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English with Creative Writing

Entry requirements.

Applicants for MA programmes in English and related literature will normally be expected to have obtained upper 2nd Class Honours, or equivalent, in an appropriate subject.

It is sometimes possible for MA by research students to transfer to a MPhil (and subsequently to a PhD) at the end of their MA year without having to make a new application. Such a transfer would be done without having the MA conferred, and your MA dissertation may be used as the basis for part of the thesis. The MA year will be counted as the first year of the MPhil/PhD.

For doctoral research, we would generally expect you to have completed an MA in a relevant subject.

Months of entry

January, April, October

Course content

Our PhD in English with Creative Writing offers an innovative structure for students looking to combine their creative and critical interests. Encouraging distinctive approaches to practice-based literary research, this route allows you to develop a substantial work of creative writing (in prose, poetry, or other forms) in the context of a larger research project.

As part of a thriving community of postgraduate researchers and writers, you will be supported by world-leading experts with a wide range of global and historical specialisms, and given access to unique resources including the department's letterpress printing studio, writers-in-residence, and our prestigious Writers at York events series.

The PhD is also available as a distance learning course.

Fees and funding

Qualification, course duration and attendance options.

  • Campus-based learning is available for this qualification
  • Distance learning is available for this qualification

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PhD in English with Creative Writing University of York

University of York

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Qualification.

PhD/DPhil - Doctor of Philosophy

University of York

SEP-24, JAN-25

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Course summary

Join a passionate and intellectual research community to explore literature across all periods and genres.

Your research

Our PhD in English with Creative Writing encourages distinctive approaches to practice-based literary research. This route allows you to develop a substantial research project, which incorporates an original work of creative writing (in prose, poetry, or other forms). As part of a thriving community of postgraduate researchers and writers, you'll be supported by world-leading experts with a wide range of global and historical specialisms, and given access to unique resources including our letterpress printing studio and Writer in Residence.

Under the guidance of your supervisor, you will complete a critical research component of 30-40,000 words and a creative component written to its natural length (eg a book-length work of poetry, fiction, or creative nonfiction). A typical semester will involve a great deal of independent research, punctuated by meetings with your supervisor who will be able to suggest direction and address concerns throughout the writing process. You will be encouraged to undertake periods of research at archives and potentially internationally, depending on your research.

Throughout your degree, you will have the opportunity to attend a wide range of research training sessions in order to learn archival and research skills, as well as a range of research and creative seminars organised by the research schools and our distinguished Writers at York series. This brings speakers from around the world for research talks, author conversations, and networking.

Applicants for the PhD in English with Creative Writing should submit a research proposal for their overall research project, along with samples of creative and critical writing, demonstrating a suitable ability in each, as part of the application. Proposals should include plans for a critical research component of 30-40,000 words and a creative component written to its natural length (eg a book-length work of poetry, fiction or creative nonfiction), while demonstrating a clear relationship between the two.

Students embarking on a PhD programme are initially enrolled provisionally for this qualification until they pass their progression review at the end of their first full year of study.

Module Options

Tuition fees.

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£ 22,200 per year

Tuition fees shown are for indicative purposes and may vary. Please check with the institution for most up to date details.

University information

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University of York, Heslington, York, York, YO10 5DD, England

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PhD in English with Creative Writing

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University of York

SEP-24, JAN-25

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Course info

Entry requirements, tuition fees, latest reviews.

Join a passionate and intellectual research community to explore literature across all periods and genres.

Your research

Our PhD in English with Creative Writing encourages distinctive approaches to practice-based literary research. This route allows you to develop a substantial research project, which incorporates an original work of creative writing (in prose, poetry, or other forms). As part of a thriving community of postgraduate researchers and writers, you'll be supported by world-leading experts with a wide range of global and historical specialisms, and given access to unique resources including our letterpress printing studio and Writer in Residence.

Under the guidance of your supervisor, you will complete a critical research component of 30-40,000 words and a creative component written to its natural length (eg a book-length work of poetry, fiction, or creative nonfiction). A typical semester will involve a great deal of independent research, punctuated by meetings with your supervisor who will be able to suggest direction and address concerns throughout the writing process. You will be encouraged to undertake periods of research at archives and potentially internationally, depending on your research.

Throughout your degree, you will have the opportunity to attend a wide range of research training sessions in order to learn archival and research skills, as well as a range of research and creative seminars organised by the research schools and our distinguished Writers at York series. This brings speakers from around the world for research talks, author conversations, and networking.

Applicants for the PhD in English with Creative Writing should submit a research proposal for their overall research project, along with samples of creative and critical writing, demonstrating a suitable ability in each, as part of the application. Proposals should include plans for a critical research component of 30-40,000 words and a creative component written to its natural length (eg a book-length work of poetry, fiction or creative nonfiction), while demonstrating a clear relationship between the two.

Students embarking on a PhD programme are initially enrolled provisionally for this qualification until they pass their progression review at the end of their first full year of study.

