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Social Mettle

Manuscript Speech: Definition, Examples, and Presentation Tips

A manuscript speech implies reading a pre-written speech word by word. Go through this SocialMettle write-up to find out its meaning, some examples, along with useful tips on how to present a manuscript speech.

Tip! While preparing the manuscript, consider who your audience is, so as to make it effectual.

Making a speech comes to us as a ‘task’ sometimes. Be it in school, for a meeting, or at a function; unless you are at ease with public speaking, speeches may not be everyone’s cup of tea. A flawless and well-structured delivery is always welcome though. Memories of delivering and listening to a variety of speeches are refreshed when confronted with preparing for one.

Being the most effective way of communication, a speech is also a powerful medium of addressing controversial issues in a peaceful manner. There are four types of speeches: impromptu, extemporaneous, manuscript, and memorized. Each has its purpose, style, and utility. We have definitely heard all of them, but may not be able to easily differentiate between them. Let’s understand what the manuscript type is actually like.

Definition of Manuscript Speech

This is when a speaker reads a pre-written speech word by word to an audience.

It is when an already prepared script is read verbatim. The speaker makes the entire speech by referring to the printed document, or as seen on the teleprompter. It is basically an easy method of oral communication.

Manuscript speaking is generally employed during official meetings, conferences, and in instances where the subject matter of the speech needs to be recorded. It is used especially when there is time constraint, and the content of the talk is of prime importance. Conveying precise and succinct messages is the inherent purpose of this speech. Public officials speaking at conferences, and their speech being telecast, is a pertinent example.

There can be various occasions where this style of speech is used. It depends on the context of the address, the purpose of communication, the target audience, and the intended impact of the speech. Even if it is understood to be a verbatim, manuscript speaking requires immense effort on the part of the speaker. Precision in the delivery comes not just with exact reading of the text, but with a complete understanding of the content, and the aim of the talk. We have witnessed this through many examples of eloquence, like the ones listed below.

• A speech given by a Congressman on a legislative bill under consideration.
• A report read out by a Chief Engineer at an Annual General Meeting. 
• A President’s or Prime Minister’s address to the Parliament of a foreign nation. 
• A televised news report (given using a teleprompter) seen on television. 
• A speech given at a wedding by a best man, or during a funeral. 
• A religious proclamation issued by any religious leader. 
• A speech in honor of a well-known and revered person. 
• Oral report of a given chapter in American history, presented as a high school assignment. 

Advantages and Disadvantages

✔ Precision in the text or the speech helps catch the focus of the audience.

✔ It proves very effective when you have to put forth an important point in less time.

✔ Concise and accurate information is conveyed, especially when talking about contentious issues.

✘ If you are not clear in your speech and cannot read out well, it may not attract any attention of the audience.

✘ As compared to a direct speech, in a manuscript that is read, the natural flow of the speaker is lost. So is the relaxed, enthusiastic, interactive, and expressive tone of the speech lost.

✘ A manuscript speech can become boring if read out plainly, without any effort of non-verbal communication with the audience.

Tips for an Appealing Manuscript Speech

❶ Use a light pastel paper in place of white paper to lessen the glare from lights.

❷ Make sure that the printed or written speech is in a bigger font size than normal, so that you can comfortably see what you are reading, which would naturally keep you calm.

❸ Mark the pauses in your speech with a slash, and highlight the important points.

❹ You can even increase the spacing between words for easier reading (by double or triple spacing the text).

❺ Highlight in bold the first word of a new section or first sentence of a paragraph to help you find the correct line faster.

❻ Don’t try to memorize the text, highlights, or the pauses. Let it come in the flow of things.

❼ Practice reading it out aloud several times, or as many times as you can.

❽ Try keeping a smile on your face while reading.

❾ Keep in mind that a manuscript speech does not mean ‘mere reading out’. Maintaining frequent eye contact with the audience helps involving them into the subject matter.

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14.1 Four Methods of Delivery

Learning objectives.

• Differentiate among the four methods of speech delivery.
• Understand when to use each of the four methods of speech delivery.

Maryland GovPics – House of Ruth Luncheon – CC BY 2.0.

The easiest approach to speech delivery is not always the best. Substantial work goes into the careful preparation of an interesting and ethical message, so it is understandable that students may have the impulse to avoid “messing it up” by simply reading it word for word. But students who do this miss out on one of the major reasons for studying public speaking: to learn ways to “connect” with one’s audience and to increase one’s confidence in doing so. You already know how to read, and you already know how to talk. But public speaking is neither reading nor talking.

Speaking in public has more formality than talking. During a speech, you should present yourself professionally. This doesn’t mean you must wear a suit or “dress up” (unless your instructor asks you to), but it does mean making yourself presentable by being well groomed and wearing clean, appropriate clothes. It also means being prepared to use language correctly and appropriately for the audience and the topic, to make eye contact with your audience, and to look like you know your topic very well.

While speaking has more formality than talking, it has less formality than reading. Speaking allows for meaningful pauses, eye contact, small changes in word order, and vocal emphasis. Reading is a more or less exact replication of words on paper without the use of any nonverbal interpretation. Speaking, as you will realize if you think about excellent speakers you have seen and heard, provides a more animated message.

The next sections introduce four methods of delivery that can help you balance between too much and too little formality when giving a public speech.

Impromptu Speaking

Impromptu speaking is the presentation of a short message without advance preparation. Impromptu speeches often occur when someone is asked to “say a few words” or give a toast on a special occasion. You have probably done impromptu speaking many times in informal, conversational settings. Self-introductions in group settings are examples of impromptu speaking: “Hi, my name is Steve, and I’m a volunteer with the Homes for the Brave program.” Another example of impromptu speaking occurs when you answer a question such as, “What did you think of the documentary?”

The advantage of this kind of speaking is that it’s spontaneous and responsive in an animated group context. The disadvantage is that the speaker is given little or no time to contemplate the central theme of his or her message. As a result, the message may be disorganized and difficult for listeners to follow.

Here is a step-by-step guide that may be useful if you are called upon to give an impromptu speech in public.

• Take a moment to collect your thoughts and plan the main point you want to make.
• Thank the person for inviting you to speak.
• Deliver your message, making your main point as briefly as you can while still covering it adequately and at a pace your listeners can follow.
• Thank the person again for the opportunity to speak.
• Stop talking.

As you can see, impromptu speeches are generally most successful when they are brief and focus on a single point.

Extemporaneous Speaking

Extemporaneous speaking is the presentation of a carefully planned and rehearsed speech, spoken in a conversational manner using brief notes. By using notes rather than a full manuscript, the extemporaneous speaker can establish and maintain eye contact with the audience and assess how well they are understanding the speech as it progresses. The opportunity to assess is also an opportunity to restate more clearly any idea or concept that the audience seems to have trouble grasping.

For instance, suppose you are speaking about workplace safety and you use the term “sleep deprivation.” If you notice your audience’s eyes glazing over, this might not be a result of their own sleep deprivation, but rather an indication of their uncertainty about what you mean. If this happens, you can add a short explanation; for example, “sleep deprivation is sleep loss serious enough to threaten one’s cognition, hand-to-eye coordination, judgment, and emotional health.” You might also (or instead) provide a concrete example to illustrate the idea. Then you can resume your message, having clarified an important concept.

Speaking extemporaneously has some advantages. It promotes the likelihood that you, the speaker, will be perceived as knowledgeable and credible. In addition, your audience is likely to pay better attention to the message because it is engaging both verbally and nonverbally. The disadvantage of extemporaneous speaking is that it requires a great deal of preparation for both the verbal and the nonverbal components of the speech. Adequate preparation cannot be achieved the day before you’re scheduled to speak.

Because extemporaneous speaking is the style used in the great majority of public speaking situations, most of the information in this chapter is targeted to this kind of speaking.

Speaking from a Manuscript

Manuscript speaking is the word-for-word iteration of a written message. In a manuscript speech, the speaker maintains his or her attention on the printed page except when using visual aids.

The advantage to reading from a manuscript is the exact repetition of original words. As we mentioned at the beginning of this chapter, in some circumstances this can be extremely important. For example, reading a statement about your organization’s legal responsibilities to customers may require that the original words be exact. In reading one word at a time, in order, the only errors would typically be mispronunciation of a word or stumbling over complex sentence structure.

However, there are costs involved in manuscript speaking. First, it’s typically an uninteresting way to present. Unless the speaker has rehearsed the reading as a complete performance animated with vocal expression and gestures (as poets do in a poetry slam and actors do in a reader’s theater), the presentation tends to be dull. Keeping one’s eyes glued to the script precludes eye contact with the audience. For this kind of “straight” manuscript speech to hold audience attention, the audience must be already interested in the message before the delivery begins.

It is worth noting that professional speakers, actors, news reporters, and politicians often read from an autocue device, such as a TelePrompTer, especially when appearing on television, where eye contact with the camera is crucial. With practice, a speaker can achieve a conversational tone and give the impression of speaking extemporaneously while using an autocue device. However, success in this medium depends on two factors: (1) the speaker is already an accomplished public speaker who has learned to use a conversational tone while delivering a prepared script, and (2) the speech is written in a style that sounds conversational.

Speaking from Memory

Memorized speaking is the rote recitation of a written message that the speaker has committed to memory. Actors, of course, recite from memory whenever they perform from a script in a stage play, television program, or movie scene. When it comes to speeches, memorization can be useful when the message needs to be exact and the speaker doesn’t want to be confined by notes.

The advantage to memorization is that it enables the speaker to maintain eye contact with the audience throughout the speech. Being free of notes means that you can move freely around the stage and use your hands to make gestures. If your speech uses visual aids, this freedom is even more of an advantage. However, there are some real and potential costs. First, unless you also plan and memorize every vocal cue (the subtle but meaningful variations in speech delivery, which can include the use of pitch, tone, volume, and pace), gesture, and facial expression, your presentation will be flat and uninteresting, and even the most fascinating topic will suffer. You might end up speaking in a monotone or a sing-song repetitive delivery pattern. You might also present your speech in a rapid “machine-gun” style that fails to emphasize the most important points. Second, if you lose your place and start trying to ad lib, the contrast in your style of delivery will alert your audience that something is wrong. More frighteningly, if you go completely blank during the presentation, it will be extremely difficult to find your place and keep going.

Key Takeaways

• There are four main kinds of speech delivery: impromptu, extemporaneous, manuscript, and memorized.
• Impromptu speaking involves delivering a message on the spur of the moment, as when someone is asked to “say a few words.”
• Extemporaneous speaking consists of delivering a speech in a conversational fashion using notes. This is the style most speeches call for.
• Manuscript speaking consists of reading a fully scripted speech. It is useful when a message needs to be delivered in precise words.
• Memorized speaking consists of reciting a scripted speech from memory. Memorization allows the speaker to be free of notes.
• Find a short newspaper story. Read it out loud to a classroom partner. Then, using only one notecard, tell the classroom partner in your own words what the story said. Listen to your partner’s observations about the differences in your delivery.
• In a group of four or five students, ask each student to give a one-minute impromptu speech answering the question, “What is the most important personal quality for academic success?”
• Watch the evening news. Observe the differences between news anchors using a TelePrompTer and interviewees who are using no notes of any kind. What differences do you observe?

Stand up, Speak out Copyright © 2016 by University of Minnesota is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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How to Write an Effective Manuscript Speech in 5 Steps

If your public speaking course requires you to give a manuscript speech, you might be feeling a little overwhelmed. How do you put together a speech that’s effective and engaging? Not to worry – with a few simple steps, you’ll be prepared to pull off a manuscript speech that’s both impactful and polished. In this post, we’ll walk through the 5 steps you need to follow to craft an effective manuscript speech that’ll leave your audience impressed. So let’s get started!

Quick Overview of Key Question

A manuscript speech involves writing down your entire speech word-for-word and memorizing it before delivering it. To begin, start by writing down your introduction , main points, and conclusion. Once you have written your speech, practice reading it out loud to get used to the phrasing and memorize each part .

Preparing a Manuscript Speech

When preparing for your manuscript speech, it is essential to consider both the content of your speech and the format in which you will deliver the speech. It is important to identify any key points or topics that you would like to cover in order to ensure that your manuscript is properly organized and succinct. Additionally, when selecting the style of delivery, be sure to choose one that best fits with your specific message and goals . One style of delivery includes utilizing a conversational tone in order to engage with your audience and help foster an interactive environment . When using this delivery style, be sure to use clear and concise language as well as humor and anecdotes throughout your speech . In addition, select a pacing that allows for flexibility with audience responses without detracting from the overall structure or flow of your text. Alternatively, another style of delivery involves reading directly from the manuscript without deviating from the text. This method works best when coupled with visual aids or props that support the information being relayed. Additionally, it is important to remember to practice reading the manuscript aloud several times prior to its delivery in order to ensure quality content and an acceptable rate of speed. No matter which delivery style you decide upon, careful preparation and rehearsal are essential components of delivering an effective manuscript speech. After deciding on a style of delivery and organizing the content of your speech accordingly, you can move on to formatting your document correctly in order to ensure a professional presentation during its delivery.

Document Format and Outline Structure

Before you dive into the content research and development stages of crafting your manuscript speech, it is important to consider the structure that your specific delivery will take. The format of your document can be varied depending on preferences and requirements, but always remember to keep it consistent throughout. When formatting your document, choose a universal style such as APA or MLA that may be easily recognisable to readers and familiar to most academics. Not only should this ensure your work meets some basic standards, but it will also make sure any information sources are appropriately cited for future reference. Additionally, you should provide visibility for headings to break up topics when needed, whilst keeping the language succinct and easy to understand. Creating an outline is integral in effectively structuring both a written piece of work and delivering a speech from paper. Use a hierarchical system of divisional points starting with a central concept, followed by additional details divided into sub sections where necessary and ending with a conclusion. This overview will act as a roadmap during the writing process—keeping track of ideas, identifying gaps in the presentation structure, and helping ensure clarity when presenting your points live on stage. It may be best practice to include a few statements or questions at the end of each key point to challenge thought in your audience and keep them engaged in the conversation. This could prompt new ideas or encourage defined discussion or debate amongst viewers. Depending on the topic itself, introducing two sides of an argument can allow an all-encompassing view point from which all members of an audience can draw their conclusions from majority opinion. Once you’ve established a full document format and outlined its corresponding structure for delivery, you’re ready for the next step: carefully developing comprehensive content along with appropriate ideas behind each sentence, word choice , and syntax used in every phrase. With these vital pieces in place, you are one step closer to creating an effective manuscript speech!

Content, Ideas and Language

The content, ideas, and language you use in your manuscript speech should be tailored to the audience you are addressing. It is important to consider the scope of the audience’s knowledge, level of interest in the topic and any special needs or cultural sensitivities. The most obvious way of doing this is by understanding who will be listening to the speech. You can also research the subject matter thoroughly to ensure you have a well-rounded perspective on the issue and that your opinion is well-informed.

While incorporating facts and personal experiences can help make any point stronger, ensure all ideas included in the speech have a relevancy to the main argument. Finally, avoid using difficult words or jargons as they may detract from any points being made. In terms of language, it’s recommended to use an active voice and write plainly while maintaining interesting visuals. This will help keep listeners engaged and make it easy for them to understand what’s being said. Additionally, focus on using appropriate vocabulary that will sound classy and create a good impression on your audience. Use simpler terms instead of long-winded ones, as regularly as possible, so that your message integrates easier with listeners. Now that you’ve considered content ideas and language for your manuscript speech, it’s time to go forward with writing and practicing it.

Writing and Practicing a Manuscript Speech

When writing a manuscript speech, it’s important to choose a central topic and clearly define the message you want to convey. Start by doing some research to ensure that your facts are accurate and up-to-date. Take notes and begin to organize your points into a logical flow. Once the first draft of your speech is complete, read it over multiple times, checking for grammar and typos. Also consider ways to effectively utilize visuals, such as photos or diagrams, as props within your speech if they will add value to your content. It is essential to practice delivering your speech using the manuscript long before you stand in front of an audience. Time yourself during practice sessions so that you can get comfortable staying within the parameters provided for the speech. Achieving a perfect blend of speaking out loud and reading word-by-word from the script is a vague area that speakers must strike a balance between in order to engage their audience without appearing overly rehearsed or overly off-the-cuff. Finally, look for opportunities to get feedback on your manuscript speech as you progress through writing and practicing it. Ask family members or friends who are familiar with public speaking for their input, or join an organization like Toastmasters International – an organization dedicated to improving public speaking skills – for more constructive criticism from experienced professionals. Crafting a powerful story should be the next step in preparing for an effective manuscript speech. Rather than delivering cold data points, use storytelling techniques to illustrate your point: Describe how others felt when faced with a challenge, what strategies they used to overcome it, and how their lives changed as a result. Telling stories makes data memorable, entertaining and inspiring – all qualities which should be considered when writing an engaging manuscript speech.

Crafting a Powerful Story

A powerful story is one of the most important elements of a successful manuscript speech. It is the main ingredient to make your speech memorable to the audience and help it stand out from all the other speeches. When crafting a story, there are a few things you should consider: 1) Choose an Appropriate Topic: The topic of your story should be appropriate for the type of speech you will be giving. If you are giving a motivational speech , for example, ensure your story has an uplifting message or theme that listeners can take away from it. Additionally, avoid topics that are too controversial so as not to offend any members of the audience. 2) Relay Your Experience: You could also use your own experience to create powerful stories in your manuscript speech. This gives listeners an authentic perspective of the topic and makes them feel connected to you and your message. Besides personal experiences, you may also draw stories from current events and movies/books which listeners can relate to depending on their age group. 3) Be Animated: As you deliver your story, be sure to convey emotions with proper tone and gestures in order to keep the audience engaged and increase its resonance. Using props and visual aids can also complement the delivery of your story by making it more experiential for listeners. Finally, before moving on to writing the rest of the manuscript speech, ensure that you have developed a powerful story that captures the hearts of those who hear it. With a great story to start off with, listeners will become more invested in what is about to come next in this speech – some tips for delivery!

Key Points to Remember

Writing a powerful story is essential to creating a successful manuscript speech. When selecting topics and stories, it’s important to consider the type of speech, the message, and making sure it’s appropriate and isn’t offensive. Drawing from personal experience and current events can enhance the audience’s connection with the topic, while being animated with tone and gestures will make it more engaging. Visual aids and props can complement this as well. Introducing a great story will draw people to your speech and help them get invested in what comes next.

Tips for Delivery of a Manuscript Speech

Delivering a manuscript speech effectively is essential for making sure your message gets across to your audience. While it may seem daunting, by following a few simple tips, you can ensure that you present your speech in the most professional manner possible. Before you start delivering your speech, be sure to practice it several times in advance. This will help you become comfortable with your words so that they don’t come out stilted while presenting. It is also important to emphasize vocal variety by changing the tone and intensity of your voice to keep the audience’s focus; boring monotone voices are often difficult to listen to. Remember to slow down or speed up depending on the importance of what you’re saying; never read word-for-word from your script – instead, aim for an engaging, conversational delivery. When delivering a manuscript speech, hand gestures can prove particularly useful for emphasizing key points. You can use arm movements and body language to convey the emotions behind your words without them feeling forced or unnatural. Again, practice helps here as well; make yourself aware of your posture and make subtle adjustments throughout until you feel comfortable speaking while moving around confidently on stage. Eye contact is another key element of effective presentation . Make sure to look into the eyes of every member of your audience at least once during your presentation – this will help them feel like they are interacting with you directly and make them more receptive to your ideas. Feel free to break away from traditional powerpoint slides if they aren’t necessary – take advantage of the natural lighting in the room and navigate through the visible space instead. Finally, remember that how you conclude the speech is just as important as how you began it, so aim for a powerful ending that leaves those listening with a lasting impression of what was discussed and learned throughout your presentation. With these tips for delivery in mind, you’re almost ready to leave a lasting impression on your audience – something we’ll discuss further in the next section!

Making a Lasting Impression with Your Audience

When you first create your manuscript speech, it is of utmost importance to consider your audience. Each part of the speech must be tailored to the people who will be listening. If a speaker can connect with an audience and make an emotional impact, the work that went into crafting the document will pay off. Using a conversational tone, humor, storytelling, and analogies can help keep the audience engaged during your speech. These techniques give the listener something to connect with and remember after the presentation is over. However, be sure to balance any humorous anecdotes or stories with a professional demeanor as not to lose credibility with your audience. Considering each part of the message and its potential impression on the listeners can also help guide you in tailoring a manuscript speech. When introducing yourself, try to use language that connects with the background of your peers; focus on wanting to help others with what you have learned or experienced so they feel like you are truly talking directly to them. Conclude by summing up important points in an inspirational way and leave listeners motivated and determined to apply the advice given in their own lives. Through this manner of “closing out” an effective speech, the audience can carry away meaningful information that will stay with them long after you finish speaking. Now that you understand how essential it is for speakers to make a lasting impression on their audiences, let us move onto learning how to confidently handle questions from your listeners as part of your presentation.

How to Handle Questions from Your Audience

When writing a manuscript speech, there are certain things you should consider when handling questions from your audience. This is an essential part of giving a successful talk to a group of people. The best way to handle questions is to take notes and make sure you can answer them directly after the speech is completed. It is important to be prepared with responses to any potential questions that may arise during your presentation. This will show your audience that you have taken the time and effort towards understanding their concerns and addressing them accordingly.

Additionally, it is also beneficial to anticipate possible areas of criticism or disagreement among members of your audience, as this allows you to provide evidence or offer an alternate route for them to consider when questioning the points made in your presentation. It is also important to remain courteous and professional when answering questions , even if someone challenges your views or speaks unkindly about your topic. It is always best practice to remain composed and ensure everyone in the room feels respected. Furthermore, having an open discussion with your audience following a well-prepared manuscript speech can add value by expanding on topics outlined. It also presents an opportunity for further clarifications and understanding beyond just getting out the message. This can be done by asking the participants what they thought of the presentation, what points they found most interesting, and other general feedback they might offer. If handled correctly, these moments can be used as learning opportunities for both yourself and others. Ultimately, handling questions from your audience confidently and gracefully is an important component of delivering a successful manuscript speech. By taking the time to prepare a response tailored towards each inquiry, even if it involves debate, you show respect towards those who took their time out of their day to attend your talk.

