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  • What is Albert Camus known for?
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Albert Camus.

The Myth of Sisyphus

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The Myth of Sisyphus , philosophical essay by Albert Camus , published in French in 1942 as Le Mythe de Sisyphe . Published in the same year as Camus’s novel L’Étranger ( The Stranger ), The Myth of Sisyphus contains a sympathetic analysis of contemporary nihilism and touches on the nature of the absurd. Together the two works established his reputation, and they are often seen as thematically complementary.

Influenced by the philosophers Søren Kierkegaard , Arthur Schopenhauer , and Friedrich Nietzsche , Camus argues that life is essentially meaningless, although humans continue to try to impose order on existence and to look for answers to unanswerable questions. Camus uses the Greek legend of Sisyphus , who is condemned by the gods for eternity to repeatedly roll a boulder up a hill only to have it roll down again once he got it to the top, as a metaphor for the individual’s persistent struggle against the essential absurdity of life. According to Camus, the first step an individual must take is to accept the fact of this absurdity. If, as for Sisyphus, suicide is not a possible response, the only alternative is to rebel by rejoicing in the act of rolling the boulder up the hill. Camus further argues that with the joyful acceptance of the struggle against defeat, the individual gains definition and identity.

Interesting Literature

A Summary and Analysis of the Myth of Sisyphus

By Dr Oliver Tearle (Loughborough University)

The poster-boy of existentialism, Sisyphus has become associated with laborious and pointless tasks, because he was condemned to roll a boulder up a hill, only for the boulder to roll back down to the bottom just as he was about to complete the task. He was thus doomed to repeat this action forever.

However, there’s a lot more to the story of Sisyphus than this snapshot, so let’s take a closer look at the Sisyphus myth, who he was, and why he was so important to ancient Greek civilisation.

Summary of the Sisyphus myth

Although he’s best-known now for rolling a stone up a hill, Sisyphus did lots before he was doomed to repeat that (literal) uphill struggle. He was the mythical founder of the city-state of Corinth (called Ephyra at the time) and was viewed as the successor to Medea – she of the doomed relationship with Jason, of Argonauts fame.

He was also credited with founding the Isthmian games, which were held both the year before and the year after the Olympic Games (the second and fourth years of an Olympiad), from around 582 BC (nearly two centuries after the first Olympic games were held).

Sisyphus is credited with siring, among others, Glaucus, Bellerophon, and even – in one version – wily Odysseus himself. The story goes that Autolycus had stolen Sisyphus’ flock, but Sisyphus, viewed by many as the most cunning of all men, had taken the precaution of branding his name onto his animals, so he could prove the stolen flock was his.

Autolycus’ daughter Anticleia was due to marry Laertes the next day after this thwarted act of farmyard theft took place, and Sisyphus, to get his revenge, slipped into Anticleia’s bed the night before her wedding and seduced her. She conceived Odysseus as a result.

But because Autolycus was impressed by Sisyphus’ cleverness, he happily gave up his daughter to Sisyphus, because he wanted to have a wily and quick-thinking grandson. Odysseus certainly grew up to be just that, as Homer’s Odyssey attests. Laertes, in this version of the Odysseus’ story, wasn’t Odysseus’ biological father, then.

But how did Sisyphus end up being condemned to roll a boulder up a hill, for all eternity? That, too, depends on which version of the myth you read.

For instance, according to one account, Sisyphus ended up rolling that rock uphill because he snitched on Zeus during one of the god’s various acts of abduction involving young and beautiful women. When Zeus made off with Aegina, Sisyphus saw him. Aegina’s father, Asopus, found out that Sisyphus had witnessed it and he asked Sisyphus to tell him who had taken his daughter.

Sisyphus, ever the wily man, made him a deal: he’d tell Asopus who had made off with his daughter if Asopus made a spring gush onto the citadel of Corinth. Asopus agreed to this, and Sisyphus dropped Zeus right in it.

Zeus, whose short temper was as legendary as his penchant for running off with maidens, wasn’t too happy about Sisyphus dobbing him in like this, so he struck Sisyphus down with a thunderbolt. Transported to the Underworld, Sisyphus was condemned to roll a boulder up a hill, for all eternity.

Homer, however, tells the story quite differently. Here, Sisyphus’ ‘crime’ was refusing to die when the gods decreed it. So, Zeus sent Thanatos, the spirit of Death, to carry the stubborn Sisyphus off to the Underworld. But Zeus had underestimated how wily Sisyphus was, and Sisyphus was waiting for Thanatos when he arrived, chained up this deathly agent, and in doing so, suspended death across all of the world. With Thanatos in captivity, nobody – including Sisyphus himself – could die.

But you cannot cheat death forever, and Sisyphus was forced, by Zeus, to unchain Thanatos so that the daily business of death could resume.

Unfortunately for Sisyphus, his name was first on the list.

But once again, Sisyphus tricked his way out of it. He hatched a plan with his wife, telling her that when they carried him off to the Underworld, she shouldn’t observe the funeral rites usually accorded a dead person. When Sisyphus arrived before Hades in the Underworld, he complained that his wife had refused to honour him when he died, and Hades agreed to let him go back and chastise his rude widow. The trick worked, and Sisyphus somehow got away with living for many more years.

When he did eventually die, the gods made sure he couldn’t trick his way out of the Underworld again, by setting him the endless task with which he is now so closely associated: rolling that massive rock forever up a hill, only to find – when he reached the top of the hill – that the rock rolled all the way back down to the bottom and he had to start all over again.

Analysis of the Sisyphus myth

Not all Greek myths have a ‘moral’ as such, but it’s clear, when we look at a fuller summary of the story (or stories) of Sisyphus, that his punishment – rolling that rock endlessly up a hill – was contrived by the gods in response to Sisyphus’ legendary craftiness and cunning. You really can be too clever for your own good: Sisyphus was.

The story of Sisyphus is so well-known in modern times thanks to Albert Camus, whose essay ‘ The Myth of Sisyphus ’ (1942) is an important text about the absurdity of modern life (although it’s often described as being ‘Existentialist’, Camus’ essay is actually closer to Absurdism).

For Camus, Sisyphus is the poster-boy for Absurdism, because he values life over death and wishes to enjoy his existence as much as possible, but is instead thwarted in his aims by being condemned to carry out a repetitive and pointless task. Such is the life of modern man: condemned to perform the same futile daily rituals every day, working without fulfilment, with no point or purpose to much of what he does.

