descriptive essay about stormy night

Essay on A Stormy Night in English (150, 200, 250, 500 Words)

Here, we’ve presented essays on “A Stormy Night” in 150, 200, 250 & 500 word samples. All the essays will be helpful for students of all classes i.e. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 & class 12.

Table of Contents

Essay on A Stormy Night in 150 Words

Introduction.

A Stormy Night can be both frightening and exhilarating. The dark clouds looming overhead, the sound of thunder echoing in the distance, and the flashes of lightning illuminating the sky create an atmosphere charged with anticipation.

Description

As the storm rages on, the wind howls fiercely, rattling windows and doors. Rain pelts down relentlessly, turning the streets into rivers. The air is thick with the smell of wet earth, and the sound of branches snapping under the pressure of the gusts adds to the chaos.

Despite the chaos and destruction that a stormy night may bring, there is a certain beauty in its raw power. It reminds us of the forces of nature that are beyond our control and instills in us a sense of humility. In the aftermath of the storm, as the clouds part and the sky clears, there is a feeling of renewal and hope, knowing that we have weathered the tempest and emerged stronger on the other side.

A Stormy Night Essay in 200 Words

A Stormy Night evokes a mix of emotions, ranging from fear to awe. The ominous clouds gathering overhead and the distant rumble of thunder set the stage for an evening filled with anticipation and uncertainty.

As the storm intensifies, flashes of lightning illuminate the sky, casting eerie shadows on the landscape below. The wind howls through the trees, bending them to its will, while rain lashes against windows with relentless force. In the darkness, every sound is amplified, heightening the sense of drama and urgency.

The impact of a stormy night extends beyond the physical realm. It disrupts our sense of normalcy, forcing us to confront our vulnerability in the face of nature’s wrath. Yet, amidst the chaos, there is a strange beauty in the raw power of the elements, a reminder of the forces that shape our world.

In the aftermath of the storm, as the clouds disperse and the calm returns, there is a sense of relief tempered with respect. We emerge from the night stronger and more resilient, humbled by the experience and grateful for the chance to witness nature’s grand spectacle.

Essay Writing on A Stormy Night in 250 Words

A Stormy Night carries with it a sense of foreboding and excitement. The dark clouds looming overhead and the distant rumble of thunder signal the arrival of nature’s fury, setting the stage for an evening of suspense and drama.

As the storm gathers strength, the sky is illuminated by jagged bolts of lightning, painting the landscape in stark relief. The wind howls through the trees, bending them to its will, while rain pelts down with relentless force, drumming a chaotic rhythm on rooftops and windows. In the darkness, every sound is magnified, heightening the sense of urgency and apprehension.

The impact of a stormy night extends beyond the physical realm, stirring emotions and challenging our sense of security. It reminds us of our vulnerability in the face of nature’s power, forcing us to confront our fears and limitations. Yet, amidst the chaos, there is a strange beauty in the raw power of the elements, a reminder of the awe-inspiring forces that shape our world.

In the aftermath of the storm, as the clouds disperse and the calm returns, there is a sense of relief mixed with introspection. We emerge from the night with a renewed appreciation for the fragile balance of life and a deeper understanding of our place in the natural order. The experience leaves an indelible mark on our psyche, serving as a reminder of the resilience of the human spirit in the face of adversity.

A Stormy Night is not merely a meteorological event but a metaphor for the ebb and flow of life itself. It teaches us to weather the storms with grace and resilience, knowing that even in the darkest of nights, there is always the promise of a new dawn.

Writing Essay on A Stormy Night in 500 Words

A Stormy Night is a visceral experience that taps into primal emotions, blending fear, awe, and fascination into a potent mix. The anticipation builds as the sky darkens, the air grows heavy, and the first distant rumble of thunder echoes on the horizon.

Growing up in a coastal town, I’ve had my fair share of encounters with stormy nights. One particular memory stands out vividly in my mind. It was a summer evening, and a storm was brewing offshore. As the clouds gathered ominously, my family and I hurried to secure the windows and gather essentials, bracing ourselves for the onslaught of wind and rain.

As the storm rolled in, the atmosphere was charged with electricity. Lightning streaked across the sky, illuminating the landscape in brief, dazzling bursts. The wind howled relentlessly, rattling the windows and shaking the walls of our house. Rain lashed against the roof with such force that it sounded like a thousand drummers pounding away in unison.

Despite the chaos unfolding outside, there was a strange sense of tranquility within our home. We huddled together, finding solace in each other’s presence as we rode out the storm. The power flickered ominously, threatening to plunge us into darkness, but we remained steadfast, our spirits undaunted by the forces of nature raging outside.

The impact of a stormy night extends far beyond the physical realm. It stirs emotions deep within us, awakening primal instincts that lie dormant beneath the surface. There is a sense of vulnerability that comes with witnessing nature’s raw power unleashed in all its fury, a reminder of our own insignificance in the grand scheme of things.

Yet, amidst the chaos, there is also a sense of wonder and awe. Despite the destruction it may leave in its wake, there is a certain beauty in the way a storm commands our attention, demanding to be reckoned with. It is a humbling experience, a reminder that we are merely passengers on this journey called life, subject to the whims of the natural world.

In the aftermath of the storm, as the clouds part and the calm returns, there is a moment of introspection. We emerge from the darkness with a newfound appreciation for the fragile beauty of life and the resilience of the human spirit. We are reminded of our own strength and capacity to endure, even in the face of seemingly insurmountable obstacles.

As I look back on that stormy night from my childhood, I am filled with a sense of gratitude for the experience. It taught me valuable lessons about resilience, humility, and the enduring power of family and community. It is a memory that I will carry with me always, a reminder of the profound impact that nature can have on our lives.

A Stormy Night is more than just a meteorological event; it is a transformative experience that shapes us in ways we may not fully understand. It reminds us of our place in the natural order of things and the interconnectedness of all living beings. It is a reminder that, no matter how fierce the storm may be, there is always the promise of a new day dawning on the horizon.

