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Common core state standards related to narrative writing.

CCSS.ELA-Literacy.CCRA.W.3 – Write narratives to develop real or imagined experiences or events using effective technique, well-chosen details and well-structured event sequences.

ELA Standards: Writing

CCSS.ELA-Literacy.W.K.3 – Use a combination of drawing, dictating, and writing to narrate a single event or several loosely linked events, tell about the events in the order in which they occurred, and provide a reaction to what happened. CCSS.ELA-Literacy.W.1.3 – Write narratives in which they recount two or more appropriately sequenced events, include some details regarding what happened, use temporal words to signal event order, and provide some sense of closure. CCSS.ELA-Literacy.W.2.3 – Write narratives in which they recount a well-elaborated event or short sequence of events, include details to describe actions, thoughts, and feelings, use temporal words to signal event order, and provide a sense of closure. CCSS.ELA-Literacy.W.3.3a – Establish a situation and introduce a narrator and/or characters; organize an event sequence that unfolds naturally. CCSS.ELA-Literacy.W.3.3b – Use dialogue and descriptions of actions, thoughts, and feelings to develop experiences and events or show the response of characters to situations. CCSS.ELA-Literacy.W.4.3 – Write narratives to develop real or imagined experiences or events using effective technique, descriptive details, and clear event sequences. CCSS.ELA-Literacy.W.4.3d – Use concrete words and phrases and sensory details to convey experiences and events precisely. CCSS.ELA-Literacy.W.4.3e – Provide a conclusion that follows from the narrated experiences or events. CCSS.ELA-Literacy.W.5.3 – Write narratives to develop real or imagined experiences or events using effective technique, descriptive details, and clear event sequences. CCSS.ELA-Literacy.W.6.3a – Engage and orient the reader by establishing a context and introducing a narrator and/or characters; organize an event sequence that unfolds naturally and logically. CCSS.ELA-Literacy.W.7.3 – Write narratives to develop real or imagined experiences or events using effective technique, relevant descriptive details, and well-structured event sequences. CCSS.ELA-Literacy.W.7.3a – Engage and orient the reader by establishing a context and point of view and introducing a narrator and/or characters; organize an event sequence that unfolds naturally and logically. CCSS.ELA-Literacy.W.7.3b – Use narrative techniques, such as dialogue, pacing, and description, to develop experiences, events, and/or characters. CCSS.ELA-Literacy.W.8.3c – Use a variety of transition words, phrases, and clauses to convey sequence, signal shifts from one time frame or setting to another, and show the relationships among experiences and events. CCSS.ELA-Literacy.W.8.3d – Use precise words and phrases, relevant descriptive details, and sensory language to capture the action and convey experiences and events. CCSS.ELA-Literacy.W.8.3e – Provide a conclusion that follows from and reflects on the narrated experiences or events. CCSS.ELA-Literacy.W.9-10.3a – Engage and orient the reader by setting out a problem, situation, or observation, establishing one or multiple point(s) of view, and introducing a narrator and/or characters; create a smooth progression of experiences or events. CCSS.ELA-Literacy.W.11-12.3c – Use a variety of techniques to sequence events so that they build on one another to create a coherent whole and build toward a particular tone and outcome (e.g., a sense of mystery, suspense, growth, or resolution).

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Narrative Writing: A Complete Guide for Teachers and Students

MASTERING THE CRAFT OF NARRATIVE WRITING

Narratives build on and encourage the development of the fundamentals of writing. They also require developing an additional skill set: the ability to tell a good yarn, and storytelling is as old as humanity.

We see and hear stories everywhere and daily, from having good gossip on the doorstep with a neighbor in the morning to the dramas that fill our screens in the evening.

Good narrative writing skills are hard-won by students even though it is an area of writing that most enjoy due to the creativity and freedom it offers.

Here we will explore some of the main elements of a good story: plot, setting, characters, conflict, climax, and resolution . And we will look too at how best we can help our students understand these elements, both in isolation and how they mesh together as a whole.

WHAT IS A NARRATIVE?

A narrative is a story that shares a sequence of events , characters, and themes. It expresses experiences, ideas, and perspectives that should aspire to engage and inspire an audience.

A narrative can spark emotion, encourage reflection, and convey meaning when done well.

Narratives are a popular genre for students and teachers as they allow the writer to share their imagination, creativity, skill, and understanding of nearly all elements of writing.  We occasionally refer to a narrative as ‘creative writing’ or story writing.

The purpose of a narrative is simple, to tell the audience a story.  It can be written to motivate, educate, or entertain and can be fact or fiction.

A COMPLETE UNIT ON TEACHING NARRATIVE WRITING

Teach your students to become skilled story writers with this HUGE   NARRATIVE & CREATIVE STORY WRITING UNIT . Offering a  COMPLETE SOLUTION  to teaching students how to craft  CREATIVE CHARACTERS, SUPERB SETTINGS, and PERFECT PLOTS .

Over 192 PAGES of materials, including:

TYPES OF NARRATIVE WRITING

There are many narrative writing genres and sub-genres such as these.

We have a complete guide to writing a personal narrative that differs from the traditional story-based narrative covered in this guide. It includes personal narrative writing prompts, resources, and examples and can be found here.

As we can see, narratives are an open-ended form of writing that allows you to showcase creativity in many directions. However, all narratives share a common set of features and structure known as “Story Elements”, which are briefly covered in this guide.

Don’t overlook the importance of understanding story elements and the value this adds to you as a writer who can dissect and create grand narratives. We also have an in-depth guide to understanding story elements here .

CHARACTERISTICS OF NARRATIVE WRITING

Narrative structure.

ORIENTATION (BEGINNING) Set the scene by introducing your characters, setting and time of the story. Establish your who, when and where in this part of your narrative

COMPLICATION AND EVENTS (MIDDLE) In this section activities and events involving your main characters are expanded upon. These events are written in a cohesive and fluent sequence.

RESOLUTION (ENDING) Your complication is resolved in this section. It does not have to be a happy outcome, however.

EXTRAS: Whilst orientation, complication and resolution are the agreed norms for a narrative, there are numerous examples of popular texts that did not explicitly follow this path exactly.

NARRATIVE FEATURES

LANGUAGE: Use descriptive and figurative language to paint images inside your audience’s minds as they read.

PERSPECTIVE Narratives can be written from any perspective but are most commonly written in first or third person.

DIALOGUE Narratives frequently switch from narrator to first-person dialogue. Always use speech marks when writing dialogue.

TENSE If you change tense, make it perfectly clear to your audience what is happening. Flashbacks might work well in your mind but make sure they translate to your audience.

THE PLOT MAP

This graphic is known as a plot map, and nearly all narratives fit this structure in one way or another, whether romance novels, science fiction or otherwise.

It is a simple tool that helps you understand and organise a story’s events. Think of it as a roadmap that outlines the journey of your characters and the events that unfold. It outlines the different stops along the way, such as the introduction, rising action, climax, falling action, and resolution, that help you to see how the story builds and develops.

Using a plot map, you can see how each event fits into the larger picture and how the different parts of the story work together to create meaning. It’s a great way to visualize and analyze a story.

Be sure to refer to a plot map when planning a story, as it has all the essential elements of a great story.

THE 5 KEY STORY ELEMENTS OF A GREAT NARRATIVE (6-MINUTE TUTORIAL VIDEO)

This video we created provides an excellent overview of these elements and demonstrates them in action in stories we all know and love.

HOW TO WRITE A NARRATIVE

Now that we understand the story elements and how they come together to form stories, it’s time to start planning and writing your narrative.

In many cases, the template and guide below will provide enough details on how to craft a great story. However, if you still need assistance with the fundamentals of writing, such as sentence structure, paragraphs and using correct grammar, we have some excellent guides on those here.

USE YOUR WRITING TIME EFFECTIVELY: Maximize your narrative writing sessions by spending approximately 20 per cent of your time planning and preparing.  This ensures greater productivity during your writing time and keeps you focused and on task.

Use tools such as graphic organizers to logically sequence your narrative if you are not a confident story writer.  If you are working with reluctant writers, try using narrative writing prompts to get their creative juices flowing.

Spend most of your writing hour on the task at hand, don’t get too side-tracked editing during this time and leave some time for editing. When editing a  narrative, examine it for these three elements.

• Spelling and grammar ( Is it readable?)
• Story structure and continuity ( Does it make sense, and does it flow? )
• Character and plot analysis. (Are your characters engaging? Does your problem/resolution work? )

1. SETTING THE SCENE: THE WHERE AND THE WHEN

The story’s setting often answers two of the central questions in the story, namely, the where and the when. The answers to these two crucial questions will often be informed by the type of story the student is writing.

The story’s setting can be chosen to quickly orient the reader to the type of story they are reading. For example, a fictional narrative writing piece such as a horror story will often begin with a description of a haunted house on a hill or an abandoned asylum in the middle of the woods. If we start our story on a rocket ship hurtling through the cosmos on its space voyage to the Alpha Centauri star system, we can be reasonably sure that the story we are embarking on is a work of science fiction.

Such conventions are well-worn clichés true, but they can be helpful starting points for our novice novelists to make a start.

Having students choose an appropriate setting for the type of story they wish to write is an excellent exercise for our younger students. It leads naturally onto the next stage of story writing, which is creating suitable characters to populate this fictional world they have created. However, older or more advanced students may wish to play with the expectations of appropriate settings for their story. They may wish to do this for comic effect or in the interest of creating a more original story. For example, opening a story with a children’s birthday party does not usually set up the expectation of a horror story. Indeed, it may even lure the reader into a happy reverie as they remember their own happy birthday parties. This leaves them more vulnerable to the surprise element of the shocking action that lies ahead.

Once the students have chosen a setting for their story, they need to start writing. Little can be more terrifying to English students than the blank page and its bare whiteness stretching before them on the table like a merciless desert they must cross. Give them the kick-start they need by offering support through word banks or writing prompts. If the class is all writing a story based on the same theme, you may wish to compile a common word bank on the whiteboard as a prewriting activity. Write the central theme or genre in the middle of the board. Have students suggest words or phrases related to the theme and list them on the board.

You may wish to provide students with a copy of various writing prompts to get them started. While this may mean that many students’ stories will have the same beginning, they will most likely arrive at dramatically different endings via dramatically different routes.

A bargain is at the centre of the relationship between the writer and the reader. That bargain is that the reader promises to suspend their disbelief as long as the writer creates a consistent and convincing fictional reality. Creating a believable world for the fictional characters to inhabit requires the student to draw on convincing details. The best way of doing this is through writing that appeals to the senses. Have your student reflect deeply on the world that they are creating. What does it look like? Sound like? What does the food taste like there? How does it feel like to walk those imaginary streets, and what aromas beguile the nose as the main character winds their way through that conjured market?

Also, Consider the when; or the time period. Is it a future world where things are cleaner and more antiseptic? Or is it an overcrowded 16th-century London with human waste stinking up the streets? If students can create a multi-sensory installation in the reader’s mind, then they have done this part of their job well.

Popular Settings from Children’s Literature and Storytelling

• Fairytale Kingdom
• Magical Forest
• Village/town
• Underwater world
• Space/Alien planet

2. CASTING THE CHARACTERS: THE WHO

Now that your student has created a believable world, it is time to populate it with believable characters.

In short stories, these worlds mustn’t be overpopulated beyond what the student’s skill level can manage. Short stories usually only require one main character and a few secondary ones. Think of the short story more as a small-scale dramatic production in an intimate local theater than a Hollywood blockbuster on a grand scale. Too many characters will only confuse and become unwieldy with a canvas this size. Keep it simple!

Creating believable characters is often one of the most challenging aspects of narrative writing for students. Fortunately, we can do a few things to help students here. Sometimes it is helpful for students to model their characters on actual people they know. This can make things a little less daunting and taxing on the imagination. However, whether or not this is the case, writing brief background bios or descriptions of characters’ physical personality characteristics can be a beneficial prewriting activity. Students should give some in-depth consideration to the details of who their character is: How do they walk? What do they look like? Do they have any distinguishing features? A crooked nose? A limp? Bad breath? Small details such as these bring life and, therefore, believability to characters. Students can even cut pictures from magazines to put a face to their character and allow their imaginations to fill in the rest of the details.

Younger students will often dictate to the reader the nature of their characters. To improve their writing craft, students must know when to switch from story-telling mode to story-showing mode. This is particularly true when it comes to character. Encourage students to reveal their character’s personality through what they do rather than merely by lecturing the reader on the faults and virtues of the character’s personality. It might be a small relayed detail in the way they walk that reveals a core characteristic. For example, a character who walks with their head hanging low and shoulders hunched while avoiding eye contact has been revealed to be timid without the word once being mentioned. This is a much more artistic and well-crafted way of doing things and is less irritating for the reader. A character who sits down at the family dinner table immediately snatches up his fork and starts stuffing roast potatoes into his mouth before anyone else has even managed to sit down has revealed a tendency towards greed or gluttony.

Understanding Character Traits

Again, there is room here for some fun and profitable prewriting activities. Give students a list of character traits and have them describe a character doing something that reveals that trait without ever employing the word itself.

It is also essential to avoid adjective stuffing here. When looking at students’ early drafts, adjective stuffing is often apparent. To train the student out of this habit, choose an adjective and have the student rewrite the sentence to express this adjective through action rather than telling.

When writing a story, it is vital to consider the character’s traits and how they will impact the story’s events. For example, a character with a strong trait of determination may be more likely to overcome obstacles and persevere. In contrast, a character with a tendency towards laziness may struggle to achieve their goals. In short, character traits add realism, depth, and meaning to a story, making it more engaging and memorable for the reader.

Popular Character Traits in Children’s Stories

• Determination
• Imagination
• Perseverance
• Responsibility

We have an in-depth guide to creating great characters here , but most students should be fine to move on to planning their conflict and resolution.

3. NO PROBLEM? NO STORY! HOW CONFLICT DRIVES A NARRATIVE

This is often the area apprentice writers have the most difficulty with. Students must understand that without a problem or conflict, there is no story. The problem is the driving force of the action. Usually, in a short story, the problem will center around what the primary character wants to happen or, indeed, wants not to happen. It is the hurdle that must be overcome. It is in the struggle to overcome this hurdle that events happen.

Often when a student understands the need for a problem in a story, their completed work will still not be successful. This is because, often in life, problems remain unsolved. Hurdles are not always successfully overcome. Students pick up on this.

We often discuss problems with friends that will never be satisfactorily resolved one way or the other, and we accept this as a part of life. This is not usually the case with writing a story. Whether a character successfully overcomes his or her problem or is decidedly crushed in the process of trying is not as important as the fact that it will finally be resolved one way or the other.

A good practical exercise for students to get to grips with this is to provide copies of stories and have them identify the central problem or conflict in each through discussion. Familiar fables or fairy tales such as Three Little Pigs, The Boy Who Cried Wolf, Cinderella, etc., are great for this.

While it is true that stories often have more than one problem or that the hero or heroine is unsuccessful in their first attempt to solve a central problem, for beginning students and intermediate students, it is best to focus on a single problem, especially given the scope of story writing at this level. Over time students will develop their abilities to handle more complex plots and write accordingly.

Popular Conflicts found in Children’s Storytelling.

• Good vs evil
• Individual vs society
• Nature vs nurture
• Self vs others
• Man vs self
• Man vs nature
• Man vs technology
• Individual vs fate
• Self vs destiny

Conflict is the heart and soul of any good story. It’s what makes a story compelling and drives the plot forward. Without conflict, there is no story. Every great story has a struggle or a problem that needs to be solved, and that’s where conflict comes in. Conflict is what makes a story exciting and keeps the reader engaged. It creates tension and suspense and makes the reader care about the outcome.

Like in real life, conflict in a story is an opportunity for a character’s growth and transformation. It’s a chance for them to learn and evolve, making a story great. So next time stories are written in the classroom, remember that conflict is an essential ingredient, and without it, your story will lack the energy, excitement, and meaning that makes it truly memorable.