What students say

I absolutely love York, I made the best decision in choosing to come here for university to do my course. I have so much fun here, meet great people and get involved in various.. Read more

Being a student at the university of York has been amazing, it has helped me to come out of my shell more and experience great things. Being a part of drama productions, fashion.. Read more

Module Options

For doctoral research, you should hold or be predicted to achieve a first-class or high upper second-class undergraduate degree with honours (or equivalent international qualification) and a Masters degree with distinction.

Students living in

£4,786 per year

Students from Domestic

The fees quoted are for one year of study. Fees are subject to increase in subsequent years but this increase will be set at a maximum of two per cent in each year for continuing students. The University reserves the right to alter the level of fee.

£22,200 per year

Students from EU

The above mentioned fees is class roombased tuition fees. Classroom-based degrees: Full-time: £22,200; Laboratory-based degrees Full-time: £27,900

Students from International

Latest Creative Writing reviews

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Heslington York YO10 5DD

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Ph.D. Creative Writing

Ph.d. in creative writing.

A rigorous program that combines creative writing and literary studies, the Ph.D. in Creative Writing prepares graduates for both scholarly and creative publication and teaching. With faculty guidance, students admitted to the Ph.D. program may tailor their programs to their goals and interests.

The creative writing faculty at KU has been widely published and anthologized, winning both critical and popular acclaim. Faculty awards include such distinctions as the Nebula Award, Hugo Award, Osborn Award, Shelley Memorial Award, Gertrude Stein Award, the Kenyon Review Prize, the Kentucky Center Gold Medallion, and the Pushcart Prize.

Regarding admission to both our doctoral and MFA creative writing programs, we will prioritize applicants who are interested in engaging with multiple faculty members to practice writing across genres and forms, from speculative fiction and realism to poetry and playwriting/screenwriting, etc.

The University of Kansas' Graduate Program in Creative Writing also offers an  M.F.A degree .

Opportunities

A GTA appointment includes a tuition waiver for ten semesters plus a competitive stipend. In the first year, GTA appointees teach English 101 (first year composition) and English 102 (a required reading and writing course). Creative Writing Ph.D. students may have the opportunity to teach an introductory course in creative writing after passing the doctoral examination, and opportunities are available for a limited number of advanced GTAs to teach in the summer.

Department Resources

  • Graduate Admissions
  • Graduate Contacts
  • Master of Fine Arts (M.F.A.)

Affiliated Programs

  • LandLocked Literary Magazine
  • The Project on the History of Black Writing
  • Center for the Study of Science Fiction
  • Ad-Hoc African/Americanists and Affiliates

Degree Requirements

  • At least 24 hours of credit in appropriate formal graduate courses beyond the M.A. or M.F.A. At least 15 hours (in addition to ENGL 800 if not taken for the M.A.) of this course work must be taken from among courses offered by the Department of English at the 700-level and above. English 997 and 999 credits cannot be included among the 24 hours. Students may petition to take up to 6 hours outside the Department.
  • ENGL 800: Methods, Theory, and Professionalism (counts toward the 24 required credit hours).
  • The ENGL 801/ENGL 802 pedagogy sequence (counts toward the 24 required credit hours).
  • Two seminars (courses numbered 900 or above) offered by the Department of English at the University of Kansas, beyond the M.A. or M.F.A. ENGL 998 does not fulfill this requirement.
  • ENGL 999, Dissertation (at least 12 hours).

If the M.A. or M.F.A. was completed in KU’s Department of English, a doctoral student may petition the DGS to have up to 12 hours of the coursework taken in the English Department reduced toward the Ph.D.

For Doctoral students,  the university requires completion of a course in responsible scholarship . For the English department, this would be ENGL 800, 780, or the equivalent). In addition, the Department requires reading knowledge of one approved foreign language: Old English, French, German, Spanish, Italian, Russian, Japanese, Greek, Latin, or Hebrew. Upon successful petition, a candidate may substitute reading knowledge of another language or research skill that is studied at the University or is demonstrably appropriate to the candidate’s program of study.

Doctoral students must fulfill the requirement  before  they take their doctoral examination, or be enrolled in a reading course the same semester as the exam. Students are permitted three attempts at passing each foreign language or research skill. Three methods of demonstrating reading knowledge for all approved languages except Old English are acceptable:

  • Presenting 16 hours, four semesters, or the equivalent of undergraduate credit, earned with an average of C or better.
  • Passing a graduate reading course at the University of Kansas or peer institution (e.g., French 100, German 100, etc.) with a grade of C or higher. In the past, some of these reading courses have been given by correspondence; check with the Division of Continuing Education for availability.
  • Passing a translation examination given by a designated member of the English Department faculty or by the appropriate foreign language department at KU. The exam is graded pass/fail and requires the student to translate as much as possible of a representative text in the foreign language in a one-hour period, using a bilingual dictionary.
  • Passing a translation examination given by the appropriate foreign language department at the M.A.-granting institution. Successful completion must be reflected either on the M.A. transcript or by a letter from the degree-granting department.