Additionally, it presents an opportunity to expand on topics covered while allowing meaningful dialogue between participants. With that said, it’s now time turn our focus onto crafting an effective conclusion for our manuscripts speeches – one which can bring our ideas full circle and leave our audience with memorable words!

Conclusion and Overall Manuscript Speech Strategy

The conclusion of any speech is an important part of the process and should not be taken lightly. Regardless of the structure or content of the speech, the conclusion can help drive home the points you have made throughout your speech. It also serves to leave a lasting impression on the listener. The conclusion should not be too long or drawn-out, but it should be meaningful and relevant to your topic and overall message. When writing your conclusion, consider recapping some of the key points made in the body of your speech. This will help to reinforce those ideas that you want to stick with the listener most. Additionally, make sure to emphasize how what has been addressed in your speech translates into real-world solutions or recommendations. This can help ensure that you have conveyed an actionable and tangible impact with your speech. One way to approach crafting an effective manuscript for a speech is to take note of the overall theme or objective that you wish to convey. From there, think about how best to organize your information into manageable sections, ensuring that each one accurately reflects your main points from both a visual and verbal standpoint. Consider what visuals or other tools could be used to further illustrate or clarify any complex concepts brought up in the main body of your speech. Finally, be sure to craft an appropriate conclusion that brings together all of these points into a cohesive whole, leaving your listeners with powerful words that underscore the importance and significance of what you have said. Overall, successful manuscript speeches depend on clear and deliberate preparation. Spending time outlining, writing, and editing your speech will ensure that you are able to effectively communicate its message within a set timeframe and leave a lasting impact on those who heard it. By following this process carefully, you can craft manuscripts that will inform and inspire audiences while driving home key talking points effectively every time.

Frequently Asked Questions and Their Answers

What are the benefits of giving a manuscript speech.

Giving a manuscript speech has many benefits. First, it allows the speaker to deliver a well-researched and thought-out message that is generally consistent each time. Since the speaker has prepared their speech in advance, they can use rehearsals to perfect their delivery and make sure their message is clear and concise.

Additionally, having a manuscript allows the speaker the freedom to focus on engaging the audience instead of trying to remember what to say next. Having a written script also helps remove the fear of forgetting important points or getting sidetracked on tangents during the presentation. Finally, with a manuscript, it’s possible to easily modify content from performance to performance as needed. This can help ensure that every version of the speech remains as relevant, meaningful, and effective as possible for each audience.

How does one prepare a manuscript speech?

Preparing a manuscript speech requires careful planning and attention to detail. Here are the five steps to help you write a successful manuscript speech: 1. Research: Take the time to do your research and gather all the facts you need. This should be done well in advance so that you can prepare your speech carefully. 2. Outline: Lay out an outline of the major points you want to make in your speech and make sure each point builds logically on the one preceding it. 3. Draft: Once you have an outline, begin to flesh it out into a first draft of your manuscript speech. Be sure to include transitions between key points as well as fleshing out any examples or anecdotes that may help illustrate your points. 4. Edit: Once you have a first draft, edit it down multiple times. This isn’t where detailed editing comes in; this is more about making sure all the big picture elements work logically together, ensuring smooth transitions between ideas, and ensuring your words are chosen precisely to best convey their meaning. 5. Practice: The last step is perhaps the most important – practice! Rehearse your manuscript speech until you know it like the back of your hand, so that when it’s time for delivery, you can be confident of success.

What are some tips for delivering a successful manuscript speech?

1. Prepare in advance: Draft a script and practice it several times before delivering it. This will allow you to be comfortable with your material and avoid any awkward pauses when you are presenting your speech. 2. Speak clearly: Make sure that you speak loudly and clearly enough for everyone in the room to hear you. It is also important to enunciate your words properly so that your message can easily be understood by your audience. 3. Engage with the audience: Use eye contact when addressing your audience, ask questions and wait for responses, and pause to allow people time to mull over your points. These techniques help to ensure that everyone is engaged and interested in what you are saying. 4. Create visual aids: Create slides or other visuals that augment the material in your manuscript speech. This can help to keep the audience focused on what they are hearing as well as providing a reference point for them after your speech is finished. 5. Rehearse: Rehearse the delivery of your manuscript speech at least once prior to giving it so that you feel confident about how it will sound when presented in front of an audience. Identify any areas where improvements may be needed and focus on perfecting them before delivering the speech.

Manuscript Speech or Presentation: How to Deliver One

Not all presentations and public speeches are the same, as you may have learned already from our long series of fourteen types of speeches . What you need to know other than the different types of speeches is now the different styles or methods of speeches, and for today’s discussion, we will look at MANUSCRIPT SPEECH.

While a presentation is a process of delivering certain information to an audience by lecturing them, persuade, inform, or whatever the purpose may be. The manuscript speech is a presentation method where the speakers deliver the presentation with a paper or teleprompter that usually has been pre-written to give a piece of information.  

The entire speech has to be referred to the printed document, which means that we as the speakers don’t necessarily need to read all of it, but to have a certain domain with the subject we are presenting.

The 4 Types of Speech Delivery

Nevertheless, the manuscript speech is still a form of presentation, and to be remembered and memorable, it has to be versatile and engaging to the audience, so before we get into details about how to deliver a manuscript speech, here is a list of what to do:

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An easy guide to all 15 types of speech, how to deliver a memorable manuscript speech.

That can be done using a language that embraces a group such as “we” or “ours” and from time to caring to explain with reliable examples the impact of that information we are giving.

Talking non-stop for more than 15 minutes can make our audience mentally tired, and that leads them not to listen to what we have to say.

One of the advantages of the manuscript speech is that the audience already expects us to tell them some facts from a manuscript, so although you will not have to memorize the speech, you should get familiar with the content. That, will allow you to read, and share the information while making meaningful eye contact with the audience.

Eye contact is very important for the connection we want to build with the audience because they can feel and see how authentic and concerning is the speech we are delivering.

To avoid losing ourselves when delivering a manuscript speech we could:

How receptive the audience feels towards a subject or a problem that we present, depend only on us as the speakers.

Making the content interesting, besides knowing how to use body language that will transmit confidence, developing a connection with the audience, is also all about showing how useful that information we are giving can be for that audience in a certain stage or area of day to day life.

Now you know that planning and delivering a manuscript speech is not just about having a paper and reading it to the audience, they can tell if we own the presentation or not, which depends on how we create and present the content.

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36 Speaking from a Manuscript: How to Read Without Looking Like You Are Reading

How to Write and Use Manuscripts

There will be times when reading from a manuscript is helpful. When giving a eulogy and you are likely to experience strong emotions, having your words written out and in front of you will be very helpful. Politicians often speak from manuscripts because there will be people weighing the meaning of each word. They often have speech writers who take their ideas and make them sound professional, and they likely have several people look it over for any offensive words or questionable phrases.

The advantage to speaking with a manuscript is you have your speech in front of you. This gives you an opportunity to plan interesting wordplays and to use advanced language techniques. By managing the exact wording, you can better control the emotional tone. Another advantage to using a manuscript is you can share your speech with others both for proofing and for reference. For example, many people like to have written copies of the toast given to them at a special occasion or a copy of the eulogy to the loved one.  Politically speaking, a manuscript can be helpful to help keep you on track and to help you say only the things that you mean to say.

The disadvantage to a manuscript is if not done properly, your speech may feel like an “essay with legs.” Speaking from a manuscript is a skill; I would argue that it is one of the most difficult of all types because your goal is to read without appearing to read. It can be so tempting to lock eyes on the page where it is safe and then never look up at the audience. Finally, it is very difficult for most people to gesture when reading a manuscript. Many people run their hands down the page to keep their place while others clutch the podium and never let go. These disadvantages can be overcome with practice. You can be dynamic and engaging while using a manuscript, but it does take work.

Keys to Using a Manuscript

• Always write a manuscript in manuscript format and never in essay format. (It should look like poetry).
• Practice your speech at a podium so you can figure out how to change pages smoothly.
• Learn the art of eye fixations.
• Practice with a friend so you can master eye contact.
• If you struggle with gestures, make a note on your manuscript to remind you to gesture.
• Practice, practice, practice–you should actually practice more than in a typical speech since it is a harder delivery method.

Formatting a Manuscript

• Do not start a sentence on one page and then finish it on another.
• Do not fold the manuscript–it won’t lay flat on the podium.
• Do not print on both sides of the page.
• Do not staple the manuscript
• Number your pages.
• Use a large font and then make it one size larger than you think you need.
• It should look like poetry.
• Have extra spaces between every main idea.
• Bold the first word of every main section.
• Use /// or …. to indicate pauses in your speech.
• Emphasize a word with a larger font or by making it bold.
• If you have a parallel construction where you repeat the same word, bold or underline the repeated word.
• Use an easy-to-read font.
• Make a note (SLIDE) when you need to change your slide.
• It is OK to omit punctuation.
• Do whatever formatting works best for you.

Sample manuscripts

Notice how this student formats her manuscript by making it spread out and easy to read:

Today // it is an honor for me to stand here before you at the Freedom Banquet and pay tribute to a man

,,,,,,,,,,,,,,,,,, that in his lifetime …………………………………. has touched ………………….. and changed …………………………… uncountable lives across the globe

Today /// we are here to honor ……………. a president, ……………………….. a father, ……………………………… a husband ……………………………………. and a true savior in Mr. Nelson Rolihlahla Mandela

Tribute speech by Tanica van As delivered at the University of Arkansas

Manuscript From History

Winston Churchill’s Speech in Response to German’s Invasion of Britain and Finest Hour Speech

Sometimes referred to as the Psalms format or free verse format, the speech is written like it will be spoken.

How to Present with a Manuscript

To best read a manuscript, we need to borrow some items from speed reading. When you were first learning to read, you learned to read each letter–D–O–G. You would look at the letter “D,” then your eyes would look at the letter “O, ” and finally, your eyes would move over to look at the letter “G.”  You would fixate (or rest) your eyes on three different places. Eventually, you got better at reading and better at seeing, so you would now look at “dog” in one eye fixation and your brain was able to take in the information–dog.  Now, you no longer read one letter at a time, that would be way too slow. Now you look at all three letters and see it as a word.

Over time, you learned to see bigger words–like “communication” (13 letters).   Now, consider this… the phase “The dog ran fast” contains 13 letters. Since you can see the word “communication” as one eye fixation and understand it as one thing,  in theory, your eyes should be able to see “the dog ran fast” as one eye fixation and understand it too.   We have been trained to look at each word individually with separate eye fixations. For example,  …the … dog… ran… fast… is four different eye fixations. With a little practice, you can train your eyes to see the whole phrase with one look. Here are some sentences, practice looking at each of the sentences with one eye fixation.

I ate the red apple

My car is green

My cat is moody

You tried it didn’t you? You can only learn if you try them out. If you didn’t try it, go back and look at those sentences again and try to see the whole sentence with one look.  With practice, you can look at an entire sentence as one thing (eye fixation). Your brain can understand all those words as one thought. Now, try this. Wherever you are right now, look up at the wall nearest you and then look back down.  Write down all the things you can recall about what you saw–I saw a yellow wall with brown trim, two bookcases, a clock, a printer, a bird statue.  Your brain is amazing; it can look up to a wall and in one eye fixation, it can take in all that it sees.

You can take in many sentences as well. You can actually see two sentences in one look.  Try to look down at these next two sentences in one eye fixation. Test yourself by looking down and then looking up and saying what you remember out loud.

The boy sang a song

The girl danced along

With a little practice, most people can see chunks of five words across and three lines down. Give it a try.  Once again, try to look at the three sentences as one and then look up and say them.

The happy frog leaped

off the lily pad

and into the cool water

It takes practice, but you can do it. The bonus feature of doing the practice and learning this skill is you will learn to read faster. Since a lot of college work and professional preparation relies on reading the information, it would benefit you for the rest of your life to learn this valuable skill. While researching, I came across this excellent slide presentation by Sanda Jameson on Reading for College that goes into more depth about the process. I highly recommend you review it to help you with your manuscript reading and to help you become a better reader in your college classes.

https://www.nwmissouri.edu/trio/pdf/sss/study/Reading-for-college.pdf

By now, you have figured out that using chunking and working on eye fixations is going to help you read your manuscript easier. Arranging your manuscript where you have only five to seven words on a line will make it easier to see as one fixation.  Organizing your manuscript where you can see several lines of text at once, can help you put a lot of information in one eye fixation.

Now, let’s look at a eulogy written by one of my students, Sydney Stout. She wrote this eulogy to her grandpa who loved dancing and encouraged her to do the same.  First, notice the manuscript format where it is written like it will be spoken. It is chunked into lines that are usually 5-7 words long. The list of names is written like a stair step showing the stair step in the voice when the names are spoken. Try reading this except out loud focusing on eye fixations. Try to see one whole line at a time and then read it again trying to see two lines at a time.

Dancing is a delicate art

An activity many people love and enjoy

but someone that loves dancing

more than anyone I know

is my grandfather.

You all know my grandfather

Maybe you know him as James

….. Jack

 ……… Dad

 …………. Papa Jack

      ………………… or in my case………………. . just Papa.

Papa //   you have led me through life

like any great dance partner should

And I’ve memorized the steps you’ve taught me

………………………………………. …. And they have allowed me to dance

……………………………………………………………… gracefully

………………………………………………………….. through my own life

Tribute speech by Sydney Stout delivered at the University of Arkansas

Watch this eulogy speech to Rosa Parks by Oprah Winfrey. Notice how each word is carefully chosen and how if you notice closely, you can tell that she is using a manuscript. Notice how seamlessly she turns the pages and notice how she spends most of her time looking up at the audience. Masterfully, she uses gestures to enhance the rhythmic flow o the speech and to draw the audience’s attention.

Timing Your Manuscript

Practice your manuscript at least 5 to 7 times. Trust me when I say, It is harder to speak with a manuscript than it is to give a speech with brief notes and it requires considerable more practice to get it right.

Use this chart as a general reference for the timing of your speech to the length of your manuscript.

A Speech Saved the President’s Life

Teddy Roosevelt’s life was saved when an assassin’s bullet was slowed down by his 50 paged speech manuscript. The doctor on sight determined that although the bullet didn’t puncture his lungs, he should still go to the hospital immediately. A determined Roosevelt balked and said, “You get me to that speech.” He delivered a 50-minute speech before going to the hospital.  Doctors decided it was safer to leave the bullet in his chest and declared that his speech had indeed saved his life.

More on this story from the history channel: https://www.history.com/news/shot-in-the-chest-100-years-ago-teddy-roosevelt-kept-on-talking

Please share your feedback, suggestions, corrections, and ideas.

I want to hear from you. 

Do you have an activity to include? Did you notice a typo that I should correct? Are you planning to use this as a resource and do you want me to know about it? Do you want to tell me something that really helped you?

Click here to share your feedback. 

Klein, C. (2019). When Teddy Roosevelt was shot in 1912, a speech may have saved his life. https://www.history.com/news/shot-in-the-chest-100-years-ago-teddy-roosevelt-kept-on-talking

Speech in minutes. (n.d.).  http://www.speechinminutes.com/

Stout, S. (n.d.). Eulogy to Papa with the theme of dancing. Delivered in Lynn Meade’s Advanced Public Speaking Class at the  University of Arkansas. Used with permission.

Van As, T. (n.d.) Tribute to Nelson Mandela. Delivered in Lynn Meade’s Advanced Public Speaking Class at the  University of Arkansas. Used with permission.

Winfrey, O.  (2010). Eulogy to Rosa Parks. [Video] YouTube. https://www.youtube.com/watch?v=5cfhtfNfIPE Standard YouTube License.

Media Attributions

• Winston Churchill’s Manuscript is licensed under a CC BY-NC-ND (Attribution NonCommercial NoDerivatives) license
• Winston Churchill’s Speech in Response to German’s Invasion of Britain
• Winston Churchill Finest Hour Speech
• Teddy’s speech © Janine Eden, Eden Pictures is licensed under a CC BY (Attribution) license

Advanced Public Speaking Copyright © 2021 by Lynn Meade is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License , except where otherwise noted.

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Chapter Thirteen – Speech Delivery

Maryland GovPics –  House of Ruth Luncheon  – CC BY 2.0.

The easiest approach to speech delivery is not always the best. Substantial work goes into the careful preparation of an interesting and ethical message, so it is understandable that students may have the impulse to avoid “messing it up” by simply reading it word for word. But students who do this miss out on one of the major reasons for studying public speaking: to learn ways to “connect” with one’s audience and to increase one’s confidence in doing so. You already know how to read, and you already know how to talk. But public speaking is neither reading nor talking.

Speaking in public has more formality than talking. During a speech, you should present yourself professionally. This doesn’t mean you must wear a suit or “dress up” (unless your instructor asks you to), but it does mean making yourself presentable by being well groomed and wearing clean, appropriate clothes. It also means being prepared to use language correctly and appropriately for the audience and the topic, to make eye contact with your audience, and to look like you know your topic very well.

While speaking has more formality than talking, it has less formality than reading. Speaking allows for meaningful pauses, eye contact, small changes in word order, and vocal emphasis. Reading is a more or less exact replication of words on paper without the use of any nonverbal interpretation. Speaking, as you will realize if you think about excellent speakers you have seen and heard, provides a more animated message.

The next sections introduce four methods of delivery that can help you balance between too much and too little formality when giving a public speech.

Types of Delivery

Impromptu Speaking

Impromptu speaking is the presentation of a short message without advance preparation. You have probably done impromptu speaking many times in informal, conversational settings. Self-introductions in group settings are examples of impromptu speaking: “Hi, my name is Steve, and I’m a volunteer with the Homes for the Brave program.” Another example of impromptu speaking occurs when you answer a question such as, “What did you think of the movie?” Your response has not been preplanned, and you are constructing your arguments and points as you speak. Even worse, you might find yourself going into a meeting and your boss says, “I want you to talk about the last stage of the project. . .” and you have no warning.

The advantage of this kind of speaking is that it’s spontaneous and responsive in an animated group context. The disadvantage is that the speaker is given little or no time to contemplate the central theme of their message. As a result, the message may be disorganized and difficult for listeners to follow.

Here is a step-by-step guide that may be useful if you are called upon to give an impromptu speech in public:

• Take a moment to collect your thoughts and plan the main point that you want to make (like a mini thesis statement).
• Thank the person for inviting you to speak. Do not make comments about being unprepared, called upon at the last moment, on the spot, or uneasy. In other words, try to avoid being self-deprecating!
• Deliver your message, making your main point as briefly as you can while still covering it adequately and at a pace your listeners can follow.
• If you can use a structure, use numbers if possible: “Two main reasons. . .” or “Three parts of our plan. . .” or “Two side effects of this drug. . .” Past, present, and future or East Coast, Midwest, and West Coast are prefab structures.
• Thank the person again for the opportunity to speak.
• Stop talking (it is easy to “ramble on” when you don’t have something prepared). If in front of an audience, don’t keep talking as you move back to your seat.

Impromptu speeches are generally most successful when they are brief and focus on a single point.

We recommend practicing your impromptu speaking regularly and every day. Do you want to work on reducing your vocalized pauses in a formal setting? Cool! You can begin that process by being conscious of your vocalized fillers during informal conversations and settings.

Extemporaneous

Extemporaneous speaking  is the presentation of a carefully planned and rehearsed speech, spoken in a conversational manner using brief notes.

Speaking extemporaneously has some advantages. It promotes the likelihood that you, the speaker, will be perceived as knowledgeable and credible since you know the speech well enough that you don’t need to read it. In addition, your audience is likely to pay better attention to the message because it is engaging both verbally and nonverbally. By using notes rather than a full manuscript (or everything that you’re going to say), the extemporaneous speaker can establish and maintain eye contact with the audience and assess how well they are understanding the speech as it progresses. It also allows flexibility; you are working from the strong foundation of an outline, but if you need to delete, add, or rephrase something at the last minute or to adapt to your audience, you can do so. The outline also helps you be aware of main ideas vs. subordinate ones.

Because extemporaneous speaking is the style used in the great majority of public speaking situations, most of the information in the subsequent sections of this chapter is targeted toward this kind of speaking.

Manuscript  speaking is the word-for-word iteration of a written message. In a manuscript speech, the speaker maintains their attention on the printed page except when using presentation aids.

The advantage to reading from a manuscript is the exact repetition of original words. This can be extremely important in some circumstances. For example, reading a statement about your organization’s legal responsibilities to customers may require that the original words be exact. In reading one word at a time, in order, the only errors would typically be mispronunciation of a word or stumbling over complex sentence structure. A manuscript speech may also be appropriate at a more formal affair (like a funeral), when your speech must be said exactly as written in order to convey the proper emotion or decorum the situation deserves.

However, there are costs involved in manuscript speaking. First, it’s typically an uninteresting way to present. Unless the speaker has rehearsed the reading as a complete performance animated with vocal expression and gestures (well-known authors often do this for book readings), the presentation tends to be dull. Keeping one’s eyes glued to the script prevents eye contact with the audience. For this kind of “straight” manuscript speech to hold audience attention, the audience must be already interested in the message and speaker before the delivery begins. Finally, because the full notes are required, speakers often require a lectern to place their notes, restricting movement and the ability to engage with the audience. Without something to place the notes on, speakers have to manage full-page speaking notes, and that can be distracting.

It is worth noting that professional speakers, actors, news reporters, and politicians often read from an autocue device, such as a teleprompter, especially when appearing on television, where eye contact with the camera is crucial. With practice, a speaker can achieve a conversational tone and give the impression of speaking extemporaneously and maintaining eye contact while using an autocue device. However, success in this medium depends on two factors: (1) the speaker is already an accomplished public speaker who has learned to use a conversational tone while delivering a prepared script, and (2) the speech is written in a style that sounds conversational.