4. THE NARRATIVE CLIMAX: HOW THINGS COME TO A HEAD!

The climax of the story is the dramatic high point of the action. It is also when the struggles kicked off by the problem come to a head. The climax will ultimately decide whether the story will have a happy or tragic ending. In the climax, two opposing forces duke things out until the bitter (or sweet!) end. One force ultimately emerges triumphant. As the action builds throughout the story, suspense increases as the reader wonders which of these forces will win out. The climax is the release of this suspense.

Much of the success of the climax depends on how well the other elements of the story have been achieved. If the student has created a well-drawn and believable character that the reader can identify with and feel for, then the climax will be more powerful.

The nature of the problem is also essential as it determines what’s at stake in the climax. The problem must matter dearly to the main character if it matters at all to the reader.

Have students engage in discussions about their favorite movies and books. Have them think about the storyline and decide the most exciting parts. What was at stake at these moments? What happened in your body as you read or watched? Did you breathe faster? Or grip the cushion hard? Did your heart rate increase, or did you start to sweat? This is what a good climax does and what our students should strive to do in their stories.

The climax puts it all on the line and rolls the dice. Let the chips fall where the writer may…

Popular Climax themes in Children’s Stories

• A battle between good and evil
• The character’s bravery saves the day
• Character faces their fears and overcomes them
• The character solves a mystery or puzzle.
• The character stands up for what is right.
• Character reaches their goal or dream.
• The character learns a valuable lesson.
• The character makes a selfless sacrifice.
• The character makes a difficult decision.
• The character reunites with loved ones or finds true friendship.

5. RESOLUTION: TYING UP LOOSE ENDS

After the climactic action, a few questions will often remain unresolved for the reader, even if all the conflict has been resolved. The resolution is where those lingering questions will be answered. The resolution in a short story may only be a brief paragraph or two. But, in most cases, it will still be necessary to include an ending immediately after the climax can feel too abrupt and leave the reader feeling unfulfilled.

An easy way to explain resolution to students struggling to grasp the concept is to point to the traditional resolution of fairy tales, the “And they all lived happily ever after” ending. This weather forecast for the future allows the reader to take their leave. Have the student consider the emotions they want to leave the reader with when crafting their resolution.

While the action is usually complete by the end of the climax, it is in the resolution that if there is a twist to be found, it will appear – think of movies such as The Usual Suspects. Pulling this off convincingly usually requires considerable skill from a student writer. Still, it may well form a challenging extension exercise for those more gifted storytellers among your students.

Popular Resolutions in Children’s Stories

• Our hero achieves their goal
• The character learns a valuable lesson
• A character finds happiness or inner peace.
• The character reunites with loved ones.
• Character restores balance to the world.
• The character discovers their true identity.
• Character changes for the better.
• The character gains wisdom or understanding.
• Character makes amends with others.
• The character learns to appreciate what they have.

Once students have completed their story, they can edit for grammar, vocabulary choice, spelling, etc., but not before!

As mentioned, there is a craft to storytelling, as well as an art. When accurate grammar, perfect spelling, and immaculate sentence structures are pushed at the outset, they can cause storytelling paralysis. For this reason, it is essential that when we encourage the students to write a story, we give them license to make mechanical mistakes in their use of language that they can work on and fix later.

Good narrative writing is a very complex skill to develop and will take the student years to become competent. It challenges not only the student’s technical abilities with language but also her creative faculties. Writing frames, word banks, mind maps, and visual prompts can all give valuable support as students develop the wide-ranging and challenging skills required to produce a successful narrative writing piece. But, at the end of it all, as with any craft, practice and more practice is at the heart of the matter.

TIPS FOR WRITING A GREAT NARRATIVE

• Start your story with a clear purpose: If you can determine the theme or message you want to convey in your narrative before starting it will make the writing process so much simpler.
• Choose a compelling storyline and sell it through great characters, setting and plot: Consider a unique or interesting story that captures the reader’s attention, then build the world and characters around it.
• Develop vivid characters that are not all the same: Make your characters relatable and memorable by giving them distinct personalities and traits you can draw upon in the plot.
• Use descriptive language to hook your audience into your story: Use sensory language to paint vivid images and sequences in the reader’s mind.
• Show, don’t tell your audience: Use actions, thoughts, and dialogue to reveal character motivations and emotions through storytelling.
• Create a vivid setting that is clear to your audience before getting too far into the plot: Describe the time and place of your story to immerse the reader fully.
• Build tension: Refer to the story map earlier in this article and use conflict, obstacles, and suspense to keep the audience engaged and invested in your narrative.
• Use figurative language such as metaphors, similes, and other literary devices to add depth and meaning to your narrative.
• Edit, revise, and refine: Take the time to refine and polish your writing for clarity and impact.
• Stay true to your voice: Maintain your unique perspective and style in your writing to make it your own.

NARRATIVE WRITING EXAMPLES (Student Writing Samples)

Below are a collection of student writing samples of narratives.  Click on the image to enlarge and explore them in greater detail.  Please take a moment to read these creative stories in detail and the teacher and student guides which highlight some of the critical elements of narratives to consider before writing.

Please understand these student writing samples are not intended to be perfect examples for each age or grade level but a piece of writing for students and teachers to explore together to critically analyze to improve student writing skills and deepen their understanding of story writing.

We recommend reading the example either a year above or below, as well as the grade you are currently working with, to gain a broader appreciation of this text type.

NARRATIVE WRITING PROMPTS (Journal Prompts)

When students have a great journal prompt, it can help them focus on the task at hand, so be sure to view our vast collection of visual writing prompts for various text types here or use some of these.

• On a recent European trip, you find your travel group booked into the stunning and mysterious Castle Frankenfurter for a single night…  As night falls, the massive castle of over one hundred rooms seems to creak and groan as a series of unexplained events begin to make you wonder who or what else is spending the evening with you. Write a narrative that tells the story of your evening.
• You are a famous adventurer who has discovered new lands; keep a travel log over a period of time in which you encounter new and exciting adventures and challenges to overcome.  Ensure your travel journal tells a story and has a definite introduction, conflict and resolution.
• You create an incredible piece of technology that has the capacity to change the world.  As you sit back and marvel at your innovation and the endless possibilities ahead of you, it becomes apparent there are a few problems you didn’t really consider. You might not even be able to control them.  Write a narrative in which you ride the highs and lows of your world-changing creation with a clear introduction, conflict and resolution.
• As the final door shuts on the Megamall, you realise you have done it…  You and your best friend have managed to sneak into the largest shopping centre in town and have the entire place to yourselves until 7 am tomorrow.  There is literally everything and anything a child would dream of entertaining themselves for the next 12 hours.  What amazing adventures await you?  What might go wrong?  And how will you get out of there scot-free?
• A stranger walks into town…  Whilst appearing similar to almost all those around you, you get a sense that this person is from another time, space or dimension… Are they friends or foes?  What makes you sense something very strange is going on?   Suddenly they stand up and walk toward you with purpose extending their hand… It’s almost as if they were reading your mind.

NARRATIVE WRITING VIDEO TUTORIAL

Teaching Resources

Use our resources and tools to improve your student’s writing skills through proven teaching strategies.

When teaching narrative writing, it is essential that you have a range of tools, strategies and resources at your disposal to ensure you get the most out of your writing time.  You can find some examples below, which are free and paid premium resources you can use instantly without any preparation.

FREE Narrative Graphic Organizer

THE STORY TELLERS BUNDLE OF TEACHING RESOURCES

A MASSIVE COLLECTION of resources for narratives and story writing in the classroom covering all elements of crafting amazing stories. MONTHS WORTH OF WRITING LESSONS AND RESOURCES, including:

NARRATIVE WRITING CHECKLIST BUNDLE

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OTHER GREAT ARTICLES ABOUT NARRATIVE WRITING

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• How to write a narrative essay | Example & tips

How to Write a Narrative Essay | Example & Tips

Published on July 24, 2020 by Jack Caulfield . Revised on July 23, 2023.

A narrative essay tells a story. In most cases, this is a story about a personal experience you had. This type of essay , along with the descriptive essay , allows you to get personal and creative, unlike most academic writing .

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Table of contents

What is a narrative essay for, choosing a topic, interactive example of a narrative essay, other interesting articles, frequently asked questions about narrative essays.

When assigned a narrative essay, you might find yourself wondering: Why does my teacher want to hear this story? Topics for narrative essays can range from the important to the trivial. Usually the point is not so much the story itself, but the way you tell it.

A narrative essay is a way of testing your ability to tell a story in a clear and interesting way. You’re expected to think about where your story begins and ends, and how to convey it with eye-catching language and a satisfying pace.

These skills are quite different from those needed for formal academic writing. For instance, in a narrative essay the use of the first person (“I”) is encouraged, as is the use of figurative language, dialogue, and suspense.

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Narrative essay assignments vary widely in the amount of direction you’re given about your topic. You may be assigned quite a specific topic or choice of topics to work with.

• Write a story about your first day of school.
• Write a story about your favorite holiday destination.

You may also be given prompts that leave you a much wider choice of topic.

• Write about an experience where you learned something about yourself.
• Write about an achievement you are proud of. What did you accomplish, and how?

In these cases, you might have to think harder to decide what story you want to tell. The best kind of story for a narrative essay is one you can use to talk about a particular theme or lesson, or that takes a surprising turn somewhere along the way.

For example, a trip where everything went according to plan makes for a less interesting story than one where something unexpected happened that you then had to respond to. Choose an experience that might surprise the reader or teach them something.

Narrative essays in college applications

When applying for college , you might be asked to write a narrative essay that expresses something about your personal qualities.

For example, this application prompt from Common App requires you to respond with a narrative essay.

In this context, choose a story that is not only interesting but also expresses the qualities the prompt is looking for—here, resilience and the ability to learn from failure—and frame the story in a way that emphasizes these qualities.

An example of a short narrative essay, responding to the prompt “Write about an experience where you learned something about yourself,” is shown below.

Hover over different parts of the text to see how the structure works.

Since elementary school, I have always favored subjects like science and math over the humanities. My instinct was always to think of these subjects as more solid and serious than classes like English. If there was no right answer, I thought, why bother? But recently I had an experience that taught me my academic interests are more flexible than I had thought: I took my first philosophy class.

Before I entered the classroom, I was skeptical. I waited outside with the other students and wondered what exactly philosophy would involve—I really had no idea. I imagined something pretty abstract: long, stilted conversations pondering the meaning of life. But what I got was something quite different.

A young man in jeans, Mr. Jones—“but you can call me Rob”—was far from the white-haired, buttoned-up old man I had half-expected. And rather than pulling us into pedantic arguments about obscure philosophical points, Rob engaged us on our level. To talk free will, we looked at our own choices. To talk ethics, we looked at dilemmas we had faced ourselves. By the end of class, I’d discovered that questions with no right answer can turn out to be the most interesting ones.

The experience has taught me to look at things a little more “philosophically”—and not just because it was a philosophy class! I learned that if I let go of my preconceptions, I can actually get a lot out of subjects I was previously dismissive of. The class taught me—in more ways than one—to look at things with an open mind.

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

• Ad hominem fallacy
• Post hoc fallacy
• Appeal to authority fallacy
• False cause fallacy
• Sunk cost fallacy

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If you’re not given much guidance on what your narrative essay should be about, consider the context and scope of the assignment. What kind of story is relevant, interesting, and possible to tell within the word count?

The best kind of story for a narrative essay is one you can use to reflect on a particular theme or lesson, or that takes a surprising turn somewhere along the way.

Don’t worry too much if your topic seems unoriginal. The point of a narrative essay is how you tell the story and the point you make with it, not the subject of the story itself.

Narrative essays are usually assigned as writing exercises at high school or in university composition classes. They may also form part of a university application.

When you are prompted to tell a story about your own life or experiences, a narrative essay is usually the right response.

The key difference is that a narrative essay is designed to tell a complete story, while a descriptive essay is meant to convey an intense description of a particular place, object, or concept.

Narrative and descriptive essays both allow you to write more personally and creatively than other kinds of essays , and similar writing skills can apply to both.

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A Step-by-Step Plan for Teaching Narrative Writing

July 29, 2018

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“Those who tell the stories rule the world.”  This proverb, attributed to the Hopi Indians, is one I wish I’d known a long time ago, because I would have used it when teaching my students the craft of storytelling. With a well-told story we can help a person see things in an entirely new way. We can forge new relationships and strengthen the ones we already have. We can change a law, inspire a movement, make people care fiercely about things they’d never given a passing thought.

But when we study storytelling with our students, we forget all that. Or at least I did. When my students asked why we read novels and stories, and why we wrote personal narratives and fiction, my defense was pretty lame: I probably said something about the importance of having a shared body of knowledge, or about the enjoyment of losing yourself in a book, or about the benefits of having writing skills in general.

I forgot to talk about the  power of story. I didn’t bother to tell them that the ability to tell a captivating story is one of the things that makes human beings extraordinary. It’s how we connect to each other. It’s something to celebrate, to study, to perfect. If we’re going to talk about how to teach students to write stories, we should start by thinking about why we tell stories at all . If we can pass that on to our students, then we will be going beyond a school assignment; we will be doing something transcendent.

Now. How do we get them to write those stories? I’m going to share the process I used for teaching narrative writing. I used this process with middle school students, but it would work with most age groups.

A Note About Form: Personal Narrative or Short Story?

When teaching narrative writing, many teachers separate personal narratives from short stories. In my own classroom, I tended to avoid having my students write short stories because personal narratives were more accessible. I could usually get students to write about something that really happened, while it was more challenging to get them to make something up from scratch.

In the “real” world of writers, though, the main thing that separates memoir from fiction is labeling: A writer might base a novel heavily on personal experiences, but write it all in third person and change the names of characters to protect the identities of people in real life. Another writer might create a short story in first person that reads like a personal narrative, but is entirely fictional. Just last weekend my husband and I watched the movie Lion and were glued to the screen the whole time, knowing it was based on a true story. James Frey’s book  A Million Little Pieces  sold millions of copies as a memoir but was later found to contain more than a little bit of fiction. Then there are unique books like Curtis Sittenfeld’s brilliant novel American Wife , based heavily on the early life of Laura Bush but written in first person, with fictional names and settings, and labeled as a work of fiction. The line between fact and fiction has always been really, really blurry, but the common thread running through all of it is good storytelling.

With that in mind, the process for teaching narrative writing can be exactly the same for writing personal narratives or short stories; it’s the same skill set. So if you think your students can handle the freedom, you might decide to let them choose personal narrative or fiction for a narrative writing assignment, or simply tell them that whether the story is true doesn’t matter, as long as they are telling a good story and they are not trying to pass off a fictional story as fact.

Here are some examples of what that kind of flexibility could allow:

• A student might tell a true story from their own experience, but write it as if it were a fiction piece, with fictional characters, in third person.
• A student might create a completely fictional story, but tell it in first person, which would give it the same feel as a personal narrative.
• A student might tell a true story that happened to someone else, but write it in first person, as if they were that person. For example, I could write about my grandmother’s experience of getting lost as a child, but I might write it in her voice.

If we aren’t too restrictive about what we call these pieces, and we talk about different possibilities with our students, we can end up with lots of interesting outcomes. Meanwhile, we’re still teaching students the craft of narrative writing.

A Note About Process: Write With Your Students

One of the most powerful techniques I used as a writing teacher was to do my students’ writing assignments with them. I would start my own draft at the same time as they did, composing “live” on the classroom projector, and doing a lot of thinking out loud so they could see all the decisions a writer has to make.

The most helpful parts for them to observe were the early drafting stage, where I just scratched out whatever came to me in messy, run-on sentences, and the revision stage, where I crossed things out, rearranged, and made tons of notes on my writing. I have seen over and over again how witnessing that process can really help to unlock a student’s understanding of how writing actually gets made.