To fulfill the language requirement using Old English, students must successfully complete ENGL 710 (Introduction to Old English) and ENGL 712 (Beowulf).

Post-Coursework Ph.D. students must submit, with their committee chair(s), an annual review form to the DGS and Graduate Committee.

Doctoral students must take their doctoral examination within three semesters (excluding summers) of the end of the semester in which they took their final required course. If a student has an Incomplete, the timeline is not postponed until the Incomplete is resolved. For example, a student completing doctoral course work in Spring 2018 will need to schedule their doctoral exam no later than the end of Fall semester 2019. Delays may be granted by petition to the Graduate Director in highly unusual circumstances. Failure to take the exam within this time limit without an approved delay will result in the student’s falling out of good standing. For details on the consequences of falling out of good standing, see “Falling Out of Good Standing,” in General Department Policies and Best Practices.

A student may not take their doctoral exam until the university’s Research Skills and Responsible Scholarship requirement is fulfilled (ENGL 800 or equivalent and reading knowledge of one foreign language or equivalent).

Requirements for Doctoral Exams

Reading Lists: 

All students are required to submit three reading lists, based on the requirements below, to their committee for approval. The doctoral exam will be held on a date at least twelve weeks after the approval from the whole committee is received. To facilitate quick committee approval, students may copy the graduate program coordinator on the email to the committee that contains the final version of the lists. Committee members may then respond to the email in lieu of signing a printed copy. Students should work with their committee chair and graduate program coordinator to schedule the exam at the same time as they finalize the lists.

During the two-hour oral examination (plus an additional 15-30 minutes for a break and committee deliberation), a student will be tested on their comprehension of a literary period or movement, including multiple genres and groups of authors within that period or movement. In addition, the student will be tested on two of the following six areas of study:

  • An adjacent or parallel literary period or movement,
  • An author or group of related authors,
  • Criticism and literary theory,
  • Composition theory, and
  • English language.

No title from any field list may appear on either of the other two lists. See Best Practices section for more details on these six areas. See below for a description of the Review of the Dissertation Proposal (RDP), which the candidate takes the semester after passing the doctoral exam. 

While many students confer with the DGS as they begin the process of developing their lists, they are also required to submit a copy of their final exam list to the DGS. Most lists will be left intact, but the DGS might request that overly long lists be condensed, or extremely short lists be expanded.

Review of Literature

The purpose of the Review of Literature is to develop and demonstrate an advanced awareness of the critical landscape for each list. The student will write an overview of the defining attributes of the field, identifying two or three broad questions that animate scholarly discussion, while using specific noteworthy texts from their list ( but not all texts on the list ) as examples.

The review also must accomplish the following:

  • consider the historical context of major issues, debates, and trends that factor into the emergence of the field
  • offer a historical overview of scholarship in the field that connects the present to the past
  • note recent trends and emergent lines of inquiry
  • propose questions about (develop critiques of, and/or identify gaps in) the field and how they might be pursued in future study (but not actually proposing or referencing a dissertation project)

For example, for a literary period, the student might include an overview of primary formal and thematic elements, of the relationship between literary and social/historical developments, of prominent movements, (etc.), as well as of recent critical debates and topics.

For a genre list, the Review of Literature might include major theories of its constitution and significance, while outlining the evolution of these theories over time.

For a Rhetoric and Composition list, the review would give an overview of major historical developments, research, theories, methods, debates, and trends of scholarship in the field.

For an English Language Studies (ELS) list, the review would give an overview of the subfields that make up ELS, the various methodological approaches to language study, the type of sources used, and major aims and goals of ELS. The review also usually involves a focus on one subfield of particular interest to the student (such as stylistics, sociolinguistics, or World/Postcolonial Englishes).

Students are encouraged to divide reviews into smaller sections that enhance clarity and organization. Students are not expected to interact with every text on their lists.

The review of literature might be used to prepare students for identifying the most important texts in the field, along with why those texts are important to the field, for the oral exam. It is recommended for students to have completed reading the bulk of (if not all) texts on their lists before writing the ROL.

The Reviews of Literature will not be produced in an exam context, but in the manner of papers that are researched and developed in consultation with all advisors/committee members,  with final drafts being distributed within a reasonable time for all members to review and approve in advance of the 3-week deadline . While the Review of Literature generally is not the focus of the oral examination, it is frequently used as a point of departure for questions and discussion during the oral examination.

Doctoral Exam Committee

Exam committees typically consist of 3 faculty members from the department—one of whom serves as the Committee Chair—plus a Graduate Studies Representative.  University policy dictates the composition of exam committees . Students may petition for an exception for several committee member situations, with the exception of  the Graduate Studies Representative .

