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Illustration of "The Lamb" from "Songs of Innocence" by William Blake, 1879. poem; poetry

An Essay on Man

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  • The Victorian Web - Alexander Pope's Essay on Man: An Introduction

An Essay on Man , philosophical essay written in heroic couplets of iambic pentameter by Alexander Pope , published in 1733–34. It was conceived as part of a larger work that Pope never completed.

The poem consists of four epistles. The first epistle surveys relations between humans and the universe; the second discusses humans as individuals. The third addresses the relationship between the individual and society, and the fourth questions the potential of the individual for happiness. An Essay on Man describes the order of the universe in terms of a hierarchy , or chain, of being. By virtue of their ability to reason, humans are placed above animals and plants in this hierarchy.

An Essay on Man: Epistle I

To Henry St. John, Lord Bolingbroke Awake, my St. John! leave all meaner things To low ambition, and the pride of kings. Let us (since life can little more supply Than just to look about us and to die) Expatiate free o’er all this scene of man; A mighty maze! but not without a plan; A wild, where weeds and flow’rs promiscuous shoot; Or garden, tempting with forbidden fruit. Together let us beat this ample field, Try what the open, what the covert yield; The latent tracts, the giddy heights explore Of all who blindly creep, or sightless soar; Eye Nature’s walks, shoot folly as it flies, And catch the manners living as they rise; Laugh where we must, be candid where we can; But vindicate the ways of God to man. I. Say first, of God above, or man below, What can we reason, but from what we know? Of man what see we, but his station here, From which to reason, or to which refer? Through worlds unnumber’d though the God be known, ‘Tis ours to trace him only in our own. He, who through vast immensity can pierce, See worlds on worlds compose one universe, Observe how system into system runs, What other planets circle other suns, What varied being peoples ev’ry star, May tell why Heav’n has made us as we are. But of this frame the bearings, and the ties, The strong connections, nice dependencies, Gradations just, has thy pervading soul Look’d through? or can a part contain the whole? Is the great chain, that draws all to agree, And drawn supports, upheld by God, or thee? II. Presumptuous man! the reason wouldst thou find, Why form’d so weak, so little, and so blind? First, if thou canst, the harder reason guess, Why form’d no weaker, blinder, and no less! Ask of thy mother earth , why oaks are made Taller or stronger than the weeds they shade? Or ask of yonder argent fields above, Why Jove’s satellites are less than Jove? Of systems possible, if ’tis confest That Wisdom infinite must form the best, Where all must full or not coherent be, And all that rises, rise in due degree; Then, in the scale of reas’ning life, ’tis plain There must be somewhere, such a rank as man: And all the question (wrangle e’er so long) Is only this, if God has plac’d him wrong? Respecting man, whatever wrong we call, May, must be right, as relative to all. In human works, though labour’d on with pain, A thousand movements scarce one purpose gain; In God’s, one single can its end produce; Yet serves to second too some other use. So man, who here seems principal alone , Perhaps acts second to some sphere unknown, Touches some wheel, or verges to some goal; ‘Tis but a part we see, and not a whole. When the proud steed shall know why man restrains His fiery course, or drives him o’er the plains: When the dull ox, why now he breaks the clod, Is now a victim, and now Egypt’s God: Then shall man’s pride and dulness comprehend His actions’, passions’, being’s, use and end; Why doing, suff’ring, check’d, impell’d; and why This hour a slave, the next a deity. Then say not man’s imperfect, Heav’n in fault; Say rather, man’s as perfect as he ought: His knowledge measur’d to his state and place, His time a moment, and a point his space. If to be perfect in a certain sphere, What matter, soon or late, or here or there? The blest today is as completely so, As who began a thousand years ago. III. Heav’n from all creatures hides the book of fate, All but the page prescrib’d, their present state: From brutes what men, from men what spirits know: Or who could suffer being here below? The lamb thy riot dooms to bleed today, Had he thy reason, would he skip and play ? Pleas’d