However, for Camus – and again, this part is generally misunderstood by people who haven’t read Camus’ essay but only heard about its ‘argument’ at second hand – there is something positive in Sisyphus’ condition, or rather his approach to his rather gloomy fate. When Sisyphus sees the stone rolling back down the hill and has to march back down after it, knowing he will have to begin the same process all over again, Camus suggests that Sisyphus would come to realise the absurd truth of his plight, and treat it with appropriate scorn.

In a sense, he is ‘free’: not from having to perform the task, but from performing it unquestioningly or in the vain hope that it will end. He has liberated his own mind by confronting the absurdity of his situation, and can view it with the appropriate contempt and good humour. As the old line has it, ‘you have to laugh …’

Of course, the Greek gods were capricious, and weren’t always justified when meting out their punishments to mortals, but Sisyphus’ determination to cheat death is obviously doomed to failure, in the long run.

Indeed, the ancient Greeks knew, as every civilisation worthy of the name has known, that death is an inevitable and even desirable part of life: for people to live forever would be unbearable, a hell on earth, with no room being made for the next generation. In all the various versions of the myth of Sisyphus, he is not merely cunning (a quality we can applaud), but self-interested .

He sleeps with Laertes’ bride-to-be as revenge for Autolycus’ attempted theft of his flock, and, one suspects, because he fancied the girl himself. He dropped Zeus in it with Asopus, not because he believed it the morally right thing to do, but because there was something in it for him. And he tried to cheat death because he didn’t want to face his own end.

We might admire Sisyphus for his quick-thinking skills and his guile, but what makes him a compelling Greek ‘hero’ – if we can use that word of him – is his selfish streak that makes him flawed, and, therefore, more human to us.

About Greek mythology

The Greek myths are over two thousand years old – and perhaps, in their earliest forms, much older – and yet many stories from Greek mythology, and phrases derived from those stories, are part of our everyday speech. So we describe somebody’s weakness as their Achilles heel , or we talk about the dangers of opening up Pandora’s box . We describe a challenging undertaking as a Herculean task , and speak of somebody who enjoys great success as having the Midas touch .

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Reason and Meaning

Philosophical reflections on life, death, and the meaning of life, albert camus: the myth of sisyphus.

Albert Camus, gagnant de prix Nobel, portrait en buste, posé au bureau, faisant face à gauche, cigarette de tabagisme.jpg

In The Myth Of Sisyphus (1955) Camus claims that the only important philosophical question is suicide—should we continue to live or not? The rest is secondary, says Camus, because no one dies for scientific or philosophical arguments, usually abandoning them when their life is at risk. Yet people do take their own lives because they judge them meaningless or sacrifice them for meaningful causes. This suggests that questions of meaning supersede all other scientific or philosophical questions. As Camus puts it: “I therefore conclude that the meaning of life is the most urgent of questions.” [i]

What interests Camus is what leads to suicide. He argues that “beginning to think is beginning to be undermined … the worm is in man’s heart.” [ii]   When we start to think we open up the possibility that all we valued previously, including our belief in life’s goodness, may be subverted. This rejection of life emanates from deep within, and this is where its source must be sought. For Camus killing yourself is admitting that all of the habits and effort needed for living are not worth the trouble. As long as we accept reasons for life’s meaning we continue, but as soon as we reject these reasons we become alienated—we become strangers from the world. This feeling of separation from the world Camus terms absurdity , a sensation that may lead to suicide. Still, most of us go on because we are attached to the world; we continue to live out of habit.

But is suicide a solution to the absurdity of life? For those who believe in life’s absurdity, it is a reasonable response—one’s conduct should follow from one’s beliefs. Of course, conduct does not always follow from belief. Individuals argue for suicide but continue to live; others profess that there is a meaning to life and choose suicide. Yet most persons are attached to this world by instinct, by a will to live that precedes philosophical reflection. Thus they evade questions of suicide and meaning by combining instinct with the hope that something gives life meaning. Yet the repetitiveness of life brings absurdity back to consciousness. In Camus’ words: “Rising, streetcar, four hours in the office or factory, meal, four hours of work, meal, sleep, and Monday, Tuesday, Wednesday, Thursday, Friday, and Saturday…” [iii]  Living brings the question of suicide back, forcing a person to confront and answer this essential question.

Yet of death we know nothing. “This heart within me I can feel, and I judge that it exists. This world I can touch, and I likewise judge that it exists. There ends all my knowledge, and the rest is construction.” [iv] Furthermore I cannot know myself intimately anymore than I can know death. “This very heart which is mine will forever remain indefinable to me. Between the certainty I have of my existence and the content I try to give to that assurance, the gap will never be filled. Forever I shall be a stranger to myself …” [v] We know that we feel, but our knowledge of ourselves ends there.

What makes life absurd is our inability to know ourselves and the world’s meaning even though we desire such knowledge. “…what is absurd is the confrontation of this irrational and the wild longing for clarity whose call echoes in the human heart.” [vi] The world could have meaning: “But I know that I do not know that meaning and that it is impossible for me just now to know it.” [vii] This tension between our desire to know meaning and the impossibility of knowing it is a most important truth. We are tempted to leap into faith, but the honest know that they do not understand; they must learn “to live without appeal…” [viii]  In this sense we are free—living without higher purposes, living without appeal. Aware of our condition we exercise our freedom and revolt against the absurd—this is the best we can do.

the author of essay myth of sisyphus

Nowhere is the essence of the human condition made clearer than in the Myth of Sisyphus. Condemned by the gods to roll a rock to the top of a mountain, whereupon its own weight makes it fall back down again, Sisyphus was condemned to this perpetually futile labor. His crimes seem slight, yet his preference for the natural world instead of the underworld incurred the wrath of the gods: “His scorn of the gods, his hatred of death, and his passion for life won him that unspeakable penalty in which the whole being is exerted toward accomplishing nothing.” [ix]  He was condemned to everlasting torment and the accompanying despair of knowing that his labor was futile.

Yet Camus sees something else in Sisyphus at that moment when he goes back down the mountain. Consciousness of his fate is the tragedy, yet consciousness also allows Sisyphus to scorn the gods which provides a small measure of satisfaction. Tragedy and happiness go together; this is the state of the world that we must accept. Fate decrees that there is no purpose for our lives, but one can respond bravely to their situation: “This universe henceforth without a master seems to him neither sterile nor futile. Each atom of that stone, each mineral of that night-filled mountain, in itself forms a world. The struggle itself toward the heights is enough to fill a man’s heart. One must imagine Sisyphus happy.” [x]

Reflections  – Camus argues that life is meaningless and absurd yet we can revolt against the absurdity and find some small modicum of happiness. Essentially Camus asks if there is a third alternative between acceptance of life’s absurdity or its denial by embracing dubious metaphysical propositions. Can we live without the hope that life is meaningful but without the despair that leads to suicide? If the contrast is posed this starkly it seems an alternative appears—we can proceed defiantly forward. We can live without faith, without hope, and without appeal.