If a student wants to have as a committee member a person outside the university, or a person who is not in a full-time tenure-track professorship at KU, the student must contact the Graduate Secretary as early as possible. Applications for special graduate faculty status must be reviewed by the College and Graduate Studies. Requests for exam/defense approval will not be approved unless all committee members currently hold either regular or special graduate faculty status

Remote participation of committee members via technology

Students with committee members who plan to attend the defense via remote technology must be aware of  college policy on teleconferencing/remote participation of committee members .

A majority of committee members must be physically present for an examination to commence; for doctoral oral examinations this requirement is 2 of the 4 members, for master’s oral examinations the requirement is 2 of the 3 members. In addition, it is required that the student being examined, the chair of the committee, and the Graduate Studies Representative all be physically present at the examination or defense. Mediated attendance by the student, chair and Grad Studies Rep is prohibited.

The recommended time between completion of coursework and the doctoral examination is two semesters.

Final exam lists need to be approved and signed by the committee at least 12 weeks prior to the prospective exam date. This includes summers/summer semesters. The lists should then be submitted to the Graduate Program Coordinator. Reviews of Literature need to be approved and signed by the committee at least 3 weeks prior to the exam date. Failure to meet this deadline will result in rescheduling the exam. No further changes to lists or Reviews of Literature will be allowed after official approval. The three-week deadline is the faculty deadline--the last date for them to confirm receipt of the ROLs and confer approval--not necessarily the student deadline for submitting the documents to the faculty. Please keep that timing in mind and allow your committee adequate time to review the materials and provide feedback.

Students taking the Doctoral Exam are allowed to bring their text lists, the approved Reviews of Literature, scratch paper, a writing utensil, and notes/writing for an approximately 5-minute introductory statement to the exam. (This statement does not need to lay out ideas or any aspect of the dissertation project.)

Each portion of the oral examination must be deemed passing before the student can proceed to the Review of the Dissertation Proposal. If a majority of the committee judges that the student has not answered adequately on one of the three areas of the exam, the student must repeat that portion in a separate oral exam of one hour, to be taken as expeditiously as possible.  Failure in two areas constitutes failure of the exam and requires a retake of the whole.  The doctoral examining committee will render a judgment of Satisfactory or Unsatisfactory on the entire examination. A student who fails the exam twice may, upon successful petition to the Graduate Committee, take it a third and final time.

Students cannot bring snacks, drinks, treats, or gifts for committee members to the exam. Professors should avoid the appearance of favoritism that may occur if they bring treats to some student exams but not others.

The doctoral oral examination has the following purposes:

  • To establish goals, tone, and direction for the pursuit of the Ph.D. in English for the Department and for individual programs of study;
  • To make clear the kinds of knowledge and skills that, in the opinion of the Department, all well-prepared holders of the degree should have attained;
  • To provide a means for the Department to assess each candidate’s control of such knowledge and skills in order to certify that the candidate is prepared to write a significant dissertation and enter the profession; and
  • To enable the Department to recommend to the candidate areas of strength or weakness that should be addressed.

In consultation with the Graduate Director, a student will ask a member of the Department’s graduate faculty (preferably their advisor) to be the chairperson of the examining committee. The choice of examination committee chair is very important, for that person’s role is to assist the candidate in designing the examination structure, preparing the Review of Literature (see below), negotiating reading lists and clarifying their purposes, and generally following procedures here outlined. The other three English Department members of the committee will be chosen in consultation with the committee chair. (At some point an additional examiner from outside the Department, who serves as the Graduate School representative, will be invited to join the committee). Any unresolved problems in negotiation between a candidate and their committee should be brought to the attention of the Graduate Director, who may choose to involve the Graduate Committee. A student may request a substitution in, or a faculty member may ask to be dismissed from, the membership of the examining committee. Such requests must be approved, in writing, by the faculty member leaving the committee and by the Graduate Director.

Reading Lists

Copies of some approved reading lists and Reviews of Literature are available from the Graduate Secretary and can be found on the U: drive if you are using a computer on campus. Despite the goal of fairness and equity, some unavoidable unevenness and disparity will appear in the length of these lists. It remains, however, the responsibility of the examining committee, and especially the student’s chair, to aim toward consonance with the most rigorous standards and expectations and to insure that areas of study are not unduly narrow.

To facilitate quick committee approval, students may copy the graduate secretary on the email to the committee that contains the final version of the lists and reviews of literature. Committee members may then respond to the email in lieu of signing a printed copy.

Comprehension of a literary period (e.g., British literature of the 18th century; Romanticism; US literature of the 19th century; Modernism) entails sufficient intellectual grasp of both the important primary works of and secondary works on the period or movement to indicate a student’s ability to teach the period or movement and undertake respectable scholarship on it.

Comprehension of an author or group of related authors (e.g., Donne, the Brontës, the Bloomsbury Group, the Black Mountain Poets) entails knowledge, both primary and secondary, of a figure or figures whose writing has generated a significant body of interrelated biographical, historical, and critical scholarship.

Comprehension of one of several genres (the short story, the lyric poem, the epistolary novel). To demonstrate comprehension of a genre, a student should possess sufficient depth and breadth of knowledge, both primary and secondary, of the genre to explain its formal characteristics and account for its historical development.