A Narrative Writing Unit Plan

Before I get into these steps, I should note that there is no one right way to teach narrative writing, and plenty of accomplished teachers are doing it differently and getting great results. This just happens to be a process that has worked for me.

Step 1: Show Students That Stories Are Everywhere

Getting our students to tell stories should be easy. They hear and tell stories all the time. But when they actually have to put words on paper, they forget their storytelling abilities: They can’t think of a topic. They omit relevant details, but go on and on about irrelevant ones. Their dialogue is bland. They can’t figure out how to start. They can’t figure out how to end.

So the first step in getting good narrative writing from students is to help them see that they are already telling stories every day . They gather at lockers to talk about that thing that happened over the weekend. They sit at lunch and describe an argument they had with a sibling. Without even thinking about it, they begin sentences with “This one time…” and launch into stories about their earlier childhood experiences. Students are natural storytellers; learning how to do it well on paper is simply a matter of studying good models, then imitating what those writers do.

So start off the unit by getting students to tell their stories. In journal quick-writes, think-pair-shares, or by playing a game like Concentric Circles , prompt them to tell some of their own brief stories: A time they were embarrassed. A time they lost something. A time they didn’t get to do something they really wanted to do. By telling their own short anecdotes, they will grow more comfortable and confident in their storytelling abilities. They will also be generating a list of topic ideas. And by listening to the stories of their classmates, they will be adding onto that list and remembering more of their own stories.

And remember to tell some of your own. Besides being a good way to bond with students, sharing  your stories will help them see more possibilities for the ones they can tell.

Step 2: Study the Structure of a Story

Now that students have a good library of their own personal stories pulled into short-term memory, shift your focus to a more formal study of what a story looks like.

Use a diagram to show students a typical story arc like the one below. Then, using a simple story (try a video like The Present or Room ), fill out the story arc with the components from that story. Once students have seen this story mapped out, have them try it with another one, like a story you’ve read in class, a whole novel, or another short video.

Step 3: Introduce the Assignment

Up to this point, students have been immersed in storytelling. Now give them specific instructions for what they are going to do. Share your assignment rubric so they understand the criteria that will be used to evaluate them; it should be ready and transparent right from the beginning of the unit. As always, I recommend using a single point rubric for this.

Step 4: Read Models

Once the parameters of the assignment have been explained, have students read at least one model story, a mentor text that exemplifies the qualities you’re looking for. This should be a story on a topic your students can kind of relate to, something they could see themselves writing. For my narrative writing unit (see the end of this post), I wrote a story called “Frog” about a 13-year-old girl who finally gets to stay home alone, then finds a frog in her house and gets completely freaked out, which basically ruins the fun she was planning for the night.

They will be reading this model as writers, looking at how the author shaped the text for a purpose, so that they can use those same strategies in their own writing. Have them look at your rubric and find places in the model that illustrate the qualities listed in the rubric. Then have them complete a story arc for the model so they can see the underlying structure.

Ideally, your students will have already read lots of different stories to look to as models. If that isn’t the case, this list of narrative texts recommended by Cult of Pedagogy followers on Twitter would be a good place to browse for titles that might be right for your students. Keep in mind that we have not read most of these stories, so be sure to read them first before adopting them for classroom use.

Step 5: Story Mapping

At this point, students will need to decide what they are going to write about. If they are stuck for a topic, have them just pick something they can write about, even if it’s not the most captivating story in the world. A skilled writer could tell a great story about deciding what to have for lunch. If they are using the skills of narrative writing, the topic isn’t as important as the execution.

Have students complete a basic story arc for their chosen topic using a diagram like the one below. This will help them make sure that they actually have a story to tell, with an identifiable problem, a sequence of events that build to a climax, and some kind of resolution, where something is different by the end. Again, if you are writing with your students, this would be an important step to model for them with your own story-in-progress.

Step 6: Quick Drafts

Now, have students get their chosen story down on paper as quickly as possible: This could be basically a long paragraph that would read almost like a summary, but it would contain all the major parts of the story. Model this step with your own story, so they can see that you are not shooting for perfection in any way. What you want is a working draft, a starting point, something to build on for later, rather than a blank page (or screen) to stare at.

Step 7: Plan the Pacing

Now that the story has been born in raw form, students can begin to shape it. This would be a good time for a lesson on pacing, where students look at how writers expand some moments to create drama and shrink other moments so that the story doesn’t drag. Creating a diagram like the one below forces a writer to decide how much space to devote to all of the events in the story.

Step 8: Long Drafts

With a good plan in hand, students can now slow down and write a proper draft, expanding the sections of their story that they plan to really draw out and adding in more of the details that they left out in the quick draft.

Step 9: Workshop

Once students have a decent rough draft—something that has a basic beginning, middle, and end, with some discernible rising action, a climax of some kind, and a resolution, you’re ready to shift into full-on workshop mode. I would do this for at least a week: Start class with a short mini-lesson on some aspect of narrative writing craft, then give students the rest of the period to write, conference with you, and collaborate with their peers. During that time, they should focus some of their attention on applying the skill they learned in the mini-lesson to their drafts, so they will improve a little bit every day.

Topics for mini-lessons can include:

• How to weave exposition into your story so you don’t give readers an “information dump”
• How to carefully select dialogue to create good scenes, rather than quoting everything in a conversation
• How to punctuate and format dialogue so that it imitates the natural flow of a conversation
• How to describe things using sensory details and figurative language; also,  what  to describe…students too often give lots of irrelevant detail
• How to choose precise nouns and vivid verbs, use a variety of sentence lengths and structures, and add transitional words, phrases, and features to help the reader follow along
• How to start, end, and title a story

Step 10: Final Revisions and Edits

As the unit nears its end, students should be shifting away from revision , in which they alter the content of a piece, toward editing , where they make smaller changes to the mechanics of the writing. Make sure students understand the difference between the two: They should not be correcting each other’s spelling and punctuation in the early stages of this process, when the focus should be on shaping a better story.

One of the most effective strategies for revision and editing is to have students read their stories out loud. In the early stages, this will reveal places where information is missing or things get confusing. Later, more read-alouds will help them immediately find missing words, unintentional repetitions, and sentences that just “sound weird.” So get your students to read their work out loud frequently. It also helps to print stories on paper: For some reason, seeing the words in print helps us notice things we didn’t see on the screen.

To get the most from peer review, where students read and comment on each other’s work, more modeling from you is essential: Pull up a sample piece of writing and show students how to give specific feedback that helps, rather than simply writing “good detail” or “needs more detail,” the two comments I saw exchanged most often on students’ peer-reviewed papers.

Step 11: Final Copies and Publication

Once revision and peer review are done, students will hand in their final copies. If you don’t want to get stuck with 100-plus papers to grade, consider using Catlin Tucker’s station rotation model , which keeps all the grading in class. And when you do return stories with your own feedback, try using Kristy Louden’s delayed grade strategy , where students don’t see their final grade until they have read your written feedback.

Beyond the standard hand-in-for-a-grade, consider other ways to have students publish their stories. Here are some options:

• Stories could be published as individual pages on a collaborative website or blog.
• Students could create illustrated e-books out of their stories.
• Students could create a slideshow to accompany their stories and record them as digital storytelling videos. This could be done with a tool like Screencastify or Screencast-O-Matic .

So this is what worked for me. If you’ve struggled to get good stories from your students, try some or all of these techniques next time. I think you’ll find that all of your students have some pretty interesting stories to tell. Helping them tell their stories well is a gift that will serve them for many years after they leave your classroom. ♦

Want this unit ready-made?

If you’re a writing teacher in grades 7-12 and you’d like a classroom-ready unit like the one described above, including slideshow mini-lessons on 14 areas of narrative craft, a sample narrative piece, editable rubrics, and other supplemental materials to guide students through every stage of the process, take a look at my Narrative Writing unit . Just click on the image below and you’ll be taken to a page where you can read more and see a detailed preview of what’s included.

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Categories: Instruction , Podcast

Tags: English language arts , Grades 6-8 , Grades 9-12 , teaching strategies

52 Comments

Wow, this is a wonderful guide! If my English teachers had taught this way, I’m sure I would have enjoyed narrative writing instead of dreading it. I’ll be able to use many of these suggestions when writing my blog! BrP

Lst year I was so discouraged because the short stories looked like the quick drafts described in this article. I thought I had totally failed until I read this and realized I did not fai,l I just needed to complete the process. Thank you!

I feel like you jumped in my head and connected my thoughts. I appreciate the time you took to stop and look closely at form. I really believe that student-writers should see all dimensions of narrative writing and be able to live in whichever style and voice they want for their work.

Can’t thank you enough for this. So well curated that one can just follow it blindly and ace at teaching it. Thanks again!

Great post! I especially liked your comments about reminding kids about the power of storytelling. My favourite podcasts and posts from you are always about how to do things in the classroom and I appreciate the research you do.

On a side note, the ice breakers are really handy. My kids know each other really well (rural community), and can tune out pretty quickly if there is nothing new to learn about their peers, but they like the games (and can remember where we stopped last time weeks later). I’ve started changing them up with ‘life questions’, so the editable version is great!

I love writing with my students and loved this podcast! A fun extension to this narrative is to challenge students to write another story about the same event, but use the perspective of another “character” from the story. Books like Wonder (R.J. Palacio) and Wanderer (Sharon Creech) can model the concept for students.

Thank you for your great efforts to reveal the practical writing strategies in layered details. As English is not my first language, I need listen to your podcast and read the text repeatedly so to fully understand. It’s worthy of the time for some great post like yours. I love sharing so I send the link to my English practice group that it can benefit more. I hope I could be able to give you some feedback later on.

Thank you for helping me get to know better especially the techniques in writing narrative text. Im an English teacher for 5years but have little knowledge on writing. I hope you could feature techniques in writing news and fearute story. God bless and more power!

Thank you for this! I am very interested in teaching a unit on personal narrative and this was an extremely helpful breakdown. As a current student teacher I am still unsure how to approach breaking down the structures of different genres of writing in a way that is helpful for me students but not too restrictive. The story mapping tools you provided really allowed me to think about this in a new way. Writing is such a powerful way to experience the world and more than anything I want my students to realize its power. Stories are how we make sense of the world and as an English teacher I feel obligated to give my students access to this particular skill.

The power of story is unfathomable. There’s this NGO in India doing some great work in harnessing the power of storytelling and plots to brighten children’s lives and enlighten them with true knowledge. Check out Katha India here: http://bit.ly/KathaIndia

Thank you so much for this. I did not go to college to become a writing professor, but due to restructuring in my department, I indeed am! This is a wonderful guide that I will use when teaching the narrative essay. I wonder if you have a similar guide for other modes such as descriptive, process, argument, etc.?

Hey Melanie, Jenn does have another guide on writing! Check out A Step-by-Step Plan for Teaching Argumentative Writing .

Hi, I am also wondering if there is a similar guide for descriptive writing in particular?

Hey Melanie, unfortunately Jenn doesn’t currently have a guide for descriptive writing. She’s always working on projects though, so she may get around to writing a unit like this in the future. You can always check her Teachers Pay Teachers page for an up-to-date list of materials she has available. Thanks!

I want to write about the new character in my area

That’s great! Let us know if you need any supports during your writing process!

I absolutely adore this unit plan. I teach freshmen English at a low-income high school and wanted to find something to help my students find their voice. It is not often that I borrow material, but I borrowed and adapted all of it in the order that it is presented! It is cohesive, understandable, and fun. Thank you!!

So glad to hear this, Nicole!

Thanks sharing this post. My students often get confused between personal narratives and short stories. Whenever I ask them to write a short story, she share their own experiences and add a bit of fiction in it to make it interesting.

Thank you! My students have loved this so far. I do have a question as to where the “Frog” story mentioned in Step 4 is. I could really use it! Thanks again.

This is great to hear, Emily! In Step 4, Jenn mentions that she wrote the “Frog” story for her narrative writing unit . Just scroll down the bottom of the post and you’ll see a link to the unit.

I also cannot find the link to the short story “Frog”– any chance someone can send it or we can repost it?

This story was written for Jenn’s narrative writing unit. You can find a link to this unit in Step 4 or at the bottom of the article. Hope this helps.

I cannot find the frog story mentioned. Could you please send the link.? Thank you

Hi Michelle,

The Frog story was written for Jenn’s narrative writing unit. There’s a link to this unit in Step 4 and at the bottom of the article.

Debbie- thanks for you reply… but there is no link to the story in step 4 or at the bottom of the page….

Hey Shawn, the frog story is part of Jenn’s narrative writing unit, which is available on her Teachers Pay Teachers site. The link Debbie is referring to at the bottom of this post will take you to her narrative writing unit and you would have to purchase that to gain access to the frog story. I hope this clears things up.

Thank you so much for this resource! I’m a high school English teacher, and am currently teaching creative writing for the first time. I really do value your blog, podcast, and other resources, so I’m excited to use this unit. I’m a cyber school teacher, so clear, organized layout is important; and I spend a lot of time making sure my content is visually accessible for my students to process. Thanks for creating resources that are easy for us teachers to process and use.

Do you have a lesson for Informative writing?

Hey Cari, Jenn has another unit on argumentative writing , but doesn’t have one yet on informative writing. She may develop one in the future so check back in sometime.

I had the same question. Informational writing is so difficult to have a good strong unit in when you have so many different text structures to meet and need text-dependent writing tasks.

Creating an informational writing unit is still on Jenn’s long list of projects to get to, but in the meantime, if you haven’t already, check out When We All Teach Text Structures, Everyone Wins . It might help you out!

This is a great lesson! It would be helpful to see a finished draft of the frog narrative arc. Students’ greatest challenge is transferring their ideas from the planner to a full draft. To see a full sample of how this arc was transformed into a complete narrative draft would be a powerful learning tool.

Hi Stacey! Jenn goes into more depth with the “Frog” lesson in her narrative writing unit – this is where you can find a sample of what a completed story arc might look. Also included is a draft of the narrative. If interested in checking out the unit and seeing a preview, just scroll down to the bottom of the post and click on the image. Hope this helps!

Helped me learn for an entrance exam thanks very much

Is the narrative writing lesson you talk about in https://www.cultofpedagogy.com/narrative-writing/

Also doable for elementary students you think, and if to what levels?

Love your work, Sincerely, Zanyar

Hey Zanyar,

It’s possible the unit would work with 4th and 5th graders, but Jenn definitely wouldn’t recommend going any younger. The main reason for this is that some of the mini-lessons in the unit could be challenging for students who are still concrete thinkers. You’d likely need to do some adjusting and scaffolding which could extend the unit beyond the 3 weeks. Having said that, I taught 1st grade and found the steps of the writing process, as described in the post, to be very similar. Of course learning targets/standards were different, but the process itself can be applied to any grade level (modeling writing, using mentor texts to study how stories work, planning the structure of the story, drafting, elaborating, etc.) Hope this helps!

This has made my life so much easier. After teaching in different schools systems, from the American, to British to IB, one needs to identify the anchor standards and concepts, that are common between all these systems, to build well balanced thematic units. Just reading these steps gave me the guidance I needed to satisfy both the conceptual framework the schools ask for and the standards-based practice. Thank you Thank you.

Would this work for teaching a first grader about narrative writing? I am also looking for a great book to use as a model for narrative writing. Veggie Monster is being used by his teacher and he isn’t connecting with this book in the least bit, so it isn’t having a positive impact. My fear is he will associate this with writing and I don’t want a negative association connected to such a beautiful process and experience. Any suggestions would be helpful.

Thank you for any information you can provide!

Although I think the materials in the actual narrative writing unit are really too advanced for a first grader, the general process that’s described in the blog post can still work really well.