I believe we are called upon to live without appeal, all appeals are intellectually dishonest. But perhaps there are alternatives between accepting absurdity and hopeful metaphysics besides Camus’ defiance. Perhaps we can embrace realities current absurdity, reject speculative metaphysics, and ground the meaning of our lives in the small part we can play in transforming the world into a more meaningful reality. We reject absurdity, religion, and anger. Instead, we work to transform reality.

the author of essay myth of sisyphus

_______________________________________________________________________

[i] Albert Camus, “The Myth of Sisyphus,” in The Meaning of Life , ed. E.D Klemke (Oxford: Oxford University Press, 1981), 72. [ii] Camus, “The Myth of Sisyphus,” 73. [iii] Camus, “The Myth of Sisyphus,” 74. [iv] Camus, “The Myth of Sisyphus,” 75. [v] Camus, “The Myth of Sisyphus,” 75. [vi] Camus, “The Myth of Sisyphus,” 75. [vii] Camus, “The Myth of Sisyphus,” 76-77. [viii] Camus, “The Myth of Sisyphus,” 77. [ix] Camus, “The Myth of Sisyphus,” 79. [x] Camus, “The Myth of Sisyphus,” 81.

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9 thoughts on “ albert camus: the myth of sisyphus ”.

Suicide has always been stigmatized in our society for a variety of reasons; religious belief, personal feelings (shame, guilt, etc), or simply our own feelings about the subject. While our eternal fate is, and always will be, a mystery tied to our mortal coil we perpetually try to seek meaning and happiness in our daily lives.

For some this simply isn’t enough. The reasons why, for, and how to live no longer matter.

This article comes at an interesting time. There has been major news coverage and renewed debate in the arena for the “right to die,” and two very young women with inoperable brain cancer taking center stage. Brittany Maynard and Lauren Hill were given only months to live after their separate diagnoses. Maynard has openly ought for her right to die: “I am not suicidal. If I were, I would have consumed that medication long ago. I do not want to die. But I am dying. And I want to die on my own terms.” ( http://edition.cnn.com/2014/10/07/opinion/maynard-assisted-suicide-cancer-dignity/ ).

I would have to conclude that if Camus were here today he would openly accept and agree with Maynard’s decision to end her life (she passed away on Nov. 3rd). SHe accepted the absurdity of life and chose to exit early.

Appreciate your comments. My own views on this subject were published more than twenty years ago and, if interested, you can find them at: https://reasonandmeaning.com/2014/08/15/better-off-dead/

There is also a post about anti-natalism that can be found here: https://reasonandmeaning.com/2014/10/13/david-benatar-why-it-is-better-never-to-have-been/

When I was in high school my grandmother was diagnosed with cancer, which she later passed away from. During this time we watched as she became a shelf of herself, and her quality of life quickly deteriorated. This was before the option of assisted suicide in Washington was even possible. This has always made me wonder if my grandmother would have tried to end her life on her own terms if it would have been possible. The philosophical views of Albert Camus have helped me understand why people take the road of assisted suicide when they are diagnosed with a terminal condition. Camus viewed suicide as the admittance that the effort and habits are not worth the trouble. For assisted suicide that makes sense since the person could be in constant pain and it’s an effort for them to wake up every day knowing what is in store for them. Personally for me if I know that my quality of life is going to diminish to a point where I would have trouble just waking up every day assisted suicide would be a thought that I would seriously consider. When I person gets the option of life taken away from them, why should they hold onto a world if they are going to suffer from the moment they wake up?

Thanks for the comment. For my views on euthanasia see https://reasonandmeaning.com/2014/08/15/better-off-dead/

I always knew I didn’t want to be a parent, no ambivalence whatsoever. I had a high sex drive and was worried about accidental pregnancy, so I tried to get a vasectomy when I was 24. This was the 1980s and in a rural area of the U.S., but still, I was shocked that I was rebuffed by three different doctors for the same reasons (too young, no kids yet). I thought that since I was legally an independent adult, I’d have the right to make my own reproductive decisions. How stupid could I be. Anyway, I was still determined to get a vasectomy. I didn’t like the idea of lying, but that’s what I did. I went to another doctor a little better prepared. i got a couple photos of my older sister’s two young sons, who bear a family resemblence to me. When the doctor asked why I wanted a vasectomy, I started telling him about my “troubled past.” When the time was right, I pulled out the photos and told him they were my sons by two different women. I told him they were living with their respective moms in other parts of the country, and that I was being sued for child support, that I was unemployed, had no skills or education, and that I really didn’t need another child. By the time I was done with my “story” that doctor was happy to give me a vasectomy.

I’m 51 now and even more certain I made the right decision than I was then, if that’s possible. I would have felt tremendously guilty for causing a human to exist. I regret being born myself, and even more, I regret living this long. I often think about a quote from a collection of suicide notes I read online: “I’ve lived 47 years — there aren’t 47 days I would live over again if I could avoid it.”

I feel the same way, except I’ve lingered around for 51 years. No excuse.

I get the lesson from the Myth that once Sysyphus is able to acknowledge his fate; only then does he become free of his fate..

“Freedom is the only worthy goal in life, we realize it once we accept and acknowledge all those factors that lie outside our control” Epictetus

“But the Joy that comes to the gods, and those who imitate them is unbroken and never Ceases ” Seneca

Thank You……. Terrific Summary………..

thank you too. JGM

Really appreciate this

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“The Myth of Sisyphus”, analysis of the essay by Albert Camus

The punishment of the gods or the joy of liberated labor

It is difficult to find at least one work by Albert Camus, free from philosophical concepts. Such is the analysis of his many critics. However, the writer did not recognize himself as a philosopher in the classical sense of the word. But the “The Myth of Sisyphus”, written in 1942, can without exaggeration be considered a purely philosophical treatise.

True, Camus called his work “an essay on the absurd.” This genre was not chosen by him by chance, since it presupposes a free composition of the work and leaves the author with the right to remain at least a little writer, and not just a philosopher.