to the last, he crops the flow’ry food, And licks the hand just rais’d to shed his blood. Oh blindness to the future! kindly giv’n, That each may fill the circle mark’d by Heav’n: Who sees with equal eye, as God of all, A hero perish, or a sparrow fall, Atoms or systems into ruin hurl’d, And now a bubble burst, and now a world. Hope humbly then; with trembling pinions soar; Wait the great teacher Death; and God adore! What future bliss, he gives not thee to know, But gives that hope to be thy blessing now. Hope springs eternal in the human breast: Man never is, but always to be blest: The soul, uneasy and confin’d from home, Rests and expatiates in a life to come. Lo! the poor Indian, whose untutor’d mind Sees God in clouds, or hears him in the wind; His soul, proud science never taught to stray Far as the solar walk, or milky way; Yet simple nature to his hope has giv’n, Behind the cloud -topt hill, an humbler heav’n; Some safer world in depth of woods embrac’d, Some happier island in the wat’ry waste, Where slaves once more their native land behold, No fiends torment, no Christians thirst for gold. To be, contents his natural desire, He asks no angel’s wing, no seraph’s fire; But thinks, admitted to that equal sky, His faithful dog shall bear him company. IV. Go, wiser thou! and, in thy scale of sense Weigh thy opinion against Providence; Call imperfection what thou fanciest such, Say, here he gives too little, there too much: Destroy all creatures for thy sport or gust, Yet cry, if man’s unhappy, God’s unjust; If man alone engross not Heav’n’s high care, Alone made perfect here, immortal there: Snatch from his hand the balance and the rod, Rejudge his justice , be the God of God. In pride, in reas’ning pride, our error lies; All quit their sphere, and rush into the skies. Pride still is aiming at the blest abodes, Men would be angels, angels would be gods. Aspiring to be gods, if angels fell, Aspiring to be angels, men rebel: And who but wishes to invert the laws Of order, sins against th’ Eternal Cause. V. ask for what end the heav’nly bodies shine, Earth for whose use? Pride answers, ” ‘Tis for mine: For me kind Nature wakes her genial pow’r, Suckles each herb, and spreads out ev’ry flow’r; Annual for me, the grape, the rose renew, The juice nectareous, and the balmy dew; For me, the mine a thousand treasures brings; For me, health gushes from a thousand springs; Seas roll to waft me, suns to light me rise; My foot -stool earth, my canopy the skies.” But errs not Nature from this gracious end, From burning suns when livid deaths descend, When earthquakes swallow, or when tempests sweep Towns to one grave, whole nations to the deep? “No, (’tis replied) the first Almighty Cause Acts not by partial, but by gen’ral laws; Th’ exceptions few; some change since all began: And what created perfect?”—Why then man? If the great end be human happiness, Then Nature deviates; and can man do less? As much that end a constant course requires Of show’rs and sunshine, as of man’s desires; As much eternal springs and cloudless skies, As men for ever temp’rate, calm, and wise. If plagues or earthquakes break not Heav’n’s design , Why then a Borgia, or a Catiline? Who knows but he, whose hand the lightning forms, Who heaves old ocean, and who wings the storms, Pours fierce ambition in a Cæsar’s mind, Or turns young Ammon loose to scourge mankind? From pride, from pride, our very reas’ning springs; Account for moral , as for nat’ral things: Why charge we Heav’n in those, in these acquit? In both, to reason right is to submit. Better for us, perhaps, it might appear, Were there all harmony, all virtue here; That never air or ocean felt the wind; That never passion discompos’d the mind. But ALL subsists by elemental strife; And passions are the elements of life. The gen’ral order, since the whole began, Is kept in nature, and is kept in man. VI. What would this man? Now upward will he soar, And little less than angel, would be more; Now looking downwards, just as griev’d appears To want the strength of bulls, the fur of bears. Made for his use all creatures if he call, Say what their use, had he the pow’rs of all? Nature to these, without profusion, kind, The proper organs, proper pow’rs assign’d; Each seeming want compensated of course, Here with degrees of swiftness, there of force; All in exact proportion to the state; Nothing to add, and nothing to abate. Each beast, each insect, happy in its own: Is Heav’n unkind to man, and man alone? Shall he alone, whom rational we call, Be pleas’d with nothing, if not bless’d with