I’m sorry your child isn’t connecting with The Night of the Veggie Monster. Try to keep in mind that the main reason this is used as a mentor text is because it models how a small moment story can be told in a big way. It’s filled with all kinds of wonderful text features that impact the meaning of the story – dialogue, description, bold text, speech bubbles, changes in text size, ellipses, zoomed in images, text placement, text shape, etc. All of these things will become mini-lessons throughout the unit. But there are lots of other wonderful mentor texts that your child might enjoy. My suggestion for an early writer, is to look for a small moment text, similar in structure, that zooms in on a problem that a first grader can relate to. In addition to the mentor texts that I found in this article , you might also want to check out Knuffle Bunny, Kitten’s First Full Moon, When Sophie Gets Angry Really Really Angry, and Whistle for Willie. Hope this helps!

I saw this on Pinterest the other day while searching for examples of narritives units/lessons. I clicked on it because I always click on C.o.P stuff 🙂 And I wasn’t disapointed. I was intrigued by the connection of narratives to humanity–even if a student doesn’t identify as a writer, he/she certainly is human, right? I really liked this. THIS clicked with me.

A few days after I read the P.o.C post, I ventured on to YouTube for more ideas to help guide me with my 8th graders’ narrative writing this coming spring. And there was a TEDx video titled, “The Power of Personal Narrative” by J. Christan Jensen. I immediately remembered the line from the article above that associated storytelling with “power” and how it sets humans apart and if introduced and taught as such, it can be “extraordinary.”

I watched the video and to the suprise of my expectations, it was FANTASTIC. Between Jennifer’s post and the TEDx video ignited within me some major motivation and excitement to begin this unit.

Thanks for sharing this with us! So glad that Jenn’s post paired with another text gave you some motivation and excitement. I’ll be sure to pass this on to Jenn!

Thank you very much for this really helpful post! I really love the idea of helping our students understand that storytelling is powerful and then go on to teach them how to harness that power. That is the essence of teaching literature or writing at any level. However, I’m a little worried about telling students that whether a piece of writing is fact or fiction does not matter. It in fact matters a lot precisely because storytelling is powerful. Narratives can shape people’s views and get their emotions involved which would, in turn, motivate them to act on a certain matter, whether for good or for bad. A fictional narrative that is passed as factual could cause a lot of damage in the real world. I believe we should. I can see how helping students focus on writing the story rather than the truth of it all could help refine the needed skills without distractions. Nevertheless, would it not be prudent to teach our students to not just harness the power of storytelling but refrain from misusing it by pushing false narratives as factual? It is true that in reality, memoirs pass as factual while novels do as fictional while the opposite may be true for both cases. I am not too worried about novels passing as fictional. On the other hand, fictional narratives masquerading as factual are disconcerting and part of a phenomenon that needs to be fought against, not enhanced or condoned in education. This is especially true because memoirs are often used by powerful people to write/re-write history. I would really like to hear your opinion on this. Thanks a lot for a great post and a lot of helpful resources!

Thank you so much for this. Jenn and I had a chance to chat and we can see where you’re coming from. Jenn never meant to suggest that a person should pass off a piece of fictional writing as a true story. Good stories can be true, completely fictional, or based on a true story that’s mixed with some fiction – that part doesn’t really matter. However, what does matter is how a student labels their story. We think that could have been stated more clearly in the post , so Jenn decided to add a bit about this at the end of the 3rd paragraph in the section “A Note About Form: Personal Narrative or Short Story?” Thanks again for bringing this to our attention!

You have no idea how much your page has helped me in so many ways. I am currently in my teaching credential program and there are times that I feel lost due to a lack of experience in the classroom. I’m so glad I came across your page! Thank you for sharing!

Thanks so much for letting us know-this means a whole lot!

No, we’re sorry. Jenn actually gets this question fairly often. It’s something she considered doing at one point, but because she has so many other projects she’s working on, she’s just not gotten to it.

I couldn’t find the story

Hi, Duraiya. The “Frog” story is part of Jenn’s narrative writing unit, which is available on her Teachers Pay Teachers site. The link at the bottom of this post will take you to her narrative writing unit, which you can purchase to gain access to the story. I hope this helps!

I am using this step-by-step plan to help me teach personal narrative story writing. I wanted to show the Coca-Cola story, but the link says the video is not available. Do you have a new link or can you tell me the name of the story so I can find it?

Thank you for putting this together.

Hi Corri, sorry about that. The Coca-Cola commercial disappeared, so Jenn just updated the post with links to two videos with good stories. Hope this helps!

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Narrative Writing Prompts to Assign Your Students: 10 Writing Prompts for Narrative Essays

While I am a huge advocate of assigning writing to students at the beginning of the school year , middle school ELA and high school English teachers can assign narrative writing at any point in the year. In this blog post, I’m going to share 10 narrative writing prompts with you!

Teaching students about narrative writing and assigning a narrative writing project helps students work on their creativity, while also focusing on important literary elements. I explain to my students that just like the short stories that we read and analyze in class, they also need to create a setting that enhances the lot. Just like the short stories we read and analyze in class, they also need to fully develop the protagonist and antagonist.

Once students see this connection, they become stronger readers and writers. To help with this concept, my narrative writing teaching unit helps walk students step-by-step throughout the process.

Here are 10 narrative writing prompts to consider using in your classroom.

Personal narrative prompts.

When I choose one of these personal narrative writing prompts, since I teach high school, I also explain to my students that they most likely will be able to use some of what they’ve written for a college admissions essay or scholarship essay.

• Write about a time when you worked hard toward accomplishing a goal. Tell the story about the goal, why you set the goal, the steps you took to accomplish the goal, and how you felt once it was accomplished.
• Write about the accomplishment you are most proud of. In your narrative, explain your accomplishment, describe why you are most proud of it, and tell the story surrounding it.
• Write about a time when you experienced hardship or failure. In your narrative, elaborate on the hardship. Explain the events and your feelings surrounding the hardship or failure, and how you have grown from the experience.
• Write about your best childhood memory. In your narrative, tell the story of that memory.
• Write about an event from your past that has shaped the person who you are today. In your narrative, tell the story surrounding that event and explain its significance on who you are today.

Fictional Narrative Prompts

• The day started out like any other. However, as soon as I woke up, I quickly realized…
• Two characters explore an area in a field. During their explorations, they find a secret passage, a sort of tunnel to a new dimension. The characters step into the tunnel and are immediately transported to…
• Choose your favorite fictional character from any fairy tale or superhero story and write an alternate story for that character.
• The clock was tickly so slowly. It seemed as if time was moving backward and now forwards…
• Cautiously, she/he/they opened the door and stepped inside. There was no going back now…

Teach Narrative Writing in Your Secondary ELA Classroom

Engage your students in this exciting and comprehensive narrative writing unit!  This standards-based narrative writing unit includes materials for both a personal narrative and a fictional narrative and includes everything you need to teach narrative writing to your middle and high school students, including both the print and digital files!

Walk your students step-by-step through the writing process with the materials in this unit. From brainstorming and organizing to peer editing, this narrative writing unit has it all!

Here is what fellow teachers say about this narrative writing unit!

“This was an excellent resource for narrative writing in my special education class. My students use the Amplify ELA curriculum, but struggle with writing. Our first unit was in writing narratives, so I chose this resource to help break down the parts of their story by focusing on characters, settings, conflict, and planning out the plot separately. The result was more well thought out responses to their prompt. The slideshow for instruction was also well made and easy to read. Thank you!”

⭐️⭐️⭐️⭐️⭐️ Extremely satisfied

“ I used this as part my short story writing unit with my grade eights. It was an excellent way to set up their stories. I wanted to make sure my students really know all parts of their story before sitting down to writing their first draft. This resource really helped them get to know all aspects of their story.”

“ Teaching narrative writing is definitely NOT my strength! However, this resource made it so much easier!! Piecing together our stories by plot elements was so effective in getting my students on the path to creating some awesome stories! I will never teach narrative any other way! This is it!”

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Writing Curriculum

Teach Narrative Writing With The New York Times

This teaching guide, part of our eight-unit writing curriculum, includes daily writing prompts, lessons based on selected mentor texts, and an invitation for students to participate in our 100-word personal narrative contest.

By The Learning Network

Stories can thrill, wound, delight, uplift and teach. Telling a story vividly and powerfully is a vital skill that is deeply valued across all cultures, past and present — and narrative writing is, of course, a key genre for literacy instruction at every level.

When your students think “New York Times,” they probably think of our 172-year history of award-winning journalism, and may not even realize that The Times today is full of personal narratives — on love and family , but also on how we relate to animals , live with disabilities or navigate anxiety . If you flip or scroll through sections of the paper, you’ll see that personal writing is everywhere, and often ranks among the most popular pieces The Times publishes each week.

At The Learning Network, we’ve been posting writing prompts every school day for over a decade now, and many of them invite personal narrative. Inspired by Times articles of all kinds, the prompts ask students to tell us about their passions and their regrets, their most embarrassing moments and their greatest achievements. Thousands of students around the world respond each month, and each week during the school year we call out our favorite responses .

In this unit we’re taking it a step further and turning our narrative-writing opportunities into a contest that invites students to tell their own stories. Below, you’ll find plenty of ideas and resources to get your students reading, writing and thinking about their own stories, including:

✔ New narrative-writing prompts every week.

✔ Daily opportunities for students to have an authentic audience for their writing via posting comments to our forums.

✔ Guided practice with mentor texts that include writing exercises.

✔ A clear, achievable end-product (our contest) modeled on real-world writing.

✔ The chance for students to have their work published in The New York Times.

Here’s how it works.

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Purdue Online Writing Lab Purdue OWL® College of Liberal Arts

Narrative Essays

Welcome to the Purdue OWL

This page is brought to you by the OWL at Purdue University. When printing this page, you must include the entire legal notice.

Copyright ©1995-2018 by The Writing Lab & The OWL at Purdue and Purdue University. All rights reserved. This material may not be published, reproduced, broadcast, rewritten, or redistributed without permission. Use of this site constitutes acceptance of our terms and conditions of fair use.

What is a narrative essay?

When writing a narrative essay, one might think of it as telling a story. These essays are often anecdotal, experiential, and personal—allowing students to express themselves in a creative and, quite often, moving ways.

Here are some guidelines for writing a narrative essay.

• If written as a story, the essay should include all the parts of a story.

This means that you must include an introduction, plot, characters, setting, climax, and conclusion.

• When would a narrative essay not be written as a story?

A good example of this is when an instructor asks a student to write a book report. Obviously, this would not necessarily follow the pattern of a story and would focus on providing an informative narrative for the reader.

• The essay should have a purpose.

Make a point! Think of this as the thesis of your story. If there is no point to what you are narrating, why narrate it at all?

• The essay should be written from a clear point of view.

It is quite common for narrative essays to be written from the standpoint of the author; however, this is not the sole perspective to be considered. Creativity in narrative essays oftentimes manifests itself in the form of authorial perspective.

• Use clear and concise language throughout the essay.

Much like the descriptive essay, narrative essays are effective when the language is carefully, particularly, and artfully chosen. Use specific language to evoke specific emotions and senses in the reader.

• The use of the first person pronoun ‘I’ is welcomed.

Do not abuse this guideline! Though it is welcomed it is not necessary—nor should it be overused for lack of clearer diction.

• As always, be organized!

Have a clear introduction that sets the tone for the remainder of the essay. Do not leave the reader guessing about the purpose of your narrative. Remember, you are in control of the essay, so guide it where you desire (just make sure your audience can follow your lead).

Want to create or adapt books like this? Learn more about how Pressbooks supports open publishing practices.

10.1 Narration

Learning objectives.

• Determine the purpose and structure of narrative writing.
• Understand how to write a narrative essay.

Rhetorical modes simply mean the ways in which we can effectively communicate through language. This chapter covers nine common rhetorical modes. As you read about these nine modes, keep in mind that the rhetorical mode a writer chooses depends on his or her purpose for writing. Sometimes writers incorporate a variety of modes in any one essay. In covering the nine modes, this chapter also emphasizes the rhetorical modes as a set of tools that will allow you greater flexibility and effectiveness in communicating with your audience and expressing your ideas.

The Purpose of Narrative Writing

Narration means the art of storytelling, and the purpose of narrative writing is to tell stories. Any time you tell a story to a friend or family member about an event or incident in your day, you engage in a form of narration. In addition, a narrative can be factual or fictional. A factual story is one that is based on, and tries to be faithful to, actual events as they unfolded in real life. A fictional story is a made-up, or imagined, story; the writer of a fictional story can create characters and events as he or she sees fit.

The big distinction between factual and fictional narratives is based on a writer’s purpose. The writers of factual stories try to recount events as they actually happened, but writers of fictional stories can depart from real people and events because the writers’ intents are not to retell a real-life event. Biographies and memoirs are examples of factual stories, whereas novels and short stories are examples of fictional stories.

Because the line between fact and fiction can often blur, it is helpful to understand what your purpose is from the beginning. Is it important that you recount history, either your own or someone else’s? Or does your interest lie in reshaping the world in your own image—either how you would like to see it or how you imagine it could be? Your answers will go a long way in shaping the stories you tell.

Ultimately, whether the story is fact or fiction, narrative writing tries to relay a series of events in an emotionally engaging way. You want your audience to be moved by your story, which could mean through laughter, sympathy, fear, anger, and so on. The more clearly you tell your story, the more emotionally engaged your audience is likely to be.

On a separate sheet of paper, start brainstorming ideas for a narrative. First, decide whether you want to write a factual or fictional story. Then, freewrite for five minutes. Be sure to use all five minutes, and keep writing the entire time. Do not stop and think about what to write.

The following are some topics to consider as you get going:

The Structure of a Narrative Essay

Major narrative events are most often conveyed in chronological order , the order in which events unfold from first to last. Stories typically have a beginning, a middle, and an end, and these events are typically organized by time. Certain transitional words and phrases aid in keeping the reader oriented in the sequencing of a story. Some of these phrases are listed in Table 10.1 “Transition Words and Phrases for Expressing Time” . For more information about chronological order, see Chapter 8 “The Writing Process: How Do I Begin?” and Chapter 9 “Writing Essays: From Start to Finish” .

Table 10.1 Transition Words and Phrases for Expressing Time

The following are the other basic components of a narrative:

• Plot . The events as they unfold in sequence.
• Characters . The people who inhabit the story and move it forward. Typically, there are minor characters and main characters. The minor characters generally play supporting roles to the main character, or the protagonist .
• Conflict . The primary problem or obstacle that unfolds in the plot that the protagonist must solve or overcome by the end of the narrative. The way in which the protagonist resolves the conflict of the plot results in the theme of the narrative.
• Theme . The ultimate message the narrative is trying to express; it can be either explicit or implicit.

Writing at Work

When interviewing candidates for jobs, employers often ask about conflicts or problems a potential employee has had to overcome. They are asking for a compelling personal narrative. To prepare for this question in a job interview, write out a scenario using the narrative mode structure. This will allow you to troubleshoot rough spots, as well as better understand your own personal history. Both processes will make your story better and your self-presentation better, too.

Take your freewriting exercise from the last section and start crafting it chronologically into a rough plot summary. To read more about a summary, see Chapter 6 “Writing Paragraphs: Separating Ideas and Shaping Content” . Be sure to use the time transition words and phrases listed in Table 10.1 “Transition Words and Phrases for Expressing Time” to sequence the events.

Collaboration

Please share with a classmate and compare your rough plot summary.

Writing a Narrative Essay

When writing a narrative essay, start by asking yourself if you want to write a factual or fictional story. Then freewrite about topics that are of general interest to you. For more information about freewriting, see Chapter 8 “The Writing Process: How Do I Begin?” .

Once you have a general idea of what you will be writing about, you should sketch out the major events of the story that will compose your plot. Typically, these events will be revealed chronologically and climax at a central conflict that must be resolved by the end of the story. The use of strong details is crucial as you describe the events and characters in your narrative. You want the reader to emotionally engage with the world that you create in writing.

To create strong details, keep the human senses in mind. You want your reader to be immersed in the world that you create, so focus on details related to sight, sound, smell, taste, and touch as you describe people, places, and events in your narrative.

