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Doctoral Programs

Biostatistics.

Biostatistics applies statistical and probability theory to human health and disease. The PhD program in biostatistics prepares individuals to develop or adapt statistical methods for solving problems in the health field. Students enjoy extensive library and computer facilities, as well as myriad opportunities for involvement in numerous research activities in the biomedical sciences and clinical research, which often lead to dissertation topics.

The department awards a number of fellowships to recognize academic achievement and support future scholarly success. As teaching and research experience are considered an important aspect of the program, these fellowships include some teaching and research apprenticeship.

Admissions Requirements

While many of the applicants admitted to Columbia’s PhD program in biostatistics have already completed (or are completing) master’s degrees in biostatistics, statistics, or a related field, admission is open to well qualified students holding (or completing) bachelor’s degrees. Those admitted with a bachelor’s degree are typically strong students from programs that emphasize a rigorous background in mathematics and/or statistics.

Depending on prior training and background, students may be required to take additional master’s level course work in the Mailman School of Public Health as part of their PhD training.

In addition to the requirements listed below, all applicants must submit an official transcript from each prior institution, a statement of academic purpose, and three letters of evaluation from academic sources. All international students whose native language is not English or whose undergraduate degree is from an institution in a country whose official language is not English must submit Test of English as a Foreign Language (TOEFL) or IELTS scores.

  • Deadline for Fall Admission: December 1
  • Deadline for Spring Admission: No spring admission
  • Resume/CV: Yes
  • Writing Sample: No
  • GRE General: Optional
  • GRE Subject: No

View competencies, course requirements, sample schedules, and more in our Academics section.

  [email protected]

columbia english phd students

Graduate Student Handbook (Coming Soon: New Graduate Student Handbook)

Phd program overview.

The PhD program prepares students for research careers in probability and statistics in academia and industry. Students admitted to the PhD program earn the MA and MPhil along the way. The first year of the program is spent on foundational courses in theoretical statistics, applied statistics, and probability. In the following years, students take advanced topics courses. Research toward the dissertation typically begins in the second year. Students also have opportunities to take part in a wide variety of projects involving applied probability or applications of statistics.

Students are expected to register continuously until they distribute and successfully defend their dissertation. Our core required and elective curricula in Statistics, Probability, and Machine Learning aim to provide our doctoral students with advanced learning that is both broad and focused. We expect our students to make Satisfactory Academic Progress in their advanced learning and research training by meeting the following program milestones through courseworks, independent research, and dissertation research:

By the end of year 1: passing the qualifying exams;

By the end of year 2: fulfilling all course requirements for the MA degree and finding a dissertation advisor;

By the end of year 3: passing the oral exam (dissertation prospectus) and fulfilling all requirements for the MPhil degree

By the end of year 5: distributing and defending the dissertation.

We believe in the Professional Development value of active participation in intellectual exchange and pedagogical practices for future statistical faculty and researchers. Students are required to serve as teaching assistants and present research during their training. In addition, each student is expected to attend seminars regularly and participate in Statistical Practicum activities before graduation.

We provide in the following sections a comprehensive collection of the PhD program requirements and milestones. Also included are policies that outline how these requirements will be enforced with ample flexibility. Questions on these requirements should be directed to ADAA Cindy Meekins at [email protected] and the DGS, Professor John Cunningham at [email protected] .

Applications for Admission

  • Our students receive very solid training in all aspects of modern statistics. See Graduate Student Handbook for more information.
  • Our students receive Fellowship and full financial support for the entire duration of their PhD. See more details here .
  • Our students receive job offers from top academic and non-academic institutions .
  • Our students can work with world-class faculty members from Statistics Department or the Data Science Institute .
  • Our students have access to high-speed computer clusters for their ambitious, computationally demanding research.
  • Our students benefit from a wide range of seminars, workshops, and Boot Camps organized by our department and the data science institute .
  • Suggested Prerequisites: A student admitted to the PhD program normally has a background in linear algebra and real analysis, and has taken a few courses in statistics, probability, and programming. Students who are quantitatively trained or have substantial background/experience in other scientific disciplines are also encouraged to apply for admission.
  • GRE requirement: Waived for Fall 2024.
  • Language requirement: The English Proficiency Test requirement (TOEFL) is a Provost's requirement that cannot be waived.
  • The Columbia GSAS minimum requirements for TOEFL and IELTS are: 100 (IBT), 600 (PBT) TOEFL, or 7.5 IELTS. To see if this requirement can be waived for you, please check the frequently asked questions below.
  • Deadline: Jan 8, 2024 .
  • Application process: Please apply by completing the Application for Admission to the Columbia University Graduate School of Arts & Sciences .
  • Timeline: P.hD students begin the program in September only.  Admissions decisions are made in mid-March of each year for the Fall semester.

Frequently Asked Questions

  • What is the application deadline? What is the deadline for financial aid? Our application deadline is January 5, 2024 .
  • Can I meet with you in person or talk to you on the phone? Unfortunately given the high number of applications we receive, we are unable to meet or speak with our applicants.
  • What are the required application materials? Specific admission requirements for our programs can be found here .
  • Due to financial hardship, I cannot pay the application fee, can I still apply to your program? Yes. Many of our prospective students are eligible for fee waivers. The Graduate School of Arts and Sciences offers a variety of application fee waivers . If you have further questions regarding the waiver please contact  gsas-admissions@ columbia.edu .
  • How many students do you admit each year? It varies year to year. We finalize our numbers between December - early February.
  • What is the distribution of students currently enrolled in your program? (their background, GPA, standard tests, etc)? Unfortunately, we are unable to share this information.
  • How many accepted students receive financial aid? All students in the PhD program receive, for up to five years, a funding package consisting of tuition, fees, and a stipend. These fellowships are awarded in recognition of academic achievement and in expectation of scholarly success; they are contingent upon the student remaining in good academic standing. Summer support, while not guaranteed, is generally provided. Teaching and research experience are considered important aspects of the training of graduate students. Thus, graduate fellowships include some teaching and research apprenticeship. PhD students are given funds to purchase a laptop PC, and additional computing resources are supplied for research projects as necessary. The Department also subsidizes travel expenses for up to two scientific meetings and/or conferences per year for those students selected to present. Additional matching funds from the Graduate School Arts and Sciences are available to students who have passed the oral qualifying exam.
  • Can I contact the department with specific scores and get feedback on my competitiveness for the program? We receive more than 450 applications a year and there are many students in our applicant pool who are qualified for our program. However, we can only admit a few top students. Before seeing the entire applicant pool, we cannot comment on admission probabilities.
  • What is the minimum GPA for admissions? While we don’t have a GPA threshold, we will carefully review applicants’ transcripts and grades obtained in individual courses.
  • Is there a minimum GRE requirement? No. The general GRE exam is waived for the Fall 2024 admissions cycle. 
  • Can I upload a copy of my GRE score to the application? Yes, but make sure you arrange for ETS to send the official score to the Graduate School of Arts and Sciences.
  • Is the GRE math subject exam required? No, we do not require the GRE math subject exam.
  • What is the minimum TOEFL or IELTS  requirement? The Columbia Graduate School of Arts and Sciences minimum requirements for TOEFL and IELTS are: 100 (IBT), 600 (PBT) TOEFL, or 7.5 IELTS
  •  I took the TOEFL and IELTS more than two years ago; is my score valid? Scores more than two years old are not accepted. Applicants are strongly urged to make arrangements to take these examinations early in the fall and before completing their application.
  • I am an international student and earned a master’s degree from a US university. Can I obtain a TOEFL or IELTS waiver? You may only request a waiver of the English proficiency requirement from the Graduate School of Arts and Sciences by submitting the English Proficiency Waiver Request form and if you meet any of the criteria described here . If you have further questions regarding the waiver please contact  gsas-admissions@ columbia.edu .
  • My transcript is not in English. What should I do? You have to submit a notarized translated copy along with the original transcript.

Can I apply to more than one PhD program? You may not submit more than one PhD application to the Graduate School of Arts and Sciences. However, you may elect to have your application reviewed by a second program or department within the Graduate School of Arts and Sciences if you are not offered admission by your first-choice program. Please see the application instructions for a more detailed explanation of this policy and the various restrictions that apply to a second choice. You may apply concurrently to a program housed at the Graduate School of Arts and Sciences and to programs housed at other divisions of the University. However, since the Graduate School of Arts and Sciences does not share application materials with other divisions, you must complete the application requirements for each school.

How do I apply to a dual- or joint-degree program? The Graduate School of Arts and Sciences refers to these programs as dual-degree programs. Applicants must complete the application requirements for both schools. Application materials are not shared between schools. Students can only apply to an established dual-degree program and may not create their own.

With the sole exception of approved dual-degree programs , students may not pursue a degree in more than one Columbia program concurrently, and may not be registered in more than one degree program at any institution in the same semester. Enrollment in another degree program at Columbia or elsewhere while enrolled in a Graduate School of Arts and Sciences master's or doctoral program is strictly prohibited by the Graduate School. Violation of this policy will lead to the rescission of an offer of admission, or termination for a current student.

When will I receive a decision on my application? Notification of decisions for all PhD applicants generally takes place by the end of March.

Notification of MA decisions varies by department and application deadlines. Some MA decisions are sent out in early spring; others may be released as late as mid-August.

Can I apply to both MA Statistics and PhD statistics simultaneously?  For any given entry term, applicants may elect to apply to up to two programs—either one PhD program and one MA program, or two MA programs—by submitting a single (combined) application to the Graduate School of Arts and Sciences.  Applicants who attempt to submit more than one Graduate School of Arts and Sciences application for the same entry term will be required to withdraw one of the applications.

The Graduate School of Arts and Sciences permits applicants to be reviewed by a second program if they do not receive an offer of admission from their first-choice program, with the following restrictions:

  • This option is only available for fall-term applicants.
  • Applicants will be able to view and opt for a second choice (if applicable) after selecting their first choice. Applicants should not submit a second application. (Note: Selecting a second choice will not affect the consideration of your application by your first choice.)
  • Applicants must upload a separate Statement of Purpose and submit any additional supporting materials required by the second program. Transcripts, letters, and test scores should only be submitted once.
  • An application will be forwarded to the second-choice program only after the first-choice program has completed its review and rendered its decision. An application file will not be reviewed concurrently by both programs.
  • Programs may stop considering second-choice applications at any time during the season; Graduate School of Arts and Sciences cannot guarantee that your application will receive a second review.
  • What is the mailing address for your PhD admission office? Students are encouraged to apply online . Please note: Materials should not be mailed to the Graduate School of Arts and Sciences unless specifically requested by the Office of Admissions. Unofficial transcripts and other supplemental application materials should be uploaded through the online application system. Graduate School of Arts and Sciences Office of Admissions Columbia University  107 Low Library, MC 4303 535 West 116th Street  New York, NY 10027
  • How many years does it take to pursue a PhD degree in your program? Our students usually graduate in 4‐6 years.
  • Can the PhD be pursued part-time? No, all of our students are full-time students. We do not offer a part-time option.
  • One of the requirements is to have knowledge of linear algebra (through the level of MATH V2020 at Columbia) and advanced calculus (through the level of MATH V1201). I studied these topics; how do I know if I meet the knowledge content requirement? We interview our top candidates and based on the information on your transcripts and your grades, if we are not sure about what you covered in your courses we will ask you during the interview.
  • Can I contact faculty members to learn more about their research and hopefully gain their support? Yes, you are more than welcome to contact faculty members and discuss your research interests with them. However, please note that all the applications are processed by a central admission committee, and individual faculty members cannot and will not guarantee admission to our program.
  • How do I find out which professors are taking on new students to mentor this year?  Applications are evaluated through a central admissions committee. Openings in individual faculty groups are not considered during the admissions process. Therefore, we suggest contacting the faculty members you would like to work with and asking if they are planning to take on new students.

