# | Component of a thesis proposal | % of experts agreement of | Experts additional remarks | |
---|---|---|---|---|
Proposed definition | % | |||
1 | Research title | The first item that appears to the reader. It invites the reader to proceed to other contents | 73 | It should be reflective of research topic, questions, objectives, content and approach and convey the aim, the purpose, the scope and the outcome |
2 | The abstract | The first item that appears in the TP after the title and of the same significance. It calls the reader in or alienates him out | 79 | Although some experts commented that in several schools an abstract is not a compulsory component of TP, 79% of the experts agreed that the abstract is needed |
3 | Keywords | A set of words or terms used for archiving, tabulation and electronic search on databases | 75 | Keywords are better written by splitting the title into its separate single words or terms. They should include essential terms describing the research topic, the unique sub-specializations and focus of the research (what is researched), the contextual scope of the research (where and when) and the used research methodology (how to conduct the research) |
4 | Background | A gradual preparation from the larger scientific field to the specific field, from wider geographic area to the immediate area, and from the strategic level to the level closer to the examined problem | 74 | The background should place the study within the larger context of the research, create interest to the reader and catch his attention, help him understand why the study is significant, include limitation and arguments of pervious research, and include quotations and statistics leading the reader to go to the next component of the TP |
5 | Statement of the problem | |||
5–1 | Statement of the general research problem | A narrative describing a negative situation prevailing in the investigated urban environment/ecosystem or architectural setting | 92 | A statement which stimulates interest in the study; scientifically explained to convey a simple, clear and specific issue to which a reader can relate”; “equivalent to the negative wording of the research aim”; and “in the humanities and social sciences many dissertations endeavour to establish the conditions of the problem, not to solve it |
5–2 | Statement of the research sub-problems | A narrative that describes the general problem in detail; sub-problems are simply the various causes of the general problem | 84 | One expert commented that “the above definition is valid and useful in causal research types only; other research types might consider different approaches” |
5–3 | Consequences of the problem | A narrative that describes the effects of sub-problems on the investigated environment | 83 | None |
6 | Research questions | A set of questions the research tries to answer. Each question usually covers one of the research sub-problems | 96 | None |
7 | Research aim/goal/objectives | The goal should be Specific, Measurable, Achievable, Realistic and Timely | 96 | None |
7–1 | General aim of the research | A specific and clear statement presenting the overall purpose of the study | 96 | None |
7–2 | Procedural objectives of the research | The sub-goals emanating from the main aim of the study. They provide a roadmap and illustrate important stages leading to sequential targets towards achieving the general aim | 79 | They are articulated sub-goals that in their totality compose the main research aim |
7–3 | Development objectives of the research | The objectives which focus on solving the research sub-problems and eventually solving the main problem of the investigated situation | 74 | None |
8 | Research scope | A statement which defines the thematic, geographical/spatial and temporal limits of research | None | |
9 | Research significance and contributions | Highlight potential positive impacts of the study on the life and environmental qualities | 87 | Expected contributions can only be tentative in the early research proposal stage, the researcher must remain open to unexpected findings upon the finishing stage of his/her study |
10 | Preliminary review of literature | Builds an initial understanding of the problem, identify the most important variables considered, cite methodologies used; make use of the latest findings and record the various recommendations/solutions suggested | 91 | Related directly to the stated research questions; identify areas of controversy in the literature; describe the relationship of each work to others; point the way forward for further research; and be organized into categories or themes |
11 | Research methodology | Contains explanation of the appropriate methods to be used in data collection, analysis, synthesis and presentation; for the extraction of results; and for the development of appropriate approaches or solutions to deal with the research problem | 82 | None |
12 | Research structure and timeline | A brief statement of the main sections of the master's/doctoral thesis arranged on the tentative dates for completing the various stages of the research | 95 | None |
13 | List of references | A list which contains a reasonable number of relevant references on the topic | 82 | None |
An extracted list of success rules for thesis proposals
Rule # | % of experts agreed | Success rule | ||
---|---|---|---|---|
Component of a thesis proposal | Relationship nature (→) | Its concise definition (and/or) its relationship to another component/s | ||
1 | 60% | Research title | Should reflect | The general aim and scope of the research |
The negative wording of the research problem | ||||
2 | 75% | The abstract | Should be | A concise brief of all necessary components of the research proposal |
3 | 74% | Keywords | Should include | Terms representing research title, topic, unique sub-specializations, methodology and scope |
