rudrangi movie review rating

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The post-colonial powers in India decided to take advantage of the situation and continue to oppress the downtrodden. The post-colonial powers in India decided to take advantage of the situation and continue to oppress the downtrodden. The post-colonial powers in India decided to take advantage of the situation and continue to oppress the downtrodden.

• Ajay Samrat
• Jagapathi Babu
• Ashish Gandhi
• Ganavi Laxman
• 5 User reviews

• Bheemrao Deshmukh

• Jwalabhai Dhorasani

• Meerabhai Dhorasani

• Bhujanga Rao
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• Soundtracks Rudrangi Title Song Singer: Kailash Kher Lyricst: Manukota Prasad Keys programmed & arranged by: Nawfal Raja Asi Flute: Sathish Mix & Mastered by: AM. Rahmathulla Mix & Mastered at: AH. Studio Chennai

User reviews 5

• Aug 28, 2023
• How long is Rudrangi? Powered by Alexa
• July 7, 2023 (India)
• Rasamayi Films
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• Runtime 2 hours 22 minutes

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Rudrangi Review

Rudrangi Movie(2023): What's Behind

Rudrangi starring Jagapathi Babu is generating immense interest as it is directed by Ajay Samrat who worked for Baahubali and RRR as a writer. The cast of Mamta MohanDas, Vimala Raman increased the curiosity and the teaser and trailer made an impact. The film's OTT partner is yet to be finalised and streaming will be after the end of its theatrical run. The film is releasing on 7 July 2023. Let us find out what Rudrangi got in store for the viewers.

Rudrangi Movie: Story Review

Rudrangi's story is all about how landlords even after independence oppressed the poor and downtrodden in a merciless manner.

The people of Rudrangi Village in Telangana after still under the rule of feudalism even after the Indian independence. They are oppressed by the likes of landlords (Doras). How the lives of Mahesh ( Asish Gandhi), Rudrangi( Ganavi Lakshman) get affected due to Bheemrao Deshmukh ( Jagapati Babu), Meera Bai( Vimala Raman), Mamatha MohanDas and Bhujanga Rao( Kalakeya Prabhakar) from the rest of the story.

Rudrangi Movie: Artists Review

Jagapathi Babu looked ferocious and menacing on the screen. He with his experience demonized the role increasing its intensity though it had routine shades. His menacing expressions through his eyes said many powerful words. His dialogue delivery though loud made a stunning impact. His body language and mannerisms showed that he did not act but lived in the role. However, his appearance looked quite odd and diluted the intensity levels.

Mamta MohanDas made a stunning return to the silver screen in Tollywood. She not only looked glamorous but her role filled with valor made a powerful impact. She made a strong presence on the screen and her dialogue delivery and accent are good though she fumbled at times. Vimala Raman is good as a loyal wife who couldn't raise her voice beyond a point. Ganavi Lakshman played the role of Rudrangi quite well. Her role is loaded with emotions and she did full justice.

Ashish Gandhi is the surprise pack. His introduction appeals to all and the high-octane scenes canned on him elevated the film to another level. Kaalakeya Prabhakar made his presence felt in a short but powerful role. RS. Nanda is good with his dialogues which are effective one-liners.

Rudrangi Movie: Technicians Review

Rudrangi's story penned by Ajay Samrat highlighted how the landlords crushed the poor and weaker sections in Telangana even after Independence. Ajay Samrat who worked as a writer for Rajamouli in RRR and Baahubali, wrote an intense action-packed story loaded with emotions.

He started the first half in an intense manner and highlighted the behavior, mannerism, and personality of various characters, he generated interest in dealing with the quadrangular love story. The first half is loaded with intense and powerful dialogues and emotions and it ends in an interesting manner with all the characters getting equal presence.

Many expected a similar kind of narration in the second half. However, Ajay Samrat concentrated only on two or three characters, and in the process, Mamta MohanDas who made an impact in the first half goes missing. This had an effect in the second half. Routiness crept in and emotions looked forced and much logic was missed in the second half. The climax seems to have been rushed.

The background score of Nawfal Raja Asi is good. It elevated the scenes and made a good impact. However, at times, it turned out to be loud. The songs are situational and the folk song shot by producer Rasamayi Balakishan is foottapping and impactful. Divi Vaidthya sizzled in a special song. Bonthala Nageswara Reddy's editing is good but could have been better in the second half. Dialogues are in sync with the story. The production values of Rasamayi Films are good.

Rudrangi Movie: Advantages

• Performances

Rudrangi Movie: Disadvantages

• Predictable Scenes
• Missing Highs

Rudrangi Movie: Rating Analysis

Altogether, Rudrangi is an interesting periodic fictional drama. Ajay Samrat got the optimum from Jagapathi Babu, Mamta MohanDas, and Ashish Gandhi. Little tweaks in the script and screenplay working on the story would have turned Rudrangi more powerful. Considering all these elements.  Cinejosh goes with a 2.5 rating for Rudrangi.

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Rudrangi Movie Review & Rating

• July 7, 2023 / 09:28 AM IST

Cast & Crew

• Jagapathi Babu (Hero)
• Mamta Mohandas, Vimala Raman (Heroine)
• Ashish Gandhi, , Kalakeya Prabhakar, Rs Nanda, Divi Vadthya and Ganavi Laxman (Cast)
• Ajay Samrat (Director)
• Rasamayi Balakishan (Producer)
• Nawfal Raja AIS (Music)
• Santosh Shanamoni (Cinematography)

Jagapathi Babu has turned the main lead for a film titled Rudrangi. The film also has Vimala Raman and Mamta Mohan Das in key roles and is now out in the theaters. Read our review here.

Story: ‘Rudrangi’ is a period drama set in the early decades of Indian Independence, taking place in the village of Rudrangi in Telangana. The story revolves around the love between childhood sweethearts Mallesh (Ashish Gandhi) and Rudrangi (Ganavi Laxman), who find themselves entangled in a complex rivalry involving the lecherous feudal lord Bhim Rao Deshmukh (Jagapathi Babu) and his dissatisfied second wife, Jwala Bhai (Mamta Mohandas).

Performances: Jagapathi Babu delivers a commendable performance, gradually immersing himself in his character and effectively portraying the menacing and repugnant traits required. Mamta Mohandas surprises with her powerful portrayal of an arrogant Dorasani, effortlessly transitioning between different emotions and capturing the audience’s attention. However, Ashish Gandhi’s performance falls short, and the supporting cast, including Vimala Raman, Kalakeya Prabhakar, and Ganavi Laxman, fail to leave a lasting impact.

Technicalities: The technical aspects of the film show promise but lack consistency. Ais Nawfal Raja’s BGM works well in some parts, creating an immersive experience, but falls short in others, particularly in the second half. Santosh Shanamoni’s cinematography is average, failing to fully capture the essence of the setting. The action sequences by Ram Sunkara and Jashuva, although attempting to convey the intensity of the rebellion in the second half, could have been better executed to maximize their impact.

Analysis: Despite its shortcomings, ‘Rudrangi’ manages to offer some surprises and engaging moments, particularly in the first half. The exploration of the relationship dynamics between Mallesh and Jwala Bhai, the interval block that builds anticipation, and the themes of social backwardness and caste hierarchy add depth to the narrative.

The film draws inspiration from the iconic film ‘Osey Ramulamma,’ but the second half lacks emotional catharsis and succumbs to predictability. Rudrangi’ showcases potential in its first half but struggles to sustain its momentum in the latter part. While it incorporates engaging elements and explores relevant themes, the film falls short in terms of emotional depth and fails to deliver impactful action sequences.

The drama in the film should have been elevated even more. Jagapathi Babu does well but he also goes overboard in many scenes. The violence shown to women should have been reduced. In a way, the film had the potential to become even more gripping but the narration of Ajay Samrat is not that impressive. He had the traits and did all the hard work but the key drama which one comes to watch the film is missing.

Verdict: Overall, Rudrangi has a great backdrop and able performance that should be appreciated. But the lack of emotional depth in the second half takes the film down in no time. Despite its flaws, ‘Rudrangi’ remains an intriguing attempt within its period drama genre.