For more information please contact us at [email protected] .

columbia english phd students

For more information please contact us at  [email protected]

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DEPARTMENT OF STATISTICS
Columbia University
Room 1005 SSW, MC 4690
1255 Amsterdam Avenue
New York, NY 10027

Phone: 212.851.2132
Fax: 212.851.2164

University of Missouri

College of arts and science, phd program.

For those entering the program with an MA, the PhD in English is designed to be a five-year program requiring 30 hours of coursework.* This coursework will contribute to a total of 72 graduate credit hours beyond the BA (the 72-hour total may include credits transferred from the MA degree). Students entering the program with an MA will generally complete their coursework within the first two years.

Students can also enter the PhD program with a BA but without an MA, in which case the program is designed to be a six-year program requiring 72 hours of graduate credit beyond the BA. Of these, 48 hours will consist of coursework,* including at least 27 hours of coursework taken at the 8000-level. Students entering the program with a BA will generally complete their coursework within the first three years. 

Students select and work closely with a faculty advisory committee to plan a course of professional study and training in their chosen primary and secondary fields. The PhD program is meant to provide deep knowledge as well as methodological sophistication. 

* The term "coursework" refers to credits earned in classes and seminars at the graduate level. The term "credit hours" also includes credits earned through dissertation research.

The PhD candidate will take  30 hours of coursework beyond the MA . Coursework must include:

  • At least 18 hours in English at the 8000-level (English 8001, English 8005, English 8095 and 9090 hours do not count toward the 18-hour requirement). 

Candidates’ coursework and program of study will be designed to prepare them as competent scholars in the designated fields. All PhD candidates are required to take:

  • English 8005, Introduction to Graduate Studies, a one-hour course in fall semester of the first year in the program
  • English 8010, Theory and Practice of Composition, is required in the first semester for students teaching English 1000
  • A course in English linguistics focused on the structure of the language (English 7600 or an equivalent graduate course at another institution), on its history (English 7610, English 7200, or an equivalent graduate course at another institution), or on sociolinguistic aspects of English (English 7620 or an equivalent graduate course at another institution)
  • A course in literary criticism (English 8050, 8060, 8070, or an equivalent graduate course at another institution)
  • English 8020, The Theory and Practice of Teaching in English (for students who want to teach literature classes)

PhD students in the creative writing program are required to take:

  • 9 workshop hours at the 8000 level 
  • 6 hours of 8000-level seminars whose content includes in-depth analysis of literary texts. Workshops do not fulfill this requirement. 7000-level courses, or courses outside of the English department may be substituted with the approval of the Director of Creative Writing and the Director of Graduate Studies

A student may elect one English 8095 problems course (a maximum of 3 hours credit), with the prior consent of the Director of Graduate Studies (DGS), but the credits will not count towards the 18-hour 8000-level course requirement. Students may also take up to 9 hours of coursework outside English in fields related to their programs of study upon the advice and consent of the advisory committee. In general, students with limited backgrounds in related areas (such as history, philosophy, art history) are encouraged to take coursework in such areas, while students with extensive background in other areas (e.g., one whose undergraduate major or MA is in a field other than English) should choose to concentrate coursework within the department.

PhD students must fulfill a language requirement to ensure that all students have a familiarity with a language other than English. Students, regardless of specialty, gain substantially by making meaningful connections between their own work and a non-English-speaking culture. 

A student may satisfy the language requirement for the PhD in English by one of the following:

  • By taking coursework at MU. The student must pass with a grade of B or better an intensive introduction to a language, the two-semester introductory sequence of courses, or one course at or beyond the second semester level in the language chosen. 
  • By demonstrating to the Director of Graduate Studies that the student has taken courses equivalent to those specified in item #1 at another college or university.
  • By demonstrating proficiency through a language test. Language tests will be administered by the department in November and April. Those wishing to take a test must notify the DGS in the semester prior. Those students who submitted a TOEFL score as part of their application to graduate school will be considered to have passed the language requirement.

Upon entering the program, students should work with the DGS or a faculty advisor to plan how they will fulfill the language requirement. Projects and areas of study will require different levels of language proficiency. Students’ committees may recommend that they pursue language study beyond the level required by the department.

Below is a sample timeline for completing the PhD within five years of funding. Variations to the timeline can be developed in consultation with a student’s advisor and the Director of Graduate Studies.

Please note that coursework required for the degree must be completed before taking the Comprehensive Exam.

Students who are unable to keep to the 5-year funded PhD timeline because of extreme circumstances (e.g., disability, medical condition, family emergency) should consider applying for an additional semester of funding (see "Additional Semester of Teaching Policy" form in the box to the right side of this page).

Although the Department of English offers only 5 years of guaranteed funding, the Graduate School allows 5 years after entering the program for students to pass their Comprehensive Exams and 5 additional years for students to defend their dissertations after passing their Comprehensive Exams. 

The Qualifying Exam satisfies a Graduate School requirement. The student and advisor should decide on a proposed Plan of Study (D-2 form) to be discussed and approved at the meeting by the doctoral committee. The doctoral committee is composed of at least three faculty members from the English department and at least one faculty member from a department other than English.

Students may use this meeting to shape their fields of study or their lists for the Comprehensive Exam, but this is not required to pass the exam.

Students are encouraged to take the Qualifying Exam by the end of their first year, but may take the exam at the beginning of the second year, if they need more time to compose their doctoral committees.  Regardless of the timing of the exam, all students should discuss a plan for fulfilling degree requirements with their advisors and/or with the Director of Graduate Studies by the end of their first year.

The Qualifying Exam must be a formal meeting, scheduled by the committee chair, with at least three of the four members present. The outside faculty member need not be involved in this meeting, but all four members of the committee must sign the D-1 form. The student is responsible for preparing the forms and bringing them to the meeting.

Selecting an Advisor

The advisor guides students through the qualifying examination, provides crucial advice for a student’s plan of study, helps with topics for the comprehensive examination, and works closely with students as they research and write dissertations or theses. Advisors will help students select internal and external members of examination and thesis/dissertation committees.

Upon entering the English Department, students will be advised by the Director of Graduate Studies. Through individual meetings and in English 8005, the DGS will help students prepare to approach potential advisors. PhD students should research potential advisors in their first semester by taking classes in their fields of interest, talking with experienced graduate students, and consulting with the DGS. Early in the second semester of their study students should meet with potential advisors to determine academic compatibility. Students will need to find an advisor working in their primary area of concentration. This primary area will consist of some combination of historical period, genre, and approach and should be reflected in professional associations and in job listings. Within these areas of primary interest, most students will choose among a small number of potential faculty mentors. In some cases, students will change fields on account of excellent experiences in their first year of graduate study. In choosing an advisor, one should also consider to what extent the faculty member shares methodological interests with the student.

When meeting with a potential advisor, a student should be prepared to discuss both the topic and the methodology that they desire to pursue. A one- or two-page research proposal detailing the broad questions the project will answer and the means by which research questions will be addressed.

For further information, please see the  Graduate School's Guidelines for Good Practice in Graduate Education .

Selecting a Program Committee

Students should approach potential faculty committee members by the end of their first year in the program. The committee is registered with the Graduate School with the D-1 form. 

The PhD Committee consists of at least four faculty members (including the chair). Three of the members will be faculty in the English Department; the fourth may either be an additional member of the English Department or a faculty member from a different department.  Members from outside the department are extremely helpful for some dissertation projects, and students should consult with their faculty advisors about the potential benefits of including one, as well about the composition of their committees in general. As a group, members of the PhD Committee should be equipped to support the student in both prospective primary and secondary fields for the comprehensive examination.

Students can fill out a form to change the composition of the committee, to be signed by the new committee member and the Director of Graduate Studies.

Advising Guidelines

Recognizing that the advising relationship is a mutual one, in which both advisors and students must take responsibility for good communication—about expectations, about what is working well, and about what can be improved—the following is a codification of the observable behaviors that define high-quality graduate advising.

Given that advisors are in positions of power, high-quality advisors consider how their words and actions can impact mentees’ progress. We see high-quality graduate advising as defined by:

Supporting Academic and Professional Development

  • Advisors should meet with their advisees at least once each semester to assess progress toward the degree.
  • Advisors should explain the demands of all aspects of the degree program and work with their advisees to form a communication and collaboration plan in order to do the work of the degree program.
  • Advisors should work with their students to establish a timeline for completing the degree program that includes a schedule of meetings and exams, selecting courses and/or committee members, and a plan for coordinating with other committee members. Advisors should also prepare their advisees for oral exams and defenses.

Providing and Asking for Timely and Substantive Feedback

  • Advisors should strive to respond to student emails within one week of receipt, and provide students with feedback on large documents, such as drafts of exam essays and thesis/dissertation chapters, within 3-4 weeks of receiving them.
  • The advisor should contribute to their students’ professional development by observing their teaching, reviewing documents such as syllabi, conference abstracts, grant and fellowship applications, job letters, etc. Students should allow for at least two weeks for the completing of this work.

Treating Graduate Students as Junior Colleagues

  • Advisors should help the student to find professional employment inside or outside the academy and access other networks/mentors. This will usually involve writing recommendation letters. The student should give the advisor at least one month’s notice of any letters to be written and the advisor should respect the stated deadlines.
  • High-quality mentors provide time, resources, and opportunities fairly and equitably across students they advise. The advisor should avoid any appearance of a quid pro quo relationship with the advisee by refraining from accepting gifts, professional favors, domestic labor, or offers to provide refreshments at exams and meetings.
  • Advisors should be mindful and self-reflective regarding potential subtle barriers for underrepresented advisees (such as race, gender, disability, family responsibilities, mental health and/or personal and financial difficulties) and focus on inclusive ways of achieving the specific tasks and goals associated with degree completing.
  • Advisors recognize there is no “one-size-fits-all” approach to supporting students and enabling their success. High quality advisors make an effort to “meet students where they are” in their professional development and to provide appropriate oversight and scaffolding that allows for continued professional development.

After all required coursework has been completed, PhD students must take the comprehensive examination. This exam consists of a written section and a two-and-a-half-hour oral exam.

Reading Lists

The major field list should reflect the student’s area of scholarly specialization and take into account the student’s interests and intellectual, pedagogical, and/or professional fields.

The minor field list should be a more narrowly focused secondary specialization (for instance, a student with a major list in African-American literature might have a minor list in twentieth-century American fiction), a genre or sub-genre (creative nonfiction, the sonnet, etc.), or an area of thematic focus (Transcendentalism, nature poetry, etc.).

The criticism and theory list should enhance students’ understanding of critical conversations surrounding the works on their major and minor list and can also be used to develop a separate area of specialization in theory that is anticipated to be useful for the dissertation.

All three lists together should comprise approximately 100-120 book-length works or the equivalent in scholarly articles or works in other media (as decided in consultation with the committee), with the major list roughly equivalent in size to the combined minor and criticism/theory lists.

Written Exam

The written section of the comprehensive exam is comprised of  one  essay, intended to prepare students for the dissertation. The essay will prepare creative writing students for the critical introduction and/or the creative dissertation. Although the written exam is submitted to the committee prior to the oral exam, it is expected that students will complete their reading of works on all three lists  before  turning in the final draft of the written exam. The order of this process is crucial, as this reading may well shape a student’s plans for the dissertation and hence inform the topic and substance of the written exam.

The essay will identify and summarize the critical conversation(s) in which a student’s individual dissertation work will participate. This essay may have, but does not require, an original argument. In consultation with their committee members, students are encouraged to shape their written exam to best serve their research needs. The essay must be  15-20 pages ,  not counting additional materials such as bibliography, illustrations, or charts (which should be placed in an appendix). While the essay should refer to both  primary and secondary sources from students’ lists , students may also use other sources relevant to their projected dissertation.