Memorized speaking is reciting a written message that the speaker has committed to memory. Actors, of course, recite from memory whenever they perform from a script in a stage play, television program, or movie. When it comes to speeches, memorization can be useful when the message needs to be exact, and the speaker doesn’t want to be confined by notes.

The advantage to memorization is that it enables the speaker to maintain eye contact with the audience throughout the speech. Being free of notes means that you can move freely around the stage and use your hands to make gestures. If your speech uses presentation aids, this freedom is even more of an advantage.

Memorization, however, can be tricky. First, if you lose your place and start trying to ad lib, the contrast in your style of delivery will alert your audience that something is wrong. If you go completely blank during the presentation, it will be extremely difficult to find your place and keep going. Obviously, memorizing a typical seven-minute classroom speech takes a great deal of time and effort, and if you aren’t used to memorizing, it is very difficult to pull off.

We recommend playing with all 4 types of delivery (though extemporaneous is most common in public speaking). Once you identify what type of delivery style you’ll use in a speech, it’s time to rehearse. We will discuss best practices for rehearsing in Chapter 20. Let us focus now on elements of effective speech delivery.

Vocal Aspects of Delivery

Though we speak frequently during the course of a day, a formal speech requires extra attention to detail in preparation of a more formal speech presentation. What can one do in advance to prepare for a speech? The challenge is partly determined by the speaker’s experience, background and sometimes cultural influence and existing habits of speaking. Articulation, Pronunciation, Dialect, Tone, Pitch, and Projection each depends on long-term practice for success. These aspects are like signatures and should be developed and used by each speaker according to his own persona.

Voice, or vocal sound, is made when controlled air being exhaled from the lungs, passes over the vocal cords causing a controlled vibration. The vibrating air resonates in the body, chest cavity, mouth, and nasal passages. The vibrating air causes a chain reaction with the air in the room. The room’s air, set in motion by the voice, is captured by the listener’s ear. The vibration of the air against the eardrum is transferred to electrical impulses that are interpreted by the listener’s brain. Thus, the sounds we can make are predicated on the breaths that we take.

“Crying baby”  by Brazzouk.  CC-BY-SA .

TRY THIS! BREATHING

Talk without breathing. It cannot be done. So, if you are screaming (like a baby), you are also breathing!

The first word of advice on speaking to an audience: BREATHE!

Articulation

We are often judged by how well we speak in general. A measure of perceived intellect or education is how well we  articulate . That is: how well and correctly we form our vowels and consonants using our lips, jaw, tongue, and palate to form the sounds that are identified as speech.  Diction  and  enunciation  are other terms that refer to the same idea. For instance, saying “going to” instead of “gonna” or “did not” instead of “dint” are examples of good versus poor articulation. Consonant and vowels are spoken with standard accepted precision, and serious students and speakers will strive to practice the clarity of their sounds. Proper diction is as integral to the English language as proper spelling, but it takes practice.

Pronunciation

Proper  articulation  applied to a given word is that word’s  pronunciation . The pronunciation includes how the vowels and consonants are produced as well as which syllable is emphasized. For generations, speakers depended on “markings (such as the International Phonetics Alphabet or similar Dictionary Symbols) to discover or decide how words were officially pronounced. With online dictionaries now readily available, one needs only to “look up” a word and select “play” to hear an audible recording of the official and precise way a word should be pronounced. Now there is no excuse for mispronouncing a word in a speech. A mispronounced word will obliterate a speaker’s credibility, and the audience’s attention will be focused on the fault rather than the message.

TRY THIS! PRONUNCIATION

1. Flip through a book, article or scholarly work until you come to a word that is unfamiliar and you can only guess its pronunciation.

2. Go to the Merriam-Webster Dictionary website and look up the word.

3. When the definition appears, click the icon of the loudspeaker. The word is audibly pronounced for you.

The online dictionary is useful in both articulation as well as pronunciation.

Accent, Dialect, and Regionalisms

“Iraqi speaker”  by Office of United States Rep. Ellen Tauscher. Public domain.

Subtleties in the way we pronounce words and phrase our speech within a given language are evident in  accents ,  regionalisms , and  dialects . An accent refers to the degree of prominence of the way syllables are spoken in words, as when someone from Australia says “undah” whereas we say “under.” A  regionalism  is a type of expression, as when someone says “The dog wants walked,” instead of “the dog wants to go for a walk.” Dialect is a variety of language where one is distinguished from others by grammar and vocabulary. In Pennsylvania you might hear people say that they are going to “red up the room,” which means “to clean the room.”

Those who depend on speaking for a career (broadcasters, politicians, and entertainers) will often strive for unaccented General or Standard English. Listen to most major network newscasters for examples of  regionalism-free  speech. A given audience may be prejudiced towards or against a speaker with an identifiable accent or dialect. Though we would wish prejudice were not the case, the way we speak implies so much about our education, cultural background, and economic status, that prejudice is inevitable. Any speaker should be aware of how accent,  dialect , and regionalisms can be perceived by a given audience. If you speak in a way that the audience might find difficult to understand, make an extra effort to pay attention to the accent and phrasing of your speech. Ask a sympathetic and objective listener to help you when you practice.

We often refuse to accept an idea merely because the tone of voice in which it has been expressed is unsympathetic to us. – Friedrich Nietzsche

Vocal Quality

The quality of the voice, its  timbre (distinctive sound) and texture, affects audibility and can affect the articulation. Our voices are unique to each of us. It is a result of our physical vocal instrument, including diaphragm, vocal cords, lungs and body mass. Some examples of vocal quality include warm, clear, soft, scratchy, mellow and breathy. Each speaker should practice at maximizing the vocal effect of their instrument, which can be developed with vocal exercises. There are numerous books, recordings and trainers available to develop one’s vocal quality when needed. The quality of one’s voice is related to its range of pitch.

TRY THIS! INFLECTION

Your voice goes UP, and then your voice goes d o w n.

Pitch and Inflection

Identical to musical parlance, the  pitch is the “highness” or “lowness” of the voice. Each of us has a range of  tone . Vocal sounds are actually vibrations sent out from the vocal cords resonating through chambers in the body. The vibrations can literally be measured in terms of audio frequency in the same way music is measured. When the  pitch  is altered to convey a meaning (like raising the pitch at the end of a sentence that is a question), it is the inflection.  Inflections  are variations, turns and slides in pitch to achieve the meaning.

In his writing “Poetics,” Aristotle lists “Music” as an element of the Drama. Some scholars interpret that to include the musicalization of the spoken word with  dramatic inflection . The meaning and effectiveness of a spoken line is greatly dependent on the “melody” of its inflection.

Though archaic, the study of  elocution formalizes the conventions of inflection. In some contemporary cultures, inflection has been minimized because it sounds too “melodramatic” for the taste of the demographic group. It would be sensible to be aware of and avoid both extremes. With effective animated inflection, a speaker is more interesting, and the inflection conveys energy and “aliveness” that compels the audience to listen.

“Ice-T”  by Tino Jacobs.  CC-BY .

When public speaking was known as elocution, sentences were “scored” like music, and spoken using formal rules. Sentences ending as a question went UP at the end. Sentences ending in a period, ended with a base note. And everyone had fun with exclamation points!

For most of music in history, including Opera, Broadway, and early Rock and Roll, songs were written so that the melody (raising and lowering the pitch) was consistent with what would be spoken. Many of today’s songs, notably Rap songs, depend solely on rhythm. There is little if any inflection (melody) to enhance a lyric’s meaning. Certain languages differ in their dependence on inflection. Japanese and German seem monotonic compared to Italian and French, which offer great variety of inflection.

The human voice is the most beautiful instrument of all, but it is the most difficult to play. – Richard Strauss  

Even someone one who is not a singer can be expressive with inflection and pitch. Like the “Think System” of Professor Harold Hill in the musical The Music Man. If you THINK varied pitch, you can SPEAK varied pitch. Think of pitch inflections as seasoning spices that can make the speech more interesting. Sing “Happy Birthday.” You do not have to concentrate or analyze how to create the melody in your voice. Your memory and instinct take over. Notice how the pitch also provides an audible version of punctuation, letting the audience know if your sentence has ended, if it is a question, and so on. The melody lets the audience know that there is more to come (a comma) and when the phrase is ended (a period). Remember that in a speech, the audience does not have the written punctuation to follow, so you have to provide the punctuation with your inflection.

TRY THIS! VOCAL VARIATION 

Find a listening partner. Using only the sounds of “la” ha,” and “oh,” convey the meaning of the following:

1. It’s the biggest thing I’ve ever seen!

2. I’ve fallen and can’t get up!

3. That soup is disgusting and spoiled.

4. I got an “A” in my Speech Final!

If you cannot relay the meaning with just sounds, try a second time (each) with gestures and facial expressions until the listener understands. Then say the lines with the expressive inflections you have developed using only the sounds.

Those who do not use inflection, or use a range of pitch, are speaking in monotone . And, as the word implies, it can be monotonous, boring, and dull. A balance between melodramatic and monotonous would be preferred. The inflection should have a meaningful and interesting variety. Be careful not to turn a pattern of inflection into a repetitious sound. Think through each phrase and its musicalization separately.

Many speakers have developed the habit of ending each sentence as though it is a question. It may be becoming increasingly common. In the wake of the Valley Girl syndrome of the 1980’s, a bad inflection habit has entered the speech pattern: Some speakers end a declarative sentence with the inflection of a question.

Do you know what I mean?

A word of caution: Inflection and varied pitch must be “organic,” that is to say, natural for the speaker. You cannot fake it, or it sounds artificial and disingenuous. It is a skill that needs to develop over a period of time.

Rate of Speaking

In order to retain clarity of the speech with articulation and inflection, the speaker must be aware that there is a range of appropriate  tempo for speaking. If the tempo is too slow, the speech might resemble a monotonous peal. If it is too fast, the articulation could suffer if consonants or vowels are dropped or rushed to keep up the speed. An audience could become frustrated with either extreme. The tempo needs to be appropriate to the speaker’s style, but neither paced like a Gilbertian Lyric (as in “Gilbert and Sullivan”) patter nor a funereal dirge. A comfortable and clear pace is the best. An ideal speaking rate will allow you to comfortably increase your pace to create a sense of excitement, or slow down to emphasize the seriousness of a topic.

It is simple nonsense to speak of the fixed tempo of any particular vocal phrase. Each voice has its peculiarities. – Anton Seidl

Pauses Versus Vocalized Pauses

A text that is read has punctuation that the reader can see…miniature landmarks to define the text. When spoken, similar punctuation is needed for comprehension, and the speaker’s responsibility is to offer the text with pauses. Space between phrases, properly planted, gives the audience the opportunity to understand the structure of the speaker’s sentences and paragraphs. It also gives time for the audience to “digest” crucial phrases.

Generally, spoken sentences and paragraphs need to be simpler and shorter than what can be comprehended by reading. Pauses can help increase comprehension.

However, pauses that are filled with “uh’s, “um’s,” etc., are called  vocalized pauses , or  fillers , and should be avoided. They can be distracting, annoying, and give the impression of a lack of preparation if used excessively. Even worse is the use of vernacular phrases like, “y’know” (a contraction of “Do You Know”) which gives the impression of lack of education or lack of concern for the audience. The use of vocalized pauses may be the result of a habit that deserves an effort to be overcome. Avoid using phrases such as “Uh,” “OK?”, “y’know”, “like…, I mean,” “right?”

Vocal Projection

The volume produced by the vocal instrument is  projection . Supporting the voice volume with good breathing and energy can be practiced, and helping a speaker develop the correct volume is a main task of a vocal trainer, teacher or coach. Good vocal support with good posture, breathing, and energy should be practiced regularly, long before a speech is delivered. There are numerous exercises devoted to developing projection capabilities.

While there is no need to shout, a speaker should project to be easily heard from the furthest part of the audience. Even if the speech is amplified with a microphone/sound system, one must speak with projection and energy. As with your rate of speech, you should speak at a volume that comfortably allows you to increase the volume of your voice without seeming to shout or decrease the volume of your voice and still be heard by all audience members.

Do not expect to walk up to the podium and have a full voice. Actors spend about a half-hour doing vocal warm-ups, and singers warm up much more. You might not have an opportunity to warm up immediately before your speech, but when you can, warm up with humming, yawning (loudly) or singing scales: all while breathing deeply and efficiently. It will loosen your voice, prevent irritation, and fire up your vocal energy.

TRY THIS! PROJECTION

Go to the room in which you are to speak. Have a friend sit as far away from the podium is possible. Rehearse your speech, talking loudly enough so your friend can hear you comfortably. That is the projection you will need. When you mentally focus on the distant listener, you will tend to project better.

One final note: If public speaking is or will be an important part of your career, it would be sensible to have an evaluation of your voice, articulation and projection done by an objective professional so you can take any remedial action that might be recommended. There are courses of study, private lessons, and professional voice coaches to work with your voice projection, tone, and pitch.

Words mean more than what is set down on paper. It takes the human voice to infuse them with deeper meaning. – Maya Angelou

While vocal aspects of delivery are certainly important, they do not paint the entire picture.  Nonverbal aspects of delivery are discussed next; these include your appearance, posture, gestures, eye contact, and facial expressions.

Nonverbal Aspects of Delivery

Women in Business Leadership Conf.  by UCLA Anderson.  CC-BY-NC-SA .

Personal Appearance

Here is the golden rule: Dress appropriately for the situation. You don’t need to sport a power tie (the predictable red tie politicians wore in the 1980s), but you should be comfortable and confident knowing that you look good.

With the exception of wearing formal black-tie tuxedo to a hockey game, it is good practice to dress a bit more formal than less. Err on the side of formal. Most class speeches would be best in business casual (which can vary from place to place and in time). The culture or standards of the audience should be considered.

There are exceptions depending on the speech. A student once arrived in pajamas to deliver his 9 a.m. speech. At first, I thought he got up too late to dress for class. However, his speech was on Sleep Deprivation, and his costume was deliberate. What he wore contributed to his speech.

If you have long hair, be sure it is out of the way so it won’t cover your face. Flipping hair out of your face is very distracting, so it is wise to secure it with clips, gel, or some other method. Be sure you can be seen, especially your eyes and your mouth, even as you glance down to the podium.

Think of it as an interview…just like in an interview, you will want to make a good first impression. The corporate culture of the business will determine the dress. Always dress at the level of the person conducting the interview. For example, a construction supervisor (or project manager) will conduct an interview to hire you as a carpenter. Do not dress like a carpenter, dress like the project manager.

Actors know when they audition, the role is won by the time they step into the room. A speaker can launch success by stepping confidently to the podium.

Be tidy and clean. If you appear as though you took time to prepare because your speech is important, then your audience will recognize and respect what you have to say.

Movement and Gestures

Overall movement and specific gestures are integral to a speech. Body stance, gestures and facial expressions can be generally categorized as  body language . Movement should be relaxed and natural, and not excessive. How you move takes practice. Actors usually have the advantage of directors helping to make decisions about movement, but a good objective listener or a rehearsal in front of a large mirror can yield productive observations.

“Barack Obama at Las Vegas Presidential Forum”  by Center for American Progress Action Fund.  CC-BY-SA .

Moving around the performance space can be a very powerful component of a speech; however, it should be rehearsed as part of the presentation. Too much movement can be distracting. This is particularly true if the movement appears to be a result of nervousness. Avoid fidgeting, stroking your hair, and any other nervousness-related movement.

Among the traditional common fears of novice speakers is not knowing what to do with one’s hands. Sometimes the speaker relies on clutching to the podium or keeping hands in pockets. Neither is a good pose. From my own observation, hand gestures are very common in Italy. We Italians can be seen in conversation from across the street, and an observer can often tell what is being said. There is no need to imitate an Italian in delivering a speech, but hand movement and the energy that the movement represents, can help hold attention as well as help express the message.

An actor practices using the entire body for expression, and regularly practices physical exercises to keep the body and hands and arms relaxed and in motion. An actor’s hand gestures are developed in rehearsal. A speaker’s gestures should also be considered during practice.

During the period when elocution was taught, hand gestures were regimented like a sign language. This is nonsense. Like inflections, gestures and movement should be organic and spontaneous, not contrived. If there is a hint of artificiality in your presentation, you will sacrifice your credibility.

TRY THIS! GESTURES

Using only your hands, convey the following:

• “I give up.”
• “I caught a fish, and it was THIS big!”
• “We will be victorious.”

Facial Expressions

Most readers are very familiar with emoticons like these:

🙂   🙁   :p  😀  😉  :/

Emoticons were not casual inventions, but graphic depictions of facial expressions that convey various meanings of emotions. They are based on a nearly universal language of expression that we begin learning soon after birth. We smile, we frown, we roll our eyes, and we wink. We open eyes wide with astonishment. We raise our eyebrows…occasionally one at a time, in suspicion; both, in astonishment. Sometimes we pucker our lips, either to offer a kiss or express disapproval, disappointment, or grave concern.

“Castefest 2011, Gothic”  by Qsimple.  CC-BY-NC-SA .

Since facial expression is a valid form of communication, it is integral to delivering a speech. The face supports the text, and the speaker’s commitment to the material is validated. The press scrutinizes a politician for every twitch of insincerity. Detectives have created a science of facial communication for interviewing suspects. Like inflections, gestures and movement: facial expressions should be organic and spontaneous, not contrived. If there is a hint of artificiality in your expression, you will sacrifice your credibility.

TRY THIS! FACIAL EXPRESSIONS

While looking in a mirror, try to express these thoughts without words:

• “I am thrilled that I am getting a raise.”
• “I am worried about tomorrow.”
• “Lemons are too sour for me.”
• “I am suspicious about what he did.”

After you have determined a facial expression for each, say the phrase. And see how well the verbal expression goes with the nonverbal expression.

Eye Contact

Next to clearly speaking an organized text, eye contact is another very important element of speaking. An audience must feel interested in the speaker and know the speaker cares about them. Whether addressing an audience of 1000 or speaking across a “deuce” (table for two), eye contact solidifies the relationship between the speaker and audience. Good eye contact takes practice. The best practice is to scan the audience, making contact with each member of the audience.

However, there are some eye contact failures.

Head Bobber

People who bob their head looking down on the notes and up to the audience in an almost rhythmic pattern.

Balcony Gazer

People who look over the heads of their audience to avoid looking at any individual.

The Obsessor

A person who looks at one or two audience members or who only looks in one direction.

Developing Good Eye Contact

The best way to develop good eye contact is to have an objective listener watch and comment on the eye contact.

The eyes are called the windows to the soul, and the importance of eye contact in communication cannot be overemphasized. Ideally, a speaker should include 80% to 90% of the delivery time with eye contact.

Eye contact is so important that modern teleprompters are designed to allow the speaker to look at the audience while actually reading the speech. The Presidential Teleprompter (two angled pieces of glass functioning like a periscope) is used so the politician can “connect” to the audience without missing a single syllable. Audience members will be much more attentive and responsive if they believe the speech is directed to them.

With good eye contact, the speaker can also observe and gauge the attention and response of the audience. This is actually part of the feedback process of communication. The ideal is that the audience is not overly aware of the speaker using notes.

How do you develop good eye contact? First, practice the speech with a generous amount of eye contact. Second, know the speech well enough to only periodically (and quickly) glance at your notes. Third, prepare your notes so they can be easily read and followed without hesitation.

There are no secrets to success. It is the result of preparation, hard work, and learning from failure . – Colin Powell

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• Types of delivery adapted from Speak out, Call In. Speak Out, Call In: Public Speaking as Advocacy  by Meggie Mapes is licensed under a  Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.
• Chapter 12 Vocal Aspects of Delivery. Authored by : Victor Capecce, M.F.A..  Provided by : Millersville University, Millersville, PA.  Located at :  http://publicspeakingproject.org/psvirtualtext.html .  Project : The Public Speaking Project.  License :  CC BY-NC-ND: Attribution-NonCommercial-NoDerivatives
• Crying baby.  Authored by : Brazzouk.  Provided by : MorgueFile.  Located at :  https://commons.wikimedia.org/wiki/File:Crying_baby.jpg .  License :  CC BY-SA: Attribution-ShareAlike
• Ice-T.  Authored by : Tino Jacobs.  Located at :  http://commons.wikimedia.org/wiki/File:Ice-T_(2).jpg .  License :  CC BY: Attribution
• Chapter 12 Nonverbal Aspects of Delivery.  Authored by : Victor Capecce, M.F.A..  Provided by : Millersville University, Millersville, PA.  Located at :  http://publicspeakingproject.org/psvirtualtext.html .  Project : The Public Speaking Project.  License :  CC BY-NC-ND: Attribution-NonCommercial-NoDerivatives
• Barack Obama at Las Vegas Presidential Forum.  Provided by : Center for American Progress Action Fund.  Located at :  http://commons.wikimedia.org/wiki/File:Barack_Obama_at_Las_Vegas_Presidential_Forum.jpg .  License :  CC BY-SA: Attribution-ShareAlike
• Women in Business Leadership Conf..  Authored by : UCLA Anderson.  Located at :  https://flic.kr/p/kvxbXN .  License :  CC BY-NC-SA: Attribution-NonCommercial-ShareAlike

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Module 6: Organizing and Outlining Your Speech

Methods of speech delivery, learning objectives.

Identify the four types of speech delivery methods and when to use them.

There are four basic methods of speech delivery: manuscript, memorized, impromptu, and extemporaneous. We’ll look at each method and discuss the advantages and disadvantages of each.

A manuscript page from President George W. Bush’s address to the nation on the day of the 9/11 attacks in 2001.

A manuscript speech is when the speaker writes down every word they will speak during the speech. When they deliver the speech, they have each word planned and in front of them on the page, much like a newscaster who reads from a teleprompter.

The advantage of using a manuscript is that the speaker has access to every word they’ve prepared in advance. There is no guesswork or memorization needed. This method comforts some speakers’ nerves as they don’t have to worry about that moment where they might freeze and forget what they’ve planned to say. They also are able to make exact quotes from their source material.