Bottom Line- Has its moments

Rating: 2/5

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Rudrangi Movie Review: An Intense Exploration of Post-Colonial Oppression

Rudrangi Movie Review: An impactful film that offers a critical examination of post-colonial oppression in India

Rudrangi Movie Review: Rudrangi delves deep into the complex aftermath of colonialism in India, shedding light on the struggles and oppression faced by the downtrodden.

Rudrangi Movie Review Rating: ⭐⭐⭐ | 3/5

Rudrangi Movie Cast: Jagapathi Babu, Ashish Gandhi, Ganavi Laxman, Mamta Mohandas, and Vimala Raman.

Rudrangi Movie Director: Ajay Samrat

Rudrangi Movie Review

“Rudrangi,” directed by Ajay Samrat, explores the profound consequences of colonialism in India, offering insight into the challenges and subjugation experienced by marginalized communities. The film features an exceptional ensemble cast, including Jagapathi Babu, Ashish Gandhi, Ganavi Laxman, Mamta Mohandas, and Vimala Raman, and presents a stimulating storyline that prompts contemplation on the dynamics of power and societal inequities. It delves deep into the intricate aftermath of colonial rule, shining a spotlight on the hardships and injustices faced by the oppressed, prompting viewers to reflect on crucial societal issues.

At the heart of “Rudrangi” lies the exploration of how post-colonial powers in India exploit the circumstances and persist in marginalizing vulnerable communities. The film serves as a powerful and incisive condemnation of the systems and individuals responsible for perpetuating these inequalities. It serves as a stark reminder of the lasting impact of colonialism and emphasizes the pressing necessity for transformative change. Through its narrative, “Rudrangi” challenges viewers to confront the enduring legacy of colonial rule and recognize the imperative to address and rectify these deep-rooted social injustices.

Jagapathi Babu delivers a commanding performance as the protagonist, embodying the spirit of resistance and resilience. His portrayal showcases the internal struggles faced by those who fight against oppressive forces, adding depth and emotional weight to the narrative. Ashish Gandhi, Ganavi Laxman, Mamta Mohandas, and Vimala Raman also bring their A-game, infusing their characters with authenticity and conviction.

Director Ajay Samrat demonstrates a keen understanding of the subject matter, weaving a narrative that is both engaging and thought-provoking. The film’s pacing is deliberate, allowing the audience to absorb the weight of each scene and empathize with the characters’ experiences. The director skillfully balances intense moments with moments of reflection, creating a nuanced portrayal of the multifaceted nature of oppression.

The cinematography and production design in “Rudrangi” are commendable, capturing the stark contrast between the opulence of the oppressors and the struggles of the oppressed. The visuals effectively convey the stark realities faced by marginalized communities, highlighting the stark disparity in power and resources.

Also read: Rudrangi OTT Release Date, OTT Platform and TV Rights

One of the key merits of “Rudrangi” is its capacity to initiate discussions on social justice and the critical task of dismantling oppressive systems. Through its exploration of post-colonial power dynamics, the film effectively underscores the significance of advocating for social change and striving for equality. It serves as a potent reminder of the imperative to address societal injustices and highlights the importance of engaging in conversations that challenge existing power structures. “Rudrangi” prompts viewers to reflect upon these issues, encouraging a collective commitment towards creating a more just and equitable society.

However, it is worth noting that “Rudrangi” does tackle complex themes, and some scenes may be intense and emotionally challenging for sensitive viewers. Nonetheless, these moments serve a purpose in highlighting the gravity of the issues being addressed.

Overall, “Rudrangi” is an impactful film that offers a critical examination of post-colonial oppression in India. Director Ajay Samrat and the talented cast deliver a compelling narrative that leaves a lasting impression. This thought-provoking movie serves as a reminder that the fight against societal injustice requires continual awareness and action.

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• Home » Movies » Rudrangi Movie Review

Rudrangi review: Jagapathi Babu shines in this not-so-convincing fictional story of the Nizam’s feudal era

The story of Ajay Samrat's directorial venture is set in a fictional village of the Telangana region during the feudal era of Nizam.

Published:Aug 10, 2023

A poster of 'Rudrangi'. (Ajay Samrat/ Twitter)

Drama takes a backseat!

Rudrangi (Telugu)

• Cast: Jagapathi Babu, Mamta Mohandas, Vimala Raman, Ashish Gandhi, and Ganavi Laxman
• Director: Ajay Samrat
• Producer: Rasamayi Balakishan
• Music: Nawfal Raja AIS
• Runtime: 2 hours 22 minutes
• Cast: Salman Khan, Katrina Kaif, Emraan Hashmi, and Revathy
• Director: Maneesh Sharma
• Producer: Aditya Chopra
• Music: Pritam Chakraborty
• Runtime: 2 hours 35 minutes

Director Ajay Samrat’s Rudrangi is set in the pre-Independence era when Hyderabad State was under Nizam’s rule.  

Somewhere in the nondescript village of Rundrangi in the hinterland of Telangana, an aged man named Maisi wants to see Mallesh (Ashish Gandhi) and Rudrangi (Ganavi Laxman) get married before he leaves this world.  

Maisi is a slave under the feudal lord Bhujanga Rao (Kalakeya Prabhakar). He is forced to pay the price for refusing to work for the feudal lord and succumbs to the torture.

Young boy Mallesh revolts against injustice. However, he fails to take revenge.

Meanwhile, another feudal lord named Bheem Rao Dhora (Jagapathi Babu) gives him shelter and nurtures him.

How Mallesh avenges his grandfather’s murder? Will he unite with Rudrangi? How does the pervasive behaviour of Bheem Rao trouble Mallesh and Rudrangi? What the people of Rudrangi had to sacrifice in lieu of averting a possible famine in the region?

This is the story to watch out for in the second half.  

Also Read: Actor Naga Shaurya’s clarification on ‘Rangabali’ spoof videos

Too fictional.

The cast and crew of ‘Rudrangi’ with veteran actor Nandamuri Balakrishna at the pre-release event. (vamsikaka/Twitter)

The story of Rudrangi is set in a fictional village of the Telangana region during the feudal era of Nizam.

The film portrays a vivid picture of social discrimination that was prevalent during the pre-Independence era when people had to face severe oppression from state-appointed Jagirdars (landlords) in the erstwhile princely State of Hyderabad.  

Deshmukhs have a firm hold of the regions in the interiors. People revolting against slavery are perfectly depicted through various characters in the film.

However, rather than making it more organic and natural, the director makes the script too fictional in the second half.

As a result, more than drama, you would have to wait for the scene to pass on to know what happens next.  

ఇది గతించిన చరిత్ర కాదు.. ఒక కొత్త చరిత్రకు నాంది ❤️‍🔥 A Sneak Peak into the World of #Rudrangi 💥 #RudrangiFromTomorrow 🎟️ https://t.co/MDim0F7Hay @IamJagguBhai @mamtamohan @itsashishgandhi @vimraman @RasamayiBRS pic.twitter.com/Yw2uFiSxNJ — Ajay Samrat (@dirajaysamrat) July 6, 2023

Also Read: ‘Rudramambapuram’ is a good story watered down by poor making

Jagapathi babu’s show.

Kalakeya Prabhakar as an aggressive and violent landlord Bujanga Rao looks frightening on the screen and does a good job.

Jagapathi Babu as Bheem Rao Deshmukh, the arch-rival of Bujanga Rao, is the spine of Rudrangi .  

Jagapathi Babu in ‘Rudrangi’. (Twitter)

The crooked and pervasive nature of sex-thirsty landlords gives Bheem Rao a distinctive tinge to his character. His Oxford education and despotic characteristic make Bheem Rao more beastly in appearance.

Jagapathi Babu’s mannerisms evoke laughter in a few scenes in the hall. A few one-liners like B*sedk and l**jakodaka are used as though to emote ferocity in the character.

But the impact gets diluted when the story lags behind. Jagapathi has his moments in Rudrangi though.

Mamta Mohandas is impressive in her role as Jwala Bhai Deshmukh. A warrior-queen, Jwala comes to the fort as the second wife of Bheem Rao.

Vimala Raman as Meerabhai Dhora gives her best.

