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The acclaimed fantasy series kids of all ages will love! | Don’t miss all six books in Soman Chainani’s New York Times bestselling fantasy series, The School for Good and Evil, now available in a deluxe paperback box set! | Gorgeous full-color illustrations bring your favorite characters like Sophie, Agatha, and Tedros back to school through maps, quizzes, alumni portraits, and more. | Celebrate ten years of adventures in the Endless Woods with this deluxe collector's edition of The School for Good and Evil. Includes color reversible jacket and extensive new content featuring your favorite characters from the series. | The journey starts here. Every step is filled with magic, surprises, and daring deeds that test courage, loyalty, and who you really are. But they only lead you to the very beginning of the adventures that are THE SCHOOL FOR GOOD AND EVIL | This final chapter in the duology that began with the RISE OF THE SCHOOL FOR GOOD AND EVIL brings the tale of the twin School Masters to a shocking conclusion that will change the course of the school forever. |
About the author.
Soman Chainani' s six novels in the School for Good and Evil series each debuted on the New York Times bestseller list. The series has sold over 4.2 million copies, has been translated into 35 languages, and has been adapted into a film by Netflix that debuted at #1 in over 80 countries. His collection of retold fairy tales, Beasts and Beauty: Dangerous Tales , was also an instant New York Times bestseller and is in development to be a television series from Sony 3000.
Soman is a graduate of Harvard University and received his MFA in film from Columbia University. Every year, he visits schools around the world to speak to kids and share his secret: that reading is the path to a better life.
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Malia Heath
Soman chainani.
Soman Chainani’s debut series, THE SCHOOL FOR GOOD & EVIL, has sold more than 3.5 million copies, been translated into 32 languages across six continents, and has been adapted into a major motion picture from Netflix that debuted at #1 in over 80 countries at release.
His book of retold fairytales, BEASTS & BEAUTY, also debuted on the New York Times Bestseller List, his seventh book in a row to do so, and is slated to be a limited television series from Sony 3000, with Soman writing and executive producing. Together, his books have been on the New York Times Bestseller List for 44 weeks.
A graduate of Harvard University and Columbia University’s MFA Film Program, Soman has been nominated for the Waterstone Prize for Children’s Literature, been named to the Out100, and also received the Sun Valley Writer’s Fellowship.
His latest novel, RISE OF THE SCHOOL FOR GOOD & EVIL, kickstarts a new series under his EverNever World brand, to be continued in its sequel, FALL OF The SCHOOL FOR GOOD & EVIL, coming May 2023.
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Customers find the books amazing and interesting. They also describe the plot as a fine line between good and evil.
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Customers find the books amazing.
"On book 4 so far they have been wonderful . Read one of them in one night. I would recommend them." Read more
"...It was well worth reading the entire saga as a unified whole...." Read more
"I have watched the movie countless times and it is GOOD , but the books are 100x better!!! Best book purchase I have made this year...." Read more
"This is honestly a wonderful series ! I got so attached to these books, I love them!..." Read more
Customers find the story and plot interesting. They mention that the book is very interesting if you like fantasy.
"...the weaselly underdog to the final triumph at the end, his story is the most heartwarming and heartbreaking at the same time...." Read more
"...There were many twists and turns that I didn't anticipate, but had me grabbing the book. It only took me 8 days to get through...." Read more
"...type books, but they have so much more in them, there's romance, and drama🎭 , you get attached to the characters because you get to know them so..." Read more
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Netflix’s glittering adaptation of soman chainani’s ya deconstruction of fairy tales is yet another reminder that hollywood loves a magical school.
By Charles Pulliam-Moore , a reporter focusing on film, TV, and pop culture. Before The Verge, he wrote about comic books, labor, race, and more at io9 and Gizmodo for almost five years.