When the exact wording of an idea is crucial, speakers often read from a manuscript, for instance in communicating public statements from a company.

However, the disadvantage with a manuscript is that the speakers have MANY words in front of them on the page. This prohibits one of the most important aspects of delivery, eye contact. When many words are on the page, the speakers will find themselves looking down at those words more frequently because they will need the help. If they do look up at the audience, they often cannot find their place when the eye returns to the page. Also, when nerves come into play, speakers with manuscripts often default to reading from the page and forget that they are not making eye contact or engaging their audience. Therefore, manuscript is a very difficult delivery method and not ideal.  Above all, the speakers should remember to rehearse with the script so that they practice looking up often.

Public Speaking in History

The fall of the Berlin Wall on November 9, 1989, owed in large part to a momentary error made by an East German government spokesperson. At a live press conference, Günter Schabowski tried to explain new rules relaxing East Germany’s severe travel restrictions. A reporter asked, “when do these new rules go into effect?” Visibly flustered, Schabowski said, “As far as I know, it takes effect immediately, without delay.” In fact, the new visa application procedure was supposed to begin the following day, and with a lot of bureaucracy and red tape. Instead, thousands of East Berliners arrived within minutes at the border crossings, demanding to pass through immediately. The rest is history.

The outcome of this particular public-relations blunder was welcomed by the vast majority of East and West German citizens, and hastened the collapse of communism in Eastern and Central Europe. It’s probably good, then, that Schabowski ran this particular press conference extemporaneously, rather than reading from a manuscript.

You can view the transcript for “The mistake that toppled the Berlin Wall” here (opens in new window) .

A memorized speech is also fully prepared in advance and one in which the speaker does not use any notes. In the case of an occasion speech like a quick toast, a brief dedication, or a short eulogy, word-for-word memorization might make sense. Usually, though, it doesn’t involve committing each and every word to memory, Memorizing a speech isn’t like memorizing a poem where you need to remember every word exactly as written. Don’t memorize a manuscript! Work with your outline instead. Practice with the outline until you can recall the content and order of your main points without effort. Then it’s just a matter of practicing until you’re able to elaborate on your key points in a natural and seamless manner. Ideally, a memorized speech will sound like an off-the-cuff statement by someone who is a really eloquent speaker and an exceptionally organized thinker!

The advantage of a memorized speech is that the speaker can fully face their audience and make lots of eye contact. The problem with a memorized speech is that speakers may get nervous and forget the parts they’ve memorized. Without any notes to lean on, the speaker may hesitate and leave lots of dead air in the room while trying to recall what was planned. Sometimes, the speaker can’t remember or find his or her place in the speech and are forced to go get the notes or go back to the PowerPoint in some capacity to try to trigger his or her memory. This can be an embarrassing and uncomfortable moment for the speaker and the audience, and is a moment which could be easily avoided by using a different speaking method.

How to: memorize a speech

There are lots of tips out there about how to memorize speeches. Here’s one that loosely follows an ancient memorization strategy called the method of loci or “memory palace,” which uses visualizations of familiar spatial environments in order to enhance the recall of information.

You can view the transcript for “How to Memorize a Speech” here (opens in new window) .

An impromptu speech is one for which there is little to no preparation. There is often not a warning even that the person may be asked to speak. For example, your speech teacher may ask you to deliver a speech on your worst pet peeve. You may or may not be given a few minutes to organize your thoughts. What should you do? DO NOT PANIC. Even under pressure, you can create a basic speech that follows the formula of an introduction, body, and conclusion. If you have a few minutes, jot down some notes that fit into each part of the speech. (In fact, the phrase “speaking off the cuff,” which means speaking without preparation, probably refers to the idea that one would jot a few notes on one’s shirt cuff before speaking impromptu.) [1] ) An introduction should include an attention getter, introduction of the topic, speaker credibility, and forecasting of main points. The body should have two or three main points. The conclusion should have a summary, call to action, and final thought. If you can organize your thoughts into those three parts, you will sound like a polished speaker. Even if you only hit two of them, it will still help you to think about the speech in those parts. For example, if a speech is being given on a pet peeve of chewed gum being left under desks in classrooms, it might be organized like this.

• Introduction : Speaker chews gum loudly and then puts it under a desk (attention getter, demonstration). Speaker introduces themselves and the topic and why they’re qualified to speak on it (topic introduction and credibility). “I’m Katie Smith and I’ve been a student at this school for three years and witnessed this gum problem the entire time.”
• Body : Speaker states three main points of why we shouldn’t leave gum on desks: it’s rude, it makes custodians have to work harder, it affects the next student who gets nastiness on their seat (forecast of order). Speaker then discusses those three points
• Conclusion : Speaker summarizes those three points (summary, part 1 of conclusion), calls on the audience to pledge to never do this again (call to action), and gives a quote from Michael Jordan about respecting property (final thought).

While an impromptu speech can be challenging, the advantage is that it can also be thrilling as the speaker thinks off the cuff and says what they’re most passionate about in the moment. A speaker should not be afraid to use notes during an impromptu speech if they were given any time to organize their thoughts.

The disadvantage is that there is no time for preparation, so finding research to support claims such as quotes or facts cannot be included. The lack of preparation makes some speakers more nervous and they may struggle to engage the audience due to their nerves.

Extemporaneous

The last method of delivery we’ll look at is extemporaneous. When speaking extemporaneously, speakers prepare some notes in advance that help trigger their memory of what they planned to say. These notes are often placed on notecards. A 4”x6” notecard or 5”x7” size card works well. This size of notecards can be purchased at any office supply store. Speakers should determine what needs to go on each card by reading through their speech notes and giving themselves phrases to say out loud. These notes are not full sentences, but help the speakers, who turn them into a full sentence when spoken aloud. Note that if a quote is being used, listing that quote verbatim is fine.

The advantage of extemporaneous speaking is that the speakers are able to speak in a more conversational tone by letting the cards guide them, but not dictate every word they say. This method allows for the speakers to make more eye contact with the audience. The shorter note forms also prevent speakers from getting lost in their words. Numbering these cards also helps if one gets out of order. Also, these notes are not ones the teacher sees or collects. While you may be required to turn in your speech outline, your extemporaneous notecards are not seen by anyone but you. Therefore, you can also write yourself notes to speak up, slow down, emphasize a point, go to the next slide, etc.

The disadvantage to extemporaneous is the speakers may forget what else was planned to say or find a card to be out of order. This problem can be avoided through rehearsal and double-checking the note order before speaking.

Many speakers consider the extemporaneous method to be the ideal speaking method because it allows them to be prepared, keeps the audience engaged, and makes the speakers more natural in their delivery. In your public speaking class, most of your speeches will probably be delivered extemporaneously.

• As per the Oxford English Dictionary' s entry for "Off the Cuff." See an extensive discussion at Mark Liberman's Language Log here: https://languagelog.ldc.upenn.edu/nll/?p=4130 ↵
• Method of loci definition. Provided by : Wikipedia. Located at : https://en.wikipedia.org/wiki/Method_of_loci . License : CC BY-SA: Attribution-ShareAlike
• The mistake that toppled the Berlin Wall. Provided by : Vox. Located at : https://youtu.be/Mn4VDwaV-oo . License : Other . License Terms : Standard YouTube License
• How to Memorize a Speech. Authored by : Memorize Academy. Located at : https://youtu.be/rvBw__VNrsc . License : Other . License Terms : Standard YouTube License
• Address to the Nation. Provided by : U.S. National Archives. Located at : https://prologue.blogs.archives.gov/2011/09/06/911-an-address-to-the-nation/ . License : Public Domain: No Known Copyright
• Methods of Speech Delivery. Authored by : Misti Wills with Lumen Learning. License : CC BY: Attribution

5 Ways of Delivering Speeches

Understanding Delivery Modes

In this chapter . . .

In this chapter, we will explore the three modes of speech delivery: impromptu, manuscript, and extemporaneous. Each offers unique advantages and potential challenges. An effective public speaker needs to be familiar with each style so they can use the most appropriate mode for any speech occasion.

In writing, there’s only one way of delivering the text: the printed word on a page. Public Speaking, however, gives you different ways to present your text. These are called the delivery modes , or simply, ways of delivering speeches. The three modes are impromptu delivery , manuscript delivery , and extemporaneous delivery . Each of these involves a different relationship between a speech text, on the one hand, and the spoken word, on the other. These are described in detail below.

Impromptu Delivery

Impromptu speaking is a short form speech given with little to no preparation. While being asked to stand in front of an audience and deliver an impromptu speech can be anxiety-producing, it’s important to remember that  impromptu speaking is something most people do without thinking in their daily lives . If you introduce yourself to a group, answer an open-ended question, express an opinion, or tell a story, you’re using impromptu speaking skills. While impromptus can be stressful, the more you do it the easier it becomes.

Preparation for Impromptu Delivery

The difficulty of impromptu speaking is that there is no way to prepare, specifically, for that moment of public speaking. There are, however, some things you can do to stay ready in case you’re called upon to speak unrehearsed.

For one, make sure your speaking instruments (your voice and body) are warmed up, energized, and focused. It could be helpful to employ some of the actor warm-up techniques mentioned earlier as part of an everyday routine. If appropriate to the impromptu speaking situation, you could even ask to briefly step aside and warm yourself up so that you feel relaxed and prepared.

Furthermore, a good rule when brainstorming for an impromptu speech is that your first idea is your best. You can think about impromptu speaking like improvisation: use the “yes, and” rule and trust your instincts. You’ll likely not have time to fully map out the speech, so don’t be too hard on yourself to find the “perfect” thing to say. You should let your opinions and honest thoughts guide your speaking. While it’s easy to look back later and think of approaches you should have used, try to avoid this line of thinking and trust whatever you come up with in the moment.

Finally, as you prepare to speak, remind yourself what your purpose is for your speech. What is it that you hope to achieve by speaking? How do you hope your audience feels by the end? What information is most important to convey? Consider how you’ll end your speech. If you let your purpose guide you, and stay on topic throughout your speech, you’ll often find success.

Delivery of Impromptu Speeches

Here is a step-by-step guide that may be useful if you’re called upon to give an impromptu speech:

• Thank the person for inviting you to speak. Don’t make comments about being unprepared, called upon at the last moment, on the spot, or uneasy.
• Deliver your message, making your main point as briefly as you can while still covering it adequately and at a pace your listeners can follow.
• Stay on track. If you can, use a structure, using numbers if possible: “Two main reasons . . .” or “Three parts of our plan. . .” or “Two side effects of this drug. . .” Past, present, and future or East Coast, Midwest, and West Coast are common structures.
• Thank the person again for the opportunity to speak.
• Stop talking when you are finished (it’s easy to “ramble on” when you don’t have something prepared). If in front of an audience, don’t keep talking as you move back to your seat. Finish clearly and strong.

Impromptu speeches are most successful when they are brief and focus on a single point.

Another helpful framing technique for impromptus is to  negate the premise.  This is the deliberate reframing of a given prompt in a way that acknowledges the original but transitions into talking about the topic in a different way than expected. Negating the premise can be an effective rhetorical technique if used carefully and can help you focus your response on a topic that you’re interested in talking about.

If you suddenly run out of things to say in the middle of your speech, be open to  pivoting . Giving another example or story is the easiest way to do this. What’s important is to not panic or allow yourself to ramble aimlessly. No matter what, remember to keep breathing.

Finally, the greatest key to success for improving impromptu speaking is practice. Practice speaking without rehearsal in low-stakes environments if you can (giving a toast at a family dinner, for example). But remember this: no one is expecting the “perfect” speech if you’re called upon to speak impromptu. It’s okay to mess up. As Steven Tyler of the rock band Aerosmith would say: dare to suck. Take a risk and make a bold choice. What is most important is to stay sure of yourself and your knowledge.

Manuscript Delivery

The opposite of an impromptu speech is the manuscript speech. This involves having the complete text of your speech written out on paper or on notecards. You may be reading the speech from a computer or a teleprompter. In some cases, the speaker memorizes this manuscript.

Manuscript delivery  is the word-for-word iteration of a written message. In a manuscript speech, the speaker maintains their attention on the printed page except when using visual aids. The advantage of reading from a manuscript is the exact repetition of original words. In some circumstances, this can be extremely important.

Advantages & Disadvantages to Manuscript Delivery

There are many advantages in speaking from a manuscript. Some people find they are less nervous when they have the whole text in front of them. If you get lost or flustered during the speech you can glance down and get back on track. For speakers who struggle with vocalized pauses, it can be easier to know exactly what you want to say so that you’re not searching for the right word. Some people prefer to carefully craft the language of their speech instead of just having a sense of the main point and expounding upon it. Particularly if there are a lot of statistics or quotations, it can be helpful to have the whole passage written out to make sure you not only convey it correctly but frame it in the right context. It’s also easier to rehearse and time a manuscript speech, thus making sure it stays within time limits and isn’t unexpectedly too short or long. For some formal occasions or events that may be emotional for the speaker, such as a funeral, using a manuscript may be the best approach.

There are some disadvantages in delivering a speech from a manuscript. Having a manuscript in front of you often encourages looking down and reading the speech instead of performing it. A lack of eye contact makes the audience feel less engaged. The speech can feel stilted and lacking energy. Some speakers may feel constrained and that they can’t deviate from their script. Furthermore, while some find it easier to find their place with a quick glance down having the full manuscript, others find it difficult to avoid losing their place. If you go off script it can be harder to recover.

Successful Manuscript Delivery

A successful manuscript delivery requires a dynamic performance that includes lots of eye contact, animated vocals, and gestures. This can only be accomplished if you’re very familiar with the manuscript. Delivering a manuscript that you have written but only spoken aloud once before delivery will most often result in stumbling over words and eyes locked to the page. You’ll be reading aloud  at  your audience, instead of speaking  to  them. Remember what it’s like in school when a teacher asks a student to stand up and read something aloud? If the student isn’t familiar with the text, it can be a struggle both for the reader and the audience.

The key to avoiding this problem is to practice your written speech as much as you can, at least five or six times. You want to get so familiar with your speech that you can take your eyes off the page and make frequent eye contact with your audience. When you’re very familiar with your speech, your tone of speaking becomes more conversational. The text flows more smoothly and you begin to sound like a speaker, not a reader. You can enjoy the presentation and your audiences will enjoy it as well.

To improve your skills at manuscript delivery, practice reading written content aloud. This allows you to focus exclusively on delivery instead of worrying about writing a speech first. In particular, reading dialogue or passages from theatre plays, film/television scripts, or books provides material that is intended to be expressive and emotive. The goal is to deliver the content in a way that is accessible, interesting, alive, and engaging for the audience.

To Memorize or Not to Memorize

One way to overcome the problem of reading from the page is to memorize your word-for-word speech. When we see TED Talks, for example, they are usually memorized.

Memorized speaking  is the delivery of a written message that the speaker has committed to memory. Actors, of course, recite from memory whenever they perform from a script. When it comes to speeches, memorization can be useful when the message needs to be exact, and the speaker doesn’t want to be confined by notes.

The advantage to memorization is that it enables the speaker to maintain eye contact with the audience throughout the speech. However, there are some real and potential costs. Obviously, memorizing a seven-minute speech takes a great deal of time and effort, and if you’re not used to memorizing, it’s difficult to pull off.

For strategies on how to successfully memorize a speech, refer to the “Memorization” section in the chapter “ From Page to Stage .”

Extemporaneous Delivery

Remember the fairy tale about Goldilocks and the Three Bears? One bed is too soft, the other bed is too hard, and finally one is just right? Extemporaneous delivery combines the best of impromptu and manuscript delivery. Like a manuscript speech, the content is very carefully prepared. However, instead of a word-for-word manuscript, the speaker delivers from a carefully crafted outline. Therefore, it has elements of impromptu delivery to it. We call this type of speaking extemporaneous ( the word comes from the Latin  ex tempore,  literally “out of time”).

Extemporaneous delivery  is the presentation of a carefully planned and rehearsed speech, spoken in a conversational manner using brief notes. By using notes rather than a full manuscript, the extemporaneous speaker can establish and maintain eye contact with the audience and assess how well they understand the speech as it progresses. Without all the words on the page to read, you have little choice but to look up and make eye contact with your audience.

For an extemporaneous speech, the speaker uses a carefully prepared outline. We will discuss how to create an effective outline in the chapters on speechwriting.

Advantages & Disadvantages of Extemporaneous Delivery

Speaking extemporaneously has some major advantages. As mentioned above, without having a text to be beholden to it’s much easier to make eye contact and engage with your audience. Extemporaneous speaking also allows flexibility; you’re working from the solid foundation of an outline, but if you need to delete, add, or rephrase something at the last minute or to adapt to your audience, you can do so. Therefore, the audience is more likely to pay better attention to the message. Furthermore, it promotes the likelihood that you, the speaker, will be perceived as knowledgeable and credible since you know the speech well enough that you don’t need to read it. The outline also helps you be aware of main ideas vs. subordinate ones. For many speakers, an extemporaneous approach encourages them to feel more relaxed and to have more fun while speaking. If you’re enjoying presenting your speech the audience will sense that and consequently, they will enjoy it more.

A disadvantage of extemporaneous speaking is that it requires substantial rehearsal to achieve the verbal and nonverbal engagement that is required for a good speech. Adequate preparation can’t be achieved the day before you’re scheduled to speak. Be aware that if you want to present an engaging and credible extemporaneous speech, you’ll need to practice many times. Your practice will need to include both the performative elements as well as having a clear sense of the content you’ll cover. As mentioned previously, an extemporaneous speech can also be harder to have consistent and predictable timing. While delivering the speech it’s more likely you’ll wander off on a tangent, struggle to find the words you want, or forget to mention crucial details. Furthermore, if you get lost it may be harder to get yourself back on track.

Successful Extemporaneous Delivery

Like other delivery modes, a dynamic performance on an extemporaneous delivery is one that includes lots of eye contact, animated vocals, and gestures. At the same time, you want a speech that is structured and focused, not disorganized and wandering.

One strategy to succeed in extemporaneous speaking is to begin by writing out a full manuscript of your speech. This allows you to map out all the information that will be covered in each main point and sub-point. This method also gives you a better sense of your timing and flow than starting from just an outline. Another approach is to write out an outline that is less complete than a manuscript but still detailed. This will be used only for preparation; once you have a clear sense of the content you can reduce it down to a streamlined performance outline which you’ll use when delivering the actual speech.

By the time of presentation, an extemporaneous speech becomes a mixture of memorization and improvisation. You’ll need to be familiar enough with your content and structure that you cover everything, and it flows with logical transitions. Simultaneously, you must be willing to make changes and adapt in the moment. Hence, thorough rehearsal is critical. While this approach takes more time, the benefits are worth the extra effort required.

When you’re asked to prepare a speech for almost any occasion except last-minute speeches, you must choose either a manuscript or extemporaneous approach. As you experiment with assorted styles of public speaking, you’ll find you prefer one style of delivery over the other. Extemporaneous speaking can be challenging, especially for beginners, but it’s the preferred method of most experienced public speakers. However, the speaking occasion may dictate which method will be most effective.

Online Delivery

Impromptu, manuscript, and extemporaneous speaking are delivery modes . They describe the relationship between the speaker and the script according to the level of preparation (minutes or weeks) and type of preparation (manuscript or outline). Until now, we have assumed that the medium for the speech is in-person before an audience. Medium means the means or channel through which something is communicated. The written word is a medium. In art, sculpture is a medium. For in-person public speaking, the medium is the stage. For online public speaking, the medium is the camera.

The Online Medium

Public speakers very often communicate via live presentation. However, we also use the medium of recordings, shared through online technology. We see online or recorded speaking in many situations. A potential employer might ask for a short video self-presentation. Perhaps you’re recording a “How-To” video for YouTube. A professor asks you to create a presentation to post to the course website. Or perhaps an organization has solicited proposals via video. Maybe a friend who lives far away is getting married and those who can’t attend send a video toast. While this textbook can’t address all these situations, below are three important elements to executing recorded speeches.

Creating Your Delivery Document

As with an in-person speech, it’s important to consider all the given circumstances of the speech occasion. Why are you speaking? What is the topic? How much time do you have to prepare? How long is this speech? In online speeches, having a sense of your audience is critical. Not only who are they, but where are they? You may be speaking live to people across the country or around the world. If they are in a different time zone it may influence their ability to listen and respond, particularly if it’s early, late, or mealtime. If you’re recording a speech for a later audience, do you know who that audience will be?

As with in-person speeches, different speech circumstances suggest one of three delivery modes: impromptu, extemporaneous, or manuscript. Whether your medium is live or camera, to prepare you must know which of the three delivery modes  you’ll be using. Just because a speech is online does not mean it doesn’t need preparation and a delivery text.

Technical Preparation

To prepare for online speaking, you’ll want to practice using your online tools. To begin, record yourself speaking so you have a sense of the way your voice sounds when mediated. Consider practicing making eye contact with your camera so that you feel comfortable with your desired focal point. In addition, consider how to best set up your speaking space. It may take some experimenting to find the best camera angle and position. Consider lighting when deciding your recording place. Make the lighting as bright as possible and ensure that the light is coming from behind the camera.

You should put some thought into what you’ll be wearing. You’ll want to look appropriate for the occasion. Make sure your outfit looks good on camera and doesn’t clash with your background. In general, keep in mind what your background will look like on-screen. You’ll want a background that isn’t overly distracting to viewers. Furthermore, ensure that there is a place just off-screen where you can have notes and anything else you may need readily at hand. Your recording location should be somewhere quiet and distraction-free.

You should test your camera and microphone to make sure they are working properly, and make sure you have a stable internet connection. But, even when you complete pre-checks of equipment, sometimes technology fails. Therefore, it’s helpful to know how to troubleshoot on the spot. Anticipate potential hiccups and have a plan for how to either fix issues that arise or continue with your presentation.