4 | 74% | Research background | Should cover | A gradual contextual literary analysis relevant to the study preparing the reader to enter the study |
5 | The statement of the problem | |||
5–1 | 73% | Statement of the general research problem | Should reflect | The main cause of a quantitative and/or qualitative deficiency in the environment under investigation |
The negative wording of the research aim | ||||
5–2 | 80% | Research sub-problems | Should describe | The subsidiary causes of the main problem |
5–3 | 79% | Consequences of the Problem | Should describe | Subsidiary symptoms of the general illness of the examined environment |
6 | 79% | Research questions | Should rephrase | The research sub-problems in a question format |
The research objectives in a question format | ||||
7 | 63% | Research aims, goals and objectives | Should be | SMART (specific, measurable, achievable, realistic and timely) |
7–1 | 63% | General aim of the research | Should reflect | A target responding to the general research problem/question |
A potential alternative scenario that may enable the development of solutions | ||||
The research title with the same or different wording | ||||
7–2 | 57% | Procedural objectives of the research | Should articulate/represent | The sub-goals that compose the main research aim |
The stages of the research | ||||
The sections or chapters of the thesis | ||||
7–3 | 70% | Development objectives of the research | Should reflect | Targeted solutions to the sub-problems of the study |
Targeted possible cures/fixes for the subsidiary causes of the problem | ||||
8 | 83% | Research scope | Should cover | Thematic, geographic and temporal limits of the study |
9 | 87% | Research significance and contributions | Should highlight | The expected positive theoretical or practical impacts of the research or both |
10 | 95% | Preliminary review of literature | Should cover | A well-documented, structured, analysed and synthesized critical review of relevant research |
11 | 82% | Research methodology | Should explain | The methods, techniques and tools used to accomplish the research objectives in each stage of the study |
12 | 82% | Research structure and timeline | Should articulate/represent | The stages/phases of the research and their expected completion dates |
The main chapters of the research distributed along the completion timeline | ||||
13 | 77% | List of references | Should present | The references relevant to the research problem |
14 | General rule | The thesis proposal (using future tenses) | Should resemble | The general introduction of the final thesis (using past tenses) |
Source(s) : Prepared by the authors based on the above analysis and the results of expert inquiry
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The authors acknowledge the sincere assistance provided by the team of experts from several Architectural Schools worldwide to verify and improve the TP Conception. Appreciation is also extended to the post graduate students of the College of Architecture and Planning, IAU, who have positively responded to the students' opinion survey.
About the authors.
Mahmoud Abdellatif is a Professor of Urban and Regional Planning, College of Architecture and Planning, Imam Abdulrahman Bin Faisal University (IAU), Dammam, Saudi Arabia. He received an MSc from Assuit University, Egypt in 1977 and another MSc from Iowa State University in 1981 and a PhD degree from Texas A&M University in 1985. He has taught and practiced Architecture and Urban Planning for more than 45 years in Egypt, United Arab Emirates and Saudi Arabia. His main research focus is on research methods, strategic planning and design and development approaches. He is currently the adviser of IAU Vice President for Studies, Development and Community Services. His last book (published in Arabic) entitled The Simplifying-Integrating Approach to Contemporary Design, Planning and Urban Development articulates his own problem-solving approach. He is the principle editor of the Strategic Plan of Imam Abdulrahman Bin Faisal University 2018–2025.
Reham Abdellatif is an Assistant Professor in Architecture, College of Design, Imam Abdulrahman Bin Faisal University (IAU), Dammam, Saudi Arabia. She obtained an MSc degree from Assiut University in 2003 and a PhD degree from Newcastle University, UK, in 2012. She has taught and practiced Architecture and Interior Design for more than 22 years in Egypt and Saudi Arabia. Her main research focus is on Architectural Education and Curriculum Development, Analysing Design Learning Activities, Distant/Online Learning, Communication and Computation, VR and Information Technologies in Architecture. She ran the interior design curriculum development committee in Assiut University and in IAU.
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Clockwise from top left: “Citing the Native Genius” by Taylor Cook, “Pair of Dice, Para-Dice, Paradise: A Counter-Memorial to Victims of Police Brutality” by Calvin Boyd, “The Magic Carpet” by Goli Jalali, “Stacked Daydreams: Ceiling-Scape for the Neglected” by Zai Xi Jeffrey Wong, and “Up from the Past: Housing as Reparations on Chicago’s South Side” by Isabel Strauss
Five films showcase a selection of Fall 2020 thesis projects from the Department of Architecture.
This thesis is a proposal for a counter-memorial to victims of police brutality. The counter-memorial addresses scale by being both local and national, addresses materiality by privileging black aesthetics over politeness, addresses presence/absence by being more transient than permanent, and lastly, addresses site by being collective rather than singular. The result is an architecture that plays itself out over 18,000 police stations across America and the Washington Monument at the National Mall, two sites that are intrinsically linked through the architecture itself: negative “voids” at police stations whose positive counterparts aggregate at the Mall.