So long as there are literate young people trudging their way to school every morning, there’s always going to be an appetite for stories asking “what if the educational system, but magical?” That’s exactly the question author Soman Chainani’s The School for Good and Evil and Netflix’s new adaptation of the novel pose . Like all of the books in Chainani’s fairy tale-inspired YA series, Netflix’s The School for Good and Evil both pulls deep from and pokes fun at the magical storybook canon with a tale about the many different forms love can take.
Netflix’s The School for Good and Evil from director Paul Feig tells the story of Agatha (Sofia Wylie) and Sophie (Sophia Anne Caruso), two best friends who, despite being slightly different flavors of misfit, cling to each other fiercely as they live out their days in the small, sleepy town of Gavaldon. Most of Gavaldon’s townsfolk are content to endlessly toil away at their jobs, never thinking too much about how no one ever seems to wander beyond the thick woods surrounding the picturesque village they call home. But for Sophie and Agatha, avid readers who frequent the local book store run by Mrs. Deauville (Patti LuPone), there’s an undeniable appeal to the idea of one day journeying into and beyond the woods if only to see for themselves what’s out there.
Though Agatha and Sophie’s shared love of books is yet another thing that their peers look down on them for, it’s also what puts them on the path toward adventure when one of them makes a heartfelt wish not knowing that the School for Good and Evil is always listening.
Netflix’s The School for Good and Evil doesn’t deviate all that largely from the source material, but co-writers Feig and David Magee’s script does feature a handful updates that make the story pop a little bit differently. Most everyone in the Gavaldon of Chainani’s book is generally aware of the existence of magic and how two children from the town seem to disappear under mysterious circumstances every four years. But Agatha and Sophie have no idea what they’re getting into in Netflix’s film when they end up in the Endless Woods one evening and are accosted by an otherworldly monster that carries them off into the night sky.
Many of The School for Good and Evil ’s core ideas and plot points will ring more than familiar to anyone who’s picked up a novel about kids enrolling in a magic school, which is likely why Netflix’s movie takes care to gloss over a number of the book’s narrative beats that might make it feel too similar to other YA fantasy franchises . Rather than hammering home what all the School for Good and Evil is from the jump, the film instead tries to impress it upon you with one of its many surprisingly majestic, VFX-heavy sequences that gives you a bird’s-eye view of the institution on the first day of student orientation.
It’s as Agatha, Sophie, and all their new classmates are falling out of the sky into either the School for Good or the School for Evil that The School for Good and Evil starts to feel like it’s genuinely having fun before its story takes an inevitable dark turn. But it’s when the film’s curiously stacked cast of pitch hitters all start to show up in a series of resplendent gowns and suits that you can really see how intent Netflix is on The School for Good and Evil appealing to a broad audience.
Wylie and Caruso are both compelling and magnetic presences on screen as they become fast friends (and enemies) with the children of legendary fairytale heroes and villains. But it’s the slightly unhinged camp of Kerry Washington’s Professor Dovey, Charlize Theron’s Lady Lesso, and Michelle Yeoh’s Professor Anemone that end up stealing the show and selling The School for Good and Evil as a kind of meta-fairy tale about how stifling fairytales tend to be.
While the movie does still largely focus on Sophie’s dismay at being assigned to the School for Evil and Agatha’s trouble fitting in with her uber-feminine roommates in the School for Good, it also takes the time to dig into how much of their education’s being influenced by their teachers’ rivalries. Again, the concept of a magical school’s magical teachers having magical beef with one another isn’t exactly new, and the big mystery involving the School for Good and Evil’s headmaster (Laurence Fishburne) is far too easy to piece together. But there is something very special about the way The School for Good and Evil uses Dovey and Agatha — two of its most prominent Black characters — to expand upon some of the more interesting ideas from Chainani’s book about how we define “goodness” and what kind of people we associate it with.
