be able to do their best work. They’ve even made a classroom poster !

Submissions need to be made electronically by November 1.

10.  Nancy Thorp Poetry Contest

The deadline for this contest is the end of October. Sponsored by Hollins University, the Nancy Thorp Poetry Contest awards prizes for the best poems submitted by young women who are sophomores or juniors in high school or preparatory school. Prizes include cash and scholarships. Winners are chosen by students and faculty members in the creative writing program at Hollins.

Students may submit either one or two poems using the online form.

11.  The Patricia Grodd Poetry Prize for Young Writers

The Patricia Grodd Poetry Prize for Young Writers is open to high school sophomores and juniors, and the winner receives a full scholarship to a  Kenyon Review Young Writers Workshop .

Submissions for the prize are accepted electronically from November 1 through November 30.

12. Jane Austen Society Essay Contest

High school students can win up to $1,000 and publication by entering an essay on a topic specified by the Jane Austen Society related to a Jane Austen novel.

Details for the 2024 contest will be announced in November. Essay length is from six to eight pages, not including works cited.

13. Rattle Young Poets Anthology

Open to students from 15 to 18 years old who are interested in publication and exposure over monetary awards.

Teachers may choose five students for whom to submit up to four poems each on their behalf. The deadline is November 15.

14. The Black River Chapbook Competition

This is a chance for new and emerging writers to gain publication in their own professionally published chapbook, as well as $500 and free copies of the book.

There is an $18 entry fee, and submissions are made online.

15. YouthPlays New Voices

For students under 18, the YouthPlays one-act competition is designed for young writers to create new works for the stage. Winners receive cash awards and publication.

Scroll all the way down their web page for information on the contest, which accepts non-musical plays between 10 and 40 minutes long, submitted electronically. Entries open each year in January.

16. The Ocean Awareness Contest

The 2024 Ocean Awareness Contest, Tell Your Climate Story , encourages students to write their own unique climate story. They are asking for creative expressions of students’ personal experiences, insights, or perceptions about climate change. Students are eligible for a wide range of monetary prizes up to $1,000.

Students from 11 to 18 years old may submit work in the categories of art, creative writing, poetry and spoken word, film, interactive media and multimedia, or music and dance, accompanied by a reflection. The deadline is June 13.

17. EngineerGirl Annual Essay Contest

Each year, EngineerGirl sponsors an essay contest with topics centered on the impact of engineering on the world, and students can win up to $500 in prize money. This contest is a nice bridge between ELA and STEM and great for teachers interested in incorporating an interdisciplinary project into their curriculum. The new contest asks for pieces describing the life cycle of an everyday object. Check out these tips for integrating the content into your classroom .

Students submit their work electronically by February 1. Check out the full list of rules and requirements here .

18. NCTE Student Writing Awards

The National Council of Teachers of English offers several student writing awards, including Achievement Awards in Writing (for 10th- and 11th-grade students), Promising Young Writers (for 8th-grade students), and an award to recognize Excellence in Art and Literary Magazines.

Deadlines range from October 28 to February 15. Check out NCTE.org for more details.

19. See Us, Support Us Art Contest

Children of incarcerated parents can submit artwork, poetry, photos, videos, and more. Submissions are free and the website has a great collection of past winners.

Students can submit their entries via social media or email by October 25.

20. The Adroit Prizes for Poetry & Prose

The Adroit Journal, an education-minded nonprofit publication, awards annual prizes for poetry and prose to exceptional high school and college students. Adroit charges an entry fee but also provides a form for financial assistance.

Sign up at the website for updates for the next round of submissions.

21. National PTA Reflections Awards

The National PTA offers a variety of awards, including one for literature, in their annual Reflections Contest. Students of all ages can submit entries on the specified topic to their local PTA Reflections program. From there, winners move to the local area, state, and national levels. National-level awards include an $800 prize and a trip to the National PTA Convention.

This program requires submitting to PTAs who participate in the program. Check your school’s PTA for their deadlines.

22. World Historian Student Essay Competition

The World Historian Student Essay Competition is an international contest open to students enrolled in grades K–12 in public, private, and parochial schools, as well as those in home-study programs. The $500 prize is based on an essay that addresses one of this year’s two prompts.

Students can submit entries via email or regular mail before May 1.