The composition of the essay is such that the myth of Sisyphus itself occupies only an insignificant part of the work and is placed in the epilogue. He summarizes the study of the problem of the absurdity of the existence of an individual. Sisyphus, according to the writer, is a happy person, because he rejects the gods and personally controls his fate. True, it is difficult for a reader with traditional thinking to imagine a happy man who is engaged in hard labor day and night. The rebellious mood of Camus himself, his desire to challenge the Higher Forces, clearly manifested here.

The problems of the essay “The Myth of Sisyphus”, in essence, are not new. The question of the meaning or meaninglessness of existence has always been a favorite subject of study of philosophers. He was engaged in many schools and the greatest single minds. Many scientists have come to the conclusion that human life is absurd. Camus takes this conclusion as the starting point of his reasoning.

Studying human experience, he believes that man isolates eternal truths about himself and the surrounding space not by knowing life, but by means of feelings. The main thing here is a sense of absurdity, which casts doubt on the existence of God and the rationality of social structure.

Sisyphus and stone

But, in this way, one has to deny any aesthetic norms and rules. In a state of absurdity, everything is permitted. The only meaning is the fullness of life experiences. Therefore, the absurdity should not be destroyed by suicide, you just need to live it by making your choice. In the life of everyone there comes a time when it is necessary to choose between action and contemplation. This is called: to become a person. This conclusion is made by Camus.

The author himself does not believe in the harmony of man with nature. She, in his opinion, is very hostile to sentient beings. Therefore, each person can understand the other only on an individual, absurd level. What then are the general laws of perception?

Camus conducts a serious analysis of the philosophical views of those thinkers who touched on the question of absurdity before him. Among them: Kierkegaard, Shestov, Dostoevsky, Husserl, Nietzsche and other philosophers. However, it is worth recognizing that, as a stable doctrine, absurdism is owed specifically to Camus.

Sisyphus is not alone at the top, where he once again rolled his stone. The storyline of the essay is such that before we meet with many historical and literary characters of the past, Camus are interesting in terms of confirming their conclusions. This is Kirillov from Dostoevsky’s Demons; Don Giovanni, Commander, Alcest Moliere; Adrienne Lekuvrer and many others.

“ I have chosen only those heroes who set as their goal the exhaustion of life …”, Camus admitted.

What, of course, is difficult to disagree with the writer, is that each person has his own choice: absurd or reasonable.

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"The Myth of Sisyphus" Summary

By Albert Camus

philosophy | 192 pages | Published in NaN

Estimated read time: 5 min read

One Sentence Summary

"The Myth of Sisyphus" explores the philosophical idea of the absurd and the search for meaning in a seemingly meaningless world.

Table of Contents

Introduction, brief synopsis, main characters, summary of different story points over chapters, main events, themes and insights, reader's takeaway.

"The Myth of Sisyphus" is a philosophical essay written by Albert Camus. Published in 1942, the book delves into the concept of the absurd and the philosophical question of suicide. Camus explores the idea that life is inherently devoid of meaning and the search for significance is ultimately futile. Through the myth of Sisyphus, a figure from Greek mythology, Camus presents his ideas on the human condition and the pursuit of meaning in a seemingly indifferent universe.

Plot Overview

The essay begins with an exploration of the absurd, a concept that refers to the disconnect between humanity's search for meaning and the indifferent universe. Camus argues that the human desire for significance and rational understanding clashes with the inherent lack of meaning in the universe, leading to a state of absurdity. He uses the figure of Sisyphus, a character from Greek mythology, as a metaphor for the human condition.

The setting of the essay is not tied to a specific physical location or time period. Instead, it delves into the existential and philosophical realm, addressing universal themes that transcend specific settings.

Chapter 1: An Absurd Reasoning

Camus introduces the concept of the absurd, describing the clash between the human desire for meaning and the indifferent universe. He poses the question of whether life is worth living in the face of this absurdity.

Chapter 2: The Absurd Man

The essay explores the perspective of the absurd man, who fully embraces the lack of inherent meaning in the universe. Camus discusses the idea of revolt in the face of the absurd, emphasizing the importance of living authentically despite the lack of ultimate meaning.

Chapter 3: Absurd Creation

Camus delves into the concept of artistic creation in the context of the absurd. He explores how artists and creators grapple with the tension between their desire to imbue their work with meaning and the inherent lack of ultimate significance.

Chapter 4: The Myth of Sisyphus

The final chapter focuses on the myth of Sisyphus, drawing parallels between Sisyphus' eternal task of rolling a boulder uphill only to have it roll back down and the human condition. Camus presents Sisyphus as the epitome of the absurd hero, finding meaning and purpose within the act of defiance itself.

  • Introduction of the concept of the absurd and its conflict with the human desire for meaning.
  • Exploration of the perspective of the absurd man and the importance of revolt in the face of the absurd.
  • Examination of artistic creation in the context of the absurd.
  • Analogy between the myth of Sisyphus and the human condition, presenting Sisyphus as the absurd hero.
  • The Absurd: The central theme of the essay revolves around the concept of the absurd, highlighting the inherent clash between human desire for meaning and the indifference of the universe.
  • Revolt: Camus explores the idea of revolt as a response to the absurd, emphasizing the importance of living authentically in the face of meaninglessness.
  • Existentialism: The essay delves into existentialist themes, addressing the human quest for significance and the confrontation with the absurdity of existence.
  • The pursuit of meaning in an indifferent universe leads to a state of absurdity, challenging individuals to confront the lack of inherent significance.
  • Embracing the absurd and living authentically in defiance of meaninglessness is a form of rebellion against the existential void.
  • The myth of Sisyphus serves as a powerful metaphor for the human condition, illustrating the struggle to find purpose in a seemingly futile existence.

"The Myth of Sisyphus" offers readers a thought-provoking exploration of the human condition and the pursuit of meaning in an indifferent universe. Through Camus' philosophical insights, readers are challenged to confront the absurdity of existence and contemplate the significance of living authentically in the face of meaninglessness. The essay provides a compelling reflection on the complexities of human experience and the existential dilemmas that arise from the clash between human aspirations and the indifferent cosmos.

Albert Camus' "The Myth of Sisyphus" presents a profound philosophical inquiry into the nature of existence, the absurdity of life, and the pursuit of meaning. By drawing on the myth of Sisyphus and existentialist themes, Camus offers readers a compelling exploration of the human condition and the challenges of finding significance in a seemingly indifferent universe. The essay invites readers to grapple with profound questions about the nature of existence, the search for meaning, and the significance of living authentically in the face of absurdity.

The Myth of Sisyphus FAQ

What is 'the myth of sisyphus' about.

The book explores the concept of the absurd and the philosophical question of suicide. It delves into the existentialist themes of human existence and the search for meaning in a seemingly indifferent universe.