all? The bliss of man (could pride that blessing find) Is not to act or think beyond mankind; No pow’rs of body or of soul to share, But what his nature and his state can bear. Why has not man a microscopic eye? For this plain reason, man is not a fly. Say what the use, were finer optics giv’n, T’ inspect a mite, not comprehend the heav’n? Or touch, if tremblingly alive all o’er, To smart and agonize at ev’ry pore? Or quick effluvia darting through the brain, Die of a rose in aromatic pain? If nature thunder’d in his op’ning ears, And stunn’d him with the music of the spheres, How would he wish that Heav’n had left him still The whisp’ring zephyr, and the purling rill? Who finds not Providence all good and wise, Alike in what it gives, and what denies? VII. Far as creation’s ample range extends, The scale of sensual, mental pow’rs ascends: Mark how it mounts, to man’s imperial race, From the green myriads in the peopled grass : What modes of sight betwixt each wide extreme, The mole’s dim curtain, and the lynx’s beam: Of smell, the headlong lioness between, And hound sagacious on the tainted green: Of hearing, from the life that fills the flood, To that which warbles through the vernal wood: The spider’s touch, how exquisitely fine! Feels at each thread, and lives along the line: In the nice bee, what sense so subtly true From pois’nous herbs extracts the healing dew: How instinct varies in the grov’lling swine, Compar’d, half-reas’ning elephant, with thine: ‘Twixt that, and reason, what a nice barrier; For ever sep’rate, yet for ever near! Remembrance and reflection how allied; What thin partitions sense from thought divide: And middle natures, how they long to join, Yet never pass th’ insuperable line! Without this just gradation, could they be Subjected, these to those, or all to thee? The pow’rs of all subdu’d by thee alone, Is not thy reason all these pow’rs in one? VIII. See, through this air, this ocean, and this earth, All matter quick, and bursting into birth. Above, how high, progressive life may go! Around, how wide! how deep extend below! Vast chain of being, which from God began, Natures ethereal, human, angel, man, Beast, bird, fish, insect! what no eye can see, No glass can reach! from infinite to thee, From thee to nothing!—On superior pow’rs Were we to press, inferior might on ours: Or in the full creation leave a void, Where, one step broken, the great scale’s destroy’d: From nature’s chain whatever link you strike, Tenth or ten thousandth, breaks the chain alike. And, if each system in gradation roll Alike essential to th’ amazing whole, The least confusion but in one, not all That system only, but the whole must fall. Let earth unbalanc’d from her orbit fly, Planets and suns run lawless through the sky; Let ruling angels from their spheres be hurl’d, Being on being wreck’d, and world on world; Heav’n’s whole foundations to their centre nod, And nature tremble to the throne of God. All this dread order break—for whom? for thee? Vile worm!—Oh madness, pride, impiety! IX. What if the foot ordain’d the dust to tread, Or hand to toil, aspir’d to be the head? What if the head, the eye, or ear repin’d To serve mere engines to the ruling mind? Just as absurd for any part to claim To be another, in this gen’ral frame: Just as absurd, to mourn the tasks or pains, The great directing Mind of All ordains. All are but parts of one stupendous whole, Whose body Nature is, and God the soul; That, chang’d through all, and yet in all the same, Great in the earth, as in th’ ethereal frame, Warms in the sun, refreshes in the breeze, Glows in the stars, and blossoms in the trees , Lives through all life, extends through all extent, Spreads undivided, operates unspent, Breathes in our soul, informs our mortal part, As full, as perfect, in a hair as heart; As full, as perfect, in vile man that mourns, As the rapt seraph that adores and burns; To him no high, no low, no great, no small; He fills, he bounds, connects, and equals all. X. Cease then, nor order imperfection name: Our proper bliss depends on what we blame. Know thy own point: This kind, this due degree Of blindness, weakness, Heav’n bestows on thee. Submit.—In this, or any other sphere, Secure to be as blest as thou canst bear: Safe in the hand of one disposing pow’r, Or in the natal, or the mortal hour. All nature is but art, unknown to thee; All chance, direction, which thou canst not see; All discord, harmony, not understood; All partial evil, universal good: And, spite of pride, in erring reason’s spite, One truth is clear, Whatever is, is right.