23. NSHSS Creative Writing Scholarship

The National Society of High School Scholars awards three $2,000 scholarships for both poetry and fiction. They accept poetry, short stories, and graphic novel writing.

Apply online by October 31.

Whether you let your students blog, start a podcast or video channel, or enter student writing contests, giving them an authentic audience for their work is always a powerful classroom choice.

If you like this list of student writing contests and want more articles like it, subscribe to our newsletters to find out when they’re posted!

Plus, check out our favorite anchor charts for teaching writing..

Are you looking for student writing contests to share in your classroom? This list will give students plenty of opportunities.

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‘Want pupils to score more highly in GCSE English? Focus on creative writing’

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The new English language GCSE has plenty of critics. Research has even suggested that the new course could be putting pupils off reading .

But I disagree. I think that the new GCSE gives real scope for creativity and for us to make the qualification more accessible to those learners who have had a negative experience of studying English.

Last year I secured funding through Shine’s Let Teachers Shine competition to support a project I’ve been working on called Write On!, which is an approach to the GCSE resits that maximises progress by focussing mainly on written literacy and creative-writing skills.

And while I am working specifically with resit students, I think that the same approaches could benefit other students who struggle with English.

So, why does teaching creative writing help students to do better in GCSE English? In a nutshell, because it means focusing your teaching where the marks are.

‘Creative writing is where the marks are’

Critics of the new English language GCSE often cite the 19th-century content as a barrier for less-able students or those with very weak literacy. I don’t agree with that premise for a number of pedagogical reasons, but we don’t even need to get into those, because the 19th-century component counts for such a small percentage of the available marks .

For example, on the Edexcel specification, the 19th-century literature accounts for just 15 per cent of the GCSE - and that 15 per cent isn’t awarded for knowledge of nineteenth-century literature, but for application of skills that could be practised in the classroom just as effectively on any modern text.

The creative tasks, on the other hand, account for 50 per cent of the marks. This means that half of the marks in the GCSE are awarded for two tasks that are, simply put, to write a story and to write a letter or speech. Looking at the raw numbers, if a student scores 5 out of 40 in the story task and 5 out of 40 in the other writing task, they will achieve a grade 1 in their GCSE.

But what does an approach based around these creative elements look like in practice?

I focus lessons on the basic skills of literacy and creative writing: developing imagination, building confidence - and gently supporting the improvement of sentencing, paragraphing and punctuation. Skills essential for all students, regardless of how functional or poetic their real-life literacy needs will be.

Examples from fiction

Then, to make the non-fiction writing element more engaging, I prefer to model it through creative fiction examples. I show students two- or three-minute rousing speeches from films such as Independence Day , Braveheart , and Legally Blonde . These are crammed full of interesting creative features and are a length that’s a much more realistic model for students to scavenge and scaffold from than Demosthenes’ Third Philippic , or whatever the hell educational publishers are putting in their joyless anthologies these days.

Similarly, you would be hard-pressed to find a more engaging example of creative letter writing than the stylish young adult novel The Perks of Being a Wallflower .

Even the reading section clearly serves writing skills. The basic format is: here are some example texts, take a look at how they use language and structure, evaluate how successful they are, now have a go at something similar yourself. In truth, it is more coherent and rigorous than the outgoing creative writing A level, which didn’t survive reform.

For me, this is why there is no need for an alternative qualification and no argument that the GCSE is anything but a gift to those of us teaching students who are belatedly beginning to enjoy English and to make progress in it.

Andrew Otty leads 16-19 English in a South West college. He tweets @Education720

Shine’s Let Teachers Shine competition offers up to £15,000 to teachers who have brilliant ideas to help disadvantaged children succeed in English, maths or science. Let Teachers Shine 2018 is now open for applications. 

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Andrew Otty Lists Five Books To Inspire Gcse & A-level English Students

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  1. 9 Benefits of Creative Writing to Help Your Children

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  2. Benefits of Creative Writing for Students

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  3. The Benefits of Creative Writing in Improving Grades

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  4. Creative Writing Courses: Best Online Classes for Writers

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  5. Creative Writing For Beginners: Unlock Your Creativity

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  6. 5 effective ways to improve your creative writing

    how does creative writing benefit students

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  1. The Importance of Designing a Creative Class

  2. Difference between Creative Writing and Informative Writing

  3. The Benefits of Writing

  4. Should you do an MFA in creative writing?

  5. Getting to Know Your Students as Writers

  6. The Importance of Creative Writing

COMMENTS

  1. How Creative Writing Can Increase Students' Resilience

    Reaping the benefits. To see how creative writing impacts students, I invite them to rate their resilience through a self-compassion survey at the start of the school year and again in the spring. Last year, two-thirds of students surveyed increased in self-compassion; Alejandro grew his self-compassion by 20 percent.