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How To Describe Night In Writing (100 Best Words + Examples)

As a writer, I know all too well the challenges that come with describing the essence of the night.

That’s why I’ve put together this guide to help you master the art of writing about the night.

Here is how to describe night in writing:

Describe night in writing by using vivid sensory details, metaphors, and character reactions to evoke the atmosphere, emotions, and complexities of the nocturnal world. Shift night imagery for unforgettable storytelling in different genres.

Keep reading to learn over 100 words and examples of how to describe night in writing.

Understanding the Intricacies of Nighttime Descriptions

Table of Contents

When it comes to understanding nighttime descriptions, it’s essential to recognize the intricacies of night.

And to develop a keen eye for the subtle details that set it apart from the day.

As daylight gradually fades, elements like the absence of light, the emergence of shadows, and the contrast between sounds and silence become crucial for painting a vivid picture of the night.

Night has the unique ability to transform any setting into a canvas for significant character actions or revelations. It lends itself to engaging the senses and conjuring emotions that resonate with the human experience. To effectively capture the essence of night, a writer must skilfully navigate the intricacies of this complex landscape.

Different writing techniques for night scenes can bring to life the rich tapestry of the nocturnal world, fostering a connection with readers and inviting them to immerse themselves in the story.

Here are a few pointers to keep in mind:

• Observe how objects and characters cast shadows under the moonlight, creating a play of light and darkness that can heighten the drama and atmosphere of a scene.
• Consider the unique sounds of the night, such as the hoot of an owl, the rustle of leaves, or the whisper of the wind as it weaves through branches.
• Pay attention to the interplay between the senses and the emotions of the night, with silence often evoking a profound sense of awe, mystery, or solitude.

Mastering the art of nighttime descriptions requires both an eye for detail and an understanding of its inherent metaphorical value.

By seamlessly weaving the literal and the metaphorical, a writer can craft a gripping night scene that transports readers into the heartbeat of the story’s world.

The Role of Atmosphere in Crafting Night Scenes

The atmosphere is pivotal in night scene descriptions, guiding the reader’s emotions and setting the narrative tone.

Vivid sensory experiences help in concocting an immersive atmosphere that is as tangible to the reader as the darkness itself.

In this section, we will explore the importance of sensory details and emotions in nighttime narratives, and how they intertwine with our inner thoughts, making night scenes richer and more engaging.

Setting the Tone with Sensory Details

Sensory details can capture the essence of a night scene, evoking the night’s quiet majesty.

They provide a backdrop for reflective moments and draw the reader into the story using the five senses. Consider some sensory details that you can use to bring your night scene to life:

• Visual: The moon casting a soft, silver glow on a quiet street.
• Auditory: The distant hoot of an owl or the haunting whisper of the wind.
• Olfactory: The crisp, cool air carrying the faint scent of fresh blossoms.
• Touch: The dampness of dew-covered grass beneath the character’s feet.
• Taste: The character savoring a warm drink on a chilly night.

By including these sensory details, you can set the tone of your night scenes and create a vivid, atmospheric setting that envelops the reader.

Emotions and the Night: Reflecting Inner Thoughts

The interplay of emotions and nighttime is a powerful narrative device.

Night can mirror a character’s inner thoughts and serve as a metaphor for the turmoil, tranquility, or mystery they experience.

It is a period of contemplation, amplifying the character’s emotional state, whether it’s the euphoria of falling stars or the agitation of shadows that resemble past fears.

To harness the emotional power of night, consider these tips:

• Align sensory impressions with the character’s psychological state. For example, the sharp coldness of the night could reflect their inner turmoil.
• Contrast the night’s serenity with the character’s emotional upheaval, heightening the impact of their internal struggles.
• Utilize the darkness as a catalyst for introspection, prompting the character to dig deeper into their thoughts and feelings.

Ultimately, by aligning sensory impressions with psychological states, night scenes become a medium to delve deeper into the corners of the character’s psyche.

Combine sensory details and emotions to create atmospheric night settings that resonate with readers.

Utilizing a Rich Vocabulary to Portray Night

Effectively portraying a night in writing relies heavily on a rich vocabulary.

The proper selection of descriptive words not only evokes different shades of night but also conveys various emotions and atmospheres. Whether describing the color of the sky or the feel of nocturnal air, careful word choice can transport readers into the night scene you create.

Incorporating a range of sensory words and varying degrees of specificity can enhance your nighttime descriptions.

For example, simple but potent words like  quiet  set the tone, while more specific color descriptors such as  crimson  or  azure  paint a distinct picture of the night in the reader’s mind.

Below is a table showcasing different words and phrases that can be used to portray various aspects of the night:

Tapping into this diverse vocabulary allows you to craft vivid and immersive night scenes.

Each word carries unique connotations that can resonate with the reader, enhancing their connection to the narrative.

When used effectively, these descriptive words for the night can transform your writing, painting a vibrant picture of the night and drawing readers further into your story.

30 Best Words to Describe Night in Writing

When it comes to describing night scenes in writing, the choice of words plays a crucial role in painting a vivid picture.

Here are 30 of the best words to help you capture the essence of the night:

• Star-studded

30 Best Phrases to Describe Night in Writing

Crafting a captivating night scene often involves using descriptive phrases that evoke the atmosphere and emotions of the nocturnal world.