As always, it is important to start with a strong introduction to hook your reader into wanting to read more. Try opening the essay with an event that is interesting to introduce the story and get it going. Finally, your conclusion should help resolve the central conflict of the story and impress upon your reader the ultimate theme of the piece. See Chapter 15 “Readings: Examples of Essays” to read a sample narrative essay.

On a separate sheet of paper, add two or three paragraphs to the plot summary you started in the last section. Describe in detail the main character and the setting of the first scene. Try to use all five senses in your descriptions.

Key Takeaways

• Narration is the art of storytelling.
• Narratives can be either factual or fictional. In either case, narratives should emotionally engage the reader.
• Most narratives are composed of major events sequenced in chronological order.
• Time transition words and phrases are used to orient the reader in the sequence of a narrative.
• The four basic components to all narratives are plot, character, conflict, and theme.
• The use of sensory details is crucial to emotionally engaging the reader.
• A strong introduction is important to hook the reader. A strong conclusion should add resolution to the conflict and evoke the narrative’s theme.

Writing for Success Copyright © 2015 by University of Minnesota is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

Reading Worksheets, Spelling, Grammar, Comprehension, Lesson Plans

50 Narrative Essay Topics

They say a picture is worth a thousand words, but a narrative essay can also tell an exciting story and create vivid pictures in the reader’s mind! We’ve got 50 narrative essay topics designed to prompt students to craft memorable written narratives. These can be modified for students in elementary, middle and high school. Feel free to print the entire narrative essay topics list for plenty of inspiration for your next narrative essay assignment!

Narrative Essay Topics

• Your first day of school.
• Your most exciting day of school
• A field trip that your class took.
• Your favorite summer vacation.
• A trip that included something unexpected or surprising.
• A time that you experienced something spooky.
• A time that you experienced something truly frightening.
• A time that you learned something new that changed you in some way.
• The moment when you met someone who changed your life.
• The day that you got your first pet.
• A move from one place to another.
• Something funny that happened to you.
• Something funny that happened to one of your family members or friends.
• Something embarrassing that happened to you.
• Your favorite birthday party.
• A birthday that was disappointing.
• A big storm (rain, snow or even a tornado!).
• A time that the power went out.
• A summer day when the temperature got much higher than expected.
• A time when you went to an amusement park.
• A time when you got lost somewhere.
• A memorable experience with a favorite family member.
• A sad experience with someone about whom you care.
• Your most exciting moment playing sports.
• Your most exciting moment performing in a play, singing, playing music or dancing.
• An experience that left you feeling frustrated.
• An experience that was hard but ended up being worth it.
• A time that you experienced rejection.
• A weird encounter with a stranger.
• A random act of kindness.
• A time that you took a stand for someone or for an issue that you care about.
• A moment when you thought you might get hurt but didn’t.
• Breaking a bone (or otherwise suffering an injury).
• Your first time away from home for the night (or longer).
• A time when you experienced a historic event.
• Where you were when a major event happened. (Note: You don’t need to have been at the site of the event; this prompt is about where you were when you found out about the event and how you reacted.)
• A time when you rebelled against your parents or teacher.
• A dangerous experience.
• A misunderstanding between yourself and someone else.
• A difficult decision that you had to make.
• The end of a friendship or relationship.
• The beginning of a friendship or relationship.
• A time when you judged someone first and then realized that you were wrong about the person.
• A time when someone judged you first and then realized that he or she was wrong about you.
• A moment when you felt that you were starting to grow up.
• A time when you saw one or both of your parents in a different light.
• A time when you looked up to your older sibling.
• A time when your younger sibling looked up to you.
• A time when you were grateful to be an only child.
• An experience that you think has only ever happened to you!

Looking for more essay topics? Compare and Contrast Essay Topics Descriptive Essay Topics Cause and Effect Essay Topics Persuasive Essay and Speech Topics

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Education Standards

Wyoming standards for english language arts.

Learning Domain: Writing

Standard: Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of tasks, purposes, and audiences.

Standard: Use appropriate and varied transitions and syntax to link the major sections of the text, create cohesion, and clarify the relationships among complex ideas and concepts.

Standard: Use precise language, domain-specific vocabulary, and techniques such as metaphor, simile, and analogy to manage the complexity of the topic.

Standard: Establish and maintain a formal style and objective tone while attending to the norms and conventions of the discipline in which they are writing.

Standard: Provide a concluding statement or section that follows from and supports the information or explanation presented (e.g., articulating implications or the significance of the topic).

Standard: Write narratives to develop real or imagined experiences or events using effective technique, well-chosen details, and well-structured event sequences.

Standard: Use narrative techniques, such as dialogue, pacing, description, reflection, and multiple plot lines, to develop experiences, events, and/or characters.

Standard: Use a variety of techniques to sequence events so that they build on one another to create a coherent whole and build toward a particular tone and outcome (e.g., a sense of mystery, suspense, growth, or resolution).

Standard: Use precise words and phrases, telling details, and sensory language to convey a vivid picture of the experiences, events, setting, and/or characters.

Standard: Provide a conclusion that follows from and reflects on what is experienced, observed, or resolved over the course of the narrative.

Standard: Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. (Grade-specific expectations for writing types are defined in standards 1–3 above.)

Standard: Develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach, focusing on addressing what is most significant for a specific purpose and audience. (Editing for conventions should demonstrate command of Language standards 1–3 up to and including grades 11-12 on page 55.)

Standard: Use technology, including the Internet, to produce, publish, and update individual or shared writing products in response to ongoing feedback, including new arguments or information.

Maryland College and Career Ready English Language Arts Standards

Standard: Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. (Grade-specific expectations for writing types are defined in standards 1���3 above.)

Standard: Develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach, focusing on addressing what is most significant for a specific purpose and audience. (Editing for conventions should demonstrate command of Language standards 1���3 up to and including grades 11-12 on page 55.)

Common Core State Standards English Language Arts

Cluster: Range of Writing.

Cluster: Text Types and Purposes.

Cluster: Production and Distribution of Writing.

Writing the Literacy Narrative

This Google hyperdoc walks students through the writing process for a literacy narrative in a series of steps. This can be used in a high school or college ELA course that requires personal narrative. 

In this tutorial, you will walk through instruction and writing steps that will lead you to a literacy narrative. Please make a copy of this document (File>Make Copy) and complete all of the steps below:

Sometimes it’s nice to know how your paper will be graded before you start writing. Here are the key features of a well-written paper

From  Norton Field Guide chapter 10

Step 1: Choosing a Topic

In general, it’s a good idea to focus on a single event that took place during a relatively brief period of time--though sometimes learning to do or understand something ,au tale [;ace over an extended period. In that case, several snapshots or important moments may be needed. Here are some suggestions for topics:

Step 4- Draft

Use this MLA formatted writing template linked  HERE  to draft out your 4 page (1000 word) essay by making a copy and adding your own information.  Add a link to your paper in the box below. Make sure it is set so that “Anyone with a link CAN EDIT” Do this by clicking SHARE in the top right corner. Then click “change” under the “get link” box, and use the down arrow to change so that anyone at MHA can edit.

Step 5: Get Feedback

Step 6- Peer Editing

Go back to the course and submit your draft for peer editing. You will post your own draft, then edit two of your peers’ drafts. Read the directions carefully in the Peer Editing Forum.

Step 7: Final Paper

Once you have revised your draft, you will submit your final draft to your teacher in the course. You may also paste the draft below. Make sure it is shared so that anyone from MHA with a link can edit:

Link to the Literacy Narrative Google Doc

Literacy Narrative Google Doc

Make a copy of this using File>Make a Copy 

Version History

Want to create or adapt books like this? Learn more about how Pressbooks supports open publishing practices.

Part Two Paragraph Writing Skills and Essay Introduction

Unit 5 Narrative Paragraphs

Learning Objectives

• To learn what a narrative paragraph focuses on
• To understand and practice narrative paragraphs with a focus on the use of time transitions, past tenses, descriptive vocabulary, and specific supporting details
• To study narrative paragraphs through analyzing multiple models
• To apply the writing process to plan and write narrative paragraphs

I. Warm – Up

Read Paragraph “My Worst Trip” and do the activities that follow.

My Worst Trip

          My experiences at Miami Airport and during the flight to Chicago on September 29, 2007 were terrible because I could not understand English. I came from Mexico, and that was my first connecting trip out of my own country. After a long flight from my native country, I arrived at Miami Airport. I had been so excited walking in an American airport until a uniformed officer asked me something in English. I felt nervous because I did not speak English and did not know how to answer her questions. I just shook my head. I was not walking excitedly anymore because I realized that I did not speak the language. I already began to miss my own country! Suddenly, I looked at my watch, and it said 12:30 pm. I was so hungry that I needed to eat something. I had not eaten much on my first flight. I went to a small restaurant in the airport, looked at the pictures of the menu on the screen, and decided to have a coke and a sandwich. I could not see clearly or read what kind of sandwich that was, but it looked scrumptious [1] . I was just going to point to the picture and tell the waiter what I wanted. He came and spoke fast. Because I did not understand, I felt I had to say “Ok”. Well, he gave me a different meal, and it cost me almost $20! This situation was awful [2] . I ate the meal in sad silence. I could not tell what it tasted like because I was tired and upset. Finally, I got on my flight to Chicago in the evening. On the plane, I wanted to drink water, but I did not know how to ask for it. I just stayed in my seat quietly and felt despondent [3] . In the end, I met my family at the airport in Chicago at 11:30 pm. On our way home, I told them about my nightmare. They comforted me, “Don’t worry. All will be fine.” However, I could not shake off the feeling that I had just had a rocky start [4] on my life in this new country. On that day, I made a promise to myself that I would have to study English really hard.

By student,  ESL Writing III, Harper College. U sed with permission.

1. Color code the paragraph:

Title – pink                                               Background information – purple                          

Topic sentence – red                           Beginning of the story – green

Middle of the story – blue                  End of the story – green

Transitions – yellow                             Concluding sentence(s) – red

2. Discuss:

• What was your experience on your trip to the U.S.? Did you have a similar experience as the writer?
• Does the writer focus on telling a story, arguing for a controversial issue, or listing points to explain an idea?
• How is this paragraph similar to the ones you have studied in Unit 4 Enumerative Paragraphs?
• How is this paragraph different from the ones in Unit 4?
• What types of supporting ideas and details are used to explain the main idea?
• What do you like about this paragraph?
• How would you improve the paragraph?
• If you could ask the writer a question, what would you ask?

II. Focus of Narrative Paragraphs

Narration is a description of an experience, an event, a story, or a situation to show a point of view. You have already studied a narrative paragraph in Unit 3: My Valuable Life Lesson.

Narrative paragraphs have:

• a beginning: How did the story start?
• a middle: How did it progress?
• an ending: How did it end?

As you are telling a story in this type of paragraph, it is important to:

• provide the background information about the story: what, who, when, where. If applicable, include the information on why and how. The information is usually given in the beginning.
• use past tenses as you narrate a past experience or event.
• guide the readers in understanding the event by using appropriate time expressions and arrange the information in chronological order, meaning time order.
• use appropriate descriptive words and details to help the readers feel as if they were experiencing the event in person.

Exercise 1. Read the following paragraph titles. Which ones can be appropriate titles for narrative paragraphs? What will the paragraphs be about?  Click “True” for appropriate narrative titles and “False” for non-narrative titles.  You will get instant feedback after each sentence. The explanation is given in blue.

III. Topic Sentence in Narration

Read Paragraph “My Worst Trip” again. How does the writer start the paragraph? The beginning contains the topic sentence and background information.

Study one more example:

Exercise 2. Use the above examples as models. Fill in the information for the next three topics. In #3, you think of a topic of your own. Try writing your topic sentence with background information in one, two, or three sentences.

IV. Supporting Ideas in Chronological Order and with Time Transitions

Chronological Order

The information in the middle of the paragraph is going to be the main part of the story. All the events are arranged chronologically. What happened first is written first, what happened next is explained next, and so on. One way to make sure of the correct order is to draw a timeline. This could be used as a brief outline for a paragraph. Below is a t imeline for an interview experience:

Time Transitions

Another important aspect of narration is to use appropriate time expressions. They are transitions to guide the readers through the narration. You have already learned different transitions in Unit 3 Parts and Characteristics of a Good Paragraph and Unit 4 Enumerative Paragraphs.  ( For reviews, open Unit 3 here and Unit 4 here .)

Here are some time transitions. As you study them, pay attention to their punctuation.

Review Paragraph “My Worst Trip” in the beginning of this unit and discuss how the writer uses a variety of time transitions.

Read the new paragraph “My Memorable Interview” below.  It is developed based on the timeline above. The time transitions are underlined. Discuss:

• How does the writer begin the paragraph? What is the topic sentence? What is the controlling idea? What is the background information (what, who, when, where)?
• Does the paragraph follow chronological order?
• How are different types of time transitions used with different punctuations? (underlined)

My Memorable Interview

          In my last year of high school in Japan , I learned an important lesson from a memorable interview. I had applied to the Social Welfare Department of the college that I wanted to enter . To be accepted, I had to pass an interview and answer questions about a book the college professors had assigned . The book, What is the True Wealth, was a very famous book among the people studying social welfare in Japan. One month before the interview , I read the book but  understood  the topic only superficially [7] . To help myself understand the topic better, I then bought another book that described the current social situation in Japan. After reading it many times, I was able to understand the topic of social welfare more clearly. In the m iddle of February, I flew to the college for the interview. It was not a cold day, but I had chills  because of tension. I had never visited the prefecture where the college was located, so I felt the strain I had never felt before. The interview day arrived. The applicants were called in one by one from the waiting room. As soon as my name was called,  I took a deep breath before entering with a smile . The interview room was small, with six professors sitting across the table. It appeared to be a normal interview situation, but when five cards were put side by side on the table , I realized that it was not ! I could not understand what the cards  were for . My nervousness grew. One professor instructed, “Please choose one card on the desk. You will see our first question there about the assigned book.” It was like a card game!  Fortunately, I answer ed the question  calmly and clearly. During the interview ,   I express ed my opinions with confidence , thanks to the two books which I had read. At the end of the interview,  one professor asked me, “Have you read a nother book beside s  our assigned one?”   At that time, I thought, “Good for me!” I spoke about my additional book and explained why I had chosen it, what I had learned from it, and how it had helped me with the interview. The professors looked impressed . I was so glad that I almost jumped for joy. They nodded to me and to each other. That afternoon, I flew back home , feeling happy . From this experience, I have learned a lesson essential to my success. It is important to prepare elaborately [8] before an important event . Hard work in advance would give me confidence and help me in unexpected situations.

By C . Kotani (student), ESL Writing III, Harper College. U sed with permission.

Exercise 3. Read Paragraph “The Day My Daughter Was Born” and discuss:

• How does the writer begin the paragraph? What is the topic sentence? What is the controlling idea? What is the background information (what, who, when, where, why)?
• Underline the time transitions. How are different types of time transitions used with different punctuations?

The Day My Daughter Was Born

          The day I met my daughter Ela has been the most significant day in my life. When I was in my 38th week of pregnancy, my husband and I went to the hospital for a routine pre-natal exam. While the doctor was checking me, she said, “We have to take the baby.” We were so shocked. If I had not had a problem, she would not have said such a thing. Right away, she started to explain my problem. My daughter could not move herself because there was not enough water in my womb. Upon hearing this, I wanted to go back to my house to bring the baby stuff, but she did not allow me. My husband was little panicked, for he did not know what to do. Actually, I was so scared and also excited at the same time. My daughter was coming to my life! Our family had been waiting for her arrival for a long time, and we could not wait to take her into our arms. In the next ten minutes, the doctor did some tests on me and took me to the surgery room. I was not aware how many minutes or hours had passed. When I opened my eyes, everything had already finished. My first question was if she was OK. My doctor reassured me, “Don’t worry. She is OK”. After that, the medical staff took me to my room. All my family members were waiting eagerly there. I asked my husband if he had seen our daughter. He said no. We could not wait to see her, and we were so happy, for she was born without any problem. Everybody in the room was happy and asking how I was feeling. I had totally forgotten myself! Soon, the doctor brought her to the room, and I will never forget the moment when I laid my eyes on her for the first time. I cried so much from happiness. There was my little baby Ela, so tiny and soft, and most important all, so beautiful! Her “baby smell” was the most heart-warming scent. My husband’s face was full of joyful pride. Everyone wanted to hold Ela for a second but stopped as she was sleeping soundly. At that moment, I understood that my life would change forever because of this precious new life. I promised myself and her that I would always be by her side.