Ganavi Laxma’s performance as Rudrangi is commendable.

Ashish Gandhi as a trained warrior in traditional warfare deserves laurel for his efforts.

Divi Vadthya’s peppy item number during the first half is good.

Producer Rasamayi Balakishan, too, is featured in the folklore song that coincides with the famous Nagoba festival held in Telangana.

బలుపుకి బతుకుకి జరిగిన పోరాటం, గెలిచిన త్యాగం నిలిచిన ధర్మం ఈ రుద్రంగి. #Rudrangi from July 7th 🔥 @mamtamohan @Vimraman @itsashishgandhi #GanaviLaxman @dirajaysamrat @RasamayiBRS @Kailashkher @manukotaprasad5 @ais_nawfalraja @bnreddystar @ayeshamariam9 @boselyricist pic.twitter.com/Hc3Kty8gqO — Jaggu Bhai (@IamJagguBhai) June 27, 2023

Also Read: ‘Bumper’ is an engaging story about money and friendships

Technicalities.

Rudrangi is rich in visuals, barring a few scenes. The cinematography by Santosh Shanamoni is appreciable.

Nawfal Raja’s music too is good.  

The editing should have been crisp in the second half. The scenes where people revolt against Bheem Rao and his death are too sluggish.

Rudrangi is not an extraordinary execution of the script. But the director does his best to narrate the story through the characters of those times.

The drama takes a backseat in the process as the story becomes too fictional.

(Views expressed here are personal.)

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'Rudrangi' Review: Serious Spoof Of Several Films

Film: Rudrangi Rating: 2/5 Cast: Jagapathi Babu, Mamta Mohandas, Vimala Raman, Ashish Gandhi, Ganavi Laxman etc  Editor: Nageshwar Reddy B  Camera: Santhosh Shanamoni Music: Nawfal Raja AIS Producer: Rasamayi Balakishan Director: Ajay Samrat Release Date: 7th July 2023

The trailer of the film revealed that it is set in the period backdrop of Telangana. The title sounds unique, and the content in the trailer looked impressive and pinned some expectations.

Let's see what the film has in store.

Story: The village of Rudrangi is under the rule of Bheemrao Deshmukh (Jagapathi Babu). He has a wife named Meerabai (Vimala Raman) and brings Jwalamukhi Deshmukh (Mamata Mohandas) as his second wife. Jwala is a strong and warrior-like woman. However, Bheemrao is not attracted to her as he fails to see her femininity. Don't know why he married and brought her in the first place. 

Meanwhile, Jwala, who is deprived of intimacy, becomes attracted to a slave named Mallesh (Asish Gandhi), who works under Bheemrao. 

On the other hand, Bheemrao is attracted to a village girl named Rudrangi (Ganavi Laxman). Who is she? What happens next forms the main story. The film also introduces the backstory of Bhujangarao (Prabhakar) at the beginning.

Artists' Performances: Asish Gandhi plays the protagonist but lacks acting skills. Although he has a muscular physique, his facial expressions are almost nonexistent. He maintains a static and stoic expression for most of the film. It's unclear whether this is due to his lack of talent or the director's inability to bring out the actor in him.

Ganavi Laxman plays the female lead and the title role. She delivers a decent performance but overall feels ordinary. She fails to embody the grace expected of her character.

Jagapathi Babu is too loud and appears artificial. His attempt at a typical Telangana accent comes across as a mockery. He portrays his character as a sex maniac throughout the film.

Mamata Mohandas plays another character who desires intimacy with the protagonist. She, too, is loud and at times overacts.

Vimala Raman plays a docile character, and her performance is reasonable and understated.

Prabhakar's performance in the initial part of the film is exaggerated and unbearable. His portrayal of cruelty feels forced and disgusting.

The actor who plays the role of Karanam comes across as an outdated sidekick with weak dialogues and average screen presence.

Technical Excellence: Technically, the movie is brilliant in some aspects. Art direction and costumes are good. 

The editing is fine, although some dialogues sound repetitive, which is a fault of the script. 

The dialogues are weak and delivered loudly. There is a lack of intelligence and sharpness in the writing. Everything feels loud and exaggerated, imitating popular films. 

The cinematography is adequate, and the background score is satisfactory. However, the songs, except for "Ee kshaname oopiragina samburame...," are dull.

Highlights: Art and costumes

Drawbacks: Weak story Poor dialogue Second half Climax

Analysis: Here Rudrangi is the name of a village as well as that of the female lead. Generally spoofs are made to generate comedy, but here it is a serious thing. 

The film appears to be a medley of movies like Bahubali, Rangasthalam, Magadheera and RX100 with scenes directly inspired by them. There is a lack of originality in the filmmaking style. The writing seems amateurish, making it feel like a grandly made stage drama with outdated standards. Certain scenes remind us of iconic moments from other films, but the emotional impact is nowhere near comparable. The film tries to imitate successful movies, including RGV's Bhairavageetha, but falls short. 

In summary, there is a lack of originality in the plot, ambience, and filmmaking style. It is a poorly made film that draws inspiration from contemporary films without offering anything new. There is an excessive buildup in certain scenes, but the content is weak. The inclusion of a madwoman who later appears normal lacks purpose and emotional depth. 

The first half shows some progression, but the second half revolves entirely around Rudrangi Vs Dora context. The biggest flaw lies in the script, which portrays the protagonist as a dull character with no heroism. 

The film fails to deliver poetic justice at any point. The villagers choose not to leave the village in spite of poor living conditions but succumb to the Dora's sexual desires which lack common sense and intelligence, taking the audience for granted. 

Overall, the film is a forgettable and tedious experience, with forced scenes and contrived narratives.

Bottomline: Ignorable

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• Rudrangi Movie Review and Rating

Director:  Ajay Samrat

Producer:  Rasamayi Balakishan

Music Director:  Ais Nawal Raja

Starring:   Vimala Raman, Jagapathi Babu , Mamta Mohandas,  Ashish Gandhi, Ganavi Laxman, Kalakeya Prabhakar, and others

 Release Date :  7th July 2023

 Rating :   2.5/5

Rudrangi Movie Review:  Mamta Mohandas, Vimala Raman, Jagapathi Babu,  Ashish Gandhi, Ganavi Laxman, and others starrer Rudrangi, helmed by Ajay Samrat, has hit the theaters today on 7th July. Let’s see the story of Rudrangi.

 Story:  The film is set in the 1940s and is about Bheem Rao Deshmukh (Jagapathi Babu), a cruel man who has a passion for women,  and rules the people of his region without any mercy.  The movie revolves around the love between childhood sweethearts Mallesh (Ashish Gandhi) and Rudrangi (Ganavi Laxman), who find themselves entangled in a complex rivalry involving Bheem Rao Deshmukh and his dissatisfied second wife, Jwala Bhai (Mamta Mohandas).

Plus points:

·         Jagapathi Babu performance

·         First Half

·         Interval block

 Minus Points:

·         Lack of emotional depth 

·         Second Half

·         Action block

·         Climax

 Performance:  The versatile actor Jagapathi Babu delivers superb performance in the role of Bheem Rao Deshmukh, who is ruthless, and menacing.  Although he has done many films in roles with a negative shade, in this film, he has nailed it equally brilliantly.  His performance is clap worthy in many scenes. Ashish Gandhi also gives a good performance. The heroines Mamta Mohan Das, Ganavi Lakshmi and Vimala Raman who play another key role impress in their roles. The entire second half revolves around Ganavi Lakshmi’character. Vimala Raman is fine in her limited role. Mamata Mohan Das as Jwala Bhai highlights in the interval block.

 Technical:   The story of Rudrangi  is interesting. Music by Ais Nawal Raja and cinematography by Santhosh Shanamoni are impeccable. And when it comes to director Ajay Samrat, he has done good job.  The way Ajay Samrat has written the character of Bheem Rao is superb.  Though he handled all the things well till the first half but he faltered in the second half. This film would have been a complete package if it had been handled properly there as well. The production values are very good. The action sequences by Ram Sunkara and Jashuva, are just ok.