Summary of An Essay on Man: Epistle I

Analysis of literary devices used in “an essay on man: epistle i”.

“Lo! the poor Indian, whose untutor’d mind Sees God in clouds, or hears him in the wind.”

Analysis of Poetic Devices Used in “An Essay on Man: Epistle I”

“And, spite of pride, in erring reason’s spite, One truth is clear, Whatever is, is right.”

Quotes to be Used

“ All nature is but art, unknown to thee; All chance, direction, which thou canst not see; All discord, harmony, not understood; All partial evil, universal good.”

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Pope's Poems and Prose

By alexander pope, pope's poems and prose summary and analysis of an essay on man: epistle ii.

The subtitle of the second epistle is “Of the Nature and State of Man, with Respect to Himself as an Individual” and treats on the relationship between the individual and God’s greater design.

Here is a section-by-section explanation of the second epistle:

Section I (1-52): Section I argues that man should not pry into God’s affairs but rather study himself, especially his nature, powers, limits, and frailties.

Section II (53-92): Section II shows that the two principles of man are self-love and reason. Self-love is the stronger of the two, but their ultimate goal is the same.

Section III (93-202): Section III describes the modes of self-love (i.e., the passions) and their function. Pope then describes the ruling passion and its potency. The ruling passion works to provide man with direction and defines man’s nature and virtue.

Section IV (203-16): Section IV indicates that virtue and vice are combined in man’s nature and that the two, while distinct, often mix.

Section V (217-30): Section V illustrates the evils of vice and explains how easily man is drawn to it.

Section VI (231-294): Section VI asserts that man’s passions and imperfections are simply designed to suit God’s purposes. The passions and imperfections are distributed to all individuals of each order of men in all societies. They guide man in every state and at every age of life.

The second epistle adds to the interpretive challenges presented in the first epistle. At its outset, Pope commands man to “Know then thyself,” an adage that misdescribes his argument (1). Although he actually intends for man to better understand his place in the universe, the classical meaning of “Know thyself” is that man should look inwards for truth rather than outwards. Having spent most of the first epistle describing man’s relationship to God as well as his fellow creatures, Pope’s true meaning of the phrase is clear. He then confuses the issue by endeavoring to convince man to avoid the presumptuousness of studying God’s creation through natural science. Science has given man the tools to better understand God’s creation, but its intoxicating power has caused man to imitate God. It seems that man must look outwards to gain any understanding of his divine purpose but avoid excessive analysis of what he sees. To do so would be to assume the role of God.

The second epistle abruptly turns to focus on the principles that guide human action. The rest of this section focuses largely on “self-love,” an eighteenth-century term for self-maintenance and fulfillment. It was common during Pope’s lifetime to view the passions as the force determining human action. Typically instinctual, the immediate object of the passions was seen as pleasure. According to Pope’s philosophy, each man has a “ruling passion” that subordinates the others. In contrast with the accepted eighteenth-century views of the passions, Pope’s doctrine of the “ruling passion” is quite original. It seems clear that with this idea, Pope tries to explain why certain individual behave in distinct ways, seemingly governed by a particular desire. He does not, however, make this explicit in the poem.

Pope’s discussion of the passions shows that “self-love” and “reason” are not opposing principles. Reason’s role, it seems, is to regulate human behavior while self-love originates it. In another sense, self-love and the passions dictate the short term while reason shapes the long term.

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Pope’s Poems and Prose Questions and Answers

The Question and Answer section for Pope’s Poems and Prose is a great resource to ask questions, find answers, and discuss the novel.

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The Rape of the Lock

In Canto I, a dream is sent to Belinda by Ariel, “her guardian Sylph” (20). The Sylphs are Belinda’s guardians because they understand her vanity and pride, having been coquettes when they were humans. They are devoted to any woman who “rejects...

Study Guide for Pope’s Poems and Prose

Pope's Poems and Prose study guide contains a biography of Alexander Pope, literature essays, quiz questions, major themes, characters, and a full summary and analysis.

  • About Pope's Poems and Prose
  • Pope's Poems and Prose Summary
  • Character List

Essays for Pope’s Poems and Prose

Pope's Poems and Prose essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Alexander Pope's Poems and Prose.

  • Of the Characteristics of Pope
  • Breaking Clod: Hierarchical Transformation in Pope's An Essay on Man
  • Fortasse, Pope, Idcirco Nulla Tibi Umquam Nupsit (The Rape of the Lock)
  • An Exploration of 'Dulness' In Pope's Dunciad
  • Belinda: Wronged On Behalf of All Women

Wikipedia Entries for Pope’s Poems and Prose

  • Introduction

essay on man epistle 3 summary

An Essay on Man

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A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Epistle Summaries & Analyses

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Literary Devices

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Discussion Questions

Epistle 2 Chapter Summaries & Analyses

Summary epistle 2: “on the nature and state of man with respect to himself, as an individual”.

In Section 1 (Lines 1-52), the speaker argues that humanity should try to understand itself before trying to understand God. They describe people as stuck between many contradictory impulses: The ability to reason and the ability to feel, the desire to act and the desire to contemplate. The “chaos of thought and passion” (Line 13) empowers humans to be masters over nature , but people are still weak compared to nature’s power. People can understand the movements of the comets but cannot control their own passions: “What Reason weaves, by Passion is undone” (Line 42). Because human reason is fallible, it is important to regard the products of rationality with a healthy skepticism and do away with reason that has been corrupted by pride, vanity, or “curious pleasure” (Line 48).

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COMMENTS

  1. An Essay on Man Epistle 3 Summary & Analysis

    Summary Epistle 3: "On the Nature and State of Man with Respect to Society". Section 1 (Lines 1-78) explores the chain of being, how this chain represents the social organization of humans and Nature. Nature has sculpted a chain, a "chain of love" (Line 7), to connect all things, from the smallest atoms to plants, animals, and humans.

  2. Pope's Poems and Prose An Essay on Man: Epistle III Summary and

    The third epistle treats on man's social contract with family, government, and religion, and Pope focuses on the bonds that unite man with others. While the second epistle shows that self-love governs man's actions, love governs the universe, binding its disparate elements. Modern readers might be inclined to interpret this to mean erotic ...

  3. An Essay on Man Summary and Study Guide

    Epistle 3. Epistle 4. Themes. Symbols & Motifs. Literary Devices. Further Reading & Resources. Tools. Beta. Discussion Questions. Summary and Study Guide. Overview. Alexander Pope is the author of "An Essay on Man," published in 1734. Pope was an English poet of the Augustan Age, the literary era in the first half of the 18th century in ...

  4. An Essay on Man

    Alexander Pope published An Essay on Man in 1734. "An Essay on Man" is a poem published by Alexander Pope in 1733-1734.It was dedicated to Henry St John, 1st Viscount Bolingbroke (pronounced 'Bull-en-brook'), hence the opening line: "Awake, my St John...". [1] [2] [3] It is an effort to rationalize or rather "vindicate the ways of God to man" (l.16), a variation of John Milton's claim in the ...

  5. Alexander Pope's Essay on Man

    The work that more than any other popularized the optimistic philosophy, not only in England but throughout Europe, was Alexander Pope's Essay on Man (1733-34), a rationalistic effort to justify the ways of God to man philosophically.As has been stated in the introduction, Voltaire had become well acquainted with the English poet during his stay of more than two years in England, and the two ...

  6. An Essay on Man Summary

    Pope, Alexander. An Essay on Man. Edited by Maynard Mack. London: Methuen, 1964. Contains a detailed introduction that analyzes the structure and artistry of the poem, its philosophical context ...

  7. Essay on Man: Summary

    An Essay on Man by Alexander Pope is a philosophical poem, which was published in 1734. It is an attempt to rationalize and understand the role of humans in the universe. The poem is written in heroic couplets and consists of four epistles, each addressing different aspects of human nature and the universe.

  8. Poem: Essay on Man, An

    Essay on Man, An - Epistle 3. by Alexander Pope. Here then we rest — " The Universal Cause. Acts to one end, but acts by various laws. In all the madness of superfluous Health, The trim of Pride, the impudence of Wealth, Let this great truth be present night and day: But most be present, if we preach or pray. I.