Students will submit two drafts to their committee members: a first draft and a final written exam. The first draft must be submitted for written or oral feedback on how to proceed with revisions at least  four weeks and no more than sixteen weeks before  turning in the final written exam. The committee will evaluate each version of the essay for range and depth of coverage, specificity of references to the works discussed, theoretical grasp of the material, effective synthesis of important approaches or debates, and clarity of organization and style. Once the final written exam has been submitted, committee members will use these criteria to vote on whether the student has passed the written portion of the exam. To proceed to the oral exam, students must receive no more than one vote of “fail” or “abstain.”

At least one month prior to the submission of the final written exam, students should communicate with committee members, alerting committee members to the date the final written exam will be submitted. The advisor should consult with committee members to schedule a tentative date and time for the oral portion of the exam. The oral portion of the exam should take place  at least two weeks and no more than one month  after the final written exam has been submitted. The advisor should inform the Graduate Secretary of the time and place scheduled for the oral examination.

On the agreed upon date, the student should submit the final version of the written exam to the Graduate Secretary, who will distribute the exam to the student’s committee.  Exams submitted to the Graduate Secretary that are either under or over the required page length will not be sent to committee members, but will be referred to the Director of Graduate Study.  Within two weeks of receiving a copy of the exam, committee members will submit evaluations discussing strengths and weaknesses of the essay to the Graduate Studies Secretary, who will forward them to the student and also place copies in the student's file. If the student does not pass the written exam, the oral examination date will be cancelled and the committee will offer advice on rewriting and resubmitting the essay.

University rules require that students are enrolled during the term in which they take their oral exam (to be administered only when MU is officially in session). The oral exam must be completed at least seven months before the defense of the dissertation.  See  https://gradstudies.missouri.edu/current-students/doctoral

The oral section of the comprehensive exam is designed to test a student’s knowledge of the teaching and research fields represented by their reading lists.  Students should be prepared both to answer focused questions about individual works and to speak broadly about the connections among them.  Students should send final copies of their lists to their committee members at least two weeks before the oral exams.

The oral exam will be scheduled for two and half hours and will consist of:

  • Two hours of questions, with format and time allotted to committee members arranged beforehand by the chair of the student's committee
  • Fifteen minutes during which the committee deliberates about the exam
  • Fifteen minutes during which the committee informs the student whether he or she has passed or failed, and discusses the exam with the student. The student may also use this time to schedule follow up meetings with each committee member so that they can discuss the student’s movement toward the prospectus.

Within one week of the oral exam, the chair of the committee is responsible for writing a brief document (up to one page) discussing the exam-- things the student did well on, and things that might be improved upon. The chair must give a copy of this document to the Graduate Secretary, who will forward it to the student and place a copy in the student's file.

In order to pass the student must receive no more than one vote of “fail” or “abstain” on the oral exam. Students who fail the oral examination will be allowed to retake it, but cannot do so sooner than 12 weeks after, or later than the end of the semester following the initial examination. If the student passes the oral examination, all members of the committee must sign the D-3 form. The chair of the committee is responsible for submitting the D-3 form to the English graduate studies office, and the form must be filed with the Graduate School within two weeks after the final completion of the exams. Per Graduate School rules, failure to pass two comprehensive examinations automatically prevents candidacy.

While studying for the Comprehensive Exams and after completing required coursework, students may elect to take English 9090: Dissertation Hours in order to maintain Full Time status (Full Time status according to the Graduate School is 9 hours before a student advances to ABD status). English 9090 may be taken before completion of coursework only with permission of the DGS.

After students complete their Comprehensive Exams, candidacy for the doctoral degree is maintained by enrolling in two credit hours in the fall and spring semesters and one credit in the summer semester up to and including the term in which the dissertation is defended. Failure to enroll continuously in 9090 Research hours (or alternatively, in the 8001 Critical Writing Workshop or Job Market Workshops) until the doctoral degree is awarded terminates candidacy. Guidelines for continuous enrollment can be found on the  Graduate School website .

As soon as possible after passing the comprehensive examination, a candidate should explore a dissertation topic under the guidance of the student’s adviser. Candidates must formally present and describe the topic in a prospectus of no more than 15 pages (excluding bibliography). For the student to remain in good standing, the prospectus and a signed Dissertation Prospectus Approval Form (posted to the right on this page) must be submitted to the English graduate studies office within three months of a successful oral defense of the Comprehensive Examination or first two weeks of the semester following.  In the event revisions are requested by the committee, the advisor will keep the signed form until revisions are made and then submit the form to the office. The advisor should schedule the prospectus conference.

The prospectus should contain five elements:

  • The state of current scholarship in the relevant fields
  • The nature of the dissertation’s intervention in current scholarship
  • A description of method
  • A description of the materials—that is, the objects/archives studied and consulted
  • A short bibliography  

In the case of students writing creative dissertations, the prospectus should primarily describe the critical introduction (see “Creative Dissertation” below); ten pages is a good goal here.

The prospectus should be drafted in consultation with the adviser. Once drafted, it will be the subject of the Prospectus Conference, a meeting of the dissertation committee (outside member optional) covering the student’s ideas and research plans, including schedule. If a majority of the student’s committee doesn’t approve the prospectus, suggestions for revision will be made and the student will submit the revised prospectus only to the adviser; for this reason, students should schedule their meeting with enough time to revise and meet the deadline.

The prospectus must be completed for the student to begin writing, but it is also important because it usually forms the basis of grant applications and dissertation descriptions when the student goes on the job market. It is of long-term use to have a prospectus on file early, even though it is understood that the dissertation may change during research and writing. 

Dissertation

Two types of dissertations are written for our program: the scholarly dissertation and the creative dissertation. 

The  scholarly PhD Dissertation  is a work of original scholarship in a recognizable field covered by departmental expertise. Most dissertations in English are between 200 and 350 pages and combine an original argument with research into the field you explore. By the end of the process of researching and writing the dissertation, the successful student will be one of a few world experts in the field addressed. Therefore topics should be specific enough to allow students to stake a claim to expertise, while broad enough to speak to the general field in which the dissertation is placed. The dissertation becomes the central document upon which you build your academic reputation. At best, it will be ready to go as a book project. Chapters of your dissertation will likely serve as writing samples on the academic job market and might be revised into publications either before or after you have defended it and received your PhD. The dissertation itself will be read by the student’s adviser and a minimum of three other readers. One member of the committee may  be a member of a department other than English. In the process of research and writing, some students work closely with an entire committee; others focus on the responses of their primary adviser to preliminary work.

PhD candidates in Creative Writing generally write a  creative PhD dissertation , which may take the form of a collection of poetry, a novel, a novella, a book-length collection of short stories, or a book-length work of creative non-fiction. To exercise this option, the candidate must have taken 9-12 hours of creative writing seminars as part of the PhD coursework. In addition to the creative part of the dissertation, the candidate will compose a  Critical Introduction , which is an article-length and rigorous critical essay that substantively engages the candidate’s areas of critical interest.

By the rules of the Graduate School, seven months must elapse between a student's successfully passing the PhD Comprehensive Examination and submitting the PhD dissertation.

Defense usually occurs within a month of submission to the committee of an acceptable dissertation. Committee members prepare questions in advance and the defense consists of a conversation regarding the scholarship and writing of the dissertation. The defense is customarily a celebratory occasion. But committee members can—and sometimes do—ask challenging questions that undercut specific and general issues in the project. Students have a chance to incorporate suggestions from the defense into the final document submitted to the Graduate School. Therefore, it is useful to schedule the defense some weeks before the final deadline for submission to the Graduate School in the term in which the student wishes to graduate. For the dissertation to be successfully defended, the committee must vote to pass it with no more than one abstaining or dissenting vote. If the dissertation is not passed, the student can revise in accordance with suggestions and resubmit.

The advisor will schedule two and half hours for the defense. It will consist of: two hours of questions and conversation, fifteen minutes during which the committee deliberates about the exam, and fifteen minutes during which the committee discusses the outcome and any revisions to be incorporated into the final copy turned in to the Graduate School.

PhD students may elect to invite people outside of their committees to attend their defenses. The student and advisor should agree on whether the audience can be present for the whole defense or just the opening portion. The audience may not be present for committee deliberations from which the PhD candidate is excluded. Audience members may observe but cannot ask questions, give comments, or reduce the allotted time for committee questioning in any way. Recording or livestreaming the defense is not permitted.

For instructions on filing your dissertation, see:  https://gradstudies.missouri.edu/current-students/thesis-dissertation/thesis-dissertation-guidelines/

Dissertations in Progress

Updated 5/2/2024

Heather Asbeck

“Pockets in Print: Reading the Material Circumstances of Women's Lives, 1840-1870”

Director: Nancy West

Director: Anand Prahlad

Blake Estep

"'Continually Reimagined and Contested': A Narrative Theory Approach to Four Reconstruction Novels"

Director: John Evelev

Chelsea Fabian

“Identities Unbound: Queer Liminality, Futurity, and Other-World Speculative Fiction”

Director: Becca Hayes

Anna McAnnally

"Unserious Adaptation: Connections between 19th and 21st Century Literary Culture in Adaptations of Little Women"

Director: Alexandra Socarides

Jesutofunmi Omowumi

“The African Diasporic Novels of Geo-Poethics: Decolonizing Black

Anthropocenes in the Contemporary Climate Change Crisis”

Director: Christopher Okonkwo

McKenzie Peck

"A History and Examination on Robert Thornton and His Manuscripts"

Director: Emma Lipton

Maurine Pfuhl

"Heavily Perfumed Women"

Director: Julija Ŝukys

Shelby Preston

"Performing Disidentifications in Chivalric Romance at the Anglo Scottish Border"

Yoonjae Shin

“Gothic Jurisprudence: Genre, Gender, and the Rule of Law”

Director: Noah Heringman

Recent Dissertations

(2023-2026)

Micaela Bombard (PhD 2023) "Grievances & Appeals" poetry collection and "Poetry as Accommodation: Reconciling Pain, Language & Theory in Disability Studies" critical introduction.

K. Mikey Borgard (PhD 2024) "Marathon"

Bailey Boyd (PhD 2023) "Fathoming"

Erick Burdock (PhD 2024) "Queer Humor & Resistant Readings in Canonical Gothic Film and Literature"

Tyler Corbridge (PhD 2024) "Desert Whaling"

Hailey Cox (PhD 2024) "The Opposite of Gone"

Cass Donish (PhD 2024) "Your Dazzling Death"

Samantha Edmonds (PhD 2024) "A World to Hold Us All"

Lindsay Fowler (PhD 2023) "Bury the Key: A Book of Houses"

Ariel Fried (PhD 2024) "Being and Belonging in Victorian Fiction, Science, and Medicine: Subjectivity and Affective Relations Constructing Victorian Time and Space (1847-1897)"

AnneElise Hatjakes (PhD 2024) "The Suicide Table"

Heather-Heckman-McKenna (PhD 2023)  " Eighteenth-Century Sensibility and the Subversive Female Body"

Jolie Mandelbum (PhD 2023) "The Monstrous Ordinary: The Erasure of the Women of Weird Tales and the Implications for Monster Theory"

Thanh Nguyen (PhD 2024) "The English and Vietnamese Languages of the Vietnamese Americans in the US"

Anna Perrigo (PhD 2024) "Motherhood and Food in Twenty-First Cetury Transnational Literature"

Erin Regneri (PhD 2023) "We Must Look a Long Time Before We Can See: The Art and Science of Thoreau's Early Work"

Brittany Wilson (PhD 2024) "Futurist Deep Mapping: Cartographies of Resistance in Contemporary BIWOC Climate Justice Literature"

Allison Wiltshire (PhD 2024) "Breakable Binaries: Representations of Twins in African and African American Literature, Film, Television, and Cultures"

(2019-2022)

Ashley Anderson (PhD 2022) “ Sifting the Feminine Bones: Essays”

Megan Abrahamson (PhD 2020) “Medieval Romance, Fanfiction, and the Erotics of Shame”

