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laboratory - quotes and descriptions to inspire creative writing
Some heroes wear laboratory coats.
We did God's work in that laboratory, the testing, the rigorous repeats, the trials... and we saved so many good folks, so very many.
The laboratory was the place we brought our humanitarian passions into a reality - saving entire species, oftentimes our own.
The laboratory was cleaner than my mother's kitchen, and that's saying something.
For those who really love humanity and creation, a laboratory career is a wonderful way to serve.
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What Is Creative Writing? (Ultimate Guide + 20 Examples)
Creative writing begins with a blank page and the courage to fill it with the stories only you can tell.
I face this intimidating blank page daily–and I have for the better part of 20+ years.
In this guide, you’ll learn all the ins and outs of creative writing with tons of examples.
What Is Creative Writing (Long Description)?
Creative Writing is the art of using words to express ideas and emotions in imaginative ways. It encompasses various forms including novels, poetry, and plays, focusing on narrative craft, character development, and the use of literary tropes.
Table of Contents
Let’s expand on that definition a bit.
Creative writing is an art form that transcends traditional literature boundaries.
It includes professional, journalistic, academic, and technical writing. This type of writing emphasizes narrative craft, character development, and literary tropes. It also explores poetry and poetics traditions.
In essence, creative writing lets you express ideas and emotions uniquely and imaginatively.
It’s about the freedom to invent worlds, characters, and stories. These creations evoke a spectrum of emotions in readers.
Creative writing covers fiction, poetry, and everything in between.
It allows writers to express inner thoughts and feelings. Often, it reflects human experiences through a fabricated lens.
Types of Creative Writing
There are many types of creative writing that we need to explain.
Some of the most common types:
- Short stories
- Screenplays
- Flash fiction
- Creative Nonfiction
Short Stories (The Brief Escape)
Short stories are like narrative treasures.
They are compact but impactful, telling a full story within a limited word count. These tales often focus on a single character or a crucial moment.
Short stories are known for their brevity.
They deliver emotion and insight in a concise yet powerful package. This format is ideal for exploring diverse genres, themes, and characters. It leaves a lasting impression on readers.
Example: Emma discovers an old photo of her smiling grandmother. It’s a rarity. Through flashbacks, Emma learns about her grandmother’s wartime love story. She comes to understand her grandmother’s resilience and the value of joy.
Novels (The Long Journey)
Novels are extensive explorations of character, plot, and setting.
They span thousands of words, giving writers the space to create entire worlds. Novels can weave complex stories across various themes and timelines.
The length of a novel allows for deep narrative and character development.
Readers get an immersive experience.
Example: Across the Divide tells of two siblings separated in childhood. They grow up in different cultures. Their reunion highlights the strength of family bonds, despite distance and differences.
Poetry (The Soul’s Language)
Poetry expresses ideas and emotions through rhythm, sound, and word beauty.
It distills emotions and thoughts into verses. Poetry often uses metaphors, similes, and figurative language to reach the reader’s heart and mind.
Poetry ranges from structured forms, like sonnets, to free verse.
The latter breaks away from traditional formats for more expressive thought.
Example: Whispers of Dawn is a poem collection capturing morning’s quiet moments. “First Light” personifies dawn as a painter. It brings colors of hope and renewal to the world.
Plays (The Dramatic Dialogue)
Plays are meant for performance. They bring characters and conflicts to life through dialogue and action.
This format uniquely explores human relationships and societal issues.
Playwrights face the challenge of conveying setting, emotion, and plot through dialogue and directions.
Example: Echoes of Tomorrow is set in a dystopian future. Memories can be bought and sold. It follows siblings on a quest to retrieve their stolen memories. They learn the cost of living in a world where the past has a price.
Screenplays (Cinema’s Blueprint)
Screenplays outline narratives for films and TV shows.
They require an understanding of visual storytelling, pacing, and dialogue. Screenplays must fit film production constraints.
Example: The Last Light is a screenplay for a sci-fi film. Humanity’s survivors on a dying Earth seek a new planet. The story focuses on spacecraft Argo’s crew as they face mission challenges and internal dynamics.
Memoirs (The Personal Journey)
Memoirs provide insight into an author’s life, focusing on personal experiences and emotional journeys.
They differ from autobiographies by concentrating on specific themes or events.
Memoirs invite readers into the author’s world.
They share lessons learned and hardships overcome.
Example: Under the Mango Tree is a memoir by Maria Gomez. It shares her childhood memories in rural Colombia. The mango tree in their yard symbolizes home, growth, and nostalgia. Maria reflects on her journey to a new life in America.
Flash Fiction (The Quick Twist)
Flash fiction tells stories in under 1,000 words.
It’s about crafting compelling narratives concisely. Each word in flash fiction must count, often leading to a twist.
This format captures life’s vivid moments, delivering quick, impactful insights.
Example: The Last Message features an astronaut’s final Earth message as her spacecraft drifts away. In 500 words, it explores isolation, hope, and the desire to connect against all odds.
Creative Nonfiction (The Factual Tale)
Creative nonfiction combines factual accuracy with creative storytelling.
This genre covers real events, people, and places with a twist. It uses descriptive language and narrative arcs to make true stories engaging.
Creative nonfiction includes biographies, essays, and travelogues.
Example: Echoes of Everest follows the author’s Mount Everest climb. It mixes factual details with personal reflections and the history of past climbers. The narrative captures the climb’s beauty and challenges, offering an immersive experience.
Fantasy (The World Beyond)
Fantasy transports readers to magical and mythical worlds.
It explores themes like good vs. evil and heroism in unreal settings. Fantasy requires careful world-building to create believable yet fantastic realms.
Example: The Crystal of Azmar tells of a young girl destined to save her world from darkness. She learns she’s the last sorceress in a forgotten lineage. Her journey involves mastering powers, forming alliances, and uncovering ancient kingdom myths.
Science Fiction (The Future Imagined)
Science fiction delves into futuristic and scientific themes.
It questions the impact of advancements on society and individuals.
Science fiction ranges from speculative to hard sci-fi, focusing on plausible futures.
Example: When the Stars Whisper is set in a future where humanity communicates with distant galaxies. It centers on a scientist who finds an alien message. This discovery prompts a deep look at humanity’s universe role and interstellar communication.
Watch this great video that explores the question, “What is creative writing?” and “How to get started?”:
What Are the 5 Cs of Creative Writing?
The 5 Cs of creative writing are fundamental pillars.
They guide writers to produce compelling and impactful work. These principles—Clarity, Coherence, Conciseness, Creativity, and Consistency—help craft stories that engage and entertain.
They also resonate deeply with readers. Let’s explore each of these critical components.
Clarity makes your writing understandable and accessible.
It involves choosing the right words and constructing clear sentences. Your narrative should be easy to follow.
In creative writing, clarity means conveying complex ideas in a digestible and enjoyable way.
Coherence ensures your writing flows logically.
It’s crucial for maintaining the reader’s interest. Characters should develop believably, and plots should progress logically. This makes the narrative feel cohesive.
Conciseness
Conciseness is about expressing ideas succinctly.
It’s being economical with words and avoiding redundancy. This principle helps maintain pace and tension, engaging readers throughout the story.
Creativity is the heart of creative writing.
It allows writers to invent new worlds and create memorable characters. Creativity involves originality and imagination. It’s seeing the world in unique ways and sharing that vision.
Consistency
Consistency maintains a uniform tone, style, and voice.
It means being faithful to the world you’ve created. Characters should act true to their development. This builds trust with readers, making your story immersive and believable.
Is Creative Writing Easy?
Creative writing is both rewarding and challenging.
Crafting stories from your imagination involves more than just words on a page. It requires discipline and a deep understanding of language and narrative structure.
Exploring complex characters and themes is also key.
Refining and revising your work is crucial for developing your voice.
The ease of creative writing varies. Some find the freedom of expression liberating.
Others struggle with writer’s block or plot development challenges. However, practice and feedback make creative writing more fulfilling.
What Does a Creative Writer Do?
A creative writer weaves narratives that entertain, enlighten, and inspire.
Writers explore both the world they create and the emotions they wish to evoke. Their tasks are diverse, involving more than just writing.
Creative writers develop ideas, research, and plan their stories.
They create characters and outline plots with attention to detail. Drafting and revising their work is a significant part of their process. They strive for the 5 Cs of compelling writing.
Writers engage with the literary community, seeking feedback and participating in workshops.
They may navigate the publishing world with agents and editors.
Creative writers are storytellers, craftsmen, and artists. They bring narratives to life, enriching our lives and expanding our imaginations.
How to Get Started With Creative Writing?
Embarking on a creative writing journey can feel like standing at the edge of a vast and mysterious forest.
The path is not always clear, but the adventure is calling.
Here’s how to take your first steps into the world of creative writing:
- Find a time of day when your mind is most alert and creative.
- Create a comfortable writing space free from distractions.
- Use prompts to spark your imagination. They can be as simple as a word, a phrase, or an image.
- Try writing for 15-20 minutes on a prompt without editing yourself. Let the ideas flow freely.
- Reading is fuel for your writing. Explore various genres and styles.
- Pay attention to how your favorite authors construct their sentences, develop characters, and build their worlds.
- Don’t pressure yourself to write a novel right away. Begin with short stories or poems.
- Small projects can help you hone your skills and boost your confidence.
- Look for writing groups in your area or online. These communities offer support, feedback, and motivation.
- Participating in workshops or classes can also provide valuable insights into your writing.
- Understand that your first draft is just the beginning. Revising your work is where the real magic happens.
- Be open to feedback and willing to rework your pieces.
- Carry a notebook or digital recorder to jot down ideas, observations, and snippets of conversations.
- These notes can be gold mines for future writing projects.
Final Thoughts: What Is Creative Writing?
Creative writing is an invitation to explore the unknown, to give voice to the silenced, and to celebrate the human spirit in all its forms.
Check out these creative writing tools (that I highly recommend):
Recommended Tools | Learn More |
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Jasper AI | |
Show Not Tell GPT | |
Dragon Professional Speech Dictation and Voice Recognition | |
Surface Laptop | |
Bluehost | |
Sqribble (eBook maker) |
Read This Next:
- What Is a Prompt in Writing? (Ultimate Guide + 200 Examples)
- What Is A Personal Account In Writing? (47 Examples)
- How To Write A Fantasy Short Story (Ultimate Guide + Examples)
- How To Write A Fantasy Romance Novel [21 Tips + Examples)
Creative Biz
Describe Nature Creatively: A Guide to Captivating Descriptions
How to describe nature in creative writing – Welcome to the art of describing nature in creative writing! In this guide, we’ll dive into the techniques and strategies that will transform your nature descriptions from ordinary to extraordinary.
From capturing the sensory details to conveying the emotions evoked by nature, we’ll explore a range of approaches to help you create vivid and immersive nature scenes that will leave your readers spellbound.
Sensory Details
Nature’s beauty lies in its intricate tapestry of sensory experiences. To effectively describe nature in writing, it is essential to engage all five senses to create a vivid and immersive portrayal that transports the reader into the heart of the natural world.
Sensory details provide a tangible and visceral connection to the environment, allowing readers to experience nature through their imagination. By capturing the sights, sounds, smells, tastes, and textures of the natural world, writers can evoke a profound sense of place and connection.
Visual descriptions are the most prominent and often the first sensory detail that comes to mind. When describing nature, focus on the colors, shapes, sizes, and textures of the surroundings. Use specific and evocative language that paints a clear picture in the reader’s mind.
- Instead of writing “there were many trees,” describe the “towering oaks with their gnarled trunks and emerald canopies.”
- Instead of saying “the water was blue,” describe the “azure waters that shimmered like a thousand diamonds under the sunlight.”