Vibrant Delivery

The tools for successful public speaking discussed in the rest of this textbook still apply to online speaking, but there are some key differences to consider before entering the virtual space. Online speaking, for example, will not have the same energy of a back-and-forth dialogue between speaker and live audience. If you’re recording without an audience, it might feel like you’re speaking into a void. You must use your power of imagination to keep in mind the audience who will eventually be watching your speech.

It’s important to utilize all your vocal tools, such as projection, enunciation, and vocal variety. Most important is having a high level of energy and enthusiasm reflected in your voice. If your voice communicates your passion for your speech topic, the audience will feel that and be more engaged. Use humor to keep your speech engaging and to raise your own energy level. Some experts recommend standing while giving an online speech because it helps raise your energy level and can better approximate the feeling of presenting in public.

If you’re presenting online to an audience, be sure to start the presentation on time. However, be aware that some participants may sign in late. Likewise, be cognizant about finishing your speech and answering any questions by the scheduled end time. If there are still questions you can direct the audience to reach out to you by your preferred means of communication. You may be able to provide the audience with a recording of the talk in case they want to go back and rewatch something.

Finally, consider ways you can enhance your performance by sharing images on the screen. Be sure you have that technology ready.

Other suggestions from experts include:

• Your anxiety does not go away just because you can’t see everyone in your “web audience.” Be aware of the likelihood of anxiety; it might not hit until you’re “on air.”
• During the question-and-answer period, some participants will question orally through the webcam set-up, while others will use the chat feature. It takes time to type in the chat. Be prepared for pauses.
• Remember the power of transitions. The speaker needs to tie the messages of their slides together.
• Verbal pauses can be helpful. Since one of the things that put audiences to sleep is the continual, non-stop flow of words, a pause can get attention.

As you begin delivering more public speeches you will likely find a preference for one or more of these delivery modes. If you are given a choice, it’s often best to lean into your strengths and to utilize the method you feel most comfortable with. However, the speech occasion may dictate your presentation style. Therefore, it’s important to practice and become comfortable with each mode. In an increasingly technological world online speaking in particular is likely going to be a required method of communication.

Media Attributions

• Delivery Modes and Delivery Document © Mechele Leon is licensed under a CC BY-NC-SA (Attribution NonCommercial ShareAlike) license

Public Speaking as Performance Copyright © 2023 by Mechele Leon is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

The big SlideLizard presentation glossary > Manuscript Speech

Manuscript Speech

Term explanation  •  category speeches.

Definition and meaning

For a manuscript speech, the speaker has an entire manuscript to read from. The benefit is that, as every single word is scripted, no important parts will be missed. However, speeches that are fully written down often seem unnatural and may bore the audience.

PowerPoint allows you to take notes on your slides, which you can see during your presentation. This will help your presentation flow more smoothly. You can read more about presentation notes in our blog post.

Other glossary terms

Impromptu speech.

A speech that is given without any preparation, notes, or cards, is called an impromptu speech. It is often delivered at private events (e.g., weddings or birthdays) or for training presentation skills.

Declamation Speech

A declamation speech describes the re-giving of an important speech that has been given in the past. It is usually given with a lot of emotion and passion.

External Communication

External communication is the exchange of information between two organisations. For example, it can be an exchange with customers, clients or traders. Feedback from a customer also counts as external communication.

Learning Management System (LMS)

Learning Management Systems (LMS) are online platforms that provide learning resources and support the organisation of learning processes.

The big SlideLizard presentation glossary

The SlideLizard presentation glossary is a large collection of explanations and definitions of terms in the area of presentations, communication, speaking, events, PowerPoint and education.

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9 Delivering a Speech

Introduction

9.1 Managing Public Speaking Anxiety

Sources of speaking anxiety.

Aside from the self-reported data in national surveys that rank the fear of public speaking high for Americans, decades of research conducted by communication scholars shows that communication apprehension is common among college students (Priem & Solomon, 2009). Communication apprehension (CA) is fear or anxiety experienced by a person due to real or perceived communication with another person or persons. CA is a more general term that includes multiple forms of communication, not just public speaking. Seventy percent of college students experience some CA, which means that addressing communication anxiety in a class like the one you are taking now stands to benefit the majority of students (Priem & Solomon, 2009). Think about the jitters you get before a first date, a job interview, or the first day of school. The novelty or uncertainty of some situations is a common trigger for communication anxiety, and public speaking is a situation that is novel and uncertain for many.

Public speaking anxiety is a type of CA that produces physiological, cognitive, and behavioral reactions in people when faced with a real or imagined presentation (Bodie, 2010). Physiological responses to public speaking anxiety include increased heart rate, flushing of the skin or face, and sweaty palms, among other things. These reactions are the result of natural chemical processes in the human body. The fight or flight instinct helped early humans survive threatening situations. When faced with a ferocious saber-toothed tiger, for example, the body released adrenaline, cortisol, and other hormones that increased heart rate and blood pressure to get more energy to the brain, organs, and muscles in order to respond to the threat. We can be thankful for this evolutionary advantage, but our physiology has not caught up with our new ways of life. Our body does not distinguish between the causes of stressful situations, so facing down an audience releases the same hormones as facing down a wild beast.

Cognitive reactions to public speaking anxiety often include intrusive thoughts that can increase anxiety: “People are judging me,” “I’m not going to do well,” and “I’m going to forget what to say.” These thoughts are reactions to the physiological changes in the body but also bring in the social/public aspect of public speaking in which speakers fear being negatively judged or evaluated because of their anxiety. The physiological and cognitive responses to anxiety lead to behavioral changes. All these thoughts may lead someone to stop their speech and return to their seat or leave the classroom. Anticipating these reactions can also lead to avoidance behavior where people intentionally avoid situations where they will have to speak in public.

Addressing Public Speaking Anxiety

While we cannot stop the innate physiological reactions related to anxiety from occurring, we do have some control over how we cognitively process them and the behaviors that result. Research on public speaking anxiety has focused on three key ways to address this common issue: systematic desensitization, cognitive restructuring, and skills training (Bodie,2010).

Although systematic desensitization may sound like something done to you while strapped down in the basement of a scary hospital, it actually refers to the fact that we become less anxious about something when we are exposed to it more often (Bodie, 2010). As was mentioned earlier, the novelty and uncertainty of public speaking is a source for many people’s anxiety. So becoming more familiar with public speaking by speaking more often can logically reduce the novelty and uncertainty of it.

Systematic desensitization can result from imagined or real exposure to anxiety-inducing scenarios. In some cases, an instructor leads a person through a series of relaxation techniques. Once relaxed, the person is asked to imagine a series of scenarios including speech preparation and speech delivery. This is something you could also try to do on your own before giving a speech. Imagine yourself going through the process of preparing and practicing a speech, then delivering the speech, then returning to your seat, which concludes the scenario. Aside from this imagined exposure to speaking situations, taking a communication course like this one is a great way to engage directly in systematic desensitization. Almost all students report that they have less speaking anxiety at the end of a semester than when they started, which is at least partially due to the fact they engaged with speaking more than they would have done if they were not taking the class.

Cognitive Restructuring

Cognitive restructuring entails changing the way we think about something. A first step in restructuring how we deal with public speaking anxiety is to cognitively process through our fears to realize that many of the thoughts associated with public speaking anxiety are irrational (Allen, Hunter & Donohue, 2009). For example, people report a fear of public speaking over a fear of snakes, heights, financial ruin, or even death. It’s irrational to think that the consequences of giving a speech in public are more dire than getting bit by a rattlesnake, falling off a building, or dying. People also fear being embarrassed because they mess up. Well, you cannot literally die from embarrassment, and in reality, audiences are very forgiving and overlook or do not even notice many errors that we, as speakers, may dwell on. Once we realize that the potential negative consequences of giving a speech are not as dire as we think they are, we can move on to other cognitive restructuring strategies.

Communication-orientation modification therapy (COM therapy) is a type of cognitive restructuring that encourages people to think of public speaking as a conversation rather than a performance (Motley, 2009). Many people have a performance-based view of public speaking. This can easily be seen in the language that some students use to discuss public speaking. They say that they “rehearse” their speech, deal with “stage fright,” then “perform” their speech on a “stage.” There is no stage at the front of the classroom; it is a normal floor. To get away from a performance orientation, we can reword the previous statements to say that they “practice” their speech, deal with “public speaking anxiety,” then “deliver” their speech from the front of the room. Viewing public speaking as a conversation also helps with confidence. After all, you obviously have some conversation skills, or you would not have made it to college. We engage in conversations every day. We do not have to write everything we are going to say out on a note card, we do not usually get nervous or anxious in regular conversations, and we are usually successful when we try. Even though we do not engage in public speaking as much, we speak to others in public all the time. Thinking of public speaking as a type of conversation helps you realize that you already have accumulated experiences and skills that you can draw from, so you are not starting from scratch.

Last, positive visualization is another way to engage in cognitive restructuring. Speaking anxiety often leads people to view public speaking negatively. They are more likely to judge a speech they gave negatively, even if it was good. They are also likely to set up negative self-fulfilling prophecies that will hinder their performance in future speeches. To use positive visualization, it is best to engage first in some relaxation exercises such as deep breathing or stretching, and then play through vivid images in your mind of giving a successful speech. Do this a few times before giving the actual speech. Students sometimes question the power of positive visualization, thinking that it sounds corny. Ask an Olympic diver what his or her coach says to do before jumping off the diving board and the answer will probably be “Coach says to image completing a perfect 10 dive.” Likewise a Marine sharpshooter would likely say his commanding officer says to imagine hitting the target before pulling the trigger. In both instances, positive visualization is being used in high-stakes situations. If it is good enough for Olympic athletes and snipers, it is good enough for public speakers.

Skills training is a strategy for managing public speaking anxiety that focuses on learning skills that will improve specific speaking behaviors. These skills may relate to any part of the speech-making process, including topic selection, research and organization, delivery, and self-evaluation. Skills training, like systematic desensitization, makes the public speaking process more familiar for a speaker, which lessens uncertainty. In addition, targeting specific areas and then improving on them builds more confidence, which can in turn lead to more improvement. Feedback is important to initiate and maintain this positive cycle of improvement. You can use the constructive criticism that you get from your instructor and peers in this class to target specific areas of improvement.

Self-evaluation is also an important part of skills training. Make sure to evaluate yourself within the context of your assignment or job and the expectations for the speech. Do not get sidetracked by a small delivery error if the expectations for content far outweigh the expectations for delivery. Combine your self-evaluation with the feedback from your instructor, boss, and/or peers to set specific and measurable goals and then assess whether or not you meet them in subsequent speeches. Once you achieve a goal, mark it off your list and use it as a confidence booster. If you do not achieve a goal, figure out why and adjust your strategies to try to meet it in the future.

Physical Relaxation Exercises

Suggestions for managing speaking anxiety typically address its cognitive and behavioral components, while the physical components are left unattended. While we cannot block these natural and instinctual responses, we can engage in physical relaxation exercises to counteract the general physical signs of anxiety caused by cortisol and adrenaline release, which include increased heart rate, trembling, flushing, high blood pressure, and speech disfluency.

Some breathing and stretching exercises release endorphins, which are your body’s natural antidote to stress hormones. Deep breathing is a proven way to release endorphins. It also provides a general sense of relaxation and can be done discretely, even while waiting to speak. In order to get the benefits of deep breathing, you must breathe into your diaphragm. The diaphragm is the muscle below your lungs that helps you breathe and stand up straight, which makes it a good muscle for a speaker to exercise. To start, breathe in slowly through your nose, filling the bottom parts of your lungs up with air. While doing this, your belly should pooch out. Hold the breath for three to five full seconds and then let it out slowly through your mouth. After doing this only a few times, many students report that they can actually feel a flooding of endorphins, which creates a brief “light-headed” feeling. Once you practice and are comfortable with the technique, you can do this before you start your speech, and no one sitting around you will even notice. You might also want to try this technique during other stressful situations. Deep breathing before dealing with an angry customer or loved one, or before taking a test, can help you relax and focus.

Stretching is another way to release endorphins. Very old exercise traditions like yoga, tai chi, and Pilates teach the idea that stretching is a key component of having a healthy mind and spirit. Exercise in general is a good stress reliever, but many of us do not have the time or willpower to do it. However, we can take time to do some stretching. Obviously, it would be distracting for the surrounding audience if a speaker broke into some planking or Pilates just before his or her speech. Simple and discrete stretches can help get the body’s energy moving around, which can make a speaker feel more balanced and relaxed. Our blood and our energy/ stress have a tendency to pool in our legs, especially when we are sitting.

Vocal Warm-Up Exercises

Vocal warm-up exercises are a good way to warm up your face and mouth muscles, which can help prevent some of the fluency issues that occur when speaking. Newscasters, singers, and other professional speakers use vocal warm-ups. I lead my students in vocal exercises before speeches, which also helps lighten the mood. We all stand in a circle and look at each other while we go through our warm-up list. For the first warm-up, we all make a motorboat sound, which makes everybody laugh. The full list of warm-ups follows and contains specific words and exercises designed to warm up different muscles and different aspects of your voice. After going through just a few, you should be able to feel the blood circulating in your face muscles more. It is a surprisingly good workout!

Top Ten Ways to Reduce Speaking Anxiety

Many factors contribute to speaking anxiety. There are also many ways to address it. The following is a list of the top ten ways to reduce speaking anxiety that I developed with my colleagues, which helps review what we have learned.

• Remember, you are not alone. Public speaking anxiety is common, so do not ignore it—confront it.
• Remember, you cannot literally “die of embarrassment.” Audiences are forgiving and understanding.
• Remember, it always feels worse than it looks.
• Take deep breaths. It releases endorphins, which naturally fight the adrenaline that causes anxiety.
• Look the part. Dress professionally to enhance confidence.
• Channel your nervousness into positive energy and motivation.
• Start your outline and research early. Better information = higher confidence.
• Practice and get feedback from a trusted source. (Do not just practice for your cat.)
• Visualize success through positive thinking.
• Prepare, prepare, prepare! Practice is a speaker’s best friend.

9.2 Delivery Methods and Practice Sessions

There are many decisions to make during the speech-making process. Making informed decisions about delivery can help boost your confidence and manage speaking anxiety. In this section, we will learn about the strengths and weaknesses of various delivery methods. We will also learn how to make the most of your practice sessions.

Delivery Methods

Different speaking occasions call for different delivery methods. While it may be acceptable to speak from memory in some situations, lengthy notes may be required in others. The four most common delivery methods are impromptu, manuscript, memorized, and extemporaneous.

Impromptu Delivery

When using impromptu delivery , a speaker has little to no time to prepare for a speech (LibreTexts, 2021). This means there is little time for research, audience analysis, organizing, and practice. For this reason, impromptu speaking often evokes higher degrees of speaking anxiety than other delivery types. Although impromptu speaking arouses anxiety, it is also a good way to build public speaking skills. Using some of the exercises for managing speaking anxiety discussed earlier in this chapter can help a speaker manage the challenges of impromptu speaking (LibreTexts, 2021). Only skilled public speakers with much experience are usually able to “pull off” an impromptu delivery without looking unprepared. Otherwise, a speaker who is very familiar with the subject matter can sometimes be a competent impromptu speaker, because their expertise can compensate for the lack of research and organizing time.

When Mark Twain famously said, “It usually takes me more than three weeks to prepare a good impromptu speech,” he was jokingly pointing out the difficulties of giving a good impromptu speech, essentially saying that there is no such thing as a good impromptu speech, as good speeches take time to prepare. We do not always have the luxury of preparation, though. So when speaking impromptu, be brief, stick to what you know, and avoid rambling. Quickly organize your thoughts into an introduction, body, and conclusion. Try to determine three key ideas that will serve as the basis of your main points.

When would impromptu speaking be used? Since we have already started thinking of the similarities between public speaking and conversations, we can clearly see that most of our day-to-day interactions involve impromptu speaking. When your roommate asks you what your plans for the weekend are, you do not pull a few note cards out of your back pocket to prompt your response. This type of conversational impromptu speaking is not anxiety inducing because we are talking about our lives, experiences, or something with which we are familiar. This is also usually the case when we are asked to speak publicly with little to no advance warning.

For example, if you are at a meeting for work and you are representing the public relations department, a colleague may ask you to say a few words about a recent news story involving a public relations misstep of a competing company. In this case, you are being asked to speak on the spot because of your expertise. A competent communicator should anticipate instances like this when they might be asked to speak. Of course, being caught completely off guard or being asked to comment on something unfamiliar to you creates more anxiety. In such cases, do not pretend to know something you do not, as that may come back to hurt you later. You can usually mention that you do not have the necessary background information at that time but will follow up later with your comments.

Manuscript Delivery

Speaking from a written or printed document that contains the entirety of a speech is known as manuscript delivery . Manuscript delivery can be the best choice when a speech has complicated information and/or the contents of the speech are going to be quoted or published (LibreTexts, 2021). Despite the fact that most novice speakers are not going to find themselves in that situation, many are drawn to this delivery method because of the security they feel with having everything they are going to say in front of them. Unfortunately, the security of having every word you want to say at your disposal translates to a poorly delivered and unengaging speech (LibreTexts, 2021). Even with every word written out, speakers can still have fluency hiccups and verbal fillers as they lose their place in the manuscript or trip over their words. The alternative, of course, is that a speaker reads the manuscript the whole time, effectively cutting himself or herself off from the audience. One way to make a manuscript delivery more engaging is to use a teleprompter. Almost all politicians who give televised addresses use them.

To make the delivery seem more natural, print the speech out in a larger-than-typical font, triple-space between lines so you can easily find your place, use heavier-than-normal paper so it is easy to pick up and turn the pages as needed, and use a portfolio so you can carry the manuscript securely.

Memorized Delivery

Completely memorizing a speech and delivering it without notes is known as memorized delivery (LibreTexts, 2021). Some students attempt to memorize their speech because they think it will make them feel more confident if they do not have to look at their notes; however, when their anxiety level spikes at the beginning of their speech and their mind goes blank for a minute, many admit they should have chosen a different delivery method. When using any of the other delivery methods, speakers still need to rely on their memory. An impromptu speaker must recall facts or experiences related to their topic, and speakers using a manuscript want to have some of their content memorized so they do not read their entire speech to their audience. The problem with memorized delivery overall is that it puts too much responsibility on our memory, which we all know from experience is fallible (LibreTexts, 2021).

Even with much practice, our memories can fail. If you do opt to use memorized delivery, make sure you have several “entry points” determined, so you can pick up at spots other than the very beginning of a speech if you lose your place and have to start again. Memorized delivery is very useful for speakers who are going to be moving around during a speech when carrying notes would be burdensome. I only recommend memorized delivery in cases where the speech is short (only one to two minutes), the speech is personal (like a brief toast), or the speech will be repeated numerous times (like a tour guide’s story), and even in these cases, it may be perfectly fine to have notes. Many students think that their anxiety and/or delivery challenges will vanish if they just memorize their speech only to find that they are more anxious and have more problems.

Extemporaneous Delivery

Extemporaneous delivery entails memorizing the overall structure and main points of a speech and then speaking from keyword/key-phrase notes (LibreTexts, 2021). This delivery mode brings together many of the strengths of the previous three methods. Since you only internalize and memorize the main structure of a speech, you do not have to worry as much about the content and delivery seeming stale. Extemporaneous delivery brings in some of the spontaneity of impromptu delivery but still allows a speaker to carefully plan the overall structure of a speech and incorporate supporting materials that include key facts, quotations, and paraphrased information (LibreTexts, 2021). You can also more freely adapt your speech to fit various audiences and occasions, since not every word and sentence is predetermined. This can be especially beneficial when you deliver a speech multiple times.

When preparing a speech that you will deliver extemporaneously, you will want to start practicing your speech early and then continue to practice as you revise your content. Investing quality time and effort into the speech-outlining process helps with extemporaneous delivery. As you put together your outline, you are already doing the work of internalizing the key structure of your speech. Read parts of your outline aloud as you draft them to help ensure they are written in a way that makes sense and is easy for you to deliver.

By the time you complete the formal, full-sentence outline, you should have already internalized much of the key information in your speech. Now, you can begin practicing with the full outline. As you become more comfortable with the content of your full outline, start to convert it into your speaking outline. Take out information that you know well and replace it with a keyword or key phrase that prompts your memory. You will probably want to leave key quotes, facts, and other paraphrased information, including your verbal source citation information, on your delivery outline so you make sure to include it in your speech. Once you’ve converted your full outline into your speaking outline, practice it a few more times, making sure to take some time between each practice session so you don’t inadvertently start to memorize the speech word for word. The final product should be a confident delivery of a well-organized and structured speech that is conversational and adaptable to various audiences and occasions.

Practicing Your Speech

Practicing a speech is essential, and practice sessions can be more or less useful depending on how you approach them (Dlugan, 2008). There are three primary phases to the practice process. In the first phase, you practice as you are working through your ideas and drafting your outline. In the second, you practice for someone and get feedback (Dlugan, 2008). In the third, you put the final changes on the speech.

Start practicing your speech early, as you are working through your ideas, by reading sections aloud as you draft them into your working outline. This will help ensure your speech is fluent and sounds good for the audience. Start to envision the audience while you practice and continue to think about them throughout the practicing process. This will help minimize anxiety when you actually have them sitting in front of you. Once you have completed your research and finished a draft of your outline, you will have already practiced your speech several times, as you were putting it together. Now, you can get feedback on the speech as a whole.

You begin to solicit feedback from a trusted source in the second phase of practicing your speech (Dlugan, 2008). This is the most important phase of practicing, and the one that most speakers do not complete. Beginning speakers may be nervous to practice in front of someone. That is normal. However, review the strategies for managing anxiety discussed earlier in this chapter and try to face that anxiety. After all, you will have to face a full audience when you deliver the speech, so getting used to speaking in front of someone can only help you at this point. Choose someone who will give you constructive feedback on your speech. Before you practice for them, explain the assignment or purpose of the speech. When practicing for a classroom speech, you may even want to give the person the assignment guidelines or a feedback sheet that has some key things for them to look for. Ask them for feedback on content and delivery. Almost anyone is good at evaluating delivery, but it is more difficult to evaluate content. In addition, in most cases, the content of your speech will be account for more of your grade. Also, begin to time your speech at this point, so you can determine if it meets any time limits that you have.