 Analysis:  Overall, Jagapathi Babu is seen as a one-man show in Rudrangi.  Mamata Mohandas and Ganavi also deliver good performances. The movie is interesting and engaging till the first half. But the real problem starts in the second half. This slows down the proceedings. Also, the main theme of the movie seems to have gone sideways. The story slows down in the second half which makes the movie boring. Along with these, the proper emotions are also missing in Rudrangi. It’s okay to some extent but it would be better to show some scenes better and faster.

• Jagapathi Babu
• Mamta Mohandas
• Rudrangi Movie Review
• vimala raman

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సమీక్ష : “రుద్రంగి” – కొన్ని చోట్ల ఆకట్టుకునే పీరియాడిక్ డ్రామా

విడుదల తేదీ : జూలై 07, 2023

123తెలుగు.కామ్ రేటింగ్ : 2.75/5

నటీనటులు: జగపతి బాబు, మమతా మోహన్‌దాస్, విమలా రామన్, ఆశిష్ గాంధీ, గానవి లక్ష్మణ్, కాలకేయ ప్రభాకర్, ఆర్ నంద, డివి వడ్త్యా

దర్శకుడు : అజయ్ సామ్రాట్

నిర్మాత: రసమయి బాలకిషన్

సంగీతం: ఐస్ నవల్ రాజా

సినిమాటోగ్రఫీ: సంతోష్ షనమోని

ఎడిటర్ : బి నాగేశ్వర రెడ్డి

సంబంధిత లింక్స్ : ట్రైలర్

ప్రముఖ సీనియర్ నటుడు జగపతిబాబు ప్రధాన పాత్రలో మమతా మోహన్ దాస్, విమలా రామన్ తదితరులు కీలక పాత్రల్లో నటించిన లేటెస్ట్ పీరియాడిక్ డ్రామా “రుద్రంగి”. మరి బాలయ్య గెస్ట్ గా వచ్చి ప్రమోట్ చేసిన ఈ చిత్రం ఎలా ఉందో సమీక్షలో తెలుసుకుందాం రండి.

ఇక కథలోకి వస్తే..ఈ చిత్రం 1940వ దశకంలో సెట్ చేయబడింది కాగా ఈ చిత్రంలో ఓ క్రూరమైన మూర్ఖుడు అలాగే ఆడవారి పట్ల అధికమోహం కలవాడు, తన ప్రాంత ప్రజలను ఎలాంటి దయ లేకుండా పాలించే రాజు భీమ్ రావు దేశముఖ్(జగపతి బాబు) కాగా అతడు అప్పటికే మీరాభాయి(విమలా రామన్) పెళ్లి చేసుకుంటాడు కానీ తనకి ఉన్న కామోద్రేక భావనలతో మరో స్త్రీ జ్వాలా భాయి(మమతా మోహన్ దాస్) ని కూడా పెళ్లి చేసుకుంటాడు. అయితే జ్వాలా తాలూకా స్వభావం నడవడిక భీమ్ రావు ఆమెని దూరంగా ఉండమని చెప్తాడు. అయితే ఓరోజు భీమ్ రుద్రంగి(గానవి లక్ష్మణ్) అనే మరో అమ్మాయిని చూసి ఆమె అందం పట్ల మోహితుడు అవుతాడు. దీనితో ఆమెతో ఎలాగైనా సరే శారీరిక సుఖం పొందాలని అనుకుంటాడు. మరి ఈ ప్రక్రియలో ఆమెకోసం భీమ్ రావు ఓ ఊహించని నిజాన్ని తెలుసుకుంటాడు. మరి అది ఏంటి? ఆమెని తాను వశపరుచుకుంటాడా లేదా అసలు చివరికి ఏం జరిగింది అనేది అసలు కథ.

ప్లస్ పాయింట్స్ :

ఈ చిత్రంలో మొట్టమొదటిగా మాట్లాడుకోవాల్సింది మాత్రం వెర్సటైల్ నటుడు జగపతిబాబు కోసమే అన్ని చెప్పాలి. తాను నెగిటివ్ షేడ్ ఉన్న పాత్రల్లో చాలా సినిమాలు చేసినప్పటికీ ఇందులో తన పాత్ర మరింత కొత్తగా ఉంటే దానిని అంతే అద్భుతంగా తాను రక్తి కట్టించారని చెప్పాలి. అసలు దయా దాక్షిణ్యాలు లేని పాలకుడిగా ఓ కామాంధునిగా పాత్రలో ఒదిగిపోయి అన్ని రసాలు అద్భుతంగా పండించారు. అలాగే తనపై కొన్ని సీన్స్ పలు మేనరిజం లు ఇంట్రెస్టింగ్ గా అనిపిస్తాయి.

ఇక మరో నటుడు ఆశిష్ గాంధీ కూడా మంచి నటన కనబరిచారు. తనపై డిజైన్ చేసిన సీన్స్ గాని జగపతిబాబు పై తాను తిరగబడే ఎపిసోడ్స్ కూడా నీట్ గా హ్యాండిల్ చేయబడ్డాయి. ఇక మరో కీలక పాత్రలో నటించిన హీరోయిన్స్ మమతా మోహన్ దాస్, గానవి లక్ష్మి లు, విమలా రామన్ లు అయితే తమ పాత్రల్లో ఇంప్రెస్ చేస్తారు. జ్వాలా భాయి గా మమతా మోహన్ దాస్ ఇంటర్వెల్ బ్లాక్ లో అదరగొట్టేసింది.

మైనస్ పాయింట్స్ :

ఈ చిత్రంలో ఫస్టాఫ్ వరకు ఇంట్రెస్టింగ్ గా మంచి ఎంగేజింగ్ గానే ఉంటుంది. కానీ సెకండాఫ్ లోనే అసలు సమస్య మొదలవుతుంది. ఇందులో ప్రొసీడింగ్స్ నెమ్మదిస్తాయి. అలాగే సినిమాలో మెయిన్ థీమ్ కూడా పక్కకి వెళ్లినట్టు అనిపిస్తుంది.

అలాగే సెకండాఫ్ లో నెమ్మదయ్యే కథనం సినిమాని చాలా బోర్ గా ఫీల్ అయ్యేలా చేస్తుంది. దీనితో సినిమా మరీ పెద్దదిలా అనిపిస్తుంది. ఇక వీటితో పాటుగా ఈ చిత్రంలో సరైన ఎమోషన్స్ కూడా మిస్ అవుతాయి. కొంతవరకు ఓకే కానీ ఇంకా కొన్ని సీన్స్ ని బెటర్ గా ఫాస్ట్ గా చూపిస్తే బాగుండు.

ఇక మరో పాయింట్ ఏమిటంటే సినిమాలో ఎంతో టెర్రఫిక్ గా చూపించిన మమతా మోహన్ దాస్ పాత్రని ఇక ఒక టైం కి వచ్చేసరికి కంప్లీట్ గా పక్కన పెట్టేయడం ఆశ్చర్యంగా అనిపిస్తుంది. ఇది కూడా సెకండాఫ్ లో బిగ్ బ్లండర్ అని చెప్పొచ్చు. ఇక వీటితో పాటుగా సినిమాలో యాక్షన్ బ్లాక్ లు సినిమా క్లైమాక్స్ ని ఇంకా బెటర్ గా డిజైన్ చేసి ప్రెజెంట్ చేసి ఉంటే బాగుండు.

సాంకేతిక వర్గం :

ఈ చిత్రంలో నిర్మాణ విలువలు మాత్రం చాలా బాగున్నాయి. మేకర్స్ ఖర్చు సినిమాలో ప్రొడక్షన్ డిజైన్ అలాగే నటీనటుల కాస్ట్యూమ్స్ లో కూడా కనిపిస్తుంది. అయిస్ నవళ్ రాజా సంగీతం, సంతోష్ షనమోని సినిమాటోగ్రఫీ లు పర్వాలేదు. ఎడిటింగ్ కూడా ఒకే ఏమన్నా చేసి ఉంటే సెకండాఫ్ లో చేయాల్సింది. ఇక దర్శకుడు అజయ్ సామ్రాట్ విషయానికి వస్తే..