Here are 30 of the best phrases to help you master the art of describing night in writing:

• “The moon cast a soft, silver glow.”
• “Stars adorned the velvety sky.”
• “Shadows danced in the moonlight.”
• “The night was cloaked in mystery.”
• “A serene, moonlit meadow stretched before us.”
• “The darkness whispered secrets.”
• “Nocturnal creatures stirred in the silence.”
• “The night sky was a canvas of stars.”
• “Moonbeams kissed the earth.”
• “The night held its breath.”
• “Darkness enveloped everything.”
• “The stars blinked like diamonds.”
• “The moon hung low, a glowing orb.”
• “The night was alive with whispers.”
• “A blanket of stars covered the sky.”
• “The night air was cool and crisp.”
• “Shadows played tricks on the senses.”
• “The night exuded a sense of enchantment.”
• “The world was bathed in moonlight.”
• “Silence settled like a shroud.”
• “The night was a tapestry of shadows.”
• “The stars shimmered with a celestial grace.”
• “The moonlight painted everything in silver.”
• “The night was a realm of dreams.”
• “The darkness held its secrets close.”
• “The night sky was a sea of stars.”
• “The night whispered of ancient mysteries.”
• “The moon’s glow was a guiding light.”
• “Shadows clung to the edges of reality.”
• “The night was a time for reflection.”

Writing Techniques: Going Beyond the Visuals

When crafting an engaging nighttime scene, writers must venture beyond the visuals to captivate the reader fully.

Using sounds and the sense of touch is essential for developing a rich, multi-dimensional narrative.

This section delves into incorporating sounds and silence for dramatic effect and the touch and texture of darkness in writing.

Incorporating Sounds and Silence for Effect

The sounds of night can have powerful effects on the atmosphere and emotional impact of a scene.

Thundering roars, rustling leaves, or the sudden absence of sound can all contribute to the mood of a scene. These auditory cues help create a vivid, believable setting for readers to immerse themselves in.

Consider incorporating the following techniques to represent the sounds of night and the role of silence in your writing:

• Use auditory details  to paint a fuller picture of the environment.
• Utilize silence  as a storytelling device, heightening suspense or emphasizing a moment of reflection.
• Experiment with sound  to create contrast and tension within a scene.

Silence in writing can be as impactful as the sounds themselves, emphasizing the stark difference between the quiet of the night and the sudden eruption of noise that disrupts the calm.

The Touch and Texture of Darkness

Describing touch at night is another essential aspect of crafting a compelling nighttime scene.

The tactile experience of the night is as evocative as its visual counterpart, with the cool breeze raising goosebumps, the damp fog clinging to the skin, and the unsettling sensation of unseen objects brushing against a character.

When done effectively, these tactile descriptions in writing can make the darkness feel like a comforting shroud or an ominous presence looming over the narrative.

The following list includes tips on including touch and texture in your writing:

• Describe the night’s touch  as it interacts with the character’s skin, clothing, and surroundings.
• Highlight the texture of darkness , including the roughness or smoothness of surfaces, the dampness of fog, or a character’s emotional response to the touch of night.
• Consider how the sense of touch  contributes to character development and advances the story’s plot.

Colorful Language: Painting the Night in Words

Descriptive language is essential in painting the night scene, employing shades like “scarlet,” “indigo,” or “emerald” to depict the sky’s canvas.

Such language transforms the scene into a vivid tableau, enabling readers to visualize the unique hues and tones the night unfolds.

Descriptive words for colors like “burgundy” or “magenta” not only portray the scene but also add emotional weight, enhancing the reader’s connection to the narrative.

Let us explore the variety of words that can be employed to describe the myriad shades and hues of the night sky:

Maximizing Impact with Metaphors and Similes

Metaphors and similes are essential tools in the arsenal of a writer, allowing them to create rich and expressive night descriptions.

These literary devices make it possible for writers to craft relatable, evocative scenes that draw powerful parallels between nighttime and universal experiences, enriching the narrative and fostering deeper connections with the reader’s own memories and emotions.

Comparing Nighttime to Universal Experiences

Similes and metaphors have the power to transform ordinary descriptions into captivating and imaginative prose.

They can liken the dark to a velvet blanket that envelops the world in its gentle embrace or compare stars to a multitude of diamonds scattered across the heavens, casting their ethereal glow upon the earth below. By relating nighttime to familiar experiences, writers can breathe life into their descriptions, making them truly memorable and vivid.

When employing metaphors and similes in your writing, consider the following examples:

• The night sky unfolded like an ebony tapestry, with the constellations embroidered in silver threads.
• Shadows danced and flickered on the walls, creating a haunting ballet of light and dark.
• The moon’s radiance carved a shimmering path across the water, mirroring the celestial bridge found in ancient myths.

Keep in mind the importance of balance when using metaphors and similes in your writing.

Overuse can lead to cluttered prose and detract from the impact of your descriptions. Use these devices sparingly and thoughtfully, ensuring they effectively enhance your narrative rather than overwhelming it.

Character Reactions and the Night: A Dynamic Tool

Exploring character reactions to the night serves as a dynamic storytelling tool in writing.

A character’s interaction with the night can range from a confrontation with their fears to a moment of serenity or revelation. Emotional responses to the night are as diverse as the characters themselves, allowing for the exploration of profound personal journeys influenced by the cloak of darkness.

These reactions can serve as a pivot for character development or as key moments that drive the plot forward.

In order to successfully incorporate character reactions to night into a story, consider the following aspects:

• Understanding the character’s background and personality, in order to establish how they might react to the night.
• Identifying how the night setting can influence each character’s inner emotions and thought processes.
• Developing a natural progression of the character’s journey, from initial reactions to ultimate revelations or actions.
• Utilizing sensory details, such as sights, sounds, and textures, to heighten the emotional response and connection of the character to their surroundings.
• Employing narrative devices, such as flashbacks or introspection, to delve deeper into the character’s past experiences and how they relate to their current situation.

Notable authors have expertly utilized character reactions to night to enrich their narratives.

For example, in F. Scott Fitzgerald’s  The Great Gatsby , the nighttime setting serves as a backdrop for Gatsby’s extravagant parties, highlighting his desires and insecurities.

In contrast, the darkness of night in Charlotte Brontë’s  Jane Eyre  signifies Jane’s feelings of isolation and despair as she struggles to navigate societal expectations and discover her own identity.

