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Around the World in an Evening at the Queens Night Market

Queens night market.

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essay about night market

By Ligaya Mishan

  • June 22, 2017

“This is what you eat in La Paz at 4 a.m.,” said the man half-devoured by smoke as he stood at the grill, stroking oil over beef hearts with a brush of banana husks.

It was only 8 p.m., but at the Queens Night Market , next to the undulating walls of the New York Hall of Science in Flushing Meadows-Corona Park, the night already felt a little lawless, in the best sense of the word: emancipated from day and of unlimited promise.

In one hand, I clutched a newspaper printed in Bengali, whirled into a thonga, or cone, and brimming over with jhal muri: a loose bouquet of cilantro, puffed rice, crunchy filaments of fried chickpea flour and hoops of green chile like castoff earrings. Mustard oil trickled through. The heat clarified the soul.

In the other hand was a cup of chicha morada, a Peruvian drink of purple corn brewed with pineapple peels, cinnamon and cloves, and darker than any wine, so purple it was nearly black. The sweetness was a jolt, and then it was gone.

A giant inflatable lucky cat, the talisman of storefronts all over Asia, waved its paw by the fence. Burnished ducks hung inside a stall, as if in a restaurant window in Chinatown. A crowd had gathered around a woman dripping molten sugar from a spoon onto a marble slab, letting it crystallize into the shapes of butterflies, bearded goats and koi with pursed lips, which children then toted around on sticks like lollipops.

There are other, more celebrated open-air food bazaars in town. But, for me, none is more surprising, thrilling and inspiring than the Queens Night Market. It runs Saturday nights from April to October (with brief breaks during the United States Open and Maker Faire), but in summer it has the most shimmer.

essay about night market

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EXPLORING THE POTENTIAL OF A NIGHT MARKET AS A TOURIST ATTRACTION

Profile image of Khursiah Abd Aziiz

Night markets in Malaysia are definitely popular destinations among locals where it could be found easily in almost every small town and city in every state. This study is to explore the potential of night market in Taman Sri Muda, Shah Alam as a new tourist attraction. This study focused on the physical characteristics of the market site and it data was collected via ethnography research through observations, interviews and site documents. The finding for this research is based on the physical market setting, customers’ spending and traders and products. The last part of the research focused on the strategies of improvement for night market development in the future. The night markets in Taman Sri Muda, Shah Alam have it potential to become the next popular destination that may offer local and foreign travellers a different level of experience.

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International Journal of Early Childhood Special Education

This research explored the customers’ characteristics, and their visitation and spending patterns at the Bestari Jaya Night Market in the district of Kuala Selangor. It also looked into the night market environment and examined the factors that contributed towards the liveliness of the night market so as to ascertain if it would be attractive to both customers and tourists to visit. The findings indicated that the Bestari Jaya night market environment had a medium to low impact since the night market was of average size, with medium traders’ and customers’ density and diversity, and that, on average the customers spend only about 35 minutes. They would usually go directly to the stalls where they had planned to get their supplies which was mainly cooked food. Factors that could attract tourists would be the location of the night market since it was situated close to other popular and established tourist attraction sites, that the safety and security of the area is assured by the loc...

essay about night market

Journal of Business

Khursiah Abd Aziiz

Khalilah Zakariya

Street market in urban centres has become a part of the major commercial place for locals and tourists. In most revitalization projects, the image of the street market will be changed as the space becomes more modernized to attract visitors. As a consequence to the redevelopment of street markets, the arrivals of visitors and the visitor experience may also change. This paper examines the role of street market as an urban cultural space for the city. Through a case study on Ferringhi Night Market, Penang, the researchers conducted a survey among the locals and tourists, semi-structured interviews among the vendors and field observation to analyse the nature of Ferringhi Night Market as a street market and how visitors and vendors experience and perceive it. The study found that Ferringhi Night Market plays heterogeneous roles as a commercial and cultural space. There are several factors that contribute to the visitor experience at Ferringhi Night Market in terms of the elements, the spaces, the surrounding site, atmosphere, local activities, products and the presence of local people. To further improve the vibrancy of Ferringhi Night Market, this study suggests that the physical setting needs to support more social activities and cultural activities.

