A supercharged Ebenezer Scrooge, and a delightful visual experience
“Disney’s A Christmas Carol” by Robert Zemeckis (and Charles Dickens , of course) is an exhilarating visual experience and proves for the third time he’s one of the few directors who knows what he’s doing with 3-D. The story that Dickens wrote in 1838 remains timeless, and if it’s supercharged here with Scrooge swooping the London streets as freely as Superman, well, once you let ghosts into a movie, there’s room for anything.
The story I will not repeat for you. The Ghosts of Christmas Past, Present and Future will not come as news. I’d rather dwell on the look of the film, which is true to the spirit of Dickens (in some moods) as he cheerfully exaggerates. He usually starts with plucky young heroes or heroines and surrounds them with a gallery of characters and caricatures. Here his protagonist is the caricature: Ebenezer Scrooge, never thinner, never more stooped, never more bitter.
Jim Carrey is in there somewhere beneath the performance-capture animation; you can recognize his expressive mouth, but in general the Zemeckis characters don’t resemble their originals overmuch. In his “ The Polar Express ,” you were sure that was Tom Hanks , but here you’re not equally sure of Gary Oldman , Tim Roth , Robin Wright Penn or Bob Hoskins .
Zemeckis places these characters in a London that twists and stretches its setting to reflect the macabre mood. Consider Scrooge’s living room, as narrow and tall just as he is. The home of his nephew Fred, by contrast, is as wide and warm as Fred’s personality.
Animation provides the freedom to show just about anything, and Zemeckis uses it. Occasionally, he even seems to be evoking the ghost of Salvador Dali, as in a striking sequence where all the furniture disappears and a towering grandfather clock looms over Scrooge and a floor slanting into a distant perspective.
The three starring ghosts are also spectacular grotesques. I like the first, an elfin figure with a head constantly afire and a hat shaped like a candle-snuffer. Sometimes he playfully shakes his flames like a kid tossing the hair out of his eyes. After another (ahem) ghost flies out the window, Scrooge runs over to see the whole street filled with floating spectral figures, each one chained to a heavy block, like so many Chicago mobsters sleeping with the fishes.
Can you talk about performances in characters so much assembled by committee? You can discuss the voices, and Carrey works overtime as not only Scrooge but all three of the Christmas ghosts. Gary Oldman voices Bob Cratchit, Marley and Tiny Tim.
I remain unconvinced that 3-D represents the future of the movies, but it tells you something that Zemeckis’ three 3-D features (also including “ Beowulf “) have wrestled from me 11 of a possible 12 stars.
I like the way that Zemeckis does it. He seems to have a more sure touch than many other directors, using 3-D instead of being used by it. If the foreground is occupied by close objects, they’re usually looming inward, not out over our heads. Note the foreground wall-mounted bells that we look past when Scrooge, far below, enters his home; as one and then another slowly starts to move, it’s a nice little touch.
Another one: The score by Alan Silvestri sneaks in some traditional Christmas carols, but you have to listen for such as “God Rest Ye Merry, Gentlemen” when its distinctive cadences turn sinister during a perilous flight through London.
So should you take the kiddies? Hmmm. I’m not so sure. When I was small, this movie would have scared the living ectoplasm out of me. Today’s kids have seen more and are tougher. Anyway, “A Christmas Carol” has the one quality parents hope for in a family movie: It’s entertaining for adults.
Roger Ebert
Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.
- Gary Oldman as Cratchit/Marley/ Tiny Tim
- Bob Hoskins as Fezziwig/Joe
- Fionnula Flanagan as Mrs. Dilber
- Jim Carrey as Scrooge/Ghosts
- Robin Wright Penn as Fan/Belle
- Colin Firth as Fred
- Cary Elwes as Wilkins/Fiddler
Based on the story by
- Charles Dickens
Written and directed by
- Robert Zemeckis
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‘scrooge: a christmas carol’ review: netflix’s trippy take on dickens.
Luke Evans voices the title character in this animated version, also featuring Olivia Colman, Jessie Buckley and Jonathan Pryce.
By Frank Scheck
Frank Scheck
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It’s hard to tell exactly whether Netflix’s new animated version of Charles Dickens’ Yuletide classic is geared to very young children who respond to sensory overload or drugged-out college students looking for sensory overload.