Who is the author of 'The Myth of Sisyphus'?

The book was written by Albert Camus, a French philosopher, author, and journalist known for his contributions to existentialist philosophy and literature.

Is 'The Myth of Sisyphus' a novel or an essay?

The book is an essay, in which Camus explores his philosophical ideas through a series of reflections and arguments.

What is the significance of the title 'The Myth of Sisyphus'?

The title refers to the ancient Greek myth of Sisyphus, who was condemned by the gods to roll a boulder up a hill, only to have it roll back down, for eternity. This myth serves as a metaphor for the human condition and the struggle for meaning in life.

Is 'The Myth of Sisyphus' a challenging read?

The book can be intellectually challenging due to its philosophical nature. It requires thoughtful reflection and engagement with existentialist ideas, but it is also rewarding for those interested in existentialist philosophy.

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The Myth of Sisyphus

Albert camus.

the author of essay myth of sisyphus

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Welcome to the LitCharts study guide on Albert Camus's The Myth of Sisyphus . Created by the original team behind SparkNotes, LitCharts are the world's best literature guides.

The Myth of Sisyphus: Introduction

The myth of sisyphus: plot summary, the myth of sisyphus: detailed summary & analysis, the myth of sisyphus: themes, the myth of sisyphus: quotes, the myth of sisyphus: characters, the myth of sisyphus: symbols, the myth of sisyphus: theme wheel, brief biography of albert camus.

The Myth of Sisyphus PDF

Historical Context of The Myth of Sisyphus

Other books related to the myth of sisyphus.

  • Full Title: The Myth of Sisyphus
  • When Written: 1942
  • Where Written: France
  • When Published: 1942
  • Literary Period: Modernism
  • Genre: Philosophy
  • Setting: N/A
  • Climax: Sisyphus pushes his rock up the mountain.
  • Antagonist: The world
  • Point of View: First-person and third-person

Extra Credit for The Myth of Sisyphus

Unlikely Tragedy. On the day of his fatal car crash, Camus had intended to take the train. In fact, he had the ticket for the train in his pocket at the time of his death.

Camus’ Vice. Camus was a lifelong smoker and had a pet cat called Cigarette.

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In a Nutshell

Yeah, Sisyphus is a bad guy, but that doesn't mean he isn't fun to watch. This crafty king is so wily that he outsmarts Death himself, and he actually manages to escape the Underworld... twice! Sure, Sisyphus deserves to be locked up for all his evil deeds, but sometimes watching a dude who's a step ahead of everybody else do his thing is irresistible.

In the end, Sisyphus totally gets what's coming to him and is doomed to roll a giant boulder up a hill for all eternity. Though he definitely earns his punishment, many people have found connection with his plight. It seems like a lot of folks have moments where they feel like whatever stuff they're doing is as tiresome and pointless as Sisyphus' endless task. Though it's not really a great feeling, it can be good sometimes to know that others get just as frustrated sometimes.

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The myth of Sisyphus : and other essays

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Albert Camus

The Myth of Sisyphus and Other Essays Audio CD – May 1, 2019

One of the most influential works of this century, The Myth of Sisyphus and Other Essays is a crucial exposition of existentialist thought. Influenced by works such as Don Juan and the novels of Kafka, these essays begin with a meditation on suicide; the question of living or not living in a universe devoid of order or meaning. With lyric eloquence, Albert Camus brilliantly posits a way out of despair, reaffirming the value of personal existence, and the possibility of life lived with dignity and authenticity.

  • Print length 1 pages
  • Language English
  • Publisher Recorded Books, Inc. and Blackstone Publishing
  • Publication date May 1, 2019
  • ISBN-10 1664477411
  • ISBN-13 978-1664477414
  • See all details

Editorial Reviews

About the author.

Albert Camus (1913-1960) was a French philosopher, author, and journalist who won the Nobel Prize in Literature in 1957. His views contributed to the rise of the philosophy known as absurdism. He wrote in his essay The Rebel that his whole life was devoted to opposing the philosophy of nihilism while still delving deeply into individual freedom.

Product details

  • Publisher ‏ : ‎ Recorded Books, Inc. and Blackstone Publishing; Unabridged edition (May 1, 2019)
  • Language ‏ : ‎ English
  • Audio CD ‏ : ‎ 1 pages
  • ISBN-10 ‏ : ‎ 1664477411
  • ISBN-13 ‏ : ‎ 978-1664477414
  • #23,527 in Books on CD

About the authors

Albert camus.

Albert Camus (French: [albɛʁ kamy]; 7 November 1913 - 4 January 1960) was a French philosopher, author, and journalist. His views contributed to the rise of the philosophy known as absurdism. He wrote in his essay The Rebel that his whole life was devoted to opposing the philosophy of nihilism while still delving deeply into individual freedom. He won the Nobel Prize in Literature in 1957.

Camus did not consider himself to be an existentialist despite usually being classified as one, even in his lifetime. In a 1945 interview, Camus rejected any ideological associations: ""No, I am not an existentialist. Sartre and I are always surprised to see our names linked..."".

Camus was born in Algeria to a Pied-Noir family, and studied at the University of Algiers from which he graduated in 1936. In 1949, Camus founded the Group for International Liaisons to ""denounce two ideologies found in both the USSR and the USA"".

Bio from Wikipedia, the free encyclopedia. Photo by Photograph by United Press International [Public domain], via Wikimedia Commons.

Justin O'Brien

Discover more of the author’s books, see similar authors, read author blogs and more

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Customers find the book an idealistic, great read with insightful and interesting writing. They also say the content is thought-provoking and the pages are nice.

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Customers find the writings of Camus insightful, interesting, and beautifully written. They also describe the book as a solid compilation of essays, but some find it verbose. Overall, readers find the book brilliant and a brilliant existential re-figuring of the Greek myth.