The table below outlines various emotional responses to the night and how they can contribute to writing character dynamics:

Writing about the Darkness: Invoking Mystery and Fear

Writing about darkness has the power to reach into our core, tapping into primal emotions such as mystery and fear.

It serves as both a metaphorical and literal backdrop for danger, unknown elements, or even supernatural encounters.

By employing darkness as a narrative driver, writers can create experiences that keep readers on the edge of their seats, cementing engagement and intrigue.

Using Darkness to Drive the Narrative

When incorporating darkness into a story, there are several strategies that can drive the narrative forward.

These strategies contribute to a tense atmosphere and lie in setting up obstacles for characters, stirring tension, and laying the groundwork for suspenseful action.

The unknown aspects of the night provide a myriad of opportunities to cultivate fear and mystery in the reader’s mind.

Here is a chart that breaks down some helpful strategies:

Exploring the Twofold Nature of Night’s Tranquility and Turbulence

The twofold nature of night is a fascinating element in storytelling, offering writers countless opportunities to craft engaging narratives that capture the essence of both tranquil night scenes and turbulent night writing.

As the darkness wraps itself around the world, it reveals the duality of night.

You can use this duality to showcase how peaceful moments can intertwine with chaotic events, reflecting the complexities of human emotions and experiences.

To understand the twofold nature of night, let’s first delve into the serenity that can envelop the nocturnal landscape.

Tranquil night scenes depict nature at its most peaceful, showcasing a world untouched by human worries.

Stars glitter above, casting a calming glow upon the quiet earth below, while the gentle rustle of leaves sings a lullaby to the slumbering world. These moments of stillness can provide the most evocative settings for introspection, personal growth, or emotional connection between characters.

On the other hand, turbulent night writing employs darkness to create tension, suspense, or fear.

The howling wind and stormy skies set in stark contrast to the serenity of tranquil night scenes. These moments serve to bring out the raw, primal emotions within characters, forcing them to confront adversity, battle their fears, or come face-to-face with their deepest anxieties.

The Power of Short Sentences and Fragments in Night Imagery

Short sentences and fragments wield considerable power in night imagery.

This writing technique reinforces the themes of darkness and night by mimicking the shadows and disjointed glimpses that emerge in low light.

It creates a rhythm reflective of the night’s ebb and flow.

You can guide the reader through the narrative in abrupt, sometimes breathless, spurts that can increase tension or underscore a moment of clarity within the darkness.

Consider these examples:

• Stars blinked in and out. A hush fell. Shadows danced.
• Moonlight sliced through darkness. Cold air whispered. Teeth chattered.
• Rain lashed the window. Thunder menaced. Breath shuddered.

Each example above showcases short sentences or fragments that mimic the fleeting nature of night scenes.

By truncating the length of sentences, the writer sets a  distinctive tempo —one that effectively captures the essence of night and transports the reader into the story.

Fragments in particular can serve as impactful standalone statements, leaving room for interpretation and heightening the sense of mystery. Not confined by traditional grammatical rules, they are free to support or disrupt a narrative flow, making them potent tools for night imagery.

She hesitated. Darkness clawed at her heart. Eerie silence.

In the example above, the fragment “ Eerie silence ” punctuates the sequence and provokes a sense of unease through its abruptness.

Fragments like this one become a powerful storytelling device in night imagery, condensing tension or emotion into brief, visceral moments.

Here is a good video about writing techniques you can use to describe night in writing:

Conclusion: How to Describe Night in Writing

Mastering the art of describing night opens doors to captivating storytelling.

Explore more articles on our website to further enhance your writing skills and craft immersive narratives.

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Research Gate – Research on Nighttime

Essay on A Stormy Day

Students are often asked to write an essay on A Stormy Day in their schools and colleges. And if you’re also looking for the same, we have created 100-word, 250-word, and 500-word essays on the topic.

Let’s take a look…

100 Words Essay on A Stormy Day

The arrival of the storm.

A stormy day is a thrilling experience. Dark clouds gather in the sky. The sun hides, and the day becomes as dark as night. The wind begins to blow wildly. It’s as if nature is warning us about the storm.

The Storm’s Peak

Effects of the storm.

The storm causes many changes. Streets become rivers, and trees sway wildly. Sometimes, the power goes out because of the storm. It’s a day when we have to stay indoors for safety.

After the Storm

After the storm, everything is calm and quiet. The air is fresh, and the earth looks clean. Puddles are left behind, reflecting the clear sky. It’s as if nature has been washed and renewed. It’s a beautiful sight after the chaos of the storm.

Also check:

250 Words Essay on A Stormy Day

Introduction.

A stormy day can be a memorable experience. It’s a time when the sky turns dark, the wind roars, and the rain pours down. This essay will describe a stormy day in simple words that anyone can understand.

The Morning

The day started like any other, with a clear sky and bright sun. But as the morning went on, the sky started to change. It turned from blue to grey, and then almost black. The sun disappeared, and the temperature dropped.

The Afternoon

By the afternoon, the storm had come. The wind was so strong it could knock you over. The trees swayed and shook, and leaves flew through the air. The rain came down in sheets, making it hard to see anything.

The Evening

500 words essay on a stormy day.

A stormy day can be an exciting event, especially for those who enjoy the thrill of nature’s power. The day starts out like any other, with the sun shining brightly in the sky. But slowly, things begin to change. The sky turns dark, and the wind starts to pick up. The leaves on the trees rustle loudly, and the air becomes heavy with the smell of rain.

The Sky’s Transformation

One of the most noticeable things on a stormy day is the sky. It changes from a bright, clear blue to a dark, heavy gray. Thick clouds roll in, covering the sun and casting long shadows on the ground. The clouds move quickly, driven by the strong winds that come with the storm. The light from the sun becomes dim, and everything takes on a grayish hue.

The Power of the Wind

The rain’s downpour.