ABSTRACT The purpose of the study was to gain a better understanding of the factors leading to the dynamism and performance of night markets, the characteristics of the night market, the traders, the customers and the visitors; and to determine the density and diversity of the night market. The Malaysian night market was based on the concept of open-air shopping, where street hawkers or petty traders occupied a designated part of a street to set up their stalls. The night markets offered wide range of foods and non-food items and they would usually operate once or twice a week depending on the popularity of the night markets in the area. They could be considered as business incubators for aspiring entrepreneurs since they would need to put in a very small investment to start the business, the risk of failure was minimal, and there was the opportunity to earn a hefty income. The six variables studied were: Market characteristics, Traders profile and characteristics, Customers profile and characteristics, Visitors profile and characteristics, Local authority level of support and services provided, and Surrounding communities and characteristics. Additionally, three other aspects that were also examined were the economic effects on surrounding communities, the aspects of competition among traders, and the product type, range and prices. The findings indicated that the night market studied was very vibrant with high density of traders and customers especially during peak period; high diversity of customers with the different ethnic and age groups; and high degree of social interactions with encounters that represented ‘heads up’ interactions among and between customers and traders.

International Journal of Tourism Cities

Derrick Lee

PurposeThe purpose of this paper is to build on both the theoretical work concerning the co-creation of experiences, and the need for micro-businesses to adopt a consumer-friendly orientation. The researchers examined the compatibility of vendors’ views of their visitors’ perspectives and the visitors’ own assessments of two Hong Kong night markets. Using a large sample survey with over 1,900 tourists and 120 vendors, and examining the data through mean difference testing and factor analysis, the comparability of the views was examined. Key findings were that vendors consistently overestimated the positivity of the visitors’ views. Value for money, trustworthiness of the vendors and product variety were items indicating strong differences where vendors assumed visitors perceived night markets more favorably than did the visitors themselves. The work challenges some assumptions of service design logic and speculates that the durability of night markets is at risk without better vendo...

Temporary markets can be considered as everyday spaces in the city. There is something appealing about walking through a night market or a weekly bazaar, and yet, there is also something spectacular and festive about experiencing these informal, temporary event spaces. They are often a common feature in guide books for cities, enticing visitors to engage and experience the local life. Temporary markets may look similar at a glance or through photographs, but a conscious experience through them generates a richer and more complex understanding of their similarities and differences, how they operate as part of the city, and how places in the city are interconnected. This paper presents a collection of walking experiences through different temporary markets in Kuala Lumpur, Malaysia, ranging from less formal to more formal ones, while exploring their qualities and senses. The study employs an ethnographic approach through my own personal walking experience, engaging in the experiences of others, observations and conversations with vendors and visitors, mapping, and photo-documentation. The discussion from the findings challenges us to rethink the complexities of temporary markets as both ordinary and extra-ordinary spaces, and shares how we can engage with a rich phenomenon.

Civil Engineering and Architecture

Horizon Research Publishing(HRPUB) Kevin Nelson

Jiung is an informal market growing in public open spaces in Kemayoran, Central Jakarta, Indonesia. It consists of a row of non-permanent stalls and is also observed to be surrounding the densely populated settlements and four main Streets which are the Benyamin Sueb, Haji Ung, Kemayoran Gempol, and Bendungan Jago. Most of the traders come from the settlements behind the row of the market stalls and sell from morning to night except for those on the Kemayoran Gempol Street section, who are allowed to only trade up to late afternoon when traders with tents on the Street resume. These trading activities, however, lead to the closure of the Kemayoran Gempol Street and the tents used in the night market also cover the stalls of the Jiung Market merchant. Meanwhile, this market is acceptable to the residents and also the traders due to the long time existence of the Night Market activities in the place. There is, therefore, the need to understand the adaptation process to be implemented for the night market traders to be acceptable using the qualitative approach. It was discovered that a mutually beneficial relationship is the main reason the Night Market has survived up to the present moment. Moreover, the market was also found to have influenced the distribution of traders in several locations around the area but it is possible to inhibit the distribution growth through an architectural approach as a contribution towards the planning and design of urban public spaces in the country.

Journal of education, management and development studies

Kristine Abitria

International Journal of …

Kamariah Yunus

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Essay on “Describe The Scene of Night Market” Complete Essay for Class 10, Class 12 and Graduation and other classes.

Describe The Scene of Night Market

In most large towns in Malaysia, a common feature is the Tasar Malam’, or night market very popular especially with housewives. You will find Tasar Malams’ in various parts of the town on different nights. The Tasar Malam’ has a carnival atmosphere. It is held at night, out in the open, with a wide range of items for sale, from farm produce such as vegetables, eggs, freshly slaughtered chicken and fruits to fish, plastic ware, shoes, articles of clothing, household requirements, and to the delight of garden lovers, pots of beautiful plants to choose from. They include roses, chrysanthemums, orchids, petunias, ferns and seedlings of fruit trees. Of course, you can always find food-stalls selling all kinds of eatables which Malaysians indulge in. The wide variety offered at a Tasar Malarri, is coupled with the attraction that its site is within walking distance and that the whole family can n take a stroll after dinner to purchase the needs of each member, does make family outings a pleasant and an enjoyable affair.

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Wednesday, December 05, 2007

  • Descriptive Essay: The Night Market

One of the most interesting places in Malaysia is the night market. You may visit and experience the night market yourselves. Both locals and foreigners agree that the night market is the most common feature in the local society. The night market begins when the vendors arrive in the late afternoon. More and more goods laden vans arrive to begin a brisk day of business. Most of the vendors busily set out to set up their stalls respectively in order to get ready for a brisk day of business. The sun gradually sets and the night market picks up momentum. More cars and vans are arriving. By now, the stalls are neatly and strategically arranged to entice their customers. There is an assortment of goods sold ranging from food, toys and clothes, to name a few. A variety of goods is sold at low prices. Large rainbow-coloured parasols are used to shade the people from rain and shine. A concoction of blaring music can be heard in the night market background amidst the constant shouting. It is an amazing kaleidoscope of sights, sounds, smells and colours. The night market is known as a haven by local ‘gourmets’ who can enjoy various kinds of mouth-watering local cuisine. Still more people arrive, they come from all walks of life, mingling freely and harmoniously. Crowds are walking up and down in an endless stream. Some of them are stopping by the stalls and haggling before making purchases. Little children tag along, amused and excited. Sprinklings of tourists join in to experience the lifestyle of typical Malaysian folks. When night falls, lighted lamps brighten up the place, they add gaiety to this atmosphere, and it is like a funfair. The night wears on and the traffic of people recedes. Vendors get a chance to rest their weary legs besides bantering with each other. By 10.00 pm, all the stalls call it a day. The vendors pack up and close the van doors. One by one, they leave, leaving behind pieces of papers, plastic bags and discarded boxes. It us an eyesore! Finally, the night market disappears. The place becomes quite and still once more. Note: Night market is known as "pasar malam" in Malay language.

Descriptive Essay: The Night Market posted by Essay Writer at 4:32 pm  

10 comments:

essay about night market

wow, excellent essay!! wide vocabularies! i was amazed after i read this passage! @.@ --angelina--

essay about night market

The vocabularies are just ok to me .It's how the writers put them into use that counts,eg,"It is an amazing kaleidoscope of sights,sounds,smells,colours."I wonder how the writer is able to form such goood sentence.Is it through reading or other reliable sources?Can anybody or the writer tells me?

You must read in order to obtain all those ideas. Try to read novels or maybe newspapers as they provide a wide range of vocabularies perfect for writing essays. If you are not interested in reading, try to find interesting vocabularies in the internet or maybe useful english progammes in TV etc.

good thought process but sounds a bit redundant at times...needs a little improvement

essay about night market

Nice essay here. Adrian, if you ever check back to this post, I believe it is through reading that the writer is able to form a good sentence like this. I am not the writer of the essay (that credit goes to a higher intellect), but I'm quite confident that he/she achieved it through reading. Lots and lots of reading, as well as lots of writing. - E.M.

THINAGARAJ=PERFECT ESSAY!EXCELLENT USAGE OF VOCABULARIES!I BLESS THE WRITER WITH MY FULL HEART.

it is a good essay I like it

This essay is just awesome man!!! What an talented people;)

essay about night market

It is okay as an essay, not the best I've read. There are mistakes like the repeated use of "brisk day". The vocabulary is succinct, however, I'd like to be able to "see" the night market in my head, the vision I see when I'm reading this essay is a rather fuzzy one.

that g0od essay ..

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Every Thursday from 6.00 p.m to about 10.00 p.m, a night market is set up on the road in front of a row of shop houses near where I live. There are many vendors plying their wares at the night market, and it has become a regular thing for me to visit the night market.

One Thursday evening at about 7.00 p.m, my sister and I paid a visit to the night market. It was not completely dark yet but the vendors had already lit their portable fluorescent lamps. From a distance the lamps seemed to add brilliance to the living sea of human bodies that had at the market.

We stepped into the market carefully as there were many people there. In fact, we had to be careful not to knock into the other shoppers. Our first stop was the food stalls. There were vendors selling cakes, biscuits, buns, dumplings, dim sum, noodles and many other local tidbits and delicacies. we bought some buns and dumplings for my parents and other siblings at home.

We then walked over to the fruit stall to buy some fruits. Next to the fruit stall, a medicine seller had set up shop and was talking himself hoarse the efficacy of his medicine to half-interested shoppers. Poor man, if he went on like that, he might need the medicine himself, whatever it was good for.

Next, we stopped and bought some vegetables at our regular vegetable stall. That was the last thing we needed to buy. As it was still only 7.30 p.m. we decided to walk around a bit and look at the things on sale.

There were people selling toys, pirated video CDs, clothes, belts, books, posters, mobile phone casings, balloons, crockery and all sorts of goods. Business seemed to be good for most of the vendors. There was no shortage of buyers. Everyone seemed to have something to sell or to buy. The sight, sound and smell of the market were really quite intense. So after spending another ten minutes or so in the market, I yearned for the peace and quiet of home. So I to my sister to go home.

Together we walked carefully out of the night market and headed home.

     
  to come together in a large group of people
     
  to praise something or someone very much
     
  to make a signal to someone
     

                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                           

 

Literary Theory and Criticism

Home › Literature › Analysis of Mikhail Bulgakov’s The Master and Margarita

Analysis of Mikhail Bulgakov’s The Master and Margarita

By NASRULLAH MAMBROL on August 1, 2023

The Russian author Mikhail Bulgakov (1891–1940) wrote The Master and Margarita ( Master i Margarita ) between 1928 and early 1940 in a time when the official ideology of the Soviet state was based on militant atheism and obligatory historical optimism. In stark opposition to the Bolshevik’s cultural norms, the novel depicts the devil as the main character and revolves around the grand themes of Christianity.

A “drawer masterpiece,” The Master and Margarita was first published long after the author’s death, between 1966 and 1967, yet in a highly censored form (12 percent of the text was cut by Soviet censors for references to the secret police, nudity, and coarse language). In 1967 a complete version was published in France by the YMCA Press and, soon after that, publication came in Germany by Possev. The uncensored edition was finally published in Moscow in 1973; since then it has been assimilated by the mainstream Soviet and post-Soviet literature and its appreciation has continuously grown. Both its form and themes define The Master and Margarita as a unique masterpiece not only in the Russian literary landscape but also in any Western world tradition ( Salman Rushdie , among others, claims its influence upon The Satanic Verses ). The (mis)alliances between the fantastic and realism, myth with accurate historical fact, theosophy with demonism, romanticism with burlesque proclaim the work’s individuality and position it among the most acclaimed novels of the 20th century.

essay about night market

Mikhail Bulgakov / IMDB

The Master and Margarita is composed of two parts: 32 titled chapters and an epilogue. The novel alternates between three settings and storylines. The first is Moscow in the 1930s, a city visited by Satan/Woland, a “magician” of dubious origin. It tells the events that occur during four days, beginning on a Wednesday and ending on a Saturday in May. Woland arrives with an entourage that includes a grotesquely dressed valet Fagotto, a mischievous, giant black cat Behemoth, a fanged hit man Azazello, a pale-faced Abadonna with death-inflicting gaze, and a witch Gella. The havoc wreaked by this group targets the literary elite, its trade union, MASSOLIT, and its privileged residence, the Griboyedov’s house. The carnivalesque opening of the book presents the clash between the unbelieving head of the literary bureaucracy, Berlioz, and Woland, depicted as an urbane foreign gentleman who defends belief and reveals his prophetic powers. The witness to this whole episode is the poet Ivan Bezdomny, whose transformation from “modern” to “traditional” and rejection of literature unifies the narrative. His futile attempt to hunt and capture the eccentric gang and warn of their evil and mysterious nature leads the reader to other central scenes and lands Ivan himself in a lunatic asylum. Here we are introduced to the Master, a bitter author whose desperation over the rejection of his historical novel about Pontius Pilate and Christ has led him to burn his manuscript and turn his back on the “real” world, including his lover, Margarita. Important episodes in the first part of the novel include other comic gems: Satan’s show at the Variety, satirizing the vanity and greed of the new rich, and the occupation of Berlioz’s fl at by Woland and his gang.

Part 2 introduces Margarita, the Master’s mistress. Desperate to save her lover, she takes Satan’s offer and becomes a witch with supernatural powers on the night of his Midnight Ball (Walpurgis Night), which coincides with the night of Good Friday. This episode links all three elements of the book together, since the Master’s novel also deals with this same spring full moon when Christ is crucified in Jerusalem. The second setting is the Jerusalem of Pontius Pilate, described by Woland talking to Berlioz—“I was there”—and echoed in the pages of the Master’s novel, which concerns Pilate’s meeting with Yeshua Ha-Notsri (Jesus). Throughout the novel, Bulgakov ties Jerusalem and Moscow sometimes through polyphony, sometimes through counterpoint. The third setting is the one to which Margarita provides a bridge. She flies, accompanied by her maid, over the forests and rivers of Mother Russia, and then bathed and cleansed she reenters Moscow as the anointed hostess for Satan’s great Spring Ball. Standing by his side, she welcomes the dark celebrities of human history as they pour up from Hell. She survives this ordeal without breaking, empowered by her unwavering love for the Master and her acknowledgment of darkness as part of human life. As a prize, Satan grants her deepest wish: she frees the Master and lives in poverty and love with him. In an ironic ending, neither Satan nor God thinks this is any kind of life for good people, and the couple leave Moscow with the Devil on Easter Saturday.

While most critics identify these three main settings or story lines within the novel—those of Woland, Ieshua and Pilate, and the Master and Margarita —other critics agree that The Master and Margarita is a “double novel.” Assuming the risk of oversimplification, we can refer to a structure divided clearly between two main narratives: Woland’s coming to Moscow and the story of Ieshua and Pilate in Jerusalem. These two plots have a distinct approach of style and genre, hence the label “double novel”; nevertheless both intrigue through their symbolism. While the Jerusalem story is consistent in narrative voice and style, the Moscow account is erratic in both. Where the ancient tale has an omniscient narrator, Woland, the Moscow narrative poses the question of the narrator, who seems to be a disembodied voice whose reliability and knowledge are hard to establish. The narrative voice oscillates between personal and impersonal, which raises the issue of ambiguity. The three segments of the Ieshua and Pilate story are cohesive in that they all refer and lead to Ieshua’s execution. The ancient plot is detailed with the historical accuracy of the eyewitness and aims to realism. The Moscow chapters, conversely, are protean in style and story lines, with frequently difficult-to-grasp symbols. The plot is intentionally baffling and scattered: Woland’s coming to the Soviet capital triggers a number of narratives that have no apparent connection to one another. Woland’s companions create mayhem in Moscow: Ivan Bezdomny is sent to a lunatic asylum, where he hears an inmate’s (the Master’s) story of his recent experiences. Margarita turns into a witch and after a while, she reunites with the Master.

The Master and Margarita stands out through its uniqueness, a novel pervaded with a mystifying feeling, where the most fanciful occurrences prove realist, while the seemingly most plausible facts turn out to be phantasmagoric. The multiple layers of meaning lead to ambiguities and hence invite the reader’s imagination. A novel of its time (and for all times), The Master and Margarita nevertheless challenges the materialist philosophy, which constituted the basis of Soviet ideology, by revealing that the purpose of art is the revelation of hidden mystery. Continuing the tradition of fiction by Nikolai Gogol, Fyodor Dostoyevsky, and the Russian symbolists, Bulgakov’s The Master and Margarita constitutes the natural development of the Russian novel into the 20th century, a masterpiece that is as much universal as it is Russian.

BIBLIOGRAPHY Barratt, Andrew. Between Two Worlds: A Critical Introduction to “The Master and Margarita.” Oxford: Oxford University Press, 1987. Curtis, Julie A. E. Bulgakov’s Last Decade: The Writer as Hero. Cambridge and New York: Cambridge University Press, 1987. ———. Manuscripts Don’t Burn: Mihail Bulgakov, a Life in Letters and Diaries. London: Bloomsbury, 1991. Edwards, T. R. N. Three Russian Writers and the Irrational. Cambridge and New York: Cambridge University Press, 1982. Hunns, Derek J. Bulgakov’s Apocalyptic Critique of Literature. Lewiston, N.J.: Edwin Mellen Press, 1996. Krugovoi, George. The Gnostic Novel of Mikhail Bulgakov: Sources and Exegesis. Lanham, Md.: University Press of America, 1991. Pittman, Riitta H. The Writer’s Divided Self in Bulgakov’s “The Master and Margarita.” New York: St. Martin’s Press, 1991. Sahni, Kalpana. A Mind in Ferment: Mikhail Bulgakov’s Prose. Atlantic Highlands, N.J.: Humantities Press, 1986. Weeks, Laura. “The Master and Margarita”: A Critical Companion. Evanston, Ill.: Northwestern University Press, 1996.

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