Comprehension of criticism and literary theory entails a grasp of fundamental conceptual problems inherent in a major school of literary study (e.g., historicist, psychoanalytic, feminist, poststructuralist, etc.). To demonstrate comprehension of that school of criticism and literary theory, a student should be able to discuss changes in its conventions and standards of interpretation and evaluation of literature from its beginning to the present. Students will be expected to possess sufficient depth and breadth of theoretical knowledge to bring appropriate texts and issues to bear on questions of literary study.

Comprehension of composition theory entails an intellectual grasp of fundamental concepts, issues, and theories pertaining to the study of writing. To demonstrate comprehension of composition theory, students should be able to discuss traditional and current issues from a variety of perspectives, as well as the field’s historical development from classical rhetoric to the present.

Comprehension of the broad field of English language studies entails a grasp of the field’s theoretical concepts and current issues, as well as a familiarity with significant works within given subareas. Such subareas will normally involve formal structures (syntax, etc.) and history of the English language, along with other subareas such as social linguistics, discourse analysis, lexicography, etc. Areas of emphasis and specific sets of topics will be arranged through consultation with relevant faculty.

Ph.D. candidates must be continuously enrolled in Dissertation hours each Fall and Spring semester from the time they pass the doctoral examination until successful completion of the final oral examination (defense of dissertation).

  • Students enroll for a minimum of 6 hours each Fall and Spring semester until the total of post-doctoral exam Dissertation hours is 18. One hour each semester must be ENGL 999. In order to more quickly reach the 18-hour minimum, and to be sooner eligible for GRAships, it is highly recommended that students enroll in 9 hours of Dissertation in the Spring and Fall semesters. 
  • Once a student has accumulated 18 post-doctoral exam  hours, each subsequent enrollment will be for a number of hours agreed upon as appropriate between the student and their advisor, the minimal enrollment each semester being 1 hour of ENGL 999.
  • A student must be enrolled in at least one hour of credit at KU during the semester they graduate. Although doctoral students must be enrolled in ENGL 999 while working on their dissertations, per current CLAS regulations, there is no absolute minimum number of ENGL 999 hours required for graduation.
  • Students who live and work outside the Lawrence area may, under current University regulations, have their fees assessed at the Field Work rate, which is somewhat lower than the on-campus rate. Students must petition the College Office of Graduate Affairs before campus fees will be waived.

Please also refer to  the COGA policy on post-exam enrollment  or the  Graduate School’s policy .

As soon as possible following successful completion of the doctoral exam, the candidate should establish their three-person core dissertation committee, and then expeditiously proceed to the preparation of a dissertation proposal.  Within the semester following completion of the doctoral exam , the student will present to their core dissertation committee a written narrative of approximately  10-15 pages , not including bibliography, of the dissertation proposal. While the exam schedule is always contingent on student progress, in the first two weeks of the semester in which they intend to take the review , students will work with their committee chair and the graduate program coordinator to schedule the 90-minute RDP. Copies of this proposal must be submitted to the members of the dissertation committee and Graduate Program Coordinator no later than  three weeks prior  to the scheduled examination date.

In the proposal, students will be expected to define: the guiding question or set of questions; a basic thesis (or hypothesis); how the works to be studied or the creative writing produced relate to that (hypo)thesis; the theoretical/methodological model to be followed; the overall formal divisions of the dissertation; and how the study will be situated in the context of prior scholarship (i.e., its importance to the field). The narrative section should be followed by a bibliography demonstrating that the candidate is conversant with the basic theoretical and critical works pertinent to the study. For creative writing students, the proposal may serve as a draft of the critical introduction to the creative dissertation. Students are expected to consult with their projected dissertation committee concerning the preparation of the proposal.

The review will focus on the proposal, although it could also entail determining whether or not the candidate’s knowledge of the field is adequate to begin the composition process. The examination will be graded pass/fail. If it is failed, the committee will suggest areas of weakness to be addressed by the candidate, who will rewrite the proposal and retake the review  by the end of the following semester . If the candidate abandons the entire dissertation project for another, a new RDP will be taken. (For such a step to be taken, the change would need to be drastic, such as a move to a new field or topic. A change in thesis or the addition or subtraction of one or even several works to be examined would not necessitate a new proposal and defense.)  If the student fails to complete the Review of the Dissertation Proposal within a year of the completion of the doctoral exams, they will have fallen out of departmental good standing.  For details on the consequences of falling out of good standing, see “Falling Out of Good Standing,” in General Department Policies and Best Practices.

After passing the Review of the Dissertation Proposal, the student should forward one signed copy of the proposal to the Graduate Program Coordinator. The RDP may last no longer than 90 minutes.

Students cannot bring snacks, drinks, treats, or gifts for committee members to the review. Professors should avoid the appearance of favoritism that may occur if they bring treats to some student exams but not others.

