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Department of textiles, merchandising, and fashion design: dissertations, theses, and student research.

Clothing, from Textiles to Pixels: Exploring the Possibilities of Design with Clo3d Software , Tina Shetabi

The Making of Everyday Hollywood: 1930s Film Influence on Everyday Women’s Fashion in Nebraska , Anna Naomi Kuhlman

“Any Lady Can Now Learn to Cut Perfect Fitting Dresses”: The Role of Pattern Drafting Systems in the Production of Women’s Dress, 1880–1900 , Alyssa Smith

These Are My People: An Ethnography of QuiltCon , Kristin Barrus

Beauty and Lifestyle Subscription Services: A Modern Retailing Format for the Vigilante Collaborative Consumption Consumer , Melisa Spilinek

Influence of Convenience, Time-savings, Price, and Product Variety on Amazon Prime Members and Non-Prime Shoppers’ Online Apparel Purchase Intention , Md Rashaduzzaman

An Evaluation of Sustainability in Consumption: The Behaviors Behind Purchase, Care, and Disposal of Apparel , Ana La Rosa

Sins Against Our Soles: The Morality and Hygiene of Nineteenth-Century Women's Shoes , Nicole Rudolph

Millennials' Acceptance of Voice Activated Shopping , Katelyn Nicole Sorensen

Country of Origin Impact on Consumer Perception of Value in Fast Fashion , Katherine Walter

Buying Behaviors of Generation X Women on Fast Fashion Products: A Mixed Methods Study , Yiyue Fan

THE DEMOGRAPHIC PROFILE FOR FEMALE TEXTILE-DESIGN BLOGGERS , Khadijah Baaqil

Development of Composites from Waste PET - Cotton Textiles , Madhuri Palakurthi

Bio-Crosslinking of Starch Films with Oxidized Sucrose , Hazal Canisag

Keeping Nebraska in Fashion: The Success of Postwar Custom Dressmaker Ilona Dorenter Berk , Kylin P. Jensen

Influence of Parents, Peers, Internet Product Search and Visual Social Media on College Students’ Purchase Behavior: A Mixed Methods Study , Jennifer E. Johnson

Fabrication of 3D Ultrafine Fibrous Protein Structures via Freeze-Drying , Yiling Huang

The Relationship Between Fashion Blogs and Intention to Purchase and Word of Mouth Behavior , Cassidy L. Vineyard

Electrospun Plant Protein Scaffolds with Fibers Oriented Randomly and Evenly in Three-Dimensions for Soft Tissue Engineering Applications , Shaobo Cai

The Influence of Mobile Website Quality on Consumer Satisfaction and Behavior , Xiuyuan Gao

Crusading Quilts: Social Reform and the Woman's Christian Temperance Union , Amanda Lensch

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Fashion Dissertation Topics: 100+ Interesting Dissertation Ideas

“Don’t be into trends. Don’t make fashion own you, but you decide what you are, what you want to express by the way you dress and the way to live.” — Gianni Versace

Nothing is stagnant in our life; fashion is also like that. It changes. Suppose you are a University student pursuing a degree programme in fashion or fashion dissertation ideas. In that case, you need to study hard and always keep an eye on the fashion trends to gather real-life examples. Not only the assignment writing is important, but the score is also important. If fashion design is your major at university, you must develop some fashion topics with a dissertation to explore your study. You need to establish your dissertation’s subject and research accordingly. You can choose the history of fashion in your selected era, or you can research numerous fashion topics throughout history. To write awesome fashion dissertation ideas, you must have both a practical and theoretical understanding of the subject, as well as a creative imagination to make something new.

“What you wear is how you present yourself to the world, especially today, when human contacts are so quick. Fashion is instant language.” — Miuccia Prada

Fashion trends are also a reflection of culture. Culture has had a significant impact on important styles and movements in the past that we cannot overstate. When writing a fashion dissertation, you need to provide the greatest sustainable fashion themes, fashion dissertation topics, textile & clothing, and trendy women fashion ideas. While drafting your assignment, you must perform extensive research to realise the importance of the best fashion dissertation topics to improve your academic performance. You should remember that the fashion dissertation topics you are writing in your assignment must be beneficial for students who will write their first dissertation papers in the fashion area.

Table of Contents

Interesting Facts About Fashion

“Fashion is the armor to survive the reality of everyday life.” — Bill Cunningham

Clothing creates fashion statements in cultures all over the world. As the twentieth century began, women strive for equal rights that mirrored in their wardrobe choices. As a result, ladies were first spotted wearing jeans in the early twentieth century. Moving forward, women in today’s world are acclimated to smoking, which is considered a masculine habit. The social power systems and hierarchies within communities reflect fashion trends. When choosing fashion topics for academic purposes, you need to be very careful. It is advised that you always go with a theme that you are most familiar with. Many dissertation topics are available in the fashion sector, but most students struggle to write relevant ones.

Some Innovative Fashion Dissertation Ideas

Now we are going to discuss some interesting fashion dissertation topic ideas. We need to discuss how choosing acceptable themes is one of the most important components of writing a dissertation. Many experts can explain the fashion topics better and supply dependable academic help to students on all of their inquiries since they are well-versed in all of the complexities of producing a fashion dissertation. Experts can easily find the best fashion dissertation topics as they are experienced. Most students struggle to come up with new ideas and techniques when it comes to fashion topics. Fashion is not mentioned somewhere, or some pages are written in the book, but the general trend changes over time. If a dress is trending today can be backdated in the next year. You can observe the trends and act accordingly because if something is in fashion, that is highlighted. To choose the fashion dissertation topic, you can go through the most relevant or trending topics. Here we are discussing some latest examples of dissertation topics.

• Since the 1800s, Men’s fashion in the UK.
• The History and Origins of English Wedding Dresses
• Fashion trends of ethnic dress in the UK.
• The era of baby fashion.
• A hairstyle can impact the entire dressing style of all.
• Explain how nuns and monks followed the growth of Christian clothing patterns.
• Why have leather clothes vanished in today’s fashion world?
• The impact of celebrities’ lives and tastes on the fashion sense of the next generation.
• Examine the 1960s youth’s fashion preferences.
• Give an example of a fashion trend of the Beatles.
• The variables to the establishment of fashion culture throughout the 1990s decade till now.
• Through the centuries, fools and jesters.
• Women’s shoe fashion styles are trending.
• Today’s street style in the 21st century.
• A deeper look at the dress styles of the 1980s as we enter the liberalism age.
• The growth of fashion in men’s and women’s dress sense since the 1990s to now.
• Evolution of fashion in men’s and women’s dress sense as the effect of Western culture on fashion across the world.
• How do magicians’ dress styles evolve through time, and how important it is to their job?
• The rate of change in fashion trends during the last few decades.
• The role of the women’s community has in the evolution of fashion trends.
• Cross-dressing has been documented in human communities from the dawn of time. Is it still a taboo subject?
• Fashion brand: the difference between a fashion brand’s brand image and brand identity.
• To figure out how fashion, culture, and identity are related.
• The impact of fashion on daily life.
• A sociological analysis of the demise of the knot.
• What are celebs doing to promote eco-friendly apparel?
• The influence that fashion publications and bloggers on society.
• Investigating the world’s ethnic clothes.
• Rapping culture and fashion.
• How modern dress in the twenty-first century reflects current political and cultural beliefs

Also Read : History Dissertation Topics

Suitable Framework for Fashion Dissertation Topics

“Fashions fade, style is eternal.” — Yves Saint Laurent

The most important integrant of writing an assignment is its organization, which plays a key role in fashion. While drafting the fashion dissertation for academic reasons, you need to be attentive to the structure and organization of your research topic. The rapid growth of fashion is common in the world today. Fashion is the thing that follows everyone, mainly the teenagers and the adults. So, naturally, there are so many exciting career options that attract many students from all over the world. A dissertation on the best fashion topics is common for students to write in their fashion designing course. So, now we are discussing some examples of dissertation topics regarding fashion.

• Who is Audrey Hepburn, and what was her contribution to the current fashion revolution?
• Explain the importance of brand identity and its influence on shifting fashion trends.
• Who were the celebrities and musicians of the 1970s, and what fashion trends did they follow?
• From 1910 until 2010, researchers looked into British fashion trends.
• Between 1930 and 1980, the American fashion industry underwent a cultural change because of feminism.
• Worldwide clothing production and trends.
• The jesters’ dress sense, looking back over the years.
• Mention the rise of bow ties and ties as formal attire.
• Explain why high heels are deemed fashionable even though they are quite unpleasant.
• Explain the significance of smartphones in determining adult fashion trends.
• The long-term influence of traditional clothing on current fashion trends.
• Is current fashion still highly reliant on animal products?
• Explain how the sari has evolved as a fashion trend.
• Evolution of beachwear into its current state.
• How have woollen garments fallen out of favour with the general public?
• Explain why miniskirts and maxis became popular recently.
• Celebrities’ role in introducing new fashion trends.
• Dressing up as peasants is a new fashion in the US.
• Hats and creativity are two things that come to trends.
• The influence of colour on fashion.
• The beginnings of power dressing.
• Cross-dressing is a need.
• Difference between Synthetic wool and natural wool.
• Normal and daily materials have become increasingly trendy.
• Shopping for a special occasion vs shopping for the sake of it
• Analyzing fashion’s impact in reshaping Western cultural values: A case study of any Western country
• The circumstances surrounding the development of T-shirts.
• Mention the close relationship between religious beliefs and clothing choices.
• Ball gown introduction in traditional society.
• Explain how clothing plays a part in displaying one’s individuality and unique characteristics.
• Why are furs so popular in today’s wardrobes?
• Importance of nylon in the evolution of modern clothing.
• Influence of Magazines and articles blogging.
• Gowns and style fashion: Nuns and monks have worn many dresses and styles over the years.
• Need for successful social media marketing in today’s environment for luxury clothes fashion.
• A case study of Pakistan and India shows how western culture has affected the living conditions and tastes of Asian consumers.
• Technology and Fashion: The most important fashion trends of the twenty-first century.
• The feminine exhibition, racial creation, and middle-class performance in the material culture of women’s accessories (1825-1925).
• From 1950 through 2010, researchers looked into American fashion trends.