Then comes the rain. It starts as a light drizzle, but quickly turns into a heavy downpour. The raindrops hit the ground with a loud, rhythmic sound, creating puddles and turning the streets into rivers. The rain can be so heavy that it’s hard to see anything more than a few feet away. It’s a powerful display of nature’s might.

The Aftermath of the Storm

In conclusion, a stormy day is not just about the rain, wind, and clouds. It’s about experiencing the power of nature and the beauty that comes with it. It’s a day to remember and appreciate the world we live in.

If you’re looking for more, here are essays on other interesting topics:

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How to Describe a Storm in Writing

Whether they're ruthless tornadoes or torrential hurricanes, storms can add atmosphere and conflict to a personal narrative or story. The use of vivid description is a crucial tool for bringing these weather phenomena to life on paper and moving your plot forward. Using figurative language and active verbs can help you place readers right in the middle of the rain, wind and thunder.

Mighty Metaphors and Storm Similes

A simile is a type of description that makes an explicit comparison between two things using the words "like" or "as." A metaphor, by contrast, is a direct comparison that does not use these words. You can use these devices to create surprising descriptions of your storm. If you're describing a hailstorm, for example, you might use a simile to write, "The hailstones clattered to the ground like marbles spilled from a box." To use a metaphor, you might write, "An avalanche of hailstones fell from the sky."

The Sound of Storms

In real life, the sounds of nature are often key indicators of approaching storms. You can bring these sound effects to your descriptions by using onomatopoeia, a device where words mimic the sounds of their meaning. For example, if a thunderstorm figures prominently in your story, the thunder could "rumble" or "boom," rain could "patter" against the windows" and wind could "rush" across a field. Try making a list of all the sounds the storm in your narrative might involve and brainstorm onomatopoeic words to describe them.

The Character of Storms

If a storm is central to your story's conflict, you might consider having the weather literally take on a life of its own. Personification occurs when a writer gives human characteristics, such as actions and emotions, to an inanimate object. If your characters are trapped in open water during a hurricane, you might write, "The angry waves smacked against the side of the boat." Although water can't feel anger, the description of the waves as "angry" adds emotional texture and characterization to the storm.

Vivid Verbs

Because bad weather can often get out of control, describing a storm is not the time to skimp on verb usage. Weak verbs, such as "was" or "were," drain your descriptions of energy rather than infuse them with detail. Using specific, active verbs for the storm's motion gives readers a more detailed image of the story's events. For example, the sentence, "The dark sky was lit up by lightning," is a good start, but revising it to include an active verb can make the description even more forceful: "Lightning flashed across the sky."

• Western Michigan University: Basics of Metaphor and Simile
• Read Write Think: Onomatopoeia
• Universal Design for Learning: Literary Devices: Personification
• Writing Commons: Avoid Unnecessary "To Be" Verbs"

Kori Morgan holds a Bachelor of Arts in professional writing and a Master of Fine Arts in creative writing and has been crafting online and print educational materials since 2006. She taught creative writing and composition at West Virginia University and the University of Akron and her fiction, poetry and essays have appeared in numerous literary journals.

Writing a stormy scene

I can write a descriptive scene about a dark, stormy night.

Lesson details

Key learning points.

• Sentences should be said aloud before writing to ensure they make sense and read back once written to check for errors.
• Ambitious vocabulary and figurative language create a vivid picture in the reader's mind.
• Writers choose varied fronted adverbials and different sentence types to ensure the text flows for the reader.
• Careful selection of nouns and pronouns ensures cohesion within sentences and across sections of a written piece.
• Past simple, progressive and perfect verb forms can be used to improve text cohesion.

Common misconception

Pupils copy notes directly from their plans without forming full sentences.

Pupils should say the sentence aloud first, then write it out. Finally, pupils should check their writing for sense and punctuation.

Zoom-in - a writing technique that involves starting description with a broad idea and gradually narrowing the focus to explore specific details

Text flow - how a text is written to keep the reader engaged

Fronted adverbial - a sentence starter followed by a comma

Past tense - shows that the action happened before now

This content is © Oak National Academy Limited ( 2024 ), licensed on Open Government Licence version 3.0 except where otherwise stated. See Oak's terms & conditions (Collection 2).

Starter quiz

6 questions.

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Paragraph on A Stormy Night

Fresh Reads

Have you ever been home alone or away from home during a thunderstorm? Narrate your experience in a paragraph .

A Stormy Night

I sat alone in my room listening to the rain pouring hard on the roof. My back was against the wall and a pillow was clinched tight between my hands. I squeezed the pillow so tight that I could swear, it was going to rip apart. I heard the lightning strike an object close to my window. I jumped and a few tears began to stroll my cheeks. I was very scared. I had all the lights on in my room. I just stared out into the space, waiting for the storm to end, or worse, the lights to go out. After a few minutes the room was lighted again and the storm was over. I made a sign of relief.

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Descriptive Essay on a Stormy day

It was a horrible look out of the window. The sky was pitch dark, and massive clouds were moving. The sound of tapping was being heard on the window, which turned into a pitter-patter. As the clouds spat forth their droplets of water, people hurried for protection outside, and umbrellas were opened. As the rain fell harder, puddles began to form. The car roofs swirled with spray, and it could be clearly heard the rain murmur through the glass. It sounded like angry bees buzzing.

As the clouds began to gather in the sky, the sky had been picture-perfect up until now, but that was changing. The lovely cocktail-blue colour was darkening into gravel-grey. Large cloud pillows were building, obscuring the sun’s old-gold colour.

The rain was halfway across the meadow when the first splatter of rain is experienced. Many people took cover under an old tree, trying to see out the shower. Droplets of moisture started dripping from the leaves. They were watering the lawn with a garden hose. The stormy day then became more severe. A wall of rain moved over the oak, and the raindrops tapped against the canopy. Because there was so much rain, the sound became muddled into a single lengthy, whirring noise. It reminded everyone of helicopter rotor blades. The loudness eventually subsided, and the drips dissolved into a melodious chime.