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Director Stephen Donnelly has promised to provide “psychedelic, time-traveling and musical surprises” in this umpteenth version of the oft-dramatized tale, and he lives up to his word, for better or worse. The film’s vibrant animation — the opening sequence depicts a London more colorful than it’s ever been — feels more Hanna-Barbera than Dickensian. And it soon gets downright trippy in its frenetic, science fiction-style visuals that depict Scrooge hurtling from one time dimension to the next, frequently featuring supernatural elements. The film’s style could potentially jar the sensibilities of its youngest viewers. On the other hand, this Scrooge owns an adorable dog, so there’s that, although it’s hard to imagine him shelling out his hard-earned money to feed it.
A terrific cast has been assembled, starting with Luke Evans as a Scrooge with appropriately white hair but a face smooth enough to suggest he’s had Botox. The Welsh actor does fine in the role, using his extensive theatrical musical experience to good advantage in his songs. But when Jonathan Pryce shows up as a truly frightening Jacob Marley, you find yourself thinking what a terrific Scrooge he would have been. Oscar-winner Olivia Colman voices a particularly chipper Ghost of Christmas Past, even if her character, sporting an oversized candle on top of her head, looks more like she belongs in Beauty and the Beast .
It’s all a bit much, really, and the constant tonal shifts from a sort of demonic Fantasia to bouncy musical numbers proves more than a bit jarring. It doesn’t help that none of the songs are particularly memorable. (Anyone remember “Happiness,” “I Like Life” or ‘Christmas Children” from the 1970 film? Didn’t think so.) There are some charming moments, particularly when Scrooge visits his past and encounters his lost love Isabel ( Jessie Buckley ), in this version the daughter of Mr. Fezziwig (James Cosmo). In general, Scrooge is depicted in more sympathetic fashion than usual, making his transition to full-throated holiday cheer at the end of the story less impactful.
This is certainly not a Christmas Carol for purists, and the over-the-top if undeniably imaginative animation could prove off-putting to those not already on a sugar high. But it provides a decent enough introduction to the story for younger viewers who will hopefully move on to more subtle versions of the classic tale. The film is dedicated to Bricusse, who passed away last year.
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A Christmas Carol
Ebenezer Scrooge, a curmudgeonly, miserly businessman, has no time for sentimentality and largely views Christmas as a waste of time. However, this Christmas Eve, he will be visited by three... Read all Ebenezer Scrooge, a curmudgeonly, miserly businessman, has no time for sentimentality and largely views Christmas as a waste of time. However, this Christmas Eve, he will be visited by three spirits who will show him the error of his ways. Ebenezer Scrooge, a curmudgeonly, miserly businessman, has no time for sentimentality and largely views Christmas as a waste of time. However, this Christmas Eve, he will be visited by three spirits who will show him the error of his ways.
- Brian Desmond Hurst
- Charles Dickens
- Noel Langley
- Alastair Sim
- Jack Warner
- Kathleen Harrison
- 293 User reviews
- 56 Critic reviews
Top cast 42
- Ebenezer Scrooge
- Mrs. Dilber
- Bob Cratchit
- Mrs. Cratchit
- Jacob Marley
- Young Ebenezer Scrooge
- Peter Cratchit
- Spirit of Christmas Present
- (as Francis de Wolff)
- Fan Scrooge
- The Undertaker
- Spirit of Christmas Past
- Fred's Wife
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- Production, box office & more at IMDbPro
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Did you know
- Trivia The word "humbug" provides insight into Ebenezer Scrooge's hatred of Christmas, as it describes deceitful efforts to fool people by pretending to a fake loftiness or false sincerity. Therefore, when Scrooge calls Christmas a humbug, he is claiming that people only pretend to be charitable and kind in an effort to delude him, each other, and themselves. In Scrooge's eyes, he is the one man who is honest enough to admit that no one really cares about anyone else, so (to him) every wish for a Merry Christmas is one more deceitful effort to fool him and take advantage of him. This is a man who has turned to profit because he honestly believes everyone else will someday betray him or abandon him the moment he trusts them.