The School for Good and Evil ’s twists probably won’t throw you for all that much of a loop, and its selection of dramatic covers tend to take away more than they add to its legitimately solid action sequences. But even though the movie was clearly made with fans of the books in mind, and it runs just a little too long to be a casual watch, it’s exactly the kind of well-produced, feature-length original project you want to see from Netflix that definitely leaves open the possibility for more installments down the line.
The School for Good and Evil also stars Kit Young, Peter Serafinowicz, Cate Blanchett, Rob Delaney, and Rachel Bloom. The film hits Netflix on October 19th.
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At first look, The School for Good & Evil may look like your classic and basic fantasy book with a little romance. Even though there is so much more, this book has so much depth to its plot, and just how the world is set up could be a whole book in itself. It starts in this little classic village that looks like any classic medieval village, maybe a bit more sophisticated. This village for the past 150 years has had two of their children aged around 16, boy or girl, taken from their village in the middle of the night and they are never seen again. The villagers try their hardest to stop this force that takes them, yet every year they fail. They go looking for them in the forest surrounding the village but every time someone has gone looking they go in on one side of the forest and appear out of the forest on the other side of the village. Then every year a book shows up full of stories, some including people who look like the children taken, the bookmaker then copies this book over and over to sell to everyone in the village. These stories are the classic fairy tales that everyone has heard of, as well as fairy tales we have never heard of. The village people have no clue where the children go or what happens to them except for the maybes in the books. Yet they know one thing, one child is good and one is evil. The story starts with two girls, Sophie and Agatha, two best friends, yet opposites. Sophie is your classic-looking princess who has flawless skin, long golden blonde hair, beautiful clothes, almost the best house in the village, and is kind to everyone. While Agatha is your classic-looking witch who dresses in all black, doesn’t care about her appearance much, lives in a graveyard, has a cat that seemed to come from hell, and her mother is the witch doctor of the village. Both the same age, everyone knew they would be taken, knowing which is good and which is evil. Sophie wanted to leave desperately and did everything she possibly could to make sure she would be taken, Agatha wanted to stay in her quaint little life and not leave the village, her mom, and her cat. When the day came that the children would be taken everyone in the village worked to blockade every window door and make sure everyone stayed inside, while everyone older lined along the forest. Sophie prepared to be taken, and Agatha prepared to save her best friend from being taken. Night fell and as it turned out both Agatha and Sophie were taken, it was not a fun ride; they were pulled through the forest, the branches ripping their skin, then flying above in the claws of some bird. The two girls then saw the castles, the school for good and evil, one castle bright and shining and the other dark and gloomy. A fog came in and the girls couldn’t see anymore, they then were both dropped first Agatha and then Sophie. Yet Sophie woke up in the swamp of the evil castle and Agatha woke up in the shining clear blue lake of the good castle, something no one anticipated. This book was something I never expected, I thought it would just be a bunch of fluff and would be a really short, easy, and bland read. NOT AT ALL. This book changed my expectations of how books should be written. This book was like something I have never read before. The twist on how we see fairytales is insane and shows what we never would have thought happened. There are so many twists and turns that even though you know the general idea of the book, you have no clue what is going to happen on every single page. This book would be great for anyone that loves reading fairy tales, fantasy, drama, and a little bit of a dark side twist in books. Reviewer Grade: 12
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“Harry Potter” meets “Descendants” with a dash of “Romeo and Juliet” in “The School for Good and Evil.” And yes, it is as overstuffed as that sounds.
This massive, magical adventure is also way too long at 2 ½ hours, but rarely in that running time do we see any glimmers of the kind of singular filmmaking wizardry that usually makes Paul Feig ’s movies so engaging. He’s once again telling a story of female friendship, with all its highs and lows and particular complications, as he has with “ Bridesmaids ,” “ The Heat ,” and “ A Simple Favor .” And, of course, the clothes are dazzling; the famously sartorial director would never skimp in that department.