If you’re having trouble writing your dissertation, you can seek professional assistance online. Seeking expert assistance is the safest and most effective strategy to improve your academic performance. Fashion dissertation assistance pros are here to transform this stumbling block into the first rung on the ladder leading to your desired marks. For the time being, the experts are helping students to write their best fashion dissertation topic. If you choose a legitimate academic aid provider, you will certainly receive great grades and praise from the assessor. If you can choose your topic, you can check through this list that we are discussing here to save your time.

• Examining the ethnic clothes craze.
• How formal attire has dwindled in popularity in the workplace.
• Key fashion figures that have shaped the industry.
• Changes in school uniforms across the world.
• How tyrants and monopolists governed the fashion industry.
• In the fashion business, there are crossover trends.
• Fashion and television are coexist.
• What role did animals have in the fashion industry?
• Clothing with safety features: a contemporary style.
• What impact does the dress have on people’s self-perception?
• Fashion idols from the contemporary era who have influenced what people wear
• Technology’s entry into the fashion sector.
• What factors shaped the 1990s fashion scene?
• The influence of fashion on youth is shown in movies and the lives of celebrities.
• Fashion trends nowadays and the role of women.
• Justin Bieber’s fashion sense has had a significant impact on today’s youngsters.
• Lady Diana established the worldwide fashion statement.
• The rise of tuxedos and suits is a result of fashion trends.
• Examples that show how athletics and fashion can coexist.
• Social media in uplifting sales of high-end clothing.
• Examine how the Australian clothing sense has evolved throughout time.
• Sneakers’ steady transformation into a stylish must-have.
• Fashion dissertation topic: A historical examination and study of men’s and women’s fashion since the early 1500s.
• New designs fashion: the development of the hat and how it has evolved with new designs.
• Theatres that have inspired fashion.
• An examination of how cloth has affected fashion over time.
• The detrimental consequences of fashion on people’s lives.
• Nylon is the most enticing fashion development.
• How did clothing become a means of identifying a person’s social class?
• In the field of education, academic attire is a must.

   “I don’t design clothes. I design dreams.”  — Ralph Lauren

Conclusion:

The incorporation of diverse viewpoints will undoubtedly result in a high-quality final fashion dissertation. When conducting historical research on fashion design, you must gather as much information as possible and assemble them into an impressive summary. You must acquire all relevant information on the industry and organize it. Due to a lack of expertise, many academics find it difficult to choose a fascinating fashion dissertation topic. So, students frequently become stuck when completing their fashion dissertation projects and turn to the internet for help. You can also use our academic assistance service for a stress-free educational experience by searching for paper help . Selecting our experts can lead you to upper grades, and our experts will ensure that they can provide the best quality of content.

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The innovative Fashion Design BFA program has trained six generations of designers who have shaped the global industry. Employing design thinking and creative problem-solving strategies, you explore form, silhouette, material, and process — including social and environmental imperatives — to create beautiful, sustainable, responsibly produced fashion for a complex and evolving field. You are encouraged to explore the broadest contexts and applications of fashion.

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Your BFA begins with Parsons’ first-year curriculum, which serves as the academic foundation for all undergraduate programs at Parsons. From your second year on, you dive into courses in your major field of study. You choose one of four pathways: Collection, Materiality, Fashion Product, or Systems and Society. Art and design history and theory courses develop your research, writing, and critical reasoning  skills, and university electives broaden your perspectives.

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International Journal of Interdisciplinary Research

• Open access
• Published: 25 October 2023

Developing an AI-based automated fashion design system: reflecting the work process of fashion designers

• Woojin Choi 1 ,
• Seyoon Jang   ORCID: orcid.org/0000-0002-1033-1247 1 ,
• Ha Youn Kim 2 ,
• Yuri Lee 3 ,
• Sang-goo Lee 4 ,
• Hanbit Lee 4 &
• Sungchan Park 5  

Fashion and Textiles volume  10 , Article number:  39 ( 2023 ) Cite this article

9083 Accesses

7 Citations

Metrics details

With the recent expansion of the applicability of artificial intelligence into the creative realm, attempts are being made to use AI (artificial intelligence) in the garment development system in various ways, both in academia and the fashion business. Several IT companies have developed and possess AI-based garment design technologies that utilize StyleGAN2 for image transformation. However, they are not widely utilized in the fashion business. Since fashion brands need to create numerous designs to launch new garment products for at least two seasons per year, the adoption of AI-based garment design generation technology can be one way to increase work efficiency. Therefore, this research aims to collect and analyze existing cases of AI-based garment design tools in order to identify the similarities and differences between the garment development processes of human designers and the existing AI-based garment design tools. Based on this analysis, the research aims to develop an AI-based garment development system that takes into consideration the garment development process of human designers, incorporating fashion domain knowledge.

Introduction

Artificial intelligence (AI) is one of the key drivers shaping the transformation of contemporary society alongside big data, virtual reality, and other technological advancements. The fashion industry is undergoing a transformation driven by technological innovations centered around AI (Carvalho et al., 2019 ; Jang & Ha, 2023 ; Market.US, 2023 ). For instance, advancements in AI technology have improved the ability to analyze big data, enabling online retailers to track consumer purchasing data and provide personalized services, thereby enhancing sales. Moreover, AI-based technologies allow for more accurate predictions of upcoming fashion trends, enabling efficient inventory management. Currently, “generative AI” technologies that generate diverse and customized outcomes are garnering significant attention. A notable example is Chat GPT; released by OpenAI, it attracted the interest of over 100 million active users in only two months. Additionally, platforms such as DALL-E2 generate over four million images daily (Xu et al., 2023 ).

However, despite the fashion industry having a shorter product lifecycle than other industries, the field of fashion design has traditionally relied on designer intuition for decision-making (Dubreuil & Lu, 2020 ; Lin & Yang, 2019 ; Takagi et al., 2017 ). As a result, although the application of AI has evolved from analytical to generative AI, it has not been widely adopted in the field of fashion design. Experts in the fashion industry recognize the importance of AI-based garment development technology (Kim et al., 2022 ). Specifically, AI-based garment development technology, incorporating the design process of human designers and fashion domain knowledge, can reduce the workload of fashion designers and product planners, thus increasing work efficiency (Dubey et al., 2020 ).

This research aims to achieve two primary objectives. First, aims to collect and analyze existing cases of AI-based garment design tools in order to identify the similarities and differences between the garment development processes of human designers and the existing AI-based garment design tools. Second, based on this analysis, the research aims to develop an AI-based garment development system that takes into consideration the garment development process of human designers, incorporating fashion domain knowledge. By developing a system that supports fashion design generation based on an understanding of the work processes of fashion designers and the domain knowledge of the fashion industry, rather than focusing exclusively on technological development, this study will enable AI-based garment development tools to become more adaptable for practical use.

The structure of this research is as follows: First, an examination of previous cases related to AI-based fashion design is conducted. This research focuses on the cases that have emerged since the active development of conceptual studies related to deep learning-based image generation techniques. Second, the garment development processes of the collected cases are analyzed by comparing them to the garment development processes of human designers to thus propose an AI-based garment development system that incorporates fashion domain knowledge. Third, an AI-based garment development system is developed using StyleGAN2, and a pilot program is developed to evaluate its satisfaction among industry designers. Finally, the research findings are discussed, highlighting their implications for industry, and some recommendations for future research are provided.

Literature Review

Garment development process and fashion domain knowledge.

The garment development process is a special problem-solving activity that comprises a series of small steps in which a designer explores a problem (Schoen, 1983 ). It is the process of designing, planning, and developing saleable products reflecting their brand identity and the relevant season’s concept for the target consumers (Clodfelter, 2015 ; Kincade, 2010 ; Lee, 2004 ). Many studies have found that the garment development process of human designers sequentially and simultaneously undergoes several stages: analysis of the brand’s internal data (i.e., sales review) and global fashion trends, concept formation and design ideation, design generation and modification, and design finalization (Evans, 2014 ; Lamb & Kallal, 1992 ; Watkins, 1998 ).

The purpose of this study is to develop an AI-aided design tool optimized for fashion brands owned by a producer or distributor. Based on previous research, the following five processes comprise the most optimized garment product development for fashion brands (Evans, 2014 ; Lamb & Kallal, 1992 ; Watkins, 1998 ): (1) analyzing internal/external data, (2) determining the concept to be the season’s direction, (3) generating garment design according to the season’s concept, (4) modifying the newly generated design, and (5) finalizing the garment design.

Fashion brands generally begin garment design development half a year or a year before the start of their product sales season (Blaazer, 2022 ; Lee, 2004 ). When developing garment products, fashion brands consider and analyze two main sources of information: internal brand data and global fashion trends (Clodfelter, 2015 ; Jackson & Shaw, 2017 ; Kincade, 2010 ). Internal brand data refer to past sales data, best-selling brand items, consumer data, or other relevant information (Testa & Karpova, 2022 ). The entire garment development team reviews the performance in previous seasons, including the previous year, to identify key trends that have contributed to profitability (Jackson & Shaw, 2017 ). Products that performed well in the previous season are likely to impact sales in the next season, making it crucial to review them (Ha-Brookshire, 2015 ; Jackson & Shaw, 2017 ; Kunz, 2010 ). Furthermore, for garment product development, global fashion trends are reviewed based on the runway collections of high-end brands. Runway collections are essential trend information and serve as significant factors in garment product development among mass fashion brands (Choi et al., 2021 ; Zhao & Min, 2019 ).