The Graduate Catalog states that the doctoral candidate “must present a dissertation showing the planning, conduct and results of original research, and scholarly creativity.” While most Ph.D. candidates in the Department of English write dissertations of a traditional, research-oriented nature, a creative writing candidate may elect to do a creative-writing dissertation involving fiction, poetry, drama or nonfiction prose.  Such a dissertation must also contain a substantial section of scholarly research related to the creative writing.  The precise nature of the scholarly research component should be determined by the candidate in consultation with the dissertation committee and the Graduate Director. Candidates wishing to undertake such a dissertation must complete all Departmental requirements demanded for the research-oriented Ph.D. degree.

Scholarly Research Component (SRC)

The Scholarly Research Component (SRC) of the creative-writing dissertation is a separate section of the dissertation than the creative work. It involves substantial research and is written in the style of academic prose. It should be 15-20 pages and should cite at least 20 sources, some of which should be primary texts, and many of which should be from the peer-reviewed secondary literature. The topic must relate, in some way, to the topic, themes, ideas, or style of the creative portion of the dissertation; this relation should be stated in the Dissertation Proposal, which should include a section describing the student’s plans for the SRC. The SRC may be based on a seminar paper or other work the student has completed prior to the dissertation; but the research should be augmented, and the writing revised, per these guidelines. The SRC is a part of the dissertation, and as such will be included in the dissertation defense.

The SRC may take two general forms:

1.) An article, publishable in a peer-reviewed journal or collection, on a specific topic related to an author, movement, theoretical issue, taxonomic issue, etc. that has bearing on the creative portion. The quality of this article should be high enough that the manuscript could be submitted to a peer-reviewed publication, with a plausible chance of acceptance.

2.) A survey . This survey may take several different forms:

  • A survey of a particular aspect of the genre of the creative portion of the dissertation (stylistic, national, historical, etc.)
  • An introduction to the creative portion of the dissertation that explores the influences on, and the theoretical or philosophical foundations or implications of the creative work
  • An exploration of a particular technical problem or craft issue that is salient in the creative portion of the dissertation
  • If the creative portion of the dissertation includes the results of research (e.g., historical novel, documentary poetry, research-based creative nonfiction), a descriptive overview of the research undertaken already for the dissertation itself
  • A combination of the above, with the prior approval of the student’s dissertation director.

The dissertation committee will consist of at least four members—two “core” English faculty members, a third faculty member (usually from English), and one faculty member from a different department who serves as the Graduate Studies representative. The committee may include (with the Graduate Director’s approval) members from other departments and, with the approval of the University’s Graduate Council, members from outside the University. If a student wants to have a committee member from outside the university, or a person who is not in a full-time tenure-track professorship at KU, the student must contact the Graduate Secretary as early as possible. Applications for special graduate faculty status must be reviewed by the College and the Office of Graduate Studies. Requests for defense approval will not be approved unless all committee members currently hold either regular or special graduate faculty status.

The candidate’s preferences as to the membership of the dissertation committee will be carefully considered; the final decision, however, rests with the Department and with the Office of Graduate Studies. All dissertation committees must get approval from the Director of Graduate Studies before scheduling the final oral exam (defense). Furthermore, any changes in the make-up of the dissertation committee from the Review of the Dissertation Proposal committee must be approved by the Director of Graduate Studies.

Once the dissertation proposal has passed and the writing of the dissertation begins, membership of the dissertation committee should remain constant. However, under extraordinary circumstances, a student may request a substitution in, or a faculty member may ask to be dismissed from, the membership of the dissertation committee. Such requests must be approved, in writing, by the faculty member leaving the committee and by the Graduate Director.

If a student does not make progress during the dissertation-writing stage, and accumulates more than one “Limited Progress” and/or “No Progress” grade on their transcript, they will fall out of good standing in the department. For details on the consequences of falling out of good standing, see “Falling Out of Good Standing,” in General Department Policies and Best Practices

Final Oral Exam (Dissertation Defense)

When the dissertation has been tentatively accepted by the dissertation committee (not including the Graduate Studies Representative), the final oral examination will be held, on the recommendation of the Department. While the exam schedule is always contingent on student progress, in the first two weeks of the semester in which they intend to defend the dissertation, students should work with their committee chair and graduate program coordinator to schedule it.

Although the dissertation committee is responsible for certification of the candidate, any member of the graduate faculty may be present at the examination and participate in the questioning, and one examiner—the Graduate Studies Representative—must be from outside the Department. The Graduate Secretary can help students locate an appropriate Grad Studies Rep. The examination normally lasts no more than two hours. It is the obligation of the candidate to advise the Graduate Director that they plan to take the oral examination; this must be done at least one month before the date proposed for the examination.