Sounds add depth and atmosphere to a natural setting. Describe the cacophony of birdsong, the gentle rustling of leaves in the wind, or the thunderous roar of a waterfall. Use onomatopoeia and sensory verbs to create a vivid auditory experience.
- Instead of writing “the birds were singing,” describe the “melodic chorus of birdsong that filled the air, a symphony of chirps, trills, and whistles.”
- Instead of saying “the wind blew,” describe the “wind that whispered through the trees, carrying the sweet scent of wildflowers.”
Smells evoke powerful memories and emotions. Describe the fragrant scent of blooming flowers, the earthy aroma of damp soil, or the salty tang of the ocean breeze. Use evocative language that transports the reader to the heart of the natural world.
- Instead of writing “the flowers smelled nice,” describe the “heady perfume of jasmine that permeated the air, a sweet and intoxicating fragrance.”
- Instead of saying “the forest smelled musty,” describe the “earthy scent of the forest floor, mingled with the fresh aroma of pine needles and the sweet decay of fallen leaves.”
While taste is less commonly associated with nature descriptions, it can add a unique and immersive element to your writing. Describe the tart sweetness of wild berries, the salty tang of seawater, or the earthy flavor of fresh herbs.
- Instead of writing “the berries were sweet,” describe the “sweet and juicy berries that burst in my mouth, releasing a burst of tart and tangy flavor.”
- Instead of saying “the water was salty,” describe the “salty tang of the seawater as it kissed my lips, leaving a lingering taste of the ocean.”
Textures provide a tactile dimension to your writing. Describe the rough bark of a tree, the smooth surface of a lake, or the velvety softness of a flower petal. Use descriptive language that evokes a physical sensation in the reader.
- Instead of writing “the bark was rough,” describe the “rough and gnarled bark of the ancient oak, its deep fissures and ridges creating a tactile tapestry.”
- Instead of saying “the water was smooth,” describe the “smooth and glassy surface of the lake, reflecting the sky like a perfect mirror.”
– Sensory Imagery
Engage the reader’s senses with specific and evocative language that appeals to sight, hearing, touch, smell, and taste. Create a vivid sensory landscape that transports the reader into the heart of nature.
- The emerald leaves shimmered like a thousand tiny mirrors, reflecting the dappled sunlight.
- The wind whistled through the trees, a mournful symphony that stirred the soul.
- The soft moss beneath her feet yielded like a downy pillow.
- The pungent scent of wildflowers filled the air, a heady perfume that intoxicated the senses.
- The tangy sweetness of ripe berries burst between her teeth, a taste of summer’s bounty.
Personification: How To Describe Nature In Creative Writing
Personification is a literary device that gives human qualities to non-human things, such as animals, plants, or objects. It can make nature more relatable and create a deeper connection between the reader and the natural world.
Examples of Personification
Here are some examples of how personification can be used to create a deeper connection between the reader and the natural world:
- The wind whispered secrets to the trees.
- The sun smiled down on the earth.
- The river danced and sang its way to the sea.
These examples give nature human qualities, such as the ability to speak, smile, and dance. This makes nature more relatable and allows the reader to connect with it on a more personal level.
Table of Personification Types and Effects
Here is a table that summarizes the different types of personification and their effects on the reader:
Type of Personification | Effect on the Reader |
---|---|
Giving human qualities to animals | Makes animals more relatable and allows the reader to connect with them on a more personal level. |
Giving human qualities to plants | Makes plants more relatable and allows the reader to see them as living beings. |
Giving human qualities to objects | Makes objects more relatable and allows the reader to see them as having a personality. |
Poem Using Personification
Here is a poem that uses personification to give a voice to a natural object, in this case, a tree:
I am a tree, and I have stood for centuries, My roots deep in the earth, my branches reaching for the skies. I have seen the seasons come and go, And I have witnessed the rise and fall of civilizations. I am a silent observer, But I have a story to tell.
This poem gives the tree a human voice and allows it to share its story with the reader. This creates a deeper connection between the reader and the natural world.
Emotional Impact
Nature writing has the power to evoke a wide range of emotions, from awe and wonder to peace and tranquility. Language plays a crucial role in conveying these emotions to the reader, creating a specific mood or atmosphere that enhances the overall impact of the writing.
Figurative Language
Figurative language, such as metaphors and similes, can create powerful emotional connections between the reader and the natural world. Metaphors compare two seemingly unrelated things, while similes use the words “like” or “as” to make a comparison. Both techniques can bring nature to life, giving it human qualities and making it more relatable and emotionally resonant.
For example, the poet William Wordsworth uses a metaphor to describe the daffodils in his famous poem “I Wandered Lonely as a Cloud”:
“A host, of golden daffodils;/ Beside the lake, beneath the trees,/ Fluttering and dancing in the breeze.”
Here, Wordsworth compares the daffodils to a host of dancers, suggesting their joyful and carefree nature. The use of the word “fluttering” also evokes a sense of movement and energy, further enhancing the emotional impact of the poem.
Nature’s Perspective
Adopting the perspective of nature can infuse your writing with a profound sense of empathy and ecological consciousness. By giving nature a voice, you can convey its intrinsic value, resilience, and interconnectedness with humanity.
Imagine nature as a sentient being, possessing its own thoughts, emotions, and experiences. Describe the landscape through its eyes, capturing the intricate details that often go unnoticed by humans. Explore the interconnectedness of all living organisms, highlighting the delicate balance that sustains the natural world.
Voice and Viewpoint
Craft a distinct voice for nature, using language that reflects its vastness, wisdom, and timelessness. Employ sensory imagery and personification to evoke a vivid and intimate connection between the reader and the natural world. Consider the unique perspective of each element of nature, from the towering mountains to the murmuring streams.
Example: “The ancient oak tree stood as a silent guardian, its gnarled roots anchoring it firmly in the earth. Its branches stretched out like welcoming arms, offering shelter to weary travelers and a sanctuary for woodland creatures.”
Fresh Insights and Deeper Understanding
Writing from nature’s perspective offers fresh insights into the human experience and our place within the natural world. By embodying nature, you can challenge anthropocentric viewpoints and foster a greater appreciation for the interdependence of all living beings.
Example: “The river flowed relentlessly, carrying with it the memories and secrets of countless journeys. Its waters whispered tales of distant lands and the lives that had touched its banks.”
Nature’s Rhythm and Movement
Nature is a dynamic entity, constantly moving and changing. To effectively capture this dynamism in writing, pay attention to the rhythms, patterns, and cycles that govern the natural world. Describe the ebb and flow of tides, the waxing and waning of the moon, the seasonal changes, and the life cycles of plants and animals.
Use descriptive language to convey the movement and flow of nature. For instance, instead of simply stating that the wind is blowing, describe how it rustles through the leaves or whips up the waves. Instead of saying that the river is flowing, describe how it meanders through the landscape or cascades over rocks.
Capturing Rhythmic Patterns, How to describe nature in creative writing
- Identify the cycles and patterns that occur in nature, such as the changing of seasons, the movement of the stars, or the ebb and flow of tides.
- Use language that conveys rhythm and repetition, such as alliteration, assonance, or onomatopoeia.
- Pay attention to the tempo and cadence of your writing to create a sense of movement and flow.
Conveying Dynamic Movement
- Use active verbs and strong action words to describe the movement of natural elements.
- Employ sensory details to create a vivid picture of the movement, such as the sound of wind whistling through trees or the feeling of water rushing over your skin.
- Consider using personification or擬人化 to give natural elements human qualities, such as the wind dancing or the river whispering.
Nature’s Scale and Immensity
When describing nature’s scale and immensity, the goal is to convey a sense of awe and wonder at its vastness and grandeur. This can be achieved through the use of language that emphasizes size, distance, and power.
One effective technique is to use words that evoke a sense of scale, such as “colossal,” “towering,” or “expansive.” These words help to create a mental image of the sheer size of natural features, such as mountains, oceans, or forests.
- The towering peaks of the Himalayas stretched up into the sky, their snow-capped summits lost in the clouds.
- The vast expanse of the ocean stretched out before us, as far as the eye could see.
- The ancient forest was a labyrinth of towering trees, their branches reaching up to the heavens.
Nature’s Interconnectedness
Nature is a vast and intricate web of life, where every element plays a crucial role in maintaining the delicate balance of the ecosystem. Describing this interconnectedness requires capturing the relationships between different species, the interdependence of natural processes, and the impact of human activities on the environment.
Symbiotic Relationships
Highlight the mutually beneficial relationships between species, such as pollination, seed dispersal, and nutrient cycling. Explain how these interactions contribute to the survival and well-being of both species involved.
- Describe the intricate relationship between bees and flowers, where bees collect nectar and pollen for food while aiding in the plant’s reproduction.
- Discuss the interdependence of birds and trees, where birds rely on trees for nesting and shelter, while trees benefit from the birds’ seed dispersal and insect control.
Food Webs and Trophic Levels
Explain the concept of food webs and trophic levels, illustrating how energy and nutrients flow through an ecosystem. Emphasize the interconnectedness of all organisms, from producers to consumers to decomposers.
- Describe the role of phytoplankton as primary producers in marine ecosystems, providing the foundation for the entire food web.
- Explain how the decline of one species, such as a keystone predator, can have cascading effects throughout the ecosystem, affecting multiple trophic levels.
Biogeochemical Cycles
Discuss the interconnectedness of natural processes, such as the water cycle, carbon cycle, and nitrogen cycle. Explain how these cycles regulate the Earth’s climate, provide essential nutrients, and support life.
- Describe the role of forests in the water cycle, capturing and releasing water vapor into the atmosphere.
- Explain how the carbon cycle links the atmosphere, oceans, and land, regulating the Earth’s temperature and providing the basis for fossil fuels.
Human Impact
Discuss the impact of human activities on the interconnectedness of nature. Explain how pollution, deforestation, and climate change can disrupt natural relationships and threaten the stability of ecosystems.
- Describe the effects of plastic pollution on marine life, entangling and harming animals.
- Explain how deforestation disrupts the water cycle and leads to soil erosion, affecting the entire ecosystem.
Sensory Overload and Immersion
Nature has the power to overwhelm our senses and immerse us in its vastness. To create a sense of sensory overload and immersion in nature using descriptive language, writers can employ the following techniques:
Sensory Overload
Sensory overload is a technique that involves using multiple sensory details to create an overwhelming and immersive experience. By engaging several senses simultaneously, writers can transport readers into the natural world and evoke a vivid and visceral response.For example, consider the following passage:
“The air was thick with the scent of pine needles, the sound of rushing water, and the feel of the wind on my skin. The sunlight filtered through the canopy, casting a dappled light on the forest floor. I could taste the crisp autumn air on my tongue, and the crunch of leaves beneath my feet filled my ears.”
This passage uses a combination of sight, sound, smell, taste, and touch to create a sense of sensory overload, immersing the reader in the sights, sounds, smells, tastes, and textures of the natural world.
Envelopment
Envelopment is a technique that describes the feeling of being fully surrounded by and enveloped in nature. By creating a sense of enclosure and immersion, writers can evoke a feeling of awe and wonder in readers.For example, consider the following passage:
“I felt like I was being swallowed up by the forest, the trees towering over me like ancient guardians. The canopy of leaves formed a dense roof above my head, blocking out the sunlight and creating a sense of intimacy and seclusion. The air was heavy with the scent of damp earth and decaying leaves, and the only sound was the gentle rustling of the wind in the trees.”
This passage uses imagery and sensory details to create a sense of envelopment, making the reader feel as if they are surrounded by the forest and enveloped in its sights, sounds, and smells.