Gregory Allendorf (PhD 2019) “Bottle Fly”

Jordi Alonso (PhD 2021) "An Island of Nymphs:" Elizabeth Barrett Browning and Victoria Women's Classical Education"

London Brickley (PhD 2019) “Science Frictions:  S cience, Folklore, and ‘The Future’”

Elise Broaddus (PhD 2020) "`the back-and-forth form': Epistolary Mediation in Late Medieval English Literature"

Gwendolyn Edward (PhD 2021) "Refrain"

Carley Gomez (PhD 2021) "The First Inch of a Saguaro"

Elijah Guerra (PhD 2022) “Spatial Politics in Genre in the 21st Century Arabic Novel in English”

Jacob Hall (PhD 2022) “The Conditions”

Kate Harlin (PhD 2020) “'One Foot on the Other Side': Suicideality in Contemporary African Diaspora Fiction”

Aaron Harms (PhD 2021) "Selling You On Flexibility: Toward a Flexible Framework for Reflexive Administration of Writing Centers"

Emilee Howland-Davis (PhD 2019) “Magical Safe Spaces: The Role of Literature in Medieval and Early Modern Magic”

Vedran Husic (PhD 2020) “Book of Apparitions”

Sean Ironman (PhD 2020) “As Many Roast Bones As You Need”

Kate Kelley (PhD 2019) “Policing the Boundaries of Whiteness: Monsters Made in the USA”

Travis Knapp (PhD 2021) "Anti-Calvinist? Ceremonial Conformity and Laudian Writing, Reconsidered (c. 1590-1640)"

Neriman Kuyucu (PhD 2020) “Transnational Spaces, Transitional Places: Muslimness in Contemporary Literary Imaginations”

Peter Lang (PhD 2022) “Between the body and language: Subjectivity and the literary arts”

Lawrence Loiseau (PhD 2019) “A Lacanian Reply to Marx: The Necessity of Topology in the Formation of the Social”

Timothy Love (PhD 2021) "Black Skin Matters: The Significance of Color in Early Modern England"

Jennifer McCauley (PhD 2020) “When Trying to Return Home: Stories”

Teresa Mildbrodt (PhD 2019) “Sharp Things, or the Silver Lines are Not Scars”

William Moore (PhD 2019) “Brain Catalogue”

Angela Netro (PhD 2022) "The Wise Avenue"

Rebecca Pelky (PhD 2020) “Through a Red Place”

Katie Rhodes (PhD 2022) “ Rites of Leaving”

Brian Rodriguez (PhD 2021) "Beautiful Phantoms: British Literature, Political Economy, and Biopolitics from 1780-1855"

Donald Quist (PhD 2021) “The Freedoms of B. Kumasi”

Bradley Smith (PhD 2018) “Canon”

Joseph D. Smith (PhD 2019) “Worried Notes: Poems”

Nicole Songstad (PhD 2021) "Social Networks of Friendship in the Writings of Early Medieval English Women"

Steven Watts (PhD 2020) “Occupy, Blockade, Circulate: Narrating Community in 21st Century Crisis Fiction”

Kacy Walz (PhD 2022) “ The Graduate Student Novel: A New Subgenre in University Fiction”

Jake Young (PhD 2020) “All I Wanted” (creative); “On Poetry: The Emergence and Function of Meaning” (critical)

(2014-2018)

Jessie Adolph (PhD 2018) “Dee-Jay Drop that ‘Deadbeat’: Hip-Hop’s Remix of Fatherhood Narratives”

Khem Aryal (PhD 2015) “Rewriting the Creative: Toward a Happenings Theory of Creative Compositions” (critical); “The Last Monarchist:Stories from Nepal” (creative)

Dorothy Atuhura (PhD 2018) “Documenting ‘Harm’: Mediated Representations of Gendered Bodylore from Sub-Saharan Africa”

Constance Bailey (PhD 2015) “It Takes a Village: Twentieth Century Black Women’s Fiction and the Spiritual Apprenticeship Narrative”

Allison Balaskovits (PhD 2015) “Magic for Unlucky Girls:Stories”

Anne Barngrover (PhD 2016) “Brazen Creature”

Toby Beeny (PhD 2018) “Ecclesiastical Advice Literature in Anglo-Saxon England”

Colin Beineke (PhD 2018) “Assembling Comics: The House Style and Legacy of  RAW  Books and Graphics”

Deanna Benjamin (PhD 2018) “The Education of a Gambler’s Daughter”

Julie Christenson (PhD 2018) “Interpretive Cultures and Anglo-Saxon Texts”

Corinna Cook (PhD 2018) “Leavetakings”

Andrew Darr (PhD 2018) “Masculinity in Early Modern English Revenge Drama and City Comedy”

Joanna Eleftheriou (PhD 2015) “This Way Back: Essays from Cyprus”

Lauren Fath (PhD 2015) “My Hands, Remembering”

Marissa Fugate (PhD 2016) “Midnight’s Children: The Adolescent Body in the Age of Nations”

Lianuska Guiterrez (PhD 2015) “And the Wood Doll Arose and Told, I’m a Real”

Ryan Habermeyer (PhD 2017) “Babbler: A Novel”

Rachel Hanson (PhD 2016) “Dislocations”

Stephen Haynie (PhD 2018) “Escalations: Stories”

Brianne Jaquette (PhD 2015) “The Locomotive and the Tree: Industrial Pittsburgh’s Late Nineteenth-Century Literary Culture”

Sarah Johnson (PhD 2017) “Mr. Boswell Peels an Orange”

Jennifer Julian (PhD 2017) “I’m Here, I’m listening: Short Stories”

Ruth Knezevich (PhD 2015) “Narrative as Archive: Ethno-Historical Paratexts in British Literature, 1760-1830”

Patrick Lane (PhD 2016) “Medieval Death Trip”

Miranda Mattingly (PhD 2016) “A Circuit of Haunting Pictures: Theorizing the Space of Readership in ‘Condition of England’ Literature and the Periodical Press, 1845-1889”

Elizabeth McConaghy (PhD 2015) “Migrations”

LaTanya McQueen (PhD 2017) “When the Evening Comes” (fiction); “And It Begins Like This” (nonfiction)

Juliette Paul (PhD 2015) “Transatlantic Geographies of Faith in the Long Eighteenth Century”

Kavita Pillai (PhD 2018) “The Refashioning of Fundamentalist Nostalgia in the Age of Globalization: Charting the Rise of the Right Wing via Textual Trends”

Nick Potter (PhD 2018) “Big Gorgeous Jazz Machine”

Nick Robinson (PhD 2016) “Our Family Walks”

Eric Russell (PhD 2016) “Nature, Materiality, and Human Agency in the Literature of the Great Lakes, 1790-1853”

Travis Scholl (PhD 2018) “Of the Burning”

Eric O. Scott (PhD 2018) “The Pagan’s Progress, or, The Invention of Pilgrimage”

Carli Sinclair (PhD 2018) “‘This Land is My Land’: Authority and Landscape in American Women’s Nonfiction, 1843-1903”

Magi Smith (PhD 2016) “The Drama of Dissent: Pamphleterring Culture and Performative Protestantism:1650-1795”

Gregory Specter (PhD 2014) “Harriet Beecher Stowe and the Circulation of Texts”

Jennifer Spitulnik (PhD 2015) “No People Like #ShowPeople: Broadway Performers”

Christopher Strelluf (PhD 2015) “We Have Such a Normal, Non-Accented Voice’: A Sociophoentic Study of English in Kansas City

Raymond Summerville (PhD 2016) “The Fetishization of Firearms in African‐American Folklore and Culture”

Chun Ye (PhD 2016) “HAO”

Jihun Yoo (PhD 2015) “The Frontier Myth and The Frontier Thesis Contemporary Genre Fiction”

Tyler CorbridgeAssociate Teaching Professor, The Pennsylvania State UniversityCreative Writing
Hayli CoxTenure-track Assistant Professor of Creative Writing, Waldorf UniversityCreative Writing
Ariel FriedPost-Doc Faculty, University of Missouri, Columbia, MO Literature
Anna PerrigoAssistant Professor, Lincoln University, Jefferson City, MOLiterature

Micaela BombardPost-Doc Faculty, University of Missouri, Columbia, MO Creative Writing
Bailey BoydAssistant Director of the Writing Center, University of Missouri, Columbia, MOCreative Writing
Lindsay FowlerInstructor of English, University of Missouri, Columbia, MOCreative Writing
Heather Heckman-McKennaInstructor of English, University of Missouri, Columbia, MOCreative Writing
Jolie Mandelbaum Creative Writing
Erin RegneriInstructor of English, University of Missouri, Columbia, MONineteenth Century American

Elijah GuerraAssistant Professor of English Composition, University of CincinnatiLiterature
Ashley AndersonInstructor of English, University of Missouri, Columbia, MOCreative Writing
Jacob HallInstructor of English, University of Missouri, Columbia, MOCreative Writing
Peter LangLecturer, University of Central ArkansasCritical Theory
Katie RhodesMedical Student, University of Missouri School of MedicineCreative Writing
Kacy WalzWriting Instructor, Walden Writing Center, Walden UniversityAmerica Literature

Jordi AlonsoMA Student, Classical Studies Program, Columbia University of New YorkCreative Writing, Poetry
Gwendolyn EdwardAssistant Professor of English/Creative Writing, Murray State University, Murray, KY 
Carley GomezPre-Law Advisor, Lead for Professional Development, Center for Pre-Law Advising, University of Madison-Wisconsin, Madison, WICreative Writing, Fiction
Aaron HarmsDirector, Writing Center, University of Missouri, Columbia, MORhetoric and Composition
Travis KnappTenure-Track Assistant Professor, English Department, Valley City State University, North Dakota 
Timothy LoveLecturer, English Department, Auburn University, Auburn, AlabamaEarly Modern British Literature
Donald QuistAssistant Professor of English, University of Missouri, Columbia, MOCreative Writing
Brian RodriguezInstructor of English, University of Missouri, Columbia, MORomantic Literature
Nicole SongstadLibrary Supervisor, Indiana University, Bloomington, INLiterature

Elise BroaddusInstructor of English, University of Missouri, Columbia, MOMedieval Literature
Megan AbrahamsonPart-Time Faculty, Central New Mexico Community CollegeMedieval Literature
Katelyn HarlinAssistant Professor of Postcolonial Literature, Eureka CollegeAfrican Diaspora Studies'
Vedran HusicAdjunct Professor, Saint Leo University (FL)Creative Writing, Fiction
Sean Ironman

Post-Doctoral Fellow of Writing, US Naval War College, Newport, RI

Creative Writing
Neriman KuyucuTeaching Focused Position, Koç University (Turkey)Diaspora Literature and Academic Writing
Jennifer McCauleyAssistant Professor  of Creative Writing, University of Missouri-Kanasas CityCreative Writing, Fiction
Rebecca PelkyAssistant Professor of Creative Writing, LeMoyne College, Syracuse NYCreative Writing, Poetry
Steven WattsLecturer, School of Business, University of Wisconsin-MadisonContemporary Literature

Gregory Allendorf

Adjunct Instructor, English Department, University of Missouri 

Creative Writing, Poetry

Devin Day

Lecturer, Writing Program, University of Massachusetts 

Contemporary American Literature

Emilee Howland-Davis

Assistant Teaching Professor, University of Wisconsin-Superior 

Medieval Studies

Kate Kelley

Visiting Assistant Professor, Religious Studies, University of Missouri

Folklore

Teresa Milbrodt

Assistant Professor, Michigan State University (Michigan) 

Creative Writing, Fiction

William Moore

 Associate Content Producer, Three Ships (Raleigh, North Carolina)

Creative Writing, Nonfiction

Bradley Smith

English Teacher, Liberty High School (Missouri) 

Creative Writing

J.D. Smith

Genealogist & Lecturer at The Rheinland American: Genealogy Services 

Creative Writing

Jessie Adolph 

Assistant Professor of English, Georgia State University, Decatur, Georgia

Folklore 

 

Dorothy Atuhura 

Lecturer, Kyambogo University (Uganda) 

Folklore 

Bodylore from Sub-Saharan Africa 

Deanna Benjamin 

Assistant Dean and Academic Coordinator, Washington University (Missouri)  

Creative Writing 

 

Julie Christenson  

Rare Book Librarian at Texas Christian University, Fort Worth, Texas 

Medieval 

 

Corinna Cook 

Fulbright Visiting Researcher Award, Whitehorse, Yukon 

Creative Writing 

 

Stephen Haynie 

  

Creative Writing 

“Escalations: Stories” 

Leanna Petronella 

Content Creater @ Aceable (Texas) 

Creative Writing 

 

Kavita Pillai 

Product Engagement for Strategic Accounts, Deem, Inc. 