"...His writing is very rich and dense . No sentence can be passed over - and that sucks if your a lazy reader!!!..." Read more

"...and small omissions can get alittle annoying but it's a solid compilation of essays for a good price on kindle" Read more

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Product Key Features

  • Book Title Myth of Sisyphus : and Other Essays
  • Number of Pages 224 Pages
  • Language English
  • Topic Movements / Existentialism, Essays
  • Publication Year 1991
  • Genre Philosophy, Literary Collections
  • Author Albert Camus
  • Book Series Vintage International Ser.
  • Format Trade Paperback
  • Item Height 0.6 in
  • Item Weight 7.4 Oz
  • Item Length 8 in
  • Item Width 5.2 in

Additional Product Features

  • Intended Audience Trade
  • LCCN 90-050476
  • TitleLeading The
  • Dewey Edition 20
  • Dewey Decimal 844/.914
  • Synopsis One of the most influential works of this century, The Myth of Sisyphus and Other Essays is a crucial exposition of existentialist thought. Influenced by works such as Don Juan and the novels of Kafka, these essays begin with a meditation on suicide; the question of living or not living in a universe devoid of order or meaning. With lyric eloquence, Albert Camus brilliantly posits a way out of despair, reaffirming the value of personal existence, and the possibility of life lived with dignity and authenticity.
  • LC Classification Number PQ2605.A3734M913

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Happy Independence Day 2024: Best Quotes, Slogans, Poster Drawing Ideas and Captions

Happy Independence Day 2024: Best Quotes, Slogans, Poster Drawing Ideas and Captions

Happy Independence Day Best Quotes and Captions

ID!

A cross the nation, kids are heading back to school. It’s an exciting time. I remember both the joy and the nervousness that came with my now twin 13-year-olds' first starting school. In fact, one day in particular stands out.

I was rushing to the school, late as usual. As I hustled up four flights of stairs to their classroom, another parent interrupted my thoughts and started talking. 

“She’s like me, basically,” the woman said. “She’s just not a math kid. We are creative types.”

I looked up, startled; I couldn’t hide my reaction. Here was a mom, already ruling out an entire world of possibilities for her child whose education had barely begun. Imagine if we treated reading in the same manner. 

The experience I had at pick-up is far from unique. As a math learning expert, I understand how deeply ingrained the myth of the math kid is in our education system. We classify or sort kids based on our perception of their varied, inborn math ability—"math kids” on one side, everyone else on the other.  

This view ignores the science that says all humans have an inherent number sense and ability to think mathematically from the start. In fact, scientists have proven that babies and toddlers show and develop numeracy—the ability to understand and work with numbers—early on. Babies only a few days old can distinguish two from three.

As school starts again, it’s time to bust the myth of the math kid. In particular, the widespread misconceptions that speed in math is paramount, math is a series of tricks, and only a single way exists to solve a problem. 

Myth # 1: Math is only about speed

If you’re like most Americans, you’ll remember the joy (the terror!) of timed multiplication tests. A sprint to the finish. Even if you did well on these timed tests, the moment the teacher said, “Begin,” hearts raced and stomachs churned. 

Let me be clear: The ability to call upon key facts and skills quickly— developing  fluency—is vital in math . It frees up working memory to tackle a hard problem in front of us. Early on, however, this type of overemphasis on speed ends up convincing students that math is only for the fastest students.

Additionally, as students progress to more advanced mathematics, they will need more than speed. They need the ability to approach problem solving in a calm, methodical way to ensure accuracy . 

Take for instance a study by Dartmouth College President Sian Leah Beilock, Ph.D., comparing two groups tasked with solving problems under time pressure: one group consisted of physics graduate students and professors, and the other, undergraduates who had completed just one physics class. Researchers assumed that the graduate students and professors would finish more quickly and accurately. To no one's surprise, the graduate students and professors were much more accurate. They, however, took longer to complete the problems. Their more rigorous approach involved a long, upfront pause to deeply understand the problem and consider the best approach before diving into problem solving. Read More: How to Help Your Kid With Math Even if You Suck at it

In overemphasizing speed, kids assume they don’t belong in math—reinforcing the myth of the math kid—and don’t advance their problem-solving abilities. Speed counts for something—just not for everything.

Myth # 2: Math is a series of tricks

Teaching math as a set of tricks tells kids that we don’t think they can understand what’s on the board. As with focusing too much on speed, this approach de-prioritizes any chance for deep understanding of math concepts and development of their problem-solving abilities. 

Take “anything times zero is zero.” This is a common trick we have kids memorize. Why is that true? Most kids will say, “It’s just a rule.” In fact, most adults will too. This unquestioning acceptance not only limits understanding, but also undermines common sense.

Consider instead visualizing this multiplication problem as cookies on plates. 3 × 1 means you have 3 plates, each plate with 1 cookie. That is 3 cookies altogether. And 3 × 3 means you still have 3 plates, but each plate has 3 cookies. That is 9 cookies altogether.

Now express 3 × 0 in plates and cookies. Okay, that is 3 plates. And how many cookies are on each plate? Zero. So now instead of 3 plates with 3 or 9 warm, gooey cookies, I have zero cookies in total. No cookies!

This visualization helps kids understand math more deeply, ensuring durable comprehension, which, unlike tricks, students can rely on.  Students can also learn practical skills like estimating answers or developing an intuition for when we are wrong. This approach demystifies math, making it both accessible and rigorous to all students, not just the so-called "math kids."

Myth # 3: There is only one way to do math

Finally, kids often believe that only one correct way exists to solve a problem and focus on getting to a quick answer. When they inevitably get stuck, this misconception discourages them from exploring alternative ways to solve a problem.

Consider a middle-school word problem: A store is selling 6 bags of marbles for $18. What is the unit price for a bag of marbles?   I have visited hundreds of math classrooms across the nation. Many times when a kid gets this type of question, they look up and ask: “Does ‘of’ mean multiplication?” This search for keywords like “of” is in the name of looking for a “single way” to solve the problem.

Real-world problem-solving involves exploring various strategies. For instance, if you lose your keys, you might retrace your steps, visualize where you last had them or check unusual places. Some of these may lead to dead ends, but a variety of techniques are likely to lead to finding your keys.

Let's reimagine the marble problem. Instead of looking for keywords, imagine a picture in your mind. A store has a bin full of marble bags and a sign that reads "6 bags for $18." If interested in just one bag, a customer would naturally calculate the price by dividing $18 by 6. Here, "of'' simply describes what's in the bags — it does not indicate multiplication. This kind of thinking shifts the focus to understanding, highlighting multiple ways to approach a problem.

When the preschool mom casually dismissed her daughter’s math ability, she may not have been thinking about these myths, but she was parroting the prevailing narrative of the math kid. But it doesn’t have to be this way. Instead, we can give kids—even preschoolers—the chance to hone their problem-solving skills, to develop deep understanding, and to utilize their inborn ability to think mathematically. Because, in reality, all kids are math kids.

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American Psychological Association

How to cite ChatGPT

Timothy McAdoo

Use discount code STYLEBLOG15 for 15% off APA Style print products with free shipping in the United States.