Awe-Inspiring
Awe-inspiring is a technique that conveys the overwhelming and awe-inspiring aspects of nature. By using language that evokes a sense of wonder and insignificance, writers can create a powerful emotional response in readers.For example, consider the following passage:
“The sheer size and majesty of the mountains filled me with a sense of wonder and insignificance. I stood at the base of the towering peaks, my head tilted back as I gazed up at their snow-capped summits. The clouds drifted past, casting shadows on the mountain slopes, and the wind howled through the passes, carrying with it the sound of distant thunder.”
This passage uses vivid imagery and sensory details to convey the awe-inspiring aspects of nature, creating a sense of wonder and insignificance in the reader.
Nature’s Symbolism and Meaning
Nature has the ability to evoke powerful emotions and associations, making it a rich source of symbolism in creative writing. Authors can use nature to convey deeper themes and meanings, exploring the human condition and the relationship between humanity and the natural world.
For example, a stormy sea might represent inner turmoil or emotional upheaval, while a blooming flower could symbolize hope or renewal. Nature can also be used to represent human qualities, such as strength, resilience, or fragility.
Nature as a Reflection of Human Emotion
- A gentle breeze can convey a sense of peace and tranquility.
- A raging storm can symbolize anger, passion, or chaos.
- A wilting flower can represent sadness, loss, or vulnerability.
Nature’s Healing and Restorative Powers
Nature possesses an inherent ability to heal and restore our minds and bodies. Spending time in natural environments has been shown to reduce stress, improve mood, and boost cognitive function. In this section, we will explore how to effectively describe the restorative effects of nature on the human psyche, providing examples and insights to enhance your writing.
Natural Elements and Their Psychological Benefits
Various natural elements offer specific psychological benefits. Consider incorporating the following into your writing:
Natural Element | Psychological Benefits |
---|---|
Sunlight | Boosts mood, improves sleep, and increases vitamin D levels. |
Water | Calms the nervous system, reduces stress, and promotes relaxation. |
Trees | Release phytoncides, which have antibacterial and stress-reducing effects. |
Flowers | Enhance mood, reduce anxiety, and promote a sense of well-being. |
Birdsong | Soothes the mind, improves sleep quality, and reduces stress levels. |
“Nature has a profound and healing effect on our well-being. It can reduce stress, improve mood, and boost cognitive function.” – Richard Louv, author of “Last Child in the Woods”
Nature’s Threats and Fragility
Nature, in its pristine beauty and intricate balance, faces myriad threats that jeopardize its well-being and the delicate equilibrium it sustains. Human activities, often driven by short-sightedness and unsustainable practices, pose significant risks to the natural world, leaving an imprint of destruction that threatens the very foundation of our planet’s ecosystems.
Industrialization, urbanization, and the proliferation of consumer goods have led to an alarming increase in pollution levels. Pollutants such as greenhouse gases, toxic chemicals, and plastic waste contaminate the air, water, and soil, disrupting ecosystems and endangering countless species. Air pollution, caused by vehicle emissions and industrial processes, contributes to respiratory illnesses and climate change.
Water pollution, resulting from industrial effluents, agricultural runoff, and sewage discharge, contaminates water bodies, harming aquatic life and affecting human health.
Deforestation
The relentless destruction of forests, driven by logging, agriculture, and urban expansion, is a major threat to biodiversity and the global ecosystem. Forests play a crucial role in regulating the climate, providing habitats for countless species, and supporting the livelihoods of millions of people.
Deforestation disrupts the water cycle, exacerbates soil erosion, and contributes to climate change by releasing carbon dioxide into the atmosphere.
Climate Change
Climate change, driven by human activities that release greenhouse gases, is one of the most pressing threats to nature. Rising temperatures, changing precipitation patterns, and extreme weather events disrupt ecosystems, threaten species, and impact human societies. Coral reefs, essential for marine biodiversity, are particularly vulnerable to rising sea temperatures and ocean acidification.
Conservation and Protection
Recognizing the urgency of these threats, conservation efforts are vital to safeguard nature’s resilience and ensure its long-term survival. Protecting and restoring natural habitats, promoting sustainable practices, and reducing pollution are essential steps towards mitigating these threats. Individuals can contribute by adopting eco-friendly lifestyles, supporting conservation organizations, and advocating for policies that prioritize environmental protection.
Nature’s Resilience and Adaptability
Nature is not just beautiful; it’s also incredibly resilient and adaptable. It has the ability to withstand and overcome challenges, and even thrive in changing conditions.
Nature’s Adaptability
Nature has an amazing ability to adapt to its surroundings. For example, some plants have evolved to thrive in harsh conditions, such as deserts or mountains. Some animals have developed camouflage to help them hide from predators. And some organisms have even learned to live in extreme environments, such as the deep sea or the Arctic.
Nature’s Resilience
Nature is also incredibly resilient. It can withstand natural disasters, such as hurricanes, earthquakes, and floods. It can also recover from human-caused damage, such as pollution and deforestation. Nature’s resilience is a testament to its strength and adaptability.
How to Describe Nature’s Resilience and Adaptability
When describing nature’s resilience and adaptability, use descriptive language and vivid imagery. Focus on the details that show how nature is able to withstand and overcome challenges. For example, you might describe the way a tree bends in the wind but does not break, or the way a flower blooms in the middle of a barren landscape.You can also use personification to give nature human qualities.
This can help to make nature seem more relatable and to emphasize its strength and resilience. For example, you might describe a river as “fighting” against its banks, or a mountain as “standing tall” in the face of adversity.Finally, don’t forget to evoke emotions in your writing.
Nature’s resilience and adaptability can inspire a sense of awe and wonder. By capturing these emotions in your writing, you can help your readers to appreciate the beauty and strength of the natural world.
Key Questions Answered
How do I choose the right sensory details to describe nature?
Focus on details that evoke a specific sense or emotion. Use vivid language and avoid generic or overused descriptions.
How can I use figurative language to enhance my nature descriptions?
Metaphors, similes, and personification can bring nature to life and create a lasting impression. Use them sparingly and effectively.
How do I convey the emotional impact of nature in my writing?
Use language that reflects the emotions you want to evoke. Consider the tone and mood you’re aiming for and use descriptive language that creates the desired atmosphere.
Dan Koboldt
Writer, blogger, and genetics researcher
Writing Realistic Research Labs
May 3, 2018 by dankoboldt Leave a Comment
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About the Expert
Jenny Ballif has a background in Molecular Biology but now works as Science Mom , an educational YouTuber and author of science activity books for kids. To date she has donated more than 500 hours teaching science as an unpaid volunteer in Nevada elementary schools (an effort you can support on Patreon ). When she’s not teaching, you can find her on YouTube , Facebook , and Twitter .
Editor’s Note: Jenny also organized the Las Vegas Writer’s Conference where I taught a class on putting science in fiction in April 2018.
While having a character use phenylalanine instead of formalin in a DNA extraction will make the molecular biologist roll her eyes, the most important details in creating a real lab environment have nothing to do with the chemicals or equipment you use. A believable lab environment is created by
- Your Principal Investigator’s history
- The race to publish (first)
- The hot new research technique
Let’s tackle each of these in detail.
History of the Principal Investigator
The single most important element in getting your lab culture and environment right is knowing the history of your Principal Investigator (PI). My experience and examples here relate to the academic setting, where the PI is also called the advisor, the mentor, and the major professor. But there is considerable overlap to the corporate world as well. When writing about your lead scientist, consider the following:
Where did the PI grow up, scientifically? Did they train in a well-funded lab or battlingforsurvival? Are they frugal and always concerned about where and how they’ll find the next grant, or are they set for several years with all the money they need? How are they as managers? Do they direct and oversee every detail in an obsessive way, dictating exactly what experiments will be run each day? Or do they give overarching goals and leave the specifics to their employees, allowing them a degree of freedom and ownership in their work? Did they go through any type of academic hazing? The personality and habits of the PI will permeate every aspect of lab culture.
My advisor for my master’s degree was Chinese. His first graduate degree was from a university in China, where he trained in a lab that was very short on funding and conserved absolutely everything. Even if our own funding had been overabundant, he wouldn’t have considered throwing away the PCR buffer after one use because–it can be used again! Why waste it? He was equally concerned with mentoring future scientists as gathering data for publication, and so he gave us a wide latitude with how we conducted our experiments. A virology lab that I also spent time in, by contrast, was a large and well-funded machine of productivity with a very hierarchal system of organization. The workers in this lab were shocked (nearly horrified) that I reused PCR buffer because it had never occurred to them that it could be reused. They had no flexibility in conducting experiments; each step was dictated by the PI, who liked to have a tighter hand on the data.
The Race to Publication
You’ve likely heard of the expression publish or perish, but you might not realize how literal a fact it is. My lab was trying to characterize a set of genes in the stress-induced flowering pathway in Arabidopsis thaliana . If that sounds obscure, realize that most research projects do. We wanted to know what triggered this type of flowering on a molecular level, and we were scrambling to find the answer before another lab did.
The daily fear and motivation looming over our lab was that we needed to publish first. As much as the scientific community claims to value duplicate research — after all, how can you really know if a result is correct if it’s not reproduced — the fact is that first results get published, and publications get grants. Duplicate results get neither.
Midway through my master’s degree, the dreaded event happened: we got scooped. Another lab published data that, while not identical to ours, was similar enough that we knew no major publication would accept the paper we were writing. A full year of research suddenly felt wasted. Insubstantial. I remember my advisor giving us the news, and how we all deflated and moped about the lab the next several hours, worried for him. Would he get tenure? Would the next grant come through? And worried for us too. Would we have a job next year, or the year after that?
And then, my lab partner was cleaning seeds and she let out a gasp and called me over to the bench. Low and behold, our mutant seeds were a different color than the wildtype. Oh, the joy! We ran down to our advisor’s office to share the news, and his face instantly lit up with the hugest smile I’d ever seen. All of our experiments and writing suddenly changed focus from flowering time to pigments in the seed coat. And we were able to publish an article.
Being on a sinking ship does something to people. With the right leader, it brings the group together and everyone is invested in doing all they can to save the ship. With the wrong leader, it gives a disheartening “We’re going to die so who cares” kind of effect, rather than one of invigoration and bonding. In academia, half the ships are sinking, all the time.
For your writing, you must know how your lab is doing in THE RACE. It will affect every aspect of how the lab is run, from whether the PI pulls all-nighters to whether the equipment is top-of-the-line or scrambled together and second hand. Remember that virology lab I mentioned earlier? The PI for that lab was studying retroviruses back in the late 70s. At the time, retroviruses were an obscure area of virology without much funding or interest from the general scientific community. Then AIDS turned out to be a retrovirus, and the entire scientific community wanted answers about how to combat this new epidemic. Figurtively speaking, the virology lab was holding a winning lottery ticket. The funding it received in the 1980s spurred it into a self-perpetuating cycle where funding beget more funding. Their equipment was always new and top-of-the-line because they were winning the race.
The Hot New Thing in Research
There is always a hot new thing in research, particularly in molecular biology. Your characters will know about it and talk about it. Labs who are strapped for funding will yearn for it, and labs who have funding a plenty will subtly flaunt how much Hot New Thing they have. Because it is the “Hot New Thing,” labs will sometimes use it even if it’s not a good fit. When I was in graduate school, the hot new thing was DNA microarray. I still remember the thrill of running our first microarray, and then the subsequent horror of looking at the massive amount of data it gave us and thinking, “What do we do now?” When I visited the well-funded virology lab, there were subtle displays of power in the way they talked about microarray. It wasn’t something they did consciously. But it was there all the same: a slight emphasis on the impressive number of microarrays they were able to run, little repetitive details dropped about the capacity and quality of their microarray equipment, a lingering discussion about their future plans for this still-new technique.