Next, it is necessary to plan the season’s concepts. This stage involves determining the overall theme and mood of the whole garment design (Caniato et al., 2015 ; Clark, 2014 ). Since a fashion brand needs to create 20–30 pieces of garments per season, establishing a concept is crucial to ensure consistent designs across any season (Clark, 2014 ; Lee & Jirousek, 2015 ). Hence, garment design involves generating and modifying garment designs that reflect the brand’s identity and seasonal concept (Caniato et al., 2015 ). This step focuses on generating a garment design and modifying the newly generated design to find an alternative design. Finally, through evaluations by merchandisers, shop managers, and other relevant stakeholders in the fashion brand, the finalization process entails selecting designs suitable for the brand's sales in the respective season (Evans, 2014 ).

Meanwhile, domain knowledge refers to the valid knowledge in a specialized field of study or industry (Choi, 2017 ). Although the development and introduction of new technologies are replacing many aspects of human factors, domain knowledge plays a critical role in setting the direction for any industry (Muralidhar et al., 2018 ). In the garment development process, this domain knowledge includes brand identity, past sales data, brand design characteristics, bestselling items and consumer information (Chen et al., 2012 ; Lee, 2004 ). In fields such as fashion, where human ‘intuition’ or ‘sense’ is highly involved, modeling domain knowledge based on human designers can enhance AI-based design processes.

AI-based garment design generation technology

Recently, AI in fashion garment design has evolved from image recognition and synthesis to image generation (Anantrasirichai & Bull, 2021 ). The beginning of research on the AI-based garment design process dates back to the early 2000s. Initially, garment design studies that incorporated AI used genetic algorithms (GA) that favor the evolution of the information of the previous generation, such as the genetic phenomenon of an organism, and pass this information on to the next generation. In other words, research was conducted to combine the design attributes of fashion products that have already been released and to suggest new styles (Khajeh et al., 2016 ; Kokol et al., 2006 ). The previous researches described garment design as a process that involves making various choices by combining different design attributes. Later, some studies found the location of fashion items in photographs using computer vision. This identification was made by improving machine learning performance (Hara et al., 2016 ; Lu et al., 2022 ), determining item categories and design attributes (Akata et al., 2013 ; An et al., 2023 ; Jang et al., 2022 ; Ji et al., 2018 ; Wang et al., 2018 ), and identifying similarities among designs (Ay et al., 2019 ; Ma et al., 2020 ; Tuinhof et al., 2018 ).

GAN has recently attracted attention in the research on AI-based garment design. The GAN model is an unsupervised deep learning method that generates or edits new fake images. A GAN is composed of two neural networks, namely, a generator and a discriminator, which compete against each other to improve the generation quality (Goodfellow et al., 2014 ). First proposed by Goodfellow et al. ( 2014 ), various derivative GAN models have since been introduced, enabling the editing and easy generation or synthesis of images. Hence, various research cases have emerged in the field of design (Raffiee & Sollami, 2021 ; Rostamzadeh et al., 2018 ).

GAN is used in the fashion industry to generate new designs or modify specific parts of the design (Liu et al., 2019 ), create graphics printed on clothing (Kim et al., 2017 ; Raffiee & Sollami, 2021 ; Rostamzadeh et al., 2018 ), and achieve a fusion of mixed semantic styles (Zhu et al., 2020 ). In addition, Disco GAN technology has been developed and advanced such that AI identifies the characteristics between different object groups and learns the relationship between the two to modify the design (Kim et al., 2017 ). For Disco GAN, if the image of a handbag is designated as the input value and the image of a shoe is designated as the output value, a new shoe design can be generated by identifying the image characteristics of the handbag and applying them to the shoe (Kim et al., 2017 ). StyleGAN and StyleGAN2 are algorithms optimized for fashion image generation. They consider image composition as a combination of styles and synthesize images by applying style information to each layer of the generative model. Models utilizing StyleGAN or StyleGAN2 can control network architecture and styles while generating clothing images, thus enabling the editing of garments for specific attributes (Lewis et al., 2021 ).

This research analyzes existing AI-based garment design tools and develops a new AI-based garment development system specifically designed for the fashion industry. As shown in Table 1 , the entire process of the research was divided into three stages:

Requirement analysis and system design

We conducted a case study by collecting examples of AI-based fashion design tools that have been utilized in practical applications. As garment design plays a significant role in the process of garment developing, we determined the need to gather and analyze cases of AI-based garment design tools to build an AI-based garment development system. Therefore, we compared the cases with the garment development process of human designers as a benchmark and derived commonalities and differences. On the basis of the analysis results, we proposed a new system that fashion designers can use in their practical work. Currently, AI-based fashion design processes are not widely used in the industry, the evaluation of the level of development varies (Kim et al., 2022 ). Thus, we concluded that qualitative research on the current state of technological development must be conducted. The research procedure for the case study is as follows.

Data collection

We explored articles and papers to extract information on IT companies with AI-based technologies for garment design generation. We collected articles published since 2018 by searching keywords, including “AI-based fashion design,” “AI fashion design tool,” and “AI fashion design process,” on the web portal ‘Google ( www.google.com )’ in English and ‘Naver ( www.naver.com )’ in Korean. Naver, the largest local search engine in South Korea, is optimized for retrieving information in Korean. We used Korean keywords for searching on Naver and English keywords for searching on Google. Additionally, we searched Google Scholar using the same keywords in both Korean and English to collect papers published since 2018 that included cases of AI-based garment design tools. As a result, we collected 13 cases from a total of 28 relevant articles and two papers, excluding duplicate articles.

Next, we excluded AI-based garment design tools that are still in the development stage or have not been commercialized. Ultimately, nine AI-based garment design tools with a history of commercial utilization were selected for analysis. The selected companies (tool names) include ETRI (AI Fashion Market Platform); Designovel (style AI), LG (AI artist Tilda); Google and Zalando (Project Muze); Amazon (Lab126); Google, H&M, and Ivyrevel (Coded Couture); Stitch Fix (Hybrid Design); YNAP (8 by Yoox); and OpenAI (Dall-E2).

Coding and data analysis

Each case was analyzed using the collected data. Four doctoral-level researchers in the field of fashion examined the original texts of the collected articles and conducted a constant comparison analysis. The five-step garment development process of human fashion designers presented in previous studies was used as a comparative criterion. Through this criterion, the commonalities and differences between AI-based design processes and human designers were explored. The researchers coded and classified the design processes of nine AI-based garment design tools. In cases where the researchers’ opinions did not align, additional search processes were conducted by setting the respective tool as a search keyword, followed by coding.

System proposal

On the basis of the analysis of the case studies, a new AI-based design system was designed. The system design involved the participation of four fashion researchers and three computer engineering researchers. Through approximately six months of continuous discussions, a user-centered (designer-centered) workflow, which could be integrated with the garment development process of human fashion designers, was designed. Then, a system consisting of four modules was proposed.

System development and implementation

An AI-based garment development system based on StyleGAN2 was developed by computer engineering researchers. The StyleGAN2 algorithm has demonstrated superior diversity and image quality in the generated outputs. In view of these findings, the researchers chose to employ the StyleGAN2 algorithm as the cornerstone for their AI-based garment development system. In particular, the system model was trained using dress and skirt images, which are well suited for exploring various silhouette variations. To train the model, a dataset of 52,000 images was collected from 168 leading fashion brands obtained from international fashion retail platforms, such as Yoox ( www.yoox.com ), Net-A-Porte ( www.net-a-porte.com ), Vogue ( www.vogue.com ) and Tagwalk ( www.tag-walk.com ). Subsequently, a model was developed to learn the distribution of the training images and generate new fashion images by adding noise and generating image variations. The trained model enabled coarse style variations in silhouette elements, such as full length, sleeve length, and neckline, in the early stages and fine style variations, such as color, pattern, and print, in the later stages.

To evaluate the developed service, a pilot test was conducted with a diverse group of 8 designers in South Korea, including women’s clothing designers from small and medium-sized enterprises (SMEs) and large corporations, as well as designers from apparel vendor companies. Prior to the pilot test, a snowball sampling method was used to select designers who wished to review the service. Taking into account their expertise and company size, a final group of 8 users was chosen. They used the service for a period of 10 days in mid-December 2022. Then, the researchers conducted interviews and brief postservice surveys. The measurement items included the participants’ perception of the service quality before and after usage, evaluation of the design outcomes, and intention for continuous usage. Respondents indicated the degree to which they agreed with the statements using a five-point Likert scale (1 = “strongly disagree” to 5 = “strongly agree”).

Results and Discussion

The result of case study.

The nine AI-based garment design generation tools selected in this study are summarized in comparison with the human designers’ development process (Table 2 ). An “X” mark indicates that the tool does not include the stage of the human garment development process, and an “O” mark indicates that it includes the stage. Specific commonalities and differences are described later.