- Goofs After Mrs. Dilber has arrived in Scrooge's rooms on Christmas morning, in two clips when Scrooge is looking at himself in a mirror, a member of the crew is also seen reflected in the lower left corner of the mirror. The first clip begins just before Mrs. Dilber says, "Are you quite yourself, sir?" The second begins just before Scrooge says, "Merry Christmas, Ebenezer! You old humbug!"
Spirit of Christmas Present : My time with you is at an end, Ebenezer Scrooge. Will you profit from what I've shown you of the good in most men's hearts?
Ebenezer Scrooge : I don't know, how can I promise!
Spirit of Christmas Present : If it's too hard a lesson for you to learn, then learn this lesson!
[opens his robe, revealing two starving children]
Ebenezer Scrooge : [shocked] Spirit, are these yours?
Spirit of Christmas Present : They are Man's. This boy is Ignorance, this girl is Want. Beware them both, but most of all, beware this boy!
Ebenezer Scrooge : But have they no refuge, no resource?
Spirit of Christmas Present : [quoting Scrooge] Are there no prisons? Are there no workhouses?
- Alternate versions Some home video releases "trim" just a few seconds off the opening.
- Connections Featured in Rage! (1980)
- Soundtracks Hark! the Herald Angels Sing (pub. 1856) (uncredited) Music by Felix Mendelssohn (1840) Lyrics by Charles Wesley (1730) Sung by offscreen chorus during opening credits Reprised by a family in a Spirit of Christmas Present sequence
User reviews 293
- Dec 13, 2002
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- December 2, 1951 (United States)
- United Kingdom
- Charles Dickens - Eine Weihnachtsgeschichte
- 8 Scandrett Street, London, England, UK (Scrooges House exterior)
- George Minter Productions
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- Runtime 1 hour 26 minutes
- Black and White
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- DVD & Streaming
A Christmas Carol
- Animation , Drama , Kids
Content Caution
In Theaters
- November 6, 2009
- Voices of Jim Carrey as Scrooge, Ghost of Christmas Past, Ghost of Christmas Present and Ghost of Christmas Yet to Come; Gary Oldman as Bob Cratchit, Marley and Tiny Tim; Colin Firth as Fred; Robin Wright Penn as Belle; Bob Hoskins as Mr. Fezziwig
Home Release Date
- November 16, 2010
- Robert Zemeckis
Distributor
- Walt Disney
Positive Elements | Spiritual Elements | Sexual & Romantic Content | Violent Content | Crude or Profane Language | Drug & Alcohol Content | Other Noteworthy Elements | Conclusion
Movie Review
After hundreds of adaptations and contemporary revisions on radio, the stage and screens large and small, most everyone who’s lived through more than four or five Christmases knows Ebenezer Scrooge’s tale. A miserly husk of humanity, Scrooge is a sour spirit whose withering glance gives chills to the warmest of souls. And even after his business partner, Marley, shuffles off this mortal coil, the long-in-the-tooth but short-in-the-heart Scrooge keeps up his penny pinching precepts.
Why, he even lifts the twopence from his former partner’s forever-closed eyes!
In Polar Express engineer Robert Zemeckis’ animated take, the now ghostly and gruesome Marley reappears on a dark winter’s eve to offer Scrooge another two cents. The spirit laments his lost and squandered life, and he warns his old friend—in none too friendly terms—that unless he changes his ways, he too will be cursed to endlessly wander the spiritual plain carrying an imponderably long and heavy chain of woes.
Scrooge is dubious, of course. So Marley offers his hunched and wiry partner one more chance at redemption: He promises enlightening visits from three spirits—the ghosts of Christmas Past, Present and Yet to Come.
Positive Elements
Books could be written (and have been) about the depth and breadth of Charles Dickens’ most famous of yarns. I will condense its beneficial offerings to a few meager paragraphs:
Using Scrooge’s dour and often dark journey to full effect, A Christmas Carol regularly reminds us of the joys and redeeming grace that mankind celebrates at Christmas—and we start getting that message long before Mr. Miserable Moneybags makes his big turnaround. Passersby sing Christmas carols recounting and celebrating Jesus’ birth (“Hark the Herald Angels Sing,” “Joy to the World,” etc.). Several characters—including Scrooge’s nephew Fred and his former boss Fezziwig—speak of heaven’s grace and God’s blessings even in times of sorrow and trial.