ఈ చిత్రానికి తాను పర్వాలేదనిపించే వర్క్ చేసాడు. అయితే ఫస్టాఫ్ వరకు అన్ని థింగ్స్ బాగానే హ్యాండిల్ చేసిన తాను సెకండాఫ్ విషయంలో తడబడ్డాడు. అక్కడ కూడా సరిగ్గా హ్యాండిల్ చేసి ఉంటే ఓ కంప్లీట్ ప్యాకేజీలా ఈ చిత్రం అయ్యేది. జగపతి బాబు ఇతర మెయిన్ లీడ్ కాస్ట్ ను తాను బాగా డిజైన్ చేసాడు కానీ నరేషన్ విషయంలో కూడా ఇంకా బెటర్ గా వర్క్ చేసి ఉంటే బాగుండేది.

ఇక మొత్తంగా చూసినట్టు అయితే పీరియాడిక్ బ్యాక్ డ్రాప్ లో వచ్చిన ఈ “రుద్రంగి” లో జగపతి బాబు వన్ మాన్ షో అయితే కనిపిస్తుంది. అలాగే మమతా మోహన్ దాస్, గానవి లు కూడా మంచి నటన కనబరిచారు. అలాగే కొన్ని అంశాలు వరకు ఈ చిత్రం బాగానే ఆకట్టుకుంటుంది కానీ సెకండాఫ్ ని, పలు ఎమోషన్స్ ని కీలక బ్లాక్ లు బాగా డిజైన్ చేసి ఉంటే బాగున్ను. వీటితో అయితే ఈ వారాంతానికి కొంతమేర ఈ సినిమా ఆకట్టుకుంటుంది.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

Click Here For English Review

సంబంధిత సమాచారం

ఓటిటి స‌మీక్ష: ‘పరువు’ – జీ5లో తెలుగు వెబ్ సిరీస్, ‘గం గం గ‌ణేశా’ ఓటిటి డేట్ అప్పుడేనా.., ‘దేవ‌ర’ గోవా షూట్ పై ర‌త్న‌వేలు ఇంట్రెస్టింగ్ పోస్ట్, బ‌జ్.. దేవ‌ర నెక్ట్స్ షెడ్యూల్ అక్క‌డేనా.., 12 వ‌సంతాలు పూర్తి చేసుకున్న‌ చ‌ర‌ణ్-ఉపాస‌న జోడీ, “పుష్ప 2” పుకార్లు నిజమేనా, ప‌వ‌న్ క‌ళ్యాణ్ కు సురేఖ బ‌హుమ‌తి.. వీడియో పోస్ట్ చేసిన చిరంజీవి, ఈ ఫార్మాట్ లో కూడా “కల్కి”.. అక్కడ మొట్టమొదటి తెలుగు సినిమాగా.

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Rudrangi Twitter Review: Tweets To Go Through About Jagapathi Babu & Mamta Mohandas' Periodic Action Drama

Rudrangi Twitter Review: Rudrangi is a periodic action drama written and directed by Ajay Samrat. The movie is releasing across the two Telugu states of Andhra Pradesh and Telangana on July 7. Upon its theatrical release, the movie earned a mixed response from the fans of the respective actors in the film and critics.

Rudrangi stars Jagapathi Babu, Mamta Mohandas, Kalakeya Prabhakar, and Vimala Raman in key roles.

Rudrangi Story

The story is set in a colonial period backdrop in a village called Rudrangi. There are two powerful landlords (Dora's) who vie for commandership. The downtrodden villagers face the brunt of the game for power driven by ego.

Rudrangi Twitter Review

Rudrangi's movie trailer is intriguing. The film's highlight is Jagapathi Babu, who once again donned the antagonist's role in which he looks fierce, powerful, and full of vengeance. The trailer, which was released recently, gained a massive response, setting the tone for the film's release.

After watching the trailer, a few interested film buffs who watched Rudrangi a bit before others could watch it, shared their two cents about the movie. They took to their social media handles to share the same. Check out some of their tweets on Rudrangi, which will help you understand the film better. . . Rudrangi Cast

The movie stars Jagapathi Babu, Mamta Mohandas, Vimala Raman, Ashish Gandhi, Ganavi Laxman, Kalakeya Prabhakar, and others playing pivotal roles.

Rudrangi Crew

The movie was written and directed by Ajay Samrat. Rasamayi Balakishan produced the movie under his Rasamayi Films banner. Nawal Raja AIS composed the film's background score and music. Santosh Shanamoni cranked the camera for this periodic flick. Nageswara Reddy Bonthala worked as the film's editor.

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Movie Review: Rudrangi

'Rudrangi' is hitting the screens this Friday (July 7). The trailer was pretty average in a lot of ways. Is the film better? We are going to explain you in this review.

The story takes place in the early decades of Indian Independence. The setting is a village named Rudrangi in Telangana. Mallesh (Ashish Gandhi) and Rudrangi (Ganavi Laxman) are childhood lovers. The village's lecherous feudal lord Bhim Rao Deshmukh (Jagapathi Babu) tries to cross the line with a female victim, much to the disgust of his two wives.

Bhim Rao's second wife, Jwala Bhai (Mamta Mohandas in the role of an arrogant Dorasani), is unhappy with her husband for mental and emotional reasons. An interesting turn of events leads to a tripartite rivalry.

Performances:

Jagapathi Babu takes time to come into his own. But once he aims at perfection, there is no going back. Despite the loudness and shrill nature of his typical character, he makes his character work with his dialogue delivery and a mean streak. He looks menacing and disgusting in some scenes, something that was required. Mamta Mohandas delivers a powerful performance and she is a total surprise. She looks sensuous, bold, arrogant, and everything in between with ease.

Ashish Gandhi could have been way better. Vimala Raman, Kalakeya Prabhakar (as a feudal lord named Bhujanga Rao), and Ganavi Laxman (despite a lead role) don't create much impact.

There is an item song led by Divi Vadthya. The way it is composed, it feels more like a folk song rather than a cinematic song. Divi fails to do the heavy lifting that was expected of her.

Technical Departments:

Ais Nawfal Raja's background music works in some portions. In others, especially in the second half, it was not pulsating enough. Santosh Shanamoni's cinematography is average. The stunts by Ram Sunkara and Jashuva needed to make the revolt in the second half feel like a dangerous rebellion. With better ideas from action directors, there would have been force.

Nevertheless, for a film seemingly made on a not-so-grand scale, 'Rudrangi' is helped by the technical team.

Plus Points:

The first half manages to throw some surprises.

The drama built around Mallesh and Jwala Bhai.

The interval block that makes the audience believe that the second half will be knotty.

Exploring the reality of social backwardness and caste hierarchy.

The emotional touches associated with a key character's sacrifice.

Minus Points:

'Osey Ramulamma' has a pronounced influence on the trajectory of the film.

The lack of emotional catharsis in the second half.

Not-so-commendable action.

Vox Verdict:

You could say that 'Rudrangi' is 50% 'Osey Ramulamma'. The first half gives some highs and keeps the viewer involved. The second half could have done away with predictability.

Rating : 2.75

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‘Rudrangi’, produced by Rasamayi Balakishan, will be released in theatres this Friday(July 7). The film was advertised as a fusion between action, emotion, romance and revolution. Here is our review.

Mallesh and Rudrangi are childhood lovers who are married off by the former’s grandfather. The old man is tortured to death by a local Dora named Bhujanga Rao (Kalakeya Prabhakar). Mallesh runs away from the village and happens to save another Dora named Bhim Rao (Jagapathi Babu) from a murder attempt in a village named Rudrangi. This brings the child closer to Bhim Rao.

Fifteen years later, Bhim Rao opts for second marriage with Jwala Bhai (Mamta Mohandas). Due to an unexpected turn, Jwala Bhai’s behavior results in chaos in Bhim Rao’s family. Mallesh and Rudrangi get entangled in this.

Performances:

Jagapathi Babu is a seasoned actor. There is no character he has not approached as an endeavour in recent years. In ‘Rudrangi’, he goes the whole hog due to the excessive arrogance written into his character. At the same time, he is likeable in the portions where he brims with lust.