Garment designers spend extensive time in internal and external data research (Clodfelter, 2015 ; Jackson & Shaw, 2017 ; Kincade, 2010 ). The internal data analysis stage appeared in four out of nine cases. To support efficient design generation in a mass production preplanning system, the brand’s internal data must be incorporated. Most of these profiling data pertain to customers and are primarily utilized in the form of recommendation services to enhance consumer experiences. This aspect constitutes only a portion of the personalization service that “recommends” designs to consumers, thus causing difficulty in claiming that it is primarily aimed at “generating” designs for mass production. For instance, Stitch Fix’s Hybrid Design and YNAP’s 8 by Yoox analyze and incorporate customer data, such as user lifestyles, to generate personalized designs for users.

Some AI-generated design tools also provide external data research and analysis. Global fashion week data, social media fashion data, and social media influencer data can be included in external data. The AI Fashion Market Platform (ETRI), Style AI (Designovel), 8 by Yoox (YNAP), and Hybrid Design (Stitch Fix) support design generation based on external data (i.e., social media influencers` fashion data) research and analysis. The AI Fashion Market Platform (ETRI) generates garment designs in light of domestic trends reflected on social media, while YNAP’s 8 by Yoox reflects the trends by analyzing and showing clothes that social media influencers prefer (Melton, 2018 ). However, they have limitations in that they analyze and provide trends without considering the brand identity or brand concept for the season in the external data analysis.

Second, many AI-based design tools lack the stage of concept formation. The development of season concepts is reflected only in the case of Tilda. Tilda generated approximately 3000 inspiration images for the design theme presented by the human designer (LG AI Research, 2022 ). As the development of the designs is led by technology without design development knowledge, such as brand profiling, season trend analysis, and concept decisions, which affect the direction of learning and design, users may conclude that AI’s design ideation is less brand specific.

Third, models for design generation and modification were provided with a focus on image composition and text-to-image composition using GAN in half of the cases. Some technologies (e.g., Coded Couture; Dall-E2) are image-generation technologies that simply convert text into images rather than AI technologies that creatively generate garment designs (Lee, 2018 ; Oh, 2021 ). In addition, although designs that are generated on the basis of the serendipity of AI-based fashion design look creative, they remain limited because they require modification by human designers to be used as commercial designs. However, only three cases allowed modifications after the generation of garment design images. Last, not all cases included the finalization process.

In summary, compared with the garment design development of human designers, the biggest drawback of existing AI-based garment design development tools is the difficulty in accurately reflecting the designer’s intentions. Such tools that are currently being developed and used focus only on trend analysis and image generation. This limitation has led to a nonholistic view of AI-based garment design tools developed in the fashion domain and has raised the need to generate a tool that reflects knowledge in the fashion domain.

Suggestion of AI-aided design process

Garment design is a complex and cyclical process in which various thinking methods are continuously and simultaneously applied in each stage of the design process (Evans, 2014 ). However, through analyzing the cases, researchers have found that the AI-based garment design tools commercialized thus far do not cover the comprehensive process from the perspective of human designers. Therefore, this study proposes an AI-based garment development system that reflects fashion domain knowledge. We advance an AI-based garment development system that integrates the human-based design process as follows (Fig.  1 ). The system consists of four modules, integrating five stages of the garment design process. Detailed explanations for each module are provided in the following section on system development and implementation.

AI–human collaborative garment development system

Development of AI-aided design process

Module 1 and Module 2 involve the collection and analysis of internal and external data, respectively. Module 1 builds a dataset based on the brand’s internal data, while Module 2 extracts external information. In addition, Module 3 functions as a design source database, serving as a repository where users can store necessary keywords and images during the garment design process. Module 4 generates garment designs and modifies the garment designs. Considering that the garment design process is simultaneous and repetitive, the process was designed for users to organize the process freely depending on the purpose, such as changing the order of the module with key functions according to the user’s needs or removing an unnecessary module.

Module 1: building a database of the company’s internal environment

A system was designed to analyze and integrate the brand’s internal data, thus enabling the inference of brand concepts and designing intentions from the brand’s own product data. Users are prompted to upload brand-related data directly when they first start using the system. Then, users upload images related to the brand and reference images used during garment development. These images can be uploaded manually by users or automatically collected through a crawling robot by entering the website address of the shopping mall or social media platforms managed by the company. Upon uploading a product image, an automated tagging system labels the design features and automatically generates and stores product information in the database. In addition, a brief profiling survey is conducted in which users are asked to select brands similar to their own brand from domestic and global fashion brand lists. All of these processes are optional, thus allowing users to skip them without any hindrance in utilizing other modules. The collected information is utilized as a weighting factor during the generation of garment designs for user brands. Once the input of basic information regarding the brand’s internal environment is completed, the system extracts the typical design factors associated with the brand’s design and incorporates them into the garment generation process.

To implement Module 1, technology is needed to identify the design features of garment products in images and label them in text format. To accomplish this step, computer vision and natural language processing (NLP) techniques are employed to preprocess and structure internal data, encompassing extensive unstructured image and text data. Generally, internal databases contain various, large-scale, and unnormalized data, which can be obstacles to utilizing AI techniques. Before applying advanced image/text content analysis techniques, building a database can be helpful. For example, auto labeling (Cheng et al., 2018 ) techniques can extract style keywords (e.g., “casual,” “modern”) and objective attributes (e.g., “turtleneck,” “puff sleeves”) from fashion images. NLP techniques can also be utilized to process unstructured text data to reduce the incompleteness of the database.

Module 2: global runway trend extraction

Module 2 was designed to analyze fashion trends based on runway collections and provide trend keywords associated with specific seasons or design attributes. This module visualizes prominent design keywords in ready-to-wear (RTW) and haute couture based on runway shows held twice a year: Spring/Summer (S/S) and Fall/Winter (F/W). The design features of a particular runway brand serve as important design references for mass-market fashion brands (Jang et al., 2022 ). Therefore, rankings must be derived on the basis of seasons and major keywords.

Runway data can be automatically collected using the brand name on TAGWALK ( www.tag-walk.com ) or the official US website of Vogue ( www.vogue.com ). Then, the data can be saved on the trend database. The saved images are turned into labeled data with major design features through the computer vision technology mentioned in Module 1. In addition to the frequency of extracted keywords, comparisons with the same season in the previous year and the last season are provided. Keywords with high interest can be moved to the design source of Module 3. Again, global runway trend keywords are stored together with relevant images.

Module 3: design source database

The design source database is a function that can save and manage keywords and images selected by users. All keywords and images directly entered by the user in Module 1 are also stored in Module 3. Then, users can use them as needed. The users can freely organize the dashboard by season, item, or design features depending on the purpose. Moreover, the users’ convenience can be increased by separately storing the sources required for future design generation. Module 3 must further implement a feature to search associated images by selecting one or more design keywords. In addition, a user interface must be implemented to facilitate the retrieval of information (keyword or image) stored by the user according to the user’s purpose. This module allows users to gather keywords and images stored in the database on the basis of their needs. As a result, the module serves as a mood board in the garment design process and facilitates the establishment of season concepts.

Module 4: design feature combination and GAN-based garment design generation

In Module 4, users can not only upload or retrieve new images from the design source library (Module 3) to generate a new garment design but also modify their own designs or the generated designs within the available options presented by the system. Users can modify various design features, such as color, silhouette (fit, length), pattern and prints, and detail features.

Furthermore, users can repeat this process as many times as they want until they are satisfied. Then, they can obtain new inspiration from the AI-generated images. They can also use the design as it is or transform the details or colors for a better design. Moreover, users can generate or transform images by uploading their own brand in Module 1 to ensure that they obtain results that reflect their input. Among the generated images, an image selected by the user can be included in Module 3. Even when the image is not selected, the system can ask users why they did not store the image, thereby recording enhanced personalized preference results. The accumulated personalized data may be associated with the elaboration of the image generation result. The images finally generated can be shared with users and people with registered accounts related to the brands for evaluation. This step corresponds to the finalization stage of the human design process.

To implement Module 4, an image generation model, namely the GAN model called StyleGAN2, was employed (Karras et al., 2019 , 2020 , 2021 ). Once the image generation model is trained with a large set of training images, the model can generate a wide range of synthetic but photorealistic fashion images. Furthermore, the design features of the generated garment images can be finely modified, including the silhouette, color, patterns, and prints (Patashnik et al., 2021 ; Shen et al., 2020 ; Wu et al., 2021 ). Figure  2 presents an overview of the AI-based garment design framework, which utilizes the StyleGan2 model. As shown in Fig.  2 , the recent image editing technique can support various user-specified cues, such as silhouette (length), pattern, and colors. Furthermore, Fig.  3 shows an example of images generated using the AI techniques mentioned in Fig.  2 .

AI techniques for image generation and editing (all images are generated by artificial intelligence)

The example of fashion image generation and editing Note. top-left image: From Look 3 [Photography], by Jil Sander, 2022, Vogue (https://www.vogue.com/fashion-shows/resort-2022/jil-sander/slideshow/collection#3). Note. top-left image: From Look 48 [Photography], by Daniele Oberrauch, 2022, Vogue (https://www.vogue.com/fashion-shows/spring-2022-ready-to-wear/sergio-hudson/slideshow/collection#48). Note. bottom-left image: From Look 44 [Photography], by Gucci, 2022, Vogue (https://www.vogue.com/fashion-shows/spring-2022-ready-to-wear/gucci/slideshow/collection#44. Accessed 2 August 2022)

Pilot test of AI-based garment development system

The research team created a front-end program to enable fashion designers to evaluate both quantitative and qualitative performance through access to the AI-based garment development system. As a result of the quantitative performance indicators of the design generation system, the inception score (IS) was 7.40, image reality score was 3.76, response time of the design generation was 1.02 s/req, and processing rate of the design generation was 58.4 req/min. Next, following Nielsen’s usability test guidelines (Nielsen, 2012 ), a pilot test was qualitatively conducted with 8 fashion designers in this study. The results showed that the participants’ expectations for the quality of the AI-generated garment design images were rated at 2.44 before using the AI-based garment development system. However, after using the system, the satisfaction with the AI-generated outcomes increased to 3.81, thus indicating that the final design results demonstrated high completeness and exceeded the participants’ expectations.