And while most people hate or fear Scrooge, his underpaid and underappreciated employee, Bob Cratchit, chooses to dedicate his family’s Christmas meal to his boss and lift praise for the (meager though they may be) morsels he has made possible. Fred longs to see his uncle break free from his self-imposed isolation and come join the rest of his family for Christmas dinner. And though Fred finds himself rebuffed as usual, his heart is big enough that when Scrooge’s heart softens, Fred and his family rejoice.
As Scrooge takes his journey with the Christmas spirits he is reminded of the many kind, gentle and loving people who passed through his life and who he tossed aside. He begins to appreciate the gift that life is. And he—as you already full well know—ultimately sees the egregious error and foolhardiness of his cantankerous and greedy ways.
Then, with feeling, but for the very first time, he reaches out to the Cratchit family. He becomes a “second father” to Tiny Tim. He embraces his nephew and his family. And he opens his purse to give to charity and the poor.
Spiritual Elements
As much as Scrooge’s story may be of a man finding a new redemptive beginning, it is also very much a ghost story. And from ghostly visitors to red-eyed shadow horses to the hooded Specter of Death, this version of it plays those latter elements up about as much as I’ve ever seen them played. Audiences are regularly immersed in its spiritual happenings—some of them dark.
More benevolent are images of rejoicing carolers and praying families. Bob Cratchit reports that his sick and hobbled son wanted people at a Christmas Eve service to notice that he was a cripple so that they might remember “who makes the blind man see and the cripple walk.” People cry out such phrases as, “The Lord is king,” “God bless,” “The Lord bless you” and “God save you!”
Elsewhere, Scrooge’s only love laments that he has replaced his affection for her with an obsession for the “idol” of wealth. A street vendor performs the shell and pea game, calling the three shells the Father, Son and Holy Ghost. A spirit expresses disdain for the clergy.
Sexual & Romantic Content
A number of festive females wear dresses that reveal cleavage. The two starving children (named Ignorance and Want) cowering beneath the robes of the Ghost of Christmas Present grow to adulthood in mere moments—and the girl briefly assumes the wanton look and provocative gestures of a prostitute.
Violent Content
Scrooge takes many a thumping tumble during his journeys with the Christmas spirits. Face-first falls and tumbling chases through cobblestone streets abound. He smashes through huge icicles as he slides down a hill.
In spite of his initial arthritic hunch, though, the old fella turns out to be pretty spry and never appears to be worse for wear or in danger of being hurt.
That’s not to say there aren’t violently frightening moments. For instance, when Marley comes to visit Scrooge, lugging crashing ghostly weights and lashing chains, he becomes so agitated that the entire of his lower jaw snaps off. Scrooge looks out on a courtyard at one point and sees dozens of spirits tortured and tormented by the thumping, crushing weight of their sins.
When the clock strikes 12, the Ghost of Christmas Present crumbles before our eyes in chortling death throes. He eventually is reduced to bone and ash. And during an elongated chase, Scrooge tries to escape the (quite creepy) Specter of Death and his hurtling, wall-shattering hearse. Scrooge later falls into an open grave that appears to be excavated down to the bowels of hell itself.
Crude or Profane Language
“Blast” and “balderdash” are the harshest of Scrooge’s exclamations. But game players at a party slyly invoke the double meaning of “ass” while playing a “guess the animal” game. “Oh my god” is blurted out in surprise.
Drug & Alcohol Content
Partygoers drink tankards of wassail or mead and glasses of wine. A few men are seen with pipes
Other Noteworthy Elements
As much as almost any other classic, this towering tale never seems to grow old. It’s a redemptive story that never fails to leave a tear in my eye or renew my commitment to treat friends, neighbors and even irritating relatives a little nicer.
I’ve personally seen dozens of performances of A Christmas Carol . I’ve even played the cranky old tightwad Scrooge myself a few times in my acting days. And I can readily say I’ve never seen a better overall performance of it than this animated adaptation by Messrs. Zemeckis and Carrey.
The vocal talent is terrific. Jim Carrey’s half-dozen characters are unique, controlled and inviting. He sets aside his typical rubber-faced, goofy pratfalls and ponies up a very thoughtful, enjoyable and at times moving performance. And he’s not alone; the whole cast shines.