Ashish Gandhi is a conscious actor who doesn’t switch off the influence of other artists. Mamta Mohandas is superb. Vimala Raman as the first wife of Bhim Rao is ok. Kalakeya Prabhakar is unbearable. Divi Vadthya is seen in an item song. Ganavi Laxman is average.

Technical Departments:

Santosh Shanamoni’s cinematography was purely meant to give typical angles. There was no dearth of scope for the photography but the key technician merely scratches the surface.

Ais Nawfal Raja’s music is fashioned after movies that fall in the similar genre. The situations don’t encourage him to innovate.

The stunts by Ram Sunkara and Jashuva lack fresh imagination at a time when even teasers are expected to thrill the viewer.

Plus Points:

• The incidents narrated after the first 25 minutes till the interval.
• Jagapathi Babu and Mamta Mohandas.
• The interpersonal dynamics depicted in the Dora’s household.
• The last 15-20 minutes.

Minus Points:

• Some routine dialogues.
• Cliches associated with village dramas.

Convenient and predictable scenes in the second half.

‘Rudrangi’ has a decent storyline. The second half is dragged down by routine elements. The climax is outdated. The first half is interesting.

Telugubulletin.com Rating: 2.5

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• What is the release date of 'Rudrangi'? Release date of Jagapathi Babu and Ashish Gandhi starrer 'Rudrangi' is 2023-05-26.
• Who are the actors in 'Rudrangi'? 'Rudrangi' star cast includes Jagapathi Babu, Ashish Gandhi, Ganavi Laxman and Vimala Raman.
• Who is the director of 'Rudrangi'? 'Rudrangi' is directed by Ajay Samrat.
• What is Genre of 'Rudrangi'? 'Rudrangi' belongs to 'Action,Thriller' genre.
• In Which Languages is 'Rudrangi' releasing? 'Rudrangi' is releasing in Telugu.

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Rudrangi Review – Unbearably Loud

OUR RATING 1.75/5

CENSOR ‘U/A’ Certified, 2h 22m

What Is the Film About? Set before and after India’s independence, Rudrangi is about a namesake place ruled over by Bheemrao Deshmukh (Jagapathi Babu). He is a powerful guy with a severe God complex and treats the local people as slaves.

Mallesh (Ashish Gandhi) works under him and is extremely loyal. What makes Mallesh revolt against his ‘Dora’? Who is Rudrangi (Ganavi Laxman), and how is she connected to Mallesh and Bheemrao? The movie’s central drama revolves around these three and the eventual end of Bheemrao.

Performances Ashish Gandhi looks physically apt for the part. He goes through his work sincerely and does well towards the penultimate sequences. It isn’t a memorable part mainly due to the predictable beats, but the effort is visible when given an opportunity.

Jagapathi Babu plays a loud and obnoxious character in the most over-the-top fashion possible. Right from the start, he is several meters high in his act when compared to the rest. It would have been fun if the rest were on the same lines, but given the seriousness all around, his action starts to wear down soon. His characterisation includes a scowl which turns unintentionally hilarious and irritating after a point.

Vimala Raman, Mamta Mohandas and Ganavi Laxman are the female leads. Each has a specific part in the narrative and does their work adequately. Vimala Raman is calm and mature, whereas Mamta Mohandas is loud and irritating. Ganavi Laxman is on the former side with some neat dramatic moments towards the end.

Analysis Ajay Samrat writes and directs Rudrangi. Its story is taken from the history of Telangana when powerful landlords controlled the placed and treated people as slaves.

Two things are clear from the start itself. One is everyone going about their work sincerely, which is a good aspect. The second one, unfortunately, is the content that is loud, one-dimensional and needs more meat.

The focus is all on the lust and violence incited by the landlords on the poor. It is all we get on different levels from the start to the end. Rudrangi might as well be an episode on The Lust Stories, but here it is a full-blown film.

There was potential, no doubt. For example, the clash between the landlords could have been shown in detail. But all we get here is one shouting at the other and then going into attack mode. It is all black and white. The villains get darker, whereas the protagonist becomes saints.

The first half is a big bore, even on this black-and-white account and setting. The second half is where the drama lies within the setup. It goes without saying the whole thing is predictable sans a few choices a character makes.

The final half an hour is what the whole thing is built up to. There is substantial emotional drama happening, but the driving factor is where the disconnection lies. It never feels right, and the whole over-the-top execution makes everything look hollow and artificial.

When the key moments arrive, the feel is missing because one is never invested in the plight to begin with. The big flight again is stretched and feels excessively done. Ultimately, it feels like an action block from a period film being extended into a full-fledged outing.

Overall, Rudrangi suffers due to a terribly weak story that, at best, should have been an action block. The unintentional fun, campiness, and loudness make it impossible to sit through—an instantly skippable and forgettable affair.

Performances by Others Actors Kalakeya Prabhas appears briefly and does nothing but shout with some expletives thrown in between meant to enrage the people. He is okay doing his routine. RS Nanda plays the typical sidekick for the villain part. He is alright. The rest of the actors appear in bits and pieces roles.

Music and Other Departments? Nofel Raja AIS provides the music and the background score for the film. Barring a song in the second half, the rest are forgettable even though an attempt to stick to the roots sound-wise has been made. The background score is loud, adding to the unintentional fun whenever certain characters arrive.

Santosh Sanamoni’s cinematography is decent, considering everything else technically. He has the scope to make a bigger impact but fails to do that, as some parts also look very ordinary. The editing should have been sharper. B Nageswar Reddy’s work makes Rudrangi feel more lengthy and repetitive. The writing is below par.

Highlights?

Climax Portions Drama

Sincerely Enacted

One Dimensional Story

Artificial Emotions

Did I Enjoy It?

Will You Recommend It?

Rudrangi Movie Review by M9News

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Rudrangi is a 2023 Indian   Telugu Thriller Film . The cast and crew of Rudrangi includes Jagapathi Babu   ( Actor ) , Ashish Gandhi   ( Actor ) , Mamta Mohandas   ( Actor ) , Kalakeya Prabhakar   ( Actor ) , Vimala Raman   ( Actor ) , Ajay Samrat   ( Director ) , Nawfal Raja AIS   ( Music ) .

A thrilling action film titled "Directed Fury," helmed by Ajay Samrat, features Jagapati Babu, Ashish Gandhi, and Mamta Mohandas in the pivotal roles.

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New emotions emerge in 'Inside Out 2' — including nostalgia for the original film

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Joy and Anxiety (voiced by Amy Poehler and Maya Hawke) meet in Riley's head in Inside Out 2. Disney/Pixar hide caption

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Oh, "Cars 2." What to say about you? You were the movie that made us lose confidence in Pixar, ever so briefly. We get why you exist, we do, but we’d prefer to pretend otherwise.

27. 'Cars 3' (2017)

What the third installment in the "Cars" franchise has going for it mostly is that it's not "Cars 2." Despite adding a laundry list of talent (including Kerry Washington and Chris Cooper) to the voice cast, it's mostly just a slightly less disappointing "Cars" film.

26. 'Cars' (2006)

Are we noticing a pattern here? The "Cars" sequels have unfortunately tarnished the memory of the original a little bit. We're not mad at the first "KACHOW!"-fest, but Lightning McQueen and Co. just don't bowl you over like many Pixar films do.

25. 'The Good Dinosaur' (2015)

"The Good Dinosaur" gets an unfortunate rap. It's not top-tier Pixar by any stretch, but the tale of a dino and a Neanderthal boy has a big heart − and any movie with Sam Elliott as a T. rex can't be all bad.

24. 'Onward' (2020)

We'll forever refer to this as "the movie about the pants." This offbeat fantasy road movie centers on two elf brothers (Chris Pratt and Tom Holland) traveling with their dead dad's sentient legs – and learning to say goodbye to him in the process.

23. 'Monsters University' (2013)

"Monsters, Inc." has one of the best Pixar endings, so it was best the studio didn’t make a sequel. The prequel they gave it instead is fun – think "Animal House" for kids – yet misses the sense of wonder and themes about childhood that made the original so great.

22. 'Elemental' (2023)

Like "Zootopia" but with more casual racism, the film overreaches trying to be both peppy rom-com and emotional immigrant story . We do adore hot-tempered Ember (Leah Lewis) and sensitive watery sort Wade (Mamoudou Athie) as a couple, though.