By Z. Turkmen (student), ESL Writing III, Harper College. U sed with permission.

V. Past Tenses in Narration

In most narrative paragraphs, you are describing past events, so you need to use mostly past tenses even though present and future tenses are also possible in some parts of the paragraph. Past tenses include simple past, past progressive, past perfect, and past perfect progressive, and future past. However, the most common one is the simple past.

T here are detailed explanations and practice in verb tenses from Unit 11 through Unit 14  in this book.  (Open Unit 11 Present Tenses , Unit 12 Past Tenses , Unit 13 Future Tenses , Unit 14 Mixed Tenses here .)

Review paragraphs “My Worst Trip”, “My Memorable Interview”, and “The Day My Daughter Was Born”. Underline all the past tense verbs and discuss how these verbs are used.

Read another new paragraph “A significant Meeting” below and discuss:

• What is the topic sentence? What is the controlling idea?
• What is the background information (what, who, when, where)?
• Does the writer explain the event in chronological order?
• How are different types of time transitions used?
• Underline all the verbs in past tenses. Why are some verbs in past perfect (bold-faced), one in past progressive (bold-faced), and one in simple future (bold-faced)?

A Significant Meeting

          My first meeting with my future husband in real life on March 18, 2017 was so significant that it changed my life. This was my first visit to the U.S.A when I met Sergey. We had communicated and seen each other only through the Internet before that. Our meeting happened in beautiful New York City. The smell of early spring, with blooming trees, sunny weather, and breathtaking views of this city, reinforced my romantic mood. I woke up very early to prepare for the meeting that was supposed to happen at breakfast. I arrived at the restaurant before 10 am. 10 am was not a perfect time for a romantic date, but we had planned to spend the whole day together and visit sights. Just then, Sergey called to apologize that he had overslept on his flight to New York and would not arrive until 11 pm. I became very angry and disappointed. I could not believe how a person could approach [9] such an important event so irresponsibly [10] . As a result, I assumed [11] that he would not be my destiny and my second half. When I arrived back at the hotel, I suddenly noticed a man standing with flowers and staring at me with a guilty look. He was wearing a formal gray suite with a matching tie. After a couple of seconds, I realized this man was Sergey! He had gotten a few transfers to arrive earlier than expected. I was so surprised to see him at that moment. I did not know whether to be joyful or angry, but I instantly forgot about the morning case. Of course, I gave him one star for diligence [12] . During our live communication, all invisible borders were erased. We quickly connected and understood each other. His surprises did not end at our lunch. He gave me a helicopter flight over the city! I was in heaven with happiness and beauty around me. In addition, Sergey had another surprise at dinner. He produced two tickets, for the most anticipated fight show of the year by my favorite boxer Gennady Golovkin in the famous Madison Square. I could not believe that another dream would come true that day. At the end of that fantastic day, I came to realize that my future husband was very attentive [13] . He had remembered everything that I loved and dreamed about. He fulfilled my one desire after another. Sergey was like a genie [14] , and I possessed his lamp. By the end of our first day together, I had decided to give him all stars and pluses. Our meeting transformed [15] my whole life, and these first happy moments will remain forever in my memories.

By E . Yugay (student), ESL Writing III, Harper College. U sed with permission.

Exercise 4. Read Paragraph “Meeting My Best Friends” and fill in each blank with the correct verb tense. When you finish this exercise, you can click “Check” to see how you did.  You can retry or see all the answers. The first one is an example.

VI. Descriptive Vocabulary and Details in Narration

Words are your tools in writing. Choosing specific, descriptive words will help your readers “see” or “picture” the event you are describing. Read the pairs of sentences below and discuss which sentence is better in each pair.

• They have a large house.
• They have a 2-story, red brick house.
• An old man walked on the street.
• An eighty-seven-year-old man stumbled [16] along Algonquin Road.
• Mrs. Kim is the best teacher I have ever had.
• Mrs. Kim is the most humorous and hardworking teacher I have ever had.

In each pair, the second sentence helps the reader “see” the house, the man, and Mrs. Kim more vividly [17] . Using descriptive words will make your writing more interesting and effective.

Words like “big, good, nice, great, bad” are very general and can be replaced by other better, more interesting ones. Many of the words below are “sensory” words that describe sight, sound, smell, flavor, and feeling.

Before you use any new vocabulary, make sure you check an English-English dictionary to see its exact meaning and use it only when appropriate. Try using two or three new descriptive words in each paragraph you write.

Details are the key to interesting paragraphs. In a narrative paragraph, details in the middle of the narration – how the story progresses – are even more critical [18] .

As you learned in the earlier units, color-coding is a helpful strategy to make sure:

• The paragraph has all the essential parts.
• All the parts are in the right order.
• Some parts need to be longer and more detailed.

Here is the color-coded paragraph “The Worst Trip” you read in the beginning of this unit. Discuss:

• Which color covers the most information?
• How does the part in blue help you “see” or “experience” what the writer was going through?
• Underline some descriptive or specific vocabulary . In what way does it make the paragraph more interesting?

          My experiences at Miami Airport and during the flight to Chicago on September 29, 2007 were terrible because I could not understand English. I came from Mexico, and that was my first connecting trip out of my own country. After a long flight from my native country, I arrived at Miami Airport. I had been so excited walking in an American airport until a uniformed officer asked me something in English. I felt nervous because I did not speak English and did not know how to answer her questions. I just shook my head. I was not walking excitedly anymore because I realized that I did not speak the language. I already began to miss my own country! Suddenly, I looked at my watch, and it said 12:30 pm. I was so hungry that I needed to eat something. I had not eaten much on my first flight. I went to a small restaurant in the airport, looked at the pictures of the menu on the screen, and decided to have a coke and a sandwich. I could not see clearly or read what kind of sandwich that was, but it looked scrumptious. I was just going to point to the picture and tell the waiter what I wanted. He came and spoke fast. Because I did not understand, I felt I had to say “Ok”. Well, he gave me a different meal, and it cost me almost $20! This situation was awful. I ate the meal in sad silence. I could not tell what it tasted like because I was tired and upset. Finally, I got on my flight to Chicago in the evening. On the plane, I wanted to drink water, but I did not know how to ask for it. I just stayed in my seat quietly and felt despondent. In the end, I met my family at the airport in Chicago at 11:30 pm. On our way home, I told them about my nightmare. They comforted me, “Don’t worry. All will be fine.” However, I could not shake off the feeling that I had just had a rocky start on my life in this new country. On that day, I made a promise to myself that I would have to study English really hard.

Exercise 5. Try to write a new sentence with descriptive vocabulary by replacing the words underlined.

Example :       

The family carried the big mattress into the small apartment.

Improved:  The family carried the bulky mattress into the one-bedroom apartment.

• The big cruise ship has 18 decks and is 1188 feet long.
• My upcoming interview is going to be important to my career.
• The family made a big decision to immigrant to the U.S. one year ago.
• The mother walked into the baby’s room quietly.
• The graduates walked proudly onto the stage to receive their diploma.
• Some parents have a bad influence on their children.
• In darkness, I was very afraid when I heard a strange noise behind me.
• I love looking at the stars in the night sky.
• The mom said no, but the boy still asked for more ice cream.
• The students are nervous about their grades.

Exercise 6. Use Paragraph “My Worst Trip” you just discussed as an example. Color code Paragraph “My Memorable Interview” as follows and discuss the questions below.

Title – pink                                                 Background information – purple

Topic sentence – red                             B eginning of the story – green

Middle of the story – blue                     End of the story – green

Transitions – yellow                                Concluding sentence(s) – red

• Underline the descriptive or specific vocabulary. In what way does it make the paragraph more interesting?

VII. More Narrative Paragraph Examples

As you read more narrative paragraphs below, you may color code them as you have done for the earlier paragraphs.

• How does the writer start the paragraph? How many sentences does the writer have for the topic sentence and background information? What is the controlling idea?
• Does the background information include what, who, when, and where?
• Are the events arranged in chronological order?
• What different types of time transitions are used?
• Does all the information in the story support the main idea?
• Is the middle of the story the longest in the paragraph?
• Underline some specific descriptions. How do they help make the story more interesting?
• Does the writer use past tenses to narrate the story? Are present and future tenses used? If so, why is the past tense changed to a present or future one?
• What do you like about the paragraph? How would you like to improve it?
• If you could ask the writer one question, what question would it be?

Exercise 7. Read the following two paragraphs. You may color code them as you have done for the earlier paragraphs. Discuss the following questions in your group.

• What is the topic sentence? Is there a controlling idea in the topic sentence? If not, write one.
• Does the background information include what, who, when, and where? If something is missing, add it.
• Are the events arranged in chronological order? If not, correct the order.
• Does all the information in the story support the main idea? If anything is irrelevant, cross it out.
• Are the transitions used appropriately? If a transition is wrong, correct it. If a transition is missing, add it.
• Are there enough descriptive details in the middle of the story? What more ideas can you add?
• Does the writer use correct past tenses to narrate the story?
• Are there any present and future tenses? If so, why is there a shift in verb tenses?
• What do you like about the paragraph?
• If you could ask the writer one question, would question would you ask?

VIII. Unit Review Practice: Writing Assignments

Now you are ready to write your own narrative paragraph! As you have learned in Unit 2 The Writing Process, ( Open Unit 2 here. ) the best way to plan a paragraph is to follow the proper steps.

Narrative Paragraph Writing Assignments

You will be writing two at-home narrative paragraphs. The second one will start after the first one is complete. For both assignments, follow the instructions below.

Purpose : To show your understanding of planning and writing a narrative paragraph. Use the writing process to help you.

Topic :  Choose from the list below.

Brainstorm and Outline : Brainstorm for ideas. Then use one of the templates below to make an outline. Your outline is due on _________. Bring it to class.

Paragraph : Your paragraph should have a title, a topic sentence, background information, beginning of the story, middle of the story with details, the end of the story, a conclusion, and appropriate time transitions.  Include at least 5 descriptive vocabulary from Section VI in this unit (Descriptive Vocabulary and Details in Narration).

Format: Type your paragraph, double spaced, font size 12, with 1-inch margins on four sides of the page. Type your name, class, and date on the upper right-hand corner of the page. The first line of your paragraph should be indented. Save your paragraph in a Word file.

Self Checklist : When you finish writing, use the Self Checklist below. Put a checkmark beside each item if you think you did a good job in that area.  Otherwise, improve your paragraph until you can check off the item. Save your work again.

Submission : Submit your paragraph on the Blackboard.  Go to your Blackboard course site and follow the instructions there.  Due by __________.

Choose one of the following topics.  If you wish to write about a topic of your own, discuss with your professor first.

• Your first class (reading, writing, grammar, communication skills, or another class) experience at Harper College
• A time when you helped someone in need
• Your proudest moment
• Your most embarrassing experience
• A disappointing shopping trip
• An experience where you got to know yourself better
• An experience where you got to know another person better
• An experience that changed your opinion of an event
• An interview you had (any kind of interview)
• The day when you got your first cell phone

Narrative Paragraph Outline Template #1

Topic: _____________________

Controlling idea: ____________________

Background information:

What: ____________________________________

When: ____________________________________

Where: ___________________________________

Who: _____________________________________

Topic + controlling idea + background information (1 – 3 complete sentences):

_______________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________

Narrative Paragraph Outline Template #2

Beginning of the story:

Middle of the story:

End of the story:

Narrative Paragraph Self Checklist

Note:  #7 – #10 may include more specific aspects of grammar depending on how many editing units you have already studied.

NSNT Practice

Go to The NSNT Free Writing Approach and Additional Weekly Prompts for Writing in Appendix A. ( Open Appendix A here. ) Choose two topics to write a paragraph each. You may start with the NSNT approach and then revise and edit the paragraphs using the Self Checklist above. You are encouraged to share your writing with your partner and help each other improve.

Vocabulary Review

The words here have appeared in this unit.  The best way to learn them is to guess the meaning of each word from the context.  Then hover your computer mouse over the number beside each word to check its meaning and part of speech. These words are also listed in the footnote area at the end of each unit.

Here, you can use the flashcards below to review these words.

• A narrative paragraph focuses on describing an event, an experience, or a story.
• A narrative paragraph should have a title, a beginning with a topic sentence and background information, a middle with details, and an ending.
• Descriptive vocabulary and details will make the paragraph interesting.
• The story should be narrated in the chronological order and should use proper time transitions.
• Past tenses are used primarily, but other tenses are often needed, too.
• Following the writing process (pre-writing, writing, and post-writing) can ensure a well- organized and well-supported paragraph.

Media Attributions

• a man sitting on a chair at an airport © Photo by Marco López on Unsplash
• an opened book with a leaf © Photo by Kaboompics .com from Pexels
• interview timeline
• a hand holding pink and blue heart-shaped lollipop candy © Photo by Sharon McCutcheon on Unsplash
• a cruise ship © Lin Cui is licensed under a CC0 (Creative Commons Zero) license
• a narrative timeline © Lin Cui is licensed under a CC0 (Creative Commons Zero) license
• a pen writing in a notebook © Photo by Aaron Burden on Unsplash
• a page in a dictionary © Pixabay
• scrumptious: adjective, delicious ↵
• awful: adjective, terrible ↵
• despondent: adjective, feeling sad and hopeless ↵
• a rocky start: noun phrase, not a smooth beginning ↵
• exhausting: adjective, very tiring ↵
• Misfortune goes hand in hand: a saying, bad things happen one after another. ↵
• superficially: adverb, on the surface, not deeply ↵
• elaborately: adverb, with great care and effort ↵
• approach: verb, handle, deal with ↵
• irresponsibly: adverb, not responsibly, carelessly ↵
• assume: verb, guess or think based on what has happened ↵
• diligence: noun, good efforts ↵
• attentive: adjective, giving careful attention ↵
• genie: noun, a spirit that makes wishes come true for people ↵
• transform: verb, change in significant ways ↵
• stumble: verb, walk unsteadily, as if going to fall ↵
• vividly: adverb, lively and brightly ↵
• critical: adjective, extremely important ↵

Building Academic Writing Skills Copyright © 2022 by Cui, Lin is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

Reading (and Scaffolding) Narrative Texts

Students need to learn the purposes and methods of narration in order to understand the narrative framework and to eliminate frustration when they read. When students know the narrative elements, they can more easily follow the story line and make successful predictions about what is to occur. In addition, understanding these elements develops higher-level thinking skills.

Introduction

Narrative text includes any type of writing that relates a series of events and includes both fiction (novels, short stories, poems) and nonfiction (memoirs, biographies, news stories). Both forms tell stories that use imaginative language and express emotion, often through the use of imagery, metaphors, and symbols. Students need to know how narrative texts work and how to read them, because stories are used for many important purposes. The purpose of narrative text is to entertain, to gain and hold a reader’s interest; however, writers of memoirs and novels often relate complex stories that examine universal ideas, events, and issues. In addition, speakers, advertisers, and politicians use stories to persuade us to accept or reject an idea.