We, the APA Style team, are not robots. We can all pass a CAPTCHA test , and we know our roles in a Turing test . And, like so many nonrobot human beings this year, we’ve spent a fair amount of time reading, learning, and thinking about issues related to large language models, artificial intelligence (AI), AI-generated text, and specifically ChatGPT . We’ve also been gathering opinions and feedback about the use and citation of ChatGPT. Thank you to everyone who has contributed and shared ideas, opinions, research, and feedback.

In this post, I discuss situations where students and researchers use ChatGPT to create text and to facilitate their research, not to write the full text of their paper or manuscript. We know instructors have differing opinions about how or even whether students should use ChatGPT, and we’ll be continuing to collect feedback about instructor and student questions. As always, defer to instructor guidelines when writing student papers. For more about guidelines and policies about student and author use of ChatGPT, see the last section of this post.

Quoting or reproducing the text created by ChatGPT in your paper

If you’ve used ChatGPT or other AI tools in your research, describe how you used the tool in your Method section or in a comparable section of your paper. For literature reviews or other types of essays or response or reaction papers, you might describe how you used the tool in your introduction. In your text, provide the prompt you used and then any portion of the relevant text that was generated in response.

Unfortunately, the results of a ChatGPT “chat” are not retrievable by other readers, and although nonretrievable data or quotations in APA Style papers are usually cited as personal communications , with ChatGPT-generated text there is no person communicating. Quoting ChatGPT’s text from a chat session is therefore more like sharing an algorithm’s output; thus, credit the author of the algorithm with a reference list entry and the corresponding in-text citation.

When prompted with “Is the left brain right brain divide real or a metaphor?” the ChatGPT-generated text indicated that although the two brain hemispheres are somewhat specialized, “the notation that people can be characterized as ‘left-brained’ or ‘right-brained’ is considered to be an oversimplification and a popular myth” (OpenAI, 2023).

OpenAI. (2023). ChatGPT (Mar 14 version) [Large language model]. https://chat.openai.com/chat

You may also put the full text of long responses from ChatGPT in an appendix of your paper or in online supplemental materials, so readers have access to the exact text that was generated. It is particularly important to document the exact text created because ChatGPT will generate a unique response in each chat session, even if given the same prompt. If you create appendices or supplemental materials, remember that each should be called out at least once in the body of your APA Style paper.

When given a follow-up prompt of “What is a more accurate representation?” the ChatGPT-generated text indicated that “different brain regions work together to support various cognitive processes” and “the functional specialization of different regions can change in response to experience and environmental factors” (OpenAI, 2023; see Appendix A for the full transcript).

Creating a reference to ChatGPT or other AI models and software

The in-text citations and references above are adapted from the reference template for software in Section 10.10 of the Publication Manual (American Psychological Association, 2020, Chapter 10). Although here we focus on ChatGPT, because these guidelines are based on the software template, they can be adapted to note the use of other large language models (e.g., Bard), algorithms, and similar software.

The reference and in-text citations for ChatGPT are formatted as follows:

  • Parenthetical citation: (OpenAI, 2023)
  • Narrative citation: OpenAI (2023)

Let’s break that reference down and look at the four elements (author, date, title, and source):

Author: The author of the model is OpenAI.

Date: The date is the year of the version you used. Following the template in Section 10.10, you need to include only the year, not the exact date. The version number provides the specific date information a reader might need.

Title: The name of the model is “ChatGPT,” so that serves as the title and is italicized in your reference, as shown in the template. Although OpenAI labels unique iterations (i.e., ChatGPT-3, ChatGPT-4), they are using “ChatGPT” as the general name of the model, with updates identified with version numbers.

The version number is included after the title in parentheses. The format for the version number in ChatGPT references includes the date because that is how OpenAI is labeling the versions. Different large language models or software might use different version numbering; use the version number in the format the author or publisher provides, which may be a numbering system (e.g., Version 2.0) or other methods.

Bracketed text is used in references for additional descriptions when they are needed to help a reader understand what’s being cited. References for a number of common sources, such as journal articles and books, do not include bracketed descriptions, but things outside of the typical peer-reviewed system often do. In the case of a reference for ChatGPT, provide the descriptor “Large language model” in square brackets. OpenAI describes ChatGPT-4 as a “large multimodal model,” so that description may be provided instead if you are using ChatGPT-4. Later versions and software or models from other companies may need different descriptions, based on how the publishers describe the model. The goal of the bracketed text is to briefly describe the kind of model to your reader.

Source: When the publisher name and the author name are the same, do not repeat the publisher name in the source element of the reference, and move directly to the URL. This is the case for ChatGPT. The URL for ChatGPT is https://chat.openai.com/chat . For other models or products for which you may create a reference, use the URL that links as directly as possible to the source (i.e., the page where you can access the model, not the publisher’s homepage).

Other questions about citing ChatGPT

You may have noticed the confidence with which ChatGPT described the ideas of brain lateralization and how the brain operates, without citing any sources. I asked for a list of sources to support those claims and ChatGPT provided five references—four of which I was able to find online. The fifth does not seem to be a real article; the digital object identifier given for that reference belongs to a different article, and I was not able to find any article with the authors, date, title, and source details that ChatGPT provided. Authors using ChatGPT or similar AI tools for research should consider making this scrutiny of the primary sources a standard process. If the sources are real, accurate, and relevant, it may be better to read those original sources to learn from that research and paraphrase or quote from those articles, as applicable, than to use the model’s interpretation of them.

We’ve also received a number of other questions about ChatGPT. Should students be allowed to use it? What guidelines should instructors create for students using AI? Does using AI-generated text constitute plagiarism? Should authors who use ChatGPT credit ChatGPT or OpenAI in their byline? What are the copyright implications ?

On these questions, researchers, editors, instructors, and others are actively debating and creating parameters and guidelines. Many of you have sent us feedback, and we encourage you to continue to do so in the comments below. We will also study the policies and procedures being established by instructors, publishers, and academic institutions, with a goal of creating guidelines that reflect the many real-world applications of AI-generated text.

For questions about manuscript byline credit, plagiarism, and related ChatGPT and AI topics, the APA Style team is seeking the recommendations of APA Journals editors. APA Style guidelines based on those recommendations will be posted on this blog and on the APA Style site later this year.

Update: APA Journals has published policies on the use of generative AI in scholarly materials .

We, the APA Style team humans, appreciate your patience as we navigate these unique challenges and new ways of thinking about how authors, researchers, and students learn, write, and work with new technologies.