The screenplay sticks closely to Charles Dickens’ original. And the brilliant special effects—from motion-capture technology to sweeping camera angles to 3-D twists and turns—dazzle in every scene. Audiences, in fact, will be ducking everything from Christmas wreaths to errant snowflakes.
But that’s not all they’ll be ducking from. Because this is, without question, the most intensely frightening Christmas Carol I’ve ever seen, as well. It’s a pretty dark ghost story and the excellent CGI enhances the shivers with ghastly gusto. Starting with a decomposing Marley and his shattered jaw and lolling tongue, many a young viewer will quickly find themselves scared out of their Christmas candy cane socks.
(I took my teenage daughter with me to the press screening, and after the film her first words were, “That was really scary!”)
That family-oriented warning duly noted, though, I’m compelled to return to the power of Scrooge’s salvation. Because that grim ghostly fare I’ve mentioned—especially since it’s confined to PG-rated boundaries—makes the salient case for jerking ourselves sharply away from our own greedy, selfish, heartless instincts. (While most of us aren’t so shameful as to deprive a good man his holiday pay, we are at least occasionally tempted to stockpile our worldly goods at others’ expense.) When Scrooge is spared from the pains of hell and turns away from the fire that has begun to consume him, the common need for redemption is made plain. And when the ghost of Christmas Present pulls back his robe to reveal those starving, rapidly morphing children, we get the poignant point—right between the eyes—that ignorance and want can lead to crime and sin and destruction.
In this 21st century A.D., computers can create grand cinema, but they can’t negate need. So Dickens’ Victorian warnings ring ever true.
After spending more than two decades touring, directing, writing and producing for Christian theater and radio (most recently for Adventures in Odyssey, which he still contributes to), Bob joined the Plugged In staff to help us focus more heavily on video games. He is also one of our primary movie reviewers.
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‘Scrooge: A Christmas Carol’ Review: Slightly Off Key
Luke Evans, Olivia Colman and Jessie Buckley lend their voices to this animated musical of the holiday classic.
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By Lisa Kennedy
In a season of movies that singe the rich — we see you “The Menu” and “Glass Onion: A Knives Out Mystery” — the animated musical “Scrooge: A Christmas Carol” spares one of literature’s more infamous capitalists, Mr. Ebenezer Scrooge (voiced by Luke Evans). Perhaps “spares” is not the right word for what Jacob Marley’s partner in predatory lending endures in the director Stephen Donnelly’s vivid if hardly warranted adaptation of Charles Dickens’s 1843 novella.
The timing for Dickens’s Industrial Revolution jabs may be apt, but this outing’s gilded extravagance muffles the author’s less-is-moral observations. The animation waxes psychedelic. The songs, arranged by Jeremy Holland-Smith, often have an auditioning-for-Broadway belt to them. The opener “I Love Christmas” — with Scrooge’s good-hearted nephew, Harry (Fra Fee), singing and dancing his way to his uncle’s establishment — feels pushy.
Before his death in 2021 , the distinguished lyricist-composer Leslie Bricusse wrote that new song. Holland-Smith and Donnelly penned two others, and the arranger revamped the other songs, which Bricusse had created for the 1970 adaptation, “Scrooge,” including the Oscar-nominated, zest-for-life-and-death number “Thank You Very Much.” That film starred Albert Finney and featured Alec Guinness as Jacob Marley. This cast, too, brims with class acts: Jonathan Pryce as the cautioning Marley; Olivia Colman as Past; Jessie Buckley as Scrooge’s onetime fiancée. Especially winning are Giles Terera (as Tom Jenkins) and Trevor Dion Nicholas as that most Falstaffian of the Christmas Eve ghosts, Present.
This update has its moments of aplomb, but too many of Dickens’s most incisive lines are no more, which invites the not entirely charitable, two-word retort Scrooge made famous.
Scrooge: A Christmas Carol Not rated. Running time: 1 hour 36 minutes. Watch on Netflix.
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A christmas carol (1938).
- Common Sense Says
- Parents Say 1 Review
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Common Sense Media Review
By Scott G. Mignola , based on child development research. How do we rate?
Classic Dickens' tale has mild scares but positive messages.