But all of these potentially effective elements—as well as a stellar cast that includes Charlize Theron , Kerry Washington , and Michelle Yeoh —get swallowed up by the overwhelming reliance on CGI-infused action sequences. They’re both empty and endless, and too often leave you wondering what’s going on and why we should bother.
Based on the best-selling children’s book series by Soman Chainani , “The School for Good and Evil” focuses on two extremely different teenage best friends looking out for each other in a harsh, fairy-tale land. The petite Sophie ( Sophia Anne Caruso ) is a blonde Cinderella figure with dreams of becoming a princess; she escapes the doldrums of daily life with a mean stepmother by talking to woodland creatures and designing flouncy gowns. The much taller, wild-haired Agatha ( Sofia Wylie ) lives with her mom in a cottage in the forest, where they concoct potions together; she has a hairless cat named Reaper and dresses in all black, so she must be a witch. These simple, early moments when the girls enjoy their warm, humorous bond—with the help of richly honeyed narration from Cate Blanchett —are the film’s strongest. The dialogue in the script from co-writers David Magee and Feig is snarky in a way that’s both anachronistic and au courant, but Caruso and Wylie make their friendship feel true.
But one day, a giant bird picks them up and swoops them away to The School for Good and Evil: side-by-side castles connected by a bridge where the next generation of magical young people learns to hone their skills. As we see in the film’s prelude, a pair of brothers established this balance long ago; neither side can win completely, and this enchanted institution ensures that. Naturally, Sophie assumes she’ll end up on the sunny side of the divide, while Agatha will go to the structure shrouded in fog. But when the bird drops Sophie on the evil side and Agatha on the good side, they figure it must have been a mistake and struggle to switch places. In no time, though, their true natures reveal themselves—the ones they’d buried beneath the hair and clothes they’d chosen and the labels society had pinned on them.
This is a potentially interesting idea, and a great opportunity for kids to learn about the insidious power of prejudice. And the production design on both sides is enjoyably over-the-top in its contrasting extremes: the School for Good essentially looks like a wedding cake you could live inside, while the School for Evil is like a goth version of Hogwarts. Costume designer Renee Ehrlich Kalfus —who also designed the clothes in Feig’s sharp and sexy “A Simple Favor”—makes the dresses these young women wear not just distinct in vivid and inspired ways, but they evolve accordingly as Agatha and Sophie tap into their authentic selves.
Again, lots of intriguing pieces here, and we haven’t even mentioned Washington as the perpetually perky head of the good school, with Theron vamping as the evil school’s leader. There’s just so much going on in this movie in terms of plot and visual effects that supporting players like Yeoh and Laurence Fishburne get frustratingly little to do. The film also squanders the talents of Rob Delaney and Patti LuPone early on in blink-and-you’ll-miss-them roles. The script consistently gets bogged down in world-building exposition and flashbacks—the mythology of how this place works is dense and not terribly compelling—and there are so many students on both sides of the bridge that there’s little opportunity for characterization. Chainani wrote a series of these books, where he had much more time and space to expand. Here, fellow students are whittled down to a single trait, and—as in the Disney “Descendants” movies—most are the offspring of famous cultural figures, like Prince Charming, King Arthur, and the Sheriff of Nottingham. A forbidden romance between Sophie and the hunky Tedros ( Jamie Flatters ) is just one more subplot in a film full of them. And a dizzying array of twists awaits as the movie hurtles toward its conclusion.
Somewhere beneath all the noise and mayhem—the hurled fireballs, swirls of blood and duels with glowing swords choreographed to Billie Eilish and Britney Spears tunes—“The School for Good and Evil” aims to upend familiar tropes and unearth some useful truths. The popular clique at the good school is packed with mean girls; the weirdoes and misfits at the bad school are actually loyal and kind. Being ambitious isn’t necessarily a negative thing, while going along to get along might not be the right path, either. But with a series of endings that drags out the film’s already significant length, it takes a while for anyone to achieve any sort of happily ever after.
On Netflix today.