The critical question here is whether or not the system in which police brutality takes place can be reformed from within, or if people of color need to seek their utopia outside of these too-ironclad structures. This counter-memorial, when understood as an instrument of accountability (and therefore a real-time beacon that measures America’s capacity to either change or otherwise repeat the same violent patterns), ultimately provides us with an eventual answer.
Author: Calvin Boyd, MArch I 2020 Advisor: Jon Lott , Assistant Professor of Architecture Duration: 11 min, 2 sec
Thesis Helpers: Shaina Yang (MArch I 2021), Rachel Coulomb (MArch I 2022)
The Persian Carpet and the Persian Miniature painting have served as representation tools for the Persian Garden and the idea of paradise in Persian culture since antiquity. The word paradise derives from the Persian word pari-daeza meaning “walled enclosure.” The garden is always walled and stands in opposition to its landscape. This thesis investigates the idea of a contemporary image of paradise in the Iranian imagination by using carpets and miniature paintings as a tool for designing architecture. The garden, with its profound associations, provided a world of metaphor for the classical mystic poets. One of the manuscripts describing the Persian garden is called Haft Paykar – known as the Seven Domes – written by the 12th century Persian poet called Nizami. These types of manuscripts were made for Persian kings and contain within them miniature paintings and poetry describing battles, romances, tragedies, and triumphs that compromise Iran’s mythical and pre-Islamic history. The carpet is the repeating object in the miniature paintings of the manuscript. This thesis deconstructs the carpet in seven ways in order to digitally reconstruct the miniature paintings of the Seven Domes and the image of paradise with new techniques.
Author: Goli Jalali, MArch I 2021 Advisor: Jennifer Bonner , Associate Professor of Architecture Duration: 8min, 28 sec
Do people know what the Illinois Institute of Technology and the South Side Planning Board and the city of Chicago and the state of Illinois and the United States government did to the Black Metropolis? If they know, do they care? Is it too hard to hold these entities accountable? If we held them accountable, could we find justice for those that were displaced? What would justice look like? What comes after Mecca? What types of spaces come after Mecca? Are they different than what was there before? Are they already there? What defines them? Can Reparations be housing? How many people are already doing this work? How many people are doing this work in academia? On the ground? Is the word “Reparations” dead? What do we draw from? Who is this for? Do white men own the legacy of the architecture that defined the Black Metropolis? How personal should this work be? How anecdotal? How quantitative? Does the design need to be inherently spatial? Or atmospheric? What should it feel like? How do I draw a feeling in Rhino? What are radical ways of looking? How do we reclaim racialized architecture? Do we? Should we even talk about these things?
Author: Isabel Strauss, MArch I 2021 Advisor: Oana Stanescu , Design Critic in Architecture Duration: 4 min, 4 sec
Soundtrack Created By: Edward Davis (@DJ Eway) Production Support: Adam Maserow , Evan Orf , Glen Marquardt Collaborators: Rekha Auguste Nelson , Farnoosh Rafaie , Zena Mariem Mengesha , Edward Davis (DJ Eway) Special Thanks: Caleb Negash , Tara Oluwafemi , Maggie Janik , Ann Whiteside , Dana McKinney Guidance: Stephen Gray , John Peterson , Chris Herbert , Cecilia Conrad , Lawrence J. Vale , Ilan Strauss , Mark Lee , Iman Fayyad , Jennifer Bonner , Mindy Pugh , Peter Martinez Collage Credits: Adler and Sullivan , Bisa Butler , Carrie Mae Weems , Dawoud Bey , Deborah Roberts , Ebony G Patterson , Ellen Gallagher , Frank Lloyd Wright , Howardena Pindell , Jordan Casteel , Kerry James Marshall , Latoya Ruby Frazier , Lelaine Foster , Lorna Simpson , Mark Bradford , Mickalene Thomas , Mies van der Rohe , Nick Cave , Njideka Akunyili Crosby , Romare Bearden , Sadie Barnette More Information: architectureofreparations.cargo.site
Elderly Care Adaptive Reuse of Hong Kong’s Vertical Factory
This thesis operates at the intersection of three domains of neglect:
These parts experience obsolescence that led to indifference, and subsequently to boredom. I intend to draw the parallel of deterioration between the body of the elderly and the body of the vertical factory. Using a set of ceiling parts in the manner of prosthetics to reactivate the spaces into elderly care facilities, revert boredom to daydreams, and reimagine the concept of elderhood as an experimental second stage of life.
Author: Zai Xi Jeffrey Wong, MArch I AP 2021 Advisor: Eric Höweler , Associate Professor of Architecture & Architecture Thesis Coordinator Duration: 4 min, 53 sec
Reconstructing vernacular architecture in Hawai’i
For over 120 years, Americanization has tried to demean and erase Hawaiian language, culture, and architecture. In contemporary discourse, the vernacular architecture of Hawai’i is mostly referred to as ancient and vague. As with many Indigenous cultures, Western perspectives tend to fetishize or patronize the Hawaiian design aesthetic. Within this hierarchy of knowledge is a systemic assumption that Hawaiian vernacular architecture cannot effectively serve as a precedent resource for contemporary architects. Those who do reference the original vernacular will often classify it as utilitarian or resourceful. Regardless of intent, this narrative takes design agency away from the people involved. As a corrective, a respectful use of vernacular domestic form would benefit designers that are struggling to connect with Hawai’i’s cultural and architectural traditions.
Mining the European gaze and influence out of revivalist publications, archeological surveys and historic images reveal unique characteristics of Hawaiian domestic space. Geometric quotation and symbolic referencing are the foundational instruments in applying the discrete components, form, and organizational logic of the vernacular. The result is a design process that creates an amalgamation of decolonized form and contemporary technique. This residential project intends to revive Hawai’i’s erased domestic experience by revisiting the precolonial vernacular form and plan.
Author: Taylor Cook, MArch I 2021 Advisor: Jeffry Burchard , Assistant Professor in Practice of Architecture Duration: 5 min, 13 sec
Special Thanks: Jeffry Burchard, Cameron Wu, Kanoa Chung, Nik Butterbaugh, Carly Yong, Vernacular Pacific LLC More Information: www.vernacularhawaii.com
During the COVID-19 pandemic, the galleries in Gund Hall have been turned ‘inside out,’ with exhibitions shown through a series of exterior projections on the building’s facade. View some images from the screening of these films below:
An architectural thesis is perhaps the most confusing for a student because of the range of typologies of buildings that exist. It also seems intimidating to pick your site program and do all the groundwork on your own. While choosing an architectural thesis topic, it is best to pick something that aligns with your passion and interest as well as one that is feasible. Out of the large range of options, here are 20 architectural thesis topics .
Slums are one of the rising problems in cities where overcrowding is pertinent. To account for this problem would be one of great value to the city as well as the inhabitants of the slum. It provides them with better sanitation and well-being and satisfies their needs.
This particular typology of buildings was coined by a cancer patient, Margaret Keswick Jencks, who believed that cancer-treatment centres’ environment could largely improve their health and wellbeing by better design. This led a large number of starchitects to participate and build renowned maggie centres.
The widening of city boundaries to accommodate migrants and overcrowding of cities is very common as of late. To design for the constant urban sprawl would make the city life more convenient and efficient for all its users.
A lot of space tends to become dead space under metros or elevated roads. To use these spaces more efficiently and engage them with the public would make it an exciting thesis topic.
Urban parks are not only green hubs for the city, which promotes the well-being of the city on a larger level, but they also act as great places for the congregation and bring a community together.
All buildings after a point become outdated and old but, what about the current old and abandoned buildings? The best way to respond to these is not by demolishing them; given the amount of effort it takes to do so, but to enhance them by restoring and changing the building to current times.
With climate change and population on the rise, there is statistical proof that one needs to start providing farming in cities as there is not sufficient fertile land to provide for all. Therefore, this makes a great thesis topic for students to explore.
To humanize the function of jails, to make it a place of change and rehabilitation, and break from the stereotypical way of looking at jails. A space that will help society look at prisoners as more than monsters that harm, and as fellow humans that are there to change for everyone’s betterment.
Academies that train people to be authoritative and protective require spaces for training mentally and physically; focussing on the complexity of the academy and focussing on the user to enhance their experience would work in everyone’s favour.
Courtrooms are more often than not looked at as spaces that people fear, given the longevity of court cases. It can be a strenuous space; therefore, understanding the user groups’ state of mind and the problems faced can be solved using good design.
Natural disasters are inevitable. Disaster-resilient structures are build suitably for the natural disasters of the region while also incorporating design into it, keeping in mind the climatic nature of the location.
As humans, we have an innate love for nature, and the struggle between integrating nature and architecture is what biophilic design aims towards. To pick a topic where one would see minimal use of natural elements and incorporate biophilic design with it would be very beneficial.
Bus terminals and metro stations are highly functional spaces that often get crowded; and to account for the crowd and the problems that come with it, plus elevate the experience of waiting or moving, would contribute to making it a good thesis topic.
Airport designing is not very uncommon; however, it is a rather complex program to crack; thereby, choosing this topic provides you with the opportunity to make this space hassle-free and work out the most efficient way to make this conducive for all types of users.
If your passion lies in sports, this is a go-to option. Each sport is played differently, different materials are used, and the nature of the sport and its audience is rather complicated. However, to combine this and make it a cohesive environment for all kinds of users would make a good thesis topic.
Unlike a sports complex, one could also pick one sport and look at the finer details, create the setting, and experience for it; by designing it to curate a nice experience for the players, the public, and the management.
Reducing waste is one of the most fundamental things we must do as humans. Spaces where recycling happens must be designed consciously. Just like any other space, it has been given importance over the years, and this would make a good thesis topic to provide the community with.
Cremation of a loved one or anyone for that matter is always a rather painful process and a range of emotions is involved when it comes to this place. Keeping in mind the different types of people and emotions and making your thesis about this would mean to enhance this experience while still keeping the solemnity of it intact.
Museums are spaces of learning, and the world has so much to offer that one could always come up with different typologies of museums and design according to the topic of one’s interest. Some of the examples would be cultural heritage, modern art, museum of senses, and many more.
An interpretation center is a type of museum located near a site of historical, cultural, or natural relevance that provides information about the place of interest through various mediums.
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Flora is a student of architecture, with a passion for psychology and philosophy. She loves merging her interests and drawing parallels to solve and understand design problems. As someone that values growth, she uses writing as a medium to share her learning and perspective.
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As with most things, taking the first step is often the hardest. Choosing a topic for your architecture thesis is not just daunting but also one that your faculty will not offer much help with. To aid this annual confusion among students of architecture, we've created this resource with tips, topics to choose from, case examples, and links to further reading!
[Read: 7 Tips on Choosing the Perfect Architecture Thesis Topic for you ]
Might seem like a no-brainer, but in the flurry of taking up a feasible topic, students often neglect this crucial point. Taking up a topic you're passionate about will not just make for a unique thesis, but will also ensure your dedication during tough times.
Think about the things you're interested in apart from architecture. Is it music? Sports? History? Then, look for topics that can logically incorporate these interests into your thesis. For example, I have always been invested in women's rights, and therefore I chose to design rehabilitation shelters for battered women for my thesis. My vested interest in the topic kept me going through heavy submissions and nights of demotivation!
Watch Vipanchi's video above to get insights on how she incorporated her interest in Urban Farming to create a brilliant thesis proposal, which ended up being one of the most viewed theses on the internet in India!
You might admire, say, tensile structures, but it’s not necessary that you’re also good at designing them. Take a good look at the skills you’ve gathered over the years in architecture school- whether it be landscapes, form creation, parametric modelling- and try to incorporate one or two of them into your thesis.
It is these skills that give you an edge and make the process slightly easier.
The other way to look at this is context-based , both personal and geographical. Ask yourself the following questions:
• Do you have a unique insight into a particular town by virtue of having spent some time there?
• Do you come from a certain background , like doctors, chefs, etc? That might give you access to information not commonly available.
• Do you have a stronghold over a particular built typology?
By now, we’ve covered two aspects of picking your topic which focus solely on you. However, your thesis will be concerned with a lot more people than you! A worthy objective to factor in is to think about what the world needs which can combine with what you want to do.
For example, say Tara loves photography, and has unique knowledge of its processes. Rather than creating a museum for cameras, she may consider a school for filmmaking or even a film studio!
Another way to look at this is to think about socio-economically relevant topics, which demonstrate their own urgency. Think disaster housing, adaptive reuse of spaces for medical care, etcetera. Browse many such categories in our resource below!
[Read: 30 Architecture Thesis Topics You Can Choose From ]
Time to get real! As your thesis is a project being conducted within the confines of an institution as well as a semester, there are certain constraints which we need to take care of:
• Site/Data Accessibility: Can you access your site? Is it possible to get your hands on site data and drawings in time?
• Size of Site and Built-up Area: Try for bigger than a residential plot, but much smaller than urban scale. The larger your site/built-up, the harder it will be to do justice to it.
• Popularity/Controversy of Topic: While there’s nothing wrong with going for a popular or controversial topic, you may find highly opinionated faculty/jury on that subject, which might hinder their ability to give unbiased feedback.
• Timeline! Only you know how productive you are, so go with a topic that suits the speed at which you work. This will help you avoid unnecessary stress during the semester.
Watch SPA Delhi Thesis Gold-Medallist Nishita Mohta talk about how to create a good quality area program.
Often assumed to be a quantitative exercise, creating an area program is just as much a qualitative effort. As Nishita says, “An area program is of good quality when all user experiences are created with thought and intention to enhance the usage of the site and social fabric.”
Essentially, your area program needs to be human-centric, wherein each component is present for a very good reason. Rigorously question the existence of every component on your program for whether it satisfies an existing need, or creates immense value for users of your site.
To this end, you need to create three lists:
• A list of proposed spaces by referring to area programs of similar projects;
• A list of needs of your users which can be fulfilled by spatial intervention.
• A list of existing functions offered by your immediate context.
Once you put these lists side-by-side, you’ll see that you are able to match certain needs of users to some proposed spaces on your list, or to those in the immediate context.
However, there will be some proposed spaces which do not cater to any need, and needs that are not catered to by any of the spaces. There will also be certain proposed spaces which are redundant because the context already fulfils that need.
This when you remove redundant spaces to create ones for unmatched needs, and viola, you have a good quality area program!
Confused? Here’s an example from the above video. Nishita originally intended to provide a typical eatery on her site, which she later realised was redundant because several eateries already existed around it. In this manner, she was able to fulfil the actual needs of her users- one of which was to be able to rest without having to pay for anything- rather than creating a generic, unnecessary space.
“A stakeholder? You mean investors in my thesis?”, you scoff.
You’re not wrong! Theoretically, there are several people invested in your thesis! A stakeholder in an architectural project is anyone who has interest and gets impacted by the process or outcome of the project.
At this point, you may question why it’s important to identify your stakeholders. The stakeholders in your thesis will comprise of your user groups, and without knowing your users, you can’t know their needs or design for them!
There are usually two broad categories of stakeholders you must investigate:
• Key Stakeholders: Client and the targeted users
• Invisible Stakeholders: Residents around the site, local businesses, etc.
Within these broad categories, start by naming the kind of stakeholder. Are they residents in your site? Visitors? Workers? Low-income neighbours? Once you’ve named all of them, go ahead and interview at least one person from each category!
The reason for this activity is that you are not the all-knowing Almighty. One can never assume to know what all your users and stakeholders need, and therefore, it’s essential to understand perspectives and break assumptions by talking directly to them. This is how you come up with the aforementioned 'List of Needs', and through it, an area program with a solid footing.
An added advantage of carrying out this interviewing process is that at the end of the day, nobody, not even the jury, can question you on the relevance of a function on your site!
Okay, I interviewed my stakeholders, but I can’t really convert a long conversation into actionable inputs. What do I do?
This is where empathy mapping comes in. It basically allows you to synthesize your data and reduce it to the Pain Points and Gain Points of your stakeholders, which are the inferences of all your observations.
• Pain Points: Problems and challenges that your users face, which you should try to address through design.
• Gain Points: Aspirations of your users which can be catered to through design.
In the above video, Nishita guides you through using an empathy map, so I would highly recommend our readers to watch it. The inferences through empathy mapping are what will help you create a human-centric design that is valuable to the user, the city, and the social fabric.
Download your own copy of this Empathy Map by David Gray , and get working!
Coming to the more important aspects, it’s essential to know whether learning a new skill will expand your employability prospects. Otherwise, might as well just spend the extra time sleeping. Apart from being a highly sought-after skill within each design field, Rhinoceros is a unique software application being used across the entire spectrum of design. This vastly multiples your chances of being hired and gives you powerful versatility as a freelancer or entrepreneur. The following are some heavyweights in the design world where Rhino 3D is used:
Case Studies are usually existing projects that broadly capture the intent of your thesis. But, it’s not necessary that all components on your site will get covered in depth during your case studies.', 'Instead, we recommend also doing individual Component (or Typology) Research, especially for functions with highly technical spatial requirements.
For example, say you have proposed a residence hall which has a dining area, and therefore, a kitchen- but you have never seen an industrial kitchen before. How would you go about designing it?', 'Not very well!', 'Or, you’re designing a research institute with a chemistry lab, but you don’t know what kind of equipment they use or how a chem lab is typically laid out.
But don’t freak out, it’s not necessary that all of this research needs to be in person! You can use a mixture of primary and secondary studies to your advantage. The point of this exercise is to deeply understand each component on your site such that you face lesser obstacles while designing.
[Read: Site Analysis Categories You Need to Cover For Your Architecture Thesis Project ]" ]
A narrative? You mean writing? What does that have to do with anything?
A hell of a lot, actually! While your area programs, case studies, site analysis, etc. deal with the tangible, the experience narrative is about the intangible. It is about creating a story for what your user would experience as they walk through the space, which is communicated best in the form of text. This is done for your clarity before you start designing, to be your constant reference as to what you aim to experientially achieve through design.
At the end of the day, all your user will consciously feel is the experience of using your space, so why not have a clear idea of what we want to achieve?
This can be as long or as short as you want, it’s completely up to you! To get an example of what an experience narrative looks like, download the ebook and take a look at what Nishita wrote for her thesis.
Ah, the old enemy of the artist, the Creative Block. Much has been said about creative blocks over time, but there’s not enough guidance on how to overcome them before they send your deadline straight to hell.
When you must put your work out into the world for judgement, there is an automatic fear of judgement and failure which gets activated. It is a defensive mechanism that the brain creates to avoid potential emotional harm.
So how do we override this self-destructive mechanism?
As Nishita says, just waiting for the block to dissolve until we magically feel okay again is not always an option. Therefore, we need to address the block there and then, and to systematically seek inspiration which would help us with a creative breakthrough.
This is where the concept of Divergent and Convergent Thinking comes in.
• Divergent Thinking: Say you browse through ideas on pinterest to get inspired. If you’re in a creative rut, do just that, but don’t worry about implementing any of those ideas. Freely and carelessly jot down everything that inspires you right now regardless of how unfeasible they may be. This is called Divergent Thinking! This process will help unclog your brain and free it from anxiety.
Divergent and convergent thinking.
• Convergent Thinking: Now, using the various constraints of your architecture thesis project, keep or eliminate those ideas based on how feasible they are for your thesis. This is called Convergent Thinking. You’ll either end up with some great concepts to pursue, or have become much more receptive to creative thinking!
Feel free to use Nishita’s Idea Dashboard (example in the video) to give an identity to the ideas you chose to go forward with. Who knows, maybe your creative block will end up being what propels you forward in your ideation process!
Prototyping is one of the most crucial processes of your architecture thesis project. But what exactly does it mean?
“A preliminary version of your designed space which can be used to give an idea of various aspects of your space is known as a prototype.”
As Nishita explains in the video above, there can be endless kinds of prototypes that you can explore for your thesis, and all of them explain different parts of your designed space. However, the two aspects of your thesis most crucial to communicate through prototyping are Form and Function.
As we know, nothing beats physical or 3D models as prototypes of form. But how can you prototype function? Nishita gives the example of designing a School for the Blind , wherein you can rearrange your actual studio according to principles you’re using to design for blind people. And then, make your faculty and friends walk through the space with blindfolds on! Prototyping doesn’t get better than this.
In the absence of time or a physical space, you may also explore digital walkthroughs to achieve similar results. Whatever your method may be, eventually the aim of the prototype is to give a good idea of versions of your space to your faculty, friends, or jury, such that they can offer valuable feedback. The different prototypes you create during your thesis will all end up in formulating the best possible version towards the end.
Within the spectrum of prototypes, they also may vary between Narrative Prototypes and Experiential Prototypes. Watch the video above to know where your chosen methods lie on this scale and to get more examples of fascinating prototyping!
Nishita talks about how to efficiently capture feedback and convert them into actionable points during your architecture thesis process.
If you’ve understood the worth of prototyping, you would also know by now that those prototypes are only valuable if you continuously seek feedback on them. However, the process of taking architectural ‘crits’ (critique) can often be a prolonged, meandering affair and one may come out of them feeling dazed, hopeless and confused. This is especially true for the dreaded architecture thesis crits!
To avoid that, Nishita suggests capturing feedback efficiently in a simple grid, noting remarks under the following four categories:
• Amplify: There will be certain aspects of your thesis that your faculty and friends would appreciate, or would point out as key features of your design that must be made more prominent. For example, you may have chosen to use a certain definitive kind of window in a space, which you could be advised to use more consistently across your design. This is the kind of feedback you would put under ‘Amplify’.
• Address: More often, you will receive feedback which says, ‘this is not working’ or ‘you’ve done nothing to address this problem’. In such cases, don’t get dejected or defensive, simply note the points under the ‘Address’ column. Whether you agree with the advice or not, you cannot ignore it completely!
• Explore: Sometimes, you get feedback that is totally out of the blue or is rather unclear in its intent. Don’t ponder too long over those points during your crit at the cost of other (probably more important) aspects. Rather, write down such feedback under the ‘Explore’ column, to investigate further independently.
• Consider: When someone looks at your work, their creative and problem-solving synapses start firing as well, and they are likely to come up with ideas of their own which you may not have considered. You may or may not want to take them up, but it is a worthy effort to put them down under the ‘Consider’ column to ruminate over later!
Following this system, you would come out of the feedback session with action points already in hand! Feel free to now go get a coffee, knowing that you have everything you need to continue developing your architecture thesis project.
And so, together, we have reached the last stage of your architecture thesis project: The Jury. Here, I will refrain from telling you that this is the most important part of the semester, as I believe that the process of learning is a lot more valuable than the outcome. However, one cannot deny the satisfaction of a good jury at the end of a gruelling semester!
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As architecture students head to their final year of BArch, half-crazy from years’ worth of scraped fingers, ghastly juries, sleepless nights, and a general lack of social life, they encounter the mighty problem of choosing a thesis topic. There are many subjects to choose from, but a personal interest in a particular subject is just one of the many factors that should influence this decision. Students need to ask themselves several other questions: Is the topic significant enough? Is it expansive enough? Is the project realistically doable?