Parents Need to Know
Parents need to know that A Christmas Carol is a family-friendly take on the Dickens' classic about Ebenezer Scrooge (Reginald Owen), a miserly man who after being visited by ghosts changes his ways. While the presence of ghosts might be unnerving to some children -- particularly Marley's Ghost (Leo…
Why Age 8+?
Some angry words are exchanged between characters. Twice, characters are seen ca
Character enthusiastically opens a bottle of port saying it's "cheering, warming
Occasional rudeness includes "idiot" and "arse."
Any Positive Content?
The value of kindness and generosity -- particularly toward those less fortunate
Bob Cratchit and his family are joyful, positive, and loving -- despite living i
This is a much-shortened and family-friendly version of A Christmas Carol but it
Violence & Scariness
Some angry words are exchanged between characters. Twice, characters are seen carrying a dead goose, both times its head is seen lolling back and forth. Creepy ghosts and an unnerving visit to a graveyard.
Did you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide.
Drinking, Drugs & Smoking
Character enthusiastically opens a bottle of port saying it's "cheering, warming, goodly." Later a character takes a swig from a glass of port. Two scenes in which a family (including the children) all take a drink of homemade punch. A toast is made with glasses of alcohol -- characters take a drink before playing a jolly party game.
Did you know you can flag iffy content? Adjust limits for Drinking, Drugs & Smoking in your kid's entertainment guide.
Did you know you can flag iffy content? Adjust limits for Language in your kid's entertainment guide.
Positive Messages
The value of kindness and generosity -- particularly toward those less fortunate than you. The importance of family and friendships. What it means to share what you have with others, and to love and support one another. A strong message throughout is that placing too much value on money and material possessions will not bring happiness. Overall, this moralistic tale demonstrates that greed and lovelessness can lead to spiritual ruin, but that no one is too old or too hardened to change their ways.
Positive Role Models
Bob Cratchit and his family are joyful, positive, and loving -- despite living in hardship. They show that money is not important, they enjoy simple pleasures, and they are seen sharing the little that they have. Scrooge shows the dangers of living a life focused on money and lacking love. By the end he becomes an excellent role model for change and redemption. Scrooge's nephew Fred is charming, friendly, and non-materialistic, appreciating the value of love and family. In keeping with the historical timeframe, the few female characters have little impact on the overall story, playing secondary roles as wives, fiancées, or daughters.
Educational Value
This is a much-shortened and family-friendly version of A Christmas Carol but it will nevertheless give viewers an insight into the work of Charles Dickens and the way people lived in Victorian times.
Parents need to know that A Christmas Carol is a family-friendly take on the Dickens' classic about Ebenezer Scrooge (Reginald Owen), a miserly man who after being visited by ghosts changes his ways. While the presence of ghosts might be unnerving to some children -- particularly Marley's Ghost ( Leo G. Carroll ) and the Ghost of Christmas Yet To Come (D'Arcy Corrigan) -- they are largely unthreatening and the spookiness is balanced with moments of humor. The desperate plight of the Cratchit family is played down, and even Scrooge's meanness feels short-lived. Set in Victorian London, the few female characters that appear on screen are restricted to supporting roles with little impact on the overall story. There is occasional but enthusiastic drinking of alcohol. In two separate scenes, a family (including the children) all drink some homemade punch. Though the story is fundamentally about greed and redemption, this adaptation has a strong sense of optimism throughout and an ending that exudes unbridled festive joy. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails .
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What's the story.
A CHRISTMAS CAROL tells the story of mean and miserly Ebenezer Scrooge (Reginald Owen), an old man with no friends or family who only seems to care about money. He is visited on Christmas Eve by the ghost of his old partner who urges him to change his ways. Three more spirits follow, each taking him on a journey through Christmas Past, Present, and Yet To Come, to show him how his actions have affected those around him -- and how they have stifled his happiness. When the sun comes up on Christmas Day morning, will Ebenezer be a new man, ready to make amends and bring joy to his friends and family?
Is It Any Good?
This 1938 version of A Christmas Carol is a charming early adaptation of Charles Dickens' novella. It opens with a jolly Victorian Christmas scene and the promise of a warm and gentle journey through what is, at least in part, a dark and harrowing tale of redemption. Somehow the overall tone tends toward cheer and optimism, even as mean and miserly Scrooge is being shown the error of his selfish and judgmental ways.
The short runtime means the story is rather whizzed through, but it doesn't lose the essence of this cautionary tale, nor does it undermine the cast of classic characters. And while Dickens aficionados might feel short-changed, many viewers -- especially younger ones -- will find this a reasonably accessible and certainly entertaining retelling. Though made in 1938, this black and white production has a timeless feel to it. Indeed, the very fact that it was made so long ago probably makes it all the more atmospheric to a 21st century audience. And nobody, of any age, can fail to be uplifted by its ultimate festive message of goodwill to all.
Talk to Your Kids About ...
Families can talk about what the underlying message of A Christmas Carol is. What do you think the movie is trying to say is the true meaning of Christmas?
Talk about positive role models in the movie. Which characters do you feel exhibit positive character traits like compassion , courage , or humility ? Why are these important character strengths to have? Can you think of a time when you've had to demonstrate these traits?
Talk about other adaptations of A Christmas Carol , including some creative takes on the story like Scrooged or The Muppet Christmas Carol . How do you think the traditional versions compare to the more modern retellings?
Movie Details
- In theaters : December 16, 1938
- On DVD or streaming : November 8, 2005
- Cast : Reginald Owen , Gene Lockhart , Kathleen Lockhart
- Director : Edwin L. Marin
- Studios : MGM , Warner Home Video
- Genre : Classic
- Topics : Book Characters , Holidays , Monsters, Ghosts, and Vampires
- Character Strengths : Compassion , Courage , Humility
- Run time : 69 minutes
- MPAA rating : NR
- Last updated : February 3, 2023
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What to watch next.
A Christmas Carol (1984)
Disney's A Christmas Carol
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A Christmas Carol
Where to watch.
Rent A Christmas Carol on Prime Video, Apple TV, or buy it on Prime Video, Apple TV.
Critics Reviews
Audience reviews, cast & crew.
David Jones
Patrick Stewart
Mr. Ebenezer Scrooge
Richard E. Grant
Bob Cratchit
The Ghost of Christmas Past
Ian McNeice
Mr. Albert Fezziwig
Saskia Reeves
Mrs. Cratchit
IMAGES
VIDEO
COMMENTS
December 2, 2022. 4 min read. "Scrooge: A Christmas Carol" is as if someone made a bet that one of the most enduringly beloved works of literature—adapted with great success innumerable times featuring everyone from Mickey Mouse to the Muppets to Mister Magoo to classically trained British actors to Jim Carrey, to Ryan Reynolds and Will ...
The everlasting idea behind "A Christmas Carol" is that its lessons can radio signal any person in progress, just like a monologue from Mr. Rogers is for all ages, without needing to use gravely serious language. Instead, this movie's limits are obvious, in terms of its eloquence and its targeted audience. "A Christmas Carol" even ...
"Disney's A Christmas Carol" by Robert Zemeckis (and Charles Dickens, of course) is an exhilarating visual experience and proves for the third time he's one of the few directors who knows what he's doing with 3-D.The story that Dickens wrote in 1838 remains timeless, and if it's supercharged here with Scrooge swooping the London streets as freely as Superman, well, once you let ...
Rated: 3/5 • Dec 23, 2019. Usually, Scrooge ends his story at his nephew Fred's house, finally embracing the holiday with the family he has spurned, but no one is inviting this Scrooge anywhere ...
A Christmas Carol: Directed by Robert Zemeckis. With Jim Carrey, Steve Valentine, Daryl Sabara, Sage Ryan. Ebenezer Scrooge, a miserly old moneylender is visited by three Christmas spirits on Christmas Eve. Scrooge embarks on a journey of self-redemption to mend his miserly ways
Though London awaits the joyful arrival of Christmas, miserly Ebenezer Scrooge (Jim Carrey) thinks it's all humbug, berating his faithful clerk and cheerful nephew for their view. Later, Scrooge ...
Positive Role Models. Scrooge is greedy and cruel at the start of the movie, yet "has his reasons" fro. Diverse Representations. While main character is White, there's racial diversity beyond. Tom Jenkins is B. Educational Value. The movie is designed to entertain, though kids may learn some positive messages.