In addition to practicing for a trusted source for feedback, you may want to audio or video record your speech (Dlugan, 2008). This can be useful because it provides an objective record that you can then compare with the feedback you got from your friend and to your own evaluation of your speech. The most important part of this phase is incorporating the feedback you receive into your speech. If you practice for someone, get feedback, and then do not do anything with the feedback, then you have wasted your time and theirs. Use the feedback to assess whether or not you met your speaking goals. Was your thesis supported? Was your specific purpose met? Did your speech conform to any time limits that were set? Based on your answers to these questions, you may need to make some changes to your content or delivery, so do not put this part of practicing off to the last minute. Once the content has been revised as needed, draft your speaking outline and move on to the next phase of practice.

During the third and final phase of practice, you are putting the final changes on your speech. You should be familiar with the content based on your early practice sessions. You have also gotten feedback and incorporated that feedback into the speech. Your practice sessions at this point should pre-create, as much as possible, the conditions in which you will be giving your speech. You should have your speaking outline completed so you can practice with it. It is important to be familiar with the content on your note cards or speaking outline so you will not need to rely on it so much during the actual delivery. You may also want to practice in the type of clothing you will be wearing on speech day. This can be useful if you are wearing something you do not typically wear—a suit for example—so you can see how it might affect your posture, gestures, and overall comfort level.

If possible, at least one practice session in the place you will be giving the speech can be very helpful; especially if it is a room you are not familiar with. Make sure you are practicing with any visual aids or technology you will use so you can be familiar with it and it does not affect your speech fluency. (Dlugan, 2008).Continue to time each practice round. If you are too short or too long, you will need to go back and adjust your content some more. Always adjust your content to fit the time limit; do not try to adjust your delivery. Trying to speed talk or stretch things out to make a speech faster or longer is a mistake that will ultimately hurt your delivery, which will hurt your credibility. The overall purpose of this phase of practicing is to minimize surprises that might throw you off on speech day.

Vocal Delivery

Vocal delivery includes components of speech delivery that relate to your voice. These include rate, volume, pitch, articulation, pronunciation, and fluency. Our voice is important to consider when delivering our speech for two main reasons. First, vocal delivery can help us engage and interest the audience. Second, vocal delivery helps ensure we communicate our ideas clearly.

Speaking for Engagement

We have all had the displeasure of listening to an unengaging speaker. Even though the person may care about his or her topic, an unengaging delivery that does not communicate enthusiasm will translate into a lack of interest for most audience members (Davis, 2021). Although a speaker can be visually engaging by incorporating movement and gestures, a flat or monotone vocal delivery can be sedating or even annoying. Incorporating vocal variety in terms of rate, volume, and pitch is key to being a successful speaker.

Rate of speaking refers to how fast or slow you speak (Barnard, 2018). If you speak too fast, your audience will not be able to absorb the information you present. If you speak too slowly, the audience may lose interest. The key is to vary your rate of speaking in a middle range, staying away from either extreme, in order to keep your audience engaged. In general, a higher rate of speaking signals that a speaker is enthusiastic about his or her topic. Speaking slowly may lead the audience to infer that the speaker is uninterested, uninformed, or unprepared to present his or her own topic. These negative assumptions, whether they are true or not, are likely to hurt the credibility of the speaker (Barnard, 2018). The goal is to speak at a rate that will interest the audience and will effectively convey your information. Speaking at a slow rate throughout a speech would likely bore an audience, but that is not a common occurrence.

Volume refers to how loud or soft your voice is. As with speaking rate, you want to avoid the extremes of being too loud or too soft, but still vary your volume within an acceptable middle range (Packard, 2020). When speaking in a typically sized classroom or office setting that seats about twenty-five people, using a volume a few steps above a typical conversational volume is usually sufficient. When speaking in larger rooms, you will need to project your voice. You may want to look for nonverbal cues from people in the back rows or corners, like leaning forward or straining to hear, to see if you need to adjust your volume more. Obviously, in some settings, a microphone will be necessary so the entire audience can hear you. Like rate, audiences use volume to make a variety of judgments about a speaker. Sometimes, softer speakers are judged as meek (Packard, 2020). This may lead to lowered expectations for the speech or less perceived credibility. Loud speakers may be seen as overbearing or annoying, which can lead audience members to disengage from the speaker and message. Be aware of the volume of your voice and, when in doubt, increase your volume a notch, since beginning speakers are more likely to have an issue of speaking too softly rather than too loudly.

Pitch refers to how high or low a speaker’s voice is. As with other vocal qualities, there are natural variations among people’s vocal pitch. Unlike rate and volume, we have less control over pitch. For example, males generally have lower pitched voices than females. Despite these limitations, each person still has the capability to change their pitch across a range large enough to engage an audience. Changing pitch is a good way to communicate enthusiasm and indicate emphasis or closure (Scotti, 2015). In general, our pitch goes up when we are discussing something exciting. Our pitch goes down slightly when we emphasize a serious or important point. Lowering pitch is also an effective way to signal transitions between sections of your speech or the end of your speech, which cues your audience to applaud and avoids an awkward ending.

Of the vocal components of delivery discussed so far, pitch seems to give beginning speakers the most difficulty. It is as if giving a speech temporarily numbs their ability to vary their pitch. Record yourself practicing your speech to help determine if the amount of pitch variety and enthusiasm you think you convey while speaking actually comes through. Speakers often assume that their pitch is more varied and their delivery more enthusiastic than the audience actually perceives it to be (Scotti, 2015). Many students note this on the self-evaluations they write after viewing their recorded speech.

Vocal Variety

Overall, the lesson to take away from this section on vocal delivery is that variety is key. Vocal variety includes changes in your rate, volume, and pitch that can make you look more prepared, seem more credible, and be able to engage your audience better (Moore, 2015). Employing vocal variety is not something that takes natural ability or advanced skills training. It is something that beginning speakers can start working on immediately and everyone can accomplish. The key is to become aware of how you use your voice when you speak, and the best way to do this is to record yourself (Moore, 2015). We all use vocal variety naturally without thinking about it during our regular conversations, and many of us think that this tendency will translate over to our speaking voices. This is definitely not the case for most beginning speakers. Unlike in your regular conversations, it will take some awareness and practice to use vocal variety in speeches. I encourage students to make this a delivery priority early on. Since it is something anyone can do, improving in this area will add to your speaking confidence, which usually translates into better speeches and better grades further on.

Speaking for Clarity

In order to be an effective speaker, your audience should be able to understand your message and digest the information you present (Rampton, 2021). Audience members will make assumptions about our competence and credibility based on how we speak. As with other aspects of speech delivery, many people are not aware that they have habits of speech that interfere with their message clarity. Since most of our conversations are informal and take place with people we know, many people do not make a concerted effort to articulate every word clearly and pronounce every word correctly (Rampton, 2021). Most of the people we talk to either do not notice our errors or do not correct us if they do notice. Since public speaking is generally more formal than our conversations, we should be more concerned with the clarity of our speech.

Articulation

Articulation refers to the clarity of sounds and words we produce. If someone is articulate, they speak words clearly, and speakers should strive to speak clearly. Poor articulation results when speakers do not speak clearly (Ward, 2020). For example, a person may say dinnt instead of didn’t , gonna instead of going to , wanna instead of want to , or hunnerd instead of hundred . Unawareness and laziness are two common challenges to articulation. As with other aspects of our voice, many people are unaware that they regularly have errors in articulation. Recording yourself speak and then becoming a higher self-monitor are effective ways to improve your articulation. Laziness, on the other hand, requires a little more motivation to address. Some people just get in the habit of not articulating their words well. Both mumbling and slurring are examples of poor articulation. In informal settings, this type of speaking may be acceptable, but in formal settings, it will be evaluated negatively. It will hurt a speaker’s credibility. Perhaps the promise of being judged more favorably is enough to motivate a mumbler to speak more clearly.

When combined with a low volume, poor articulation becomes an even greater problem. Doing vocal warm-ups like the ones listed in Section 10.1 “Managing Public Speaking Anxiety” or tongue twisters can help prime your mouth, lips, and tongue to articulate words more clearly. When you notice that you have trouble articulating a particular word, you can either choose a different word to include in your speech or you can repeat it a few times in a row in the days leading up to your speech to get used to saying it.

Pronunciation

Unlike articulation, which focuses on the clarity of words, pronunciation refers to speaking words correctly, including the proper sounds of the letters and the proper emphasis (Shtern, 2017). Mispronouncing words can damage a speaker’s credibility, especially when the correct pronunciation of a word is commonly known. We all commonly run into words that we are unfamiliar with and therefore may not know how to pronounce. Here are three suggestions when faced with this problem. First, look the word up in an online dictionary. Many dictionaries have a speaker icon with their definitions, and when you click on it, you can hear the correct pronunciation of a word. Some words have more than one pronunciation—for example, Caribbean —so choosing either of the accepted pronunciations is fine. Just remember to use consistently that pronunciation to avoid confusing your audience. If a word does not include an audio pronunciation, you can usually find the phonetic spelling of a word, which is the word spelled out the way it sounds.

Second, there will occasionally be words that you cannot locate in a dictionary. These are typically proper nouns or foreign words. In this case, use the “phone-a-friend” strategy. Call up the people you know who have large vocabularies or are generally smart when it comes to words, and ask them if they know how to pronounce it. If they do, and you find them credible, you are probably safe to take their suggestion.

Third, “fake it ‘til you make it” should only be used as a last resort. If you cannot find the word in a dictionary and your smart friends do not know how to pronounce it, it is likely that your audience will also be unfamiliar with the word. In that case, using your knowledge of how things are typically pronounced, decide on a pronunciation that makes sense and confidently use it during your speech. Most people will not question it. In the event that someone does correct you on your pronunciation, thank him or her for correcting you and adjust your pronunciation.

Fluency refers to the flow of your speaking. To speak with fluency means that your speech flows well and that there are not many interruptions to that flow. Two main disfluencies or problems affect the flow of a speech. Fluency hiccups are unintended pauses in a speech that usually result from forgetting what you were saying, being distracted, or losing your place in your speaking notes. Fluency hiccups are not the same as intended pauses, which are useful for adding emphasis or transitioning between parts of a speech. While speakers should try to minimize fluency hiccups, even experienced speakers need to take an unintended pause sometimes to get their bearings or to recover from an unexpected distraction. Fluency hiccups become a problem when they happen regularly enough to detract from the speaker’s message.

Verbal fillers are words that speakers use to fill in a gap between what they were saying and what they are saying next (Hennessy, 2019). Common verbal fillers include um , uh , ah , er , you know , and like . The best way to minimize verbal fillers is to become a higher self-monitor and realize that you use them. Many students are surprised when they watch the video of their first speech and realize they said “um” thirty times in three minutes. Gaining that awareness is the first step in eliminating verbal fillers, and students make noticeable progress with this between their first and second speeches (Hennessy, 2019). If you do lose your train of thought, having a brief fluency hiccup is better than injecting a verbal filler, because the audience may not even notice the pause or may think it was intentional.

9.3 Physical Delivery

Physical delivery.

Many speakers are more nervous about physical delivery than vocal delivery. Putting our bodies on the line in front of an audience often makes us feel more vulnerable than putting our voice out there. Yet most audiences are not as fixated on our physical delivery as we think they are. Knowing this can help relieve some anxiety, but it does not give us a free pass when it comes to physical delivery. We should still practice for physical delivery that enhances our verbal message. Physical delivery of a speech involves nonverbal communication through the face and eyes, gestures, and body movements.

Physical Delivery and the Face

We tend to look at a person’s face when we are listening to them (Hoffler, 2016). Again, this often makes people feel uncomfortable and contributes to their overall speaking anxiety. Many speakers do not like the feeling of having “all eyes” on them, even though having a room full of people avoiding making eye contact with you would be much more awkward. Remember, it is a good thing for audience members to look at you, because it means they are paying attention and interested. Audiences look toward the face of the speaker for cues about the tone and content of the speech.

Facial Expressions

Facial expressions can help bring a speech to life when used by a speaker to communicate emotions and demonstrate enthusiasm for the speech (Hoffler, 2016). As with vocal variety, we tend to use facial expressions naturally and without conscious effort when engaging in day-to-day conversations. Yet many speakers’ expressive faces turn “deadpan” when they stand in front of an audience. Some people naturally have more expressive faces than others do have—think about the actor Jim Carey’s ability to contort his face as an example. However, we can also consciously control and improve on our facial expressions to be speakers that are more effective. As with other components of speech delivery, becoming a higher self-monitor and increasing your awareness of your typical delivery habits can help you understand, control, and improve your delivery. Although you should not only practice your speech in front of a mirror, doing so can help you get an idea of how expressive or unexpressive your face is while delivering your speech.

Facial expressions help set the emotional tone for a speech, and it is important that your facial expressions stay consistent with your message (Hoffler, 2016). In order to set a positive tone before you start speaking, briefly look at the audience and smile. A smile is a simple but powerful facial expression that can communicate friendliness, openness, and confidence. Facial expressions communicate a range of emotions and are associated with various moods or personality traits.

For example, combinations of facial expressions can communicate that a speaker is tired, excited, angry, confused, frustrated, sad, confident, smug, shy, or bored, among other things. Even if you are not bored, for example, a slack face with little animation may lead an audience to think that you are bored with your own speech, which is not likely to motivate them to be interested. So make sure your facial expressions are communicating an emotion, mood, or personality trait that you think your audience will view favorably. Also, make sure your facial expressions match with the content of your speech. When delivering something lighthearted or humorous, a smile, bright eyes, and slightly raised eyebrows will nonverbally enhance your verbal message. When delivering something serious or somber, a furrowed brow, a tighter mouth, and even a slight head nod can enhance that message. If your facial expressions and speech content are not consistent, your audience could become confused by the conflicting messages, which could lead them to question your honesty and credibility.

Eye Contact

Eye contact is an important element of nonverbal communication in all communication settings. Eye contact can also be used to establish credibility and hold your audience’s attention (Barnard, 2017). We often interpret a lack of eye contact to mean that someone is not credible or not competent, and as a public speaker, you do not want your audience thinking either of those things. Eye contact holds attention because an audience member who knows the speaker is making regular eye contact will want to reciprocate that eye contact to show that they are paying attention. This will also help your audience remember the content of your speech better, because acting as if we are paying attention actually leads us to pay attention and better retain information.

Norms for eye contact vary among cultures (Barnard, 2017). Therefore, it may be difficult for speakers from countries that have higher power distances or are more collectivistic to get used to the idea of making direct and sustained eye contact during a speech. In these cases, it is important for the speaker to challenge himself or herself to integrate some of the host culture’s expectations and for the audience to be accommodating and understanding of the cultural differences.

Physical Delivery and the Body

Have you ever gotten dizzy as an audience member because the speaker paced back and forth? Anxiety can lead us to do some strange things with our bodies, like pacing, that we do not normally do, so it is important to consider the important role that your body plays during your speech. We call extra movements caused by anxiety nonverbal adaptors . Most of them manifest as distracting movements or gestures. These nonverbal adaptors, like tapping a foot, wringing hands, playing with a paper clip, twirling hair, jingling change in a pocket, scratching, and many more, can definitely detract from a speaker’s message and credibility. Conversely, a confident posture and purposeful gestures and movement can enhance both.

Posture is the position we assume with our bodies, either intentionally or out of habit. Although people, especially young women, used to be trained in posture, often by having them walk around with books stacked on their heads, you should use a posture that is appropriate for the occasion while still positioning yourself in a way that feels natural. In a formal speaking situation, it is important to have an erect posture that communicates professionalism and credibility (Clayton, 2018). However, a military posture of standing at attention may feel and look unnatural in a typical school or business speech. In informal settings, it may be appropriate to lean on a table or lectern, or even sit among your audience members (Clayton, 2018). Head position is also part of posture. In most speaking situations, it is best to keep your head up, facing your audience. A droopy head does not communicate confidence. Consider the occasion important, as an inappropriate posture can hurt your credibility.

Gestures include arm and hand movements. We all go through a process of internalizing our native culture from childhood. An obvious part of this process is becoming fluent in a language. Perhaps less obvious is the fact that we also become fluent in nonverbal communication, gestures in particular. We all use hand gestures while we speak, but we didn’t ever take a class in matching verbal communication with the appropriate gestures; we just internalized these norms over time based on observation and put them into practice. By this point in your life, you have a whole vocabulary of hand movements and gestures that spontaneously come out while you are speaking. Some of these gestures are emphatic and some are descriptive (Koch, 2007).

Emphatic gestures are the most common hand gestures we use, and they function to emphasize our verbal communication and often relate to the emotions we verbally communicate (Toastmasters International, 2011). Pointing with one finger or all the fingers straight out is an emphatic gesture. We can even bounce that gesture up and down to provide more emphasis. Moving the hand in a circular motion in front of our chest with the fingers spread apart is a common emphatic gesture that shows excitement and often accompanies an increased rate of verbal speaking. We make this gesture more emphatic by using both hands. Descriptive gestures function to illustrate or refer to objects rather than emotions (Toastmasters International, 2011). We use descriptive gestures to indicate the number of something by counting with our fingers or the size, shape, or speed of something. Our hands and arms are often the most reliable and easy-to-use visual aids a speaker can have.

While the best beginning strategy is to gesture naturally, you also want to remain a high self-monitor and take note of your typical patterns of gesturing. If you notice that you naturally gravitate toward one particular gesture, make an effort to vary your gestures more. You also want your gestures to be purposeful, not limp or lifeless.

Sometimes movement of the whole body, instead of just gesturing with hands, is appropriate in a speech. When students are given the freedom to move around, it often ends up becoming floating or pacing, which are both movements that comfort a speaker by expending nervous energy but only serve to distract the audience (Toastmasters International, 2011). Floating refers to speakers who wander aimlessly around, and pacing refers to speakers who walk back and forth in the same path. To prevent floating or pacing, make sure that your movements are purposeful. Many speakers employ the triangle method of body movement where they start in the middle, take a couple steps forward and to the right, then take a couple steps to the left, then return to the center. Obviously, you do not need to do this multiple times in a five- to ten-minute speech, as doing so, just like floating or pacing, tends to make an audience dizzy.

To make your movements appear more natural, time them to coincide with a key point you want to emphasize or a transition between key points. Minimize other movements from the waist down when you are not purposefully moving for emphasis. Speakers sometimes tap or shuffle their feet, rock, or shift their weight back and forth from one leg to the other. Keeping both feet flat on the floor, and still, will help avoid these distracting movements (Toastmasters International, 2011).

Credibility and Physical Delivery

Audience members primarily take in information through visual and auditory channels. Just as the information you present verbally in your speech can add to or subtract from your credibility, nonverbal communication that accompanies your verbal messages affects your credibility.

Professional Dress and Appearance

No matter what professional field you go into, you will need to consider the importance of personal appearance (Caffrey, 2020). Although it may seem petty or shallow to put so much emphasis on dress and appearance, impressions matter, and people make judgments about our personality, competence, and credibility based on how we look. In some cases, you may work somewhere with a clearly laid out policy for personal dress and appearance. In many cases, the suggestion is to follow guidelines for “business casual.”

Despite the increasing popularity of this notion over the past twenty years, people’s understanding of what business casual means is not consistent (Caffrey, 2020). The formal dress codes of the mid-1900s, which required employees to wear suits and dresses, gave way to the trend of business casual dress, which seeks to allow employees to work comfortably while still appearing professional. While most people still dress more formally for job interviews or high-stakes presentations, the day-to-day dress of working professionals varies.

Visual Aids and Delivery

Visual aids play an important role in conveying supporting material to your audience. They also tie to delivery, since using visual aids during a speech usually requires some physical movements. It is important not to let your use of visual aids detract from your credibility (Beqiri, 2018). Many good speeches are derailed by posters that fall over, videos with no sound, and uncooperative PowerPoint presentations.

Figure 9.1: Systematic desensitization can include giving more public speeches, taking communication courses, or imagining public speaking scenarios. William Moreland. 2019. Unsplash license . https://unsplash.com/photos/GkWP64truqg

Figure 9.2: Vocal warm-up exercises. Andrea Piacquadio. 2020. Pexels license . https://www.pexels.com/photo/man-in-red-polo-shirt-3779453/

Figure 9.3: Primary phases to the practice process. Kindred Grey. 2022. CC BY 4.0 .

Figure 9.4: Three facets of speaking for clarity. Kindred Grey. 2022. CC BY 4.0 .

Figure 9.5: Facial expressions set the tone for a speech, and should be consistent with your message. Afif Kusuma. 2021. Unsplash license . https://unsplash.com/photos/F3dFVKj6q8I

Figure 9.6: To make your movements appear natural, time them to coincide with a key point. Product School. 2019. Unsplash license . https://unsplash.com/photos/S3hhrqLrgYM

Section 9.1

Allen, M., Hunter, J. E., & Donohue, W. A. (1989). Meta-analysis of self-report data on the effectiveness of public speaking anxiety treatment techniques. Communication Education, 38 (1), 54–76. https://doi.org/10.1080/03634528909378740

Bodie, G. D. (2010). A racing heart, rattling knees, and ruminative thoughts: Defining, explaining, and treating public speaking anxiety. Communication Education, 59 (1), 70–105. https://doi.org/10.1080/03634520903443849

Motley, M. T. (2009). COM therapy. In J. A. Daly, J. C. McCroskey, J. Ayres, T. Hopf, and D. M. Ayers Sonandré (Eds.), Avoiding communication: Shyness, reticence, and communication apprehension (pp. 379-400) (3rd ed.). Hampton Press.

Priem, J. S., & Haunani Solomon, D. (2009). Comforting apprehensive communicators: The effects of reappraisal and distraction on cortisol levels among students in a public speaking class. Communication Quarterly, 57 (3), 259-281.