  2. How Creative Writing Boosts Students Academically

    Serving more than 350 teenage girls (ages 13 to 18) in metropolitan Los Angeles, WriteGirl describes its program as taking an intensive approach to creative writing education that focuses on "creativity, critical thinking, and leadership skills to empower teen girls." Many of the girls attend overcrowded and underfunded urban public schools.

  3. The role of creativity in the writing process

    By Pressto May 24, 2023. Creativity plays a crucial role in the writing process. It is the driving force behind originality, imagination, and the ability to produce engaging and impactful written work. Students and creativity in writing go hand in hand. Writing is not only a fundamental skill but also a means of self-expression and exploration ...

  4. The Benefits of Creative Writing

    Creative writing is an exercise in solving problems, either for the characters within the story or for the author themselves. Characters within stories need to be navigated through a series of difficulties, and if the problems take place in the real world, then the solutions must also be real-world solutions. If the problem is a literal dragon ...

  5. Creativity and Innovation in the Writing Classroom

    Creativity is fundamental to the teaching of writing. Although WR 153 focuses specifically on creativity and innovation, all WR courses ask students to approach their reading, viewing, writing, and research in creative ways. One important approach to creativity is "design thinking," which emphasizes that creativity is a non-linear ...

  6. Why Learn Creative Writing?

    The Benefits of Creative Writing. 1. Why Learn Creative Writing: Improved Self-Expression. Improving your writing skills leads to stronger communication. When you practice finding the right word in a story or poem, you engage the same parts of your brain that are active in everyday writing and speaking.

  7. Think It, Write It: Creative Writing Across the Curriculum

    Writing is one of the most cognitively complex tasks that we can ask our students to perform. It can and should be done in every subject area. Writing boosts critical thinking and requires the mental organization of new learning. In turn, it increases retention while deepening the understanding of that new learning.

  8. How to Teach Creative Writing

    We've outlined a seven-step method that will scaffold your students through each phase of the creative process from idea generation through to final edits. 7. Create inspiring and original prompts. Use the following formats to generate prompts that get students inspired: personal memories ("Write about a person who taught you an important ...

  9. Creative Writing: Everything You Need to Know

    2. Poetry. A rhythmic and metaphorical form of writing, poetry allows writers to express feelings, thoughts, and stories in a condensed and poignant manner. 3. Drama. Written to be performed, drama includes scripts for movies, plays, and television shows. 4. Creative Non-Fiction.

  10. Creative Writing in First Grade

    Examining Elements of Creative Writing in First Grade. For this particular unit, my first grade students were examining literature and storytelling. After they had enjoyed several read-alouds, explored story elements, and studied the story mountain (beginning, rising action, conflict, resolution, and ending) as a team, it was time for them to ...

  11. Creative Writing: What It Is and Why It Matters

    Creative writing teaches students to think critically about stories and craft compelling narratives that draw readers in. This skill is precious for those who wish to pursue careers outside traditional writing roles—such as marketing or advertising—where storytelling is key. ... Creative writing has many benefits, both for the writer and ...

  12. Why the teaching of creative writing matters

    Not every student will publish work or win prizes and very few will be able to earn a living putting pen to paper, but the teaching of creative writing is about more than that. Why the teaching of ...

  13. Teaching Creative Writing

    Creative writing plays an important role in a child's literacy development. This article makes suggestions for the instruction and evaluation of children's stories. Most children enter school with a natural interest in writing, an inherent need to express themselves in words (Graves, 1983). Couple this with a child's love of stories and ...

  14. Creative Ways to Jumpstart Student Writing

    For some students, getting started is often the hardest part, especially if they think of writing as purely "fixed and formal," writes assistant headteacher Clare Jarmy recently for TES Magazine.She, like McCarthy, recommends demystifying the process with lots of "specific activities for students to do before and after writing," which help them to "trial ideas, structures and ...

  15. Writing can improve mental health

    Writing reflectively requires a person to ask themselves questions and continuously be open, curious and analytical. It can increase self-awareness by helping people learn from their experiences ...

  16. The Benefits Of Creative Writing

    The Many Benefits of Creative Writing. The importance of establishing a safe space where students can express themselves cannot be overstated. But there is a multitude of other benefits to creative writing. It can help students with the following: 1. Clarifying Thoughts. As much as creative writing allows for emotional release, it also is a ...

  17. How to Teach Creative Writing to High School Students

    Teach Creative Writing to High School Students Step #8: Encourage Peer Collaboration and Feedback. We can tell students something a hundred times, but they won't listen until a peer says the same thing. Us educators know the value of positive peer interaction, so don't limit it in a creative writing class!

  18. To improve literacy, focus on writing

    However, research shows that writing skills help students become better readers and ultimately understand all subjects better. On a national policy level, the critical importance of writing was underscored with the adoption of Common Core standards in 2010, which emphasize how writing must be taught and addressed across every subject area.

  19. Welcome to the Purdue Online Writing Lab

    The Online Writing Lab (the Purdue OWL) at Purdue University houses writing resources and instructional material, and we provide these as a free service at Purdue. Students, members of the community, and users worldwide will find information to assist with many writing projects. Teachers and trainers may use this material for in-class and out ...

  20. Creative Writing as a Best Way to Improve Writing Skills of Students

    The survey revealed that the most popular creative writi ng activity was writing detective, horror, and what-if. stories (45% of the students agreed with that) whereas poetry writing scored 27% ...

  21. Writing Can Help Us Heal from Trauma

    We owe it to ourselves — and our coworkers — to make space for processing this individual and collective trauma. A recent op-ed in the New York Times Sunday Review affirms what I, as a writer ...

  22. Psychological Benefits of Creative Writing

    Creative writing is said to be helpful in decision-making and stress relieving, improving mental health. In summary, creative writing can help with the following psychological factors: - Gaining mental clarity. - Increasing self-esteem. - Improving attention span. - Expressing feelings. - Enhancing and boosting creativity. - Strengthening memory.

  23. Why Students Should Write in All Subjects

    A recent study sheds light on why writing is such a beneficial activity—not just in subjects typically associated with writing, like history and English, but across all subjects. Professor Steve Graham and his colleagues at Arizona State University's Teachers College analyzed 56 studies looking at the benefits of writing in science, social studies, and math and found that writing ...

  24. What Benefits Might Reflective Writing Have for My Students?

    To sum up responses to the question, then, reflective writing benefits students because it. Helps students identify their tacit knowledge as well as gaps in that knowledge. Brings to the surface rhetorical and writing process decisions that can focus subsequent revision or learning. Encourages growth as a working professional.

  25. Creative Writing

    The Creative Writing Department prioritizes an inclusive workshop climate where creative expression, experimentation, and collaboration thrive. Our program offers an in-depth and rigorous course of study with instruction, studio training, and coursework in a variety of genres, including poetry, fiction, nonfiction, screenwriting, and hybrid forms.

  26. The Big List of Student Writing Contests for 2023-2024

    Students in 11th grade can submit their poetry. Contest details will be published this fall. 9. The New York Times Tiny Memoir Contest. This contest is also a wonderful writing challenge, and the New York Times includes lots of resources and models for students to be able to do their best work.

  27. PDF Supreme Court of The United States

    (1867). A benefit to a student who overcame racial discrim-ination, for example, must be tied to . that student's. courage and determination. Or a benefit to a student whose herit-age or culture motivated him or her to assume a leadership role or attain a particular goal must be tied to . that student's . unique ability to contribute to the ...

  28. 'Want pupils to score more highly in GCSE English? Focus on creative

    The creative tasks, on the other hand, account for 50 per cent of the marks. This means that half of the marks in the GCSE are awarded for two tasks that are, simply put, to write a story and to write a letter or speech. Looking at the raw numbers, if a student scores 5 out of 40 in the story task and 5 out of 40 in the other writing task, they ...

  29. Adobe Creative Cloud for students and teachers

    Students and Teachers. Introductory Pricing Terms and Conditions Creative Cloud Introductory Pricing Eligible students 13 and older and teachers can purchase an annual membership to Adobe® Creative Cloud™ for a reduced price of for the first year. At the end of your offer term, your subscription will be automatically billed at the standard subscription rate, currently at (plus applicable ...