At least three calendar weeks prior to the defense date, the student will submit the final draft of the dissertation to all the committee members (including the GSR) and inform the Graduate Program Coordinator. Failure to meet this deadline will necessitate rescheduling the defense.  The final oral examination for the Ph.D. in English is, essentially, a defense of the dissertation. When it is passed, the dissertation itself is graded by the dissertation director, in consultation with the student’s committee; the student’s performance in the final examination (defense) is graded by the entire five-person committee

Students cannot bring snacks, drinks, treats, or gifts for committee members to the defense. Professors should avoid the appearance of favoritism that may occur if they bring treats to some student defenses but not others

These sets of attributes are adapted from the Graduate Learner Outcomes that are a part of our Assessment portfolio. “Honors” should only be given to dissertations that are rated “Outstanding” in all or most of the following categories:

  • Significant and innovative plot/structure/idea/focus. The writer clearly places plot/structure/idea/focus in context.
  • Thorough knowledge of literary traditions. Clear/flexible vision of the creative work produced in relation to those literary traditions.
  • Introduction/Afterword is clear, concise, and insightful. A detailed discussion of the implications of the project and future writing projects exists.
  • The creative dissertation reveals the doctoral candidate’s comprehensive understanding of poetics and/or aesthetic approach. The application of the aesthetic approach is innovative and convincing.
  • The creative dissertation represents original and sophisticated creative work.
  • The creative dissertation demonstrates thematic and/or aesthetic unity.

After much discussion about whether the “honors” designation assigned after the dissertation defense should be for the written product only, for the defense/discussion only, for both together, weighted equally, or eradicated altogether, the department voted to accept the Graduate Committee recommendation that “honors” only apply to the written dissertation. "Honors" will be given to dissertations that are rated "Outstanding" in all or most of the categories on the dissertation rubric.

Normally, the dissertation will present the results of the writer’s own research, carried on under the direction of the dissertation committee. This means that the candidate should be in regular contact with all members of the committee during the dissertation research and writing process, providing multiple drafts of chapters, or sections of chapters, according to the arrangements made between the student and each faculty member. Though accepted primarily for its scholarly merit rather than for its rhetorical qualities, the dissertation must be stylistically competent. The Department has accepted the MLA Handbook as the authority in matters of style. The writer may wish to consult also  the Chicago Manual of Style  and Kate L. Turabian’s  A Manual for Writers of Dissertations, Theses, and Term Papers .

Naturally, both the student and the dissertation committee have responsibilities and obligations to each other concerning the submitting and returning of materials. The student should plan on working steadily on the dissertation; if they do so, they should expect from the dissertation committee a reasonably quick reading and assessment of material submitted.

Students preparing their dissertation should be showing chapters to their committee members as they go along, for feedback and revision suggestions. They should also meet periodically with committee members to assess their progress. Prior to scheduling a defense, the student is encouraged to ask committee members whether they feel that the student is ready to defend the dissertation. Ideally, the student should hold the defense only when they have consulted with committee members sufficiently to feel confident that they have revised the dissertation successfully to meet the expectations of all committee members.

Students should expect that they will need to revise each chapter at least once. This means that all chapters (including introduction and conclusion) are shown to committee members once, revised, then shown to committee members again in revised form to assess whether further revisions are needed, prior to the submitting of the final dissertation as a whole. It is not unusual for further revisions to be required and necessary after the second draft of a chapter; students should not therefore simply assume that a second draft is necessarily “final” and passing work.

If a substantial amount of work still needs to be completed or revised at the point that the dissertation defense is scheduled, such a defense date should be regarded as tentative, pending the successful completion, revision, and receipt of feedback on all work. Several weeks prior to the defense, students should consult closely with their dissertation director and committee members about whether the dissertation as a whole is in a final and defensible stage. A project is ready for defense when it is coherent, cohesive, well researched, engages in sophisticated analysis (in its entirety or in the critical introduction of creative dissertations), and makes a significant contribution to the field. In other words, it passes each of the categories laid out in the Dissertation Rubric.

If the dissertation has not clearly reached a final stage, the student and dissertation director are advised to reschedule the defense.

Prior Publication of the Doctoral Dissertation

Portions of the material written by the doctoral candidate may appear in article form before completion of the dissertation. Prior publication does not ensure the acceptance of the dissertation by the dissertation committee. Final acceptance of the dissertation is subject to the approval of the dissertation committee. Previously published material by other authors included in the dissertation must be properly documented.

Each student beyond the master’s degree should confer regularly with the Graduate Director regarding their progress toward the doctoral examination and the doctorate.

Doctoral students may take graduate courses outside the English Department if, in their opinion and that of the Graduate Director, acting on behalf of the Graduate Committee, those courses will be of value to them. Their taking such courses will not, of course, absolve them of the responsibility for meeting all the normal departmental and Graduate School requirements.

Doctoral students in creative writing are strongly encouraged to take formal literature classes in addition to forms classes. Formal literature classes, by providing training in literary analysis, theory, and/or literary history, will help to prepare students for doctoral exams (and future teaching at the college level).

FALL SEMESTER            

  • GTAs take 2 courses (801 + one), teach 2 courses; GRAs take 3 courses.
  • Visit assigned advisor once a month to update on progress & perceptions. 1st-year advisors can assist with selecting classes for the Spring semester, solidifying and articulating a field of specialization, advice about publishing, conferences, professionalization issues, etc.