American Psychological Association. (2020). Publication manual of the American Psychological Association (7th ed.). https://doi.org/10.1037/0000165-000

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Good novels can make you feel as if you’re immersed in the action, but playing the video games based on those novels can give you a real interactive experience. That said, action games based on popular fiction are the focus of this week’s edition of Great Adaptations, the Book Review’s regular multiple-choice quiz about books and stories that have gone on to find new life in other formats.

But even if you’ve never picked up a game controller in your life, knowing basic facts about the novels and their authors will get you through. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the books and their game adaptations.

This 1969 novel by Mario Puzo, about an Italian family business in the New York City area, was adapted into an Academy Award-winning film in 1972 and then had two sequels. The story also inspired multiple video games over the years, including notable editions in 2006 and 2017. What was the name of the book that started it all?

“Moonstruck”

“The Gangs of New York”

“The Godfather”

“The Big Gold Dream”

This sprawling novel, which dates to the 16th-century during the Ming dynasty and is usually attributed to Wu Cheng'en, is considered a classic of Chinese literature and has been adapted numerous times for the stage and screen. It has also inspired multiple video games — including “Black Myth: Wukong,” which is scheduled for release later this month. Some adaptations of the novel are titled “Monkey King” after a popular character, but what is the book’s original title?

“The Art of War”

“Romance of the Three Kingdoms”

“Dream of the Red Chamber”

“The Journey to the West”

This 90-year-old mystery novel featuring a Belgian detective has been adapted for various types of media, including multiple film and TV appearances (one as recently as 2017) — and as a video game in 2006 and 2023. Which novel is it?

“The Nine Tailors,” by Dorothy L. Sayers

“Murder on the Orient Express,” by Agatha Christie

“Deadly Nightshade,” by Elizabeth Daly

“Speedy Death,” by Gladys Mitchell

This 1975 novel by James Clavell has been adapted for television twice, in 1980 for network television and as a Hulu series that began streaming earlier this year. The story was also adapted into a video game twice in the late 1980s for the early wave of personal computers. What is the name of the book?

“The Samurai”

“Noble House”

“The Book of Five Rings”

Dan Brown’s best-selling 2003 novel spawned an eponymous 2006 video game that, like the book, involved running around Europe and solving puzzles. What is the title of the book?

“The Lost Symbol”

“Foucault’s Pendulum”

“The Da Vinci Code”

“The Name of the Rose”

IMAGES

  1. The Myth of Sisyphus and Other Essays

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  2. The Myth of Sisyphus

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  3. Albert Camus’ essay “The Myth of Sisyphus”

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  5. The Myth of Sisyphus and Other Essays by Albert Camus

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COMMENTS

  1. The Myth of Sisyphus

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  2. The Myth of Sisyphus

    The Myth of Sisyphus, philosophical essay by Albert Camus, published in French in 1942 as Le Mythe de Sisyphe.Published in the same year as Camus's novel L'Étranger (The Stranger), The Myth of Sisyphus contains a sympathetic analysis of contemporary nihilism and touches on the nature of the absurd. Together the two works established his reputation, and they are often seen as thematically ...

  3. A Summary and Analysis of the Myth of Sisyphus

    The story of Sisyphus is so well-known in modern times thanks to Albert Camus, whose essay ' The Myth of Sisyphus ' (1942) is an important text about the absurdity of modern life (although it's often described as being 'Existentialist', Camus' essay is actually closer to Absurdism). For Camus, Sisyphus is the poster-boy for ...

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    The Myth Of Sisyphus Appendix: Hope and the Absurd in the Work of Franz Kafka Summer In Algiers The Minotaur or The Stop In Oran The Street The Desert in Oran Sports Monuments Ariadne's Stone Helen's Exile Return To Tipasa The Artist And His Time Preface For me "The Myth of Sisyphus" marks the beginning of an idea which I was to pursue ...

  5. Albert Camus: The Myth of Sisyphus

    November 4, 2014 Meaning of Life - Nihilism. Albert Camus (1913 - 1960) was a French author, philosopher, and journalist who was awarded the Nobel Prize for Literature in 1957. His most famous works were the novels The Plague and The Stranger as well as the philosophical essay The Myth Of Sisyphus. He died in a car accident in France.

  6. "The Myth of Sisyphus", analysis of the essay by Albert Camus

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  7. The Myth of Sisyphus by Albert Camus Plot Summary

    1. Absurdity and Suicide. In The Myth of Sisyphus, Albert Camus aims to draw out his definition of absurdism and, later in the book, consider what strategies are available to people in living with the absurd. The absurd is often mischaracterized as the simple idea that life is meaningless. In fact, Camus defines the absurd as the confrontation ...

  8. The Myth of Sisyphus Summary

    "The Myth of Sisyphus" is a philosophical essay written by Albert Camus. Published in 1942, the book delves into the concept of the absurd and the philosophical question of suicide. Camus explores the idea that life is inherently devoid of meaning and the search for significance is ultimately futile.

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    In 1942, Camus published The Myth of Sisyphus, the first of a number of works that strove to look at the meaning of life and elucidate Camus' theory of absurdism. Also that year, he published his first novel The Outsider (also translated as ). followed in 1947, and The Fall in 1952. In 1957, Camus was awarded the Nobel Prize for Literature ...

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    Written during the bleakest days of the Second World War, The Myth of Sisyphus (Le Mythe de Sisyphe) argues for an acceptance of reality that encompasses revolt, passion and, above all, liberty. This volume contains several other essays, including lyrical evocations of the sunlit cities of Algiers and Oran, the settings of his great novels The ...

  13. The Myth of Sisyphus by Albert Camus

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  14. The Myth of Sisyphus, and Other Essays

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  15. The myth of Sisyphus : and other essays : Camus, Albert, 1913-1960

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  16. The Myth of Sisyphus and Other Essays summary

    The Absurdity of Life. In The Myth of Sisyphus and Other Essays, Albert Camus explores the concept of the absurd, the conflict between the human desire for meaning and the indifferent, chaotic universe.He begins with the story of Sisyphus, a figure from Greek mythology condemned to roll a boulder up a hill, only to have it roll back down, for eternity.

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  24. The Myth of the Math Kid

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  25. Book Review: 'Hitler's People,' by Richard J. Evans

    Booker Prize Nominees: There are six American novels in the running for the prestigious British literary award, but only two by U.K. authors. A Story About Joy: Loren Long has illustrated books by ...

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  28. Test Yourself on These Video Games Adapted From Novels

    Booker Prize Nominees: There are six American novels in the running for the prestigious British literary award, but only two by U.K. authors. A Story About Joy: Loren Long has illustrated books by ...