Conclusions

Garment design undergoes the comprehensive process of building the season concept by considering both global fashion trends and brand merchandising knowledge, going through design ideation based on the above, concretizing, and ultimately creating the design (Evans, 2014 ; Lamb & Kallar, 1992 ). If even one of these processes is omitted, a design with commerciality and brand identity can be difficult to develop. Although nine AI-based design generation solutions have been advanced thus far, they have focused only on the advancement of fashion trend analysis and automatic fashion image generation technology. The lack of intermediate stages in the garment development process leads to the absence of a holistic view of garment design (Kim et al., 2022 ). Thus, this study attempted to develop and propose an ideal AI-based garment development system by comparing the design process of human designers with the AI design process. The research on developing an AI design system that reflects the perspective of fashion designers is particularly relevant and timely, given the rapidly growing importance placed on advancing generative AI technologies (Market.US, 2023 ). Furthermore, by surveying the satisfaction of fashion designers, the potential usability of the proposed system has been confirmed. On this basis, the academic and practical implications of this study are as follows.

First, in this study, computer science and fashion fields were efficiently integrated, thus leading to the implementation of an AI-based garment development system that can yield highly effective results. To ensure the practical application of technology in the industry, the technology must be closely aligned with industry-standard processes (Caruelle et al., 2022 ; Jarek et al., 2019 ). While AI cannot fully comprehend the intuition of human designers, AI design tools can assist human designers by learning domain knowledge and being designed according to the design processes commonly followed by human designers (Dubey et al., 2020 ; Song et al., 2022 ). In this way, AI systems can be incorporated into the work environment and support human designers effectively. In this sense, this study holds academic and practical significance because it analyzed existing cases of AI-based garment design tools and developed an AI-based garment development system that incorporates fashion domain knowledge. Most research in the fashion field related to AI technology has remained at the stage of case analysis. However, the current study stands out by collaborating with computer science researchers to design a new system and implement it at a practical level, thus demonstrating its academic importance. Furthermore, generative AI has currently gained significant attention. Generative AI can produce images or music that reflects the user’s intent with simple prompts (Hsu & Ching, 2023 ; McCormack et al., 2023 ). The significance of the developed system in this study lies in its ability to generate results that incorporate the user’s intent. Finally, by allowing real fashion designers to use the system and evaluating its usability, this study confirms the practical significance of the developed system and its potential for practical application.

The following limitations exist in this study, and we would like to suggest further research to supplement them. First, we developed an AI-based fashion design system using Style GAN2 as the main algorithm. However, since we did not compare and analyze image generation performance because we focused on the algorithm development process, subsequent studies need to supplement this. Second, while GAN model is a crucial technology for image generation and has been actively used in garment design generation, Rostamzadeh et al. ( 2018 ) explained that the quality of the dataset affects design image generation when creating garment designs using GAN. Therefore, the data source must be obtained in such a way that designs of various conditions can be learned. Third, the AI-based garment development system developed in this study has a limited image resolution. This limitation poses challenges for fashion designers in manipulating and utilizing the images. However, recent advancements in diffusion models have significantly improved (Li et al., 2022 ), enabling the transformation of low-resolution images into high-resolution images. By incorporating such neural networks, the system’s utility can be enhanced. Fourth, the current system focuses only on dresses and skirts. In the future, expanding the training set to include a wider range of item categories (e.g., outer, pants, etc.) will allow for the broader application of the AI-based garment development system.

Availability of data and materials

The datasets used and analyzed during the current study are available from the first author on reasonable request.

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This work was supported by the Institute of Information & Communications Technology Planning & Evaluation (IITP) full name funded by the Korean Government (2021-0-00302, AI Fashion Designer: Mega-Trend and Merchandizing Knowledge Aware AI Fashion Designer Solution).

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Choi, W., Jang, S., Kim, H.Y. et al. Developing an AI-based automated fashion design system: reflecting the work process of fashion designers. Fash Text 10 , 39 (2023). https://doi.org/10.1186/s40691-023-00360-w

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The Fashion Institute of Technology’s graduating fashion design students spent their entire senior year learning remotely due to the pandemic. This meant crafting their thesis collections — designs that are often seen as an entryway to getting a coveted design job or, in rare cases, a star-making order from an influential store — from their own homes.

With limited resources, students improvised by upcycling old or deadstock fabric and by cleverly constructing clothes on their living room floors.

Herein, WWD meets five members from FIT’s class of 2021 who explain the concepts and inspirations behind their thesis designs, as well as their hopes for the future.

Name : Abraham Azamy

Hometown : Mission Viejo, Calif.

Describe the concept behind your thesis collection : My concept is focused on capturing the playfulness of undressing and the subtle illusion of skin exposure. I find the irony in flaunting your body while being fully clothed to be mischievous yet seductive. My idea for this garment was based more on sex appeal as a suggestion rather than an obvious statement. The intention is to give the wearer the power to be provocative in a way that is subtle and refined.

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Where have you been studying from while school is closed? Do you have plans to move after the pandemic? The transition from in-person to remote learning has been a blessing in disguise. I have been studying from my apartment in Brooklyn, N.Y. Once COVID-19 hit, I was fortunate enough to be able to convert my common area into a work studio, and invest in a commercial sewing machine outfitted with my own cutting table and desk. I felt my creativity flourish in this environment that I created for myself, which enabled me to design more freely.

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How has the pandemic affected your design aesthetic or process and the outcome of your thesis collection? The forced isolation from the pandemic has allowed me to find my voice, effectively express my vision, and further my creativity. I had the opportunity to marinate in my ideas and to cement exactly what it is I’m offering to future employers. The catalyst for my creative process begins with an idea, concept, or character and once that is established, designing from there. Creating on my own during the pandemic narrowed my focus for the better and everything came together in an organic way.

Has the pandemic changed your outlook on the fashion industry? If so, how? We as creatives are responsible for cultivating new and effective methods for the production process, as well as the quantity of merchandise we spew out into the market. In the beginning of the pandemic, it became increasingly difficult to gain access to resources as a fashion student, which further solidified the concept of “less is more.”

Who do you hope is reading this and what is your message to them?  I would hope a potential, future employer will see this and recognize my integrity and ability to design from a genuine and raw point of view.

Name : Hawwaa Ibrahim

Hometown : Mankato, Minn.

Describe the concept behind your thesis collection : Inspired by genderless fashion and art in the Islamic world, this collection offers clothing that is genderless and created for the parent and child to think freely about how they would like to express themselves now and in the future.

What techniques are you most proud of in your thesis collection? I created the prints used throughout my collection by taking items that I found in my house and putting them through a kaleidoscope effect to create geometric shapes that resembled what you might see in Islamic art. I also incorporated some embroidery to give the design some texture. I took the word “inclusive” and translated it into Arabic and machine-embroidered it on one of the jacket straps of my design.

What were some of the inspirations, concepts or important world events that helped lead your thesis work ? I decided to challenge the idea of color being associated with gender and used a mix of shades and tones to create something that no one has seen yet. A lot of gender-inclusive or gender-neutral clothing we see nowadays has a tendency to be a bit bland when it comes to color.

How has the pandemic affected your design aesthetic or process and the outcome of your thesis collection? Throughout this pandemic, I was able to narrow down the things that are important to me in life and as I paid more attention to how people around the world treat each other, I found myself growing closer to my religion, my Islamic faith. I found a way to showcase something that’s fundamental in my life and heavily influences the way I live — so with gender identity, this also plays a role in how I choose to express myself. Contrary to popular belief, gender expression and religious identity are not mutually exclusive. I try to live in harmony with both.

Has the pandemic changed your outlook on the fashion industry? If so, how? The pandemic has drastically changed my outlook on the fashion industry. There has been a disregard for not only other people’s identities, but also with who is represented. I always knew this was happening, but the resurgence of the Black Lives Matter movement across the world last summer forced me to wake up. I saw how quickly people and companies within the fashion industry suddenly switched up to act like they’ve cared about Black and Indigenous people and people of color this whole time as they continue to profit off of them with no recognition and no respect. However, finally seeing other designers emerge and get the attention they deserve gave me some hope that the fashion industry is slowly moving in the right direction.

What do you hope to accomplish most in your career as a fashion designer? Children, even at their young ages, have opinions and beliefs, so I would like to provide them with options of expression. I hope to create children’s clothing that sparks conversation around how people consciously choose to express themselves with clothing and how it intertwines with other aspects of their life. Fashion is much more than nice pieces of clothing. It’s identity, it’s comfort, it’s its own language. I personally take my views on gender identity and my religious beliefs and let those things open up a world of possibilities in design.

What are your plans for after graduation? After graduation, I am hoping to work in children’s wear for two or three years to gain some experience. After that, I want to work full time for my own apparel and accessories brand, Because, which I started in 2019. My goal is to incorporate genderless children’s clothing into the mix!

Name : Saemi Jeon

Hometown : Incheon, South Korea

Describe the concept behind your thesis collection: My thesis collection is called “The Memory Vessel.” The concept comes from seeing Memor Studio’s artwork on Instagram around memory jugs. The origins of the memory jug are somewhat vague, but they were made as memorials for deceased loved ones.