Christy Lemire is a longtime film critic who has written for RogerEbert.com since 2013. Before that, she was the film critic for The Associated Press for nearly 15 years and co-hosted the public television series "Ebert Presents At the Movies" opposite Ignatiy Vishnevetsky, with Roger Ebert serving as managing editor. Read her answers to our Movie Love Questionnaire here .
Matt zoller seitz.
Brian tallerico.
Film credits.
Rated PG-13 for violence and action, and some frightening images.
146 minutes
Sophia Anne Caruso as Sophie
Sofia Wylie as Agatha
Laurence Fishburne as The Schoolmaster
Michelle Yeoh as Professor Anemone
Jamie Flatters as Tedros
Kit Young as Rafal
Rachel Bloom as Honora
Peter Serafinowicz as Yuba
Kerry Washington as Professor Dovey
Charlize Theron as Lady Lesso
Earl Cave as Hort
Patti Lupone as Mrs. Deauville
Cate Blanchett as Narrator (voice)
Ali Khan as Chaddick
A subreddit for fans of The School for Good and Evil.
Okay, to start off this is my own review. You’re free to hate or love this movie as much as you want. Spoilers ahead:
Things it did well:
-Most of the CGI or animation or whatever you call it was really fluid and pretty to look at.
-Sofia Wylie was AMAZING as Agatha despite the obvious racial problem with her playing a character Agatha being called a witch
-The story was really good overall and the intensity of some of the scenes. Just Wow!
-Didn’t try to be the book. It’s its own little thing and it’s enjoyable
-isn’t boring
-Soman’s cameo in the movie
-The possibility of a sequel!!!
Things in the movie that just Did Not Work
-Not hating on Caruso’s acting but I feel like some of her scenes and dialogue Just DID NOT WORK like her flirts with Tedros were weird and her death scene did not make me feel as sad as I wanted it to.
-tedros and Sophie’s relationship wasn’t as developed enough to make it something audience’s would care about. Why does she like him? Just because he’s handsome.
-The wolf guards’ animation, that’s it. I mean come on 😩
-The story could’ve been developed a lot more and so do some of the characters like Stephan and Beatrix and other characters . Also blood magic and some main plot points were not explained at all! Hopefully the maybe sequel will clear some of the storylines up.
-Mainly just making sure the audience understands what’s going on and isn’t left confused.
3 out of 5 stars for me. The School for Good and Evil was a fun time and exceeded my expectations. Just could have been better at establishing an understandable storyline and the dialogue and acting overall was meh.
Please let the sequel come out in the late 2020’s like 2029 or something. I can’t wait for more of the story to unfold.
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Common Sense Media
Movie & TV reviews for parents
Fall of the school for good and evil: rise, book 2.
Lots of adventure and excitement in magical series prequel.
Parents need to know that Fall of the School of Good and Evil is the conclusion to the prequel duology that's part of the popular fantasy book franchise that also includes a movie released on streaming in 2022. Here, tension mounts between the the twin school masters Rhian and Rafal as they train would-be…
Fights mention blood spewing and gushing, no other gore, but describe action lik
"Hell," "ass," "damn," "horsecrap," and "arse."
Peter Pan smokes a cigar but doesn't like it. Mention of a parent numbing hersel
Fairies want kisses from boys, especially Peter Pan. Lots of mentions of a coupl
Good and evil are two sides of the same coin; one can't exist without the other,
Most characters are not what they seem, and the two main characters explore whet
May inspire readers to think about the nature of good and evil, and whether one
Skin and hair colors range from pale to bronze in humans and other colors in fan
Fights mention blood spewing and gushing, no other gore, but describe action like punches in the throat and pain. Important characters die and children murdering children is directly narrated but not gory or explicit. Fantasy creatures torture and interrogate by dunking their victim until he almost drowns. Vampires attack and drink victim's blue blood. Characters often in mortal danger.