Section 9.2

Barnard, D. (2018, January 20). Average speaking rate and words per minute . https://virtualspeech.com/blog/average-speaking-rate-words-per-minute

Davis, B. (2021, June 1). Why is audience engagement important? https://www.mvorganizing.org/why-is-audience-engagement-important/

Hennessy, C. (2019, March 27). Verbal filler: How to slow the flow . https://www.throughlinegroup.com/2019/03/27/verbal-filler-how-to-slow-the-flow/

LibreTexts. (2021, February 20). Methods of speech delivery . https://socialsci.libretexts.org/Bookshelves/Communication/Public_Speaking/Exploring_Public_Speaking_(Barton_and_Tucker)/11%3A_Delivery/11.02%3A_Methods_of_Speech_Delivery

Moore, K. (2015, January 13). Public speaking tips: Use vocal variety like a pro! https://coachkiomi.com/best-public-speaking-tips-use-vocal-variety/

Packard, D. (2020, July 13). Speaking up: How to increase the volume of your voice . https://packardcommunications.com/speaking-up-how-to-increase-the-volume-of-your-voice/

Rampton, J. (2021, July 27). Learning to speak with clarity . https://www.calendar.com/blog/learning-to-speak-with-clarity/

Scotti, S. (2015, December 1). Vocal delivery: Take command of your voice . https://professionallyspeaking.net/vocal-delivery-take-command-of-your-voice-part-one/

Shtern, A. (2017, April 17). The importance of good pronunciation . https://shaneschools.com/en/the-importance-of-good-pronunciation/

Section 9.3

Barnard, D. (2017, October 24). The importance of eye contact during a presentation . https://virtualspeech.com/blog/importance-of-eye-contact-during-a-presentation

Beqiri, G. (2018, June 21). Using visual aids during a presentation or training session . https://virtualspeech.com/blog/visual-aids-presentation

Caffrey, A. (2020, February 25). The importance of personal appearance . http://www.publicspeakingexpert.co.uk/importanceofpersonalappearance.html

Clayton, D. (2018, October 31). The importance of good posture in public speaking . https://simplyamazingtraining.co.uk/blog/good-posture-public-speaking

Hoffler, A. (2016, June 7). Why facial expressions are important in public speaking . https://www.millswyck.com/2016/06/07/the-importance-of-facial-expression/

Koch, A. (2007). Speaking with a purpose (7th ed.). Pearson, 2007.

Toastmasters International. (2011). Gestures: Your body speaks . https://web.mst.edu/~toast/docs/Gestures.pdf

Fear or anxiety experience by a person due to real or perceived communication with another person or persons. This is a fear or anxiety that involves several types of communication not limited to public speaking.

Type of communication apprehension that produces physiological, cognitive, and behavioral reactions in people when faced with a real or imagined presentation

A type of cognitive restructuring that encourages people to think of public speaking as conversation rather than a performance

When a speaker has little or no time to prepare a speech

Speaking from a well written or printed document that contains the entirety of a speech

Completely memorizing a speech and delivering it without notes

Memorizing the overall structure and main points of a speech and then speaking from keyword/key-phrase notes

Refers to how fast or slow you speak

Refers to how loud or soft you speak

Refers to how high or low a speaker’s voice is

Changes in your rate, volume, and pitch that make you sound more prepared and credible

Refers to the clarity of sounds and words you pronounce

Whether you say the words correctly

Refers to the flow of your speaking

Unintended pauses in a speech that usually result from forgetting what you were saying, being distracted, or losing your place in speaking

The umms, uhhs, and other linguistic pauses of conversation

The feelings expressed on a person’s face

The act of looking directly into one another’s eyes

Extra movements caused by anxiety (i.e., tapping your foot, wringing your hands, playing with a paperclip, twirling hair, or scratching)

The position in which someone holds their body when standing or sitting

A movement of part of the body, especially a hand or the head, to express an idea or meaning

Communication in the Real World Copyright © by Faculty members in the School of Communication Studies, James Madison University is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License , except where otherwise noted.

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7.2: Four Types of Speeches

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Speeches can be categorized into four broad areas depending on the amount of preparation that is undertaken and depending upon the nature of the occasion.  The four types of speeches are manuscript, memorized, extemporaneous, and impromptu.  Our aim is to acquaint you with these four different modes of delivery, to provide suggestions for when you are asked to make impromptu remarks, and then to focus most your time on the preparation, practice, and presentation of extemporaneous speeches.

Manuscript Speech

When you listen to the President deliver a State of the Union message, you listen to a well-crafted speech being read from a teleprompter. The speech has been polished by a staff of speechwriters and has been practiced many times. The President will know how to anticipate the reaction of the audience and will know when to pause for applause and when to expect laughter. This form of speaking is used when the exact words matter and when much time and energy is expended on getting everything just right. There are times when people who are not leaders of countries deliver manuscript speeches as well. They are used when people testify before Congress, when people read important statements in a public setting, or when people deliver reports at professional meetings. All call for exact words in the correct order.

While the President has access to a staff of speech writers and a teleprompter, most of us do not. If you were given this type of assignment, you would have to read your manuscript speech from printed notes. In that case, you would want to ensure that you had prepared your manuscript carefully, using large fonts so you could read it easily without burying your nose in the pages. Reading the speech does not allow you to skimp on the preparation. Practice the speech many times. This allows you to make changes, if needed, and to select the best words to communicate your exact meaning. Remember to speak clearly and naturally -strive for a conversational tone. It shouldn’t sound read -even if you are reading. Also, remember to speak slowly; there is a natural tendency to speed up when we speak in public. Delivering a speech is not a race; you do not receive bonus points for finishing early.

Unless you are specifically told by your instructor to prepare and deliver a manuscript speech, you should never write out the entire speech. Spend your time developing your outline, organizing your ideas, and determining where you can best insert your supports. Then practice using the outline while speaking.

Memorized Speech

When you were in elementary school, did you ever have to memorize a poem or a part of a speech? If you are like most students, the answer is “Yes. ” There is nothing wrong with memorization. But if you try to memorize a speech, you risk forgetting what you planned to say and coming across as completely unprepared. Memorizing your speech is even worse than reading it. All the objections that apply to the read speech also apply to the memorized speech. Spontaneity is gone. The speech can sound stilted. Often, delivery is too rapid. Concentration is on the words, not the ideas. Sometimes the speech sounds too formal, like a written essay. There is minimal feedback or other contact with the audience. And what happens if your mind goes completely blank or if an audience member interrupts? The entire presentation will likely fall apart. Memorizing a speech puts entirely too much pressure on the speaker.

That said, there are a couple of parts of the speech that you may want to have memorized -or practiced so well that you can deliver them almost as if memorized. These include:

Your introduction:  It sets the stage for the entire speech. The words should be well chosen and rehearsed. You may find that as you repeat this portion of the speech during your rehearsals you do come to memorize it word for word. If so, this is fine. After all, once you have determined the best way of saying something, why not use it? Just make sure the presentation does not sound memorized.

Your conclusion:  The summary and call to action are the final words that your audience will hear. As with the introduction, if you practice this repeatedly you will develop the best way to say what you want and you will probably have perfected this portion of the speech.

Impromptu Speech

There will come a time for all of us when we are asked to “say a few words ” without much preparation.  You haven’t prepared any notes, you haven’t practiced what you’ll say, and you’re being asked to “wing it. ” While this may seem incredibly scary, impromptu presentations are the most common type of public speaking. You’re in class and suddenly the professor wants to hear how group projects are going. You, as the leader of your group, are asked to stand and briefly discuss what the group is doing and how much you’ve completed so far. That’s an impromptu speech. You didn’t know when you headed to class that day that you’d be speaking in public, but you did it. No sweat! Or maybe you’re in a meeting at work and the boss announces that he wants you to brief everyone in the meeting on the new equipment being installed that afternoon. Again, no prior planning, no notes, you just do it. That’s impromptu speaking.

Extemporaneous Speech

The focus of most college courses in public speaking is the extemporaneous speech.  This is because this is the type of speech used most in business, education, preaching, and political affairs. Few of us will ever have a professional staff of speechwriters or ever deliver a speech with the aid of a teleprompter. But when you do have a speech or presentation to deliver, you’ll want to sound prepared, authoritative, and clear.

Simply stated, an extemporaneous speech is one where you will have time for preparation and practice but will not be expected to read from a manuscript or to have the speech memorized.  The question most students ask is, “How much time should be spent in preparation and practice? ” Perhaps Mark Twain said it best. When speaking about preparing for an impromptu speech, he noted, “It usually takes more than three weeks to prepare a good impromptu speech ” (King). While celebrated as a humorist, there is much truth in his words. To appear to be speaking off the cuff, and to do it well, you must prepare thoroughly and practice to perfection. When you speak extemporaneously, it means you’ve had ample time to prepare and research and that you have rehearsed your speech (many times) using an outline or notes to remind you of the progression of ideas you wish to present. You will follow all the normal steps outlined in the earlier chapters. Choose a topic, narrow appropriately, analyze your audience, choose your supports, and create an outline. You will know your speech so well and will amaze your audience!

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5 Manuscript Speech Tips

We like presentations that are delivered without fear, and without a script. But, if you find yourself in a public speaking circumstance where you need to read from a prepared manuscript, here are five tips to help guarantee smooth delivery.

1) Large Type . Print out your speech in type that is large enough to be read easily from a lectern. Place sheets in sheet protectors and place them in an unobtrusive thin white three-ring binder. Arrange the pages so that there are always two full pages facing you, which minimizes page-turning. That means some sheet protectors will have two pages in them, back-to-back. Here’s a short video showing what that looks like.

2) Practice Reading Aloud. Practice reading out loud and turning the pages. Try to look up from the pages as much as possible so that when you deliver the speech, you will be able to make eye contact with your audience. Use intonation when reading so that you don’t sound monotone or like you are reading it for the first time. Read in a conversational tone. Make sure you are pronouncing all the words you are using correctly.

3) Focus on your vocal variety . Remember that pausing can be powerful. Pause before and after an important point. If you are a natural fast-talker, slow down when you make important points. Practice your pace. Find the right speed. Your goal for your conclusion should be that everyone will know that you are done without you have to say “thank you.”  You accomplish that by adjusting your pace and pause, and, to a lesser extent, your pitch and power.

4) Research. Before you speak, find out if the lectern will be lit well enough for you to read. Don’t forget to bring reading glasses if you need them. Also, find out if you will be speaking with a microphone and practice accordingly. If the speech is supposed to be a particular length, practice with a timer. By aware that some people read faster at a live event because of adrenaline.

5) Practice, practice, practice. Always read out loud. Practice reading it in front of friends or family. Record yourself.

By following these tips, you can turn a manuscript speech into a well-delivered presentation.

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How To Write A Manuscript For A Speech

Public speaking can fill one with a sense of dread, but knowing how to write a manuscript for a speech can make the difference between a successful speaking engagement and one that is not.  Many factors should be considered when preparing a speech.

Preparing an outline is always helpful; make headings that clearly make key points and fill in the facts that are to be presented under each heading.    Consider the phrasing of the headlines as they can be directly used as  the introductory sentences to your points.

Knowing the key target audience is the most important factor in writing the manuscript.  Avoid speaking over them; a group of highschool kids will need to be addressed in a different way than a roomful of adults.  Keep the tone of the speech inline with the target audience.   Lightheartedness may not be an appropriate tone for all occassions, but this approach is perfect for a younger audience.

Knowing how to write a manuscript for a speech sounds like an overwhelming task, but backing up the outline with well researched information keeps the manuscript interesting.  When doing fact based research, try to find a new angle for the information.  A speech on the deadly effects of carbon monoxide in and of itself, for instance, could be boring to listeners who already know that this is a deadly exposure.  Liven the speech up with unusual facts as well, such as that in the 1800’s through the 1900’s carbon monoxide released through gas lamps accounted for sightings of ghosts and other hallucinations, and that Edgar Allen Poe is thought to have been suffering the effects of chronic carbon monoxide poisoning while writing his works.  These facts would be a pertinent, entertaining and unusual way to grab audience attention.  Be sure any facts offered are well researched and accurate, but do not drag the audience attention down with citing continued fact references.  Terms such as “research shows” or “it has been found that” are often a better lead up to your facts and continue to keep audience attention.

Remember when writing the speech that the amount of time taken to prepare it is often far short of the amount of time it will take to deliver it.  It is better to prepare the manuscript to be longer and pare it down than to consider it finished and have to add material.  Using the method of paring down rather than adding on allows the ideas to flow freely, whereas adding material can often result in a speech that sounds choppy.

Once the manuscript is written, preparing to deliver it can be done at first in front of a mirror and then in front of family and friends.  These practice sessions do more than boost confidence, they allow the speaker to practice inflection and emphasis.  Some ideas can be changed at this point since some things sound better in writing than they do spoken aloud.

my tribute speech on barack obama? so for my english class we have to do a tribute speech on someone we look up to and first i chose my mom then i changed it to my dad then i changed it to obama can anyone help me write my tribute speech? or help me with some ideas this is what it has to have…

Step 1 (Investigate/Decide) – 250 words; due Thursday, January 8 Yes, you have to do this step, so stop whining. Reflect on a significant personality who has had an impact on our world, or who has personally influenced you. oWhy do you look up to this person? What do you consider worthy of tribute about him/her? oList his/her admirable traits oCreate a list of 5 to 10 interview questions that you would ask this person if given the opportunity to interview him or her. Consider using words and phrases such as: justify, explain, evaluate, “to what extent”, classify, describe, determine, implement, defend, etc. (See list of possible words to use in formulating a question) oIf you had an opportunity to thank this person, what would you thank him/her for?

Step Two: (Investigate/Research continues) – due with step 3 Now that you’ve chosen your subject, investigate and record on paper the answers to the following bulleted questions/statements

oBiography –origins (background, family life, education, etc) oTimeline – highlight accomplishments oRelevancy- just what is it that makes your subject worthy of this tribute speech? oUse library and Internet as needed (you must have at least 6 sources for this speech. If your speech is about a famous person, you must make sure they are accurate…keep track of them on work-cited page. If your speech is about a person who is not famous, then you must use interviews, old local newspaper articles, old family albums, etc.)

Step Three: Plan and Decide (Create Outline of Speech) – due Thursday, January 15 Decide which information you will use from your research. Plan the best way to organize your information into an effective speech.

Create an outline of your speech (please put details on the outline) Example of how you might organize speech: oQuote or eye-opening fact; statistic; etc…hook oBiography of Individual oAccomplishments oWhy tribute to this individual?

**Step Four: Create Full Written Draft of Speech – Due Tuesday, January 20 Create your manuscript with an introduction, body, and conclusion. Include the stylistic devices listed for objective #5. Cite sources within your manuscript as appropriate using MLA format. You will need a Work Cited page as well. Peer Edit and Revision

Step Five •Rehearse—create note cards and time yourself. •Did you remember to cite sources and create your work cited page?

Step Six: Presentation of Speeches with Peer Evaluation/Turn in Manuscript. All Speeches due Tuesday, January 20 whether it is your day to present or not! Keep a copy for yourself! Present and Evaluate Speeches (4 to 6 minutes)

and this is what i have so far:

January 21, 2009 English 10

Barack Obama was born August 4, 1961. Honolulu , Hawaii , USA . His full name is Barack Hussein Obama Jr.; which means “Blessed by God”, in Arabic He was born to a white American mother, Ann Dunham. And a black father, Barack Obama, Sr. they both were students at the University of Hawaii . His father left to Harvard while his wife and son stayed behind. His father went back to Kenya where he worked as an economist. Barack’s mother remarried an Indonesian. He worked as an oil manager. His father would write to him, but due to his business, he visited his son only once, and that was when Barack was ten. Barack managed to go to one of Hawaii ’s top prep academy, which is Punahou School . Then later on Barack attended Columbia University . He became a community organizer for a small Chicago church for three years. He helped poor south side people deal with a wave of plant closing. Then he attended Harvard Law School . In 1990 he became the first African-American editor of the Harvard Law Review. Then in Chicago he practiced civil-rights law. In 2004 Barack Obama was elected to the U.S senate as a Demarcate representing Illinois . Then in November, 2008 he ran for president as a democrat and won! And now he is the 44th president of the United States and the first African- American running for president. Barack Obama’s greatest accomplishment is his family, His two daughters and wife. He is worthy of my tribute speech because he is the very brave and he is the first African- American president. And because he is Step One- investigate/design I look up to this person because he has done many good things.

It’s good. Maybe find a way to replace pathos a couple times (them) towards the beginning of your essay. On the part where you say “if the paper were to be written on…” you should take out “than” after the comma. When you list the reasons why Golding might be better, I would say “he” instead of just Golding. Change “It is understandable that some people may think that Golding is more effective in his paper than Clark. Golding is older, Golding has more education, and Golding more experience in college, than Clark does. Many people may argue that Golding has the better paper, due to the previously listed reasons, and those reasons are understandable” to “Understandably, people will argue that Golding is superior to Clark when it comes to writing effectively. They will stress that Golding has experience on his side due to age and more college education.” Change “Something that may be agreeable though, is that Golding may have the better paper when it comes to following the rules of writing, and his organization style; but that Clark’s paper is actually better because he is in college, and that this paper is directed mainly towards current college students.” To “Something that may be agreeable, though, is that Golding has the better paper when it comes to the formalities of writing and organization, yet Clark’s paper is actually more meaningful due to the fact that he can relate to his target audience – he is in college, too.”

Sorry, but I’m too tired to continue. I didn’t study your essay much, so I’m not sure how well my edits would flow, but I tried. Also, there a couple of words that you should use a thesaurus on – I advise if it appears 3 or more times to do it.

It was a great essay and you can always go back to your original if you don’t like mine (but there were a few comma, etc. problems).

GOOD LUCK!!!

ENGLISH PAPER PART 2 PLEASE PROVIDE INPUT AND HELP? How many people want to be deprived of freedoms? One could assume that the majority of the United States citizens support freedom, so one could see how this idea may anger people. Pathos is a very effective way to get people to understand a view, and Clark does a great job of using it. In Golding’s article, he still uses Pathos, but to a much lesser extent. He uses pathos in some of his examples, and it is effective when it is used. Although he uses pathos a little bit in his article, for the most part he seems to simply argue and discuss the topics. By doing this he makes the reader less willing to read on, thus making his article less effective overall. Clark also is at an advantage because he is a college student, and these writings are more directed at college students than anyone else. Golding cannot control the fact that he is a professor, but it does put him at a disadvantage. Clark was a college student when he wrote this, so he knew how students his age interpreted things, Golding was from a different generation than the intended audience, and the ways of thinking among college student changed since Golding was in college. When Clark wrote this essay, one may assume that he talked to his college aged friends about this topic, and asked them what they think; Assuming that Clark did this, it helped him to be more successful in his paper than Golding. If the paper were to be written solely on free speech among college professors, than Golding would probably have the advantage of better understanding the intended audience better. It is understandable that some people may think that Golding is more effective in his paper than Clark. Golding is older, Golding has more education, and Golding more experience in college, than Clark does. Many people may argue that Golding has the better paper, due to the previously listed reasons, and those reasons are understandable. Something that may be agreeable though, is that Golding may have the better paper when it comes to following the rules of writing, and his organization style; but that Clark’s paper is actually better because he is in college, and that this paper is directed mainly towards current college students. It is also understandable that the ways of teaching how to write papers has changed, and how students are educated has changed, so due to these reasons Clark’s paper may actually be more current and apply more to it’s intended audience than Golding’s. Clark’s paper is a well written paper, and due to his use of straightforwardness, pathos, simplicity in his writing, and his advantage due to his age, he may still have the better piece of writing, even if Golding is more educated and more intelligent.

Sources Golding, M. P. (2000). Campus Speech Issues. Manuscript in preparation. Clark, Q. Speech Codes: An Insult to Education and a Threat to Our Future.

First of all, “Sir” Isaac Newton never served in Parliament. He served in 1698 and in 1701-02, but he wasn’t knighted until 1705. If the knighthood gave him the wherewithal to hire an assistant, that helper could not have written a Parliamentary speech with him. Second, Newton never argued before the House of Lords: he represented his university, Cambridge, in the House of Commons. Third, Newton’s only recorded words in Parliament were a point of order, a request to close a drafty window. He never made a “maiden speech”, nor argued for any bill. To top it all off, his service and knighthood had nothing to do with his scientific work. James II tried to turn the universities into Catholic institutions; Newton (and Cambridge itself) staunchly opposed the idea. Newton simply voted that way at every opportunity. The Queen so appreciated his efforts in support of this and other of her political causes that she knighted him.

After explaining the problems to the embarrassed vendor, Nora bought the document for £13, just as a reminder that she doesn’t know it all. She eventually got it identified: a portion of an unfinished play by a minor author, circa 1870.

She Turned Me Into a Newton!? After identifying a suspicious fellow Yankee at the local pub, Nora Shekrie decided to take a holiday at the market in Blyth. She was escorted by her not-too-distant relatives, Sir Loine of Boef and Lady Rose Boef. Nora wanted to take home some memento of her visit, something more than the prepaid travel vouchers Sir Harold had supplied. After a morning of making nice with the locals, receiving thanks, admiration, and not a few jibes about being from “the Colonies”, Nora was quite enjoying herself. The morning tea and late lunch were taking up a serene position in her abdomen, the sun was shining, and the studied quaintness of the market enchanted her more with each passing hour. She politely examined each stall of wares, commented astutely on some aspect of almost every shop, and generally impressed the vendors as something rather better than the stereotypical American tourist. Finally, at half-past two o’clock, she found the item to take home. An youngish gentleman selling out-of-print books had an item that intrigued her.