Global Literature 

“Democracy and the Failure of Liberalism: Globalization and the Reemergence of Orientalist
Essentialism in Hindutva’s Construction of Fundamentalist Hindu Identity” 

Nick Potter 

Visiting Assistant Professor, School of Visual Studies, University of Missouri 

Creative Writing 

 

Travis Scholl 

Managing Editor, Theological Publications at Concordia Seminary (Missouri) 

Creative Writing 

 

Eric O. Scott 

Field Rep, Laborers International Union of North America Local 773 Mid Missouri 

Creative Writing, Creative Non-fiction 

 

Carli Sinclair 

Visiting Professor, Stephens College (Missouri) 

Ninteenth-Century American Literature 

“‘This Land is My Land’: Authority and Landscape in American Women’s Nonfiction, 1843-1903” 

Toby Beeny

Master Instructor, Indian River State College (Florida) 

Medieval Literature

(critical dissertation)

Colin Beineke

Professor of English, SCAD - The University of Creative Careers (Georgia) 

Contemporary American Literature

(critical dissertation)

Andew Darr

English Teacher, Centralia High School (Missouri) 

Early Modern Literature

(critical dissertation)

Ryan Habermeyer

Assistant Professor of English, tenure-track, Salisbury University (Maryland) 

Creative Writing and Literature

(fiction) and (critical dissertation)

Jennifer Julian

Fiction Writer in Residence at Allegheny College (Pennsylvania) 

Creative Writing, fiction

(fiction)

LaTanya McQueen

Assistant Professor, Coe College (Iowa)

Creative Writing, fiction

The Evening Comes (novel); (essays)

Anne Barngrover

Assistant Professor of Creative Writing-Tenure Track, Saint Leo University (Florida)

Creative Writing, Poetry

(poetry) 

Rachel Hanson

Oliver O'Connor Creative Writing Fellow, Colgate University 

Creative Writing, Nonfiction

Dislocations

Patrick Lane

Tenure-Track Position, Culver-Stockton College (Missouri) 

Creative Writing, Fiction

Megan Peiser

Assistant Professor of Eighteenth-Century Literature at Oakland University (Michigan)

Eighteenth-Century Literature

Nick Robinson

Associate Professor, Claflin University

Creative Writing, Poetry

Our Family Walks

Eric Russell

Lecturer, Central Michigan University (Michigan) 

Eighteenth and Nineteenth Century American Literature 

Nature, Materiality, and Human Agency in the Literature of the Great Lakes from 1790 to 1853

Maggie Smith

Associate Professor, Moberly Area Community College 

Early Modern Literature

The Drama of Dissent: Pamphleterring Culture and Performative Protestantism: 1650-1795

Khem Aryal

Assistant Professor, Arkansas State University

Rhetoric and Composition

(fiction) and   (critical dissertation)

Constance Bailey

Assistant Professor of African American Literature and Folklore, Georgia State University 

English/African American Studies

Joanna Eleftheriou

Assistant Professor, University of Houston-Clear Lake

Creative Writing, Nonfiction

Lauren Fath

Assistant Professor, Highlands University (NM)

Creative Writing, Nonfiction

Brianne Jaquette

Assistant Professor, College of the Bahamas 

Nineteenth Century American Literature

Ruth Knezevich

Postdoctoral Fellow, Royal Society of New Zealand Marsden Trust 

Long 18 Century

Paratexts in British Literature, 1760-1830

Juliette Paul

Assistant Professor, Christian Brothers University

Eighteenth-Century British Literature

Jennifer Spitulnik

Adjunct Assistant Professor, Stephens College (MO)

Folklore 

Jess Bowers 

Assistant Professor of English, Maryville University 

Creative Writing, Fiction 

 

Meagan Ciesla 

Assistant Professor, Gonzaga University 

Creative Writing, Fiction 

 

Naomi Clark 

Assistant Professor and Director of the Writing Center, Loras College (IA) 

Rhetoric and Composition 

 

Darcy Holtgrave 

Program Manager, MedOpp Advising Office, Honors College, University of Missouri 

Folklore 

an Ethnographic Description and Narrative Analysis of Youtube Blogs on Mental Illness 

Shelli Homer 

Associate Faculty, MiraCosta College 

African Diaspora Literature 

 

Claire McQuerry 

Assistant Professor, Kutztown University (Pennsylvania) 

Creative Writing, Poetry 

 

Bethany Peterson 

Assistant Professor, Grand Valley State University (MI) 

Creative Writing, Nonfiction 

 

Melissa Range 

Assistant Professor, Lawrence University 

Creative Writing, Poetry 

 

Alison Rutledge 

Student Success Coordinator, STEM Division, Southern Oregon University

Victorian Literature 

 

Gregory Specter 

Visiting Assistant Professor, Duquesne University  

Nineteenth Century American Literature 

Harriet Beecher Stowe and the Circulation of Texts 

Christopher Strelluf 

Assistant Professor, University of Warwick (UK) 

Linguistics 

Sociophonetic Study of English in Kansas City 

Joseph Aguilar 

Assistant Teaching Professor, Worcester Polytenic Institute 

Creative Writing, Fiction 

 

Luke Gibbs 

Professor, Evangel University 

British Romanticism 

 

Stephanie Kartalopoulos 

Learning & Performance Business Partner at Forward Air Corporation, Georgia

Creative Writing, Poetry 

 

Caitlin Kelly 

Lecturer, Case Western Reserve University 

Eighteenth Century British Literature 

 

Zaid Mahir 

Instructor, University of Central Missouri 

World Literature 

  Coover’s The Public Burning and ‘AbdulKhaaliq al-Rikaabi’sSaabiAyaam al-Khalq 

Katharine McIntyre 

Assistant Professor, Worcester Polytechnic Institute 

Creative Writing, Fiction 

 

Rebecca Mouser 

Assistant Professor, Missouri Southern State University 

Medieval Literature 

AlliterativeMorte d’Arthur   Sir Gawain and the Green Knight 

Darren Pine 

Online Instructor-Mizzou Online, University of Missouri 

Medieval Literature 

The Poetics of the Medium: Aesthetic Forms and Technologies of the Word in the English Middle Ages 

Claire Schmidt 

Associate Professor, Missouri Valley College 

Folklore & Oral Tradition 

Laugh You'll Cry": The Occupational Humor of White American Prison Workers and Social Workers 

Derek Updegraff 

Associate Professor, California Baptist University 

Medieval Literature 

AElfric of Eynsham 

Ramsay Wise 

Instructor, University of Missouri 

Film Studies 

 

Megan Woosley 

Assistant Professor, Department of English, Francis Marion University (South Carolina) 

Medieval Literature 

  

Jonas Cope

Assistant Professor, California State University-Sacramento

British Romanticism

Gregory Dunne

Professor, Miyazaki International College (Japan)

Creative Writing, Nonfiction

Sharon Emmerichs

Assistant Professor, University of Alaska-Anchorage

Renaissance Literature

Robert Long Foreman

Assistant Professor, Rhode Island College

Creative Writing, Nonfiction

Kevin Henderson

Chair, Languages and Literature, Assistant Professor, and Faculty Coordinator for English, Drury University

Rhetoric and Composition

Dissertation: Writing to Feel / Feeling to Write: Utilizing Emotion Theory and Performance Studies in Creative Writing Pedagogy

Shelley Ingram

Assistant Professor, University of Louisana-Lafayette

Folklore 

Debbie Lelekis

Assistant Professor, Florida Institute of Technology 

American Literature

Spectatorship in the Crowd in American Literature, 1880-1920 

Joanna Luloff

Assistant Professor, University of Colorado-Denver

Creative Writing, Fiction;

Transnational Literature

Happened(creative dissertation) and (critical dissertation)

Dustin Michael

Assistant Professor, Savannah State University 

Creative Writing

Triptych: Essays of Place and Travel

Neesha-Elizabeth Navare

Assistant Professor, Savannah State University 

Creative Writing 

Night and Day

John Nieves

Assistant Professor, Salisbury University (MD)

Creative Writing, Poetry

 

Peter Ramey

Assistant Professor, Northern State University (SD)

 Medieval Literature

s

Joseph Scott

Lecturer, Center for English Language Learning, University of Missouri

American Literature

The American Alien: Immigrants, Expatriates and Extraterrestrials in Twentieth-Century U.S. Fiction

Erin Wilson

Visiting Affiliate Assistant Professor, Loyola University (MD)

Victorian Literature

Ramsay Wise

Lecturer, Missouri Science and Technology 

American Literature

Film in Post-World War II American Fiction 

Katy Didden

Assistant Professor, Ball State University

Creative Writing, Poetry

   

Philip Howerton

Professor, Missouri State University-West Plains

American Literature, Rhetoric and Composition

 

Shelley Ingram

Professor, English Department, University of Louisiana-Lafayette

American Literature

"To See a Little Differently": Racialized Discourses in the Study of American Literature

Peter Monacell

Chair of the Language and Communication Studies Department and Assistant Professor of English, Columbia College (MO)

American Poetry

 

Chad Parmenter

Visiting Assistant Professor,
Niagara University (NY)

Creative Writing, Poetry

Angela Rehbein

Associate Professor, West Liberty University

Eighteenth-Century British Literature

Todd Richardson

Associate Professor, University of Nebraska-Omaha

Folklore 

Leigh Dillard

Professor of English, University of North Georgia

British Novel 1740-1900

Chatham Ewing

Digital Library Strategist, Cleveland Public Library 

American Literature

American Little Magazines of the Mid-20th Century: Network Analysis, Influence and Canons

Lania Knight

Senior Lecturer, University of Cloucestershire (UK)

Creative Writing, Fiction

Damon Kraft

Interim Provost and Associate Professor, Kansas Weslyan University

Medieval Literature

Lily Mabura

Assistant Professor, 
American University of Sharjah (UAE)

African Diaspora Studies and Creative Writing, Fiction 

Marc McKee

Assistant Teaching Professor, University of Missouri

Creative Writing, Poetry

  Consolationeer  

Scott Mitchell

Honors College Coordinator for the Online Campus at Georgia State University Perimeter College

Folklore 

Shyam Selvadurai, and Salman Rushdie

Willow Mullins

Visiting Assistant Professor, 
Ohio State University

Global Literature

Philanthropic Tourism and Artistic Authenticity: Cultural Empathy and the Western Consumption of Kyrgyz Art

Stefanie Wortman

Consultant at Public Consulting Group, Kansas City, MO

Creative Writing, Poetry

 

Sarah Barber

Associate Professor, 
St. Lawrence University, Canton, NY

Creative Writing, Poetry

 (poetry)

William Connolly

Affiliate Assistant Professor of English, 
Fontbonne University

Creative Writing, Nonfiction

John Estes

Associate Professor and 
Director of Undergraduate Creative Writing, 
University of Alabama

Creative Writing, Poetry

 (poetry)