SPRING SEMESTER

  • GTAs take 2 courses (780/800/880 + one), teach 2 courses. GTAs also take ENGL 802 for 1 credit hour. GRAs take 3 courses.
  • Visit assigned advisor or DGS once during the semester; discuss best advisor choices for Year 2.

SUMMER SEMESTER

  • Enroll in Summer Institute if topic and/or methodology matches interests.
  • Consider conferences suited to your field and schedule; choose a local one for attendance in Year 2 and draft an Abstract for a conference paper (preferably with ideas/materials/ writing drawn from a seminar paper).  Even if abstract is not accepted, you can attend the conference without the pressure of presenting.
  • Attend at least one conference to familiarize yourself with procedure, network with other grad students and scholars in your field, AND/OR present a paper.

FALL SEMESTER

  • Take 2 courses, teach 2 courses.
  • Visit advisor in person at least once during the semester.

WINTER BREAK

  • Begin revising one of your seminar papers/independent study projects/creative pieces for submission to a journal; research the journals most suited to placement of your piece.
  • Begin thinking about fields and texts for comprehensive examinations.
  • Choose an advisor to supervise you through the doctoral examination process.
  • Visit assigned 1st-year advisor in person at least once during the semester (at least to formally request doctoral exam supervision OR to notify that you are changing advisors).
  • Summer teaching, if eligible.
  • Continue revising paper/creative writing for submission to a journal.
  • Begin reading for comprehensive exams.
  • Attend one conference and present a paper. Apply for one-time funding for out-of-state travel  from Graduate Studies .
  • Teach 2 courses; take 997 (exam prep).
  • Finalize comps list by end of September; begin drafting rationales.
  • Circulate the draft of your article/creative piece to your advisor, other faculty in the field, and/or advanced grad students in the field for suggestions.
  • Revise article/creative piece with feedback from readers.
  • Teach 2 courses; take 997 or 999 (dissertation hours). Enroll in 999 if you plan to take your comps this semester, even if you don’t take them until the last day of classes.
  • Take comps sometime between January and May.
  • Summer teaching, if available.
  • Submit article/creative work for publication.
  • Continuous enrollment after completing doctoral exam (full policy on p. 20)
  • Research deadlines for grant applications—note deadlines come early in the year.
  • Attend one conference and present a paper.
  • Teach 2 courses, take 999.
  • Compose dissertation proposal by November.
  • Schedule Review of Dissertation Proposal (RDP—formerly DPR).
  • Apply for at least one grant or fellowship, such as a departmental-level GRAship or dissertation fellowship. (Winning a full-year, non-teaching fellowship can cut down your years-to-degree to 5 ½, or even 5 years.)
  • Conduct research for and draft at least 1 dissertation chapter.
  • Conduct research and complete a draft of at least 1 dissertation chapter.
  • Revise & resubmit journal article, if necessary.
  • Attend 1st round of job market meetings with Job Placement Advisor (JPA) to start drafting materials and thinking about the process.
  • Research and complete a draft of at least 1 dissertation chapter, if teaching (1-2 chapters if not).
  • Visit dissertation chair  and  committee members in person at least once during the semester.
  • Research and complete a draft of at least 1 dissertation chapter (1-2 chapters if not teaching).
  • Apply for a departmental grant or fellowship, or, if already held, try applying for one from outside the department, such as those offered by KU’s Hall Center for the Humanities or the Office of Graduate Studies. For  a monthly list of funding opportunities , visit the Graduate Studies website.
  • Research and complete a draft of at least 1 dissertation chapter.
  • Attend job market meetings with JPA in earnest.
  • Apply for external grants, research fellowships, postdoctoral positions with fall deadlines (previous fellowship applications, your dissertation proposal, and subsequent writing should provide a frame so that much of the application can be filled out with the “cut & paste” function).
  • Research and complete a draft of at least 1 dissertation chapter (1-2 if not teaching).
  • Visit dissertation chair and committee members in person at least once during the semester.
  • Polish dissertation chapters.
  • Apply for grants and fellowships with spring deadlines.
  • Defend dissertation.

Creative Writing Faculty

Darren Canady

  • Associate Professor

Megan Kaminski

  • Professor of English & Environmental Studies

Laura Moriarty

  • Assistant Professor

Graduate Student Handbook

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Graduate Program

The MFA Program in Creative Writing consists of a vibrant community of writers working together in a setting that is both challenging and supportive. This stimulating environment fosters the development of talented writers of poetry , fiction , and creative nonfiction . The program is not defined by courses alone, but by a life built around writing.

Our renowned faculty are Catherine Barnett , Jeffrey Eugenides ,  Nathan Englander , Jonathan Safran Foer , Terrance Hayes , Katie Kitamura , Hari Kunzru, Deborah Landau , Joyce Carol Oates , Sharon Olds , