thesis examples for history essays

Thesis Statements

What is a thesis statement.

Your thesis statement is one of the most important parts of your paper.  It expresses your main argument succinctly and explains why your argument is historically significant.  Think of your thesis as a promise you make to your reader about what your paper will argue.  Then, spend the rest of your paper–each body paragraph–fulfilling that promise.

Your thesis should be between one and three sentences long and is placed at the end of your introduction.  Just because the thesis comes towards the beginning of your paper does not mean you can write it first and then forget about it.  View your thesis as a work in progress while you write your paper.  Once you are satisfied with the overall argument your paper makes, go back to your thesis and see if it captures what you have argued.  If it does not, then revise it.  Crafting a good thesis is one of the most challenging parts of the writing process, so do not expect to perfect it on the first few tries.  Successful writers revise their thesis statements again and again.

A successful thesis statement:

• makes an historical argument
• takes a position that requires defending
• is historically specific
• is focused and precise
• answers the question, “so what?”

How to write a thesis statement:

Suppose you are taking an early American history class and your professor has distributed the following essay prompt:

“Historians have debated the American Revolution’s effect on women.  Some argue that the Revolution had a positive effect because it increased women’s authority in the family.  Others argue that it had a negative effect because it excluded women from politics.  Still others argue that the Revolution changed very little for women, as they remained ensconced in the home.  Write a paper in which you pose your own answer to the question of whether the American Revolution had a positive, negative, or limited effect on women.”

Using this prompt, we will look at both weak and strong thesis statements to see how successful thesis statements work.

While this thesis does take a position, it is problematic because it simply restates the prompt.  It needs to be more specific about how  the Revolution had a limited effect on women and  why it mattered that women remained in the home.

Revised Thesis:  The Revolution wrought little political change in the lives of women because they did not gain the right to vote or run for office.  Instead, women remained firmly in the home, just as they had before the war, making their day-to-day lives look much the same.

This revision is an improvement over the first attempt because it states what standards the writer is using to measure change (the right to vote and run for office) and it shows why women remaining in the home serves as evidence of limited change (because their day-to-day lives looked the same before and after the war).  However, it still relies too heavily on the information given in the prompt, simply saying that women remained in the home.  It needs to make an argument about some element of the war’s limited effect on women.  This thesis requires further revision.

Strong Thesis: While the Revolution presented women unprecedented opportunities to participate in protest movements and manage their family’s farms and businesses, it ultimately did not offer lasting political change, excluding women from the right to vote and serve in office.

Few would argue with the idea that war brings upheaval.  Your thesis needs to be debatable:  it needs to make a claim against which someone could argue.  Your job throughout the paper is to provide evidence in support of your own case.  Here is a revised version:

Strong Thesis: The Revolution caused particular upheaval in the lives of women.  With men away at war, women took on full responsibility for running households, farms, and businesses.  As a result of their increased involvement during the war, many women were reluctant to give up their new-found responsibilities after the fighting ended.

Sexism is a vague word that can mean different things in different times and places.  In order to answer the question and make a compelling argument, this thesis needs to explain exactly what  attitudes toward women were in early America, and  how those attitudes negatively affected women in the Revolutionary period.

Strong Thesis: The Revolution had a negative impact on women because of the belief that women lacked the rational faculties of men. In a nation that was to be guided by reasonable republican citizens, women were imagined to have no place in politics and were thus firmly relegated to the home.

This thesis addresses too large of a topic for an undergraduate paper.  The terms “social,” “political,” and “economic” are too broad and vague for the writer to analyze them thoroughly in a limited number of pages.  The thesis might focus on one of those concepts, or it might narrow the emphasis to some specific features of social, political, and economic change.

Strong Thesis: The Revolution paved the way for important political changes for women.  As “Republican Mothers,” women contributed to the polity by raising future citizens and nurturing virtuous husbands.  Consequently, women played a far more important role in the new nation’s politics than they had under British rule.

This thesis is off to a strong start, but it needs to go one step further by telling the reader why changes in these three areas mattered.  How did the lives of women improve because of developments in education, law, and economics?  What were women able to do with these advantages?  Obviously the rest of the paper will answer these questions, but the thesis statement needs to give some indication of why these particular changes mattered.

Strong Thesis: The Revolution had a positive impact on women because it ushered in improvements in female education, legal standing, and economic opportunity.  Progress in these three areas gave women the tools they needed to carve out lives beyond the home, laying the foundation for the cohesive feminist movement that would emerge in the mid-nineteenth century.

Thesis Checklist

When revising your thesis, check it against the following guidelines:

• Does my thesis make an historical argument?
• Does my thesis take a position that requires defending?
• Is my thesis historically specific?
• Is my thesis focused and precise?
• Does my thesis answer the question, “so what?”

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Writing a Thesis and Making an Argument

Almost every assignment you complete for a history course will ask you to make an argument. Your instructors will often call this your "thesis"– your position on a subject.

What is an Argument?

An argument takes a stand on an issue. It seeks to persuade an audience of a point of view in much the same way that a lawyer argues a case in a court of law. It is NOT a description or a summary.

• This is an argument: "This paper argues that the movie JFK is inaccurate in its portrayal of President Kennedy."
• This is not an argument: "In this paper, I will describe the portrayal of President Kennedy that is shown in the movie JFK."

What is a Thesis?

A thesis statement is a sentence in which you state an argument about a topic and then describe, briefly, how you will prove your argument.

• This is an argument, but not yet a thesis: "The movie ‘JFK’ inaccurately portrays President Kennedy."
• This is a thesis: "The movie ‘JFK’ inaccurately portrays President Kennedy because of the way it ignores Kennedy’s youth, his relationship with his father, and the findings of the Warren Commission."

A thesis makes a specific statement to the reader about what you will be trying to argue. Your thesis can be a few sentences long, but should not be longer than a paragraph. Do not begin to state evidence or use examples in your thesis paragraph.

A Thesis Helps You and Your Reader

Your blueprint for writing:

• Helps you determine your focus and clarify your ideas.
• Provides a "hook" on which you can "hang" your topic sentences.
• Can (and should) be revised as you further refine your evidence and arguments. New evidence often requires you to change your thesis.
• Gives your paper a unified structure and point.

Your reader’s blueprint for reading:

• Serves as a "map" to follow through your paper.
• Keeps the reader focused on your argument.
• Signals to the reader your main points.
• Engages the reader in your argument.

Tips for Writing a Good Thesis

• Find a Focus: Choose a thesis that explores an aspect of your topic that is important to you, or that allows you to say something new about your topic. For example, if your paper topic asks you to analyze women’s domestic labor during the early nineteenth century, you might decide to focus on the products they made from scratch at home.
• Look for Pattern: After determining a general focus, go back and look more closely at your evidence. As you re-examine your evidence and identify patterns, you will develop your argument and some conclusions. For example, you might find that as industrialization increased, women made fewer textiles at home, but retained their butter and soap making tasks.

Strategies for Developing a Thesis Statement

Idea 1. If your paper assignment asks you to answer a specific question, turn the question into an assertion and give reasons for your opinion.

Assignment: How did domestic labor change between 1820 and 1860? Why were the changes in their work important for the growth of the United States?

Beginning thesis: Between 1820 and 1860 women's domestic labor changed as women stopped producing home-made fabric, although they continued to sew their families' clothes, as well as to produce butter and soap. With the cash women earned from the sale of their butter and soap they purchased ready-made cloth, which in turn, helped increase industrial production in the United States before the Civil War.

Idea 2. Write a sentence that summarizes the main idea of the essay you plan to write.

Main Idea: Women's labor in their homes during the first half of the nineteenth century contributed to the growth of the national economy.

Idea 3. Spend time "mulling over" your topic. Make a list of the ideas you want to include in the essay, then think about how to group them under several different headings. Often, you will see an organizational plan emerge from the sorting process.

Idea 4. Use a formula to develop a working thesis statement (which you will need to revise later). Here are a few examples:

• Although most readers of ______ have argued that ______, closer examination shows that ______.
• ______ uses ______ and ______ to prove that ______.
• Phenomenon X is a result of the combination of ______, ______, and ______.

These formulas share two characteristics all thesis statements should have: they state an argument and they reveal how you will make that argument. They are not specific enough, however, and require more work.

As you work on your essay, your ideas will change and so will your thesis. Here are examples of weak and strong thesis statements.

• Unspecific thesis: "Eleanor Roosevelt was a strong leader as First Lady."  This thesis lacks an argument. Why was Eleanor Roosevelt a strong leader?
• Specific thesis: "Eleanor Roosevelt recreated the role of the First Lady by her active political leadership in the Democratic Party, by lobbying for national legislation, and by fostering women’s leadership in the Democratic Party."  The second thesis has an argument: Eleanor Roosevelt "recreated" the position of First Lady, and a three-part structure with which to demonstrate just how she remade the job.
• Unspecific thesis: "At the end of the nineteenth century French women lawyers experienced difficulty when they attempted to enter the legal profession."  No historian could argue with this general statement and uninteresting thesis.
• Specific thesis: "At the end of the nineteenth century French women lawyers experienced misogynist attacks from male lawyers when they attempted to enter the legal profession because male lawyers wanted to keep women out of judgeships."  This thesis statement asserts that French male lawyers attacked French women lawyers because they feared women as judges, an intriguing and controversial point.

Making an Argument – Every Thesis Deserves Its Day in Court

You are the best (and only!) advocate for your thesis. Your thesis is defenseless without you to prove that its argument holds up under scrutiny. The jury (i.e., your reader) will expect you, as a good lawyer, to provide evidence to prove your thesis. To prove thesis statements on historical topics, what evidence can an able young lawyer use?

• Primary sources: letters, diaries, government documents, an organization’s meeting minutes, newspapers.
• Secondary sources: articles and books from your class that explain and interpret the historical event or person you are writing about, lecture notes, films or documentaries.

How can you use this evidence?

• Make sure the examples you select from your available evidence address your thesis.
• Use evidence that your reader will believe is credible. This means sifting and sorting your sources, looking for the clearest and fairest. Be sure to identify the biases and shortcomings of each piece of evidence for your reader.
• Use evidence to avoid generalizations. If you assert that all women have been oppressed, what evidence can you use to support this? Using evidence works to check over-general statements.
• Use evidence to address an opposing point of view. How do your sources give examples that refute another historian’s interpretation?

Remember -- if in doubt, talk to your instructor.

Thanks to the web page of the University of Wisconsin at Madison’s Writing Center for information used on this page. See writing.wisc.edu/handbook for further information.

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Thesis Statements

Every paper must argue an idea and every paper must clearly state that idea in a thesis statement.

A thesis statement is different from a topic statement.  A topic statement merely states what the paper is about.  A thesis statement states the argument of that paper.

Be sure that you can easily identify your thesis and that the key points of your argument relate directly back to your thesis.

Topic statements:

This paper will discuss Harry Truman’s decision to drop the bomb on Hiroshima.

The purpose of this paper is to delve into the mindset behind Truman’s decision to drop the bomb on Hiroshima.

This paper will explore how Harry Truman came to the decision to drop the bomb on Hiroshima.

Thesis statements:

Harry Truman’s decision to drop the bomb on Hiroshima was motivated by racism.

The US confrontation with the Soviets was the key factor in Truman’s decision to drop the bomb on Hiroshima.

This paper will demonstrate that in his decision to drop the bomb on Hiroshima, Truman was unduly influenced by hawks in his cabinet.

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Module 9: The New Deal (1932-1941)

Historical arguments and thesis statements, learning objectives.

• Evaluate historical claims and thesis statements

The Research Writing Process

In an earlier historical hack, we talked about the research writing process, as shown below:

• Understand the assignment
• Select a research topic/develop a research question
• Conduct research: find and evaluate sources
• Create your claim (make an argument)
• Synthesize evidence
• Put it together

These are guidelines to help you get started, but the process is iterative, so you may cycle through these steps several times while working towards your finished product. In this hack, we want to focus on the final three steps—once you’ve done your research and have a few ideas about what to say, how do you put it together to create your finished product?

Crafting Historical Arguments

In open-ended historical research assignments, you are almost always expected to create an argument (revisit the assignment prompt or ask your instructor if you’re unsure about this). Historical arguments are not like the arguments that you and your roommate might have about the best show on T.V. or an argument you’d have with the referee at a sporting event; historical arguments require you to pick a stance on an issue and defend it with supporting evidence.

Your objective is not to create an informal persuasive essay convincing others of your viewpoint based on your personal opinions, but an argumentative one, where you defend your stance on an issue by backing it with historical evidence. Argumentative writing is done for a formal, academic purpose— you have a compelling viewpoint on a topic, and you’ve conducted research. Now you are communicating that research and using evidence to back your claim. When you write an argumentative piece, you write as if you are the authority on the topic, a subject-matter expert.

The Differences Between Persuasive and Argumentative Writing

Check out the table below for a quick breakdown of the differences between persuasive and argumentative writing.

Sometimes it can be hard to tell a topic from an argument. If someone sees you reading an article and asks, “What’s that article about?” You might say, “It’s about photography during the Great Depression.” That’s a topic, not an argument. How do we know? You can’t disagree with “photography during the Great Depression.” An argument is something you could disagree with, like “Photography during the Great Depression was essential in bringing the realities of poverty into the public eye.”

Argumentative Statements

Understand the assignment.

Don’t forget the first step in approaching a research paper or assignment—to carefully understand what you are asked to do. Some assignments are more obviously arguments than others. They may ask you to pick an obvious side, like “Was the New Deal effective or ineffective?” Or “How do you think the government should address reparations for slavery? Or “Was the American Revolution really a revolution?”

Understanding Argumentative Statements

Other times the “argument” part is less obvious. The prompt may be more generic or broad. Let’s take a look at this option for a capstone assignment in this class:

Pick a reformer or activist involved with a social movement between 1877 and 1900. Evaluate and analyze the ideas, agenda, strategies, and effectiveness of the work done by your chosen reformer or activist. You can pick one aspect of the person’s involvement or significance to the movement to focus on in your research. You should make a claim in your final report that answers one of the questions below:

• What was the influence of your person on American life during their time period?
• What is their influence and legacy today?
• What changes came about as a direct result of their activism? 
• What obstacles stood in the way of this person from having a more significant impact on society?
• What activism methods used by your reformer were most effective, and why?
• How did their activism compare or contrast with other reform movements from the same time period?
• How are things different today because of their activism? In what ways are things the same?
• Why should people be aware of the work done by your chosen reformer?
• Can you draw any connections to a modern-day reform movement— what reform movement might they support today, and why?

With this prompt, you are tasked with creating an argument about the reformer or activist you chose. It is not simply a narrative or biography where you report about their lives, but you want to pick one of the listed questions to create an argument—something that shows your ability to take a stance (that could be debated by others) and support your view with evidence.

Activity #1

Give it a try—without even doing some research- what argumentative statement could you make about a 19th-century activist?

Let’s take a look at a more detailed example. For example, say that your chosen activist was  Bayard Rustin , a Black activist who was instrumental in organizing the 1963 March on Washington for Jobs and Freedom. What’s an argument you could make about Rustin?

Here is one option. “While you’ve heard of Martin Luther King Jr.’s famous “I Have a Dream Speech” during the 1963 March on Washington, you may not have heard of Bayard Rustin, whose involvement in planning the March on Washington for Jobs and Freedom was essential in propelling Congress to pass the Civil Rights Act of 1964. As the deputy director of the March, Rustin’s background in nonviolence and vision for the March led leaders to prioritize the civil rights movement and gave public backing to the federal law prohibiting racial discrimination.”

As you’ll learn in just a moment, this argument is what becomes the thesis statement.

Begin With a Thesis

The central claim you make in your argument is called the thesis statement . A thesis consists of a specific topic and an angle on the topic. All of the other ideas in the text support and develop the thesis.

Where in the Essay Should the Thesis Be Placed?

The thesis statement is often found in the introduction, sometimes after an initial “hook” or interesting story; sometimes, however, the thesis is not explicitly stated until the end of an essay, and sometimes it is not stated at all. In those instances, there is an implied thesis statement. You can generally extract the thesis statement by looking for a few key sentences and ideas.

Most readers expect to see the point of your argument (the thesis statement) within the first few paragraphs. This does not mean that it has to be placed there every time. Some writers place it at the very end, slowly building up to it throughout their work, to explain a point after the fact. For history essays, most professors will expect to see a clearly discernible thesis sentence in the introduction.

Characteristics of a Thesis Statement

Thesis statements vary based on the rhetorical strategy of the essay, but thesis statements typically share the following characteristics:

• Presents the main idea
• Most often is one sentence
• It tells the reader what to expect
• Is a summary of the essay topic
• Usually worded to have an argumentative edge
• Written in the third person

Crafting strong argumentative writing is a skill that teaches you how to engage in research, communicate the findings of that research, and express a point of view using supporting evidence.

Link to learning

For a few more examples of how to create arguments and thesis statements, visit this helpful writing guide .

What Makes a Good Claim?

Let’s take a closer look at this process by reviewing a worked example. For this example, we will use a topic you’ve studied recently—the FDR presidency and New Deal. Let’s imagine you’ve been assigned the following prompt:

• Did New Deal spending and programs succeed in restoring American capitalism during the Great Depression, and should the government have spent more money to help the New Deal succeed, or did the New Deal spend unprecedented amounts of money on relief and recovery efforts but ultimately fail to stimulate a full economic recovery?

You’ve already examined the prompt, selected a research topic, and conducted research, and now you are ready to make your claim. First, what claim do you want to make?

Identify the Claim

Let’s look at a sample introductory paragraph that responds to this prompt. Look for the central claim made in the argument.

Example ESSAY #1

Since the stock market crash and the onset of the depression, British economists John Maynard Keynes, Roy Harrod, and others had urged western governments to stop tinkering with monetary solutions and adopt an aggressive program of government spending, especially in the areas of public works and housing, to stimulate the economy during the depression. Keynes stressed these ideas when he met with President Roosevelt, who soon complained to labor secretary Frances Perkins: “He [Keynes] left a whole rigamarole of figures. He must be a mathematician rather than a political economist.” Roosevelt’s comments about Keynes opened a window on one fundamental reason why the president’s New Deal, despite unprecedented federal spending, never achieved full economic recovery between 1933 and 1940. Although surrounded by critical advisers such as Federal Reserve chairman Marriner Eccles, who understood Keynes and his central message about the importance of government spending, Roosevelt did not grasp these ideas intellectually. He remained at heart a fiscal conservative, little different from Herbert Hoover. Roosevelt condoned government spending when necessary to “prime the pump” for recovery and combat hunger and poverty, but not as a deliberate economic recovery tool.

Let’s look at yet another example. This also responds to this same prompt which you can find again below for reference:

Example ESSAY #2

When President Franklin Delano Roosevelt gave his inaugural address on March 4, 1933, America was in the midst of financial collapse. Banking holidays closed banks in 28 states, and investors traded their dollars for gold to have tangible wealth. The president reassured Americans” “This great Nation will endure as it has endured and will revive and will prosper.” He listed three goals to shore up capitalism through his New Deal: banking regulation, laws to curb speculation, and the establishment of a sound currency basis. Roosevelt shored up the financial sector through regulation to restore the public trust that mismanaged banks, and financial speculators had destroyed. His New Deal gave the federal government regulatory responsibility to smooth economic downturns. Over the next eight years, the New Deal’s economic practices and spending helped create recovery and restore capitalism.

Finding the Thesis Statement

You’ve found the central claims from each of these two sample essays. Quite often, the claim is the thesis statement. But sometimes, the thesis statement elaborates on the claim more by including the angle you’ll take about your claim. In the sample essay above, the thesis statement is written in reverse order, with the primary claim coming at the end, but if you read the sentences before that, you can see what the essay’s focus will be as well.”

• “Roosevelt shored up the financial sector through regulation to restore the public trust that mismanaged banks, and financial speculators had destroyed. His New Deal gave the federal government regulatory responsibility to smooth economic downturns. Over the next eight years, the New Deal’s economic practices and spending helped create recovery and restore capitalism”.”

Now we know that the rest of the essay will focus on how the New Deal’s economic practices and spending habits helped the recovery and also show 1) ways that Roosevelt shored up the financial sector and 2) gave the federal government regulatory responsibility.

Pick a reformer or activist involved with a social movement between 1877 and 1900. Pick two questions below and write a thesis statement explaining the main claim and angle you would take in an essay about the topic.

• What changes came about as a direct result of their activism?

Thesis statement #1:

Thesis statement #2:

thesis statement : a statement of the topic of the piece of writing and the angle the writer has on that topic

• Historical Hack: Crafting Historical Arguments. Authored by : Kaitlyn Connell for Lumen Learning. Provided by : Lumen Learning. License : CC BY: Attribution
• Analyzing Documents Using the HAPPY Analysis. Provided by : Lumen Learning. Located at : https://courses.lumenlearning.com/wm-ushistory2/chapter/analyzing-documents-using-the-happy-analysis/ . License : CC BY: Attribution
• Secondary source. Provided by : Wikipedia. Located at : https://en.wikipedia.org/wiki/Secondary_source . License : CC BY-SA: Attribution-ShareAlike
• What is an argument?. Provided by : Lumen Learning. Located at : https://courses.lumenlearning.com/englishcomp1coreq/chapter/introduction-to-what-is-an-argument/ . Project : English Composition I Corequisite. License : CC BY-SA: Attribution-ShareAlike
• Did the New Deal End the Great Depression?. Provided by : OpenStax. Located at : https://cnx.org/contents/[email protected]:WWZKMA1o@2/12-16-%F0%9F%92%AC-Did-the-New-Deal-End-the-Great-Depression . Project : Life, Liberty, and the Pursuit of Happiness. License : CC BY: Attribution . License Terms : Download for free at http://cnx.org/contents/[email protected]

Writing the Undergraduate Thesis

  Your thesis is not something to be put off, but something to get started on early!

Daniel has just completed his  BA History and Politics at  Magdalen College . He is a disabled student and the first in his immediate family to go to university. Daniel is a Trustee of  Potential Plus UK , a Founding Ambassador and Expert Panel Member for  Zero Gravity , a  Sutton Trust Alumni Leadership Board Member  and a History Faculty Ambassador. Before coming to university, Daniel studied at a non-selective state school, and was a participant on the  UNIQ ,  Sutton Trust , and  Social Mobility Foundation  APP Reach programmes, as well as being part of the inaugural  Opportunity Oxford  cohort. Daniel is passionate about outreach and social mobility and ensuring all students have the best opportunity to succeed.

The undergraduate thesis is most probably the longest piece of writing you will have encountered but can be the most rewarding. It gives you the opportunity to follow your passions and conduct historical research that may have never been done before, in a new field or deepening understanding in an area you had already explored. Based on my recent experience here is my advice for how to put it all together:

Choosing a topic

You should begin thinking about this in the January of your second year. Most work on your thesis begins in Trinity (summer term) of your second year, so use Hilary (spring term) to brainstorm what you want to write about. Reflect on which bits of the History degree you have really enjoyed, or any areas you wish to learn more about. Don’t just go for the most obvious topics. 20th century British political topics in some cases have very little unexplored material, so you want to choose an area where you can really add value. Make sure your topic is small enough to be able to do it well in 12,000 words, as that becomes surprisingly few words when you are putting it all together.

You may cover something where there has been some research, but find a new approach or a new angle. In my case, I used the new donations of materials on the Oxford Union’s ‘King and Country’ debate as one way my thesis would be original.

You want to think about the sources you would potentially need to consult, and where they may be stored – no point choosing a topic if the archives are in a language you don’t understand or they are inaccessible. You need to think about logistics and ensure there will be enough material to write about. Not enough primary material can really hold writing back. You don’t need to travel across the world (though it can be very cool) to put it together. There are plenty of subjects that haven’t been explored that could be answered by archives within the University of Oxford. That’s another way to bring value from your thesis; focus on a well-known topic, but in a local context where it may not have been researched.

If you are struggling to choose a topic, don’t worry as there are lectures and sessions to support you throughout the thesis process from the Faculty of History and your college tutor. Not every idea works first time either, so do leave yourself enough time to explore the primary material available.

Introductory reading and your supervisor

At this point it is worth seeing what secondary material is available so you can begin to get a clear idea of what you are writing about. The History Faculty Canvas page is a good place to start. Use reading lists from other papers to put together an introductory reading list for your thesis. You could also attend relevant lectures if you start early enough to gain an understanding of the key ideas in each area.

Don’t worry if you aren’t sure how you want to move forward, your thesis supervisor is there to support with this. They are a tutor who has some experience in the area you are writing about; they have subject specialist knowledge which will be invaluable in driving your thesis forward.

Throughout your thesis writing process you can access up to 5 hours of support (inclusive of time spent responding to email questions as well as meetings), so don’t use all your time up at the start. Leave time for feedback on your thesis draft (I would recommend saving around three hours for this). Talk about your ideas and where you are stuck, and they will be able to suggest relevant reading or sources of primary material.

Ideally confirm your topic and supervisor by the end of Trinity (summer term) of your second year. You can meet before the summer to set out what work you are going to do over the long vacation.

Primary source work

The vast majority of this should be completed over the summer, given you only get Hilary (spring) term of your third year to write up. You are likely to need to spend around 2 weeks conducting primary research, looking at archives or conducting interviews depending on what you are studying. You want to make good notes while doing this and make sure to note down all reference codes for the material you access in the archive. Anything quoted in your thesis will need to be referenced (including page numbers), so note these early to save having to do so again. This is particularly important for sources located a long way away.

You will require ethical approval from your supervisor before you undertake any interviews. This process can take some time, so make sure you submit the request early as you don’t want your thesis timeline to be derailed by this review. Also consider how you will reach those you want to interview; are they likely to want to be involved? What is the best medium to engage with them (online or in-person)? What are the strengths and limitations of such an approach?

While conducting primary source analysis, think back to the question you initially discussed with your supervisor and consider if your enquiry is developing differently. You may find your focus in archival research is slightly different to what you outlined initially. That is fine as long as you can complete a good piece of writing on it.

As you go, begin thinking about the two to three chapters you may break your work into. Also reflect – is there enough material to write about? You don’t want to be going into third year with too much primary source analysis left to do. Keep thinking what you want to cover in your thesis and identify gaps early so you can continue to develop your enquiry.

You will need to submit a short proposal in Michaelmas (autumn term) of your third year. This is signed off by the exam board, to certify your thesis is a viable proposal. By now you should know if there is enough material to cover the topic you want. You can make changes after the submission, but I think it’s a good deadline to see if you are on track. It doesn’t need to be too detailed; suggest a title, list the sources you are consulting and what you are hoping to investigate. Your supervisor or tutors in college can give feedback on this.

Secondary reading

You will already have done some secondary reading as part of choosing a topic, and through your initial meetings with your supervisor. While conducting primary source analysis over the long vacation, it is also advantageous to do some more secondary reading. Secondary reading helps to put sources in context and allows you to see where your work fits in to the wider historical debate. Your thesis may be responding to an author or building upon their work. If possible, you could even reach out to them to get their advice or suggestions for unexplored avenues of enquiry.

It is worth flagging you are unlikely to have any time during Michaelmas (autumn term) to work on your thesis. The earliest you are likely to get back to your thesis is at some point during the Christmas vacation or the 1st week of Hilary (spring term).

You must submit your thesis by midday on Friday of 8th week of Hilary. As you can see the timelines are tight. It is therefore worth finishing any primary source analysis as a priority at the start of term, before devoting a few more weeks to secondary reading. During this time, keep checking in with your supervisor to stay on track.

How long you spend on secondary reading should be determined by how long you think you need for writing; my advice is learn from the Extended Essay that you completed in Michaelmas (autumn term) to know your timings. If it took much longer to write than planned, this needs to be factored into your timings. You don’t want to spend all your time reading if writing is the most challenging aspect. You can also read while writing, as the writing process can expose gaps. So give yourself more time to write than you think you need, and prioritise your reading by where you think you need more knowledge.

You should have a detailed plan for your thesis, breaking it down into two to three chapters and what you want to cover in each chapter. With a long piece of writing, it is easy for the quality to drop in the middle as you lose steam so be aware of this. You want to be selective as you only have 12000 words and referencing counts within that limit. Just like any piece of academic writing, it needs an argument so make sure you have a clear train of thought throughout.

I would advise you start writing by the beginning of fourth week. You ideally want to submit your thesis to your supervisor by the end of fifth week to give time for review. It is likely to take your supervisor a minimum of a week to review your thesis (they may be supervising multiple students), so check when they need it by to ensure you have ample time to make the necessary improvements.

When writing, you may want to write a sketch version first where you write all of your thoughts before adding the detail with references. Make sure your referencing format is consistent and make the work as good as possible so your supervisor’s feedback can be focused on how to get your thesis to the next level rather than simple mistakes. For things like spelling and grammar it is down to you to ensure your thesis is readable.

While it can be tempting to leave writing until the last possible second, you will get your best work by working consistently over a week or two with clear goals. You don’t want to be in the library every waking hour, as this will come through in the quality of what is written.

When working with a supervisor, it is all about communication. If you do find issues while writing your thesis, you can always meet your supervisor to get some steer. Some supervisors like to review it chapter by chapter, so establish how you want to work at the start of Hilary (spring term) and stick to it.

Proofreading and re-drafting

When you receive your supervisor’s feedback, it can be useful to schedule sessions with them to run through it on a granular level. Some supervisors will go through chapter by chapter, others will be steered by your questions.

You will hopefully have at least one or two weeks to make the necessary edits, which could be as drastic as restructuring an entire chapter. It is worth rewriting with time to spare, so you can proofread it to ensure the thesis reads clearly. Do follow the University regulations if you would like others to review your thesis.

The final step is sending it in before the deadline – some students submit up to a week in advance if they are happy with it, where others (like myself) give it a final read on the morning of submission. Make sure to back up on a cloud-based platform so if there are any technical issues you can obtain a recent version.

Writing a thesis can be an enjoyable process, where you get a lot of freedom to work at your own pace on a topic you are interested in. My main piece of advice is don’t let that freedom get you off track, as there is little time to catch up if you do fall behind (particularly during Hilary term). Your thesis is not something to be put off but something to get started on early!

My undergraduate thesis will be published on the Oxford Union Library and Archives website in due course, and a physical copy can also be found within the Oxford Union Library.

How to Write a History Essay with Outline, Tips, Examples and More

Samuel Gorbold

Before we get into how to write a history essay, let's first understand what makes one good. Different people might have different ideas, but there are some basic rules that can help you do well in your studies. In this guide, we won't get into any fancy theories. Instead, we'll give you straightforward tips to help you with historical writing. So, if you're ready to sharpen your writing skills, let our history essay writing service explore how to craft an exceptional paper.

What is a History Essay?

A history essay is an academic assignment where we explore and analyze historical events from the past. We dig into historical stories, figures, and ideas to understand their importance and how they've shaped our world today. History essay writing involves researching, thinking critically, and presenting arguments based on evidence.

Moreover, history papers foster the development of writing proficiency and the ability to communicate complex ideas effectively. They also encourage students to engage with primary and secondary sources, enhancing their research skills and deepening their understanding of historical methodology. Students can benefit from utilizing essay writers services when faced with challenging assignments. These services provide expert assistance and guidance, ensuring that your history papers meet academic standards and accurately reflect your understanding of the subject matter.

History Essay Outline

The outline is there to guide you in organizing your thoughts and arguments in your essay about history. With a clear outline, you can explore and explain historical events better. Here's how to make one:

Introduction

• Hook: Start with an attention-grabbing opening sentence or anecdote related to your topic.
• Background Information: Provide context on the historical period, event, or theme you'll be discussing.
• Thesis Statement: Present your main argument or viewpoint, outlining the scope and purpose of your history essay.

Body paragraph 1: Introduction to the Historical Context

• Provide background information on the historical context of your topic.
• Highlight key events, figures, or developments leading up to the main focus of your history essay.

Body paragraphs 2-4 (or more): Main Arguments and Supporting Evidence

• Each paragraph should focus on a specific argument or aspect of your thesis.
• Present evidence from primary and secondary sources to support each argument.
• Analyze the significance of the evidence and its relevance to your history paper thesis.

Counterarguments (optional)

• Address potential counterarguments or alternative perspectives on your topic.
• Refute opposing viewpoints with evidence and logical reasoning.
• Summary of Main Points: Recap the main arguments presented in the body paragraphs.
• Restate Thesis: Reinforce your thesis statement, emphasizing its significance in light of the evidence presented.
• Reflection: Reflect on the broader implications of your arguments for understanding history.
• Closing Thought: End your history paper with a thought-provoking statement that leaves a lasting impression on the reader.

References/bibliography

• List all sources used in your research, formatted according to the citation style required by your instructor (e.g., MLA, APA, Chicago).
• Include both primary and secondary sources, arranged alphabetically by the author's last name.

Notes (if applicable)

• Include footnotes or endnotes to provide additional explanations, citations, or commentary on specific points within your history essay.

History Essay Format

Adhering to a specific format is crucial for clarity, coherence, and academic integrity. Here are the key components of a typical history essay format:

Font and Size

• Use a legible font such as Times New Roman, Arial, or Calibri.
• The recommended font size is usually 12 points. However, check your instructor's guidelines, as they may specify a different size.
• Set 1-inch margins on all sides of the page.
• Double-space the entire essay, including the title, headings, body paragraphs, and references.
• Avoid extra spacing between paragraphs unless specified otherwise.
• Align text to the left margin; avoid justifying the text or using a centered alignment.

Title Page (if required):

• If your instructor requires a title page, include the essay title, your name, the course title, the instructor's name, and the date.
• Center-align this information vertically and horizontally on the page.
• Include a header on each page (excluding the title page if applicable) with your last name and the page number, flush right.
• Some instructors may require a shortened title in the header, usually in all capital letters.
• Center-align the essay title at the top of the first page (if a title page is not required).
• Use standard capitalization (capitalize the first letter of each major word).
• Avoid underlining, italicizing, or bolding the title unless necessary for emphasis.

Paragraph Indentation:

• Indent the first line of each paragraph by 0.5 inches or use the tab key.
• Do not insert extra spaces between paragraphs unless instructed otherwise.

Citations and References:

• Follow the citation style specified by your instructor (e.g., MLA, APA, Chicago).
• Include in-text citations whenever you use information or ideas from external sources.
• Provide a bibliography or list of references at the end of your history essay, formatted according to the citation style guidelines.
• Typically, history essays range from 1000 to 2500 words, but this can vary depending on the assignment.

How to Write a History Essay?

Historical writing can be an exciting journey through time, but it requires careful planning and organization. In this section, we'll break down the process into simple steps to help you craft a compelling and well-structured history paper.

Analyze the Question

Before diving headfirst into writing, take a moment to dissect the essay question. Read it carefully, and then read it again. You want to get to the core of what it's asking. Look out for keywords that indicate what aspects of the topic you need to focus on. If you're unsure about anything, don't hesitate to ask your instructor for clarification. Remember, understanding how to start a history essay is half the battle won!

Now, let's break this step down:

• Read the question carefully and identify keywords or phrases.
• Consider what the question is asking you to do – are you being asked to analyze, compare, contrast, or evaluate?
• Pay attention to any specific instructions or requirements provided in the question.
• Take note of the time period or historical events mentioned in the question – this will give you a clue about the scope of your history essay.

Develop a Strategy

With a clear understanding of the essay question, it's time to map out your approach. Here's how to develop your historical writing strategy:

• Brainstorm ideas : Take a moment to jot down any initial thoughts or ideas that come to mind in response to the history paper question. This can help you generate a list of potential arguments, themes, or points you want to explore in your history essay.
• Create an outline : Once you have a list of ideas, organize them into a logical structure. Start with a clear introduction that introduces your topic and presents your thesis statement – the main argument or point you'll be making in your history essay. Then, outline the key points or arguments you'll be discussing in each paragraph of the body, making sure they relate back to your thesis. Finally, plan a conclusion that summarizes your main points and reinforces your history paper thesis.
• Research : Before diving into writing, gather evidence to support your arguments. Use reputable sources such as books, academic journals, and primary documents to gather historical evidence and examples. Take notes as you research, making sure to record the source of each piece of information for proper citation later on.
• Consider counterarguments : Anticipate potential counterarguments to your history paper thesis and think about how you'll address them in your essay. Acknowledging opposing viewpoints and refuting them strengthens your argument and demonstrates critical thinking.
• Set realistic goals : Be realistic about the scope of your history essay and the time you have available to complete it. Break down your writing process into manageable tasks, such as researching, drafting, and revising, and set deadlines for each stage to stay on track.

Start Your Research

Now that you've grasped the history essay topic and outlined your approach, it's time to dive into research. Here's how to start:

• Ask questions : What do you need to know? What are the key points to explore further? Write down your inquiries to guide your research.
• Explore diverse sources : Look beyond textbooks. Check academic journals, reliable websites, and primary sources like documents or artifacts.
• Consider perspectives : Think about different viewpoints on your topic. How have historians analyzed it? Are there controversies or differing interpretations?
• Take organized notes : Summarize key points, jot down quotes, and record your thoughts and questions. Stay organized using spreadsheets or note-taking apps.
• Evaluate sources : Consider the credibility and bias of each source. Are they peer-reviewed? Do they represent a particular viewpoint?

Establish a Viewpoint

By establishing a clear viewpoint and supporting arguments, you'll lay the foundation for your compelling historical writing:

• Review your research : Reflect on the information gathered. What patterns or themes emerge? Which perspectives resonate with you?
• Formulate a thesis statement : Based on your research, develop a clear and concise thesis that states your argument or interpretation of the topic.
• Consider counterarguments : Anticipate objections to your history paper thesis. Are there alternative viewpoints or evidence that you need to address?
• Craft supporting arguments : Outline the main points that support your thesis. Use evidence from your research to strengthen your arguments.
• Stay flexible : Be open to adjusting your viewpoint as you continue writing and researching. New information may challenge or refine your initial ideas.

Structure Your Essay

Now that you've delved into the depths of researching historical events and established your viewpoint, it's time to craft the skeleton of your essay: its structure. Think of your history essay outline as constructing a sturdy bridge between your ideas and your reader's understanding. How will you lead them from point A to point Z? Will you follow a chronological path through history or perhaps dissect themes that span across time periods?

And don't forget about the importance of your introduction and conclusion—are they framing your narrative effectively, enticing your audience to read your paper, and leaving them with lingering thoughts long after they've turned the final page? So, as you lay the bricks of your history essay's architecture, ask yourself: How can I best lead my audience through the maze of time and thought, leaving them enlightened and enriched on the other side?

Create an Engaging Introduction

Creating an engaging introduction is crucial for capturing your reader's interest right from the start. But how do you do it? Think about what makes your topic fascinating. Is there a surprising fact or a compelling story you can share? Maybe you could ask a thought-provoking question that gets people thinking. Consider why your topic matters—what lessons can we learn from history?

Also, remember to explain what your history essay will be about and why it's worth reading. What will grab your reader's attention and make them want to learn more? How can you make your essay relevant and intriguing right from the beginning?

Develop Coherent Paragraphs

Once you've established your introduction, the next step is to develop coherent paragraphs that effectively communicate your ideas. Each paragraph should focus on one main point or argument, supported by evidence or examples from your research. Start by introducing the main idea in a topic sentence, then provide supporting details or evidence to reinforce your point.

Make sure to use transition words and phrases to guide your reader smoothly from one idea to the next, creating a logical flow throughout your history essay. Additionally, consider the organization of your paragraphs—is there a clear progression of ideas that builds upon each other? Are your paragraphs unified around a central theme or argument?

Conclude Effectively

Concluding your history essay effectively is just as important as starting it off strong. In your conclusion, you want to wrap up your main points while leaving a lasting impression on your reader. Begin by summarizing the key points you've made throughout your history essay, reminding your reader of the main arguments and insights you've presented.

Then, consider the broader significance of your topic—what implications does it have for our understanding of history or for the world today? You might also want to reflect on any unanswered questions or areas for further exploration. Finally, end with a thought-provoking statement or a call to action that encourages your reader to continue thinking about the topic long after they've finished reading.

Reference Your Sources

Referencing your sources is essential for maintaining the integrity of your history essay and giving credit to the scholars and researchers who have contributed to your understanding of the topic. Depending on the citation style required (such as MLA, APA, or Chicago), you'll need to format your references accordingly. Start by compiling a list of all the sources you've consulted, including books, articles, websites, and any other materials used in your research.

Then, as you write your history essay, make sure to properly cite each source whenever you use information or ideas that are not your own. This includes direct quotations, paraphrases, and summaries. Remember to include all necessary information for each source, such as author names, publication dates, and page numbers, as required by your chosen citation style.

Review and Ask for Advice

As you near the completion of your history essay writing, it's crucial to take a step back and review your work with a critical eye. Reflect on the clarity and coherence of your arguments—are they logically organized and effectively supported by evidence? Consider the strength of your introduction and conclusion—do they effectively capture the reader's attention and leave a lasting impression? Take the time to carefully proofread your history essay for any grammatical errors or typos that may detract from your overall message.

Furthermore, seeking advice from peers, mentors, or instructors can provide valuable insights and help identify areas for improvement. Consider sharing your essay with someone whose feedback you trust and respect, and be open to constructive criticism. Ask specific questions about areas you're unsure about or where you feel your history essay may be lacking. If you need further assistance, don't hesitate to reach out and ask for help. You can even consider utilizing services that offer to write a discussion post for me , where you can engage in meaningful conversations with others about your essay topic and receive additional guidance and support.

History Essay Example

In this section, we offer an example of a history essay examining the impact of the Industrial Revolution on society. This essay demonstrates how historical analysis and critical thinking are applied in academic writing. By exploring this specific event, you can observe how historical evidence is used to build a cohesive argument and draw meaningful conclusions.

FAQs about History Essay Writing

How to write a history essay introduction, how to write a conclusion for a history essay, how to write a good history essay.

Samuel Gorbold , a seasoned professor with over 30 years of experience, guides students across disciplines such as English, psychology, political science, and many more. Together with EssayHub, he is dedicated to enhancing student understanding and success through comprehensive academic support.

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History Essay Examples

Top History Essay Examples To Get Inspired By

Published on: May 4, 2023

Last updated on: Jan 31, 2024

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History essays are a crucial component of many academic programs, helping students to develop their critical thinking, research, and writing skills. 

However, writing a great history essay is not always easy, especially when you are struggling to find the right approach. This is where history essay examples come in handy. 

By reading and examining samples of successful history essays, you can gain inspiration, learn new ways to approach your topic. Moreover, you can develop a better understanding of what makes a great history essay.

In this blog, you will find a range of history essay examples that showcase the best practices in history essay writing. 

Read on to find useful examples.

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Sample History Essays

Explore our collection of excellent history paper examples about various topics. Download the pdf examples for free and read to get inspiration for your own essay.

History Essay Samples for Middle School

The Impact of Ancient Civilizations on Modern Society

The Rise and Fall of the Roman Empire

The Causes and Consequences of the American Revolution

History Writing Samples for High School Students

The Impact of the Industrial Revolution on Society

Grade 10 History Essay Example: World War 1 Causes and Effects

Grade 12 History Essay Example: The Impact of Technology on World War II

Ancient History Essay Examples

The Societal and Political Structures of the Maya Civilization

The Role of Phoenicians in the Development of Ancient Mediterranean World

The Contributions of the Indus Civilization

Medieval History Essay Examples

The Crusades Motivations and Consequences

The Beginning of Islamic Golden Age

The Black Death

Modern History Essay Examples

The Suez Crisis and the End of British Dominance

The Rise of China as an Economic Powerhouse

World History Essay Examples

The Role of the Silk Road in Shaping Global Trade and Culture

The Rise and Fall of the Ottoman Empire

The Legacy of Ancient Greek Philosophy and Thought

Paper Due? Why Suffer? That's our Job!

American History Essay Examples

The Civil Rights Movement and its Impact on American Society

The American Civil War and its Aftermath

The Role of Women in American Society Throughout History

African History Essay Examples

The Impact of Colonialism on African Societies

The Rise and Fall of the Mali Empire

European History Essay Examples

The Protestant Reformation and the Rise of Protestantism in Europe

The French Revolution and its Impact on European Politics and Society

The Cold War and the Division of Europe

Argumentative History Essay Examples

Was the US Civil War Primarily About Slavery or States

The Effects of British Colonization on Colonies

Art History Essay Examples 

The Influence of Greek and Roman Art on Neoclassicism

The Depiction of Women in Art Throughout History

The Role of Art in the Propaganda of Fascist Regimes

How to Use History Essay Examples

History essay examples are a valuable tool for students looking for inspiration and guidance on how to approach their own essays. 

By analyzing successful essays, you can learn effective writing techniques that can be expected in a high-quality history essay. 

Here are some tips that will help you take full advantage of the samples above.

Tips for Effectively Using History Essay Examples

• Analyze the Structure:

Pay close attention to how the essay is organized, including the introduction, body paragraphs, and conclusion. Look for how the author transitions between paragraphs and the use of evidence to support their argument.

• Study the Thesis Statement:

The thesis statement is the backbone of any successful history essay. Analyze how the author crafted their thesis statement, and consider how you can apply this to your own writing.

• Take Note of the Evidence: 

Effective history essays rely on using strong evidence to support their arguments. Take note of the sources and types of evidence used in the essay. Consider how you can apply similar evidence to support your own arguments.

• Pay Attention to the Formatting and Other Academic Formalities:

The sample essays also demonstrate how you can incorporate academic formalities and standards while keeping the essay engaging. See how these essays fulfill academic standards and try to follow them in your own writing.

• Practice Writing:

While analyzing history essay examples can be helpful, it is important to also practice writing your own essays. Use the examples as inspiration, but try to craft your own unique approach to your topic. 

History essays are an essential aspect of learning and understanding the past. By using history essay examples, students can gain inspiration on how to develop their history essays effectively. 

Furthermore, following the tips outlined in this blog, students can effectively analyze these essay samples and learn from them. 

However, writing a history essay can still be challenging. 

Looking for an online essay writing service that specializes in history essays? Look no further!

Our history essay writing service is your go-to source for well-researched and expertly crafted papers.

And for an extra edge in your academic journey, explore our AI essay writing tool . Make history with your grades by choosing our online essay writing service and harnessing the potential of our AI essay writing tool.

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How to Research and Write a Compelling History Thesis

The Importance of Research for Writing a History Thesis

Just as history is more than a collection of facts about past events, an effective history thesis goes beyond simply sharing recorded information. Writing a compelling history thesis requires making an argument about a historical fact and, then, researching and providing a well-crafted defense for that position.

With so many sources available—some of which may provide conflicting findings—how should a student research and write a history thesis? How can a student create a thesis that’s both compelling and supports a position that academic editors describe as “concise, contentious, and coherent”?

Key steps in how to write a history thesis include evaluating source materials, developing a strong thesis statement, and building historical knowledge.

Compelling theses provide context about historical events. This context, according to the reference website ThoughtCo., refers to the social, religious, economic, and political conditions during an occurrence that “enable us to interpret and analyze works or events of the past, or even the future, rather than merely judge them by contemporary standards”.

The context supports the main point of a thesis, called the thesis statement, by providing an interpretive and analytical framework of the facts, instead of simply stating them. Research uncovers the evidence necessary to make the case for that thesis statement.

To gather evidence that contributes to a deeper understanding of a given historical topic, students should reference both primary and secondary sources of research.

Primary Sources

Primary sources are firsthand accounts of events in history, according to Professor David Ulbrich, director of Norwich University’s online Master of Arts in History program. These sources provide information not only about what happened and how it happened but also why it happened.

Primary sources can include letters, diaries, photos, and videos as well as material objects such as “spent artillery shells, architectural features, cemetery headstones, chemical analysis of substances, shards of bowls or bottles, farming implements, or earth or environmental features or factors,” Ulbrich says. “The author of the thesis can tell how people lived, for example, by the ways they arranged their material lives.”

Primary research sources are the building blocks to help us better understand and appreciate history. It is critical to find as many primary sources from as many perspectives as possible. Researching these firsthand accounts can provide evidence that helps answer those “what”, “how”, and “why” questions about the past, Ulbrich says.

Secondary Sources

Secondary sources are materials—such as books, articles, essays, and documentaries—gathered and interpreted by other researchers. These sources often provide updates and evaluation of the thesis topic or viewpoints that support the theories presented in the thesis.

Primary and secondary sources are complementary types of research that form a convincing foundation for a thesis’ main points.

How to Write a History Thesis

What are the steps to write a history thesis? The process of developing a thesis that provides a thorough analysis of a historical event—and presents academically defensible arguments related to that analysis—includes the following:

1. Gather and Analyze Sources

When collecting sources to use in a thesis, students should analyze them to ensure they demonstrate knowledge and understanding of the materials. A student should evaluate the attributes of sources such as their origin and point-of-view.

An array of primary and secondary sources can help provide a thorough understanding of a historical event, although some of those sources may include conflicting views and details. In those cases, the American Historical Association says, it’s up to the thesis author to determine which source reflects the appropriate point-of-view.

2. Develop a Thesis Statement

To create a thesis statement, a student should establish a specific idea or theory that makes the main point about a historical event. Scribbr, an editing website, recommends starting with a working thesis, asking the question the thesis intends to answer, and, then, writing the answer.

The final version of a thesis statement might be argumentative, for example, taking a side in a debate. Or it might be expository, explaining a historical situation. In addition to being concise and coherent, a thesis statement should be contentious, meaning it requires evidence to support it.

3. Create an Outline

Developing a thesis requires an outline of the content that will support the thesis statement. Students should keep in mind the following key steps in creating their outline:

• Note major points.
• Categorize ideas supported by the theories.
• Arrange points according to the importance and a timeline of events addressed by the thesis.
• Create effective headings and subheadings.
• Format the outline.

4. Organize Information

Thesis authors should ensure their content follows a logical order. This may entail coding resource materials to help match them to the appropriate theories while organizing the information. A thesis typically contains the following elements.

• Abstract —Overview of the thesis.
• Introduction —Summary of the thesis’ main points.
• Literature review —Explanation of the gap in previous research addressed by this thesis.
• Methods —Outline how the author reviewed the research and why materials were selected.
• Results —Description of the research findings.
• Discussion —Analysis of the research.
• Conclusion —Statements about what the student learned.

5. Write the Thesis

Online writing guide Paperpile recommends that students start with the literature review when writing the thesis. Developing this section first will help the author gain a more complete understanding of the thesis’ source materials. Writing the abstract last can give the student a thorough picture of the work the abstract should describe.

The discussion portion of the thesis typically is the longest since it’s here that the writer will explain the limitations of the work, offer explanations of any unexpected results, and cite remaining questions about the topic.

In writing the thesis, the author should keep in mind that the document will require multiple changes and drafts—perhaps even new insights. A student should gather feedback from a professor and colleagues to ensure their thesis is clear and effective before finalizing the draft.      

6. Prepare to Defend the Thesis

A committee will evaluate the student’s defense of the thesis’ theories. Students should prepare to defend their thesis by considering answers to questions posed by the committee. Additionally, students should develop a plan for addressing questions to which they may not have a ready answer, understanding the evaluation likely will consider how the author handles that challenge.

Developing Skills to Write a Compelling History Thesis

When looking for direction on how to write a history thesis, Norwich University’s online Master of Arts in History program can provide the needed skills and knowledge. The program’s tracks and several courses—taken as core classes or as electives in multiple concentrations—can provide a strong foundation for thesis work.

Master of Arts in History Tracks

In the Norwich online Master of Arts in History program, respected scholars help students improve their historical insight, research, writing, analytical, and presentation skills. They teach the following program tracks.

• Public History —Focuses on the preservation and interpretation of historic documents and artifacts for purposes of public observation.
• American History —Emphasizes the exploration and interpretation of key events associated with U.S. history.
• World History —Prepares students to develop an in-depth understanding of world history from various eras.
• Legal and Constitutional History —Provides a thorough study of the foundational legal and constitutional elements in the U.S. and Europe.

Master of Arts in History Courses

Norwich University’s online Master of Arts in History program enables students to customize studies based on career goals and personal interests through the following courses:

• Introduction to History and Historiography —Covers the core concepts of history-based study and research methodology, highlighting how these concepts are essential to developing an effective history thesis.
• Directed Readings in History —Highlights different ways to use sources that chronicle American history to assist in researching and writing a thorough and complete history thesis.
• Race, Gender, and U.S. Constitution —Explores key U.S. Supreme Court decisions relating to national race and gender relations and rights, providing a deeper context to develop compelling history theses.
• Archival Studies —Breaks down the importance of systematically overseeing archival materials, highlighting how to build historical context to better educate and engage with the public.

Start Your Path Toward Writing a Compelling History Thesis

For over two centuries, Norwich University has played a vital role in history as America’s first private military college and the birthplace of the ROTC. As such, the university is uniquely positioned to lead students through a comprehensive analysis of the major developments, events, and figures of the past.

Explore Norwich University’s online Master of Arts in History program. Start your path toward writing a compelling history thesis and taking your talents further.

Writing History: An Introductory Guide to How History Is Produced , American Historical Association     How to Write a Thesis Statement , Scribbr     The Importance of Historic Context in Analysis and Interpretation , ThoughtCo.     7 Reasons Why Research Is Important , Owlcation     Primary and Secondary Sources , Scribbr     Secondary Sources in Research , ThoughtCo.     Analysis of Sources , History Skills     Research Paper Outline , Scribbr     How to Structure a Thesis , Paperpile     Writing Your Final Draft , History Skills     How to Prepare an Excellent Thesis Defense , Paperpile

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HistoryProfessor.Org

Insights from zachary schrag, author of the princeton guide to historical research, a thesis statement template.

January 2007. Revised June 2011 and March 2022.

Thesis statements —the presentation of a thesis in the introduction of a work—can take many forms, so long as they pose a question and offer an interpretive answer. [1] Though I do not want to confine my students to formulas, here is one that may help them remember the key elements:

Why did [person/persons] [do/say/write something surprising]? [Plausible explanation], but in fact [better or more complete explanation].

Consider this passage example from Gail Radford:

Conventional wisdom suggests that Americans never would have abandoned their cherished dream of owning their own home, preferably a free-standing, single-family house in the suburbs. Yet some scholars have argued that this seemingly transhistorical commitment to homeownership in the United States was considerably strengthened if not actually created in its pres.. ent form during the interwar period. Also, evidence from the case studies of the PWA housing developments in this book suggests that many Americans might well have enjoyed living at least some part of their lives in good quality, economical garden apartment buildings or rowhouses surrounded by attractive landscaping and generously provided with recreational opportunities and social services within easy walking distance. In fact, Americans were never given such a choice, so it is impossible to tell how they would have reacted. Only some of the PWA developments that were built successfully embodied much of the spirit of the modern housing idea, and few Americans ever saw one of these. Encouraged by the housing industry, conservative forces in Congress made sure that there would be no federal support for this policy direction in the permanent legislation that ultimately emerged from the turmoil of the 1930s. As we will see, this vision for American housing had limitations and ambiguities. Yet, the problems it sought to solve have not disappeared, and many of the ideas it put forward could help us today as we try to craft solutions to our contemporary dilemmas. [2]

Rephrased it template form, it looks like this:

Why did Americans reject public housing except as an option of last resort? Given the popularity of homeownership today, one might think that Americans have always insisted on owning their own homes. But in fact, some Americans preferred quality public housing to home ownership, and only strong efforts by the housing industry and conservative politicians foreclosed this option.

Or, this, from David Mindell:

Hampton Roads drew such an energetic and lasting public response that the battle became a familiar icon of popular culture. The Monitor symbolized American technology, and success in military technology meant strength in commercial technology as well. A typical promotion proclaimed: “The fight settled the fate of the ‘Wooden Walls’ of the World and taught all nations that the War Ship of the future must be-like the McCormick Harvester-a Machine of Steel”. Official sources, expressed in congressional commendations, newspaper reports, and traditional histories, reflected a similar view. All touted the revolution in naval warfare, the new American standing on the international stage, and the maturity of industrial technology. Even today, the battle between the Monitor and the Virginia forms the most mythic and the most technological image of the Civil War. But, for Herman Melville, Hampton Roads conveyed another message. Both broader in its implications and more personal in its effects Melville’s reading of the ironclads illuminates a fundamental but elusive characteristic of technological change: the human experience that accompanies new machinery. His poem anticipates the rise of a cold, calculated, and distanced way of fighting, possibly reducing human grandeur in war. His poems on the Monitor, from his Battle Pieces collection on the Civil War, explore the paradoxical implications of mechanical warfare: like the Monitor, machines protect, but they also dehumanize. Melville wrote Battle Pieces during the war and published it soon after. Even without the advantage of hindsight he saw in the Monitor metaphors and conflicts hidden behind the public rhetoric of victorious new weapons. [3]

Here’s the template version:

What did Herman Melville mean when he wrote that “warriors/ Are now but operatives”? Official sources, newspaper accounts, and subsequent histories have presented the USS Monitor solely as a symbol of American technological success, but Melville understood machinery’s ability to dehumanize warfare.

Finally, here’s one from Adam Rome, in which the second part of the template appears nearly verbatim:

The Bulldozer in the Countryside does not merely fill gaps in the historical literature on environmentalism. The argument here recasts or revises a number of well-accepted conclusions about the movement’s roots, evolution, and limits. Six points stand out. Though a growing concern about the loss of wilderness ob­viously contributed to the rise of environmentalism, the movement also was a response to environmental change at the edges of the nation’s cities. [4]

To make it fit the template, we need only make Rome’s question more explicit:

Why did Americans become more concerned about the environment in the decades after World War II? Though a growing concern about the loss of wilderness obviously contributed to the rise of environmentalism, the movement also was a response to environmental change at the edges of the nation”s cities.

I even found an essay that uses the form almost exactly as it appears here:

How did Syria come to this pass? While some observers see in recent events a parallel with 1989, with the break-up of the East European–style system introduced by the Baathists in the 1960s, this is no velvet revolution, nor is Syria like Jaruzelski’s Poland. The regime’s violence is not ideological. It is far from being the result of an emotional or philosophical commitment to a party that long ago abandoned its agenda of promoting secular Arab republican values and aspirations. The regime’s ruthless attachment to power lies in a complex web of tribal loyalties and networks of patronage underpinned by a uniquely powerful religious bond. [5]

(For more examples, see  The Princeton Guide to Historical Research , 285-286)

Let’s take a look at the components of this form: 1. Why? History theses answer the question, why, or, occasionally, how. Who, what, where, and when are important too, but why and how make an argument. [6] 2. Person/persons. History is about people. Abstract nouns (capitalism, war, society, etc.) are important, but a thesis without people lacks life. 3. Something surprising. The function of any scholarship is to explore the unknown and the mysterious. Challenge yourself with difficult questions. 4. Plausible explanation. A good way to know that you have formed a good question is if it forces you to choose among interpretations. The question, who wrote “A Utilitarian View of the Monitor”s Fight”? has only one right answer (Herman Melville). The question, why did Melville write “A Utilitarian View of the Monitor”s Fight”? has many plausible answers. Like the second example, the most thorough theses note exactly who believes or believed an alternative explanation. 5. Better or more complete explanation. Not all answers are equally good. Some are plain wrong; they cannot be supported with evidence (Melville was trying to impress Adah Isaacs Menken ). Others account for some, but not all, of the available evidence (Americans were impressed by the power of the Monitor ). The task of a thesis is to show that your explanation explains words or deeds that were not explained before. Not all good thesis statements need to take this particular form, but most good theses present all of these elements. Show that your argument can explain more evidence than can a rival, and you have yourself a thesis.

For more on developing a thesis, see “ Elements of a Thesis Statement ” and “ Dialectical Thesis Statements .” [1] For all their classroom talk of concise thesis statements , academic historians generally spread the statement of their own theses over several paragraphs at the start of an article or several pages of the introduction of a book. Thus, if you want to find a compact thesis statement, you are better off reading historiographical essays or book reviews that summarize the arguments of other works. Here I have borrowed the idea of a thesis-statement template from the “magic thesis” presented by the UCLA Office of Instructional Development, http://write.oid.ucla.edu/handouts/Thesis_statement_history.rtf (August 8, 2006). [2] Adapted from Gail Radford, Modern Housing for America: Policy Struggles in the New Deal Era (Chicago: University of Chicago Press, 1996), 6. [3] Adapted from David A. Mindell, “’The Clangor of That Blacksmith”s Fray”: Technology, War, and Experience Aboard the USS Monitor,” Technology and Culture 36 (April 1995), 242-245. [4] The second sentence is a direct quotation from Adam Rome, The Bulldozer in the Countryside: Suburban Sprawl and the Rise of American Environmentalism (New York: Cambridge University Press, 2001), 7. It is one of six thesis statements Rome presents in his introduction (pages 7-12), each beginning with the word “though” and taking the form of a weighing of two alternative explanations. [5] Malise Ruthven, “ Storm Over Syria ,” New York Review of Books , 9 June 2011. [6] A remaining question—what is to be done?—is of great interest in other disciplines, but historians answer it only under duress. Others want to change the world; our task is to interpret it.

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Home — Blog — Topic Ideas — Thesis Topics in History: The List of 100 Perfect Ideas

Thesis Topics in History: The List of 100 Perfect Ideas

When choosing a thesis topic in history, several essential factors come into play. Firstly, consider your passion and interest in the subject matter. Opt for a topic that genuinely intrigues you, as this will motivate and drive your research efforts. Secondly, strive for originality and significance. Look for gaps in the existing historical literature and propose a fresh perspective or a novel approach to a well-studied topic. Your goal should be to contribute new insights and knowledge to the field. If your ideas are recognized, then perhaps in the future some history thesis examples will be written based on them.

Feasibility is crucial in selecting a thesis topic. Ensure that you have access to the necessary primary and secondary sources, archives, or data required to support your research. Additionally, consider the relevance of your chosen topic to current historical debates or contemporary issues. Demonstrating the significance of your research in the broader context adds depth and impact to your work.

Ultimately, the result you should strive for is a well-crafted thesis topic that not only showcases your academic prowess but also excites and captivates your readers or academic committee. Your chosen topic should be engaging, thought-provoking, and capable of advancing the collective understanding of historical events or phenomena. By meticulously selecting a compelling thesis topic and conducting thorough research, you can embark on a rewarding journey of scholarly exploration and contribute meaningfully to the ever-evolving field of history.

✨ Top-20 History Thesis Ideas

• The Role of Media in Shaping Public Perception during the Cold War
• The Great Depression: Economic and Social Impacts on American Society
• The Age of Exploration: Cultural Exchanges and Global Interactions
• Women's Suffrage Movement: Analyzing Strategies and Achievements
• The French Revolution: Causes, Consequences, and Historical Interpretations
• The African-American Civil Rights Movement Essay : Leaders, Strategies, and Legacies
• The Rise and Fall of Ancient Empires: Lessons from Mesopotamia and Egypt
• World War II: Examining the Global Impact and Lessons Learned
• The Scientific Revolution: Advancements in Science and their Societal Impact
• Slavery and Abolition: A Comparative Study of Different Regions
• The Cultural Exchange along the Silk Road: Connecting East and West
• The Age of Imperialism: Colonialism, Resistance, and Global Consequences
• The Renaissance and Its Influence on Art, Literature, and Politics
• The Native American Experience: Examining Histories and Perspectives
• The Impact of the Protestant Reformation on European Society and Religion
• The Construction and Fall of the Berlin Wall: Symbolism and Global Implications
• The Spanish Inquisition: Religious Orthodoxy and Power Dynamics
• The Industrial Revolution: Changes in Work, Society, and the Environment
• The Mongol Empire: Conquest, Governance, and Cultural Integration
• The Crusades: Motivations, Outcomes, and Effects on Christian-Muslim Relations

✍️ History Thesis Topics for Bachelor's Degree: Tips and Tricks

Writing a diploma thesis in history is a significant milestone for university graduates. It allows students to showcase their research skills, critical thinking, and expertise in the subject. Crafting a compelling and well-structured thesis requires careful planning and adherence to specific guidelines. Here are some recommendations and criteria to consider when undertaking a history dissertation:

• Topic Selection: Choose a topic that genuinely interests you and aligns with your academic passions. A well-chosen topic will keep you motivated throughout the research process.
• Originality: Strive for originality in your research. Identify gaps in existing historical literature and propose a unique perspective or fresh analysis.
• Research Depth: Conduct thorough research using a variety of primary and secondary sources. Academic journals, historical documents, and reputable books are essential resources.
• Structure and Format: Follow the prescribed structure and format provided by your university or department. Adhere to proper citation and referencing guidelines.
• Word Count: Depending on your university's requirements, diploma theses in history typically range from 60 to 100 pages. However, check the specific word count guidelines for your institution.
• Abstract: Include a clear and concise abstract that summarizes the key objectives, research methods, and findings of your thesis.
• Introduction: Introduce your topic, provide background information, and state your research question or thesis statement.
• Literature Review: Review relevant literature to demonstrate your understanding of existing research on the topic.
• Methodology: Explain the research methods and approaches you used to collect and analyze data.
• Analysis and Findings: Present your research findings and analyze them in the context of your research question.
• Conclusion: Summarize your main arguments, discuss the implications of your findings, and suggest avenues for future research.
• References: Provide a comprehensive list of all the sources you cited in your thesis.

When starting your dissertation, begin with extensive reading and research to gain a solid understanding of the topic. Take notes and organize your sources efficiently. Create a detailed outline that will serve as a roadmap for your writing process. Seek guidance from your advisor or professors throughout your research journey, as their insights and feedback will be invaluable.

As you write, maintain a clear and coherent writing style, and avoid excessive jargon. Use headings and subheadings to structure your thesis logically. Remember to proofread and edit your work carefully to ensure accuracy and clarity.

In conclusion, writing a diploma thesis in history requires dedication, critical thinking, and meticulous research. By following these recommendations and adhering to the given criteria, you can create a compelling and well-argued thesis that contributes meaningfully to the field of history. Embrace this opportunity to delve into the past, unearth new insights, and leave a lasting academic legacy as you embark on this exciting academic journey.

If you still have not found suitable historical theses, then we continued the list with examples, one of which is right for you

🌆American History Thesis Topics

• The American Revolution : Causes, Consequences, and Legacies
• 1950s Body Image History
• The 1950s vs Modern Era
• 1960s Entertainment
• Abigail Adams Letter Rhetorical Analysis
• Abigail Williams in The Crucible
• American Imperialism: Factors, Impact, and Legacy
• The American and French Revolutions: Causes, Key Events, and Outcomes
• A Comparative Analysis of Patrick Henry and Thomas Paine
• About The Underground Railroad
• Colin Kaepernick Argument: a Controversial Figure in American Sports
• Mitch Landrieu Speech Analysis
• Martin Luther King Jr. and Malcolm X in the Civil Rights Movement
• Causes of the Civil War
• Harlem: A Community Profile Examination
• Harriet Hollywood Film
• Manifest Destiny: Expansion, Impact, and Legacy
• A Day Of Infamy: Speech Analysis
• The Lasting Impact of Slavery
• How the Columbian Exchange Benefited Europe and North America

🗺️ Ideas for Thesis Topics in European History

• The Life of Adolf Hitler: Understanding the Emergence of a Monster
• Biography of Adolf Hitler
• Factors Contributing to the Fall of the Roman Empire
• Alexander The Great: a Rhetorical Analysis
• Christopher Columbus: Legacy and Impact
• Julius Caesar: Funeral Speech Analysis
• The Industrial Revolution in Europe: Technological Advancements and Social Changes
• The Cold War in Europe: Superpower Rivalries and the Division of the Continent
• The Age of Exploration: European Voyages and Global Encounters
• The Profound Impact of the Black Death
• The Russian Revolution : Revolution and the Formation of the Soviet Union
• The Crusades: Religious Wars and Their Influence on Europe and the Middle East
• The Treaty of Versailles: Evaluating Its Role in Shaping Post-World War I Europe
• The Spanish Inquisition: Investigating Religious Persecution and Its Consequences
• The Age of Imperialism: European Colonization and Its Global Consequences
• The Holocaust : Examining the Holocaust and the Dark Chapters of European History
• The Berlin Wall: The Divided City and Its Symbolism during the Cold War
• The Byzantine Empire: A Comprehensive Study of Its Contributions and Decline
• The Napoleonic Era: Napoleon Bonaparte's Impact on European Politics and Warfare
• The Reformation and Counter-Reformation: Religious Conflicts and Their Resolutions in Europe

🎭 Ideas for Art History Thesis Topics

• The Renaissance Masters : Analyzing the Artistic Achievements of Leonardo da Vinci, Michelangelo, and Raphael
• Impressionism and Its Influence on Modern Art
• The Evolution of Abstract Art: From Kandinsky to Pollock
• Women in Art: Celebrating Female Artists and Their Impact on Art History
• A Great And Mighty Walk Analysis
• Compare Reverend Hale and John Proctor
• Mark Antony's Speech: A Masterclass in Rhetoric
• Iconography and Symbolism in Religious Art
• African Art and Cultural Identity
• Surrealism: Exploring Dreams and the Subconscious in Art
• The Art of Ancient Civilizations: Uncovering the Aesthetics of Egypt, Greece, and Rome
• The Birth of Modern Photography: Pioneering Photographers and Their Contributions to Art
• Investigating the Relationship between Artistic Expression and Sociopolitical Movements
• Postmodernism in Art: Deconstructing Boundaries and Challenging Tradition
• The Harlem Renaissance: African-American Art and Culture in the 1920s
• Pop Art: Examining the Pop Culture Movement and Its Influence on Contemporary Art
• Islamic Art and Architecture: Tracing Aesthetics across Different Eras and Regions
• Asian Art and Cultural Heritage: A Comparative Study of China, Japan, and India
• Exploring the Intersection of Digital Media and Creative Expression
• The Role of Museums in Shaping Art History

📒 History Thesis Topics for Master’s Degree

Choosing an appropriate history dissertation topic for your master's degree is a key step. It is important to choose a subject that matches academic interests and hobbies. The theme should also offer room for originality and contribution to the existing body of historical knowledge. A master's thesis in history is a comprehensive academic work, often 80 to 100 pages or more. This requires careful research, analysis of primary and secondary sources, and critical evaluation of historical arguments. In addition, the dissertation must comply with the guidelines and formatting requirements set by the academic institution. Seeking advice from faculty advisors and professors is invaluable in the dissertation writing process. Their experience and feedback can determine the direction of the research and ensure its scientific rigor. Here are some examples of possible History Thesis Topics for Master's Degree that can serve as a basis for you:

• Abigail Williams: A Villain Analysis
• Early Colonial Government Policies Still in Use Today
• A Kingdom Strange: Analysis
• History of Egypt
• Compare and Contrast Inca and Aztecs
• Positive Effects of Colonialism in Africa
• Benefits of Colonialism to Europeans and the Colonies
• Japan’s Rise and Fall in the Global Electronics Market
• Information On The Holocaust
• An Analysis of the Leadership Style of Mahatma Gandhi
• Comparison and Contrast of Egypt and Mayans
• Oppression: Contemporary Manifestations, and Resistance
• Analyzing Cultural Exchange along the Ancient Silk Road
• Medieval Queens: Agents of Power and Diplomacy
• Ottoman Empire: Socio-Political Changes and Legacy
• The Transatlantic Slave Trade: Africa's Role and Impact on the America
• The Fall of Ancient Civilizations: Lessons from Rome and Greece
• Reevaluating the Causes and Impacts of the American Revolution
• Propaganda in World War II: Shaping Public Perception
• The Impact of the Russian Revolution: Political Ideologies and Social Shifts

In conclusion, theses and dissertations serve different purposes and have different requirements depending on the academic level. Each represents a milestone in the student's academic journey, and mastering the arts of research, analysis, and critical thinking is essential to success at every level. Whether you are writing a short abstract or a comprehensive dissertation, the pursuit of knowledge and scientific contributions remains at the center of all academic research. And of course, to prepare a quality thesis, you will have to start choosing your topic among the many history thesis examples. We hope that we have helped you with finding an idea to start. And in the following articles we will try to develop this topic so that you can write an interesting and individual thesis.

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• How to Write a Thesis Statement | 4 Steps & Examples

How to Write a Thesis Statement | 4 Steps & Examples

Published on January 11, 2019 by Shona McCombes . Revised on August 15, 2023 by Eoghan Ryan.

A thesis statement is a sentence that sums up the central point of your paper or essay . It usually comes near the end of your introduction .

Your thesis will look a bit different depending on the type of essay you’re writing. But the thesis statement should always clearly state the main idea you want to get across. Everything else in your essay should relate back to this idea.

You can write your thesis statement by following four simple steps:

• Start with a question
• Write your initial answer
• Develop your answer
• Refine your thesis statement

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Table of contents

What is a thesis statement, placement of the thesis statement, step 1: start with a question, step 2: write your initial answer, step 3: develop your answer, step 4: refine your thesis statement, types of thesis statements, other interesting articles, frequently asked questions about thesis statements.

A thesis statement summarizes the central points of your essay. It is a signpost telling the reader what the essay will argue and why.

The best thesis statements are:

• Concise: A good thesis statement is short and sweet—don’t use more words than necessary. State your point clearly and directly in one or two sentences.
• Contentious: Your thesis shouldn’t be a simple statement of fact that everyone already knows. A good thesis statement is a claim that requires further evidence or analysis to back it up.
• Coherent: Everything mentioned in your thesis statement must be supported and explained in the rest of your paper.

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The thesis statement generally appears at the end of your essay introduction or research paper introduction .

The spread of the internet has had a world-changing effect, not least on the world of education. The use of the internet in academic contexts and among young people more generally is hotly debated. For many who did not grow up with this technology, its effects seem alarming and potentially harmful. This concern, while understandable, is misguided. The negatives of internet use are outweighed by its many benefits for education: the internet facilitates easier access to information, exposure to different perspectives, and a flexible learning environment for both students and teachers.

You should come up with an initial thesis, sometimes called a working thesis , early in the writing process . As soon as you’ve decided on your essay topic , you need to work out what you want to say about it—a clear thesis will give your essay direction and structure.

You might already have a question in your assignment, but if not, try to come up with your own. What would you like to find out or decide about your topic?

For example, you might ask:

After some initial research, you can formulate a tentative answer to this question. At this stage it can be simple, and it should guide the research process and writing process .

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Now you need to consider why this is your answer and how you will convince your reader to agree with you. As you read more about your topic and begin writing, your answer should get more detailed.

In your essay about the internet and education, the thesis states your position and sketches out the key arguments you’ll use to support it.

The negatives of internet use are outweighed by its many benefits for education because it facilitates easier access to information.

In your essay about braille, the thesis statement summarizes the key historical development that you’ll explain.

The invention of braille in the 19th century transformed the lives of blind people, allowing them to participate more actively in public life.

A strong thesis statement should tell the reader:

• Why you hold this position
• What they’ll learn from your essay
• The key points of your argument or narrative

The final thesis statement doesn’t just state your position, but summarizes your overall argument or the entire topic you’re going to explain. To strengthen a weak thesis statement, it can help to consider the broader context of your topic.

These examples are more specific and show that you’ll explore your topic in depth.

Your thesis statement should match the goals of your essay, which vary depending on the type of essay you’re writing:

• In an argumentative essay , your thesis statement should take a strong position. Your aim in the essay is to convince your reader of this thesis based on evidence and logical reasoning.
• In an expository essay , you’ll aim to explain the facts of a topic or process. Your thesis statement doesn’t have to include a strong opinion in this case, but it should clearly state the central point you want to make, and mention the key elements you’ll explain.

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

• Ad hominem fallacy
• Post hoc fallacy
• Appeal to authority fallacy
• False cause fallacy
• Sunk cost fallacy

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A thesis statement is a sentence that sums up the central point of your paper or essay . Everything else you write should relate to this key idea.

The thesis statement is essential in any academic essay or research paper for two main reasons:

• It gives your writing direction and focus.
• It gives the reader a concise summary of your main point.

Without a clear thesis statement, an essay can end up rambling and unfocused, leaving your reader unsure of exactly what you want to say.

Follow these four steps to come up with a thesis statement :

• Ask a question about your topic .
• Write your initial answer.
• Develop your answer by including reasons.
• Refine your answer, adding more detail and nuance.

The thesis statement should be placed at the end of your essay introduction .

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Handbook for Historians

• Choosing a Paper Topic
• Thesis Statement
• Find Primary Sources
• Finding Secondary Sources
• Formatting References
• Writing an Annotated Bibliography

Sample History Papers

Sample title pages, outlines, & citations.

• Research Paper Checklist

These are examples of well written, properly cited history papers.

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• Judge and Langdon Book Review/Research Paper - Example 1
• Judge and Langdon Book Review/Research Paper - Example 2
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• HST 302 Paper Example example of a paper for upper division History courses
• HST 302 Title Page
• Outline Example Example of an outline for a first year level history paper.
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AP U.S. History Long Essay Example

The second part of Section II of the AP exam contains three long essay questions—you must respond to one. The AP U.S. History long essay question assesses your ability to apply knowledge of history in a complex, analytical manner. In other words, you are expected to treat history and historical questions as a historian would.

This process is called historiography—the skills and strategies historians use to analyze and interpret historical evidence to reach a conclusion. Thus, when writing an effective essay, you must be able to write a strong, clearly developed thesis and supply a substantial amount of relevant evidence to support your thesis and develop a complex argument.

The College Board’s characteristics of a high-scoring long essay question response are listed below. Note that the requirements are very similar to those of the DBQ; the primary difference is that any requirements related to use of the documents are removed from the scoring requirements for the long essay question.

[ RELATED: Reading Strategies for AP US History Exam ]

Long Answer Sample Question

Evaluate the extent to which the migration of European colonists and the resulting encounters with American Indians affected social patterns in the period from 1495 to 1650.

Step 1: Analyze the Prompt

As you choose which question you will answer, begin thinking about what your thesis will entail and how your essay will demonstrate a complex understanding. The notes of a sample high-scoring writer are below.

Thesis (with complex understanding): Spanish, French, and British each used territory differently; result: distinct social patterns

This writer claims that three different countries’ approaches to settling territories resulted in different types of social development, but other types of thesis claims are possible. For instance, the thesis could make a single claim about overall social patterns (such as “Europeans’ economic goals in the New World and their attitudes of superiority over American Indians resulted in exploitative and hierarchical social structures”) or focus on only one or two European nations.

Step 2: Plan Your Response

• Context : motives for European exploration: new technology, navigation techniques, and trade routes
• Thesis   (with complex understanding ):  Spanish, French, and British each used territory differently; result: distinct social patterns
• goals: wealth and spread Catholicism
• methods: mining, large-scale agriculture, encomienda, disease/weapons, missions
• results: forced assimilation, social structure
• goal: fur trade
• method: mutually profitable trade relationships
• result: alliances
• goals: permanent settlements, Jamestown, religious freedom (New England)
• methods: occupying more land for farming, smallpox, Metacom’s War
• results: deaths of indigenous populations
• ¶ conclusion: where Europeans sought permanent settlements or forced labor, resulted in American Indian population decline, upheaval, and threats to tradition

Step 3: Action! Write Your Response & Step 4: Proofread

See the following high-scoring response, and be sure to read the rubric to help you identify what makes this response effective. Think about what features you can incorporate into your own free- response answers.

Sample High-Scoring Response

The Spanish had two major goals: to gain wealth and to spread Catholicism to the native populations. Realizing the potential to mine precious metals and profit from large-scale agriculture, the Spanish forced American Indians into labor, such as through the encomienda system. Violence and deception were often used to subdue the indigenous populations, aided by the technological superiority of European weapons and the spread of devastating diseases. Although some Spanish came as missionaries with the goal of converting American Indians to Christianity and often protested the abusive treatment of the American Indians, even missions sometimes essentially forced labor and coerced assimilation to Spanish culture. In the long term, a hierarchical social structure developed in the Spanish colonies in which the Spanish-born and their descendants (peninsulares and creoles) dominated those of mixed background (mestizos and mulattos) and especially those of pure African or American Indian heritage. Overall, millions perished between disease and mistreatment, devastatingly weakening traditional cultures but enriching the Spanish.

The French differed from the Spanish in their relationship with the indigenous populations. Using the St. Lawrence River for transportation and trade, the French profited from trading fur pelts, particularly beaver, with the American Indians, and then sending the pelts to Europe. These traders profited from the knowledge and goods of the American Indian populations who lived there, and certainly desired to develop mutually profitable relationships with them. Overall, this more cooperative relationship helped preserve American Indian cultures and led to alliances between the French and different American Indian nations. These alliances benefited the French in later wars with the British.

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How to write an introduction for a history essay

Every essay needs to begin with an introductory paragraph. It needs to be the first paragraph the marker reads.

While your introduction paragraph might be the first of the paragraphs you write, this is not the only way to do it.

You can choose to write your introduction after you have written the rest of your essay.

This way, you will know what you have argued, and this might make writing the introduction easier.

Either approach is fine. If you do write your introduction first, ensure that you go back and refine it once you have completed your essay. 

What is an ‘introduction paragraph’?

An introductory paragraph is a single paragraph at the start of your essay that prepares your reader for the argument you are going to make in your body paragraphs .

It should provide all of the necessary historical information about your topic and clearly state your argument so that by the end of the paragraph, the marker knows how you are going to structure the rest of your essay.

In general, you should never use quotes from sources in your introduction.

Introduction paragraph structure

While your introduction paragraph does not have to be as long as your body paragraphs , it does have a specific purpose, which you must fulfil.

A well-written introduction paragraph has the following four-part structure (summarised by the acronym BHES).

B – Background sentences

H – Hypothesis

E – Elaboration sentences

S - Signpost sentence

Each of these elements are explained in further detail, with examples, below:

1. Background sentences

The first two or three sentences of your introduction should provide a general introduction to the historical topic which your essay is about.

This is done so that when you state your hypothesis , your reader understands the specific point you are arguing about.

Background sentences explain the important historical period, dates, people, places, events and concepts that will be mentioned later in your essay.

This information should be drawn from your background research . 

Example background sentences:

Middle Ages (Year 8 Level)

Castles were an important component of Medieval Britain from the time of the Norman conquest in 1066 until they were phased out in the 15 th and 16 th centuries. Initially introduced as wooden motte and bailey structures on geographical strongpoints, they were rapidly replaced by stone fortresses which incorporated sophisticated defensive designs to improve the defenders’ chances of surviving prolonged sieges.

WWI (Year 9 Level)

The First World War began in 1914 following the assassination of Archduke Franz Ferdinand. The subsequent declarations of war from most of Europe drew other countries into the conflict, including Australia. The Australian Imperial Force joined the war as part of Britain’s armed forces and were dispatched to locations in the Middle East and Western Europe.

Civil Rights (Year 10 Level)

The 1967 Referendum sought to amend the Australian Constitution in order to change the legal standing of the indigenous people in Australia. The fact that 90% of Australians voted in favour of the proposed amendments has been attributed to a series of significant events and people who were dedicated to the referendum’s success.

Ancient Rome (Year 11/12 Level)  

In the late second century BC, the Roman novus homo Gaius Marius became one of the most influential men in the Roman Republic. Marius gained this authority through his victory in the Jugurthine War, with his defeat of Jugurtha in 106 BC, and his triumph over the invading Germanic tribes in 101 BC, when he crushed the Teutones at the Battle of Aquae Sextiae (102 BC) and the Cimbri at the Battle of Vercellae (101 BC). Marius also gained great fame through his election to the consulship seven times.

2. Hypothesis

Once you have provided historical context for your essay in your background sentences, you need to state your hypothesis .

A hypothesis is a single sentence that clearly states the argument that your essay will be proving in your body paragraphs .

A good hypothesis contains both the argument and the reasons in support of your argument. 

Example hypotheses:

Medieval castles were designed with features that nullified the superior numbers of besieging armies but were ultimately made obsolete by the development of gunpowder artillery.

Australian soldiers’ opinion of the First World War changed from naïve enthusiasm to pessimistic realism as a result of the harsh realities of modern industrial warfare.

The success of the 1967 Referendum was a direct result of the efforts of First Nations leaders such as Charles Perkins, Faith Bandler and the Federal Council for the Advancement of Aborigines and Torres Strait Islanders.

Gaius Marius was the most one of the most significant personalities in the 1 st century BC due to his effect on the political, military and social structures of the Roman state.

3. Elaboration sentences

Once you have stated your argument in your hypothesis , you need to provide particular information about how you’re going to prove your argument.

Your elaboration sentences should be one or two sentences that provide specific details about how you’re going to cover the argument in your three body paragraphs.

You might also briefly summarise two or three of your main points.

Finally, explain any important key words, phrases or concepts that you’ve used in your hypothesis, you’ll need to do this in your elaboration sentences.

Example elaboration sentences:

By the height of the Middle Ages, feudal lords were investing significant sums of money by incorporating concentric walls and guard towers to maximise their defensive potential. These developments were so successful that many medieval armies avoided sieges in the late period.

Following Britain's official declaration of war on Germany, young Australian men voluntarily enlisted into the army, which was further encouraged by government propaganda about the moral justifications for the conflict. However, following the initial engagements on the Gallipoli peninsula, enthusiasm declined.

The political activity of key indigenous figures and the formation of activism organisations focused on indigenous resulted in a wider spread of messages to the general Australian public. The generation of powerful images and speeches has been frequently cited by modern historians as crucial to the referendum results.

While Marius is best known for his military reforms, it is the subsequent impacts of this reform on the way other Romans approached the attainment of magistracies and how public expectations of military leaders changed that had the longest impacts on the late republican period.

4. Signpost sentence

The final sentence of your introduction should prepare the reader for the topic of your first body paragraph.

The main purpose of this sentence is to provide cohesion between your introductory paragraph and you first body paragraph .

Therefore, a signpost sentence indicates where you will begin proving the argument that you set out in your hypothesis and usually states the importance of the first point that you’re about to make. 

Example signpost sentences:

The early development of castles is best understood when examining their military purpose.

The naïve attitudes of those who volunteered in 1914 can be clearly seen in the personal letters and diaries that they themselves wrote.

The significance of these people is evident when examining the lack of political representation the indigenous people experience in the early half of the 20 th century.

The origin of Marius’ later achievements was his military reform in 107 BC, which occurred when he was first elected as consul.

Putting it all together

Once you have written all four parts of the BHES structure, you should have a completed introduction paragraph.

In the examples above, we have shown each part separately. Below you will see the completed paragraphs so that you can appreciate what an introduction should look like.

Example introduction paragraphs: 

Castles were an important component of Medieval Britain from the time of the Norman conquest in 1066 until they were phased out in the 15th and 16th centuries. Initially introduced as wooden motte and bailey structures on geographical strongpoints, they were rapidly replaced by stone fortresses which incorporated sophisticated defensive designs to improve the defenders’ chances of surviving prolonged sieges. Medieval castles were designed with features that nullified the superior numbers of besieging armies, but were ultimately made obsolete by the development of gunpowder artillery. By the height of the Middle Ages, feudal lords were investing significant sums of money by incorporating concentric walls and guard towers to maximise their defensive potential. These developments were so successful that many medieval armies avoided sieges in the late period. The early development of castles is best understood when examining their military purpose.

The First World War began in 1914 following the assassination of Archduke Franz Ferdinand. The subsequent declarations of war from most of Europe drew other countries into the conflict, including Australia. The Australian Imperial Force joined the war as part of Britain’s armed forces and were dispatched to locations in the Middle East and Western Europe. Australian soldiers’ opinion of the First World War changed from naïve enthusiasm to pessimistic realism as a result of the harsh realities of modern industrial warfare. Following Britain's official declaration of war on Germany, young Australian men voluntarily enlisted into the army, which was further encouraged by government propaganda about the moral justifications for the conflict. However, following the initial engagements on the Gallipoli peninsula, enthusiasm declined. The naïve attitudes of those who volunteered in 1914 can be clearly seen in the personal letters and diaries that they themselves wrote.

The 1967 Referendum sought to amend the Australian Constitution in order to change the legal standing of the indigenous people in Australia. The fact that 90% of Australians voted in favour of the proposed amendments has been attributed to a series of significant events and people who were dedicated to the referendum’s success. The success of the 1967 Referendum was a direct result of the efforts of First Nations leaders such as Charles Perkins, Faith Bandler and the Federal Council for the Advancement of Aborigines and Torres Strait Islanders. The political activity of key indigenous figures and the formation of activism organisations focused on indigenous resulted in a wider spread of messages to the general Australian public. The generation of powerful images and speeches has been frequently cited by modern historians as crucial to the referendum results. The significance of these people is evident when examining the lack of political representation the indigenous people experience in the early half of the 20th century.

In the late second century BC, the Roman novus homo Gaius Marius became one of the most influential men in the Roman Republic. Marius gained this authority through his victory in the Jugurthine War, with his defeat of Jugurtha in 106 BC, and his triumph over the invading Germanic tribes in 101 BC, when he crushed the Teutones at the Battle of Aquae Sextiae (102 BC) and the Cimbri at the Battle of Vercellae (101 BC). Marius also gained great fame through his election to the consulship seven times. Gaius Marius was the most one of the most significant personalities in the 1st century BC due to his effect on the political, military and social structures of the Roman state. While Marius is best known for his military reforms, it is the subsequent impacts of this reform on the way other Romans approached the attainment of magistracies and how public expectations of military leaders changed that had the longest impacts on the late republican period. The origin of Marius’ later achievements was his military reform in 107 BC, which occurred when he was first elected as consul.

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Sample Thesis Proposals

Lanfranc of Bec: Confrontation and Compromise Imperial Expansion and the Evolution of the South and Southeast Asian economies Nantucket’s Role in the War of 1812 Letters Home: Records of the Experiences of Common Soldiers in the American Civil War Writing for Stalin: American Journalists in the USSR, 1928-1941 Dismal Scientists, Diplomats, and Spooks: Bissell, Milliken, and Rostow and Their Impact on U.S. Foreign Policy Media Reflections of Western Public Opinion in the Suez Crisis The Implications, Effects, and Uses of Media in the Emmett Till Lynching Cromwell Lives while Mason Stalks: Irish Nationalism and Historical Memory during the Troubles ‘My broken dreams of peace and socialism’: Youth propaganda, personality, and selfhood in the GDR, 1979-1989.

Lanfranc of Bec: Confrontation and Compromise

The ecclesiastical history of Europe in the 11th century revolves around the investiture conflict and the Gregorian reform effort. These two issues forced their way into religious lives around the continent. Even in England, on the edge of the world, Anglo-Saxon and Norman reformers grappled with these challenges to the construction of a “universal church.” I would like to enter into this world through the case study of Lanfranc of Bec. Lanfranc is an apt choice for this intensive focus because of the apparent philosophical paradoxes that dominated his life.

Early in his career, Lanfranc was a staunch supporter of Pope Leo IX in the Eucharistic controversy with Berengar of Tours. The doctrine of transubstantiation was, however, less important to Lanfranc than the idea of “the universal church.” Significantly, this new church was to be united under the stronger and more demanding popes in Rome who were early supporters of the young Italian monk. Lanfranc’s transformation began when was appointed abbot of St. Etienne, Caen in 1063 under the direct patronage of William the Conqueror. This relationship continued with Lanfranc’s promotion to Archbishop of Canterbury in 1070. In this role, Lanfranc severed all most traditional ties with Rome. He did command the right to supervise and veto any papal synods planned for England. In addition, Lanfranc even skipped the mandatory pilgrimage to Rome to receive the pallium, a tradition for English bishops that dated back to Gregory the Great and the 6th century.

Traditional scholarship has tended to portray this break as pragmatic. Lanfranc’s new master, William, demanded a more present loyalty than the faraway Church of St. Peter’s. Loyalty in turn led to advancement and a place in religious governance of countless souls in England. To justify these mercenary considerations scholars described the admittedly conservative Lanfranc as a Carolingian bishop, a relic of an empire then dead for two centuries. The Carolingian era was a time of dramatic expansion for the church, largely under the protections of its secular Christian protector, Charlemagne. It is easy to see parallels, at least from the Norman point of view, between the conquest of England in 1066 and the forceful conversion of the Saxons in 8th century. Both these invasions brought subject peoples in line with a new, larger Christendom. Historians have written about Lanfranc as a player within this system of sacred reform spearheaded by the secular.

In my study I plan to reexamine this view. Although the Archbishop did abandon Gregory VII at the time of his greatest need, the investiture conflict, Lanfranc’s role in the English reform need not be seen as driven by Normandy rather than Rome. For example, William’s concern for the piety of his new subjects was at best secondary to an interest in appointing bishops who would maintain order on the tumultuous island in place of the absentee king. Thus it was with a relatively free hand that Lanfranc directly reformed both Canterbury and England as a whole. Some of these changes, like his emphasis on clerical celibacy, were directly in line with the Gregorian reforms that he had supposedly renounced upon his arrival. In other instances, Lanfranc was more open minded to the religious practices that preceded him. Unlike other Norman bishops that arrived after the conquest, the Archbishop was far more accommodating to both local English saints and the institution of monastic cathedrals. These examples create a far more complex picture of Lanfranc. It is clear that he was more loyal to the Gregorian reform movement than to any particular pontiff occupying the See of St. Peter. At the same time, his syncretistic approach would have been at odds with any of the uncompromising popes that he had dealings with. These incongruous details suggest the need to revise traditional interpretations of Lanfranc’s life. Within a wider scope, I hope to demonstrate how the clergy positioned themselves in the larger conflict between the church and state at this time.

In pursuing this topic I want to integrate traditional and less traditional sources in an attempt to create a fresh portrayal. Any study of medieval political and ecclesiastical history will rely heavily on the chroniclers. Specifically I will use the Anglo-Saxon Chronicle and Eadmer’s Vita Anselmi for the Anglo-Saxon perspective. For the Norman point of view I will use chronicles by William of Jumièges and Gilbert Crispin. To supplement these more formally produced histories, I will read Lanfranc’s own works including his major treatise on the Eucharist, the Liber Corpore et Sanguine Domini, which I fail to believe he so easily abandoned on his arrival to England. In addition, his personal correspondence and monastic constitutions, both of which have been recently republished, will be usefully in understanding his own views, whether they be practical or theological. Lastly, I want to use architectural analyses of the church that Lanfranc built at Canterbury and studies of relic worship surrounding the remains of local saints like Dunstan and Theodore. These less traditional sources, while harder to obtain, will, I hope, provide new insight into Lanfranc’s life and, at the very least, provide social and cultural context for this specific period. The result will be a study that uses the analysis of Lanfranc to address larger question concerning the orientation of individuals within 11th century conflicts.

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Imperial Expansion and the Evolution of the South and Southeast Asian economies

The arrival of Vasco De Gama in 1498 on the beaches of modern-day Calicut marked the beginning of the intensification of economic relations between East and West, and the first encounter of Europeans with an ancient and complex commercial network reaching by land and sea from Europe to China, handling trade and traffic of far greater value than anything known in the West. Luxury products from China, silk and precious metals from Iran, the cotton textiles of India, the gold and ivory of East Africa, and the spices of Indonesia were all connected through highly advanced and dense trading networks. While the Indian economy is often represented as having stagnated under the weight of European intrusions, it is clear that particularly in coastal areas, a brisk and dynamic coastal trade flourished under the aegis of European rule. The creation of a world market in commodities such as rice gold, silver, spices, textiles and other raw materials occurred simultaneous with displacement of local markets as European imperial reach was extended over an increasingly wide part of the globe.

By the mid 18th century, the two great chartered companies, the British East India Company and the VOC (Dutch East India Company) had transformed from mere commercial trading ventures to entities that dominated economic relationships with Asian economies and began to acquire auxiliary governmental and military functions. By 1765 the British East India Company was effectively the de facto sovereign in Bengal by virtue of its overwhelming military power in the region, and its acquisition of the diwani, or the right to collect territorial revenues. For both the Dutch and British East India Companies, it is clear that the acquisition of territorial empires and quasi-governmental functions had profound effects upon the nature, scope, and distribution of investment within the Companies from Europe, but also upon the character of the relationship between indigenous traders, merchants, and financiers, and Europeans. Lakshmi Subramanian, a historian who has published some of the most important works dealing with the relationship of the Marathas and the British in Bombay, mentions how Law de Lauriston, the ex-Governor General of French India, “recognized the local banking community in 1777 as the decisive factor in any future alliance of the French and Indian States against their inveterate antagonist the English East India Company.” In a recent paper Chaudhury asserts how the local credit markets of eastern India, particularly Bengal, were seminal in rescuing financially several of the European Companies in the seventeenth and early eighteenth centuries from chronic shortages of working capital, yet with victory at Plessy and the transformation of the British role in Bengal, the nature of the relationship between local creditors and European merchants changed dramatically.

This project will comparatively look at the Dutch and British East India Companies and their relationships with groups such as the Marathas, the Chettiars, and the Chinese banking and mercantile families, and will draw upon resources that deal with the relationships of other European powers with indigenous merchants and financiers. By examining the interaction of indigenous financial institutions and capital with Europeans in Asia, particularly South and Southeast Asia, I am hoping to explore many aspects of the Asian economies of the 17th-19th century under the aegis of this broader topic, such as the different development paths between European and Asian societies, the dynamics of the extension of European power in south and southeast Asia, and the radically different financial and economic structures that characterized Asian societies prior to the expansion of Europe, and how the imposition of colonial rule altered (or didn’t) the dynamics of indigenous capital. This project will look at the relationship from the European perspective by utilizing Dutch and British East India Company records. Particularly in recent years, several historians have sought to expand our understanding of the relationship between European traders and Indian merchants and financiers, and this project will attempt to both build upon their work and form a more global and far-reaching conclusion about the role of indigenous capital in imperial expansion by looking at the phenomenon from a comparative perspective.

The chief question I am seeking out to answer is to define and delineate the nature of the relationship between indigenous credit institutions and imperial expansion; effectively, examine the relationship between native bankers, financiers, and traders, and the Europeans who came to trade and later colonize. Above all, I hope to posit a link between these economic relationships, and changes to the political and economic map of Asia.

Nantucket’s Role in the War of 1812

I am a junior history major currently studying abroad at the Williams-Exeter in Oxford Programme. Since August, I have been casually researching the whaling industry on Nantucket during the late 18th to mid-19th century. I am committed to Nantucket as a general topic not only because its history is exceedingly interesting to me but also because there is a wealth of primary data. For example, the Nantucket Historical Association boasts 5000 volumes (ship logs, diaries, legal documents, etc.) that are accessible to scholars.

Although I have explored a number of topics within Nantucket history, I find myself returning again and again to the whaling industry. In particular, I am intrigued by Nantucket’s role in the 1812 war. Nantucket was the only US territory to seek and receive a truce with Great Britain, formally withdrawing from the war in 1814. The islanders were motivated to pursue neutrality because of the importance of the whaling industry as the island’s livelihood and the British fleet’s threat to Nantucket ships. Furthermore, the US government not only offered little to no protection for the islanders but also alienated them by taxing them heavily. In order to understand the1814 treaty, I anticipate needing to research two other areas that I believe are connected: first, how did Nantucket’s experiences in the American Revolution inform and shape its course of action in 1812? During the Revolution, the island declared neutrality, probably because Nantucket whalers did not care which side was victorious, so long as the whaling industry survived the war. The whalers had appealed to other Quakers in England and won an amendment to the parliamentary motion to restrict whaling in New England. However, because the law was not enforced properly, the island fell into economic depression. British naval ships not only prevented Nantucket whalers from selling spermaceti oil to London, its biggest market, but also captured many of their ships. Any threat to the whaling industry would be a true moment of crisis because most of the island was directly or indirectly involved in whaling, and many of the islanders were not rich enough to relocate their families to the mainland. Certainly, there were members of the community in 1812 who would have remembered this treatment by the British and the economic depression.

The second issue that I anticipate addressing pertains to Nantucket’s sense of identity: how “American” did they feel? The circumstances under which the island declared neutrality makes the issue of patriotism more oblique because the “betrayal” of the US can be explained by the need for economic stability without addressing the issue of identity. In these early stages of nationhood, the island seems to have acted very differently from other whaling communities in the US. Socially and politically, Nantucket seemed to be more liberal than the mainland, especially in terms of the role of women and the political (but not always social) equality of African Americans. For example, racial segregation in schools was banned in the 1850s in a legal case that resembles Brown vs. Board of Education. As I have mentioned above, American policies also sometimes alienated the islanders. In the first two years of the 1812 war, Nantucket whaling was almost exclusively threatened not by the British fleet but by American policy, as Congress placed an embargo on trade with Britain; unfortunately, only days after Congress lifted the embargo, Britain enforced is own against New England. During the American Revolution, Nantucket toyed with the idea of becoming either an independent or a British territory. Did it face the same choices in 1812?

Primary Sources :

A Selection from the Nantucket Historical Society Manuscripts Collection:

Allen Family Papers, 1790-1930. Banks on Nantucket, 1804-1985. Barker Family Papers, 1720-1853. Benevolent Society’s Papers, 1814-1976. Carey Family Papers, 1809-1894. Citizens News Room Record. Charles Congdon Collection, 1671-1844. Clapp Family Papers, 1804-1896. Margaret Coffin Papers/Small Collection, 1761-1913. Mary M Coffin Collection, 1806-1865. William Coffin Letter Book, 1811-1833. Coleman Family Papers, 1729-1873. Crosby Family Papers. 1812-1893. Ewer Family Papers, 1813-1875. Fish Family Papers, 1708-1916. Paddock Family Papers, 1755-1853, Phebe Coffin Hanaford Papers, 1848-1929. Jones Family Papers, 1817-1868. Joy Family Papers, 1806-1880. Keziah Coffin Fanning Papers, 1775-1812. Macy Family Papers/ Cloyes Collection, 1812-1869. Myrick Family Papers, 1796-1863. Nantucket Censuses Collection, 1796-1900. Nantucket Monthly Meeting of Friends’ Papers, 1664-1889. Nantucket Monthly Meeting of Friends’ Records, 1672-1944. Ray Family Papers, 1776-1844. Starbuck Family Papers, 1662-1973. Worth Family Papers, 1743-1912. Henry Barnard Worth Collection, 1641-1905.

(I’ve only gone through half of the list of available manuscripts, so I expect that there should be a lot more sources of interest from the Nantucket Historical Society collection. Information about Nantucket Historical Society archives found on www.nha.org)

Annals of Congress, 13th Congress, 2d session. Hutchinson, Thomas. History of Massachusetts, Vol. II, Boston: Thomas & Andrews, 1767. Journal of Samuel Swain, 1813-1837. “Keziah Coffin Fanning’s Diary,” Historical Nantucket 6 (July 1958). Macy, Obed. The History of Nantucket (New York: Research Reprints, 1970 [1835]). Napier, Henry Edward. New England Blockaded in 1814: The Journal of Henry Edward Napier, Lieutenant in H.M.S ‘Nymphe,’ ed. Walter Muir Whitehill. Salem, MA: Peabody Museum, 1939. “Notes on Nantucket. August 1st 1807,” Collections of the Massachusetts Historical Society 3 (1815). Scoresby, William. History and Description of the Northern Whale Fisheries, Vol. II. Edinburgh, 1820.

Secondary :

Anderson, Florence Bennet. Through the Hawse-Hole: The True Story of a Nantucket Whaling Captain. New York: Macmillan Co., 1932. Byers, Edward. The Nation of Nantucket: Society and Politics in an Early American Commercial Center, 1660-1820. Boston: Northeastern University Press, 1987. Graham, Gerald S. “The Migrations of the Nantucket Whale Fishery: An Episode in British Colonial Policy.” The New England Quarterly 8, no. 2 (Jun. 1935):179-202. Davis, Ralph. The Rise of the English Shipping Industry in the Seventeenth and Eighteenth Centuries. London: David & Charles, 1972. Hegarty, Reginald B. Returns of Whaling Vessels Sailing from American Ports: A Continuation of Alexander Starbuck’s “History of the American Whale Fishery” 1876-1928. New Bedford, MA: Old Dartmouth Historical Society and Whaling Museum, 1959. Hickey, Donald R. “American Trade Restrictions during the War of 1812.” Journal of American History 68, no. 3 (Dec. 1981): 517-538. Hohman, Elmo Paul. The American Whaleman: A Study of the Life and Labor in the American Whaling Industry. New York: Longmans, Green & Co., 1928. Horsman, Reginald. “Nantucket’s Peace Treaty with England in 1814.” New England Quarterly 54, no. 2 (Jun. 1981): 180-198. Horsman, Reginald. The War of 1812. New York: Alfred A. Knopf, 1969. Johnson, Robert. “Black-White Relations on Nantucket.” Historical Nantucket (Spring 2002). Taken from www.nha.org. Kugler, Richard C. “The Whale Oil Trade, 1750-1775,” Boston: Colonial Society of Massachusetts, 1980. Main, Jackson Turner. The Social Structure of Revolutionary America. Princeton: Princeton University Press, 1965. McDevitt, Joseph L. The House of Rotch: Whaling Merchants of Massachusetts, 1734-1828. New York and London: Garland Publishing, Inc., 1986. Morison, Samuel Eliot. The Maritime History of Massachusetts, 1783-1860. Boston: Northeastern University Press, 1979. Tower, Walter. A History of an American Whalefishery, Philadelphia: University of Pennsylvania Press, 1907. Starbuck, Alexander. History of Nantucket, Boston: C. E. Goodspeed Co.,1924. ______. History of the American Whale Fishery from Its Earliest Inception to the Year 1876. Repr., 2 vols., with preface by Stuart C. Sherman. New York: Argosy Antiquarian, 1964. Vickers, Daniel Frederick. “Maritime Labor in Colonial Massachusetts: A Case Study of the Essex County Cod Fishery and the Whaling Industry of Nantucket, 1630-1775.” Ph.D. Thesis, Princeton University, 1981.

Letters Home: Records of the Experiences of Common Soldiers in the American Civil War

The idea for my honors thesis project is inspired by my work last summer in the Chapin Library of Rare Books at Williams. I spent the summer reading and organizing the library’s collection of Civil War soldiers’ letters—a group of about one thousand letters written by men in army camps to the loved ones they left behind at home. Besides a cursory chronological arrangement, no one before me had touched these letters since the library acquired them. For me they represented a vast untapped historical resource—they were sitting in a closet waiting to be discovered, and I was the first to explore their possibilities. I found myself completely absorbed, squinting at line after line of cramped, faded script and imagining the words flowing haltingly from the authors’ pens as they crouched by the light of a sputtering campfire, the booming of cannon fire echoing in the distance. It fascinated me how these young men portrayed their experiences to family members back home—reassuring them of their safety and expressing enthusiasm for their causes while also betraying paralyzing fear and devastating homesickness. In one particularly memorable series of letters a Union soldier continued to write home to his wife from the battlefield during a siege of a Confederate fort, knowing that no mail was running and suspecting that the days he spent crouching under fire in the brush of a Louisiana forest would be his last. But somehow his letters did get through, and the final letter in the sequence told of his harrowing escape to a field hospital, giving me the hope that he and his wife were reunited soon afterwards.

The words of letters like these haunted me after I left work everyday, and stayed with me even after I left Williams for the year. As I started thinking about my plans for my honors thesis, I knew that I wanted to work closely with the letters in the Chapin collection. In my thesis, I plan to explore the average soldier’s experience of the war, using Union and Confederate sources in the form of the letters soldiers sent home to their families and friends. The Chapin Library’s collection is mainly made up of Union letters, so the Union side will be heavily based upon that resource. For the upcoming summer, I have been granted a summer research fellowship from Williams. My plan for this project is to gather resources from the Confederate side, visiting facilities in Virginia that hold extensive collections of Confederate letters. I am deeply interested in letting the authors of the letters speak for themselves so I will be comparing and contrasting specific experiences related by specific soldiers in relation to broader questions such as what reasons Union and Confederate soldiers gave for fighting, whether the views they express in their letters aligned with the professed views of their respective causes, what they knew—if anything—about these causes, and what they thought of one another. Perhaps most of all I would like to use these primary documents to emphasize how the soldiers on opposing sides were alike—how they commonly identified with certain ‘American’ values and ambitions, and how their views on the War were shaped significantly by the coincidence of which side of the divided country they happened to be born on.

I believe letters like these offer historians an invaluable means for stepping inside the minds of the actors who participated in historical events. And the particular set of letters I will examine in my project is important because it does not tell the ‘great man’ version of the Civil War, governed by figures like Abraham Lincoln and Robert E. Lee. Instead, it gives us a broader sense of the common man’s—in this case the common soldier’s—experiences of events that fundamentally shaped the American past. This is a version of the past that is often inaccessible to us, so it is important for historians to take advantage of resources like those housed in the Chapin Library. It is impossible for me to encompass all the perspectives and experiences offered by surviving Civil War letters, which is why I have chosen to focus my research closely on the Chapin collection, which is manageably sized and within convenient proximity to me for research during the academic year. After working with those letters for several months, I feel that I have a general sense of what they have to offer—a representative sample of the experiences of the common soldier in the war. In my research in the South this summer, I plan to supplement the Chapin collection with more Confederate examples. I also plan to draw inspiration from secondary sources, a small collection of which I have listed below. Many scholars have worked from Civil War soldier’s letters in the past, and they have even infiltrated popular culture to a considerable extent—most famously through Ken Burns’ Civil War documentary. These authors will help me to get a sense of wider patterns in the experiences of soldiers, but I will rely upon my reading of primary sources to draw out specific examples.

The most exciting thing about my proposed thesis for me is that I really do not know what I will find or where my research will take me. I suspect that there are an inexhaustible number of topics that may be drawn out from Civil War soldiers’ letters, and I am confident I will find many things in my research that will inspire me. I am deeply committed to approaching history through contact with authentic documents and artifacts, and I look forward to the opportunity to do this over the course my project next year.

Preliminary Bibliography :

Primary sources: I will rely heavily upon the collection of approximately one thousand Civil War letters in the collection of the Chapin Library of Rare Books at Williams for the Union perspective. For the Confederate point of view, I will use collections of letters held by the Virginia Historical Society, the Museum of the Confederacy, and the Library of Virginia, all in Richmond, as well as the library of the University of Virginia in Charlottesville. There are also collections of letters accessible online, in particular The American Civil War: Letters and Diaries at http://solomon.cwld.alexanderstreet.com/.

Secondary sources :

Barton, Michael, and Larry M. Logue, eds. The Civil War Soldier: A Historical Reader. New York: New York University Press, 2002. Manning, Chandra. What This Cruel War Was Over. New York: Alfred A. Knopf, 2007. McPherson, James M. The Battle Cry of Freedom: The Civil War Era. New York: Oxford University Press, 1988. ______. For Cause and Comrades: Why Men Fought in the Civil War, New York: Oxford University Press, 1997. ______. What they Fought For, 1861-1865, Baton Rouge: Louisiana State University Press, 1994. ______, ed. The Mighty Scourge: Perspectives on the Civil War. New York: Oxford University Press, 2007. ______ and William J. Cooper, Jr., eds. Writing the Civil War: The Quest to Understand. Columbia: University of South Carolina Press, 1998. Mitchell, Reid. Civil War Soldiers, New York: Viking, 1988. ______. The Vacant Chair: The Northern Soldier Leaves Home. New York: Oxford University Press, 1993. Rosenblatt, Emil & Ruth, eds. Hard Marching Every Day: The Civil War Letters of Private Wilbur Fisk, 1861-1865, Lawrence: University Press of Kansas, 1992. Sheehan-Dean, Aaron. The View From the Ground: Experiences of Civil War Soldiers, Wiley, Bell I. The Life of Billy Yank. Baton Rouge: Louisiana State University Press, 2008. ______. The Life of Johnny Reb, the Common Soldier of the Confederacy. Indianapolis: Bobbs-Merrill, 1943. ______. The Plain People of the Confederacy. Columbia: University of South Carolina Press, 2000.

Writing for Stalin: American Journalists in the USSR, 1928-1941

“There is no famine or actual starvation nor is there likely to be.” So wrote the Moscow bureau chief for The New York Times, Walter Duranty, on November 15, 1931. By the end of 1933, between six and eight million Soviet citizens, at least half of them Ukrainians, had perished in the wake of consecutive failed harvests and official repression, in one of the worst man-made famines in history. Duranty won his Pulitzer Prize a year before the end of the famine. Duranty was not alone in his whitewashing of the Soviet Union in general and Stalinist policy in particular. Journalists from all over the world writing from the USSR depicted a land of noble struggle, where the working class, guided by leader and Party, were forging a utopia free from the injustice and squalor of capitalism. Why did so many Western visitors to the USSR allow themselves to become mouthpieces for the Soviet regime, with evidence of political repression and hideous suffering all around them, while only a few observers spoke out against the communist regime? What was the appeal of Stalinism in this age of the great crisis of capitalism? The 1930s were a time of uncertainty for liberal democracy, with the Great Depression causing misery across the world and calling into question the old liberal creeds of free market capitalism, while democracy itself was under siege from totalitarianisms of the left and right. To attempt to encompass this immense crisis in an entire book, let alone a thesis, would be a daunting task. Instead, I propose to probe this crisis through the microcosm of the men and women who visited the Soviet Union hoping to find a workers’ utopia. Many Westerners came to the USSR at the invitation of the regime, as journalists, technical experts, and travel writers who left behind an impressive body of news reports, diaries, letters, and memoirs. My thesis project will examine a particular subset of these visitors—the American journalists writing for US papers like The Nation, Harper’s, The Atlantic Monthly, and The New York Times, or English-language publications in the USSR like The Moscow News. The time frame discussed will open with the launch of the first Five Year Plan in 1928, and conclude with the entry of both the Soviet Union and the United States into the Second World War in 1941. I will further focus my project on the coverage of two particular events: the much-denied famine taking place in the Ukraine, and Stalin’s Purge-era show trials, where many observers wrote either that those on trial really were saboteurs and agents of foreign powers, or that their guilt or innocence was of little consequence in the grand historical drama that was unfolding. I choose these two events because they represent indictments of the Soviet system’s claim to legitimacy—its ability to feed all its people, and its claim to be a truly fair society. The gymnastics of fact and logic undertaken by the regime’s apologists on these points are thus of particular significance.

So far, the question of what it was about most journalists visiting the USSR in this period, and what it was about Soviet communism, that made most reporters toe the Party line has not been addressed in particularly great depth. Today, those who favored the regime, like Walter Duranty, Maurice Hindus, and Anna Louise Strong, tend to be dismissed as ideological hacks, either willfully ignorant or purposely lying in the service of socialism. Those who see through the regime’s cloud of deception are by contrast heroic truth-tellers. A certain amount of work has been done on official Soviet efforts to win over liberal-minded Westerners in this period, and the Duranty Pulitzer Prize controversy has generated a number of articles and books in recent years, most notably S.J. Taylor’s Stalin’s Apologist. However, the historiography leaves open a number of questions. Were the journalists reluctant to speak against the regime because they could lose their access to the leadership, because their families might be targeted (many married in Russia), or similar, practical causes? To what extent did the practical intersect with the ideological as reporters sympathized with the official ideology and goals of the regime, and were prepared to forgive a little gangsterism on the part of the leadership if it would bring about a genuinely fair and equal society? As Duranty put it in his article of May 14th, 1933, “You can’t make an omelet without breaking eggs.” Was there something about the generally well-meaning liberalism of the American journalists that led them in droves to whitewash the crimes of Stalinism in service of some genuinely laudable social projects like universal literacy and the welfare state, as well as a powerful vision of a society that could come to be? Moreover, how were these journalists’ points of view informed by the society that produced them? What, if any, were the differences in the attitudes of those who were foreign-born, like Duranty and Hindus, and those like Strong who were natural-born citizens? To what extent did the reporters’ experience of Depression-era America, with all its hunger and inequality, influence their perception of the Soviet Union, which claimed to eliminate all such evils of capitalism?

In seeking an explanation of why so many American reporters upheld the Stalinist line in this period, I plan to explore three distinct sets of sources. First, I will examine the actual newspaper reports produced by these journalists. Americans reporting from Moscow were well aware that they were virtually the only source of information about events inside the USSR available to Americans, and their articles naturally give a great deal of insight into how they hoped to explain the Soviet system to the American public. Next I will consider more private sources like the reporters’ diaries and letters, which may shed light on the internal thoughts, goals, motivations, and reservations of the journalists, and include thoughts that were left out of their news articles or later memoirs. Finally, I will consider the memoirs that many journalists wrote during or directly after this period about their experiences in the USSR. The memoirs that I have read so far are extremely rich sources, raising a number of important questions of methodology. How far can we trust these reporters, who often wrote several years after the events they witnessed? Were the memoirs published before or after the Soviet Union had become engaged in the battle against fascism, either indirectly in Spain, or directly after 1941? Are these memoirs little more than cases of special pleading by journalists hoping to prop up both the great idea of communism and their own reputations? The memoirs by those reporters like Eugene Lyons who defied the safe consensus of their colleagues and wrote against Stalinism (often at the price of their careers) present a fascinating set of outliers. Can we trust such former sympathizers to report the truth as they saw it, or do conversions from fellow traveler to anticommunist attack dog represent swings between extremes of endorsement and repulsion, implying unreliability? These sources, both the ones I encountered and wrote about in my tutorial last term with Robert Service, as well as those I have come across since, will constitute a very rich base for my research.

Using this source material, I am seeking to tie together the grand political and ideological debates of the 1930s and the personal lives of the journalists in question to explain why so many of these men and women embraced Stalinism, while a few wrote furious condemnations of the Soviet system. This project will in many ways be an exploration of the crisis of capitalism and seeming rise of socialism in microcosm, driven by the particular nuances and intricacies of my particular material. In 2010, it seems all too obvious to us that Stalinism was a nightmare for millions of Soviet citizens, but eighty years ago, it was still very much an open question whether the future belonged to capitalism or communism. Those who made excuses for Stalinism sometimes did so for the best of reasons. However, that so many people could be so wrong about Stalinism demands an explanation.

Dismal Scientists, Diplomats, and Spooks: Bissell, Milliken, and Rostow and Their Impact on U.S. Foreign Policy

As the current global economic crisis shakes countries around the world, its effects resonate beyond the realms of financial regulators, central banks, and finance ministries. This crisis has created a number of foreign policy challenges for the United States government, and Director of National Intelligence Dennis C. Blair recently declared to the Senate intelligence committee, “The primary near-term security concern of the United States is the global economic crisis and its geopolitical implications.” Blair, however, is not the first representative of the U.S. intelligence apparatus, or even the foreign policy-making establishment of the country as a whole, to advocate for incorporating economics into the conduct of U.S. foreign relations.

Richard Bissell, Max Milliken, and Walt Rostow share a number of similarities; all three, born in the beginning of the twentieth century, graduated from Yale University, became economics professors at the Massachusetts Institute of Technology, and later worked as researchers at a number of the same think tanks. More remarkably, all three of these men wandered from academia and into influential roles in the foreign policy-making establishment of the U.S. government during the early Cold War. Between them, these former economists developed strong ties to the Central Intelligence Agency, the State Department, and the White House during the formative years of the United States’ as a global hegemon.

This commonality opens a number of interesting questions. What motivated their decisions to become economists and then to transition from academics to Cold Warriors? Was their overlap coincidental or does some common thread or societal trend connect their journeys? And, most important and relevant to questions at hand today, what role did these social scientists see for economic theory and analysis in the planning and practice of foreign policy? I plan to explore how world events shaped the career decisions and ideologies of these men, and, in turn, what effect their ideas and contributions had on the development of U.S. foreign policy.

I expect to mainly explore their ideas on economic intelligence, especially with regard to Milliken and Bissell, who both spent significant periods in the CIA, and modernization theory, for which both Rostow and Milliken served as strong advocates to the White House and State Department. With current debates in the U.S. on rebuilding our economic intelligence capacities, correctly using foreign aid, and coping with the current financial crises, the insights gleaned from these former scholars and Cold Warriors could shed light on contemporary issues.

As sources for my investigation, I plan on utilizing the papers of Max Milliken and Walt Rostow, which are both available at the John F. Kennedy Library. Bissell’s memoir and several oral interviews in which he participated are also publicly available. Furthermore, several working papers, which these men produced as officials of the U.S. government and as researchers at numerous think tanks, are known to exist. And, finally, I plan to utilize the rich existing scholarship on modernization theory and its role in U.S. foreign policy.

Bibliography

Central Intelligence Agency On-line Library. Freedom of Information Act Electronic Reading Room. Personal Papers of Max Millikan (1913-1969), John F. Kennedy Library. Walt W. Rostow (#8.24), John F. Kennedy Library. Wilson, Theodore A. and Richard D. McKinzie. “Oral History Interview with Richard M. Bissell, Jr.” Harry S. Truman Library. Works by all three at various think tanks, including one collaboration between Bissell and Milliken at the Center for International Studies (CENIS). Bissell, Jr., Richard M. Reflections of a Cold Warrior: From Yalta to the Bay of Pigs. New Haven: Yale University Press, 1996. Fialka, John J. War by Other Means: Economic Espionage in America. New York: W.W. Norton & Co., 1999. Latham, Michael. Modernization as Ideology. Chapel Hill: University of North Carolina Press, 2000. Light, Jennifer S. From Warfare to Welfare. Baltimore: The Johns Hopkins University Press, 2003. Pearce, Kimber Charles. Rostow, Kennedy, and the Rhetoric of Foreign Aid. East Lansing: Michigan State University Press, 2001.

Media Reflections of Western Public Opinion in the Suez Crisis

In the years following the Second World War, the global balance of power shifted significantly; following conflict amongst the traditional Great Powers, a bipolar power struggle emerged between the United States and the Soviet Union. The military and financial costs of the Second World War made it extremely difficult for European powers to hold their colonial empires, the loss of which compounded their economic downfall and ensured their decline as world powers. These material conditions were certainly a major factor in determining the new balance of power, as was the relative strength of the U.S.’s economic position, but less quantifiable factors were also importantly at play, namely the ability of each of the new and old powers to reconceptualize its role in the world and adapt its attitudes toward other nations accordingly. As decolonization occurred and Cold War conflicts began to arise across the globe, the Cold War powers and the traditional Great Powers were facing novel foreign policy challenges, mostly in the vein of trying to establish influence overseas when using force to do so was no longer feasible or morally acceptable. Thus each nation contending for global influence was forced to reassess its identity as a player on the world stage. Government officials developing policy carried out this reassessment as a conscious process, but it also occurred spontaneously within national populations responding to the obvious shifts in global power dynamics, begging the question: how well did government reconceptions of identity reflect public attitudes in the early Cold War era? The emergence of many new nations and nationalisms in the postwar world created ample cases which exemplify how modern national self-perceptions developed on different levels and how that led to the consolidation of a new world order. My thesis will focus on the 1956 Suez Crisis, due to its location in the strategically important and materially rich Middle East, which resulted in the involvement of many countries, and within that conflict, on the Western powers involved, for whom government was supposedly representative- England, France, and the United States.

Despite historiographical debates about precipitating and intermediate causes, the Suez Crisis of 1956 can be traced at least in part to the joint U.S.-British decision to discontinue their planned funding for the Egyptian government’s Aswan High Dam project, leaving the Egyptians in need of ready money, which served to justify Egyptian President Gamal Abdel Nasser’s nationalization of the Suez Canal. The proposed Aswan High Dam project was exemplary of the new state of relations between Egypt and the western powers following the Egyptian Revolution of 1952. The new Egyptian leadership was anti-colonial, but not opposed to productive relations with the Western world. Thus, it hoped cooperative projects like the construction of the Aswan High Dam could usher in a new type of relationship between Egypt and the West. For Britain, this would mean relations based on voluntary economic cooperation rather than exploitation by force, while for the U.S. the change of policy consisted not in promoting an anti-colonial position but in doing so quite actively, as opposed to its former stance of relative isolationism. Britain and the U.S. tried to advance anti-colonial economic relations as per Egyptian requirements in order to maintain and create, respectively, a presence in the region, which was important in order to protect financial interests in the Middle East that were highly dependent on access to the Suez Canal, and to keep the Soviets from establishing rival influence there.

However, when the U.S. and Britain ultimately deemed the Aswan High Dam project inopportune and Nasser nationalized the canal in the summer of 1956, the ensuing Suez Crisis featured the British, influenced by the French, playing a traditional colonial imperialist role, while the U.S. took on a novel modern role, acting as an international arbitrator in pursuit of its own Cold War related interests. That Britain aligned with France rather than U.S. during the Suez Crisis is not entirely surprising given each nation’s recent history in international relations; careful study has reflected the extent to which French and British politicians were misguided in their political calculations by thought processes that were still largely driven by outmoded colonial considerations. There is also debate about the extent to which they based their policies on false assumptions about the U.S. position. The leaders involved in the Suez Crisis based their decisions about how best to serve their material interests without losing political capital not only on analysis of other nations’ official positions but also on their reading of public opinion at the time. No Western government wanted to act against national will and lose popularity with its constituents over Suez. It is therefore natural to wonder to what degree the western leadership’s gauge of popular thought was skewed by historicism, or conversely, how closely public attitudes in Britain, France, and the U.S. towards the developing crisis in the Middle East actually tended to match official ones in judging what action each nation should take.

For my thesis, I would like to examine this question: to what extent were policy-influencing perceptions of public opinion about the Suez Crisis in Britain, France, and the U.S. accurate? To fill out the high command side of the picture I would use mostly secondary sources, and when necessary the primary documents they are based upon (such as sources available in the U.S. National Archives, British Public Records Office, and French Foreign Ministry Archives), focusing my original research on French, British, and U.S. newspaper and perhaps radio coverage as indicative of trends within the field of public opinion in each country. To manage the scope of this study, I intend to concentrate on the two most publicly controversial time periods within the months of the Suez Crisis, the week after the canal was nationalized on July 26, 1956 (up to and including August 2) and the week after Israel invaded Egypt on October 29, 1956 (up to and including November 6). By analyzing the straight news coverage of, and the range of editorial responses to, the decision taken by Nasser to nationalize the canal, the decision of Israel to invade Sinai, and the subsequent statements and actions taken by France, Britain, and the U.S., I hope to determine the tenor of each national discourse about the crisis, and to place all three within a comparative framework in order to determine the relative degree to which elite and mass perceptions corresponded over the appropriate role for each Western power to play in Suez. The degree to which the press (on a national and local level, across the full spectrum of political stances), condoned and encouraged official decisions taken during the Suez Crisis will hopefully illuminate how well the political development of the crisis matched mainstream contemporary attitudes not merely about the situation, but about where the world powers now stood as arbiters of international relations and, thereby, how far long-serving leaders with deeply rooted beliefs about the role of their nations in the world were able to conform to the demands of a world in which the ideological as well as material environment had recently undergone major changes.

Preliminary Reading List :

Relevant Primary Sources to be located through:

The Times online archives, at http://archive.timesonline.co.uk/tol/archive/ British Library Integrated Catalogue: Newspapers, at http://catalogue.bl.uk ProQuest Historical Newspapers (US) including The New York Times, at http://proquest.umi.com French sources through Gallica, the French National Library’s Digital Browser, at http://gallica.bnf.fr/?&lang=FR

Azar, Edward E. “Conflict Escalation and Conflict Reduction in an International Crisis: Suez, 1956.” Journal of Conflict Resolution 16 (1972): 183-201. Cockett, R. “The Observer and the Suez Crisis.” Contemporary British History 5, no.1 (Summer 1991): 9-31. Gorst, Anthony, and Lewis Johnman. The Suez Crisis. London: Routledge, 1997. Louis, Wm. Roger, and Roger Owen. Suez 1956: The Crisis and its Consequences. Oxford: Clarendon Press, 1989. Lucas, W. Scott. Divided We Stand: Britain, the United States and the Suez Crisis. Sevenoaks: Hodder and Stoughton, 1991. Negrine, Ralph. “The Press and the Suez Crisis: A Myth Re-Examined.” Historical Journal 25, no. 4 (1982): 975-983. Oneal, John R., Brad Lian, and James H. Joyner, Jr. “Are the American People ‘Pretty Prudent’? Public Responses to U.S. Uses of Force, 1950-1988.” International Studies Quarterly 40, no. 2 (Jun., 1996): 261-279. Owen, Jean. “The Polls and Newspaper Appraisal of the Suez Crisis.” Public Opinion Quarterly 21 (1957): 350-354. Parmentier, Guillaume. “The British Press in the Suez Crisis.” Historical Journal 23, no. 2 (1980): 435-448. Rawnsley, G. D. “Cold War Radio in Crisis: the BBC Overseas Services, the Suez Crisis and the 1956 Hungarian Uprising.” Historical Journal of Radio and Television 16, no.2 (Jun., 1996): 197-219. ______. “Overt and Covert: The Voice of Britain and Black Radio Broadcasting in the Suez crisis, 1956.” Intelligence and National Security 11, no. 3 (July, 1996): 497-522. Shaw, Tony. Eden, Suez and the Mass Media: Propaganda and Persuasion During the Suez Crisis. London: Tauris, 1996.

The Implications, Effects, and Uses of Media in the Emmett Till Lynching

I propose to write an Honors Thesis in History during the xxxx academic year. After researching topics that interest me and consulting with Professor xxxx, I have developed a project that analyzes the uses and effects of media during the Civil Rights Movement. More specifically, my project will investigate how children, and the American media’s depiction of them, greatly impacted the American consciousness of the Civil Rights Movement. Children were a part of some of the most widely televised and reported Civil Rights events such as the lynching of Emmett Till, the use of water cannons and police dogs on children, the deaths of four black girls in the 16th Street Baptist Church bombing, the desegregation of Central High School, and the Selma marches where children were trampled by police horses.

Taking on a project with all these events would be beyond the scope of a senior thesis, so Professor Long and I have narrowed our focus to the lynching of Emmett Till in 1955. To briefly summarize this event, after allegedly whistling at a white woman, fourteen year old Emmett Till was shot and his body thrown in the Tallahatchie River in Mississippi by a group of white men. Emmett’s great-uncle identified two of these men, Roy Bryant and J.W. Milam, as those who had forced Emmett into their car the night he was killed. The trial lasted a mere five days, and the all-white jury acquitted both men of Emmett’s death in about an hour.

Media coverage served very important roles in Emmett Till’s death. In The Chicago Defender, Emmett’s hometown newspaper, the first articles on Emmett Till include pictures of his inconsolable mother being held upright by family members in front of Emmett’s casket. The newspaper articles focusing on Emmett also refer to the recent lynchings of black voting rights activists and the recent Brown v. Board of Education Supreme Court case. In effect, these articles attached a name, face, and picture to individuals affected by racist violence in the South while incorporating and increasing the visibility of large-scale race issues. Television crews broadcast Emmett’s mutilated face at his open-casket funeral, sparking outrage and horror throughout the country. Viewing these images in white America’s living room made the Jim Crow South more visible across white America. Media coverage of Emmett’s death further motivated black America to take a stand against white supremacy, all the more so after both white men confessed to Emmett’s murder in Look Magazine. This event raises myriad questions regarding race relations in the South, but I want to focus my efforts on a few that interest me most. I want to explore the reasons, implications, and effects of Emmett’s mother’s decision to display Emmett’s mutilated and decomposed face at his open-casket funeral. This investigation leads to the history, reasons, and importance of open-casket funerals in the African-American community. My project will also analyze the response of the white community in the immediate area where Emmett was murdered. His murder has been well documented in television coverage, newspaper articles, and magazine interviews; however, very little research has examined the media’s impact on the regional, national, and international levels. I want to examine how these communities responded to Emmett’s death and how the white South was viewed as a result of different reactions according to race and location.

Furthermore, Emmett Till’s murder raises questions regarding white masculinity and femininity and their relationship to black masculinity. Another aspect to this project may include how the image of Emmett Till has been remembered and reconstructed by the media more recently in the form of television series and movies. I seek to investigate these issues primarily through primary sources such as photographs, television coverage, newspaper articles, and interviews of individuals. Secondary resources, particularly in the field of media studies will be helpful to my project. Overall, my project will become part of a greater dialogue that explores the media’s perception of the white response to black life and culture in the Jim Crow South.

Since the summer after my sophomore year at Williams, I have laid the foundation for this project. My independent research through the Mellon Mays Undergraduate Fellowship has allowed me to develop my research skills, work closely with a professor, and read over a dozen seminal primary and secondary sources in the field of race relations in the United States. I have already written two research papers, (with a third on the way) about these books.

I am interested in writing an Honors Thesis in History for many reasons. Most importantly, I want the opportunity to immerse myself in a subject that greatly interests me while contributing to a larger body of academic work in the field. Writing a thesis is also important because it will allow me to dedicate an extended period of time to a very specific subject. I enjoy historical research and want the satisfaction of knowing that I thoroughly understand the intricacies and nuances of a particular topic, even though it may be a small fraction of a larger whole. Additionally, I want to complete a large historical project to show history graduate schools of my seriousness in pursuing a Ph.D. in American History.

Cromwell Lives while Mason Stalks: Irish Nationalism and Historical Memory during the Troubles

In my proposed thesis I want to ask how significant perceptions of Irish history were in perpetuating the Troubles. Often, the pieces of history that get retold vindicate the present. I believe that perceptions of Irish history are significant in perpetuating the conflict in Northern Ireland because both Unionists and Nationalists created their own versions of history which they use to give legitimacy to their political visions for the future. Within the communities, different interest groups manipulate and re-manipulate history and each separate reading of the past justifies the present actions of its perpetuators. In this sense, the issue of history is an issue of legitimacy, and legitimacy is directly linked to political power. In their book The Northern Ireland Conflict: Consociational Engagements, John McGarry and Brendan O’Leary write that Northern Ireland is “a site of competing analogies and norms. Neither of its communities… have been able to achieve hegemonic legitimacy. This is one reason why the conflict continues.” It’s a trope that history is written by the winners, and in Northern Ireland, both sides are trying to write themselves as winners. Far from just an intellectual debate, the separate readings of history are crafted to justify political action, perpetuating the conflict.

Partition is a classic example of how Unionists and Nationalists use history to justify their current political positions. The Unionists perception of history accentuates the continuity of partition as a social force. Historian A.T.Q. Stewart uses the election of 1886 to emphasize the innate nature of partition. In it, seventeen out of thirty-three Ulster members of parliament elected were for Home Rule. That emphasized to Protestants that they were characteristically different from the rest of the inhabitants of Ireland. Stewart writes, “from 1886 to 1920, Ulster Protestants were a minority under threat.” By stressing the deep, cultural roots of partition, Stewart justifies it as a logical action and just solution that was a long time coming.

In contrast, the general Nationalist reading of the same period of history frames partition as “the arbitrary division of the country”, to quote the New Ireland Forum Report. “In the period immediately after 1920,” the Report continues, “many saw partition as transitory.” Nationalists tend to blame British imperialism or other exogenous factors as the cause of the conflict. In this way, they are able to represent partition an illegitimate action imposed on Ireland. The emphasis on exogenous factors allows Nationalists to imply that partition is the problem. Generally, they argue that by removing it and restoring the territorial integrity of Ireland, the conflict would be solved.

Both Unionists and Nationalists construct elaborate historical myths that legitimate their claim to the territory of Northern Ireland. Andy Tyrie, the supreme commander of the Ulster Defense Association in the early 1980s, broke from the traditional Unionist position of supporting union with Great Britain and advocated for an independent Ulster in the early 1980s. He created historical justification for his position by arguing that the areas of Scotland where Ulster Protestants came from were originally colonized by tribesmen from Ulster in the early middle ages—so in a sense Ulster Protestants were just returning to their ancestral homeland when they re-colonized in the seventeenth century. “Many people are convinced that the Protestants arrived here in 1607,” he said. “But their ancestors arrived here long before that. The Ulster people have always been here.”

Tyrie’s myth about Ulster was designed to compete with the traditionally Republican version of history of centuries of Irish resistance to British imperial rule. The Nationalist myth, as summarized by Padraig O’Malley, begins with the invasion of Ireland by England 800 years ago. In it, O’Malley writes, “history is linear. Thus, Ireland was subdued by superior arms and resources, but not beaten; the struggle to re-establish a free and united Ireland was carried forward from generation to generation.” The H-Block Song, written for the Republican prisoners in the maze perpetuates this view of events. The song ends with the question, “Does Britain need a thousand years of protest, riot, death, and tears?” emphasizing the long history of Irish oppression at the hands of British invaders. Lines like “Black Cromwell lives while Mason stalks” create a sense of the historical continuity of the fight against British imperialism, linking Oliver Cromwell with Roy Mason, the British Secretary of State for Northern Ireland when the H-Block song was written in 1976.

Both of these “ancestral tribe” myths are designed to support current claims to the island. Neither one is particularly valid historically, but the point is not historical accuracy. These myths are designed to create legitimacy for current political claims. Thus, history has become a tool allowing each side to perpetuate and justify their view of the conflict.

In my proposed thesis I’d ask the significance of perceptions of Irish history in perpetuating the Troubles. Much of the scholarship that I’ve read concentrates on specific historical occurrences and doesn’t directly investigate Irish historiography, or the link between historical memory and political action. I’d begin with a definition and explanation of the Nationalist myth of unbroken struggle. I’d draw on the writings of Irish Nationalists such as Padraig Pearse, as well as later scholarship by historians such as Padraig O’Malley. I’d also study how this historical myth has been created and perpetuated both inside Ireland and also abroad. On the international front, I’d specifically focus on how Irish Nationalists draw historical analogies to oppressed-native minority/settler-oppressor conflicts such as comparing their situation to the struggle over apartheid in South Africa. I’d study memoirs and interviews, like Adrian Kerr’s book Perceptions: Cultures in Conflict, and scholarship, such as Adrian Guelke’s book on comparative politics, Northern Ireland: An International Perspective. I’d also draw on art and propaganda: music, street murals, accounts of parades, 1916 commemoration posters issued by Sinn Fein and other Republican groups, and films, such as the 1980 documentary The Patriot Game, which gives a Nationalist account of the Troubles.

The well-established historical myth of Nationalist struggle presupposes an almost inevitable pattern to history: “Ireland unfree will never be at peace.” Therefore, I’d next investigate how the Nationalist reading of Irish history has affected political events during the Troubles. I’d focus on two important historical occurrences, the 1974 Ulster Worker’s Council strike that brought down the Sunningdale power-sharing agreement and the 1981 Republican hunger strikes. According to the strike bulletins, the main reason the UWC wanted to stop Sunningdale was because of the provisions it made to involve the Irish Free State in Northern Ireland’s affairs, which it characterizes as “the main danger.” I’d investigate if this anti-Irish attitude was affected by the striker’s perceptions of Ulster history and the North’s relationship to the South.

With the hunger strikes, I’d research the connection between the strikers’ experiences and Irish history. I’d specifically ask if the hunger strikers appealed to historically Irish motifs of martyrdom in an attempt to gain political legitimacy for the Provisional IRA. My hunch is that the Nationalist movement consciously used history as a practical tool in order to get political status for their prisoners, but it would take further research to figure this out. Not Meekly Serve My Time, the remembrances of Republican H-Block prisoners and hunger strikers would be invaluable, as would the diaries of Bobby Sands and the writings of Gerry Adams, as well as the memoirs of SDLP party leader John Hume.

Through these two specific incidents, I’d study how perceptions of Irish history affected the politics of Northern Ireland during the 1970s and early 1980s and also investigate how Nationalists and Unionists used interpretations of history to generate political legitimacy.

Adams, Gerry. Selected Writings. Kerry: Brandon, 1994. Bew, Paul and Patterson, Henry. The British State and the Ulster Crisis. New York: Verso, 185. Patrick Bishop and Eamonn Mallie. The Provisional IRA. Aylesbury: Corgi Books, 1989. Campbell, Brian, Laurence McKeown, and Felim O’Hagan, ed. Not Meekly Serve My Time: The H Block Struggle 1976-1981. Belfast: Beyond the Pale Publications, 1998. Farrell, Michael. Northern Ireland: The Orange State. London: Pluto Press Limited, 1976. Gallagher, AM. “Majority Minority Review 2: Employment, Unemployment and Religion in Northern Ireland.” CAIN Web Service, http://cain.ulst.ac.uk/csc/reports/mm210.htm. Guelke, Adrian. Northern Ireland: An International Perspective. New York : St. Martin’s Press, 1988. Hepburn, A.C., ed. The Conflict of Nationality in Modern Ireland. London: Edward Arnold Ltd., 1980. Hume, John. Personal views, Politics, Peace and Reconciliation in Ireland. Dublin: Town House, 1996 Kerr, Adrian, ed. Perceptions: Cultures in Conflict. Derry: Guildhall Press, 1996. McAllister, Ian. The Northern Ireland Social Democratic and Labor Party. London: Unwin Brothers Ltd., 1977. MacDonagh, Oliver. States of Mind. London: Pimlico, 1992. McGarry, John and Brendan O’Leary. Explaining Northern Ireland. Oxford: Blackwell Publishers, 1995. ______. The Northern Ireland Conflict: Consociational Engagements. Oxford: Oxford University Press, 2004. Mulchaly, Aogan. “Claims-Making and the Construction of Legitimacy: Press Coverage of the 1981 Hunger Strikes.” Social Problems 42, No. 4 (Nov. 1995): 467-499. “The New Ireland Forum Report,” CAIN Web Service, http://cain.ulst.ac.uk/ issues/politics/nifr.htm. O’Malley, Padriag. Biting at the Grave. Belfast: Blackstaff Press, 1990. ______. The Uncivil Wars. Belfast: Blackstaff Press, 1983. O’Neill, Terence. Ulster at the Crossroads. Faber and Faber: London, 1969. Rose, Richard. Governing without Consensus. London: Faber and Faber, 1971. Sands, Bobby. Writings from Prison. Cork: Mercier Press, 1998. Stewart, A.T.Q. The Narrow Ground: The Roots of the Conflict in Ulster. London: Faber and Faber, 1997. “Strike Bulletins of the Ulster Worker’s Council Strike, No 1.” CAIN Web Service. http://cain.ulst.ac.uk/uwc/uwc-pdfs/one.pdf. Sweeney, George. “Irish Hunger Strikes and the Cult of Self-Sacrifice.” Journal of Contemporary History 28, No. 3 (Jul. 1993): 421-437. Wichert, Sabine. Northern Ireland Since 1945. London: Longman, 1999.

‘My broken dreams of peace and socialism’: Youth propaganda, personality, and selfhood in the GDR, 1979-1989.

“I was a young citizen in a young nation, and it was my duty to advance the cause of socialism,” writes Jana Hensel in her memoir of childhood during East Germany’s final decade of socialism. The molding of youth and children like Hensel into healthy “socialist personalities” desirous of political stability and unity had been the object of the Socialist Unity Party’s (SED) most ardent ideological efforts ever since the foundation of the German Democratic Republic (GDR) in 1949. By the 1980’s, however, when the GDR could no longer rely on brute force to secure the loyalty of its subjects, the very survival of the Communist East German regime had come to depend on the success of the socialist mentality building project. To urge the new generations of East Germans to develop personal qualities essential for the advancement of socialism, the SED mobilized all of its resources: the school system, youth organizations, mass events, and leisure time activities. Unlike the youth of the 1960’s, however, “Honecker’s children” turned out to be much more concerned with personal matters than with the fulfillment of their social and political obligations. Moreover, with the assimilation of new psychological models and concepts of individuality throughout the 1980’s, the anachronism and absurdity of SED’s personality building project became increasingly apparent.

In my Honors thesis, I plan to examine the manifold ways in which the ideological prescriptions disseminated by the SED during the 1980’s actually shaped the lived experience and affected the sense of selfhood of young members of East German society. I also wish to reflect on the lasting effects of GDR’s preoccupation with character building on the sense of identity of “Honecker’s children” twenty years after the fall of the Berlin Wall. My work thus aims to complement current historical literature on the politics of the GDR’s youth project with a thorough investigation of the cultural, psychological, and sociological aspects of socialist character building in the GDR. To this end, I plan to relate my investigation of the ways in which the youth responded to new ideas about the socialist East German self to sociological and anthropological works on identity and selfhood, as well as to psychological theory on childhood and memory. By examining the ideas about selfhood lying at the very heart of East German youth policies and focusing on the ways in which the youth understood them and responded to them, I hope to challenge current understandings of the overarching roles of culture and ideology in postwar German history.

I will begin my research by examining official documents printed by the GDR Ministry of Education, to reveal how state-sanctioned ideas about selfhood were engendered and promoted by the East German school system throughout the 1980’s. I will then explore the inner workings of mass youth organizations such as the Free German Youth (FDJ) to trace the manifestation of these ideas in party-monitored extracurricular and leisure time activities. By investigating children’s letters to relatives, diaries, and anthologies of poems, I plan to shed light on the kinds of interpretive categories that children and youth were using in turn to make sense of their own experiences and evolving personalities. I will then examine memories of GDR’s personality building project in their natural context by conducting interviews with the protagonists of my research during my stay in Berlin and Jena this summer.

Among the secondary sources central to my research are the works of social historians such as Anna Saunders, Alan McDougall, John Rodden, and Alan Nothnagle, who have previously explored the dynamics of youth policy in the GDR and delineated the evolution of propaganda techniques employed by communist youth organizations and schools to communicate Marxist-Leninist values and ideology. Equally significant are the works of Alon Confino and Daphne Berdahl, which examine the consequences of the rigorous program of socialist patriotic education in the GDR on the sense of national and personal identity of the youth before and after the collapse of the Berlin Wall. My research aims to respond to debates that have concerned not only German historians, but also scholars of international youth politics. Some of the questions I will be asking are: how much autonomy did the East German youth of the 1980’s have in shaping their sense of self, in what ways were they influenced by the personality models put forward by the SED, how did they conceive of themselves as historical subjects before and after the collapse of the East German regime, and what may explain their reactions to the personality building project?

Agee, Joel. 1981. Twelve years: an American boyhood in East Germany. New York: Farrar Straus Giroux. Andresen, Sabine. 2006. Sozialistische Kindheitskonzepte: politische Einflüsse auf die Erziehung. München: Ernst Reinhardt. Annen, Niels, Björn Böhning, Kai Burmeister, and Sven Frye. 2007. 100 years of International Socialist Youth: struggle for peace and equality in the world. Internationale Politik (Vorwarts Buch (Berlin, Germany)). Berlin: Vorwärts Buch. Baehr, Vera-Maria. 1990. Wir denken erst seit Gorbatschow: Protokolle von Jugendlichen aus der DDR. Recklinghausen: G. Bitter. Berdahl, Daphne. 1999. Where the world ended: re-unification and identity in the German borderland. Berkeley, Calif: University of California Press. Berdahl, Daphne. 2000. Altering states: ethnographies of transition in Eastern Europe and the Former Soviet Union. Ann Arbor: Univ. of Michigan Press. Confino, Alon, and Peter Fritzsche. 2002. The work of memory: new directions in the study of German society and culture. Urbana: University of Illinois Press. Confino, Alon. 2006. Germany as a culture of remembrance: promises and limits of writing history. Chapel Hill: University of North Carolina Press. Franke, Klaus, and Gerhard Krause. 1976. Kommunisten und Jugend in der DDR. ABC des Marxismus-Leninismus. Berlin: Dietz Verlag. Freie Deutsche Jugend. 1987. Fragen und Antworten zum Programm der SED. Berlin: Dietz. Friedrich, Walter. 1975. Jugend, FDJ [i.e. Freie Deutsche Jugend], Gesellschaft: Beiträge zur sozialistischen Persönlichkeitsentwicklung junger Arbeiter und Studenten in der DDR. Berlin: Verlag Neues Leben. Fulbrook, Mary. 2005. The people’s state: East German society from Hitler to Honecker. New Haven: Yale University Press. Hellbeck, Jochen. 2006. Revolution on my mind: writing a diary under Stalin. Cambridge, Mass: Harvard University Press. Hensel, Jana. 2004. After the Wall: confessions from an East German childhood and the life that came next. New York: Public Affairs. Intertext, Fremdsprachendienst der DDR. 1985. Free German youth, the GDR’s all-embracing youth organization. Berlin: Panorama DDR. Jahnke, Karl Heinz. 1986. Partei und Jugend: Dokumente marxistisch-leninistischer Jugendpolitik. Berlin: Dietz. Jarausch, Konrad Hugo. 1994. The rush to German unity. New York: Oxford University Press. Jarausch, Konrad Hugo. 1999. Dictatorship as experience: towards a socio-cultural history of the GDR. New York: Berghahn Books. Leiby, Richard A. 1999. The unification of Germany, 1989-1990. Greenwood Press “Guides to historic events of the twentieth century”. Westport, Conn: Greenwood Press. Leidecker, Gudrun, Dieter Kirchhöfer, and Peter Güttler. 1991. Ich weiss nicht, ob ich froh sein soll: Kinder erleben die Wende. Stuttgart: Metzler. Macleod, David I. 1983. Building character in the American boy: the Boy Scouts, YMCA, and their forerunners, 1870-1920. Madison: University of Wisconsin Press. Maier, Charles S. 1997. Dissolution: The crisis of Communism and the end of East Germany. Princeton, N.J.: Princeton University Press. McAdams, A. James. 1993. Germany divided: from the wall to reunification. Princeton studies in international history and politics. Princeton, N.J.: Princeton University Press. McDougall, Alan. 2004. Youth politics in East Germany: the Free German Youth Movement, 1946-1968. Oxford historical monographs. Oxford: Clarendon. Meier, Andreas. 1998. Jugendweihe–JugendFEIER: ein deutsches nostalgisches Fest vor und nach 1990. München: Deutscher Taschenbuch Verlag. Michalzik, Martin. 1994. An der Seite der Genossen–: offizielles Jugendbild und politische Sozialisation im SED-Staat : zum Scheitern der sozialistischen Erziehung in der DDR. Melle: Knoth. Mothes, Jörn. 1996. Beschädigte Seelen: DDR-Jugend und Staatssicherheit : mit 136 Dokumenten und einer Audi-CD mit Original-Tonunterlagen. Bremen: Edition Temmen. Nothnagle, Alan L. 1999. Building the East German myth: historical mythology and youth propaganda in the German Democratic Republic, 1945-1989. Social history, popular culture, and politics in Germany. Ann Arbor: University of Michigan Press. Pelka, Anna. 2008. Jugendmode und Politik in der DDR und in Polen: eine vergleichende Analyse 1968-1989. Osnabrück: Fibre. Pence, Katherine, and Paul Betts. 2008. Socialist modern: East German everyday culture and politics. Social history, popular culture, and politics in Germany. Ann Arbor: University of Michigan Press. Rodden, John. 2002. Repainting the little red schoolhouse: a history of Eastern German education, 1945-1995. New York, N.Y.: Oxford University Press. Rodden, John. 2006. Textbook reds: schoolbooks, ideology, and Eastern German identity. University Park, Pa: The Pennsylvania State University Press. Rodden, John. 2008. The walls that remain: Eastern and Western Germans since reunification. Boulder: Paradigm Publishers. Saunders, Anna. 2007. Honecker’s children: youth and patriotism in East(ern) Germany, 1979-2002. Manchester: Manchester University Press. Schmemann, Serge. 2006. When the wall came down: the Berlin Wall and the fall of Soviet communism. Boston: Kingfisher. Schneider, Gisela. 1980. Jugendbrigaden, Bahnbrecher des Neuen. Berlin: Verlag Tribüne. Solms, Wilhelm. 1992. Begrenzt glücklich: Kindheit in der DDR. Marburg: Hitzeroth. Thomson-Wohlgemuth, Gaby. 2009. Translation under state control: books for young people in the German Democratic Republic. New York: Routledge. Turner, Henry Ashby. 1987. The two Germanies since 1945. New Haven: Yale University Press. Urban, Detlef, and Hans Willi Weinzen. 1984. Jugend ohne Bekenntnis?: 30 Jahre Konfirmation und Jugendweihe im anderen Deutschland 1954-1984. Berlin: Wichern-Verlag. Walter, Michael. 1997. Die Freie Deutsche Jugend: ihre Funktionen im politischen System der DDR. Freiburg im Breisgau: Arnold Bergstraesser Institut. Weyer, Jochen. 1974. Youth in the GDR: everyday life of young people under socialism. Berlin: Panorama DDR. Zahra, Tara. 2008. Kidnapped souls: national indifference and the battle for children in the Bohemian Lands, 1900-1948. Ithaca: Cornell University Press. Zilch, Dorle. 1994. Millionen unter der blauen Fahne: die FDJ : Zahlen, Fakten, Tendenzen : Mitgliederbewegung und Strukturen in der FDJ-Mitgliedschaft von 1946 bis 1989 unter besonderer Berücksichtigung der Funktionäre. Rostock: Norddeutscher Hochschulschriften Verlag.

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How to Write a Hook- Steps With Examples

A hook in an essay or any piece of writing is like a fishing hook—it’s designed to grab your readers’ attention and draw them into the rest of your content. A well-crafted hook not only captures interest but also encourages readers to continue exploring what you have to say. If you’re unsure how to  write a hook that’s engaging, this article will provide you with effective tips for writing compelling openings, ensuring your engagement remains high.

What is a Hook?

A hook in writing is essentially a compelling sentence or paragraph that grabs the reader's attention from the very beginning. It sets the tone for the piece and entices readers to continue exploring what you have to say. To craft an effective hook, it needs to be engaging, informative, and suitable for the intended audience. This means it should capture interest, convey relevant information, and be appropriate for the reader's level and context. By focusing on relevance, audience, and cohesion, you can create a strong hook that not only draws readers in but also aligns with the main thesis and purpose of your writing.

6 Types of Essay Hooks

There are various types of hooks, each serving a different purpose and engaging the reader in unique ways.

Question Hook:

This type involves asking the reader a question that sparks their curiosity or gets them thinking.

For example:

"Have you ever watched the high-flying, jump shooting, slam dunking, ankle breaking players that play in the NBA?"

This question engages the reader by prompting them to visualize and think about the excitement of watching NBA players, setting the stage for a discussion about the thrill of the game.

Quotation Hook:

A quotation hook uses a relevant quote from a credible source to draw in the reader.

For instance:

"Some people want it to happen, some wish it would happen, others make it happen,” said Michael Jordan.

This quote from a famous athlete underscores the theme of determination and hard work, immediately connecting the reader to the topic of achieving success through effort.

Statistic Hook:

This type employs surprising or impressive statistics to catch the reader's eye.

"Just 0.00545 percent of the 550,000 boys playing high school basketball each year in the United States become a first-round draft pick."

This statistic highlights the incredibly slim chances of making it to the NBA, intriguing the reader with the stark reality and setting up a deeper exploration of what it takes to succeed in professional sports.

Anecdotal Hook:

An anecdotal hook uses a short story to illustrate a point and connect with the reader on a personal level.

"When I was in high school, I remember playing in an AAU basketball league and seeing a boy who practiced relentlessly every morning. Years later, he was drafted by the Philadelphia 76ers."

This story captivates the reader by providing a relatable and tangible example of dedication leading to success, making the topic more engaging and memorable.

Common Misconception Hook:

This type addresses a common misconception to grab the reader’s attention by challenging their existing beliefs.

"Many people believe that all professional athletes were naturally talented from a young age, but the truth is, most of them had to work incredibly hard to get where they are."

This hook piques the reader's interest by presenting surprising information that contradicts what they might think.

Rhetorical Statement Hook:

A rhetorical statement hook uses a bold statement or assertion to provoke thought or agreement.

"There's no shortcut to success in any field, including sports."

This kind of hook immediately sets a strong tone and encourages the reader to think about and agree with the statement, drawing them further into the essay.

How to Write a Hook [3 Steps with Examples]

Imagine yourself reading an article or an essay. Have you ever noticed that the first 2-3 lines set your entire mood? Either it looks interesting, or you might want to skip it. The same is true when someone reads your essay. This is why learning how to write a hook statement for an essay is crucial, and in this guide, I'll be sharing my process to help you write effective hook statements on your own.

I use a few simple steps for writing hook statements that help me craft an effective hook to engage readers and compel them to read further. Along with these steps, I also rely on writing tools, specifically WPS Office , which helps me significantly in writing a good hook. So, let's have a look at the process of learning how to write a hook for your essay, with a few examples.

1.Create an outline

First and foremost, you need to create an outline for your essay. This means your hook needs to be based on the information you plan to communicate through your essay. It's essential to lay the groundwork. Creating an outline helps you organize your thoughts and ensures your hook aligns perfectly with the rest of your essay.

Brainstorming:

To begin with your outline, start by brainstorming, where you can write down all the points you believe you can include in your essay. I usually carry out this step in WPS Writer, where I can type down all the important points I want to include in my essay. Additionally, if I find a few points on the internet, I can simply paste them into my WPS Writer document.

For example, let's say you're writing an essay about the impact of social media on mental health. Your main points might include:

The rise of social media usage

Positive effects on connectivity and community building

Negative impacts on self-esteem and anxiety

Strategies for healthy social media consumption

To further assist me in this process, I use WPS AI to help brainstorm ideas. A fresh perspective is always welcome, and when you're short on ideas, these suggestions can really enhance your essay.

Identify the Angle:

Once we have the main points, it's time to decide on the specific perspective or argument you want to present. This is where you'll start to shape your essay's unique voice. For instance, if your topic is social media, you might choose to focus on its double-edged nature, arguing that while it offers unprecedented connectivity, it also poses significant risks to mental well-being if not used mindfully.

Sketch the Structure:

With your main points and angle in mind, outline the basic structure of your essay. This doesn't need to be elaborate – a simple roadmap will do.

Your structure might look something like this:

Introduction (including your hook)

Brief history of social media's rise

Positive impacts on connectivity

Negative effects on mental health

Strategies for balanced use

Having this structure in place will help you craft a hook that seamlessly leads into the rest of your essay.

WPS AI can also assist in creating an outline. With a simple prompt, you can mention the details of your essay, and it will help you organize your main points and structure effectively.

2.Develop a Thesis

With your outline ready, it's time to develop your thesis statement. This is the core argument of your essay, and your hook should pave the way for it.

Be Clear and Specific:

Your thesis statement should clearly articulate your stance on the topic. Avoid ambiguous or uncertain statements. Focus on writing a precise and debatable assertion that provides a solid foundation for your argument.

For our social media essay, a strong thesis might be:

"While social media platforms have revolutionized communication and community-building, their unchecked use can significantly impact mental health, necessitating a balanced approach to digital engagement."

Ensure Relevance:

Make sure your thesis connects directly with the hook you plan to write. Your hook should intrigue readers about the argument you're going to make.

Keep it Focused:

Resist the temptation to cover everything in your thesis. A focused thesis is easier to argue effectively and helps keep your essay on track.

3.Write your Hook

Now for the exciting part – crafting your hook! Remember, the goal is to captivate your reader from the very first sentence. Let's look at some examples of different hook types we discussed earlier and break down why they work.

Example 1: The Question Hook

"Have you ever caught yourself mindlessly scrolling through your social media feed, only to look up and realize hours have passed?"

This hook works because it:

Directly engages the reader by asking a question

Relates to a common experience many readers can identify with

Introduces the topic of social media usage subtly

By posing this question, you're inviting readers to reflect on their own experiences, creating an immediate connection to your topic.

Example 2: The Statistic Hook

"In 2023, the average person spent 2 hours and 31 minutes per day on social media platforms – that's over 38 days a year scrolling, liking, and sharing."

This hook is effective because it:

Presents a surprising or shocking statistic

Immediately quantifies the impact of social media on our lives

Sets the stage for a discussion on the significance of social media use

Statistics like this grab attention by putting abstract concepts into concrete, relatable terms that can surprise or even shock your readers.

Example 3: The Anecdote Hook

"As I watched my teenage daughter burst into tears over a single Instagram post, I realized social media was no longer just a fun pastime – it had become a powerful force shaping her self-image and mental health."

This hook works well because it:

Tells a brief, relatable story

Evokes emotion and empathy

Introduces the theme of social media's impact on mental health through a personal lens

Personal stories can be powerful hooks, drawing readers in with emotional resonance and real-world relevance.

Example 4: The Quote Hook

"'We are creating and encouraging a culture of distraction where we are increasingly disconnected from the people and events around us,' warns technology ethicist Tristan Harris."

This hook is powerful because it:

Uses an expert's words to lend authority to your topic

Introduces a critical perspective on social media

Sets up a discussion on the broader implications of our digital habits

Quotes from experts can lend credibility to your essay right from the start, setting the tone for a well-researched discussion.

When writing your hook, consider your audience and the tone of your essay. Choose a hook style that aligns with your topic and engages your readers effectively. Don't be afraid to write several versions and ask for feedback – sometimes the perfect hook takes a few tries to get right.

And if you're still having trouble writing a perfect hook for your essay, you can try using WPS AI features like Improve Writing to craft more effective hooks. WPS AI will help ensure your hook reads well and communicates your message clearly to readers.

Bonus Tips: How to Polish your Hook with WPS AI

WPS Office is an excellent tool for anyone looking to enhance their writing. It's particularly useful as a writing companion, helping you refine your sentences, choose the right words, and correct errors. If you're struggling with writer's block, especially when trying to craft an engaging hook for your article, WPS Office can assist you in several ways.

Invoke the AI Writing Assistant:

This feature offers tailored suggestions for opening sentences or paragraphs that are designed to grab attention. It can help generate various types of hooks, such as intriguing questions, startling facts, or impactful quotes. By analyzing your topic and audience, the AI Writing Assistant provides options that resonate well, making it easier to start with a strong, engaging hook.

Request Feedback from the AI Chatbot:

The AI Chatbot reviews your initial draft and provides targeted feedback on your hook. It evaluates the effectiveness of your opening lines, suggesting ways to enhance their impact or refine your approach. Whether your hook needs more clarity, engagement, or relevance, the chatbot’s feedback helps you make necessary adjustments to ensure it captures and retains your readers' interest.

FAQs about Writing a Hook

1. why is it important to have a good essay hook.

A well-crafted essay hook is essential as it captures the reader's attention and motivates them to continue reading. Without a captivating hook, readers may lose interest and discontinue reading. An engaging hook ensures that the audience remains invested, thereby enhancing the likelihood of effectively conveying the essay's message.

2. What's the difference between a hook and a thesis?

A hook is a statement that captures the reader's attention and is positioned at the beginning of the introduction. A thesis explains the main point of the essay, paper, or other writing. Typically, a hook appears as the attention-grabbing opener, followed by additional sentences that connect it to the thesis, which presents the primary argument or premise of the writing.

3. How long is a hook?

A hook is typically one to two sentences long and appears at the beginning of the introduction. It should be brief and engaging to quickly capture the reader's attention and encourage them to continue reading.

Grab Your Audience Attention With The Help of WPS Office

As a writer, I often face challenges in writing something clever enough to grab readers' attention. That’s why I rely on WPS Office to help me on how to write a hook and its suite of tools to assist with my writing and content sharing. WPS Office offers a wealth of amazing tools and services that benefit everyone who uses them. I highly recommend downloading WPS Office to experience its powerful features for yourself.

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• 3. How to Write a Research Paper [Steps & Examples]
• 4. How to Write A thesis statement - Steps with Examples
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• 6. How to Write an Argumentative Essay- Steps with Examples

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How to make a video essay: A guide for beginners

What type of content do you primarily create?

Video essays are an incredibly popular genre on YouTube, and many new creators are eager to have their views heard on topics in culture and politics. But making a video essay involves a lot more than just sitting in front of a camera and pressing record. This guide is intended for beginners who don’t quite know where to start. 

What is a video essay?

A video essay’s primary defining feature is that it sets out to make an argument. It is, to put it simply, like an essay you wrote in school. Video essays often cover politics, popular media, or science.

But unlike the essays you wrote in school, video essays need extensive visual accompaniment, whether that’s footage (or B-roll ), still images, or animation.

Here’s how you can get started:

Step 1: Craft a thesis

Good video essays will have a central thesis explored throughout the piece. If you can’t summarize your thesis in a sentence (sometimes two), you’ve still got work to do. The best theses immediately leave the viewer wanting to know more. Test it on friends: If you state your thesis to friends and get reactions of curiosity or excitement you’re on to something.

Consider one of my favorite video essays, whose thesis is right in the title: "Why Snowpiercer is a sequel to Willy Wonka and the Chocolate Factory."

‎ Sometimes, a thesis is a little more subtle, but nonetheless important. In Yhara Zayd’s video on horror movies, she argues that horror has always been a genre for social criticism.

‎ The rest of your video isn’t just proving that thesis, though that’s important. You'll want to explore the twists and turns of the idea. What questions does your thesis raise? What are the big doubts about your thesis, and how do you address them? How can we zoom out from your thesis and ask even bigger questions? 

Step 2: Determine your audience  

Your audience will dictate what level of complexity and detail you should cover in your video. If you’re an engineering channel, maybe you want to appeal to working engineers who understand the jargon of the profession. But if you’d like a broader audience, you’ll need to take the time to define terms and give background information. The best video essays usually appeal to both—their topics are unique enough to be interesting to people with prior knowledge of the topic, while accessible enough to be understood to a casual viewer.

Step 3: Organize your research early

Your video essay should have lots of supporting evidence. Aside from the usual list of articles and books, video essays can also use visual evidence.

If you’re commenting on media, that means hyper-specific shots and lines of dialogue. If you’re commenting on history, that means old news clips. Filmed interviews are a great resource regardless of the topic.

Whenever I'm trying to cover a show, I’ll watch the show (sometimes twice), take extensive notes, pause to write out lines of dialogue, and mark where specific moments supported various themes, motifs, or ideas. 

I've always regretted telling myself I’d remember a specific line or shot because I'd find myself spending an hour to hunt it down later in the process.

Whether you’re commenting on news footage, video games, or film and TV, I cannot stress enough how much extensive notetaking will improve your video essay later in the process.

The same advice goes for any books or news articles you might cite: annotate extensively and cite them in your piece.

Step 4: Familiarize yourself with "fair use"

Many video essays source footage from the news, TV, and film without licensing them. I'm not here to give advice on the legality of that, but I do think any video essayist should familiarize themselves with fair use .

Fair use is a set of criteria that a creator can use to defend their use of copyrighted work. It's not a license to freely use copyrighted work if you think you fit those standards; it’s a series of tests a judge should weigh in court. 

Usually, it doesn’t come to that. Most copyright issues go through YouTube’s copyright claim system , which you should also read up on. A film studio may claim your content, or block it altogether, for using their copyrighted material. YouTube allows you to appeal these claims , but if both parties won’t give up, the question can only be settled by a judge (in the US, at least).

Step 5: Start your script

Be sure to use a two-column script, rather than just writing out everything as if it were a traditional essay.

In one column, you’re writing what you’re saying, or what the footage is saying. In the other, write what you plan to show. Your notes here should be specific enough to help you later in the editing process. You may want to add a third column for notes, or sources to cite later.

Writing a video essay follows some different rules than what your English teacher might have expected. Most video essays use a conversational style, and include words, phrases, and grammar that would never fly with the written word. Sometimes that includes filler words, like starting a sentence with “so” or putting an “um” for effect. Just don’t overdo it.

Other writing rules still apply. Be concise, use active verbs, and otherwise just make sure you sound like a human.

Step 6: Film (or record)

You don’t need a $10,000 filming setup to make good video essays. Plenty of  people start with just a microphone, completely avoiding the camera altogether in what's known as a faceless YouTube video .

The two most important things to recommend: get good sound, and be natural. People can tolerate a lot of visual sins, but usually won’t put up with bad audio quality. Similarly, you don’t need to have the charisma of a talk show host, but people have no tolerance for on-screen performances that seem forced or fake.

That is all to say, get a decent microphone and be yourself. If you’re on-screen, buy a cheap teleprompter setup for your phone or camera.

Step 7: Start editing

There are many options for video editing software out there (and Descript is a great one), even for people with limited video editing experience. This article isn’t long enough to be an editing guide , but a few quick tips for a true novice:

• Don’t linger on any one visual for too long. Instead, mix up the visual interest of your video.
• Emphasize important concepts with text on screen.
• Take the time to learn a little about color grading .
• Clean up any noticeable background noise .

Step 8: Figure out your title and thumbnail

This may be the last step of this article, but it should often begin while you’re brainstorming. Your title and thumbnail should generate intrigue without giving it all away. Video essays often lean on titles with “How” and “Why.” Lessons from the Screenplay is a good example:

But video essays can also make provocative statements that make the viewer curious about how you’ll back it up. Consider Kurzgesagt – In a Nutshell’s “ Smoking is Awesome ,” which I promise is not pro-tobacco.

Step 9: Publish

Finally, it's time to put your video out into the world and see how it fares. Your first video essay won't be perfect. It's important to put your work in public, take in feedback, and move on to your next project. Like all things, skill comes with time.

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Who Are the Far-Right Groups Behind the U.K. Riots?

After a deadly stabbing at a children’s event in northwestern England, an array of online influencers, anti-Muslim extremists and fascist groups have stoked unrest, experts say.

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By Esther Bintliff and Eve Sampson

Esther Bintliff reported from London, and Eve Sampson from New York.

Violent unrest has erupted in several towns and cities in Britain in recent days, and further disorder broke out on Saturday as far-right agitators gathered in demonstrations around the country.

The violence has been driven by online disinformation and extremist right-wing groups intent on creating disorder after a deadly knife attack on a children’s event in northwestern England, experts said.

A range of far-right factions and individuals, including neo-Nazis, violent soccer fans and anti-Muslim campaigners, have promoted and taken part in the unrest, which has also been stoked by online influencers .

Prime Minister Keir Starmer has vowed to deploy additional police officers to crack down on the disorder. “This is not a protest that has got out of hand,” he said on Thursday. “It is a group of individuals who are absolutely bent on violence.”

Here is what we know about the unrest and some of those involved.

Where have riots taken place?

The first riot took place on Tuesday evening in Southport, a town in northwestern England, after a deadly stabbing attack the previous day at a children’s dance and yoga class. Three girls died of their injuries, and eight other children and two adults were wounded.

The suspect, Axel Rudakubana , was born in Britain, but in the hours after the attack, disinformation about his identity — including the false claim that he was an undocumented migrant — spread rapidly online . Far-right activists used messaging apps including Telegram and X to urge people to take to the streets.

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