  9. An Essay on Man Epistle 3 by Alexander Pope

    Alexander Pope discussed Man's relationship to God in Epistle 1 of his Essay on Man. In the second epistle, he discussed Man as an individual, his powers, ab...

  10. An Essay on Man by Alexander Pope

    Lesson Summary. Alexander Pope published An Essay on Man in 1734. The poem is divided into four epistles and consists of heroic couplets, which are rhyming lines made up of five iambs. The poem ...

  11. An Essay on Man

    An Essay on Man, philosophical essay written in heroic couplets of iambic pentameter by Alexander Pope, published in 1733-34.It was conceived as part of a larger work that Pope never completed. The poem consists of four epistles. The first epistle surveys relations between humans and the universe; the second discusses humans as individuals. The third addresses the relationship between the ...

  12. PDF An essay on man

    Ascribe all good ; to their improper ill. Self-love, the spring of motion, acts the soul. Reason's comparing* balance rules the whole. 60. Man, but for that, no action could attend, And, but for this, were active to no end : Fix'd like a plant on his peculiar spot. To draw nutrition, propagate, and rot.

  13. An Essay on Man Themes

    An Orderly Universe. In "Essay on Man," the speaker has an optimistic view of the universe: Order and purpose characterize everything that exists and happens. The speaker writes: "Order is heaven's first law" (Epistle 4, Line 49). The speaker believes that the universe appears disorderly only because humans have a limited view.

  14. Pope’s Poems and Prose An Essay on Man: Epistle I Summary and

    The first epistle of An Essay on Man is its most ambitious. Pope states that his task is to describe man's place in the "universal system" and to "vindicate the ways of God to man" (16). In the poem's prefatory address, Pope more specifically describes his intention to consider "man in the abstract, his Nature and his State, since ...

  15. An Essay on Man: Epistle I

    Popularity of "An Essay on Man: Epistle I": Alexander Pope, one of the greatest English poets, wrote 'An Essay on Man' It is a superb literary piece about God and creation, and was first published in 1733. The poem speaks about the mastery of God's art that everything happens according to His plan, even though we fail to comprehend His work. It also illustrates man's place in the ...

  16. Pope’s Poems and Prose An Essay on Man: Epistle II Summary and

    Section II (53-92): Section II shows that the two principles of man are self-love and reason. Self-love is the stronger of the two, but their ultimate goal is the same. Section III (93-202): Section III describes the modes of self-love (i.e., the passions) and their function. Pope then describes the ruling passion and its potency.

  17. Summary An Essay on Man

    Summary and Analysis of A n Essay o n Man: Epistle II The subtitle of the s econd epistl e is "Of t he Natur e and Sta te of M an, with R espect to Himself a s an Individual" and tr eats on the r ela tionship betw een the individual and God' s grea ter design .

  18. An Essay on Man Literary Devices

    Pope wrote "An Essay on Man" as both a philosophical essay and lyric poem. He uses the heroic couplet to express abstract ideas about human nature, society, and God. In a heroic couplet, each pair of two lines perfectly rhymes, and each line is written in iambic pentameter. Iambic pentameter is a meter where each line has ten syllables or ...

  19. An Essay on Man Epistle 4 Summary & Analysis

    Summary Epistle 4: "On the Nature and State of Man with Respect to Happiness". The first section (Lines 1-28) discusses happiness and the many contradictory ideas that people harbor. The speaker says that both "the fool and the wise" (Line 6) hold incorrect views about what happiness is. Happiness is elusive, difficult to define.

  20. An Essay on Man Epistle 1 Summary & Analysis

    Summary Epistle 1: "Of the Nature and State of Man with Respect to the Universe". Lines 1-16 are a dedication to Henry St. John, a friend of Pope's. The speaker urges St. John to abandon the "meaner things" (Line 1) in life and turn his attention toward the higher, grander sphere by reflecting on human nature and God.

  21. An Essay on Man Epistle 2 Summary & Analysis

    Summary Epistle 2: "On the Nature and State of Man with Respect to Himself, as an Individual". In Section 1 (Lines 1-52), the speaker argues that humanity should try to understand itself before trying to understand God. They describe people as stuck between many contradictory impulses: The ability to reason and the ability to feel, the ...