Emily Friedman

Assistant Professor, 
Auburn University

Eighteenth-Century British Literature

Joseph Green

Associate Dean for Teaching and Learning, University of Dubuque 

British Novel to 1945

Gretchen Henderson

Adjunct Lecturer, Georgetown University 

Creative Writing, Fiction

  Marvellous Things Seen and Heard 

Elizabeth Langemak

Assistant Professor, LaSalle University

Creative Writing, Poetry

 (poetry)

Jeremy Reed

Associate Professor, Central Methodist University

20th century American Literature

Emily Rosko

Associate Professor, College of Charleston

Creative Writing, Poetry

 (poetry)

Amy Wilkinson

Clinical Assistant Professor of Writing in the Core Program, New York University 

Creative Writing, Fiction

(fiction)

Julie Buchsbaum 

Humanities Librarian, 
University of Kansas 

Creative Writing, Poetry 

Still Life with Rooms People Live In (poetry) 

  

Crystal Lake 

Professor, Wright State University 

Eighteenth-Century Studies and Romanticism 

 

Nathan Oates 

Professor and Director of Undergraduate Writing Studies,
Seton Hall University 

Creative Writing, Fiction 

 

David Henderson 

Adjunct Faculty,
St. Charles Community College 

Folklore and Oral Tradition 

 

Lisa Higgins 

Program/Project Support Coordinator Senior, Missouri Folk Arts Program, University of Missouri 

Folklore 

Womyn's Music Festival 

Jeffrey Pethybridge 

Chair, Summer Writing Program Director, Naropa University  

Creative Writing, Poetry 

   

Lisa Rathje 

Executive Director at Local Learning: The National Network for Folk Arts in Education 

Folklore 

   

Zak Watson 

Chair of the English and Philosophy Department, Missouri Southern State University 

Critical Theory and Restoration Literature 

 

Jason Arthur 

Associate Professor, Chair of English
Rockhurst University (Missouri) 

American Literature (1865-1965) 

And Cosmopolitanism In American Literature Since The Great Depression 

Nicky Beer 

Associate Professor, 
University of Colorado-Denver 

Creative Writing, Poetry 

   

Erin Clair 

Associate Professor and Director of College Operations, Arkansas Tech University 

20th century Gender and Sexuality Theory 

Erotics of Death 

Na'Imah Ford 

Assistant Professor, 
Florida Agricultural & Mechanical

Postcolonial and African American Literature 

Wolo: Coming-of-Age Narratives in African Diaspora Literature 

Emily Isaacson 

Associate Professor and Director of the Honors Program, Heidelberg University 

Renaissance and Restoration Drama 

 

Mike Kardos 

Associate Professor, 
Co-Director of Creative Writing,
Editor of Jabberwock,
Mississippi State University 

Creative Writing, Fiction 

(fiction) 

Jason Koo 

Associate Teaching Professor, Quinnipiac University (Connecticut) 

Creative Writing, Poetry 

on Extremely Small Island(poetry) 

Nadine Meyer 

Associate Professor,
Gettysburg College 

Creative Writing, Poetry 

   

Bryan Narendorf 

Associate Professor and Chair,
LaSalle University 

Creative Writing, Poetry 

 (poetry) 

Sophia Nikoleishvili 

Instructor, 
Universidad Autonoma de Madrid 

18th century British Literature and Art 

 

Michael Piafsky 

Associate Professor and Director of Writing Program, Spring Hill College 

Creative Writing, Fiction 

 (fiction) 

Catherine Pierce 

Professor (full),
Co-director of Creative Writing, 
Mississippi State University 

Creative Writing, Poetry 

 (fiction) 

Sharon Robideaux 

Assistant Professor, tenure-track,
Ferris State University 

Rhetoric and Composition 

 

William Bradley 

Writing Center Coordinator,
Heidelberg University  

Creative Writing, Nonfiction 

 (creative nonfiction) 

Rebecca Dunham 

Professor (full),
Creative Writing Program
University of Wisconsin, Milwaukee 

Creative Writing, Poetry 

 (poetry) 

Steven Gehrke 

Associate Professor,
University of Nevada-Reno 

Creative Writing, Poetry 

 (poetry) 

Christie Hodgen 

Professor (full), tenure-track
University of Missouri-Kansas City 

Creative Writing, Fiction 

 (fiction) 

Linda Johnson 

Assistant Professor, tenure-track 
Texas Southern University 

Africana Literature 

  

 

Scott Kaukonen 

Associate Professor, 
Sam Houston State University 

Creative Writing, Fiction 

Ordination (fiction) 

James Kimbrell 

Professor (full),
Florida State University 

 Creative Writing, Poetry 

 (poetry) 

Jacqueline McGrath 

Professor of English, 
College of DuPage 

Folklore 

 

Elizabeth Thomas-Horn 

Editor, ,
University of Missouri
Visiting Professor, Central Methodist University (2008-2017) 

Creative Writing, Poetry 

 

C. Michael Land 

Associate Professor, 
Director of Community Service Learning Program
Assumption College 

 Creative Writing, Fiction 

 (fiction) 

Heather Maring 

Associate Professor,
Arizona State University 

Creative Writing, Poetry 

 (poetry) 

James Andrew Miller 

Assistant Professor, tenure-track,
Purdue University-Calumet 

20th century American Literature 

 

Andrew Mulvania 

Associate Professor, tenure-track, 
Washington and Jefferson College 

Creative Writing, Poetry 

in Arcadia (poetry) 

John Porter 

Associate Professor of English, 
Central Methodist University 

Renaissance Drama 

 

RaShell Smith-Spears 

Associate Professor,
Jackson State University 

19th century American Literature 

Ain’t Love: How the Image of Black Romantic Relationships Was Used in the Construction of National Identity 

Stacy Tintocalis 

Assistant Professor,
University Alabama - Birmingham,
Visiting Writer,
Missouri - St Louis 

Creative Writing, Fiction 

 

  

Anthony Varallo 

Professor (full), Director of Undergrad Creative Writing,
College of Charleston 

Creative Writing, Fiction 

(fiction) 

David Allred 

Professor (full), tenure-track,
Snow College 

Folklore and Oral Tradition 

 

Kevin Allton 

Assistant Professor,
University of Southern Indiana 

Creative Writing, Fiction 

The Bride of Fog 

Jean Braithwaite 

Associate Professor,
University of Texas - Rio Grande Valley 

Creative Writing, Nonfiction 

With My Body (creative nonfiction) 

Mary Jill Burkindine 

Professor,
Panola College  

  

 

Averill Curdy 

Associate Professor​, 
Northwestern University 

Creative Writing, Poetry 

 

Deborah Forssman-Hill 

Adjunct Instructor, 
University of Central Arkansas 

Rhetoric and Composition 

 

William Grattan 

Associate Professor,
North Carolina Wesleyan College 

Creative Writing, Fiction 

 

Rachel Palencia Harper 

Associate Dean, Honors College, 
University of Missouri-Columbia 

American Literature 1820-1945; Rhetoric and Composition 

 

Sally Hartin-Young 

Freelance Writer/Editor  

Creative Writing, Fiction 

(fiction) 

Eric Leuschner 

Chair & Associate Professor,
Fort Hays State University 

History and Theory of the Novel to 1960 

 

Joanie Mackowski 

Associate Professor,
Cornell University 

Creative Writing, Poetry 

 (poetry) 

Bern Mulvey 

Associate Professor, Eastern Arizona College 

Creative Writing, Poetry 

 (poetry) 

Kira Salak 

Writer for   

Creative Writing, Nonfiction 

 (creative nonfiction) 

Anjail Rashida Ahmad

Associate Professor of English &
Director of Creative Writing, 
North Carolina A&T State University

Creative Writing, Poetry

(poetry)

Marilyn Lake

Freelance Writer, 
Hutchinson, Kansas

Creative Writing, Fiction

 (fiction)

David Todd Lawrence

Associate Professor of English, 
University of St. Thomas

African American Literature

Cooly": The Intersection of Race, Gender, and Sexual Identity in Black Arts Poetry

Nicole Pekarske

Lecturer, 
University of Maryland, Baltimore County

Creative Writing, Poetry

, Venus (poetry)

Laura Rotunno

Associate Professor of English 
and Integrateive Arts,
Penn State University-Altoona College

19th century British Literature

Denise Stodola

  

Associate Professor &
Writing Center Coordinator
Kettering University

Medieval Literature

As A Step Toward Constructing A Pedagogical "Masterpiece in a Composition Classroom"

Billie Stephanie Powell Watts

Associate Professor, 
Lehigh University

Creative Writing, Fiction

 (fiction)

Bobby M. Watts

Associate Professor, tenure-track,
Lehigh University

Creative Writing, Poetry

 (poetry)

Charles Bradshaw

Associate Professor of English, 
University of Tennessee-Martin

American Literature to 1865; Rhetoric and Composition 

Tina Hall

Associate Professor of English, 
Hamilton College

Creative Writing, Fiction

(fiction)

Karen Holmberg

Associate Professor, tenure-track,
Oregon State University

Creative Writing, Poetry

Hoa Ngo

Visiting Assistant Professor of English,
Hamilton College

Creative Writing, Fiction

 (fiction)

Darlene Sybert

Director, 
Northtown Community Center (St. Joseph, MO)

Romantic Poetry

John Tait

Associate Professor of English and Creative Writing, 
University of North Texas

Creative Writing, Poetry

To Do With the Rest of Your Life(fiction) 

Rebecca Wardell

Adjunct/Sessional instructor,
University of Manitoba

19th century British Literature

Bryan Carter 

Assistant Professor of Africana Studies, University of Arizona 

African American Literature 

 

Marta Ferguson 

Sole Proprietor, Freelance Writer,
Wordhound Writing & Editing Services, LLC 

Creative Writing, Poetry 

 

Reinhold Hill 

Vice Chancellor & Dean,
Indiana University–Purdue University Indianapolis 

Folklore 

From the Inside Out 

Katherine H. Lee 

Associate Professor,
Multicultural American Lit, 
Indiana State University 

Critical Theory; 20th century American Literature 

 

Colin Ramsey 

Professor (full),  
Director of Graduate Studies
Appalachian State University 

American Literature to 1865 

 

Evelyn Somers-Rogers 

Associate Editor, 
University of Missouri-Columbia 

Creative Writing Fiction 

 

Sandra Camargo 

Adj Assistant Professor, 
Media and Cinema Studies,
University of Illinois at Urbana-Champaign 

Film Studies 

With Feeling: Film Genre and Emotional Experience 

Matthew Chacko 

Assistant Professor, tenure-track,
University of Wisconsin-Stevens Point 

Creative Writing, Fiction 

 

Jacqueline M. Chambers 

Staff Director, 
St. Louis Region, 
University of Missouri-St. Louis 

  

 

Kenneth DeShane 

Associate Dean, Graduate School of Theology, Global University, Springfield, MO

Folklore 

 

Pamela (Johnston) Hartsock 

Senior Technical Editor, 
HELIX Environmental Planning 

19th century American Literature 

 

Michele Reese 

Associate Professor, 
University of South Carolina, Sumter 

Creative Writing, Poetry 

Phia 

Lawrence (Dale) Rigby 

Associate Professor of English, 
Western Kentucky University 

Creative Writing, Nonfiction 

 

Admissions Criteria:

We admit students with only a BA into our PhD program only if their academic records are extremely strong, if they demonstrate in their applications the necessary maturity for a PhD program, and if they already had a good idea of the area in which they want to research and specialize.

Funding and teaching load:

These students are paid the PhD stipend for each of 6 years; they teach 2 courses each semester.

6-year timeline:

The timeline is essentially the same for students entering our PhD program with a BA as it is for students entering with an MA, except that an extra year of coursework is needed in year 2 to allow students to complete the 72 graduate credit hours required by the Graduate School for students entering a PhD program with a BA.