What techniques are you most proud of in your thesis collection? I used a variety of techniques, including hand-knitting, knitting done on a Stoll machine, weaving and latch-hook skills. I enjoyed incorporating the techniques to achieve the final look, which came together quite naturally. I am most proud of my hand-knit work in the balaclava and sleeveless drop-shoulder sweater top, because it was my first time knitting an entire piece by hand.

What were some of the inspirations, concepts or important world events that helped lead your thesis work? After learning the concept of the memory jug, I asked myself; “if I were to make a memory jug, what memory would I put inside of it?” Many memories came into my mind. A dogwood flower. I was once gifted white dogwood flowers at my graduation. This flower is delicate, and soft. Even though I don’t have the flowers anymore, the memory of that day still warms my heart.

Where have you been studying from while school is closed? Do you have plans to move after the pandemic? I have been studying both at home in Korea and here in New York. I went back to Korea last semester and took classes at night and early morning, which was very tough. I came back to New York this semester and studied at home. I don’t have a plan to move back to Korea after the pandemic. I will remain in New York City.

How has the pandemic affected your design aesthetic or process and the outcome of your thesis collection? I had limited access to school where the knitting labs are. It would have been a much easier process to work in the labs and have face-to-face communication with professors and technicians. However, I was very touched by how hard everyone worked to make up for the limitations placed on the students.

Has the pandemic changed your outlook on the fashion industry? If so, how? The pandemic has lifted up the curtains on worldwide pollution. The Himalayan mountain tops came into view, wild animals appeared in city streets, the air was cleaner. Through this unexpected situation, we had an opportunity to take a step back and see what we could have. The fashion industry should shift to a more sustainable chain of production.

Name a trend you are ready to see take off and a trend you are ready to see finish : I would love to see timeless classic designs, based on comfort become the trend. Flashy, showy trends that are ever-changing from season to season is something I’m ready to see fade away.

Name : Yitao Li

Hometown : Taiyuan, China

Describe the concept behind your thesis collection : The inspiration for this collection was the idea of distortion. In the digital world, in which we find ourselves so completely ensconced, I am constantly confronted with distortion whether it’s associated with media, art, or people’s biased opinions. Many things we see on the internet are not real but filtered through other people’s lenses.

What techniques are you most proud of in your thesis collection? I tried creating distorted “floating plaids” on the body with multiple materials including horsehair and 3D-printing material. The plaid fabric manipulation was moved and reshaped on the body to show movement. I also combined the plaid pattern with lace to juxtapose sharpness with softness and create a romantic effect.

What were some of the inspirations, concepts or important world events that helped lead your thesis work? My interest was piqued in how images in the media were different from reality, how software like Photoshop and other image-editing apps could easily change the appearance of anything and deceive the viewer. The process started by using distorted filters on regular objects. The distortion filters were then applied to my designs and drapes to find new silhouettes and possibilities.

Has the pandemic changed your outlook on the fashion industry? If so, how? I believe after the pandemic hit the industry there have been some positive effects. People in this industry have been doing things the same way for hundreds of years and suddenly everyone was forced into adjusting. I was amazed at how the creativity from the industry evolved in a remote environment. The collections were even better than previous years. There was also a bigger audience on social media platforms and new talents are getting a lot more exposure.

Name : Gabriela Villatoro

Hometown : Miami

Describe the concept behind your thesis collection : Taken from the idea of upcycling, I wanted to make multifunctional garments. By showing the wearer how the same pieces can be used to create different looks, the wearer can “upcycle” the garments themselves and extend the product’s life cycle.

What techniques are you most proud of in your thesis collection? One of the best things about being in knitwear is being able to create your own fabric. All of the fabrics used in the garments were handmade or designed and programmed by me. I used hand-knitting, machine-knitting techniques and felting wool on sheer silk.

What were some of the inspirations, concepts or important world events that helped lead your thesis work? I wanted my collection to serve as a prototype solution for the overproduction of apparel materials in the fashion industry. If we create pieces that can be used multiple ways, ideally it would reduce the overall number of textiles and clothing being produced.

How has the pandemic affected your design aesthetic or process and the outcome of your thesis collection? I think the pandemic has really forced me to look within myself to be a solution-driven designer. In a classroom environment you can easily turn to your peers and ask for their help when you’re stuck or ask for their opinion. Although we still meet and see each other online, the distanced environment has highlighted our individual thinking.

Name a trend you are ready to see take off and a trend you are ready to see finish : I’ve seen things that have the feeling of being handmade become increasingly popular. I think because of the pandemic a lot of people had the time to start new hobbies and make whatever they want, which I think is great to see.

A trend I’m ready to see go is sweatpants. With the pandemic, and nowhere to go, they’re the most practical solution, but I look forward to the days when we will have somewhere to go.

What are your plans for after graduation? I want to start working in knitwear because there’s still a lot I can learn, and then hopefully use what I’ve learned to start my own brand of clothing.

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117 Awesome Fashion Research Topics: Inspirational Ideas List

Finding some decent fashion research topics that you can use for your next papers is not easy nowadays. You want something new, something original. Your classmates are probably scouring the Internet as we speak, so why are you still wasting time? Take a look at our long list of 117 exceptional fashion research topics and choose the best one right now.

What makes our topics different, you ask? Our experts are constantly updating the list and adding new ideas. This means you will always be able to find an original idea here on this page. We will soon be adding new topics for 2023, so stay tuned!

What Is The Fashion Research Paper?

Keep in mind that finding some great fashion topics to write about is not enough. You need to be able to create a well-organized, concise research paper. To help you do just that, we will show you the 8 main parts of a research paper:

Title page (or cover page) Start with a hook to catch the attention of your readers, then talk a bit about the background of the problem and present your thesis. Literature review. Here, you will need to demonstrate that you have analyzed the literature related to the topic and that there is a gap in knowledge that needs to be addressed. Research In this section, you will explain in great detail all the methods you have used to gather the data. Be as specific as possible. Data analysis. This is the section where you present and analyze the data. Be objective and avoid discussing the results. This is the section where you can discuss your findings and prove how your research results back your thesis. Don’t forget to acknowledge the limitations of your research. Restate your thesis and summarize your research and findings. Show your readers how your findings answer the research questions. References page. This is where you list all the resources you have used to write your research Make sure you don’t miss any.

Now that you know the overall structure of a research paper, it’s time to give you some excellent topics to write about:

Brand New Fashion Research Paper Topics

We will start our list with the brand new fashion research paper topics. These have been added to the list recently, so you can pick one right now knowing that it’s original:

• Fashion in Ancient Rome
• The impact of Jane Austen on the world of fashion
• Swimwear in the 1980s
• Using bizarre colors in fashion
• The rise and fall of the jeans
• Peer pressure related to fashion trends
• Social networking and fashion
• The life and work of Giorgio Armani
• Talk about hippie fashion
• Fashion in Islamic religions

Interesting Fashion Topics To Write About

If you are looking for something out of the ordinary, we have a long list of interesting fashion topics to write about. Take a look at the following ideas:

• The rise of the Chanel brand
• Does price reflect quality?
• Fashion in Ancient Egypt
• The sense of fashion in women
• The link between art and fashion
• Discuss ethics in fashion
• The relationship between style and money
• The role of clothes in your culture
• Interesting fashion hacks

Fashion Research Topics 2023

In the fashion research topics 2023, you can find topics that were greatly appreciated in 2023. These may or may not be as appreciated in 2024 though:

• Fashion in developing countries
• Research smart casual fashion
• Compare Asian fashion with American fashion
• Fashion and aesthetics
• Marketing a new brand of clothes
• Fashion in vlogging
• What are cycles in fashion?
• The rise of the Versace empire
• Fashion in Paris

Advanced Fashion Topics To Discuss

We also have a list of more advanced fashion topics to discuss. Just keep in mind that the following topics are not easy to write about. But as an option, you can buy a dissertation on any topic.

• Negative effects of fashion on the environment
• Forecasting new trends in 2023
• Celebrities and fashion
• Negative effects of fashion on the human psychology
• Influencer marketing of fashion products
• Fashion from a religious standpoint
• The place of leather in fashion in 2023
• Largest fashion shows in the world
• The importance of Fashion Weeks in Eastern Europe

Fun Research Topics On Fashion

Who said a research paper can’t be fun? Choose one of these fun research topics on fashion and start writing the perfect paper today:

• Fashion in 1990s media
• Funny fashion mishaps
• Men in fashion advertisements/commercials
• Fashion in medieval times
• Crossover fashion in 2023
• Can you start a fashion business?
• Fashion in the royal family (the UK)
• Fashion and school uniforms

Important People In Fashion

One of the easiest ways to write a research paper in the field of fashion is to research an icon. Here are some important people in a fashion that you can talk about:

• Karl Lagerfeld
• Stella McCartney
• Audrey Hepburn
• David Bowie
• Princess Diana
• Charles Frederick Worth
• Harry Styles
• Kim Taehyung
• Coco Chanel
• Designer Paul Poiret

Fashion Research Paper Topics For High School

If you are a high school student, you need some easier topics to write on. Check out these fashion research paper topics for high school and pick the one you like:

• Fashion in Ancient Egyptian times
• Michael Jackson’s fashion
• Fashion in Western Europe
• Fashion at the workplace
• Fashion in schools in the UK
• Discuss fashion in North Korea
• Luxury products and the human brain
• Fashion trends and the science that explains them

Captivating Fashion Design Research Paper Topics

In case you want to discuss fashion design, we have a nice list of captivating fashion design research paper topics right here. All these topics are, of course, 100% free to use:

• Fashion in the LGBTQ community
• Fashion in Nazi Germany
• Fun facts about beachwear
• The role of Versace in fashion
• New York as a fashion center
• Effects of Tik-Tok on fashion
• The origins of ethnic clothing
• Mixing 3 styles the right way
• Fashion and sexism in 2023

Fast Fashion Research Paper Topics

Don’t want to spend a lot of time working on that research paper? No problem! Simply choose one of these fast fashion research paper topics:

• The role of politics in fashion in the United States
• Talk about wedding ceremony fashion
• Talk about trends in baby clothing in the United Kingdom
• The role celebrities play in fashion marketing
• Talk about 3 iconic fashion characters
• An in-depth look at fashion in the punk world

Fashion Topics To Research In 2023

It’s time to think about the topics that should work great in 2023. In fact, our experts have already compiled a list of fashion topics to research in 2023:

• Talk about the notion of “invisible branding” in fashion
• Research women’s fashion in the 1980s
• The role played by art in fashion trends
• Research 3 major fashion companies
• Talk about the low rise fashion trend
• Discuss the women’s oversized bomber jackets trend

Fashion And Marketing Research Topics

As you probably know, fashion and marketing go hand in hand. Take a look at our latest and most interesting fashion and marketing research topics right here:

• Fashion marketing on social media
• Fashion marketing in the 1960s
• Effective marketing strategies for luxury products
• Style vs. functionality in marketing
• Marketing and fashion cycles
• The role of fashion in TV commercials

Fashion Ideas For College Students

College students should research topics that are more complex in nature. Don’t worry though; we have more than enough fashion ideas for college students:

• Research the hoodies under blazers fashion trend
• Compare Asian and European fashion
• Research Jane Austen’s style
• A closer look at minimalist fashion
• The beginning of the Haute Couture
• Fashion and the Internet

Unique Ideas Related To Fashion

This list of topics has been revised recently to make sure all ideas are unique. So, if you’re looking for unique ideas related to fashion, you have definitely arrived at the right place:

• Analyze the cropped cardigans trend
• Research the plus-size fashion industry in Indonesia
• The impact of feminism on fashion
• Social issues caused by fashion
• Fashion and cheap labor
• Effects of religion on fashion

Easy Fashion Essay Topics

If you want to make sure you ace that research paper, you should find an easy topic to talk about. Take a look at these easy fashion essay topics and pick one today:

• Discuss the notion of “color blocking”
• Fashion trends during World War II
• The evolution of men’s suits over the last 100 years
• Fashion and child labor
• What is organic clothing?
• Talk about the rise of wig fashion

Creative Fashion Research Questions

Professors really appreciate creativity, so you should definitely go through this list of creative fashion research questions:

• A closer look at the puff sleeves trend
• The Kardashian family’s impact on fashion
• How did Chanel rise to fame?
• Sustainability in the fashion industry
• Fashion and body types
• Interesting fashion trends in Dubai
• Talk about fashion in the armed forces

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Fashion Design: Research Methodologies for Fashion Design

• Last Updated: Jun 13, 2024 12:06 PM
• URL: https://libguides.academyart.edu/fashion-design

59 Fashion Design Essay Topic Ideas & Examples

🏆 best fashion design topic ideas & essay examples, 🥇 most interesting fashion design topics to write about, 📌 simple & easy fashion design essay titles.

• Fashion Design and Famous Designers His character narrative is about the blend of the past and the present as he tries to make his collections more relevant.
• Paris Fashion Design: Christian Dior Brand It was the brand that made women return to the concept of femininity in the middle of the twentieth century. In the 1970, the brand evolved to adjust to the changes in the society.
• The Fashion Show: Famous Designers Feathers were very much in at the latest shows and they certainly add to the movement. There were many very lovely creations and the idea of creating the animal look was more successful than fur.
• Coco Chanel: Life, Fashion, Designs, Perfume & Facts The places and people that came into Chanel’s life and helped her take the turn of life that brought her the success she achieved include; the magazine “Time 100: The most important people of the […]
• Haute Couture: A Fashion Design Only for the Privileged Haute couture and high fashion is a flight of fancy of the best designers around the world. One of the most prestigious events in the world of fashion is the week of high fashion in […]
• Designer Clothing Market in the UK Fashion Retail Industry The fashion industry first started in England after which it slowly spread to the rest of the world.”In the UK and in the United States, the fashion industry has been one of the largest employers”.
• Analysis of Simone Rocha Fashion Designs The designs are inclusive and relate to women’s outer beauty as they bring out a sense of femininity in terms of skin tones, freckles, and skin lines.
• Fashion Forecasting and Trends There are a lot of spring tendencies that are widely awaited; however, the designers are most thrilled about the new bottom silhouette.
• Legal Context of Fashion and Design: Trade Dress This is one of the strategies that can often be adopted by designers to defend their rights in court. This is one of the points that can be made.
• Eco-Friendly Design in Contemporary Fashion In this case, fibers are plants that need to be treated during processing; designing and they too require the usage of herbicides, fertilizers, and other chemicals that are hazardous to the environment at large.
• Apparel’s Role in History: Fashion Exhibition and Impact of Historical Events on Design The proposed exhibit will be concentrated on the counterculture fashion and the role of patches in the counterculture. While in the 1960s denim jeans were of simpler fashion and had embroidery and patches as the […]
• Coco Chanel: Profile and Fashion Design In 1910 she was successful in establishing her first millinery shop in Paris from the assistance of her former two boyfriends, a military officer and an industrialist which she branded as Chanel Modes. She launched […]
• Online Shopping Impact on the Fashion & Design Industry In this report, the aim will be to determine the impact of online shopping on the fashion and design industry. The increased profitability of this industry means that the individual firms have the capacity to […]
• Fundamentals of Fashion and Design Through this strategy, the firm will be in a position to design and develop fashion products that align with the customers’ needs and expectations.
• Fashion Designer Jeremy Scott The collection is inspired by the theme of monsters and the unknown future. He is capable of creating new forms and exploiting the most striking concepts.
• How the Internet Has Transformed Design & Fashion? Lastly and more importantly, the advent of internet has seen to it that there is increased reliability bas well as convenience in online shopping for fashion and design.
• Fashion Designers: Coco Chanel’s Artistic Process This quote is relevant to this essay because it indicates that the experience of clients and their needs guide the work of a fashion artists. This is one of the details that can be identified.
• Spinoff Dynamics and the Spatial Formation of the Fashion Design Industry, 1858-2005
• Fashion Design Education and Sustainability: Towards an Equilibrium Between Craftsmanship?
• Aesthetic Aspects of the Consumption of Fashion Design: The Conceptual and Empirical Challenge
• Art Seen From Outside: Non-artistic Legitimation Within the Field of Fashion Design
• From Early Virtual Garment Simulation to Interactive Fashion Design
• British Fashion Design: Rag Trade or Image Industry?
• Modern Fashion Design Development Using Morphological Characteristics of Hanbok
• Developing Skills of Fashion Design by Augmented Reality Technology in Higher Education
• Review on Development and Application of 3D-Printing Technology in Textile and Fashion Design
• The Glass Runway: How Gender and Sexuality Shape the Spotlight in Fashion Design?
• The Role of Technology Towards a New Bacterial-Cellulose-Based Material for Fashion Design
• Approaching Fashion Design Trend Applications Using Text Mining and Semantic Network Analysis
• Crafting an Antidote to Fast Fashion: The Case of Toronto’s Independent Fashion Design Sector
• Toward AI Fashion Design: An Attribute-GAN Model for Clothing Match
• Closing the Loop: Intentional Fashion Design Defined by Recycling Technologies
• Fashion Variations: Students’ Approaches to Learning in Fashion Design
• Factors Driving Fashion Design Industry: Key Success Factors of Thai Designers’ Brands
• The Piracy and Paradox: Innovation and Intellectual Property in Fashion Design
• The Language of Fashion Design: Principles Every Fashion Designer Should Know
• Development of an Intelligent Data-Driven System to Recommend Personalized Fashion Design Solutions
• When East Meet West: The Oriental Influence on Fashion Design Nowadays
• Interactive Multimedia-Based Animation: A Study of Effectiveness on Fashion Design Technology Learning
• Firm Entry and Institutional Lock-In: Global Fashion Design Industry
• Fashion in the Globalized World and the Role of Virtual Networks in Intrinsic Fashion Design
• The Use of VR for Collaborative Exploration and Enhancing Creativity in Fashion Design Education
• Based on the Perspective of Sustainability, the Characteristics of Upcycled Fashion Design
• Application of Interactive Genetic Algorithm to Fashion Design
• Fashion Design as a Means to Recognize and Build Communities-In-Place
• Standard vs. Upcycled Fashion Design and Production
• Integrating Sustainable Strategies in the Fashion Design Process
• The reDesign Canvas: Fashion Design as a Tool for Sustainability
• The Management of Sustainable Fashion Design Strategies
• Postmodernism and the Avant-Garde: Stylistic Change in Fashion Design
• Social and Cultural Features of Fashion Design in Milan
• Tools for Sustainable Fashion Design: An Analysis of Their Fitness for Purpose
• Towards a Future Pedagogy: The Evolution of Fashion Design Education
• Kimono History and Contemporary Fashion Design Influence
• The Fashion Design and Style of Young Adults and Teenagers in the US During the 1950s
• Sustainable Practices and Transformable Fashion Design
• Zero-Waste Fashion Design: The Intersection of Cloth, Fashion Design, and Pattern Cutting
• Gender Roles Paper Topics
• Louis Vuitton Essay Topics
• Gucci Topics
• Photography Essay Topics
• Contemporary Art Questions
• Online Shopping Questions
• Zara Research Topics
• Brand Titles
• Chicago (A-D)
• Chicago (N-B)

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Architecture + Fashion: A study of the connection between both worlds

Abstract The social need for expression in this new age especially in the field of architecture has seen some recent development; although architecture and fashion seem to be independent of one other, architecture deals with the constructed environment while fashion is the motivating factor behind the dress making business . It has been discovered that fashion is a robust way of expressing one’s culture and identity. A study of the connection between fashion and architecture would be investigated in this research thereby a number of points would be drawn out linking both fashion and architecture together in this post-modern era. This research will create new ways for this method in design. Through the study on deconstruction of modern architecture it is important to test its dominant effect over modern-day architecture. An argument would be established from the research based onto what extent the relationship between fashion and architecture has affected each other and in what kind of pathways has the effects benefitted the users Studying precedent literatures on topics of modernism, a number of views would be looked into and a case study analysis would be carried out to finalise the methodology. Architecture and fashion developments would be studied and compared with modern day architecture so as to suggest areas for commendation of this proposed method of design.