21. 'Brave' (2012)

"Brave" had so much potential and gave Pixar its first female protagonist, but it just couldn't click. Maybe it was the structure of the story, subpar humor or failed attempts at feminism. The lesson here: Fairy tales are strictly old-school Disney's game.

20. 'Lightyear' (2022)

Pixar's meta version of “Star Wars," the straightforward sci-fi "Toy Story" spinoff casts Chris Evans (aka Captain America) as a young Buzz Lightyear, who trains up a bunch of rookies to take on the evil Zurg, and actually pulls off a meaningful LGBTQ moment .

19. 'Incredibles 2' (2018)

The sequel arrived 14 years after the original blew audiences away in theaters. Superhero cinema has dominated since then, and Brad Bird's visual style and humor feel less novel. Still, it's an entertaining ride with many of the familial themes that made the first one great.

18. 'A Bug's Life' (1998)

Not all Pixar projects have to be convoluted and emotionally manipulative. Sometimes, it's fine for a kids' movie just to be about little critters, and this underrated gem is refreshing in its simple premise, slapstick humor and endearing cast of tenacious ants and quirky bugs. 

17. 'Finding Dory' (2016)

Another of Pixar's sequels more than a decade after the original film, "Dory" mostly recaptures the themes of family and loneliness but more importantly puts the spotlight on Ellen DeGeneres' forgetful title fish, giving depth and context to her disability .

16. 'Toy Story 4' (2019)

Woody (Tom Hanks) and Buzz (Tim Allen) returned for a "Toy Story" that's more adventure-driven than others but still delivers a poignant sendoff to our favorite cowboy and space ranger. Plus, it gave us Forky, a spork with a death wish who's pure chaos and totally charming. 

15. 'Luca' (2021) 

Young sea creature Luca explores the world outside the ocean with Alberto, a slightly older half-human, half-fish. The queer allegory is undeniable, as Luca grapples with identity, prejudice and acceptance, plus learns the meaning of chosen family one memorable Italian summer.

14. 'Soul' (2020)

This jazzy riff on humanity and the hereafter brings a cartoon New York City to vibrant, diverse life with Pixar's first Black lead character, a band teacher (played by  Jamie Foxx ) who meets a jaded soul (Tina Fey), and asks big questions about the meaning of life.

13. 'Toy Story 3' (2010)

Perhaps the most millennial movie that Pixar has ever made, it finds Andy getting ready for college in a tale about life transition and the inevitability of death – heady stuff for a kids’ movie but it miraculously works. It's also the rare kids' movie depicting daycare as a deranged prison state. 

12. 'Up' (2009)

Fun fact: There's more to this movie than its opening salvo of complete emotional devastation. Imagine pitching this story: Who wants to see a movie about an old man, an outcast kid, a talking dog and another old man who's a villain? "Up" shouldn't be this powerful but it is. 

11. 'Toy Story 2' (1999)

All of the "Toy Story" films are about growing up and growing apart, but none so mournfully as the second installment, which introduces Jessie (Joan Cusack), a toy whose owner has grown up and moved on. It kept the essential franchise theme while also cleverly expanding the universe.

10. 'Turning Red' (2022) 

Like "Inside Out," "Turning Red" depicts a young girl learning to harness her emotions . Here it's a brainy, boy-crazy Chinese-Canadian teen in the throes of puberty who learns you don't have to hide the messier parts of yourself in a combo of coming-of-age movie and kaiju flick.

9. 'Ratatouille' (2007)

"Ratatouille" is one of Pixar’s most earnest films, turning a rat into an absolutely adorable hero. Pair that with one of the studio's best side characters, food critic Anton Ego (Peter O’Toole), and this effort manages to feel as intimate as a Parisian dinner.

8. 'Inside Out 2' (2024)

The sequel introduces Anxiety (voiced by Maya Hawke) into the emotional mix, and chaos ensues inside and out of now-teenage Riley. It's a clever and ambitious exploration of puberty, and many kids (as well as adults) will feel seen in its honest depiction of mental-health struggles.

7. 'Finding Nemo' (2003)

The sea tale of an overprotective father (voiced by the inimitable Albert Brooks) searching for his lost son is one of Pixar’s most overt stories meant for both parents and kids, but it never lets the sentiment overpower the comedy. 

6. 'Toy Story' (1995)

The revolutionary film pioneered computer animation and featured all the ingredients that have become Pixar staples: emotional storytelling, action sequences, insights on the human condition, an all-star voice cast and protagonists you never would have thought of yourself.

5. 'WALL-E' (2008)

With a story this harsh on humanity, it helps to have a protagonist as innocent and (literally) wide-eyed as the title trash-compacting robot left all alone on a destroyed planet Earth. A searing critique of consumerism that's still a very enjoyable movie for children (and plenty of adults). 

4. 'Inside Out' (2015)

The first "Inside Out" exquisitely brought a child's mind alive in the most imaginative ways. It's a madcap adventure where cheery Joy (Amy Poehler) and mopey Sadness (Phyllis Smith) have to find common ground but also a heartbreaking tale reminding parents that time is fleeting and kids grow up quickly.

3. 'Coco' (2017)

Musical, magical and visually splendid, Pixar's adventure in the Land of the Dead found a new way for the studio to examine loss and grief. We dare you not to weep through the last 10 minutes when the stirringly beautiful (and Oscar-winning) "Remember Me" comes on. 

2. 'Monsters, Inc.' (2001)

It’s easy to forget that the John Goodman-Billy Crystal buddy comedy is essentially about two guys who work at a power plant. The fact that it also tackles childhood, loss of innocence, what we're truly afraid of and the nature of good and evil is what makes it one of Pixar's most imaginative outings.

1. 'The Incredibles' (2004)

Sorry, Marvel, this remains the best Fantastic Four movie ever. A family of superheroes with secret identities stars in an entertaining masterpiece about identity, with a middle-aged couple finding each other again and kids figuring out their place in the world.

Contributing: Kelly Lawler and Patrick Ryan

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‘outstanding: a comedy revolution’ review: trailblazing queer comics get their due in entertaining netflix doc.

Lily Tomlin, Margaret Cho, Eddie Izzard and Sandra Bernhard are among those sharing their experiences in Page Hurwitz’s archive-rich study.

By David Rooney

David Rooney

Chief Film Critic

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Even if it only served as a vehicle for the rediscovery of the hilarious Robin Tyler, the first lesbian comic to come out on national television in 1978, the doc would be invaluable. When Tyler and her partner Pat Harrison, who performed as the comedy duo Harrison and Tyler, took on anti-gay crusader Anita Bryant — “I don’t mind them being born again, but do they have to come back as themselves?” Tyler asks — ABC promptly canceled their deal.

Gay comedians like Charles Nelson Reilly, Paul Lynde and Rip Taylor were all over television in the 1970s, but they remained closeted; the thinking at the time was that coming out equaled certain career death.

Even a comedy titan like Laugh-In veteran Lily Tomlin , despite making no secret of her relationship with her longtime partner and now wife Jane Wagner, says that actually declaring herself a lesbian back then was unthinkable. But the fabulous Norman Seeff shot of Tomlin looking fierce in an “Evolve or Die” muscle T-shirt makes it clear that by the mid-‘80s, she was hiding nothing.

One of the most moving aspects of the film is how it highlights the mentor-mentee dynamic of queer comedy, with each trailblazer passing on an expanded legacy to the next up-and-comer. Both Bernhard and Cho talk of Tomlin as a major inspiration, while Joel Kim Booster acknowledges that queer women in comedy were his chief influence.

Another thread that emerges is the one-step-forward-two-steps-back factor of queer representation in comedy. The advances of each decade keep hitting a wall of backlash, whether it was Bryant’s “Christian” crusading in the ‘70s or AIDS hysteria and the family values push of the Ronald Reagan years or the “Don’t Ask Don’t Tell” mentality of the ‘90s, when Bill Clinton was in office.