Did you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide.
Did you know you can flag iffy content? Adjust limits for Language in your kid's entertainment guide.
Peter Pan smokes a cigar but doesn't like it. Mention of a parent numbing herself with wine. A fantasy creature is "drunk with rage."
Did you know you can flag iffy content? Adjust limits for Drinking, Drugs & Smoking in your kid's entertainment guide.
Fairies want kisses from boys, especially Peter Pan. Lots of mentions of a couple who are boyfriend and girlfriend, but no real romantic behavior or actions are described.
Did you know you can flag iffy content? Adjust limits for Sex, Romance & Nudity in your kid's entertainment guide.
Good and evil are two sides of the same coin; one can't exist without the other, and it's often hard to tell them apart. Taking the easy path to get what you want always comes with hard consequences.
Most characters are not what they seem, and the two main characters explore whether they're good, evil, or a combination of both.
May inspire readers to think about the nature of good and evil, and whether one can exist without the other. May also inspire interest in fairy tales and folklore such Aladdin, King Midas, Peter Pan, etc.
Skin and hair colors range from pale to bronze in humans and other colors in fantasy creatures. Consistent, negative depiction of a fat boy always mentions his fatness in a comedic but derogatory way. Some stereotypes of female fairies who wear bright lipstick, tight clothes, and who want kisses.
Did we miss something on diversity? Suggest an update.
Parents need to know that Fall of the School of Good and Evil is the conclusion to the prequel duology that's part of the popular fantasy book franchise that also includes a movie released on streaming in 2022. Here, tension mounts between the the twin school masters Rhian and Rafal as they train would-be heroes and villains. Fights mention blood spewing and gushing, no other gore, but describe action like punches in the throat and pain. Important characters die and children murdering children is directly narrated but not gory or explicit. Fantasy creatures torture and interrogate a victim by almost drowning him; his pain and terror are described. A vampire attack mentions biting, sucking blood, and blue blood dripping from their teeth.
Parent and kid reviews.
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FALL OF THE SCHOOL FOR GOOD AND EVIL sees tension rising between twin school masters Rhian and Rafal. Their bonds of loyalty are tested again and again, and always seem to come up short, at least for Rafal, who starts to wonder if he and his brother are in the right place. They decide to bring a non-magical Reader to the school for a chance to foster a loyal follower from the ground up, little imagining the chaos this Reader is capable of bringing. Meanwhile, the treacherous dictator Peter Pan senses the time may have come for him to seize control of the School for Good and Evil. Can Hook, Aladdin, and Kyma stop him before it's too late?
Fantasy and fractured fairy tale fans will enjoy this action-packed and exciting installment in the popular good-and-evil series. Fall of the School for Good and Evil is especially strong when it comes to describing action in ways that are easy to imagine, often funny, and always exciting. Familiar characters are back, along with some intriguing newcomers. Chapters with cliffhanger endings that then switch to follow another set of characters keep up the suspense and keep the pages turning, right up to the intriguing setup to the first book in the original series.
Families can talk about how Fall of the School for Good and Evil portrays good and evil. Are people either one or the other, or are they a little of both? How can you tell which is which?
The story also asks whether it's possible to do something bad for a good reason, or for the greater good. Does that make the bad thing actually a good thing? Or should you find another way to do whatever good you're trying to achieve?
What about the violence? Is it too much? Too scary? Is reading violent stories different from seeing them in TV, movies, games, etc.?
Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.
What to read next.
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Common Sense Media's unbiased ratings are created by expert reviewers and aren't influenced by the product's creators or by any of our funders, affiliates, or partners.
From the rise of the school for good and evil series , vol. 2.
by Soman Chainani ; illustrated by RaidesArt ‧ RELEASE DATE: May 2, 2023
Fans will be pleased to see answers, background, and a clear path to Volume 1.
In this sequel to a prequel, a third candidate for School Master brings simmering tensions between twins Rhian and Rafal to a boil.