Related Papers

Baher Ismail farahat

Baher Ismail Farahat Beirut Arab University – Beirut – Lebanon ABSTRACT This research describes the nature of the relationship between fashion and architectural design. The most logical relationship is that both fashion and architecture provides a shelter for people in different social dimensions. Both fields passed through several era were design transits from the complexity to the modernity and simplicity of design. On the other hand, there are many similarities in materials characteristics although both fields use totally different martial on different scale. In addition, there are many examples that show the effect of one field on the other one. Many architects are inspired by a garment to design a building and it is the same in the other way round. So this study explores if these two fields have any effect on each other. so how these effects are reflected at the end.

Tekstilna industrija

Ruzica Stevkovska Stojanovska

This paper describes and state the relationship between architecture and fashion, as both disciplines respond to the culture and environment of individuals and societies. Very often fashion designers were inspired by architecture, but also architects were inspired from the fashion creations. Very often, designers in their fashion pieces reflect the architectural constructions. The aim of this work is architecture, an art that, like fashion, is the fruit of creativity. More precise, the architecture is used as inspiration for creating two fashion models. The basic construction of a dress is used and then with use of modeling, the pattern pieces are created. With these models women's fashion is bring closer to and shows the connection with architecture. At the end we get the conclusion that both, the fashion and architecture, in the past and in the future, remain two arts that are connected through creativity, inspiration, technology and human imagination.

Iyadunni Dada

PROCEEDINGS OF THE SOCIETY OF ARCHITECTURAL HISTORIANS AUSTRALIA AND NEW ZEALAND (SAHANZ) VOLUME 37

Sanja Rodeš

The paper investigates the collaboration between Office for Metropolitan Architecture (OMA) and fashion brand Prada on a number of projects dating from the beginning of the twenty-first century to the present moment. More precisely, it examines the relationship between one of the most influential architectural firms (and one of the most influential architects – Rem Koolhaas) with fashion industry, consumption, branding and image making. The paper argues that the collaboration between OMA and Prada, evidences the relevance of the growing relationship between architecture, fashion branding and consumption. The collaboration between OMA and Prada can be argued as prolific, as it resulted with lasting collaboration, multiple retail spaces – so called Prada ‘epicentres’– a number of publications, and more. Koolhaas has done an extensive research on shopping at Harvard School of Design, which resulted with publication Project on the City II: The Harvard Design School Guide to Shopping (2001), and this research was further brought into his collaboration with Prada. Considering that AMO (a research and design studio of OMA) was involved with the designs of Prada catwalks, Prada lookbook, website and more, AMO and OMA can also be considered to be the image givers to Prada in the twenty-first century.The paper aims to critically interrogate the intersections of fashion, branding, consumption, image and architecture as evidenced in this particular collaboration, also evoking the historical intersections between architecture, image and fashion. Aiming to also briefly trace the development of relationships between architecture, image and fashion from modernism to present moment, the paper argues that these relationships can be productive for architectural discipline. It sees these relationships as both more complex and more relevant than acknowledged by architectural discourses, and aims to extend the considerations of their relationships.

Civil Engineering Journal (CivileJournal.org)

Throughout history, fashion and architecture have repeated each other in terms of form and appearance. It seems quite natural that they share not only their initial function, which is to provide shelter and protect human; but also show skills in creating space and volume beyond the two-dimensional plates and materials. In recent years, the relationship between clothing design and architecture has become more significant. Computer tools and software have changed the borders of designing each one. Buildings are more fluid and clothes are more architectural. The architectural alphabet in fashion from one hand, and on the other hand the fashion ideas and methods used in architecture as well as experiencing similar themes in both domains are among the features of these arts. The exploitation of such common points among the two areas challenges the conventional ideas and pre-defined concepts of design, putting forward new solutions and experiences for designers. In this research, some of these common ideas have been studied and how these ideas are linked within both of these domains. The method of this research is descriptive and analytical; and data are collected from documents and research materials including books, articles, photos and electronic resources. This research seeks the common ideas in architecture and fashion and their mutual interaction with each other and provides some examples in both arts. The results of this research show that architecture has an effective role in shaping fashion and the attitude to the clothing design.

Giovanni Marini

Italian Style: on Law, Architecture and Design “Made in Italy” Giovanni Marini, Università degli Studi di Perugia Italian design, including interior design, urban design, fashion design and architectural design is recognized as being worldwide trendsetter. Italy today still exerts a vast influence worldwide. There were different trends in the 20s: a classical and a new one (“Rationalist”). After WWII, Italy had a true avant-guard moment. “When intellectuals lost their battle in 1948 and with it any chance to change land law and re-organize society, architects turned their attention to the object, the object conveyed meaning and showed direction.” In the 60s and 70s, Italian interior design reached its pinnacle (“Bel Design and Linea Italiana”). In MoMA New York, Emilio Ambasz organized an exhibit Italy, The New Domestic Landscape Achievements and Problems of Italian Design. In 1968, it developed an interesting trend (“radical design”) which opposed to the product design and mainstream “buon gusto.” The MoMA exhibit was also the end of Italian polycentric design, which focuses mainly on furniture (Italian) design. Modern interior design has changed the meaning of style and elegance, and many interior designers use Italian or Italian-inspired style in their work. The essay will analyze the birth and developments of the Italian style and its relationship to architectural trends in the globalization process, and with the ongoing transformation of capitalism and economic system. Fashion Made in Italy: Tradition, Protection and a Look into a Sustainable Future Barbara Pozzo, Università degli Studi dell’Insubria, Como The essay focuses on fashion and will cover five distinct areas. First, the measures that the Italian government has launched in recent years to protect “traditional Italian brands.” Second, the various initiatives of certification and labeling in order to protect “made in Italy” fashion products. Third, the “made in Italy” label and the enormous problem of counterfeiting. Fourth, the use of Blockchain as a strategy for the protection of “made in Italy” products. Fifth, how sustainability is, or should become, a part of the “made in Italy” paradigm. Culturally Identifiable Fashion: what role for GI’s? Janewa Osei-Tutu, Florida International University College of Law Geographical indications (GI’s) are a specialized form of intellectual property right. A GI is used when some quality, characteristic, or reputation of a good is attributable to its geographic origin. To the extent that geographic location and culture overlap, GI’s could be described as a form of cultural protection. Italy, which is known for both its food and fashion, has GI’s for a range of items, such as extra virgin olive oils, pastas, and wines. But, what is the role of GI’s when it comes to other aspects of culture, such as fashion? For example, the famous Italian designer, Valentino, received both praise and criticism for footwear modeled on royal sandals from Ghana. To what extent can GI’s be used as a form of cultural protection that extends beyond food and wines to protect culturally identifiable fashion items

Athina Koniari

International Journal of Fashion Studies

Agata Zborowska

One of the most important phenomena in fashion, which practically forced the researchers to rethink their former language, is deconstruction. Appearing almost in parallel with deconstruction in architecture it uncovered previously unseen fissure in the discourse used in constructing the object of research. Deconstruction is usually described as one of the many fast-changing trends in fashion, but fashion scholars rarely pay attention to the sources or consequences of this trend. This study constitutes an attempt to develop such a historical and theoretical take on deconstruction in fashion, to analyse its descriptions and conceptualizations. For this purpose, the author reconstructs the sources of this phenomenon in fashion, with particular attention being paid to two fashion houses: Maison Martin Margiela and Comme des Garcons. To situate deconstruction in a broader context, the article refers to this term in the philosophy as well as the architecture and the graphic design. The last part of the article is devoted to alternative theoretical perspectives – the conceptions of Michel de Certeau and John Fiske – which are used to look again at deconstruction in the context of youth subcultures and its importance in the contemporary fashion system.

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How Two Designers Built A Celebrity-Favorite Fashion Brand With Zero Capital Raised

An LVMH Prize 2023 finalist, Paolina Russo is a London-based fashion brand founded by Paolina Russo and Lucile Guilmard. The knitwear brand is influenced by Russo's suburban upbringing in Canada, and Guilmard's French folklore references. In 2020, Russo struck a deal to sell her thesis collection of knitwear at the Montreal-based luxury retailer Ssense and inked a deal with Adidas to design a collection for Adidas Originals, as well as Olympic-themed pieces timed to the Tokyo Games. In November 2023, Russo partnered with digital fashion platform Sknups to translate three key looks of its fall 2023 collection for Roblox. This year, the pair landed a deal with Nordstrom, which will stock the brand's pieces as of this month. Celebrities like Rihanna, Kim Kardashian, Caroline Polachek, FKA Twigs, Kylie Jenner and Phoebe Bridgers have been spotted wearing their designs.