Verdict. Netflix's Scrooge: A Christmas Carol was bound to be somewhat decent considering its timeless foundation. Its premise, slight deviations aside, is as worn as Tiny Tim's shoes at this ...
Disney's A Christmas Carol, a multi-sensory thrill ride re-envisioned by Robert Zemeckis, captures the fantastical essence of the classic Dickens tale in a groundbreaking 3-D motion picture event. Ebenezer Scrooge begins the Christmas holiday with his usual miserly contempt, barking at his faithful clerk and his cheery nephew. But when the ghosts of Christmas Past, Present and Yet to Come take ...
Movies; Movie Reviews 'Scrooge: A Christmas Carol' Review: Netflix's Trippy Take on Dickens. Luke Evans voices the title character in this animated version, also featuring Olivia Colman ...
Our review: Parents say (111 ): Kids say (111 ): Director Robert Zemeckis continues to perfect the motion-capture animation he revolutionized with The Polar Express, and the result is quite breathtaking in A CHRISTMAS CAROL. From the pimples on an adolescent's face to the coins on a corpse's eyes, the technology accounts for a remarkable degree ...
A Christmas Carol: Directed by Brian Desmond Hurst. With Alastair Sim, Kathleen Harrison, Mervyn Johns, Hermione Baddeley. Ebenezer Scrooge, a curmudgeonly, miserly ...
Movie Review. After hundreds of adaptations and contemporary revisions on radio, the stage and screens large and small, most everyone who's lived through more than four or five Christmases knows Ebenezer Scrooge's tale. A miserly husk of humanity, Scrooge is a sour spirit whose withering glance gives chills to the warmest of souls. And even after his business partner, Marley, shuffles off ...
Full Review | Original Score: 3/5 | Dec 23, 2019. A Christmas Carol looks gorgeous but is too stilted, too mannered, too self-aware and, ultimately, too slow. Bah, humbug. Full Review | Dec 23 ...
Review by Brian Lowry, CNN ... long movie that should be of interest to serious devotees of the story, and few others. ... "A Christmas Carol" airs Dec. 19 at 7:30 p.m. on FX.
The opener "I Love Christmas" — with Scrooge's good-hearted nephew, Harry (Fra Fee), singing and dancing his way to his uncle's establishment — feels pushy. Before his death in 2021 ...
Our review: Parents say: (1 ): Kids say: Not yet rated Rate movie. Imaginative, artistic, and compelling, this stylish take on Dickens' classic novella feels powerful and unique. But it's also accessible, beautiful to watch and ultimately very festive. Opening with a Victorian family settling down on Christmas Eve to experience the story of A ...
Rated 4.5/5 Stars • 01/01/24. Charle's Dickens' classic tale A Christmas Carol is such a timeless and beautiful story that you could make 100 adaptation of it, and at least 90 will be great. The ...
Kelsey Grammer Tries On The Role. Starring Frasier 's Kelsey Grammer, the 2004 adaptation of A Christmas Carol movie aired on NBC and was also produced by Hallmark. This production was an adaptation of the 1994 stage musical but was somewhat of a lackluster version of the show. Kelsey Grammer gives a good performance as Scrooge but somehow ...
A Christmas Carol is a 1938 film adaptation of Charles Dickens' classic novel. Directed by Edwin L. Marin, it stars Reginald Owen as Ebenezer Scrooge, a miserly man who undergoes a transformative journey during Christmas Eve.
Zoë Rose Bryant Loud and Clear Reviews. A Christmas Carol is one of the most innovative interpretations of this oft-told odyssey yet, combining cinema and stage work with artistic audaciousness ...
Scrooge (1935) Shot in the midst of The Depression, the first sound version of A Christmas Carol digs deeper into the despair and horror of the story than any other adaptation. It's a bleak ...
Our review: Parents say (1 ): Kids say (2 ): This 1938 version of A Christmas Carol is a charming early adaptation of Charles Dickens' novella. It opens with a jolly Victorian Christmas scene and the promise of a warm and gentle journey through what is, at least in part, a dark and harrowing tale of redemption.
Rated: 2/5 • Jan 3, 2003. Rated: 78/100 • Jan 1, 2000. Page 1 of 3, 5 total items. One of the best iterations of A Christmas Carol that I've seen, and there are a lot of them. Patrick ...