In effect, students need to learn the purposes and methods of narration in order to understand the narrative framework and to eliminate frustration when they read. When students know the narrative elements, they can more easily follow the story line and make successful predictions about what is to occur. In addition, understanding these elements develops higher-level thinking skills. For example, the complications in a plot are related to cause and effect, and awareness of character’s motives can lead to analysis.

All in all, the narrative form is unique, because authors relate ideas they want to express about how people behave and what they believe. These ideas, or themes, generally relate to universal truths and make connections to the reader’s experiences.

Scaffolding strategies for narrative text

Teachers can use the following techniques to introduce the narrative form.

Focus Strategy

1. Focus: Themes

Ask students to do pre-writing about a theme.

Examples : List four of your fears; be ready to discuss one. Write about a time you experienced fear.

Ask small groups to make posters related to a theme or themes.

Example : Students can define a theme, identify positive and negative examples, create a symbol, and write a one-sentence assertion about the theme.

2. Focus: Conflict

Ask students to identify modern values and record their answers.

Have the class identify the values that are evident in the narrative.

In small groups, have students determine how the characters’ values cause conflict.

Create a series of questions, each starting with the word suppose, that relate to a character’s conflicts and complications.

Example : Suppose you were not allowed to see the one you loved? 3. Focus: Features

 Ask students to copy lines from the narrative that relate to the conflict or characters; break the lines into three parts, and write each part on a different color index card. Mix the cards together, and then ask students to work together to find complete lines. Then have them read the line aloud and make a prediction. Example :

Ask students to make predictions about the title and/or illustrations in the text. Example : What does the title, A Separate Peace , suggest?

4. Focus: Characterization

Utilize the AWAIT strategy. To teach the methods of indirect characterization, have each student create an image of a character. Each image should include the following details:

A ppearance: What does the character look like? Wear?

W ords: Create a line of dialogue that the character would say.

A ctions: Make the character do something (e.g., run, hit a ball).

I nteractions with other characters: Write a sentence that creates a conflict between the character and someone else.

T houghts : Create a thought bubble; record the character’s thoughts in the bubble. In addition, have each student write a one-line assertion stating what the character is like. Students can easily remember indirect characterization by learning the acronym AWAIT.

5. Focus: Setting

Use the graphic organizer in the figure below to teach the functions of the setting. Ask students to create an example for each function.

The function of setting

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Goldilocks and The Three Bears - Finish the Story Writing Prompt

Finish the Goldilocks and the Three Bears story in your own words.

Christmas Writing Prompt Dice Game - Roll-a-Story

Roll a Christmas Writing Prompt and write a fun Christmas story with our printable Christmas Dice activities.

'Pick Three' Writing Inspiration Worksheet

A worksheet to use when students need writing inspiration for a narrative piece.

Simple Recounts - Writing Scaffold

A simple scaffolding worksheet to use when writing a recount.

Using Linking Devices in Narrative Paragraphs Worksheets

3 worksheets teaching students how to link ideas when writing narrative paragraphs.

Monthly Writing Prompt Calendars - Lower Grades

Encourage your little learners to write with fun writing prompts for kids in early elementary school.

Summer Santa on Vacation - Christmas Writing Prompts

Inspire hilarious Christmas narratives with a printable set of Santa on Vacation writing prompt worksheets.

Haunted House for Sale - Creative Writing for 5th Grade

Use persuasive language and description writing to sell a haunted house with this exciting Halloween Haunted House Project!

Haunted House Worksheets - Descriptive Writing Activity

Draw and write about scary Halloween houses with a printable Halloween descriptive writing activity pack.

Halloween Creative Writing Prompts - 4th and 5th Grade

Develop narrative writing skills this Halloween season with a set of printable Halloween writing prompts for 4th graders and 5th graders.

Grandparents' Day Writing Prompt - The Very Best Day

Surprise Grandma and Grandpa with a special story telling about the Best Day Ever with a Grandparents’ Day writing prompt.

Grandparents' Day Poems with Similes

Celebrate grandma and grandpa with heartfelt simile poems using a printable Grandparents’ Day poem template.

Create Your Own Grandparents' Day Poem Pack

Write a special Grandparents’ Day Poem with our printable Kenning poem worksheet pack.

Halloween Narrative Writing Prompts — Finish the Story Writing Activity

Develop narrative writing skills this Halloween season with a printable “Finish the Story” writing prompt and craft.

Roll to Create a Halloween Writing Prompt

Inspire some spooktacular Halloween writing with a roll-to-create Halloween Writing Prompt creator.

Recycling Writing Prompts - Earth Day Worksheets

Differentiate writing instruction in primary grades with informational writing prompts about recycling and conservation.

Disguise a Turkey — Thanksgiving Activity

Save Tom the Turkey with a Disguise a Turkey project template for Thanksgiving time in the classroom.

Personal Recounts Worksheet - My Wonderful Weekend

A simple text and worksheet to use when exploring personal recounts.

My Broken Ankle - Narrative Text Structure Worksheet

A worksheet for teaching students how to write using a basic narrative text structure.

Surprise! - Narrative Text Structure Worksheet

A worksheet for teaching students how to write using a narrative text structure.

Police Car Ride - Narrative Text Structure Worksheet

Sporting Picture Stories - Sequencing Activity

A set of sequencing cards for students to use as an independent writing activity.

Narrative Structure Sorting Task

A sorting task to help students learn about narrative structure.

The Park (Poem) - Sequencing Activity

A sequencing activity using poetry.

Writer's Reflection Worksheet

Get your students into the habit of reflecting on their writing with this student reflection worksheet.

Exploring Poetry Worksheet - Storytelling

A worksheet to help students understand storytelling through poetry.

Exploring Poetry Worksheet - Word Play

A worksheet to help students understand word play in poetry.

Rio Writing Prompts

Ten Rio themed writing prompts for the middle and upper elementary.

• Narrative Writing Templates
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Narrative writing for grade 5

Fiction and non-fiction narratives.

Worksheets and writing prompts focused on the elements of narrative writing.

Developing plot structure : outline plots from introduction to resolution.

Create realistic settings : develop key elements of given settings.

Character traits : link character traits to feelings, sayings, thoughts and actions.

Settings & sensory details : use sensory details to create a setting.

Writing from different points of view : write in the 1st, 2nd and 3rd person.

Inner and outer dialogue : combine inner and outer dialogue in texts.

Perspective : describe the same events as seen by different characters.

Personal narrative writing : write a personal narrative from a prompt.

Fictional writing : write a fictional narrative from a prompt; hints provided.

Fantasy writing : write fantasy narratives from a prompt, with hints.

Nonfiction narrative writing : research and write non-fictional narratives. 

Narrative writing prompts : more writing prompts. 

Grade 5 narrative writing worksheet

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20 Prompts for Narrative Writing That Spark Creativity

Using prompts for narrative writing motivates kids and gets them excited to write. Read on to learn more about narrative writing, mentor texts, ideas, and assessments. Plus you will find 20 fun prompts for narrative and personal narrative writing. These will be sure to spark student’s creativity and imagination!

What’s Narrative Writing?

Narrative writing tells a story using a beginning, middle, and end.  It includes elements such as characters, setting, problem, and solution.  The author’s purpose is usually to entertain or teach a lesson.  Narrative writing can be fact or fiction but the process is the same.  When it’s a real story from the author’s life, it is considered a personal narrative.  

Examples for Narrative Writing

There are so many wonderful examples of narrative writing.  Some are even written as personal narratives.  Below you will find a list of mentor texts for elementary school.  It’s helpful to immerse students in the genre before and during a narrative writing unit.  These books model different strategies that kids can try in their writing.

Narrative Writing Mentor Texts:

• Owl Moon by Jane Yolen
• Come on, Rain! by Karen Hesse
• Those Shoes by Maribeth Boelts
• Fireflies! by Julie Brinckloe
• Knuffle Bunny by Mo Willems
• Jabari Jumps by Gaia Cornwall
• Enemy Pie by Derek Munson
• Blackout by John Rocco

Narrative Writing Teaching

There are many features to include in narrative writing, but it depends on the grade level being taught.  For the lower grades, it’s important to start with the concept of beginning, middle, and end written in sequential order.  Then you can expand to the introduction, body, and conclusion using details.  Other important elements are character, setting, problem, and solution.  As the student’s abilities increase the number of sentences will grow and expand to paragraphs.

For the older grades, you can introduce plot structure.  It follows the beginning, middle, and end format but on a higher level.  This story arc includes exposition, rising action, climax, falling action, and resolution.  Use the diagram below to see how these features overlap.

Plot Structure

Topics for Narrative Writing

The possibilities are endless when it comes to narrative writing ideas.  Kids can create a fiction piece or write about an experience in their life.  Check out some writing prompt ideas below for narrative and personal narrative writing. You might also like this blog post about opinion writing prompts: 20 Prompts for Opinion Writing That Motivate Kids

Writing Prompts for Narratives

• I was taking my friend’s picture in front of the volcano when all of a sudden . . .  
• What if you were given 3 wishes but couldn’t use them on yourself.  Tell a story about what you would wish for and why.
• Write a story called, “The Luckiest Day of My Life.”
• Imagine you went to the zoo and could take home any animal for the day.  Tell a story about your time together.
• Write a silly story that uses these words: airplane, grapes, elephant, and book.
• You have just been shrunk down to the size of an ant.  Write a story including the good and bad things about being so small.
• Think about your favorite character from a book.  Tell a story about getting to meet them for the first time.
• What would happen if you lived during a time when there was no electricity?  Write a story about your school day.
• Finish this story: The pirates set sail on their ship in search of . . .
• Suppose you were teacher for a day.  Write a story about the changes you would make.

Writing Prompts for Personal Narratives

• Have you ever been so proud of yourself for learning something new?  Write a story about a time this happened.
• Write a story about a time you felt your heart race.  What happened and how were you feeling at the end?
• What was your most memorable vacation?  Tell a story from part of that trip and why it stands out in your mind.
• Have you ever done something you knew would get you in big trouble?  Write a story about a time this happened and how you felt about it.
• Write a story about the strangest thing that has ever happened to you.  Why was it so unusual?
• What was your most memorable moment from this year?  Write a story telling why it’s so special.
• Tell a story about a time when you were so excited and couldn’t wait for an event to happen.
• Write a small moment story about a time you had with your favorite person.
• Write about a time that you lost something important.  Tell whether or not you found it.
• Think about the worst day you ever had.  What made it so terrible and did it get better by the end?

Rubrics for Narrative Writing

I often hear from teachers that one of the most difficult parts of teaching writing is how to assess it.  Assessments should be accurate and helpful for both the student and teacher.  When it comes to narrative writing, there are many different approaches.  Some teachers prefer to do a more informal assessment for daily writing pieces and then a formal assessment for the final copy.  Informal assessments can be completed with written comments or student-teacher conferences.

It would be very difficult to use a rubric for every narrative writing a student completes in their notebook.  Instead, most teachers prefer to choose one to three writing pieces to assess with a rubric.  These assessments are ideal for benchmarks, progress reports, and report cards.  Below you will find three types of narrative writing rubrics.  Check out this blog post to learn more about student-friendly, teacher-friendly, and time-saving rubrics: 3 Types of Writing Rubrics for Effective Assessments

Narrative writing enables kids to be creative and use their imagination. They can write a fiction story or about a real event from their life. Writing prompts are a helpful tool to get kids engaged and ready to get started. Did you grab your Free Writing Prompt Guide yet? I love using prompts for morning work, writing time, centers, or as a homework assignment. The possibilities are endless! Be sure to try these prompts for narrative writing with your students!

Genre Based Prompts

Related Articles:

• 20 Prompts for Opinion Writing That Motivate Kids
• What is Narrative Writing
• A Complete Guide to Narrative Writing
• Personal Narrative Writing for Elementary School
• Narrative Writing: How to Teach a Story Arc That’s as Exciting as a Roller Coaster

Angela Sutton

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1 Literacy Narrative

The foundation of our course is built on the ability to read closely and critically. To engage with this skill, and the multiple literacies we navigate on a daily basis, this first major essay is a personal piece in which you will explore a significant moment regarding your own literacy; you may approach literacy either in the traditional sense or using our expanded, modern definition. 

Course objectives

• Develop rhetorical knowledge
• Develop critical and creative thinking
• Develop experience in writing Recall previous experience with various types of reading

Module objectives

During the process of completing this assignment, writers will:

• Recall previous experience with various types of reading
• Identify personal goals for academic reading and writing
• Distinguish the different purposes for academic reading and writing
• Give examples of familiar genres

ASSIGNMENT SHEET

Assignment Sheet – Literacy Narrative

The foundation of this course is built on your ability to read closely and critically. To engage with this skill, and the multiple literacies we navigate on a daily basis, this first major essay is a personal piece in which you will explore a significant moment regarding your own literacy; you may approach literacy either in the traditional sense or using our expanded, modern definition.

Literacy is a key component of academic success, as well as professional success. In this class and others, you will be asked to read and engage with various types of texts, so the purpose of this assignment is twofold. First, this assignment will allow you to write about something important to you, using an open form and personal tone instead of an academic one, allowing you to examine some of your deepest convictions and experiences and convey these ideas in a compelling way through writing. Second, this essay provides us an opportunity to get to know each other as a class community.

For this assignment you should imagine your audience to be an academic audience. Your audience will want a good understanding of your literacy, past, present, or future, and how you seek to comprehend the texts around you.

Requirements:

Choose ONE prompt below to tell about an important time in your life when you engaged with or were confronted with literacy, using the traditional or broad definition. We’ll discuss various types of literacy, so you will identify and define the type of literacy you’re discussing.

• Describe a situation when you were challenged in your reading by describing the source of that challenge (vocabulary, length, organization, something else). How did you overcome that challenge to understand what the text was saying? What strategies or steps do you plan to take in the future to make the process easier?
• Describe the type of texts you read (watch, listen to, etc.) most often. What makes them easy or challenging to read and interpret? What strategies do you use to ensure that you fully understand them or can apply them?
• Describe what kind of texts you think you will have to read or interpret in the future and where you will encounter these texts (i.e. future classes, your career, etc.). How do you think they might challenge you? What strategies will you use to overcome these difficulties?

Formatting:

• Narratives should be between 500-600 words (around 2-3 pages). Be concise, and choose your details carefully.
• Your work must be typed in size 12, Times New Roman font and double spaced, 1” margins, following MLA requirements.

Week 1: Introducing Rhetoric

The foundation of our course is built on your ability to read closely and critically. To engage with this skill, and the multiple literacies we navigate on a daily basis, this project is a personal piece in which you will explore a significant moment regarding your own literacy; you may approach literacy either in the traditional sense or using our expanded, modern definition.

Exploring Literacy

What comes to mind when you hear the term “ literacy “? Traditionally, we can define literacy as the ability to read and write. To be literate is to be a reader and writer. More broadly, this term has come to be used in other fields and specialties and refers generally to an ability or competency.

For example, you could refer to music literacy as the ability to read and write music; there are varying levels of literacy, so while you may recognize the image below as a music staff and the symbols for musical notes, it’s another thing to name the notes, to play any or multiple instruments, or to compose music.

Or, you may be a casual football fan, but to be football literate , you would need to be able to understand and read the playbook, have an understanding of the positions, define terms like “offsides” or “holding” as they relate to the sport, and interpret the hand signals used by the referees.

Educator and writer Shaelynn Faarnsworth describes and defines literacy as “social” and “constantly changing.” In this unit, we’ll explore literacy as a changing, dynamic process. By expanding our definition of literacy, we’ll come to a better understanding of our skills as readers and writers. We’ll use this discussion so that you, as writers, can better understand and write about “…what skills [you] get and what [you] don’t, [and include your] interests, passions, and quite possibly YouTube.”

Checking In: Questions and Activities

• Consider our expanded definition of literacy . In what ways are you literate?
• When, where, and how do you read and write on a daily basis?
• Thinking of traditional literacy (reading and writing), what successes or challenges have you faced in school, at home, in the workplace, etc.?