The process can be daunting, for the decision has many consequences; sometimes, the choice of topic alone can mean the difference between the success and failure of a thesis. With so many factors to consider and deadlines closing in, students easily end up making decisions that they regret later. Here are eight tips to help you make an informed choice on the matter:
Thesis work at the undergraduate level strongly differs from that at the graduate or doctoral level, and it is important to understand the rationale behind its inclusion in the curriculum. Work at the graduate or doctoral level usually asks for the identification of a “gap in existing knowledge” about a subject and an original proposal to bridge that gap, but the expectations of an undergraduate student are less demanding. This means that you don’t necessarily have to go out of your way to be innovative at the undergraduate level. Choosing a simple unoriginal topic but executing it in a way that exhibits all the knowledge you’ve acquired in college will also do the trick.
With your peers picking varied topics and schedules, this year will be lonesome; the most you will have for company on an average day is a drawing board, your laptop, some books, and coffee. You will find yourself routinely getting distracted by Buzzfeed ’s latest video on Youtube or the cool new Drake track. Choosing a topic that you’re passionate about will make sure that you stay inspired and motivated to work, which should ultimately result in a great final project.
Many students give in to the natural temptation to do too much by picking topics or issues that are too expansive, and therefore almost impossible to execute in a short time-frame. A tip would be to start with the simplest version of a topic and add in extra complexity later if the circumstances allow it.
Every student possesses a unique set of skills and abilities which they’ve acquired through their experiences and by following their interests. No one is good at everything. An unbiased understanding of your creative and technical capacities and their limits thereof will allow you to choose a topic that best employs your expertise.
A thesis project requires an enormous amount of reading and analysis before the beginning of the design process, and the primary source of reference information for an undergraduate student is usually existing studies or research. Hence, it makes sense to choose an area of study where a substantial amount of previous work exists. The availability of such work will enable you to analyze, compare, draw conclusions, and employ the knowledge gained to suggest an informed proposal.
Architecture students dig themselves a grave when they begin to romanticize their thesis projects. It is hard to blame them, however, when you consider that the thesis project is viewed as the culmination of a multi-year program which is rooted as deeply in art and theory as it is in building technology. But it’s imperative to find a topic that is a balance of the two. A topic that seems too abstract might make it difficult for a jury to ascertain a student’s understanding of tangible issues.
The thesis project is the single most important part of your portfolio as a fresh architecture graduate looking for a job in the industry or applying for a graduate program. The choice of topic will reflect your interest in or experience with a particular specialized subject. Hence, when choosing a thesis topic, you should try to align it with your plans for the near future.
While there are many wide-ranging opinions about architecture’s ideal role in society, there is a general agreement that an architect’s work does influence how a society functions and evolves. In a world that is grappling with myriad serious issues like climate change, population growth, and an inequitable distribution of resources, it benefits young architecture students to acquaint themselves with the larger picture, and to choose a topic that at least aims to solve a current socio-environmental problem through a design intervention.
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Therefore, the aim of this paper is to improve the understanding of what constitutes a successful thesis proposal and as such enhance the quality of the TP writing in architecture and planning and related disciplines.
To ease your conflicted mind, we have curated a comprehensive list of popular architecture thesis projects you might want to explore in your final year, along with links to relevant theses across the internet for your ready reference.
Similarly, Abdellatif and Abdellatif (2020), articulate what constitutes a successful thesis proposal (TP) and present key lessons that aim to enhance the quality of the TP writing in...
Five films showcase a selection of Fall 2020 thesis projects from the Department of Architecture. From “Pair of Dice, Para-Dice, Paradise: A Counter-Memorial to Victims of Police Brutality” by Calvin Boyd
While choosing an architectural thesis topic, it is best to pick something that aligns with your passion and interest as well as one that is feasible. Out of the large range of options, here are 20 architectural thesis topics .
The thesis proposal provides a succinct but thorough statement of the student's intentions in undertaking an independent thesis. Thesis proposals must be prepared according to the outline of topics presented below. A thesis proposal should be 2,000-2,500 words, not including supporting material.
A guide to 2021 MIT Architecture thesis projects, featuring degree candidates from the BSA, MArch, SMArchS, and SMBT programs.
How to Choose Your Architecture Thesis Topic. How to Create an Area Program for your Architecture Thesis. How to Identify Key Stakeholders for Your Architecture Thesis. Why Empathy Mapping is Crucial for Your Architecture Thesis. Beyond Case Studies: Component Research for your Architecture Thesis.
You should write a Master’s thesis proposal (6 - 8 pages) that describes the ideas and design questions that you developed in research, literature review and case studies, some preliminary analysis, and the project you wish to pursue in design.
The thesis project is the single most important part of your portfolio as a fresh architecture graduate looking for a job in the industry or applying for a graduate program. The choice of topic...