“It’s the manuscript of an early draft of the speech,” he explained as she bent over to examine the fine penmanship. “One of my ancestors was an assistant to Sir Isaac Newton. He served in Parliament, you know.” Nora nodded. “Dodgy times, what with the Glorious Revolution and all, but my many-greats grandfather found a stable position with Sir Isaac, right after the knighthood gave him enough money to hire someone permanent-like. Sir Isaac asked G-g-g-grandfather, Thomas Hanscomb was his name, to write some for his first speech in the House of Lords. Oh, Newton supplied the ideas sure enough, but Hanscomb did the first bit of writing, not what many could write back then. “Newton took Hanscomb’s draft, did it up his own way, no surprise to either of them I warrant, and gave back the first. That’s it, there in the frame and protective glass and all, and I keep it out of the sun like you see here.” The three of them noted the shade over the one item, giving it further protection from the light. “Sir Isaac made his grand speech, both houses passed whatever bill, and Thomas Hanscomb stuffed this copy into his things. It come down to me after all this time.” Nora nodded, seeming to have reached some decision. “And it’s certainly dear enough,” she held up a hand to stop him, “but fairly, given its history. Across the pond, a representative’s first speech in Congress is considered a great event.” She considered her bank balance, held a mental argument with herself, and pulled out her billfold. “I take traveler’s cheques, VISA, and cash,” he smiled. Nora smiled in return, pulling out a small plastic card. She felt a polite tug at her sleeve: Rose. ” For a purchase this significant, I usually like to get my mind well settled before I sign the papers, just to be sure. Shall we have a cuppa, and you talk to me about this?” There was a note in Rose’s voice; Nora had learned to respect that tone over her ten days with the family. She turned to the stall-keeper. “Would a fiver hold it for an hour?” “M’lady, at this price, a scone would hold it for the day.” Nora grinned. “A scone, it is. With jam?” He nodded. They had a deal.

They chose their table and allowed Harold to seat them with their food. He trundled back to the stalls with the extra scone, leaving his wife and guest to discuss the matter. “Rose, it sounds like I got off cheaply. You certainly know your business. Care to let me in on the secret? I’m usually the one who spots these things.”

How did Rose know that Nora shouldn’t buy the manuscript?

Is this paper good? What could I do to improve it? Part 2? How many people want to be deprived of freedoms? One could assume that the majority of the United States citizens support freedom, so one could see how this idea may anger people. Pathos is a very effective way to get people to understand a view, and Clark does a great job of using it. In Golding’s article, he still uses Pathos, but to a much lesser extent. He uses pathos in some of his examples, and it is effective when it is used. Although he uses pathos a little bit in his article, for the most part he seems to simply argue and discuss the topics. By doing this he makes the reader less willing to read on, thus making his article less effective overall. Clark also is at an advantage because he is a college student, and these writings are more directed at college students than anyone else. Golding cannot control the fact that he is a professor, but it does put him at a disadvantage. Clark was a college student when he wrote this, so he knew how students his age interpreted things, Golding was from a different generation than the intended audience, and the ways of thinking among college student changed since Golding was in college. When Clark wrote this essay, one may assume that he talked to his college aged friends about this topic, and asked them what they think; Assuming that Clark did this, it helped him to be more successful in his paper than Golding. If the paper were to be written solely on free speech among college professors, than Golding would probably have the advantage of better understanding the intended audience better. It is understandable that some people may think that Golding is more effective in his paper than Clark. Golding is older, Golding has more education, and Golding more experience in college, than Clark does. Many people may argue that Golding has the better paper, due to the previously listed reasons, and those reasons are understandable. Something that may be agreeable though, is that Golding may have the better paper when it comes to following the rules of writing, and his organization style; but that Clark’s paper is actually better because he is in college, and that this paper is directed mainly towards current college students. It is also understandable that the ways of teaching how to write papers has changed, and how students are educated has changed, so due to these reasons Clark’s paper may actually be more current and apply more to it’s intended audience than Golding’s. Clark’s paper is a well written paper, and due to his use of straightforwardness, pathos, simplicity in his writing, and his advantage due to his age, he may still have the better piece of writing, even if Golding is more educated and more intelligent.

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University Interscholastic League

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• Oral Interpretation

Preparing Your Manuscript

Speech & debate.

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Speech & Debate Director: Jana Riggins

Department Phone: 512-471-5883

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Preparing the Manuscript

Since UIL prose and poetry contests are reading events, a manuscript should be used for competition. Preparation of that manuscript is a vital part of the process as a whole. Rules of the contest state that “The contestant should perform the selections using manuscripts or copies of the selections that are in a binder. Students shall not read from books or magazines.” Contest rules also state the manuscript or copies of the selection should be available to the contest director, if needed at the contest, to aid in addressing question or concerns.

Most competitors use a black stiff-backed 3-ring binder, approximately 9” x 6” in size, as their manuscript folder for several reasons:

• Black is less obtrusive than other colors. You want the focus of the audience and judge on your performance, not your binder.
• 3-ring binders make page turning easier. Avoid binders with back-mounted rings because they make the binder unwieldy to hold open properly for performance. Rings should be mounted in the spine. Also avoid binders with plastic see-through covers.
• 3-ring binders allow greater flexibility in arranging your manuscript.
• 3- ring binders easily accommodate “slicks” (plastic sheet covers).
• The 9” x 6” size is easy to handle and less obtrusive than other sizes.
• Most binders have pockets to accommodate documentation. (Before standing in front of the audience, be sure to empty the binder of everything but the selection you are about to perform.)

Type the manuscript in Landscape format. Use a clean, plain font that is easy to read. Arial is an example of a clean font. Increase the font size to 16 or larger, and double space the lines, so there’s room to add scoring notes. Break the selection down into “beats”, which are edited units of time or thought. Print only on one side.

Many competitors have turned to the 9” x 6” binder with the plastic sheets because it facilitates the handling of the manuscript. Not only do the “slicks” keep the manuscript intact and prevent it from falling out of the folder, but they also add a stiffness that allows you to turn pages smoothly, one page at a time. Slicks and binders can be ordered from office supply stores or The Black Book Depot (www.blackbookdepot.com).Mounting your manuscript on black construction paper or black card stock before insertion into the slick is advantageous because it provides some rigidity for the page and it allows the eye to focus more readily on the page.

The binder is meant to serve as a constant visual reminder that the words you relay to the audience are not your own but those of the author of the literary work.

Want to create or adapt books like this? Learn more about how Pressbooks supports open publishing practices.

How to Write and Use Manuscripts

There will be times when reading from a manuscript is helpful. When giving a eulogy and you are likely to experience strong emotions, having your words written out and in front of you will be very helpful. Politicians often speak from manuscripts because there will be people weighing the meaning of each word. They often have speech writers who take their ideas and make them sound professional, and they likely have several people look it over for any offensive words or questionable phrases.

The advantage to speaking with a manuscript is you have your speech in front of you. This gives you an opportunity to plan interesting wordplays and to use advanced language techniques. By managing the exact wording, you can better control the emotional tone. Another advantage to using a manuscript is you can share your speech with others both for proofing and for reference. For example, many people like to have written copies of the toast given to them at a special occasion or a copy of the eulogy to the loved one.  Politically speaking, a manuscript can be helpful to help keep you on track and to help you say only the things that you mean to say.

The disadvantage to a manuscript is if not done properly, your speech may feel like an “essay with legs.” Speaking from a manuscript is a skill; I would argue that it is one of the most difficult of all types because your goal is to read without appearing to read. It can be so tempting to lock eyes on the page where it is safe and then never look up at the audience. Finally, it is very difficult for most people to gesture when reading a manuscript. Many people run their hands down the page to keep their place while others clutch the podium and never let go. These disadvantages can be overcome with practice. You can be dynamic and engaging while using a manuscript, but it does take work.

Keys to Using a Manuscript

• Always write a manuscript in manuscript format and never in essay format. (It should look like poetry).
• Practice your speech at a podium so you can figure out how to change pages smoothly.
• Learn the art of eye fixations.
• Practice with a friend so you can master eye contact.
• If you struggle with gestures, make a note on your manuscript to remind you to gesture.
• Practice, practice, practice–you should actually practice more than in a typical speech since it is a harder delivery method.

Formatting a Manuscript

• Do not start a sentence on one page and then finish it on another.
• Do not fold the manuscript–it won’t lay flat on the podium.
• Do not print on both sides of the page.
• Do not staple the manuscript
• Number your pages.
• Use a large font and then make it one size larger than you think you need.
• It should look like poetry.
• Have extra spaces between every main idea.
• Bold the first word of every main section.
• Use /// or …. to indicate pauses in your speech.
• Emphasize a word with a larger font or by making it bold.
• If you have a parallel construction where you repeat the same word, bold or underline the repeated word.
• Use an easy-to-read font.
• Make a note (SLIDE) when you need to change your slide.
• It is OK to omit punctuation.
• Do whatever formatting works best for you.

Sample manuscripts

Notice how this student formats her manuscript by making it spread out and easy to read:

Today // it is an honor for me to stand here before you at the Freedom Banquet and pay tribute to a man

,,,,,,,,,,,,,,,,,, that in his lifetime …………………………………. has touched ………………….. and changed …………………………… uncountable lives across the globe

Today /// we are here to honor ……………. a president, ……………………….. a father, ……………………………… a husband ……………………………………. and a true savior in Mr. Nelson Rolihlahla Mandela

Tribute speech by Tanica van As delivered at the University of Arkansas

Manuscript From History

Winston Churchill’s Speech in Response to German’s Invasion of Britain and Finest Hour Speech

Sometimes referred to as the Psalms format or free verse format, the speech is written like it will be spoken.

How to Present with a Manuscript

To best read a manuscript, we need to borrow some items from speed reading. When you were first learning to read, you learned to read each letter–D–O–G. You would look at the letter “D,” then your eyes would look at the letter “O, ” and finally, your eyes would move over to look at the letter “G.”  You would fixate (or rest) your eyes on three different places. Eventually, you got better at reading and better at seeing, so you would now look at “dog” in one eye fixation and your brain was able to take in the information–dog.  Now, you no longer read one letter at a time, that would be way too slow. Now you look at all three letters and see it as a word.

Over time, you learned to see bigger words–like “communication” (13 letters).   Now, consider this… the phase “The dog ran fast” contains 13 letters. Since you can see the word “communication” as one eye fixation and understand it as one thing,  in theory, your eyes should be able to see “the dog ran fast” as one eye fixation and understand it too.   We have been trained to look at each word individually with separate eye fixations. For example,  …the … dog… ran… fast… is four different eye fixations. With a little practice, you can train your eyes to see the whole phrase with one look. Here are some sentences, practice looking at each of the sentences with one eye fixation.

I ate the red apple

My car is green

My cat is moody

You tried it didn’t you? You can only learn if you try them out. If you didn’t try it, go back and look at those sentences again and try to see the whole sentence with one look.  With practice, you can look at an entire sentence as one thing (eye fixation). Your brain can understand all those words as one thought. Now, try this. Wherever you are right now, look up at the wall nearest you and then look back down.  Write down all the things you can recall about what you saw–I saw a yellow wall with brown trim, two bookcases, a clock, a printer, a bird statue.  Your brain is amazing; it can look up to a wall and in one eye fixation, it can take in all that it sees.

You can take in many sentences as well. You can actually see two sentences in one look.  Try to look down at these next two sentences in one eye fixation. Test yourself by looking down and then looking up and saying what you remember out loud.

The boy sang a song

The girl danced along

With a little practice, most people can see chunks of five words across and three lines down. Give it a try.  Once again, try to look at the three sentences as one and then look up and say them.

The happy frog leaped

off the lily pad

and into the cool water

It takes practice, but you can do it. The bonus feature of doing the practice and learning this skill is you will learn to read faster. Since a lot of college work and professional preparation relies on reading the information, it would benefit you for the rest of your life to learn this valuable skill. While researching, I came across this excellent slide presentation by Sanda Jameson on Reading for College that goes into more depth about the process. I highly recommend you review it to help you with your manuscript reading and to help you become a better reader in your college classes.

https://www.nwmissouri.edu/trio/pdf/sss/study/Reading-for-college.pdf

By now, you have figured out that using chunking and working on eye fixations is going to help you read your manuscript easier. Arranging your manuscript where you have only five to seven words on a line will make it easier to see as one fixation.  Organizing your manuscript where you can see several lines of text at once, can help you put a lot of information in one eye fixation.

Now, let’s look at a eulogy written by one of my students, Sydney Stout. She wrote this eulogy to her grandpa who loved dancing and encouraged her to do the same.  First, notice the manuscript format where it is written like it will be spoken. It is chunked into lines that are usually 5-7 words long. The list of names is written like a stair step showing the stair step in the voice when the names are spoken. Try reading this except out loud focusing on eye fixations. Try to see one whole line at a time and then read it again trying to see two lines at a time.

Dancing is a delicate art

An activity many people love and enjoy

but someone that loves dancing

more than anyone I know

is my grandfather.

You all know my grandfather

Maybe you know him as James

….. Jack

 ……… Dad

 …………. Papa Jack

      ………………… or in my case………………. . just Papa.

Papa //   you have led me through life

like any great dance partner should

And I’ve memorized the steps you’ve taught me

………………………………………. …. And they have allowed me to dance

……………………………………………………………… gracefully

………………………………………………………….. through my own life

Tribute speech by Sydney Stout delivered at the University of Arkansas

Watch this eulogy speech to Rosa Parks by Oprah Winfrey. Notice how each word is carefully chosen and how if you notice closely, you can tell that she is using a manuscript. Notice how seamlessly she turns the pages and notice how she spends most of her time looking up at the audience. Masterfully, she uses gestures to enhance the rhythmic flow o the speech and to draw the audience’s attention.

Timing Your Manuscript

Practice your manuscript at least 5 to 7 times. Trust me when I say, It is harder to speak with a manuscript than it is to give a speech with brief notes and it requires considerable more practice to get it right.

Use this chart as a general reference for the timing of your speech to the length of your manuscript.

A Speech Saved the President’s Life

Teddy Roosevelt’s life was saved when an assassin’s bullet was slowed down by his 50 paged speech manuscript. The doctor on sight determined that although the bullet didn’t puncture his lungs, he should still go to the hospital immediately. A determined Roosevelt balked and said, “You get me to that speech.” He delivered a 50-minute speech before going to the hospital.  Doctors decided it was safer to leave the bullet in his chest and declared that his speech had indeed saved his life.

More on this story from the history channel: https://www.history.com/news/shot-in-the-chest-100-years-ago-teddy-roosevelt-kept-on-talking

Please share your feedback, suggestions, corrections, and ideas.

I want to hear from you. 

Do you have an activity to include? Did you notice a typo that I should correct? Are you planning to use this as a resource and do you want me to know about it? Do you want to tell me something that really helped you?

Click here to share your feedback. 

Klein, C. (2019). When Teddy Roosevelt was shot in 1912, a speech may have saved his life. https://www.history.com/news/shot-in-the-chest-100-years-ago-teddy-roosevelt-kept-on-talking

Speech in minutes. (n.d.).  http://www.speechinminutes.com/

Stout, S. (n.d.). Eulogy to Papa with the theme of dancing. Delivered in Lynn Meade’s Advanced Public Speaking Class at the  University of Arkansas. Used with permission.

Van As, T. (n.d.) Tribute to Nelson Mandela. Delivered in Lynn Meade’s Advanced Public Speaking Class at the  University of Arkansas. Used with permission.

Winfrey, O.  (2010). Eulogy to Rosa Parks. [Video] YouTube. https://www.youtube.com/watch?v=5cfhtfNfIPE Standard YouTube License.

Public Speaking by Lynn Meade is licensed under a Creative Commons Attribution 4.0 International License , except where otherwise noted.

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How to Proofread Your Manuscript in Scrivener

Kirk McElhearn  /  12 JUN 2024

Learn about Scrivener's tools that can help you proofread your manuscript.

When you finish the first draft of your manuscript, there are several steps you need to complete to prepare it for submission to agents or publishers: revising, editing, and proofreading. Revising looks at the big picture of a book: the characters, the flow, the plot and subplots, and the timeline, to improve the overall clarity, coherence, and logical flow of the writing. Editing focuses on refining the language and style of the writing to ensure that it is clear, concise, and that it is in the author's voice.

Proofreading is the final stage, and it involves identifying and correcting surface-level errors. The goal of proofreading is to ensure that the document is free of minor mistakes that could distract the reader.

In this article, we look at specific tools in Scrivener that can help you proofread your manuscript.

Let your manuscript sit for a while

You've completed your first draft, and you've done the revisions and edits, so now you should put your manuscript aside and wait for a while. As you've seen going through the revision and editing process, when you keep reading the same text over and over you lose perspective.

To proofread, to spot small errors that you've missed in your previous edit passes, you need to see the manuscript with new eyes. It's impossible to achieve this perfectly, but if you take some time away from the manuscript, your brain will be in a better position to notice things you've missed before when you go to proofread it.

Change the font

You've probably chosen to use a font in Scrivener's Editor that you're comfortable with, that allows you to work for hours on your computer without fatiguing your eyes. But you've become familiar with seeing your words in that font. The best way to start proofreading is to change the font to something different. If you use a serif font, such as Times or Palatino, change to a sans serif font, like Arial or Helvetica, or vice versa. You may also want to change the font size to something bigger and easier to read.

You can make this change in the Editor, or in Scrivener's Settings or Options , and you can change it back when you've finished proofreading. You'll find that a different font makes the text look very different, and you'll spot typos and homophone errors - words like they're, their, and there - more easily.

Use Composition Mode

The Scrivener window has many elements: the Binder, Editor, and Inspector, along with the header and footer bars. When proofreading, you don't need to see any of these. You don't need to see synopses, metadata, or the structure of your manuscript in the Binder.

Switch to Composition Mode . When you do this, Scrivener displays your text on a background, and nothing else. It allows you to focus on the text without being distracted.

Use Focus Mode

It could be difficult when proofreading to really focus on your words and sentences. When you look at one sentence after another, one paragraph after another, things get blurry after a while. Whether you use Composition Mode or not, you can use Focus Mode to look at your manuscript in closer detail.

Choose View > Text Editing > Focus, then choose Line, Sentence, or Paragraph. If you're in Composition Mode, you can move your cursor to the bottom of your screen to show the toolbar, then click Focus to see these options.

Using Focus Mode by sentence is a great way to see your sentences on their own, without being influenced by what comes before and after.

Working like this, you can use the up and down arrow keys to move from one line to the next; as you get to a new sentence, it is highlighted, and the rest of the text is dimmed.

Use Dialog Focus to proofread dialog

When proofreading, you look at your entire manuscript. But if you've written a novel, you should pay close attention to dialog because it's very easy to trip the reader up with typos and errors in spoken text. Scrivener's Dialog Focus works like Focus Mode above, but you can choose to only highlight direct speech. 

You might want to do one proofreading pass just focusing on dialog to make sure the dialog flows correctly.

Read your text out loud

While you may miss typos and errors when you read on a screen, if you read your text out loud, you will immediately notice places where you stumble. This is a good way to not only find typos but also find clunky sentences. This takes a while, but it's a great way to experience your text differently.

If you don't want to read your text out loud, you can have your computer do it for you. Both Mac and Windows computers can read text. The voices may not be ideal, but they've gotten better in recent years.

On Mac, put your cursor where you want the computer to start speaking, then choose Edit > Speech > Start Speaking. You can choose which voice you want to use, and the speed at which it reads, in Settings > Accessibility > Spoken Content. In the System Voice menu, you'll see a number of voices, some of which are installed on your Mac, some that you may need to download. Try these out, and try adjusting the Speaking Rate slider to see which speed works best.

On Windows, you use Narrator for this . Press the Windows key + Ctrl + Enter to start reading. Type Narrator in the Search field in the Taskbar to open Narrator settings where you can choose a voice, change keyboard shortcuts, and download "natural" voices.

When you get to the proofreading stage of your manuscript, take advantage of these tools in Scrivener to correct every last typo.

Kirk McElhearn is a writer , podcaster , and photographer . He is the author of Take Control of Scrivener , and host of the podcast Write Now with Scrivener .

Write Now with Scrivener, Episode no. 39: Kate Heartfield, Historical Fantasy Author

You may also like to read..., customize the scrivener editor 2 - adjusting fonts in the editor.

Scrivener lets you choose your favorite font settings in the Editor, but also lets you set defaults for new projects, and custom fonts for any project.

Distraction-Free Writing with Scrivener

Learn how to reduce distractions when using Scrivener so you can focus on your writing.

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Cormac McCarthy Did Not Talk Craft, With One Surprising Exception

Notoriously reluctant to give advice, the author offered his views, and meticulous edits, to a lifelong friend: Roger Payne, the marine biologist who introduced the world to whale song.

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By Walker Mimms

By the time the marine biologist Roger Payne won the MacArthur genius grant in 1984, his fame was well-established: Credited with helping discover the song structure of humpback whales, he had popularized their mysterious groans and creaks with a series of field-recorded LPs that fueled the marine conservation movement.

By the 1990s, as part of a pop-science turn that would deliver to millions of viewers an infectious sense of awe for sea mammals, Payne was giving interviews, directing an IMAX film and narrating television documentaries in a patrician New England accent that made clear “whale” is spelled with an “h.”

He had also begun drafting a book. Part memoir, history and activism, “Among Whales” was designed to maximize concern for increasingly polluted oceans and reverence for their endangered giants. It was his first, and as he wrote, he sought editing help from a new friend, a writer he had met at a reunion for the MacArthur Fellowship: Cormac McCarthy.

McCarthy had won the inaugural MacArthur in 1981, when he was an obscure but revered writer at work on “Blood Meridian.” After that, he said , he went to every MacArthur reunion. He studiously avoided other writers at these events, but when he met Payne, the two became “joined at the hip,” Payne’s widow, Lisa Harrow, recalled after his death. By 1986, they were traveling to Argentina to watch whales together.

Payne died on June 10, 2023, leaving boxes of uncataloged papers that document his combative, creative, decades-long friendship with McCarthy, who survived him by three days.

During his long career, McCarthy sat for very few interviews and kept notoriously silent about his creative process and his approach to craft. In early drafts of “Among Whales,” which are among the documents left by Payne now being prepared for accession by a research institution, he revealed his views.

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