Close Reading Strategies: Introducing the Conversation Model

Reading is a necessary step in the writing process. One helpful metaphor for the writing process is the conversation model. Imagine approaching a group of friends who are in the middle o

f an intense discussion. Instead of interrupting and blurting out the first thing you think of, you would listen. Then as you listen, you may need to ask questions to catch up and gain a better understanding of what has already been said. Finally, once you have this thorough understanding, you can feel prepared to add your ideas, challenge, and further the conversation.

Similarly, when writing, the first step is to read. Like listening, this helps you understand the topic better and approach the issues you’re discussing with more knowledge. With that understanding, you can start to ask more specific questions, look up definitions, and start to do more driven research. With all that information, then you can offer a new perspective on what others have already written. As you write, you may go through this process — listening, researching, and writing — several times!

This unit focuses first on the importance of reading. There are two important ways we’ll think about reading in this course. Close reading and critical reading are both important processes with difference focuses. Close reading is a process to understand what is being said. It’s often used in summaries, where the goal is to comprehend and report on what a text is communicating. Compared to critical reading, an analytical process focused on how and why an idea is presented, close reading forces us to slow down and identify the meaning of the information. This skill is especially important in summaries and accurately quoting and paraphrasing.

Close reading, essentially, is like listening to the conversation. Both focus on comprehension and being able to understand and report back on what is written or said. In this project,

• Within close reading, your processes could be further broken down into pre-reading, active reading, and post-reading strategies. What do you focus on before and after you read a text?
• Have your instructors asked you to annotate a text?
• Do you find yourself copying down important lines, highlighting, or making notes as you read?
• What strategies do you rely on to actively and closely read?
• What are your least favorite strategies?

The Rhetorical Situation

You may have heard of “rhetorical questions” or gotten frustrated watching the news when a commentator dismisses another by saying “that’s just empty rhetoric” — but what does rhetoric mean? With definitions dating back to Aristotle and Plato, this is a complex concept with many historical and contemporary definitions. We define rhetoric as the ways language and other communication strategies are used to achieve a purpose with an audience. Below, we’ll explore the rhetorical situation, examining how many different factors contribute to how a writer can achieve their goals, and what may influence them to make different decisions.

The rhetorical situation is composed of many interactive pieces that each depend on the other. Let’s start by defining each component:

• Ask yourself: Who created this?
• Ask yourself: Who is likely to, or supposed to, see this?
• Ask yourself: What am I looking at?
• Ask yourself: Why was the text created?
• Ask yourself: When was this created? How did it get developed? Where was the text published? What shaped the creative process?

Each of these categories intersects and influences the other. When we think about a complete rhetorical situation, you’ll need to define all these different pieces to best understand the text. As we begin practicing close reading, drawing the rhetorical situation will be a helpful tool.

Let’s examine this project, the literacy narrative.

• Author : You! While you have a unique background, you’re a student in this course, and your individual writing experience will influence what you write about.
• Audience : Your classmates and instructor. This is a collaborative course, and your instructor will read what you produce.
• Text : Literacy Narrative. This type of text has different goals and requirements. We’ve examined literacy already, and we’ll review narratives soon. Together, these guidelines will help us construct this specific type of text (rather than a poem about reading or your personal memoir about how you became a writer!).
• Purpose : To reflect. To introduce yourself. To define your literacy. These are all goals of this assignment. Throughout your assignment, you’ll want to check in with yourself and ensure that you’re accomplishing these goals. If not, you won’t meet the demands of the assignment.
• Context : This assignment — the assignment sheet above has specific requirements that will influence what you create. Your writing background — no one else has the same life experience with reading and writing as you. The goals of the course — there are specific tasks to accomplish with this project that are specific to CO1 objectives. Each of these aspects will influence how you put the project together. Since you didn’t just wake up and decide to write about literacy, the context of this assignment will determine what you create.
• Which of the elements of the rhetorical triangle influence your writing decisions most? Why?
• Are there any elements you don’t consider? Why don’t they seem as important?

Week 2: Defining Narrative and Organization

This week, you’ll review the assignment more fully, begin drafting, and work more closely with feedback from others. A literacy narrative is a specific type of genre, so there are certain requirements for this text. Using examples from other students, we’ll begin to develop your first draft.

Introducing the Literacy Narrative

narrative : a method of story-telling  

A literacy narrative is a common genre for writers who want to explore their own experiences with writing. Just Google “literacy narrative” and find endless examples! While this assignment will respond to specific prompts and follow a more specific structure than some of the examples you’ll find on Google, there is a common theme in each essay that revolves around your relationship with literacy. Week one defined literacy ,  but what about narrative? Narrative can be defined as a method of story-telling. In the simplest terms, your goal in this literacy narrative, in this assignment, is to tell the story of your personal experience with literacy, either from a past event, something you’re working with now, or looking to the future. Let’s review the three sets of prompts from the assignment sheet:

Each of these prompts gives you the chance to tell your story and examine your experience with a specific type of literacy. As you consider the prompts, think about how you could tell a story to answer these questions. With this frame of mind, review the questions and activities below.

• Which prompt from the assignment sheet will you address? Why does this prompt appeal to you?
• Consider the brainstorming you did about the ways that you are literate. Which prompt matches those skills best? Are these skills you struggled with at first, skills you currently practice, or a skill that you’re learning and will use in the future? Use these notes to decide which set of questions you’ll focus on in this project.

Organization: PIE Method

Each prompt includes three questions, which we’ll use as the starting point for three paragraphs. In each set of prompts, your first paragraph will describe the text; remember, when thinking about reading a text, we can interpret this broadly, like with music and sports. The second paragraph will explore the challenges or successes you’ve experienced. Then, the third paragraph will focus on strategies and techniques for improvement. This way, you can tell a more complete story of your experience, sharing the details and emotions along the way and making readers feel like they’re right there with you. But how do you capture all this detail in a way that helps you organize your thoughts and keep your reader interested in the story?

We’ll use a formula for the paragraph structure called PIE, which stands for Point, Information, and Explanation. This method will help you plan what you want to say, and then give examples so you can show why each step was so important to you. Let’s review each part of the paragraph, and then we’ll look at how this applies to your literacy narrative with a student sample.

• In the literacy narrative: Since each paragraph responds to a question from the prompt, the Point of each paragraph should tell readers which question you’re answering. By rephrasing the question in your Point, you can signal to your classmates and instructor so that they know which question you’re answering.
• In the literacy narrative: Most of your evidence, in a narrative, will be from your experience. Report what happened, what you read, or what you learned. Naming these details can help your readers see through your eyes when you give specific examples.
• In the literacy narrative: Help your readers get inside your head and feel like they’re with you. Keeping the Point in mind and showing how all these ideas relate will bring the paragraph together by developing each example clearly and offering a thoughtful response to each prompt. How did you feel about the examples from the Information? Why was it was so significant? Why should your readers care about this experience? Answering these questions will help show your readers what you experienced so they can understand the significance and connect with you.

Together, these pieces all come together to create a strong, developed paragraph that responds to the question from the prompt more fully.

• Below is a sample paragraph that follows the PIE structure. It is coded for the different parts of the paragraph above, with the Point in bold , the  Information in italics , and the  Explanation underlined . The second paragraph has been shortened and has not been coded. First, review the parts of the coded example. Then, review and identify PIE in the paragraph.

Planning a Draft

Now that we’ve reviewed all the components and the foundation for this assignment, you’re ready to begin your draft! We’ll focus just on the first paragraph here, but you can use these steps for each paragraph to construct your draft.

Consider the first question from each prompt, copied below, to decide if you’ll focus on a past experience, the present, or the future:

• Describe a situation when you were challenged in your reading by describing the source of that challenge (vocabulary, length, organization, something else).  
• Describe the type of texts you read (watch, listen to, etc.) most often.  
• Describe what kind of texts you think you will have to read or interpret in the future and where you will encounter these texts (i.e. future classes, your career, etc.).  

Literacy Narrative Rough Draft

Using your brainstorming from previous weeks, and using the student sample as a reference, begin drafting using the PIE structure, following these steps below to build the first paragraph of your draft. This is just a first draft, so let yourself write freely! This doesn’t need to be perfect or even good — instead, the goal is to put ideas on paper.

• In your Point, rephrase one of the questions above. You can borrow some of this same language to signal to your readers and show which question you’re answering. Remember, this only introduces the main idea — no details yet!
• Review your brainstorming. Did you name specific examples? Add these to your paragraph to develop the Information. Name at least two examples. Each example you give should connect to the Point, providing evidence from your experience.
• Review the examples and start to Explain. How did you feel about the examples from the Information? Why was it was so significant? Why should your readers care about this experience? Ask yourself these questions for each example you include.
• Depending on your drafting process, it might be easy to tackle all three paragraphs at once and get everything down, or you might prefer to write one paragraph at a time.
• Throughout the course, practice with drafting one paragraph per day, or setting a timer to see what you can write in a specific amount of time.
• Review what you’ve written, and see if there are more details to add. Remember, the goal is to get as much as you can out of your head. Revisions will take place next.

Week 3: Peer Review and Revision

Peer review.

Peer review is an important part of the drafting process. It helps us learn from our classmates and see our own work in a different way. Writing can be a lonely and isolating experience that makes the process frustrating and unsatisfying. Getting to share your work with others can break that uncomfortable pattern!

That said, you may be new to sharing your work or have different experiences with peer review. Good peer reviews can spark creativity, help build on good ideas, and revise the rougher ideas. But, sometimes peer review can be challenging if your peer is too critical or too complementary, or maybe you can’t read and understand what they wrote! The tips below will help reinforce best practices, as well as avoid some common mistakes with peer review.

When completing peer review, one important rule is to focus on the big picture and NOT to edit. Think about it like this: If you add a comma, then you’ve helped make one sentence of the paper better. In a paper that’s 1,000 words long, that’s not so helpful! Instead, consider the rhetorical triangle. If you can make observations and ask questions to help your classmate understand the audience or the genre better, then the entire paper is going to improve, because you focused on a higher order concept that affects not just one sentence, but the paragraph and the whole paper. Throughout these projects, we’ll practice several strategies for peer review so you can see several example methods and find what works best for you.

Peer workshop

When you sit down with your peer’s paper, we’ll practice a three-step process. This gives you a chance to explain exactly what you mean while offering specific advice for your peer. Review the steps below:

• Observe : Make a statement or summarize what you see. Identifying a pattern in your peer’s work or repeating what you think your peer is saying can help your peer know if they’re communicating clearly. Using the rhetorical triangle to support these observations could be a helpful strategy!
• Explain : Critique what you see, explaining if the writer has a strong idea or if it might need work. U sing adjectives to describe what’s going well or what’s not working is important so that you peer can learn more about your observation. Was this “clear” or “confusing”? Is the writer “engaging and interesting” or is the writing “plain and repetitive”?
• EXAMPLE: 1) You give a few examples for information, then a sentence of explanation. 2) It doesn’t look like this meets the word limits from the assignment sheet, and I’m not sure which part you’ll focus on as the main form of literacy. 3) Could you clarify this? More explanation about why these are important could help you meet the word limit, too!

All together, these comments will need to be a few sentences long. Since we’re NOT focused on grammar or editing, the changes that your peer can make will have a big effect on the final product. With these more developed comments, your goal is to make 1-2 comments per paragraph. Give your classmate something to consider, using our course vocabulary, to really help them improve. As you read and practice this method, it’s likely that you’ll get ideas for your own paper, which makes this process doubly helpful!

Assignment Rubric

• Will clearly and accurately define a specific type of literacy, explaining the connection and development of literacy. Will clearly establish the identity of the writer and the influence and importance of literacy.
• Will communicate significant experiences to an academic audience. Will give the reader something new to consider. Will interest the reader through storytelling.
• Will remain focused on literacy and the individual prompts. Will include specific details from a variety of experiences. Will engage readers with details and examples. Will explain the connections and development of growth through chosen examples.
• Will follow PIE structure closely.
• Will be clear and readable without distracting grammar, punctuation or spelling errors.

A “B” (good) summary (80% +):

• The concept of literacy may not be as clearly connected or central  to the writer’s development.
• More attention could be paid to engage or interest the readers. May lack context to help the reader understand the writer’s experience.
• Focus may lack through discussing events outside of the prompts. May include few specific examples. May lack explanation to show connection between examples.
• PIE may not be followed in one paragraph. Either the point, information, or explanation could be further developed or clarified within a paragraph.
• The writer may need to work on communicating information more effectively. The narrative will be generally clear and readable but may need further editing for grammatical errors.

A “C” (satisfactory) summary (70% +):

• Literacy is not defined or explained clearly in connection to skill.
• Awareness of audience is lacking, making sections confusing for an unfamiliar reader.
• Prompts may not be clearly connected to the paragraphs. Examples are not included or are not clearly explained.
• PIE may be missing or underdeveloped in multiple paragraphs.
• “C” narratives may also need more editing for readability.

A “D” (poor) summary (60% +):

• Will show an attempt toward the assignment goals that has fallen short. May have several of the above problems.

An “F” (failing) summary:

• ignores the assignment.
• has been plagiarized.
• Review the same sample paragraph below from a previous student. Identify one strength and one area for improvement in the draft, following the 3-step method above. As you review, consider how to balance praise and criticism. Something is going well in your peer’s draft, and something can be improved!

Most of this week revolves around drafting activities. This week brings our first revisions and peer reviews, an important part of the writing process. With your peers, you’ll get to review what they’ve been working on while receiving feedback on your own work. Similar to the sample, it will be your responsibility to identify strengths and praise your peers’ writing, as well as identify areas for improvement and explain why this is an important revision they must make.

Applying Peer Review: Taking Suggestions and Revising

Once you’ve completed peer review, you’ll likely have lots of ideas — reviewing others’ work often ignites a creative spark for your own work! You should feel free to apply strategies from your peers and reexamine your work, but you want to focus on your peers’ suggestions for you. This way, you can see how your ideas and their commentary lines up. In our 3-step feedback process, the last step is to make a suggestion. While the notes from your peers should be valuable, it’s ultimately your draft and your decision about what feedback to include. As you read through the commentary, review the assignment sheet, and begin making changes to the draft. This is one of the most important steps in the writing process and what makes the difference between a rough first draft and a polished, complete draft.

Suggested schedule and pacing

This module is intended to take 3 weeks and would work well as a first, introductory assignment or as a final, reflective assignment. Each unit is designed to help instructors offer feedback at critical stages of the drafting process, assisting writers strategically before they offer their drafts for peer review. This does require a quick turnaround from instructors; for planning this three-week unit, drafts would be due to you after the two-week mark, and peer review is recommended to take place a few days after, once your feedback can be reviewed and used for revisions. This necessarily leads to less intensive feedback on the final drafts, helping to disperse workload and making for faster turnaround of final submissions.

Writers may experience typical growing pains throughout these assignments, especially when used as a first assessment and adjust to your style and teaching practice. Overall, writers seem motivated and engaged in the narrative aspect and less intimidated when starting the course with a less formal, less academic assignment. This is intentional so that everyone begins from a familiar place. As a last, reflective project, this can be used to help writers process and digest rhetorical concepts and their growth throughout the semester.

This unit focuses on close reading skills and introspection to allow students to orient themselves to writing in a constructive and open-minded way. By focusing on literacy and setting the tone for the semester, students tend to be more receptive to rhetorical concepts and understand the time investment required for this course.

Assessment notes

Through this three-week unit, students will explore their past  literacies and expand the definition of literacy  beyond  the traditional sense  to grow comfortable and familiar with the idea of reading and writing in academic English.   

the ability to read and write; more broadly, a specific ability to navigate a specialized discipline

Close reading is a process to understand what is being said.

the ways language and other communication strategies are used to achieve a purpose with an audience

a method of story-telling

First-Year Composition Copyright © by Leslie Davis and Kiley Miller is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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Reading Activity: Narrative Text

Here's the final assignment for Narrative Text

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