Degree Requirements:

The degree requirements are the same for students entering the PhD with a BA as they are currently for those entering with an MA except that 72 graduate credit hours are required. Forty-eight of these credit hours will consist of coursework, with at least 27 hours of coursework being completed at the 8000-level. 

MA Information:

Students who enter the PhD program with a BA will not get an MA degree along the way. However, if a student chooses not to complete the PhD degree, they can get an MA degree by either writing an MA thesis or completing the comprehensive exam for the PhD degree (which can also function as an MA exam).

Anne Myers Director of Graduate Studies for Advising and Admission [email protected]

American Language Program

Study english at an ivy league university, the american language program offers a unique educational experience:.

  • an expert faculty, with many years of teaching experience
  • a rigorous curriculum
  • one of the oldest English language programs in the U.S.
Studying at Columbia ALP was the best investment I've ever made."  Orlando Ferrand, Chile

We offer English language courses in fall, spring and summer from pre-intermediate to advanced level to help you achieve your English language goals.

Study at the alp this summer . click here to learn about our courses..

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Course Details Hours per week Course Length
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Full-time instruction

Pre-intermediate to advanced level

A2-C2

 

18

14 weeks Fall and Spring

4, 8 or 12 weeks Summer

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Rigorous pre-university academic preparation

Advanced level

B2.2-C2

18

8 weeks Summer

English for Professional Purposes: Business

For business professionals and pre-MBA students

Advanced level

B2.2-C2

18

3-weeks Summer

Advanced Academic English for Graduate Students

For admitted Columbia graduate students

Advanced level

18

6 weeks Summer

Part‑Time English Courses: Writing, Listening & Speaking, Pronunciation

For Columbia students, affiliates and local residents

Advanced level

B2-C2

4.5 - 8.5  (depending on the course)

14 weeks Fall and Spring

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ALP Activities and Columbia Events

It's so much more than English.

Community is very important at the ALP. We plan activities, events and workshops to help you make friends, practice English and get to know the city. As a Columbia student you also have full access to student clubs and University events. There's always something happening! 

Check out our  Student Life page to find out more, including our Language Exchange Program . 

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Learn more about American Language Program at Columbia University, or contact the program advisor.

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Columbia University American Language Program Intensive English Programs are accredited by the Commission on English Language Program Accreditation (CEA) for the period August 2019 through August 2029 and agrees to uphold the CEA Standards for English Language Programs and Institutions. CEA is recognized by the U.S. Secretary of Education as a nationally recognized accrediting agency for English language programs and institutions in the U.S. For further information about this accreditation, please contact the Commission on English Language Program Accreditation, 1001 N. Fairfax St., Suite 630, Alexandria, VA 22314, (703) 665-3400, https://cea-accredit.org/ .

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Ai and digital teaching tools critiqued and commended at the 2024 alp winter conference the subtleties of teaching american english were the subject of the 2024 american language program winter conference. faculty, staff alp and career design lab present at upcea upcea is the leading association for administrators focused on professional, continuing and online education. american language program faculty present at tesol, aaal in march, a number of alp faculty presented at two conferences on language learning and teaching in pittsburgh, pa. in the news, ai and digital teaching tools critiqued and commended at the 2024 alp winter conference the subtleties of teaching american english were the subject of the 2024 american language program winter conference. faculty, staff alp and career design lab present at upcea upcea is the leading association for administrators focused on professional, continuing and online education. american language program faculty present at tesol, aaal in march, a number of alp faculty presented at two conferences on language learning and teaching in pittsburgh, pa. footer social links.

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Meet Fall 2024’s Newest Faculty Members

Join us in welcoming several new faculty to the college’s vibrant academic community.

TC campus view

As the new academic year begins, Teachers College continues its tradition of excellence and innovation by recognizing the newest faculty members to join the TC community.  

New Faculty

Carolina Concha-Arriagada

Carolina Concha-Arriagada , Assistant Professor of Education Policy & Social Analysis, holds a Ph.D. in Economics from Georgetown University and earned an M.A. in Economics, summa cum laude, from  Universidad de Luis Hurtado. Concha-Arriagada’s work focuses on applied microeconomics, the economics of education, development economics, and political economy. 

Her research includes working papers on college admission policies and strategic responses to improve admission outcomes. She also has worked in the Dominican Republic, where she is currently collaborating with the Ministry of Education (MINERD) to evaluate several government-run programs. Concha-Arriagada has received several awards, including the 2023 Outstanding Alumni Award from the Universidad de Santiago de Chile and the 2022 NAEd/Spencer Dissertation Fellowship. She has presented her research at numerous international conferences and has teaching experience in microeconomics and econometrics.

Emily Rosenzweig

Emily Rosenzweig will join the Developmental Psychology Program, Department of Human Development as  Associate Professor in January 2025   with a focus on studying the psychology of math and science learning during youth and adolescence. Rosenzweig formerly served as Associate Professor in the Department of Educational Psychology at the University of Georgia.

Her research is centered on understanding how and why students are motivated to learn  math and science and how to help them reach their full academic potential. She is the author of several notable publications and co-authored book chapters, and her work has been funded by the National Science Foundation and the National Institutes of Health. In 2022, she was rated as one the top 15 ‘most productive’ early career scholars in educational psychology by the Educational Psychology Review.

Victoria Tilton-Bolowsky

Victoria Tilton-Bolowsky, Assistant Professor of Communication Sciences & Disorders, earned a Ph.D. in Rehabilitation Sciences from the MGH Institute of Health Professions in 2022, and completed a postdoctoral fellowship in neurology at the Johns Hopkins University School of Medicine in 2024. Tilton-Bolowsky has also worked as an adjunct lecturer at the University of Maryland and Loyola University Maryland.

Tilton-Bolowsky’s work focuses primarily on enhancing aphasia rehabilitation outcomes and promoting culturally-responsive and disability-affirming clinical and research practices in aphasia. Her research has been published in leading journals including the American Journal of Speech Language Pathology and Brain Sciences . She actively contributes to the academic community through presentations and publications in the fields of speech-language pathology and cognitive neuroscience. At TC, Victoria will establish and direct the Creative & Inclusive Rehabilitation for Communicating with Aphasia Lab.

Visiting Professors

Lisa Hochtritt

Lisa Hochtritt (Ed. D. ‘04), Visiting Associate Professor of Art & Art Education, returns to Teachers College after graduating with her doctorate in Art & Art Education in 2004. Hochtritt’s scholarship focuses collectively on the arts to make the world a more equitable space. Through a social justice lens, she prioritizes critical engagements that are collaborative and relevant by connecting theory and practice. Hochtritt has over 30 years of experience in art education, teaching students of all ages in schools, museums, communities and universities. She is the recipient of numerous awards including the Higher Education Art Educator of the Year, Maryland Art Education Association (2023), NAEA National Higher Education Art Educator of the Year, Kathy Connors Teaching Award and more.

George Nicholson

George Nicholson (Ed.D. ‘20) ,   Visiting Assistant Professor in the Program of Music and Music Education, Department of Arts and Humanities, assumes his role at Teachers College with extensive experience in higher education and public school teaching. He holds a doctorate in Music and Music Education from Teachers College where he was a Florence K. Geffen Music Education Philosophy and Research Fellow. 

His research focuses on the intersection of music education and theory and practice, with numerous publications and conference presentations to his name. In addition to his academic work, Nicholson has directed several orchestras and served as a guest conductor for various ensembles. He has co-authored several publications including Oxford Handbook of Gender and Queerness in Music Education, Oxford Handbook of Music Teacher Education in the United States , and more.

Michelle Odlum

Michelle Odlum joined the Health Studies and Applied Psychology program at Teachers College as Visiting Associate Professor in 2023. Odlum seeks to eliminate health disparities through applied Informatics-based approaches. She centers her work around data science, artificial intelligence (AI) and data analytics to investigate infectious disease outbreak prevention, containment and control (e.g., Ebola, MRSA, HIV/AIDS, and COVID-19) in high-risk groups. 

Odlum’s analytical methods offer a deeper understanding of the challenges associated with aging with HIV. In 2022, she was named the National Institute of Aging (NIA) Butler Williams Scholar. She is also a National Institute of Mental Health (NIMH)-funded Sustained Training on Aging & HIV Research Scholar (STAHR), enabling her to explore neurocognitive and mental health impacts on aging with HIV. Odlum guides students toward a comprehensive understanding of health inequities, the determinants that influence them, and the potential of technology to address the interactions between society and health.

Emery Petaucher

Emery Petchauer, Visiting Full Professor in the  English Education Program, Department of Arts and Humanities , is a scholar and artist whose interests explore intergenerational spaces where people make things together — especially beats, sounds, songs, and beautiful noise. Before coming to Teachers College, Petchauer spent eight years as a tenured professor at Michigan State University, where he coordinated the English education concentration from 2016 to 2022. 

Petchauer is the author and editor of four books and over 40 peer reviewed articles, chapters and editorials. His scholarship on how teacher licensure exams shape the racial diversity of the teaching profession was recognized in 2018 by the Innovations in Research on Equity and Social Justice in Teacher Education Award by the American Educational Research Association. His work has been supported by the Spencer Foundation and through partnerships with Ableton and Koala Sampler. 

Lauren Vogelstein

Lauren Vogelstein, Visiting Assistant Professor in the Dance and Dance Education Program, Department of Arts and Humanities,  joins the College after earning a  Ph.D. from Vanderbilt University along with postdoctoral positions at NYU and the University of Pennsylvania. She integrates embodied learning theories with STEM education, drawing on the expressive practices of dancers and choreographers to reimagine learning processes in STEM environments. 

Vogelstein’s research more specifically explores how embodied and interactionist perspectives can enhance collective learning, diversify participation, and expand the pedagogical implications within STEM fields. Through her research, Vogelstein uses an interdisciplinary approach, which bridges the arts and sciences to create expansive and inclusive learning environments. She has contributed significantly to the field through numerous publications and her research has received substantial grant funding.

Amanda Earl

Amanda Earl, Lecturer for International and Transcultural Studies, brings a range of teaching and research experience to her role, with a focus on the schooling of rural, Indigenous, and migrant students in Latin America and the US. She has published multiple peer-reviewed articles and book chapters on topics such as intercultural and bilingual education and decolonial pedagogy, and has worked for Teachers College Record . The TC alum is also a recipient of the Foreign Language and Area Studies doctoral fellowship and the Teachers College Dissertation Research Fellowship.

Kaitlin Gould

Kaitlin Gould, Lecturer and Program Director of School Psychology assumes her position after serving as a Clinical Investigator for the Center of Autism and Disabilities and as an Assistant Professor of School Psychology at the College of Saint Rose for several years. Her research interests include behavioral intervention, neurodiversity, and intervention acceptability. Gould holds many publications, including articles in peer-reviewed journals and co-authored book chapters, spanning the school psychology, special education and behavior analytic literature. 

Rachel Knight

Rachel Knight (Ed.D. ‘23) , Lecturer of Curriculum and Teaching, joins the Curriculum and Teaching department with a doctorate in Curriculum and Teaching from Teachers College focusing on early childhood literacy and multimodal/digital literacy. She has taught at Queens College and City College of New York. Knight's research, including the dissertation "Centering Children’s Voices and Cultural Worlds in an Online Writing Club," emphasizes the importance of children's voices in early childhood education. Knight has also actively contributed to educational research and presented at national conferences.

Lauren van Haaften-Schick

Lauren van Haaften-Schick, Lecturer in the Arts Administration Program in the Department of Arts and Humanities, assumes her position in the Arts and Humanities department at Teachers College. She holds a Ph.D. from Cornell University, and has worked in galleries and arts non-profits for over a decade. Her research addresses the intersections of art, law and technology, focusing on artists' interventions in law. 

van Haaften-Schick has held fellowships at the Smithsonian American Art Museum and NYU School of Law and is currently a Mellon Postdoctoral Fellow at Wesleyan University. She has published widely in academic journals, in addition to organizing numerous exhibitions and events on labor, economic, and legal issues in the arts.