The sun shone brightly once more, spreading slanted rays of light across the meadow. Slowly, steam emerged from the grass. It ascended strangely and drifted mistily towards the molten-gold sun. The vision lingered with me all the way home because it was so vivid.

It started as a whisper in the air. The day had been lovely, and the sky had been like a dome of plasma blue. The clouds had appeared to be airy anvils swaying beneath the shining disc of light.

People had pitched their tent just as the autumn Reaper’s moon appeared over the trees. The moon appeared to turn the leaves into a blazing patchwork of burning yellows, lava-reds, and burnished-browns. It gave a strange glitter to an otherwise lovely landscape. Most of us heard a ravenous thrush, snail a-tapping on rock; he finished his food before fluttering into the forest’s owl-light. The sorrowful scream of a lonely fox resonated through the trees’ vault-still silence. Then a gust of wind blew up, ruffling the flaps of their tent. As the first beads of rain fell into the leaves, we heard a tinkling sound. The sound was sweet and clear, like the sparkling clinking of a champagne flute. The sound became more intense when a sheet of rain went over us.

The noise on the tent was similar to the phut-phut-phut made by ripening nuts when they hit the ground. It wasn’t the soft, sodden, bloated drips of spring we were hearing; it sounded like ball-bearings slamming on the canvas roof. There was also the occasional ker-plunking sound. The raindrops accumulated on the tent fell to the earth in a tremendous swash of release.

As we gathered together and chilled in the tent, the thermometer plummeted. We didn’t have to be concerned. By the time daybreak dawned, the rain had passed. It was as if the rain had never fallen, as an explosion of birdsong erupted from the soaking trees.

‘Life is enabled by the sun. Its progress is made easier by the rain.’

Be clouded and weeping, the winter sky is a widow’s sky. The clouds are ungrateful and Kraken-cruel in this stormy day. They cough forth huge gouts of water and thunking balloons of soaked dampness. It descends in a biblical downpour, flooding rivers, drowning farmland, and overflowing dams. It’s a Noah’s-Ark-style rainstorm, a never-ending torrent of water sluicing from the heavens.

Cities are overburdened, and power outages leave people living in terror of the unknown. The rain is never-ending. A stormy day crackles and snaps like bracken pods in a bushfire. The floodgates in the sky have been opened, and no one appears to be present to close them.

Is this a scene from a science fiction film? Is it a terrifying glimpse of the future? It certainly isn’t. It has become the new reality for folks from Missouri to Manchester, Mumbai to Melbourne. According to news sources, rain is man’s new adversary. It is the public’s number one opponent. It has betrayed man and has become nature’s most destructive arrow. At the present, the rain has a terrible rep. Is this the correct perspective? Perhaps we are forgetting the blessings it bestows on us.

The sky in spring is a delicate, pellucid blue. The clouds are delicate and angelic in appearance. They’re borne by a gentle, ruffling air. Mother Earth’s soil is titanium hard and in desperate need of feeding. Light misty rainfall. It’s as delicate as a Scottish smirr and its foggy dew are like warm butter melting on your face. It falls, one by one, unlocking the glassy fingers of winter’s frigid fist. At low tide, flowers softly unfurl in the meadows and ripple like coral arms. The rivers emanate a murmurous purr of contentment. The spring showers have arrived, and they are as pure and gleaming as an angel’s tears.

Summer skies are vivid and neon-blue. The sun-crisped blossoms in the meadow are withering. They gape at the tufty clouds and beg for an insulin shot to rehydrate their parched petals. Rain pours in sparkling silver drops as the clouds acquiesce. If you stood in the meadow, the drops would feel as glittering and sparkling on your skin as champagne bubbles. The rain makes a harmonic thrumming sound, like nature’s white noise.

Silver droplets of water penetrate the soil, revitalizing the life-roots of the plants below in a stormy day. A familiar, baked-earth smell comes from the ground as the dewy tears of summer rain wash and refreshes it. The aroma of petrichor rises like a miasma following the first shower after a dry period. It has a nice and fresh jasmine-and-gingerbread aroma, and it leaves the land with a sweet aftertaste. The farmer is ecstatic. What the sun would have taken away has been replaced by the rain.

The October sky appears ominous and ferocious. The wind turns furious. It’s a shrieking, keening portent of the impending catastrophe. The clouds race across the sky, throbbing with the charged energy they desire to release in a stormy day.

Everything begins with big, dripping drops of water. They are indiscriminate and wild, plump missiles of mass destruction splattering across the soft earth. It makes little difference whether the topsoil turns into mushy goo. The harvest is in, and the farmer stokes the glowing embers with a poker and a happy sigh. Rain is squeezing and hissing off the roof and swarming onto the squishy ground. The farmer considers how most presents have a monetary value. However, he dreads the idea of another winter but is thankful that the rain has once again supplied for his subsistence.

According to him, rain is the nectar of the gods and the serum of the sky. He is neither a philosopher, a writer, nor a jungle explorer, but he understands the importance of nature’s bounty. Rain is God’s crowning achievement if beauty is his signature.

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Stormy Night - Free Essay Examples and Topic Ideas

Stormy night is a weather condition in which there is intense rainfall, strong winds, thunder, and lightning, usually occurring during the night time.

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Can You Do Better Than “It Was a Dark and Stormy Night…”?

What is your neighborhood like on a dark and stormy night? If you were asked to describe it, what would you write?

Here’s how a writer’s description might begin:

On a rainy winter evening, under the streetlights, young men in raincoats and hats hurry home through the howling wind, grumbling, while old folks cower under umbrellas on their way home to their cozy homes where their families and dogs and flat-screen TVs are waiting for them.

As the beginning of a story, that would be acceptable, I suppose.