In events following close on those in Rise of the School for Good and Evil (2022), the arrival of James Hook in Neverland, along with fellow ex-students Aladdin and Princess Kyma, spurs ruthless tyrant Peter Pan to mount his own bid to take over the twin-towered school where fairy-tale characters are trained. Meanwhile Rafal and Rhian, amid their growing rivalry, are both searching for an ally they can trust, and they kidnap a Reader—young Midas—from the outside world. What follows is a seminar on telling Good from Evil as the line between the two becomes even more muddled, numerous members of the sprawling cast exhibit qualities of both, and Rafal, in particular, suffers an extended identity crisis. Chainani explores feminist themes as a group of punk Neverland fairies and a man-hunting troll join Kyma, asserting their independence and questioning what might happen “if boys don’t have the last word in our stories.” He also presents a credible rationale for Good’s invariable victory over Evil in fairy tales. Characters’ skin tones vary from pale to bronze, and the two trolls are colorful showstoppers. Final art not seen.
Pub Date: May 2, 2023
ISBN: 9780063269538
Page Count: 384
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
CHILDREN'S SCIENCE FICTION & FANTASY | CHILDREN'S SOCIAL THEMES
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More by Soman Chainani
BOOK REVIEW
by Soman Chainani ; illustrated by RaidesArt
by Soman Chainani ; illustrated by Julia Iredale
by Soman Chainani ; illustrated by Iacopo Bruno
From the school for good and evil series , vol. 1.
by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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From the school for good and evil series , vol. 3.
by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: July 21, 2015
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...
Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.
Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.
Pub Date: July 21, 2015
ISBN: 978-0-06-210495-3
Page Count: 672
Review Posted Online: June 25, 2015
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The School for Good and Evil 3-book Collection: The Camelot Years (Books 4- 6): (Quests for Glory, A Crystal of Time, One True King) by Soman Chainani. 4.25 · 236 Ratings · 17 Reviews · 3 editions. THE SCHOOL FOR GOOD AND EVIL is now a major motion…. Want to Read.
From the School for Good and Evil series , Vol. 1. Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. Chainani works an elaborate sea change akin to Gregory Maguire's Wicked (1995), though he leaves the waters muddied. Every four years, two children, one regarded as ...
Our review: Parents say ( 15 ): Kids say ( 97 ): The School for Good and Evil is no run-of-the-mill fairy tale spin-off. Author Soman Chainani has clearly done his homework in folklore and mass media, and he manipulates the clichés of fantasy and folklore with a great deal of wit and insight.
An opposing pair, plucked from youth and spirited away. This year, best friends Sophie and Agatha are about to discover where all the lost children go: the fabled School for Good & Evil, where ordinary boys and girls are trained to be fairy tale heroes and villains. As the most beautiful girl in Gavaldon, Sophie has dreamed of being kidnapped ...
The other was homely and odd, an outcast from birth. An opposing pair, plucked from youth and spirited away. This year, best friends Sophie and Agatha are about to discover where all the lost children go: the fabled School for Good & Evil, where ordinary boys and girls are trained to be fairy tale heroes and villains.
There were once two School Masters who were twin brothers. One was good; the other was evil. The brothers ran the school and protected the Storian, ensuring the balance of good and evil. The evil brother tried to seize the Storian so he could be in control. A great war began, and one brother was killed.
Rating: The first kidnappings happened two hundred years before. Some years it was two boys taken, some years two girls, sometimes one of each. But if at first the choices seemed random, soon the pattern became clear. One was always beautiful and good, the child every parent wanted as their own. The other was homely and odd, an outcast from birth.
The novel takes the typical fairy tale formula and turns it on its head. The story can get dark, especially in the School for Evil, and is not afraid to be violent at times. Despite that darkness, this book quickly became one of my favorites. The story goes like this. Every year, two children are taken from the village of Gavaldon and brought ...