Tags: At the College At The College Research

Published Thursday, Sep 5, 2024

Teachers College Newsroom

Address: Institutional Advancement 193-197 Grace Dodge Hall

Box: 306 Phone: (212) 678-3231 Email: views@tc.columbia.edu

Graduate Student Association members stand in front of Thomas Cooper Library.

Graduate student president gives back to international community

Gaurav Harshe was elected president of the Graduate Student Association in April, and he has been working over the summer to prepare the organization for the start of the fall semester and beyond.

As a part of the Leadership and Service Center, a hub for campus resources, the association serves graduate and professional students by providing support, hosting community events and advocating for student needs. 

head and shoulders photo of a man in a suit with gray background

Entering his third year of a doctoral program at the College of Education, Harshe is learning to facilitate strong university communities through the higher education administration program. Essentially learning how to run a university, Harshe takes a special interest in studying how to help students succeed, especially those coming from marginalized communities.

As an inte rnational student himself , Harshe has a uni que view on the student experience. Coming to the U.S. after studyin g at the University of Mumbai, India, Harshe also has studied at other Ame rican universities. He chose the doctoral program at USC because of its exceptional faculty rese archers and thriving on-campus community.

Harshe says his participation in Graduate Student Association gives him the opportunity to apply his doctoral research and find sustainable institutional solutions to better support his fellow graduate and professional students, colleagues and friends.

Why did you decide to get involved with the Graduate Student Association?

I had already been involved in graduate student associations at my master’s level education at a different university. I really wanted to research and even provide service to the community of international students. Coming to a new country, new culture and learning a new language can be very daunting. I really wanted to help these students and support their transition.

How can other graduate students get involved? 

We have a 25-30 people cabinet and try to have someone posted in every position. It offers students the chance to get their portfolios working, take what is valuable and speak to their accomplishments after they finish their term. And we've had a lot of international students participate. They just want to have their voices heard, and about 25% of our cabinet is made up of international students every year. We really create a safe space. At our events, we have food from all different regions and countries, which creates a sense of hope and community.

How does the association serve students?

We function as a kind of lighthouse for graduate students and help direct students to different offices depending on their questions. Also, the finance committee allocates money to support graduate organizations and supply them with the materials they need.

What is your favorite association event?

I think the town hall is a really good event. The event goes on for two hours and students can come in at any point to voice their opinion, fill out a survey, eat free food and leave when they need to. It's not necessarily our most fun event, but it really lets us know what graduate students are going through and what they need from the university. It gives us a pulse of where students are.

How can students learn more?

We have our office in the Leadership and Service Center in Russell House. So, people can find us in our exec offices and the lounge area right there in the center of campus. We also do fall and spring socials held off campus in downtown Columbia to have appetizers and drinks and create a space for graduate students to meet each other, mingle or just relax. We also have mentorship luncheons for our different affinity groups, like for Black students or the women’s group.

Visit the Graduate Student Association online for more information and to learn about opportunities to get involved.

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  1. Columbia GSAPP: PHD In Urban Planning Lecture: Joe Schaffers

  2. Quevedo Columbia English SUB

  3. Columbia University students respond to threats of suspension

  4. Meet our Columbia Nursing Research Faculty: Melissa Beauchemin, PhD ’19

  5. Columbia University students take over faculty building in Gaza protest

  6. A PHD STUDENT AT COLUMBIA UNIVERSITY RIDICULED FOR DEMANDING "HUMANITARIAN AID" FOR OCCUPIERS

COMMENTS

  1. Ph.D. Program Overview

    The Writing Program is associated with the Department of English and Comparative Literature, but is run separately. Consult the University Writing Program webpage for a more detailed description of the program. For 8-10 students in their third year, one semester of University Writing will be replaced with a seminar section of the department's ...

  2. The Department of English and Comparative Literature

    Graduate English Doctoral Alumni; Recent Career Search Results; Graduate resources. Academic Advising; ... The Department of English And Comparative Literature 602 Philosophy Hall, MC4927 1150 Amsterdam Ave · New York, ... Columbia University ©2024 Columbia University Accessibility Nondiscrimination Careers Built using Columbia Sites. Back to ...

  3. English and Comparative Literature, PhD

    Program Category: PhD Programs Chair: Denise Cruz Director of Graduate Studies: Austin Graham Website: english.columbia.edu Degree Programs: Full-Time: MA, MPhil, PhD Full-Time/Part-Time: Free-Standing MA The Department of English and Comparative Literature has played a significant role in the history of literary study in the United States and abroad since its inception.

  4. Faculty

    Columbia University. The Department of English and Comparative Literature. Toggle search. ... Professor of English and Comparative Literature; Provost's Senior Faculty Teaching Scholar. Research Interests. ... Director of Graduate Student Programs and Services, Center for Teaching & Learning; Lecturer in English and Comparative Literature ...

  5. The Department of English and Comparative Literature

    Graduate English Doctoral Alumni; Recent Career Search Results; Graduate resources. ... Columbia University Subway Tiles. Programs . edit icon. Master of Arts (Free Standing) ... address-book icon. Graduate Admissions Information. The Department of English And Comparative Literature 602 Philosophy Hall, MC4927 1150 Amsterdam Ave · New York, NY ...

  6. The Department of English and Comparative Literature

    The Department of English and Comparative Literature

  7. PDF Columbia University

    DEPARTMENT OF ENGLISH AND COMPARATIVE LITERATURE ... NY 10027 212-854-3215 Fax 212-854-5398 A Guide to Admissions PhD Program in English and Comparative Literature Columbia University How to Apply to our Doctoral Program ... We pride ourselves on the excellence of our graduate student teachers, as well as the range ...

  8. English Education PhD

    The number of courses students take depends in part on the number of credits students transfer from previous graduate work at Teachers College. Students working toward the Ph.D. degree (75 credits) may transfer a maximum of 30 credits and will thus complete at least 45 credits while in the Ph.D. program.

  9. Admissions

    Introduction to GSAS Admissions. Thank you for your interest in applying to the Graduate School of Arts and Sciences of Columbia University. One of the nation's oldest and most distinguished graduate schools, GSAS confers graduate degrees in the humanities, natural sciences, and social sciences. Our renowned faculty works with students to ...

  10. English and Comparative Literature, MA

    Program Category: MA Programs Chair: Denise Cruz Associate Director of Graduate Studies: Julie Crawford Website: english.columbia.edu Degree Programs: Full-Time/Part-Time: Free-Standing MA The Department of English and Comparative Literature has played a significant role in the history of literary study in the United States and abroad since its inception.

  11. Information for International Applicants

    The Graduate School accepts applications from students who have earned or will earn 3-year bachelor's degrees in Australia, Bangladesh, Bhutan, Jamaica, India, Nepal, New Zealand, Pakistan, South Africa, and any country which is a participant in the Bologna Process. We encourage all international applicants to submit their admissions ...

  12. How to Apply to the PhD Program

    CV. 3 letters of recommendation. GRE scores (requirement waived for the Fall 2022 application cycle) TOEFL or IELTS scores (for international students) Writing sample (15-20 pages) — this should be an example of your best scholarly writing and should be a complete text. Application Fee.

  13. PhD Programs

    The departments and programs listed below offer courses of study leading to the Doctor of Philosophy (PhD) degree. To learn about PhD programs offered by Columbia's professional schools, please visit this page. A doctoral program in the Arts and Sciences is an immersive, full-time enterprise, in which students participate fully in the academic and intellectual life on campus, taking courses ...

  14. The Department of English and Comparative Literature

    Students are encouraged to both revisit this page for updates and confirm the course listings in the online Directory of Courses and Vergil, where course descriptions and class meeting times are updated regularly. For questions about any course offerings: Undergraduate majors, minors, and concentrators - [email protected].

  15. Compensation and Student Employee Benefits

    Students on Appointment. Minimum compensation rates for PhD students on appointment in the 2024-2025 Academic Year are currently: $48,080 for those on 12-month appointments. $42,425 for those on 9-month appointments (total compensation includes a $36,060 nine-month compensation plus a $6,365 summer stipend in June 2025). Annual Increases.

  16. Nutritional and Metabolic Biology

    Nutrition is relevant to many areas of basic research as well as clinical medicine and public health, all, major strengths of the Columbia University Irving Medical Center. The emphasis of this program is on educating students to become independent scientists through rigorous training in the fundamentals of nutritional and metabolic biology and ...

  17. Biostatistics PhD Program

    Our Biostatistics PhD Program is designed to prepare students to develop or adapt statistical methods for solving problems in the health field. Apply now. ... While many of the applicants admitted to Columbia's PhD program in biostatistics have already completed (or are completing) master's degrees in biostatistics, statistics, or a related ...

  18. PhD Program

    PhD Program Overview. The PhD program prepares students for research careers in probability and statistics in academia and industry. Students admitted to the PhD program earn the MA and MPhil along the way. The first year of the program is spent on foundational courses in theoretical statistics, applied statistics, and probability.

  19. PhD Program

    PhD Program. For those entering the program with an MA, the PhD in English is designed to be a five-year program requiring 30 hours of coursework.*. This coursework will contribute to a total of 72 graduate credit hours beyond the BA (the 72-hour total may include credits transferred from the MA degree). Students entering the program with an MA ...

  20. E3B PhD Student Handbook

    E3B PhD Student Handbook . Courses. Phone (212) 854-9987 Fax (212) 854-8188 [email protected]. 10th Floor Schermerhorn EXT 1200 Amsterdam Avenue New York, NY 10027. Site Map. Search ©2024 Columbia University.

  21. American Language Program

    Advanced Academic English for Graduate Students: For admitted Columbia graduate students. Advanced level. 18. 6 weeks Summer. Learn more. Part‑Time English Courses: Writing, Listening & Speaking, Pronunciation: For Columbia students, affiliates and local residents. Advanced level. B2-C2. 4.5 - 8.5 (depending on the course) 14 weeks Fall and ...

  22. Studying Away from Columbia

    The Minzu School of Tibetan Studies in Beijing accepts doctoral students who have completed their MPhil requirements for up to one year for research projects in East Asian Languages and Cultures. Waseda University, Tokyo, Japan. Term of Study: One year. Contact: Professor Tomi Suzuki [email protected].

  23. JD/PhD Program

    The JD/PhD program generally consists of eleven semesters of coursework: five at the Law School and six at GSAS, followed by the writing and defense of the dissertation. Please note that the required number of semesters of coursework conducted at GSAS is determined by the department. Students admitted to the JD/PhD program usually begin their ...

  24. Ph.D. Student Directory

    Graduate Student Appointments; Resources; Office Hours; AGES; List of 2nd Year Fields; Key Dates; PhD Administrative Forms; Job Market Candidates; Placement; Honors and Prizes; Ph.D. Student Directory. 1st Year Students (2024) 2nd Year Students (2023) 3rd Year Students (2022) 4th Year Students (2021) 5th Year Students (2020) 6th Year Students ...

  25. PhD Students

    Columbia University in the City of New York. 665 West 130th Street, New York, NY 10027. Tel. 212-854-1100. Maps and Directions. Centers & Programs. Current Students. Corporate. Directory. Support Us.

  26. September

    Victoria Tilton-Bolowsky, Assistant Professor of Communication Sciences & Disorders, earned a Ph.D. in Rehabilitation Sciences from the MGH Institute of Health Professions in 2022, and completed a postdoctoral fellowship in neurology at the Johns Hopkins University School of Medicine in 2024. Tilton-Bolowsky has also worked as an adjunct lecturer at the University of Maryland and Loyola ...

  27. Graduate student president gives back to international community

    Gaurav Harshe was elected president of the Graduate Student Association in April, and he has been working over the summer to prepare the organization for the start of the fall semester and beyond. ... We also do fall and spring socials held off campus in downtown Columbia to have appetizers and drinks and create a space for graduate students to ...