But one writer wasn’t content with that. Read the beginning of his story. Read it out loud.

It was six o’clock on a winter’s evening. Thin, dingy rain spat and drizzled past the lighted street lamps. The pavements shone long and yellow. In squeaking galoshes, with mackintosh collars up and bowlers and trilbies weeping, youngish men from the offices bundled home against the thistly wind— ‘Night, Mr Macey.’ ‘Going my way, Charlie?’ ‘Ooh, there’s a pig of a night!’ ‘Good night, Mr Swan.’— and older men, clinging on to the big, black circular birds of their umbrellas, were wafted back, up the gaslit hills, to safe, hot, slippered, weatherproof hearths, and wives called Mother, and old, fold fleabag dogs, and the wireless babbling.

Now we’re talking.

A few weeks ago, I shared the opening pages of this story with fifteen young, aspiring writers in a college writing course. The only thing I love as much as writing is teaching. My wife Anne co-taught this course with me. We had the honor of serving as Writers in Residence at Covenant College in Georgia during Autumn Quarter. It was a fiction writing course, but the class that we had imagined was about how to improve and enrich fiction writing by practicing the disciplines of poetry. So we needed the expertise of a poet, and Anne brought her insights to meet that need.

I asked the students to pick out their favorite words and phrases from the first few pages of this story, and to highlight the lines that sounded most musical, the most biscuits-and-gravy delicious. What is a “thistly wind” and how is it different from a “whistling wind”? What do we learn by reading that they had “mackintosh collars up and bowlers and trilbies weeping…”? What is a trilby, anyway, and what does it mean that it’s weeping?

Then we turned our attention to the opening paragraphs of the students’ own stories. How much else might they reveal by rewriting them? How might they draw us in for a fuller, more sensual, more suggestive experience? We encouraged them to focus fiercely upon particularity — particularity of details in that specific time and place, and particularity of dialect and dialogue. We urged them toward particularly unexpected vocabulary that might make the ordinary seem strange and somehow new.

You can tell, reading about that “pig of a night,” that the author has experienced nights just like it.

And that’s why Dylan Thomas composed such a smashingly specific and savory paragraph to start off one of my favorite short stories, “The Followers.”

We also talked about the sounds in Thomas’s story, about the momentum of that paragraph that builds like a clunky old car trundling down a bumpy, rainslick road. Most of us associate musical prose with children’s stories — with Dr. Seuss and Shel Silverstein and writers of whimsy and wit. But why should we ever stop enjoying language that snaps, crackles, and pops?

Just listen to this reading of “Jabberwocky” by Benedict Cumberbatch.

It’s the music of language that makes words, lines, and whole paragraphs and poems stick in our heads. It’s the music that makes us stop and read something out loud to ourselves. That’s when writing ceases to be just consonants and vowels printed on a page, and becomes the chewy goodness of a meal.

And when we’re enjoying what we read for its form as well as its content, we are more likely to absorb its implications, its questions, its revelations, in stronger, more lasting, more personal ways.

We didn’t stop there. We read the opening pages of Billy Bathgate , by E.L. Doctorow; Out of Africa , by Isak Dinesin; The Road , by Cormac McCarthy; and poems by Robert Frost, Adam Zagajewski, Luci Shaw, and a few by one of my favorite poets — Anne M. Doe Overstreet, herself.

How does writing like this come about?

It’s easy to explain, difficult to do: Writers write paragraphs over and over and over and over again. They engage in all kinds of playful experiments. They try rhymes. They try rhythms. They do archaeological digs in search of just the right words. And then they try to achieve something that keeps us immersed, enthralled, without ever drawing attention to themselves instead of the subject.

Try it out. Take ten minutes and scribble down a description — no more than 125 words long, like the example above. Introduce us to a dark and stormy night in your neighborhood. Show us your neighborhood as vividly and specifically as possible. Prove to us you’ve experienced it. Make us see it, hear it, feel it when we close our eyes.

Feel free to email it to me, or to post it in a Comment below. I’ll post what you send, along with your first name (or, if you prefer, your full name). Let us all experience what it’s like in your neighborhood on a dark and stormy night.

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1. A Dialogue between Two Friends about Preparation for the Examination

2. write a dialogue between two friends on the choice of career, 3. write an application to the municipality mayor requesting to provide street lights, 4. a dialogue between two friends about reading newspaper, 5. dialogue between two friends who met after long time, 6. write a dialogue between a shopkeeper and a customer., 7. dialogue between two friends on spending summer vacation, 8. a dialogue between two friends about the bad effects of smoking, 9. a dialogue between two friends about tree plantation, 10. write an application to the principal for three days' leave of absence.

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It was a dark and stormy night

It was a dark and stormy night. The rain came down in torrents, soaking the solitary man to the skin. He stood alone, silent, still enveloped by the black of the night.

Had the sun been shining, this lonely man would have seen the flat green fields surrounding him and far in the distance a house stood, as solitary as the man. Yet the dark limited the man’s vision so the house vanished.

        Suddenly the man’s eyes snapped open. The look on his face was one of absolute horror as if he had no recollection of his coming to this place. He turned in a circle, taking in his surroundings and as he did, he felt something small and sharp touch his right leg. He ran his hand over his calf and felt nothing.

        As if to find a clue about why he was in this place, he glanced down at his clothes. Striped pyjamas clung to his legs and arms with the rain and the mud squelched between his bare toes.

        Something made a buzzing sound close to the man’s ear. He swatted around his head, but the buzzing still persisted.

What is it? He though. The buzzing became louder yet it seemed further away as if…..that’s it! He realised suddenly. The buzzing is in my head! As this though crossed his mind, terror crossed his face. The terror turned to anger as he hit himself over the head, hoping to dispel the unknown buzzing. One thought, and one thought only crossed his mind. Get it out. Over and over he heard these words, infuriating him but yet he listened.