One of the most exhilarating clips has Bernhard appropriating the disco classic “Do You Wanna Funk?” as a rallying cry for sexual freedom, provocatively skewering the stifling conservatism of public figures like Reagan and Jerry Falwell.

Input from Scott Thompson of Canadian comedy group The Kids in the Hall is especially poignant as he talks of having to create characters to hide his sexuality behind. His acerbic bar fixture Buddy Cole was notable as “the first gay character who fucked.” Elsewhere, tacit pressure made it clear that straight audiences could get on board with queer comedy so long as they didn’t have to think about actual gay sex.

Cho was another disruptive force against that unspoken rule, with a defiantly raunchy brand of personally revealing comedy. This was precisely what queer comics were told not to do, instead being encouraged to make their material “palatable.”

The prevailing coyness around the nitty-gritty of queer sexuality in comedy is echoed also in the famous guest appearance of Ellen DeGeneres on The Rosie O’Donnell Show , where she jokingly came out as “Lebanese” and O’Donnell played along, adding that she might be Lebanese too. It’s significant that while O’Donnell’s popular daytime variety and talk show ran for six seasons in syndication and had a writers’ room filled with queer comics like Judy Gold, the host still operated under the assumption that coming out was a career killer.

Hurwitz, a former comic herself, has a great eye for choice material, clearly having dug like a truffle hound through decades of archives to find clips that often remain eye-wateringly funny today.

Inevitably there are conspicuous absences — among them Kate McKinnon, Bowen Yang, Cole Escola, John Early and Jerrod Carmichael, perhaps partly justified by the choice to focus largely on comics who participated in the Greek Theatre event — and areas where the doc could have pushed harder. Any discussion of homophobia getting a pass for way too long in comedy should include the infamous Tracy Morgan rant, when he told a Nashville audience that he would “pull out a knife and stab” his son if he were gay. Even Dave Chapelle’s inflammatory transphobic material gets only cursory coverage.

If there’s a significant flaw in the doc it’s that for a film so willing to contextualize queer comedy in the political landscape of the past, it’s surprisingly reticent about the alarming climate of the present, with a concerted push well under way to roll back many of the gains of LGBTQ+ rights. Surely somewhere on the cutting room floor someone voiced an opinion about all that’s at stake in the upcoming election?

Even so, Outstanding makes a persuasive, highly entertaining case that the evolution of queer comedy is inextricably bound to broader developments in representation, and that emerging next-gen queer comics could learn a lot from their forebears.

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‘The Day the Earth Blew Up’ Review: Daffy Duck and Porky Pig Save the World in Side-Splitting Looney Tunes Movie

A casualty of Warner Bros.' new cost-slashing strategy, this feature-length Looney Tunes offering is seeking distribution around the world.

By Peter Debruge

Peter Debruge

Chief Film Critic

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• ‘The Day the Earth Blew Up’ Review: Daffy Duck and Porky Pig Save the World in Side-Splitting Looney Tunes Movie 3 days ago

Look up “cartoon villain” in the dictionary, and you’re likely to find a picture of David Zaslav. Since taking over Warner Bros. Discovery, he’s cast aside not one, but two feature-length Looney Tunes projects. Last November, there was the live-action/animated hybrid “Coyote vs. Acme,” which was given the “Batgirl” treatment (except, unlike that film, this one was done, so the tax write-off reasoning doesn’t track). Lower profile but no less deserving of a proper release, WB Animation’s hand-drawn Porky Pig and Daffy Duck stand-alone “The Day the Earth Blew Up” was made for Max, but went on the block last fall. It’s still looking for U.S. distribution.

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Just look at the way the characters cry more in this movie than they did in the eight previous decades combined — during which Looney Tunes shorts were nominated for a dozen Oscars, winning two. Vocal MVP Eric Bauza (who performs both Porky and Daffy) brings a manic energy to the pair, while the green-skinned alien Invader (Peter MacNicol) comes across as a taller version of “SpongeBob” schemer Plankton — until the film’s big third-act twist, at least. In fact, with a few small tweaks, it’s easy to imagine the whole thing centered around a pineapple under the sea, rather than Porky and Daffy’s rickety farmhouse.

Right upfront, “Day” unleashes two outer-space anomalies on Earth: a planet-endangering asteroid and a CG flying saucer, which sends a big glob of glowing goo smashing through Porky and Daffy’s roof. Meanwhile, the intergalactic ectoplasm attracts — and subsequently possesses — the lab-coat-clad Scientist (both he and Father Jim are voiced by Fred Tatasciore). The goo turns humans into zombies, which is bad news, since the Scientist dumps a briefcase full of the stuff into the formula for Goodie Gum’s latest flavor, Super Strong Berry.

Soon the entire world is sampling the bubblicious new release, which takes over their brains and makes them susceptible to Invader’s commands. As presented here, Daffy is a hysterical conspiracy nut who’s perfectly wired to recognize such a scheme when he sees it. The problem comes in trying to convince the world that Goodie Gum has been compromised by space aliens, which means that Daffy, Porky and newfound love interest Petunia Pig (Candi Milo) will have to save the planet themselves. Petunia works as a flavor sampler for the gum factory, taste-testing everything from old socks to rotten eggs. She’s a hyper-capable nerd compared with these two bumbling morons, and together, they make a great team.

As silly as things get, “Day” keeps audiences emotionally invested by staying focused on three relatable ideas. First, there’s the lifelong friendship between Porky and Daffy, which is threatened by the whole Earth-blowing-up situation. Second, there’s the connection they feel to their house, which is similarly threatened by … you get the picture. And then there’s the buh-buh-budding romance between Porky and Petunia, which adds a sweet twist to things. Daffy (whose greatest desire is to smash things with his wooden mallet) wears on the nerves after a while, but the entire project — including a handful of fun fourth-wall-shattering asides — is crafted with love and a genuine respect for the franchise. Stay through the credits for a sequel promise the current WB regime has no intentions of honoring.

Reviewed at Annecy Animation Festival, June 11, 2024. Running time: 91 MIN.

• Production: (Animated) A Warner Bros. Animation presentation. Producer: Bonnie Arnold. Executive producers: Peter Browngardt, Sam Register.
• Crew: Director: Peter Browngardt. Screenplay: Darrick Bachman, Pete Browngardt, Kevin Costello, Andrew Dickman, David Gemmill, Alex Kirwan, Ryan Kramer, Jason Reicher, Michael Ruocco, Johnny Ryan, Eddie Trigueros. Editor: Nick Simotas. Music: Joshua Moshier. Animation direction: Joey Capps.
• With: Eric Bauza, Candi Milo, Peter MacNicol, Fred Tatasciore, Laraine Newman, Wayne Knight.

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‘Ride’ Review: Heists, Heifers and Hospital Bills

A father and son resort to desperate measures to save an ailing child in this Texas-set dramatic thriller.

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By Calum Marsh

Like many movies before it, including “John Q,” and “Ambulance,” the indie thriller “Ride” is about a well-meaning father who turns to crime in a desperate bid to cover his family’s medical bills. It’s a distinctly, bleakly American crisis, one with an inevitable political subtext: If a man is forced to choose between stealing and watching his daughter die of cancer, maybe it’s the system, not the man, that’s the problem.

“I’m praying for you,” John (C. Thomas Howell) is told when his request to draw on his pension is denied. In the United States, you might not get help, as “Ride” bitterly makes clear, but you’ll get plenty of thoughts and prayers.

John is a rancher and former rodeo star in Texas worn down by years of hard labor, and Howell, looking much older than his 57 years, brings a Sam Elliott-type of rugged cowboy pathos to the role of the family patriarch. The writer-director Jake Allyn also stars as John’s wayward son Peter, who helps him plan a high-risk theft.

But Allyn always seems a bit out of his depth trying to convey Peter’s inner anguish. Consequently, the character’s struggles with addiction and a troubled past feel like a distraction from the heart of the story, which is John’s drive to do anything to help Virginia, his ailing child (Zia Carlock). Decked out in cowboy hat and Carhartt jacket, Allyn looks the part. But only Howell truly embodies the spirit of the Old West.

Ride Rated R for drug use, strong language and some violence. Running time: 1 hour 54 minutes. Available to rent or buy on most major platforms.