If you are writing realistic science fiction and want to use today’s Hot New Thing, it’s CRISPR. Go read about it and prepare to have your mind blown.
If you are writing speculative science fiction and want to invent a Hot New Thing, here are three characteristics to consider:
- Ease of use: Anytime a technique can perform a similar job as an already existing technique, but do it cheaper or faster, that is very exciting and newsworthy in the lab.
- Ability to gather information and data: One reason DNA microarray was SUCH a big deal when I was in graduate school is because it delivered orders of magnitude more data than similar techniques. Its strength ended up being a dual weakness, because with SO much information it becomes a statistical challenge to separate the pertinent from the useless, but the shear jump in the amount of data was one that we couldn’t help drooling over.
- Something new: All chemical and molecular techniques have certain parameters and limits. There are things we can do, things we can almost do, and things we cannot do. Anytime a technique makes a previously impossible thing possible, it creates a huge stir of excitement.
For a real life example where all three characteristics came together, consider Polymerase Chain Reaction (PCR). In the early 80s, one of the limiting factors in studying DNA was the miniscule size. When you run PCR, you take a specific DNA sequence and duplicate the heck out of it, so you have enough DNA to easily manipulate and measure. Not only was this process something new, but it also increased the ability to gather data and it was extremely cheap and easy to use. PCR perfectly fit the parameters for being a “Hot New Thing.” The inventor won a Nobel prize and the application spread across the globe, becoming the most widely used technique in molecular biology.
If you know the history of the PI, how the lab is doing in the Race, and what Hot New Thing is, you will do more than make your molecular biologist readers smile. You’ll create a lab that truly feels real.
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Science and technology have starring roles in a wide range of genres--science fiction, fantasy, thriller, mystery, and more. Unfortunately, many depictions of technical subjects in literature, film, and television are pure fiction. A basic understanding of biology, physics, engineering, and medicine will help you create more realistic stories that satisfy discerning readers. This book brings together scientists, physicians, engineers, and other experts to help you write realistic and compelling scientific elements to captivate readers.
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Creative Writing Lab: Experiment with WordsA course by karen villeda , writer and editor. Overcome the fear of writing by learning to combine literary genres such as narratives, poetry, and essays
Ever wondered if writing could be more fun? In this online course, Mexican writer Karen Villeda shows you her creative process based on experimentation and combining literary genres. She has had more than ten books published, some of which have won awards, and was writer-in-residence at the University of Iowa. Throughout this course, get ready to be introduced to different creative techniques for tackling the blank page and uncover some amazing ideas in the process . Delve into the world of literary genres and learn to combine them in your texts. Karen talks about key themes like work, perseverance, and planning when it comes to writing . Then wrap everything up by learning to do a critical review of your text. What will you learn in this online course?12 lessons & 16 downloads
What is this course's project?Combine elements from the narrative, poetic, and essay genres to develop a short text. Projects by course studentsBy vale_navaBy aasanzzpBy lidiacoronadoWho is this online course for?Anyone with a curious, open mind and the enthusiasm to write. Requirements and materialsNo previous knowledge or experience in writing is necessary for this course. As for materials, all you need is paper and a pencil or pen. If you prefer, you can opt for a computer with a word processor like Microsoft Word or Google Docs. Es una propuesta interesante. Lo recomiendo para quienes se inician en la escritura. Los materiales adicionales están muy bien elegidos. View translation Hide translation brandonbainillaAAAH! increible, encantado del curso, los recursos que se deja son muy valiosos, gracias Karen. jmahcordeiroCurso muito interessante para estimular a criatividade. Maravilhoso! carolinacepedaEl curso y la profesora me estimula a escribir. zulytaverasEstoy comenzando el curso, y me esta gustando mucho, sobre todo la manera cómo puedo ir expresando mis sentimientos por medio de las palabras.
Karen Villeda A course by Karen VilledaDespite having grown up surrounded by books, Mexican writer Karen Villeda had a lot of difficulty learning to read. Her mother patiently taught her and, before long, she was reading pirate stories by herself, and at just 19, she published her first book. Karen believes that literary genres are interchangeable and can be combined, which is why she considers her writing to be a hybrid. She has had more than ten books published, and her book Dodo (Fondo Editorial Tierra Adentro) won the Premio Nacional de Poesía Joven Elías Nandino in 2013 and is part of the Archivo de Literatura Hispánica en Audio. Karen's work has earned her more than fifteen prizes and she has also been writer-in-residence in the University of Iowa. She is currently an editor and gives classes in creative writing. Introduction
The world of words and diamond mines
The Perfect Diamond!
Cut and polish the diamond for jewelry
Final projectWhat to expect from a domestika course, learn at your own pace. Enjoy learning from home without a set schedule and with an easy-to-follow method. You set your own pace. Learn from the best professionalsLearn valuable methods and techniques explained by top experts in the creative sector. Meet expert teachersEach expert teaches what they do best, with clear guidelines, true passion, and professional insight in every lesson. Certificates PlusIf you're a Plus member, get a custom certificate signed by your teacher for every course. Share it on your portfolio, social media, or wherever you like. Get front-row seatsVideos of the highest quality, so you don't miss a single detail. With unlimited access, you can watch them as many times as you need to perfect your technique. Share knowledge and ideasAsk questions, request feedback, or offer solutions. Share your learning experience with other students in the community who are as passionate about creativity as you are. Connect with a global creative communityThe community is home to millions of people from around the world who are curious and passionate about exploring and expressing their creativity. Watch professionally produced coursesDomestika curates its teacher roster and produces every course in-house to ensure a high-quality online learning experience. Domestika's courses are online classes that provide you with the tools and skills you need to complete a specific project. Every step of the project combines video lessons with complementary instructional material, so you can learn by doing. Domestika's courses also allow you to share your own projects with the teacher and with other students, creating a dynamic course community. All courses are 100% online, so once they're published, courses start and finish whenever you want. You set the pace of the class. You can go back to review what interests you most and skip what you already know, ask questions, answer questions, share your projects, and more. The courses are divided into different units. Each one includes lessons, informational text, tasks, and practice exercises to help you carry out your project step by step, with additional complementary resources and downloads. You'll also have access to an exclusive forum where you can interact with the teacher and with other students, as well as share your work and your course project, creating a community around the course. You can redeem the course you received by accessing the redeeming page and entering your gift code.
Courses you might be interested inMore results... Literature and the laboratory: Where art and science meet
Professor Jennifer Rohn is a cell biologist, microbiologist, and head of the Centre for Urological Biology at University College London. When she isn’t in the lab undertaking vital research into urinary tract infections, she is tirelessly working to communicate the nuances of scientific research and culture through a variety of creative media. She is a novelist, a public speaker, a journalist, as well as being the founder and editor of LabLit.com – a website dedicated to the rich but understudied intersections between laboratory research and literature. Research Features spoke to Jennifer about her research, her creative writing, and the fascinating connections that bind the two. Historically, the interrelations between science and literature have been various, complex, and widely recognised. From the remarkable scientific accuracy of Shakespeare’s plays to the voracious novel-reading of Charles Darwin, science and literature were understood as deeply connected and mutually enriching. Modern science and literature, however, are commonly framed as unbridgeable fields, representing two cultures which are seen as fundamentally unrelated, perhaps even the antitheses of one another. Professor Jennifer Rohn’s work seeks to bridge this artificial chasm, by bringing the modern laboratory into the terrain of the novel. Through her own novels – among them, The Honest Look (2010) and Cat Zero (2018) – and her wider promotion of the genre of ‘lab lit’, she is working to ensure the broad culture of scientific research is accurately and creatively represented within literary works. Research Features were privileged to speak with her about this important interdisciplinary work. Could you give us an introduction to the research you are undertaking in the neglected field of urinary tract infections? Our bodies are covered with bacteria, including certain places inside the body. Urinary tract infection (UTI) happens when the wrong sort of bacterium (or in some cases, fungus) travel up into the bladder, swamping out any friendly resident microbes and causing inflammation and various distressing symptoms. In some cases the bacteria keep travelling and end up in the kidney or bloodstream, which is a more serious problem that can be life-threatening. On the face of it, it doesn’t seem so serious compared with other diseases, and this is probably why relatively little research is being conducted in the area. The fact that it primarily affects women and the elderly may be another reason it’s neglected. But this seemingly modest illness causes an enormous strain on our healthcare system and untold misery for more than 150 million people annually – especially in the one in four patients who experience repeated infections. Another serious issue is the sheer number of antibiotic prescriptions that need to be dispensed, meaning that UTI is a key driver of the global antibiotic resistance (AMR) crisis, in which slowly but surely, we are running out of drugs that still work against infections of all types. If we don’t slow the pace of AMR, we might find ourselves back in the dark ages when surgery becomes unsafe and people die from simple cuts and scrapes. “I am deeply interested in exploring, through my writing, how scientists do their thing, and how the wider world regards us.” In my laboratory at University College London, the team are trying to tackle UTI on several fronts. Some of us work with clinicians and their patients, sampling bacteria from recurrent infections and trying to work out what aspects of their DNA make them invasive and resistant to treatment. These patient-derived bacteria are then used in experiments within our human bladder ‘organoid’, a lab model we use to mimic the body and one which we are continually improving with the latest tissue engineering techniques. These experiments are really exciting: we try to understand, in this carefully controlled setting, precisely how the bacteria interact with the human cells at the molecular level. But bacteria have a variety of tricks to get around our defences, including hiding inside our cells, so it’s a complex problem to unravel. Finally, we have been collaborating for many years with the engineering labs of Prof Mohan Edirisinghe at UCL and Prof Eleanor Stride at Oxford to devise novel therapies for UTI, and commercializing them through the UCL spinout company AtoCap. I’m currently the Chief Scientific Officer of the company, and we are very close to our first-in-human trial of CapFuran, a therapy designed to penetrate the bladder wall and eradicate the bacteria hiding within. It’s been a long journey of a lot of hard lab work to get where we are with CapFuran, and to see this go over the finish line will be such a thrill. Patients have been ignored and underserved for decades and they really deserve new treatments. Alongside your medical research, you are a successful novelist and writer of short fiction. For you, how do these distinct disciplines inform and interact with one another? I won’t say that my writing would be impossible without my research experience, but the writing that I enjoy most centres squarely around science – not the facts and figures, but the culture of the profession and how it intersects with daily life. This is why I blog mostly about my life in science, and my fiction contains scientist protagonists. It’s been my observation that your average person is not familiar with the process of science – how it is done, the uncertainty, the disagreements, the grey areas. I’ve likened science to a rugby scrum, moving generally forward down the pitch, but at any given moment, it might be going backwards. You have to take the long view – today’s breathless headline about a miracle cure might not stand the test of future experimentation. Scientists work incredibly hard and sometimes passionately disagree – it’s a collective endeavour to carve ‘truth’ out of a messy series of millions of individual experiments, filtered through a lens of human bias. So I am deeply interested in exploring, through my writing, how scientists do their thing, and how the wider world regards us. Along the way, I hope that my writing sheds some light on this process for people who wouldn’t otherwise be exposed it – in an entertaining way. As far as the other way around, fiction has become my career ‘what if’ escapism. In my second novel, The Honest Look, a new researcher in a biotech company discovers that the company’s key idea is fatally flawed. At the time, I was myself working in a Dutch biotech company whose premise seemed too good to be true. It did turn out to be true, but I really enjoyed pretending it wasn’t, and imaging the slow-motion fallout. In my third novel Cat Zero, my protagonist is a successful professor. When I started writing the novel, I’d left science and didn’t know if I’d ever make it back, so the story made me somewhat wistful in a what-if sort of way. But I found my way back to science and, nearly two decades later, I’ve just been promoted to professor, so that dream did come true in the end! Do you have any favourite examples of writers who successfully synthesise the scientific and the literary? Barbara Kingsolver’s novel Flight Behaviour is an almost perfect example of what happens when a highly skilled literary author chooses to deal with science (which is sadly rare). The beauty of this story is that it is told from the point of view of someone who, although curious and smart, is uneducated and knows nothing about science. When scientists invade her world – field researchers studying the butterflies in a nearby woods – the character allows us, the reader, to witness the scientists and their work through the eyes of a complete outsider, and we see first-hand how each affects the other. In contrast, Weike Wong’s Chemistry is a fly-on-the-wall account of science told from the scientist’s point of view. You are in the lab with her, claustrophobically so, experiencing the hard work, the challenges and the way the profession can adversely affect mental health. Although it’s very sad, it’s also laugh-out-loud funny and brutally insightful. Science does have a dark underbelly, in the way that it tends to gobble up trainees and spit them out as a low-paid, disposable commodity. I think it’s important for people to understand what the profession is like, warts and all. You are the editor of lablit.com. Could you tell us a little about this webzine, and what you mean by ‘Lab lit’ more generally? ‘Lab lit’, the genre, is exactly what I’ve been talking about – realistic works of fiction that feature scientists as central characters, with the scientific process as part of the plot. It’s not science fiction – which deals with speculative or future scenarios and which often does not contain any scientists. It’s actually a play on words – “laboratory literature”, of course, but also the “lit” lab – the illumination of a hidden world. I coined the term in 2005 because I’d realized how very little lab lit was actually out there, and I thought a fresh name, and pointing out the strange absence of examples, might galvanise writers into action. (At that point it had been known as ‘hard science fiction’ or ‘science-in-fiction’, but I felt those terms weren’t that helpful because they were too similar to ‘science fiction’.) The website has been going for more than 15 years, and it’s a place where we feature new writing or poetry in the genre and highlight examples, interview authors, and even feature scientists talking about their lives. But the most popular component is “the List” – a curated and ever-growing database of works in the genre. Science is central to our lives and according to UNESCO, there are about 8 million active scientists on this planet, but there are only about 300 lab lit novels ever written. This still blows my mind. No wonder scientists and science are misunderstood; it’s an invisible profession. You have experience in scientific communication across a broad range of media. What have been some of the thrills and challenges of engaging with audiences through a variety of channels? There are two barriers when it comes to talking about science. First is the perception, drilled into everyone at a young age, that science is “difficult”, or “scary”, or “boring”. Unfortunately, you might never get that sort of person into the room to work on. This is why I think the lab lit approach is magical: people who wouldn’t be caught dead in a science museum might happily go along to a blockbuster film with well-portrayed scientists in them, such as Gravity or The Martian or Jurassic Park . The second is that scientific information is often very complex, and it takes practice and trial-and-error to know the best way to get things across. My most thrilling and terrifying moment was when I was roped into doing stand-up comedy in a real comedy club. I prepped for three months to do that 8-minute spot, and though people were falling over themselves laughing about life as a UTI researcher, I have never been so happy to have anything over in my life. “Lab lit means realistic works of fiction that feature scientists as central characters, with the scientific process as part of the plot.” You have made important public contributions throughout the COVID-19 pandemic. Do you feel the pandemic has necessitated changes in public medical communication? Before COVID, I did occasionally appear on TV as a media expert, but the pandemic really blew that out of the water. At the very beginning, no one else at my university seemed to want to comment, so since I had a PhD in Virology and was keeping up with the latest science, the press office worked me hard and I found myself giving dozens of interviews a week, pounding the pavements or taking taxis between spots, sometimes not even having time to eat. It was exhausting and exhilarating all at the same time. It’s calmed a bit since but the story is still running, so I’m still giving interviews. Media spots are particularly challenging. The presenters don’t always ask what you expect and there’s very little time, so you need to think quickly to get across the important messages, accurately and in as few seconds as possible. COVID has shown the importance of science communication – what people take away from it can literally be the difference between life and death. The preprint revolution has been a great thing – we are getting scientific results in days, not the traditional months or years, and COVID was a big driver. Maybe it’s not yet been peer reviewed, but late-breaking experimental results being shared as widely as possible has surely accelerated advances in vaccines and evidence-based public health measures. Do you have any advice for scientific researchers who may be looking to communicate their work to new audiences? Think about starting small. Make a social media presence if you don’t already have one; it takes time to build up an audience. Twitter is particularly good for science, but tomorrow it might be something else. If writing is your thing, start a blog to practice and to use as a portfolio when you start pitching to venues. If you’re more into live stuff, take part in an initiative like ‘Soapbox Science’, ‘Fame Lab’ or ‘Pint of Science’, or find out if your university has any engagement work you can help with. If you’re good and persistent, people will start noticing. Do you have any new writing projects in the pipeline? At the moment, it’s a struggle just to stay afloat between research, media work, teaching and spending time with my family and raising my young son. The pandemic seems to have sucked away some of my inspiration, either because of the changeless aspect of working from home, or just the backdrop of human suffering. I have started a sequel to my third novel, but I am not sure when the story will catch fire and start writing itself. My writing drive has ebbed and flowed in the past, so I’m used to these cycles and look forward to the next ‘up’ phase. In the meantime, I am putting a lot of passion and love into my garden. You should see my dahlias! E: [email protected] W: https://jennyrohn.com/ W: LabLit.com Twitter: @JennyRohn Creative Commons LicenceThree core surgical procedures for obstetric brachial plexus injuryW4 – a multi-dimensional root-finding method for nonlinear equationsOptimising water quality monitoring network design for bidirectional river systemsBiomechatronic modelling will change the futureFocusing attention on transcranial magnetic stimulationADD InternationalOrthognathic surgery: Tackling deceptive complexityMost popular articles published in 2021The Creative Writing Laboratory and its Pedagogy
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Want to create or adapt books like this? Learn more about how Pressbooks supports open publishing practices. Writing Laboratory ReportsStacey Corbitt Chapter Overview As a university student, you may be starting to recognize the significance research has to your college community. Have you noticed that professors and administrators get excited about the college receiving research grants? Are professionals at your university collaborating on and celebrating journal publications? High-stakes national-level scholarships are offered to students who show promise for professional research in their fields. All of these indicators considered together point clearly to the importance of research to most institutions of higher learning. This chapter focuses practice on the basic format of college-level primary research writing – the lab report – and helps students to learn the technical writing practice that prepares you to make contributions to the body of knowledge within your chosen field. Why are students required to write lab reports? You may have noticed that when your assignments in various courses require a research report, your professors are likely to insist that you rely on peer-reviewed journal articles for evidence supporting your written arguments. If magazine articles and blog posts were acceptable sources for high school papers, why are peer-reviewed professional and academic journals a big deal in college? The reasons become clear when you understand that a research journal article represents a professional-level version of the lab report . Consider the following list, adapted from the University of Toronto Mississauga Robert Gillespie Academic Skills Centre Writing Resources (n.d.), identifying ways lab reports inform academic pursuits. Lab reports
For students pursuing research as a means of developing deeper knowledge and expert skills in their field, lab reports provide the standard deliverable from scientific exploration in a form that demonstrates the students’ mastery. For professional practitioners in a field, lab reports elevate and expand to the form of research articles that may be peer-reviewed and published for study by other experts and student researchers. In either case, the larger goal of writing about research you have conducted is to expand the scholarly information available in your field of study. What are the standard parts of a lab report? In its “Guidelines for Writing a Lab Report,” Massachusetts Institute of Technology’s Laboratory Fundamentals in Biological Engineering Open Courseware site (2020) posits that “the most common elements of a scientific report, in order of presentation” are: title; list of authors; abstract; introduction; materials and methods; results; discussion; and references. Activity: take a closer look at the Introduction section Study the annotated sample lab report layout on the following pages, which is adapted from the University of Toronto Mississauga’s Robert Gillespie Academic Skills Centre tip sheet on lab reports . Notice that the “most common elements” identified above by MIT are not all present in the sample lab report. Similarly, your assignment guidelines may require specific details that are different from this sample. Always adhere to your assignment specifications. 8 Essential Parts of a Lab Report Read the sample introduction section on the next page and respond to the questions that follow. Note that it is not necessary for you to be familiar with the field of molecular biology to respond to the questions. Discuss the following questions in class and respond in the space provided (or as otherwise directed by your instructor): Review and discuss the tips 5-8 before responding to the additional questions that follow. 8 Essential Parts of a Lab Report Instructions sometimes differentiate between the Materials and Methods section (4. in the document above on the previous page); and the Results section (5. in the sample document) of a lab report by saying that
The point of making such a differentiation between the two sections is that beginning technical writers sometimes combine elements of the two sections in the writing process, costing the lab report significantly in terms of clarity. To be clear, separate the “what I used and what I did” explanation distinctly from the “what I found” description.
Consider the following organizational pattern, which is further discussed in the “Reporting Research Outcomes” chapter of this textbook, in terms of how the body of a lab report is organized.
Practice: examine a published lab report Study the research article, which contains a lab report, on the following pages. The complete article was published under a Creative Commons license (CC-BY-4.0) in the International Journal of Fisheries and Aquaculture (2020) . Note the various essential sections of the lab report, recognizable by the headings placed as signposts in the document. The example follows the IMRaD organizational pattern. A complete copy of the article may be downloaded here . Activity: analyze and evaluate the sample lab report
Chapter conclusion For student researchers, lab reports may be the single most valuable writing tasks they practice. The lab report highlights multiple skills areas student writers should develop to become strong writers within their fields of expertise. This chapter aims to demonstrate the essential parts of lab reports, but also – and perhaps more critically – it offers an exploration of the skills needed to develop lab reports successfully. Completion of the exercises presented should help students see the importance of adhering to standard formats; carefully presenting detail; reporting in a straightforward factual style in Materials and Methods and Results sections, while presenting clear analysis and recommendations in Discussion sections; and practicing the overall style and tone of scientific writing. Obtain and analyze the requirements for lab reports in a particular department or field of study at your university. You may use the lab report assignment specifications for a course in which you are currently enrolled, or for one you may take in the future. If you are unsure how to obtain the instructions for a lab report, consult a teaching assistant, tutor, or lab instructor. Write a memo that introduces and explains the requirements for a well-developed lab report in the course you selected. The audience should be first-year students at your institution. In addition to providing an introduction that identifies the purpose of your memo, address the following points, as appropriate:
Jones, M. D., Voorhees, J. M., Huysman, N., Krebs, E., & Barnes, M. E. (2020). Use of different colours of vertically-suspended structure during the hatchery rearing of juvenile landlocked fall Chinook salmon (Oncorhynchus tshawytscha, Walbaum). International Journal of Fisheries and Aquaculture, 12(2), 21-25 . https://doi.org/10.5897/IJFA2019.0762 . License: CC-BY-4.0 Massachusetts Institute of Technology: MIT OpenCourseWare . https://ocw.mit.edu . License: Creative Commons BY-NC-SA . Robert Gillespie Academic Skills Centre (n.d.). Tip sheet: eight essential parts of a lab report. University of Toronto, Mississauga. License: BY-NC-SA-4.0. https://www.utm.utoronto.ca/asc/sites/files/asc/public/shared/pdf/tip_sheets_writing/LabReport_QR_8EssentialParts_v7.pdf . Mindful Technical Writing Copyright © 2020 by Stacey Corbitt is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted. Share This BookThis website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.
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The Idea of a Writing Laboratory is a book about possibilities, about teaching and learning to write in ways that can transform both teachers and students. Author Neal Lerner explores higher education’s rich history of writing instruction in classrooms, writing centers and science laboratories. By tracing the roots of writing and science educators’ recognition that the method of the lab––hands-on student activity—is essential to learning, Lerner offers the hope that the idea of a writing laboratory will be fully realized more than a century after both fields began the experiment. Beginning in the late nineteenth century, writing instructors and science teachers recognized that mass instruction was inadequate for a burgeoning, “non-traditional” student population, and that experimental or laboratory methods could prove to be more effective. Lerner traces the history of writing instruction via laboratory methods and examines its successes and failures through case studies of individual programs and larger reform initatives. Contrasting the University of Minnesota General College Writing Laboratory with the Dartmouth College Writing Clinic, for example, Lerner offers a cautionary tale of the fine line between experimenting with teaching students to write and “curing” the students of the disease of bad writing. The history of writing within science education also wends its way through Lerner’s engaging work, presenting the pedagogical origins of laboratory methods to offer educators in science in addition to those in writing studies possibilities for long-sought after reform. The Idea of a Writing Laboratory compels readers and writers to “don those white coats and safety glasses and discover what works” and asserts that “teaching writing as an experiment in what is possible, as a way of offering meaning-making opportunities for students no matter the subject matter, is an endeavor worth the struggle.” Table of Contents
Additional InformationProject MUSE MissionProject MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves. 2715 North Charles Street Baltimore, Maryland, USA 21218 +1 (410) 516-6989 [email protected] ©2024 Project MUSE. Produced by Johns Hopkins University Press in collaboration with The Sheridan Libraries. Now and Always, The Trusted Content Your Research Requires Built on the Johns Hopkins University Campus Get the Reddit appI'm writing a novel, and i need some info on lab-people.. Hi! I hope this is ok to ask, but having zero experience about the world of laboratories, and I'm not even quite sure where else to ask these questions. I have a main character who works in a laboratory. In her role, she's running experiments on mice, recording brain activity before and after the application of various electric stimulus (shocking them in particular ways). The research is funded by a tech company. In the story is a male character (love interest) who is going to take her research results and get credit for her work, and then do something nefarious with the results. Based on this brief description, here are my questions: If research is funded by a company, does that mean the researchers are company employees? Or is it a 3rd party contract kind of thing? In your experience, are labs and the companies that fund research ever in an antagonistic relationship? (Ie., do the researchers/lab techs hate ever hate the company they're doing research for, or does that not really exist?) Based on what I described about her, what is her job title? Is she a "researcher?" Does the situation I described (dude taking credit for her research) make sense? Are there "competing researchers" vying for credit? By continuing, you agree to our User Agreement and acknowledge that you understand the Privacy Policy . Enter the 6-digit code from your authenticator appYou’ve set up two-factor authentication for this account. Enter a 6-digit backup codeCreate your username and password. Reddit is anonymous, so your username is what you’ll go by here. Choose wisely—because once you get a name, you can’t change it. Reset your passwordEnter your email address or username and we’ll send you a link to reset your password Check your inboxAn email with a link to reset your password was sent to the email address associated with your account Choose a Reddit account to continuePurdue Online Writing Lab Purdue OWL® College of Liberal Arts Descriptive EssaysWelcome to the Purdue OWLThis page is brought to you by the OWL at Purdue University. When printing this page, you must include the entire legal notice. Copyright ©1995-2018 by The Writing Lab & The OWL at Purdue and Purdue University. All rights reserved. This material may not be published, reproduced, broadcast, rewritten, or redistributed without permission. Use of this site constitutes acceptance of our terms and conditions of fair use. What is a descriptive essay?The descriptive essay is a genre of essay that asks the student to describe something—object, person, place, experience, emotion, situation, etc. This genre encourages the student’s ability to create a written account of a particular experience. What is more, this genre allows for a great deal of artistic freedom (the goal of which is to paint an image that is vivid and moving in the mind of the reader). One might benefit from keeping in mind this simple maxim: If the reader is unable to clearly form an impression of the thing that you are describing, try, try again! Here are some guidelines for writing a descriptive essay.
If your instructor asks you to describe your favorite food, make sure that you jot down some ideas before you begin describing it. For instance, if you choose pizza, you might start by writing down a few words: sauce, cheese, crust, pepperoni, sausage, spices, hot, melted, etc. Once you have written down some words, you can begin by compiling descriptive lists for each one.
This means that words are chosen carefully, particularly for their relevancy in relation to that which you are intending to describe.
Why use horse when you can choose stallion ? Why not use tempestuous instead of violent ? Or why not miserly in place of cheap ? Such choices form a firmer image in the mind of the reader and often times offer nuanced meanings that serve better one’s purpose.
Remember, if you are describing something, you need to be appealing to the senses of the reader. Explain how the thing smelled, felt, sounded, tasted, or looked. Embellish the moment with senses.
If you can describe emotions or feelings related to your topic, you will connect with the reader on a deeper level. Many have felt crushing loss in their lives, or ecstatic joy, or mild complacency. Tap into this emotional reservoir in order to achieve your full descriptive potential.
One of your goals is to evoke a strong sense of familiarity and appreciation in the reader. If your reader can walk away from the essay craving the very pizza you just described, you are on your way to writing effective descriptive essays.
It is easy to fall into an incoherent rambling of emotions and senses when writing a descriptive essay. However, you must strive to present an organized and logical description if the reader is to come away from the essay with a cogent sense of what it is you are attempting to describe. Have a language expert improve your writingRun a free plagiarism check in 10 minutes, generate accurate citations for free.
How To Write A Lab Report | Step-by-Step Guide & ExamplesPublished on May 20, 2021 by Pritha Bhandari . Revised on July 23, 2023. A lab report conveys the aim, methods, results, and conclusions of a scientific experiment. The main purpose of a lab report is to demonstrate your understanding of the scientific method by performing and evaluating a hands-on lab experiment. This type of assignment is usually shorter than a research paper . Lab reports are commonly used in science, technology, engineering, and mathematics (STEM) fields. This article focuses on how to structure and write a lab report. Instantly correct all language mistakes in your textUpload your document to correct all your mistakes in minutes Table of contentsStructuring a lab report, introduction, other interesting articles, frequently asked questions about lab reports. The sections of a lab report can vary between scientific fields and course requirements, but they usually contain the purpose, methods, and findings of a lab experiment . Each section of a lab report has its own purpose.
Although most lab reports contain these sections, some sections can be omitted or combined with others. For example, some lab reports contain a brief section on research aims instead of an introduction, and a separate conclusion is not always required. If you’re not sure, it’s best to check your lab report requirements with your instructor. Here's why students love Scribbr's proofreading servicesDiscover proofreading & editing Your title provides the first impression of your lab report – effective titles communicate the topic and/or the findings of your study in specific terms. Create a title that directly conveys the main focus or purpose of your study. It doesn’t need to be creative or thought-provoking, but it should be informative.
An abstract condenses a lab report into a brief overview of about 150–300 words. It should provide readers with a compact version of the research aims, the methods and materials used, the main results, and the final conclusion. Think of it as a way of giving readers a preview of your full lab report. Write the abstract last, in the past tense, after you’ve drafted all the other sections of your report, so you’ll be able to succinctly summarize each section. To write a lab report abstract, use these guiding questions:
Nitrogen is a necessary nutrient for high quality plants. Tomatoes, one of the most consumed fruits worldwide, rely on nitrogen for healthy leaves and stems to grow fruit. This experiment tested whether nitrogen levels affected tomato plant height in a controlled setting. It was expected that higher levels of nitrogen fertilizer would yield taller tomato plants. Levels of nitrogen fertilizer were varied between three groups of tomato plants. The control group did not receive any nitrogen fertilizer, while one experimental group received low levels of nitrogen fertilizer, and a second experimental group received high levels of nitrogen fertilizer. All plants were grown from seeds, and heights were measured 50 days into the experiment. The effects of nitrogen levels on plant height were tested between groups using an ANOVA. The plants with the highest level of nitrogen fertilizer were the tallest, while the plants with low levels of nitrogen exceeded the control group plants in height. In line with expectations and previous findings, the effects of nitrogen levels on plant height were statistically significant. This study strengthens the importance of nitrogen for tomato plants. Your lab report introduction should set the scene for your experiment. One way to write your introduction is with a funnel (an inverted triangle) structure:
Begin by providing background information on your research topic and explaining why it’s important in a broad real-world or theoretical context. Describe relevant previous research on your topic and note how your study may confirm it or expand it, or fill a gap in the research field. This lab experiment builds on previous research from Haque, Paul, and Sarker (2011), who demonstrated that tomato plant yield increased at higher levels of nitrogen. However, the present research focuses on plant height as a growth indicator and uses a lab-controlled setting instead. Next, go into detail on the theoretical basis for your study and describe any directly relevant laws or equations that you’ll be using. State your main research aims and expectations by outlining your hypotheses . Based on the importance of nitrogen for tomato plants, the primary hypothesis was that the plants with the high levels of nitrogen would grow the tallest. The secondary hypothesis was that plants with low levels of nitrogen would grow taller than plants with no nitrogen. Your introduction doesn’t need to be long, but you may need to organize it into a few paragraphs or with subheadings such as “Research Context” or “Research Aims.” Check for common mistakesUse the best grammar checker available to check for common mistakes in your text. Fix mistakes for free A lab report Method section details the steps you took to gather and analyze data. Give enough detail so that others can follow or evaluate your procedures. Write this section in the past tense. If you need to include any long lists of procedural steps or materials, place them in the Appendices section but refer to them in the text here. You should describe your experimental design, your subjects, materials, and specific procedures used for data collection and analysis. Experimental designBriefly note whether your experiment is a within-subjects or between-subjects design, and describe how your sample units were assigned to conditions if relevant. A between-subjects design with three groups of tomato plants was used. The control group did not receive any nitrogen fertilizer. The first experimental group received a low level of nitrogen fertilizer, while the second experimental group received a high level of nitrogen fertilizer. Describe human subjects in terms of demographic characteristics, and animal or plant subjects in terms of genetic background. Note the total number of subjects as well as the number of subjects per condition or per group. You should also state how you recruited subjects for your study. List the equipment or materials you used to gather data and state the model names for any specialized equipment. List of materials 35 Tomato seeds 15 plant pots (15 cm tall) Light lamps (50,000 lux) Nitrogen fertilizer Measuring tape Describe your experimental settings and conditions in detail. You can provide labelled diagrams or images of the exact set-up necessary for experimental equipment. State how extraneous variables were controlled through restriction or by fixing them at a certain level (e.g., keeping the lab at room temperature). Light levels were fixed throughout the experiment, and the plants were exposed to 12 hours of light a day. Temperature was restricted to between 23 and 25℃. The pH and carbon levels of the soil were also held constant throughout the experiment as these variables could influence plant height. The plants were grown in rooms free of insects or other pests, and they were spaced out adequately. Your experimental procedure should describe the exact steps you took to gather data in chronological order. You’ll need to provide enough information so that someone else can replicate your procedure, but you should also be concise. Place detailed information in the appendices where appropriate. In a lab experiment, you’ll often closely follow a lab manual to gather data. Some instructors will allow you to simply reference the manual and state whether you changed any steps based on practical considerations. Other instructors may want you to rewrite the lab manual procedures as complete sentences in coherent paragraphs, while noting any changes to the steps that you applied in practice. If you’re performing extensive data analysis, be sure to state your planned analysis methods as well. This includes the types of tests you’ll perform and any programs or software you’ll use for calculations (if relevant). First, tomato seeds were sown in wooden flats containing soil about 2 cm below the surface. Each seed was kept 3-5 cm apart. The flats were covered to keep the soil moist until germination. The seedlings were removed and transplanted to pots 8 days later, with a maximum of 2 plants to a pot. Each pot was watered once a day to keep the soil moist. The nitrogen fertilizer treatment was applied to the plant pots 12 days after transplantation. The control group received no treatment, while the first experimental group received a low concentration, and the second experimental group received a high concentration. There were 5 pots in each group, and each plant pot was labelled to indicate the group the plants belonged to. 50 days after the start of the experiment, plant height was measured for all plants. A measuring tape was used to record the length of the plant from ground level to the top of the tallest leaf. In your results section, you should report the results of any statistical analysis procedures that you undertook. You should clearly state how the results of statistical tests support or refute your initial hypotheses. The main results to report include:
The mean heights of the plants in the control group, low nitrogen group, and high nitrogen groups were 20.3, 25.1, and 29.6 cm respectively. A one-way ANOVA was applied to calculate the effect of nitrogen fertilizer level on plant height. The results demonstrated statistically significant ( p = .03) height differences between groups. Next, post-hoc tests were performed to assess the primary and secondary hypotheses. In support of the primary hypothesis, the high nitrogen group plants were significantly taller than the low nitrogen group and the control group plants. Similarly, the results supported the secondary hypothesis: the low nitrogen plants were taller than the control group plants. These results can be reported in the text or in tables and figures. Use text for highlighting a few key results, but present large sets of numbers in tables, or show relationships between variables with graphs. You should also include sample calculations in the Results section for complex experiments. For each sample calculation, provide a brief description of what it does and use clear symbols. Present your raw data in the Appendices section and refer to it to highlight any outliers or trends. The Discussion section will help demonstrate your understanding of the experimental process and your critical thinking skills. In this section, you can:
Interpreting your results involves clarifying how your results help you answer your main research question. Report whether your results support your hypotheses.
Compare your findings with other research and explain any key differences in findings.
An effective Discussion section will also highlight the strengths and limitations of a study.
When describing limitations, use specific examples. For example, if random error contributed substantially to the measurements in your study, state the particular sources of error (e.g., imprecise apparatus) and explain ways to improve them. The results support the hypothesis that nitrogen levels affect plant height, with increasing levels producing taller plants. These statistically significant results are taken together with previous research to support the importance of nitrogen as a nutrient for tomato plant growth. However, unlike previous studies, this study focused on plant height as an indicator of plant growth in the present experiment. Importantly, plant height may not always reflect plant health or fruit yield, so measuring other indicators would have strengthened the study findings. Another limitation of the study is the plant height measurement technique, as the measuring tape was not suitable for plants with extreme curvature. Future studies may focus on measuring plant height in different ways. The main strengths of this study were the controls for extraneous variables, such as pH and carbon levels of the soil. All other factors that could affect plant height were tightly controlled to isolate the effects of nitrogen levels, resulting in high internal validity for this study. Your conclusion should be the final section of your lab report. Here, you’ll summarize the findings of your experiment, with a brief overview of the strengths and limitations, and implications of your study for further research. Some lab reports may omit a Conclusion section because it overlaps with the Discussion section, but you should check with your instructor before doing so. If you want to know more about AI for academic writing, AI tools, or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!
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A lab report conveys the aim, methods, results, and conclusions of a scientific experiment . Lab reports are commonly assigned in science, technology, engineering, and mathematics (STEM) fields. The purpose of a lab report is to demonstrate your understanding of the scientific method with a hands-on lab experiment. Course instructors will often provide you with an experimental design and procedure. Your task is to write up how you actually performed the experiment and evaluate the outcome. In contrast, a research paper requires you to independently develop an original argument. It involves more in-depth research and interpretation of sources and data. A lab report is usually shorter than a research paper. The sections of a lab report can vary between scientific fields and course requirements, but it usually contains the following:
The results chapter or section simply and objectively reports what you found, without speculating on why you found these results. The discussion interprets the meaning of the results, puts them in context, and explains why they matter. In qualitative research , results and discussion are sometimes combined. But in quantitative research , it’s considered important to separate the objective results from your interpretation of them. Cite this Scribbr articleIf you want to cite this source, you can copy and paste the citation or click the “Cite this Scribbr article” button to automatically add the citation to our free Citation Generator. Bhandari, P. (2023, July 23). How To Write A Lab Report | Step-by-Step Guide & Examples. Scribbr. Retrieved August 3, 2024, from https://www.scribbr.com/academic-writing/lab-report/ Is this article helpful?Pritha BhandariOther students also liked, guide to experimental design | overview, steps, & examples, how to write an apa methods section, how to write an apa results section, "i thought ai proofreading was useless but..". I've been using Scribbr for years now and I know it's a service that won't disappoint. It does a good job spotting mistakes” Descriptive Writing with Adjectives: Mad Science Writing LabDescriptionWriting with Adjectives Use this Mad Science Writing Lab to teach your students how to write descriptions with adjectives. This creative writing lesson is perfect for Halloween--or for any time you want to engage your students. Students will imagine wonderful and strange things hissing and fizzing in a mad scientist’s lab. Students will name and write a description for each item. Students will use their descriptions to write paragraphs about the mad scientist’s lab. To help your students write good descriptions and paragraphs, samples and models are provided for each lesson. What You Receive:
Questions & AnswersTip-top printables.
Complete Guide to Writing a Lab Report (With Example)Students tend to approach writing lab reports with confusion and dread. Whether in high school science classes or undergraduate laboratories, experiments are always fun and games until the times comes to submit a lab report. What if we didn’t need to spend hours agonizing over this piece of scientific writing? Our lives would be so much easier if we were told what information to include, what to do with all their data and how to use references. Well, here’s a guide to all the core components in a well-written lab report, complete with an example. Things to Include in a Laboratory ReportThe laboratory report is simply a way to show that you understand the link between theory and practice while communicating through clear and concise writing. As with all forms of writing, it’s not the report’s length that matters, but the quality of the information conveyed within. This article outlines the important bits that go into writing a lab report (title, abstract, introduction, method, results, discussion, conclusion, reference). At the end is an example report of reducing sugar analysis with Benedict’s reagent. The report’s title should be short but descriptive, indicating the qualitative or quantitative nature of the practical along with the primary goal or area of focus. Following this should be the abstract, 2-3 sentences summarizing the practical. The abstract shows the reader the main results of the practical and helps them decide quickly whether the rest of the report is relevant to their use. Remember that the whole report should be written in a passive voice . IntroductionThe introduction provides context to the experiment in a couple of paragraphs and relevant diagrams. While a short preamble outlining the history of the techniques or materials used in the practical is appropriate, the bulk of the introduction should outline the experiment’s goals, creating a logical flow to the next section. Some reports require you to write down the materials used, which can be combined with this section. The example below does not include a list of materials used. If unclear, it is best to check with your teacher or demonstrator before writing your lab report from scratch. Step-by-step methods are usually provided in high school and undergraduate laboratory practicals, so it’s just a matter of paraphrasing them. This is usually the section that teachers and demonstrators care the least about. Any unexpected changes to the experimental setup or techniques can also be documented here. The results section should include the raw data that has been collected in the experiment as well as calculations that are performed. It is usually appropriate to include diagrams; depending on the experiment, these can range from scatter plots to chromatograms. The discussion is the most critical part of the lab report as it is a chance for you to show that you have a deep understanding of the practical and the theory behind it. Teachers and lecturers tend to give this section the most weightage when marking the report. It would help if you used the discussion section to address several points:
Finally, a short paragraph to conclude the laboratory report. It should summarize the findings and provide an objective review of the experiment. If any external sources were used in writing the lab report, they should go here. Referencing is critical in scientific writing; it’s like giving a shout out (known as a citation) to the original provider of the information. It is good practice to have at least one source referenced, either from researching the context behind the experiment, best practices for the method used or similar industry standards. Google Scholar is a good resource for quickly gathering references of a specific style . Searching for the article in the search bar and clicking on the ‘cite’ button opens a pop-up that allows you to copy and paste from several common referencing styles. Example: Writing a Lab ReportTitle : Semi-Quantitative Analysis of Food Products using Benedict’s Reagent Abstract : Food products (milk, chicken, bread, orange juice) were solubilized and tested for reducing sugars using Benedict’s reagent. Milk contained the highest level of reducing sugars at ~2%, while chicken contained almost no reducing sugars. Introduction : Sugar detection has been of interest for over 100 years, with the first test for glucose using copper sulfate developed by German chemist Karl Trommer in 1841. It was used to test the urine of diabetics, where sugar was present in high amounts. However, it wasn’t until 1907 when the method was perfected by Stanley Benedict, using sodium citrate and sodium carbonate to stabilize the copper sulfate in solution. Benedict’s reagent is a bright blue because of the copper sulfate, turning green and then red as the concentration of reducing sugars increases. Benedict’s reagent was used in this experiment to compare the amount of reducing sugars between four food items: milk, chicken solution, bread and orange juice. Following this, standardized glucose solutions (0.0%, 0.5%, 1.0%, 1.5%, 2.0%) were tested with Benedict’s reagent to determine the color produced at those sugar levels, allowing us to perform a semi-quantitative analysis of the food items. Method : Benedict’s reagent was prepared by mixing 1.73 g of copper (II) sulfate pentahydrate, 17.30 g of sodium citrate pentahydrate and 10.00 g of sodium carbonate anhydrous. The mixture was dissolved with stirring and made up to 100 ml using distilled water before filtration using filter paper and a funnel to remove any impurities. 4 ml of milk, chicken solution and orange juice (commercially available) were measured in test tubes, along with 4 ml of bread solution. The bread solution was prepared using 4 g of dried bread ground with mortar and pestle before diluting with distilled water up to 4 ml. Then, 4 ml of Benedict’s reagent was added to each test tube and placed in a boiling water bath for 5 minutes, then each test tube was observed. Next, glucose solutions were prepared by dissolving 0.5 g, 1.0 g, 1.5 g and 2.0 g of glucose in 100 ml of distilled water to produce 0.5%, 1.0%, 1.5% and 2.0% solutions, respectively. 4 ml of each solution was added to 4 ml of Benedict’s reagent in a test tube and placed in a boiling water bath for 5 minutes, then each test tube was observed. Results : Food Solutions (4 ml) with Benedict’s Reagent (4 ml)
Glucose Solutions (4 ml) with Benedict’s Reagent (4 ml)
Semi-Quantitative Analysis from Data
Discussion : From the analysis of food solutions along with the glucose solutions of known concentrations, the semi-quantitative analysis of sugar levels in different food products was performed. Milk had the highest sugar content of 2%, with orange juice at 1.5%, bread at 0.5% and chicken with 0% sugar. These values were approximated; the standard solutions were not the exact color of the food solutions, but the closest color match was chosen. One point of contention was using the orange juice solution, which conferred color to the starting solution, rendering it green before the reaction started. This could have led to the final color (and hence, sugar quantity) being inaccurate. Also, since comparing colors using eyesight alone is inaccurate, the experiment could be improved with a colorimeter that can accurately determine the exact wavelength of light absorbed by the solution. Another downside of Benedict’s reagent is its inability to react with non-reducing sugars. Reducing sugars encompass all sugar types that can be oxidized from aldehydes or ketones into carboxylic acids. This means that all monosaccharides (glucose, fructose, etc.) are reducing sugars, while only select polysaccharides are. Disaccharides like sucrose and trehalose cannot be oxidized, hence are non-reducing and will not react with Benedict’s reagent. Furthermore, Benedict’s reagent cannot distinguish between different types of reducing sugars. Conclusion : Using Benedict’s reagent, different food products were analyzed semi-quantitatively for their levels of reducing sugars. Milk contained around 2% sugar, while the chicken solution had no sugar. Overall, the experiment was a success, although the accuracy of the results could have been improved with the use of quantitative equipment and methods. Reference :
Using this guide and example, writing a lab report should be a hassle-free, perhaps even enjoyable process! About the AuthorSean is a consultant for clients in the pharmaceutical industry and is an associate lecturer at La Trobe University, where unfortunate undergrads are subject to his ramblings on chemistry and pharmacology. You Might Also Like…An introductory guide to atomic force microscopy (afm). All You Need To Know About Covid-19 TestingIf our content has been helpful to you, please consider supporting our independent science publishing efforts: for just $1 a month. © 2023 FTLOScience • All Rights Reserved
Lab Report Format – How to Write a Laboratory ReportA science laboratory experiment isn’t truly complete until you’ve written the lab report. You may have taken excellent notes in your laboratory notebook, but it isn’t the same as a lab report. The lab report format is designed to present experimental results so they can be shared with others. A well-written report explains what you did, why you did it, and what you learned. It should also generate reader interest, potentially leading to peer-reviewed publication and funding. Sections of a Lab ReportThere is no one lab report format. The format and sections might be specified by your instructor or employer. What really matters is covering all of the important information. Label the sections (except the title). Use bold face type for the title and headings. The order is: You may or may not be expected to provide a title page. If it is required, the title page includes the title of the experiment, the names of the researchers, the name of the institution, and the date. The title describes the experiment. Don’t start it with an article (e.g., the, an, a) because it messes up databases and isn’t necessary. For example, a good title might be, “Effect of Increasing Glucose Concentration on Danio rerio Egg Hatching Rates.” Use title case and italicize the scientific names of any species. IntroductionSometimes the introduction is broken into separate sections. Otherwise, it’s written as a narrative that includes the following information:
This section describes experimental design. Identify the parameter you changed ( independent variable ) and the one you measured ( dependent variable ). Describe the equipment and set-up you used, materials, and methods. If a reader can’t picture the apparatus from your description, include a photograph or diagram. Sometimes this section is broken into “Materials” and “Methods.” Your lab notebook contains all of the data you collected in the experiment. You aren’t expected to reproduce all of this in a lab report. Instead, provide labelled tables and graphs. The first figure is Figure 1, the second is Figure 2, etc. The first graph is Graph 1. Refer to figures and graphs by their figure number. For some experiments, you may need to include labelled photographs. Cite the results of any calculations you performed, such as slope and standard deviation. Discuss sources of error here, including instrument, standard, and random errors. Discussion or ConclusionsWhile the “Results” section includes graphs and tables, the “Discussion” or “Conclusions” section focuses on what the results mean. This is where you state whether or not the objective of the experiment was met and what the outcome means. Propose reasons for discrepancies between expected and actual outcomes. Finally, describe the next logical step in your research and ways you might improve on the experiment. References or Bibliography Did you build upon work conducted by someone else? Cite the work. Did you consult a paper relating to the experiment? Credit the author. If you’re unsure whether to cite a reference or not, a good rule of thumb is to include a reference for any fact not known to your audience. For some reports, it’s only necessary to list publications directly relating to your procedure and conclusions. The Tone of a Lab ReportLab reports should be informative, not entertaining. This isn’t the place for humor, sarcasm, or flowery prose. A lab report should be:
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Describe the Scene: Science LaboratoryGive your children the opportunity to get creative and practise their descriptive writing skills with this fun Science Laboratory Describe the Scene picture! Did you know we have lots of free resources , including this Toy Factory Describe the Scene picture ? What's Your Email? Customer ReviewsAdded to your cart:, let customers speak for us. Very cute! Perfect for an introduction. We're pleased you like the resource, Theresa! Diwali Pictures Pack Thanks, Jayne! What's My Number? Thanks, Kirsten! I really like the display cards which are clear and concise with enough information to spark children's interest. Thanks, Ruth - we're so pleased to hear that you're happy with these resources :-) Unfortunately, I took out the 7 day free access when I was very busy so only had a Quick Look! It has run out now. Looked good. Hi Davina, thank you for taking the time to leave us a review! We hope to see you at the hive again soon :-)
2024 Passion For Painting Exhibition
Every day, all day Sunday 4 August to Saturday 31 August Marlene Antico OAM Founder of the Paddington Art Prize handed over the reins to her son Chris Antico and daughter Pia Antico in 2023; with them taking over as Principal Sponsor and Art Prize Coordinator, respectively. Having freed herself from executive control of the prize, Marlene fostered her decades long desire to provide an additional opportunity for unrepresented f inalists to have their artwork exhibited and sold. With this in mind, Marlene conceived of the adjunct personally curated online exhibition 'Passion For Painting'. Passion For Painting exhibition aims to display the variety of ways contemporary artists experienced and painted the Australian landscape over the past 18 months. It is Marlene's hope to continue this adjunct online exhibition project for many years to come, alongside the continued growth of the Paddington Art Prize, now in its 21st year. A digital exhibition of 6 artists selected from unrepresented finalists of the most recent Paddington Art Prize – Exhibition of National Finalists. Curated by Paddington Art Prize Founder, Marlene Antico OAM Anthony Buselli Louisa Chircop Julie Nicholson Mark O'Hara Caitlin Reilly Douglas Schofield All artworks are for sale during August 2024. https://www.paddingtonartprize.com.au/passionforpainting 2024 Paddington Art Prize entries close on August 18th, 5pm https://linktr.ee/paddingtonartprize Main image: Louisa Chircop 'Liquid Wake' Mixed media and photomontage on Yupo paper 38 x 48 cm. For sale $1,200 Contact event organiser Paddington Art Prize Are we missing something? Advertisement Other events at OnlineGrants and sponsorship briefing sessions, bringing characters to life with amy lovat, children’s books writing course with belinda murrell, creative non-fiction course with zoya patel, creative women of own virtual gallery, learn to crochet and make a granny square course, poetry feedback course with ivy ireland, screen acting classes. Discover the best events that Sydney has to offer |
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laboratory. - quotes and descriptions to inspire creative writing. Some heroes wear laboratory coats. By Angela Abraham, @daisydescriptionari, December 14, 2020 . We did God's work in that laboratory, the testing, the rigorous repeats, the trials... and we saved so many good folks, so very many. By Angela Abraham, @daisydescriptionari, December ...
Creative writing is an art form that transcends traditional literature boundaries. It includes professional, journalistic, academic, and technical writing. This type of writing emphasizes narrative craft, character development, and literary tropes. It also explores poetry and poetics traditions.
When describing nature, focus on the colors, shapes, sizes, and textures of the surroundings. Use specific and evocative language that paints a clear picture in the reader's mind. Instead of writing "there were many trees," describe the "towering oaks with their gnarled trunks and emerald canopies.".
May 3, 2018 by dankoboldt Leave a Comment. This article on writing realistic research labs is part of the Science in Sci-fi, Fact in Fantasy blog series. Each week, we tackle one of the scientific or technological concepts pervasive in sci-fi (space travel, genetic engineering, artificial intelligence, etc.) with input from an expert.
In this online course, Mexican writer Karen Villeda shows you her creative process based on experimentation and combining literary genres. She has had more than ten books published, some of which have won awards, and was writer-in-residence at the University of Iowa. Throughout this course, get ready to be introduced to different creative ...
She is a novelist, a public speaker, a journalist, as well as being the founder and editor of LabLit.com - a website dedicated to the rich but understudied intersections between laboratory research and literature. Research Features spoke to Jennifer about her research, her creative writing, and the fascinating connections that bind the two.
But whether writing a long project report, research paper, or brief internal project summary, there are common elements in all technical writing. This guide provides a template for use in BSE for writing laboratory reports. It also covers basic concepts and elements that are common across a wide range of technical writing and types of reports.
The Online Writing Lab (the Purdue OWL) at Purdue University houses writing resources and instructional material, and we provide these as a free service at Purdue. Students, members of the community, and users worldwide will find information to assist with many writing projects. Teachers and trainers may use this material for in-class and out ...
Descriptive Labs SelfGuide. PostLab: writing your lab report SECTION ONE : Methods Describing the lab procedure. Using your lab manual, handouts, and notes taken during the lab as a guide, describe in paragraph form how you did the lab. The point is to demonstrate that you have a solid grasp of the lab procedures, such as conducting a ...
Creative writing research offers a unique opportunity to draw together threads of inquiry from the realms of the creative, the practical and the critical (Kroll and Harper 2013).
Lab reports. communicate the results and importance of an experiment. allow others to replicate the experiment and apply the scientific processes involved. deepen students' knowledge of course material through application and analysis. communicate relevant theories, phenomena, and procedures. follow the overall style of scientific writing.
The Idea of a Writing Laboratory is a book about possibilities, about teaching and learning to write in ways that can transform both teachers and students. Author Neal Lerner explores higher education's rich history of writing instruction in classrooms, writing centers and science laboratories. By tracing the roots of writing and science ...
Every lab has its own culture, which largely reflects the PI's personality. Some labs are slave ships, some are laid back. During my PhD training, I worked in the world's most laid-back lab. I showed up around 9:00 am and made coffee for my boss and the post-doc, who typically showed up around 9:30 or 10:00.
What is a descriptive essay? The descriptive essay is a genre of essay that asks the student to describe something—object, person, place, experience, emotion, situation, etc. This genre encourages the student's ability to create a written account of a particular experience. What is more, this genre allows for a great deal of artistic ...
Introduction. Your lab report introduction should set the scene for your experiment. One way to write your introduction is with a funnel (an inverted triangle) structure: Start with the broad, general research topic. Narrow your topic down your specific study focus. End with a clear research question.
Writing with Adjectives. Use this Mad Science Writing Lab to teach your students how to write descriptions with adjectives.. This creative writing lesson is perfect for Halloween--or for any time you want to engage your students. Students will imagine wonderful and strange things hissing and fizzing in a mad scientist's lab.
Introduction. This Guide is designed to be used in preparing laboratory reports for all general science and engineering courses at IIT. It describes the structure of a good laboratory report, outlines the different sections of the report, and explains the need for each of them. It also introduces some standard conventions and rules for writing ...
As with all forms of writing, it's not the report's length that matters, but the quality of the information conveyed within. This article outlines the important bits that go into writing a lab report (title, abstract, introduction, method, results, discussion, conclusion, reference). At the end is an example report of reducing sugar ...
A typical lab report format includes a title, introduction, procedure, results, discussion, and conclusions. A science laboratory experiment isn't truly complete until you've written the lab report. You may have taken excellent notes in your laboratory notebook, but it isn't the same as a lab report. The lab report format is designed to ...
Dec 9, 2020 - Explore Kimberly Kuntz's board "Writing Lab", followed by 145 people on Pinterest. See more ideas about writing, writing a book, writing inspiration.
Describe the Scene: Science Laboratory. £0.00. SKU FreeBee6424. English. Give your children the opportunity to get creative and practise their descriptive writing skills with this fun Science Laboratory Describe the Scene picture! Did you know we have lots of free resources, including this Toy Factory Describe the Scene picture?
We do it all in-house: Story Lab's expertise in translational science writing means we are fluent in communicating in words, images, algorithms, data graphics, and yes, stick figures. We eliminate line loss: Line loss means inefficiency, confusion, extra cost and diminished impact.It comes from transmitting high voltage ideas across a work flow of craft specialists untrained in 21st century ...
See event description for details on how to connect. When. Every day, all day Sunday 4 August to Saturday 31 August ... Author Belinda Murrell provides feedback on writing for children, enabling you to hone your skills over five months. ... Creative Non-Fiction Course with Zoya Patel. Zoya Patel will provide feedback on your essays and creative ...