341 ratings13 reviews. Don't miss the first four books in Soman Chainani's New York Times bestselling fantasy series, The School for Good and Evil, in a paperback box set! Journey into a dazzling new world when two best friends enter the School for Good and Evil, where ordinary boys and girls are trained to be fairy-tale heroes and villains.
The School for Good and Evil is a series of fairytale books by Soman Chainani. [1] The first novel in the series was published on May 14, 2013. The series is set in a fictional widespread location known as the Endless Woods. The original trilogy (known as The School Years) follows the adventures of best friends Sophie and Agatha at the School for Good and Evil, an enchanted institution where ...
In 2013, author Soman Chainani released the first book in his revisionist fairy tale fantasy series, The School for Good and Evil. Sharing elements of both J.K. Rowling's Harry Potter series and ...
Sharing elements of both J.K. Rowling's Harry Potter series and the musical book by Winnie Holzman for Wicked, The School for Good and Evil explores the black-and-white notions of good and evil under the roof of a magical school that teaches the next generation of both. In director/writer Paul Feig's very capable hands, the movie adaptation ...
The School for Good and Evil. (11 reviews) Author: Soman Chainani. Publisher: HarperCollins. Every four years, two children are captured from Sophie's village - one beautiful and good, the other quite the opposite. Legend has it that these lost children are taken to the School for Good and Evil - a fabled institution where they will be trained ...
THE SCHOOL FOR GOOD AND EVIL is the #1 movie now streaming on Netflix—starring Academy Award winner Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Sofia Wylie, Sophie Anne Caruso, Jamie Flatters, Earl Cave, Kit Young, and many others!
Like all of the books in Chainani's fairy tale-inspired YA series, Netflix's The School for Good and Evil both pulls deep from and pokes fun at the magical storybook canon with a tale about ...
Yet they know one thing, one child is good and one is evil. The story starts with two girls, Sophie and Agatha, two best friends, yet opposites. Sophie is your classic-looking princess who has flawless skin, long golden blonde hair, beautiful clothes, almost the best house in the village, and is kind to everyone.
Soman Chainani's debut series, THE SCHOOL FOR GOOD AND EVIL, has sold more than 3.5 million copies, been translated into 31 languages across 6 continents, and will be a major motion picture from Netflix in 2022. Each of the six books in the series — THE SCHOOL FOR GOOD AND EVIL, A WORLD WITHOUT PRINCES, THE LAST EVER AFTER, QUESTS FOR GLORY ...
These simple, early moments when the girls enjoy their warm, humorous bond—with the help of richly honeyed narration from Cate Blanchett —are the film's strongest. The dialogue in the script from co-writers David Magee and Feig is snarky in a way that's both anachronistic and au courant, but Caruso and Wylie make their friendship feel ...
3 out of 5 stars for me. The School for Good and Evil was a fun time and exceeded my expectations. Just could have been better at establishing an understandable storyline and the dialogue and acting overall was meh. Please let the sequel come out in the late 2020's like 2029 or something. I can't wait for more of the story to unfold.
In many ways "The School for Good and Evil" is cringe-worthy: cheesy special effects; blatant telegraphing of plot points; crude world-building and scant character development; cloyingly ...
Fall of the School for Good and Evil is especially strong when it comes to describing action in ways that are easy to imagine, often funny, and always exciting. Familiar characters are back, along with some intriguing newcomers. Chapters with cliffhanger endings that then switch to follow another set of characters keep up the suspense and keep ...
Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina ...
The complete 6-book ebook collection of the bestselling fantasy adventure series, The School for Good and Evil. Every four years, two girls are kidnapped from the village of Gavaldon. Legend has it these lost children are sent to the School for Good and Evil, the fabled institution where they become fairytale heroes or villains.
On his social media site, Trump said the Harris campaign "just informed us" it would not agree to his proposed debate on Fox News for Sept. 4.