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        Like a man possessed, he put both hands to his head and shook it, but still the continuous high pitched buzzing still rang through his skull. He clawed at his face, his nails leaving trails of blood in his cheeks. Out, Out, Out. Furious at the voice in his head and verging on the edge of madness, the cuts in his face grew deeper as more and more blood trickled from the wounds.

        He fell, slowly and clumsily to the ground, silent, still. Dead.

                *                *                *                *

It was a dark and stormy night. The rain came down in torrents soaking the solitary man to the skin.

        On looking closer, a passer by may have seen the deep scars in the man’s face and the dried blood under his nails and had a doctor been examining the dead man, he would have found two tiny, almost microscopic holes in the man’s right calf, as if something had gone in and then come out of the man’s body, leaving almost no trace.        

        ‘Oh god! It’s a man.’ The girl stopped and shouted back to the boy behind her. She looked scared and as she neared, her fear turned to horror. The man’s face had deep lacerations and she could see the dried, red blood on his hands. His once blue stripy pyjamas were now caked with mud and his bare feet were now black.

        The boy ran past the girl who stood with her hands covering her mouth to stop herself from screaming. He knelt down by the dead man’s side and felt for a pulse.

‘He’s dead’

The girl broke down in tears whilst the boy reached for his phone.

‘Ambulance please. And the police.’

The boy stood up with the sun shining fiercely in his eyes and walked over to the girl. He put a comforting arm around her and wiped her tears with his sleeve.

‘Look at the scars on his face. What happened? It looks so terrible.’

The boy said nothing but pulled the girl tighter into his chest. The sound of ambulance sirens filled the air and the girl turned to face them.

        The boy stood up to talk to the ambulance men. ‘Don’t leave me here with…’ Her eyes turned to look at the dead man. She ran to follow the boy.

The ambulance man thanked the pair and turned to look at the dead man.

‘Let’s go. Please. Please can we go? I’m scared.’

They turned towards the road and walked away, leaving the ambulance crew treating the man. Both in stony silence as the girl reached for the boy’s hand. He acknowledged this with a smile and together they walked away. Away from the horrors behind them.

Document Details

• Word Count 738
• Page Count 2
• Subject English

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The Story Behind “It Was A Dark And Stormy Night”

• Who Was The Author?
• Why Is The Line So Famous?

It was a dark and stormy night when the writer turned to Dictionary.com for synonyms and definitions to make their writing pop. At least, it would be a dark and stormy night if said writer was basing a story on one of the most cliché (a trite, stereotyped expression that has lost all originality from being long overused) introductions to grace the page.

If you’ve ever read any pulp fiction , you’ve likely come across the sentence “it was a dark and stormy night.” Even if you haven’t, there’s a good chance the sentence—or something that plays with similar phrasing—has made it into your reading diet.

😱 Have you got the perfect opening for a scary story?

Think you can be more original? Enter Dictionary.com’s Scary Story Opener Writing Contest !

Who wrote “it was a dark and stormy night”?

As with nearly all sayings that are now overdone, the first “dark and stormy night” started as an earnest original. The English novelist, playwright, and politician Sir Edward George Earle Bulwer-Lytton used the line to open his 1830 book Paul Clifford . In full, the intro reads:

“It was a dark and stormy night; the rain fell in torrents—except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness.”

You may notice a lack of periods in that 58-word starting sentence. The rest of the novel goes on to tell the dark tale of a robber who doesn’t know he’s the son of the judge who eventually sentences him to death. The twist at the end is that the robber frees himself and marries his cousin in America.

It’s the beginning—in particular the first seven words—that’ve stuck with the literati, however.

For one, it’s filled with melodrama (a dramatic form that does not observe the laws of cause and effect and that exaggerates emotion and emphasizes plot or action at the expense of characterization ). It’s also become the archetypical Victorian-era trope (a convention or device that establishes a predictable or stereotypical representation of a character, setting, or scenario in a creative work).

Why is “a dark and stormy night” such a famous line?

This over-descriptive and melodramatic style was popular in Bulwer-Lytton’s time. One of the final chapters of The Three Musketeers (1844) starts with something similar, “C’etait une nuit orageuse et sombre,” which translates to, “It was a night stormy and dark.” The exact Bulwer-Lytton phrasing has even made its way into popular modern books: Madeleine L’Engle’s Newbery Award -winning A Wrinkle in Time (1962) starts with the exact same line.

The line has become ripe for parody (a humorous or satirical imitation of a serious piece of literature or writing) over the years. Most famously, the Peanuts comics creator Charles M. Schulz often drew the dog Snoopy typing “It was a dark and stormy night” on his typewriter.

Is overusing this line terrifying or horrifying to you? Learn the difference between terror and horror to figure it out.

One of the most obvious signs of the lasting impact of Bulwer-Lytton’s now infamous line (even if this longevity is for dubious reasons) is the Bulwer-Lytton Fiction Contest. Started in 1982 and sponsored by the San José State University, California, English department, the annual contest asks people to send in their best terrible opening sentence to a novel.

The contest was started by Scott Rice, and the crowned winners have worked to find new ways to use clichés and overwrought language. Each winner has their own take on the style, but they often use too many descriptive words in a seemingly never-ending sentence. The prize for winning is far from fame and glory. As the official call for entries states:

“Finally, in keeping with the gravitas, high seriousness, and general bignitude of the contest, the grand prize winner will receive … a pittance.”

You shouldn’t completely judge Bulwer-Lytton for his most mocked seven words, though. The man is the standard-bearer for those writers who are more than a single bad cliché. A friend of Charles Dickens’, he wrote more than 30 popular novels and three plays—and he is also famous for the line, “the pen is mightier than the sword.”

Now go out there and use your mighty pen to wade through the dark and stormy night. Just maybe try and avoid the trope for something more original—especially if you’re entering our #HauntingHooks Scary Story Opener Writing contest .

It's time to read about some fabulous first lines instead.

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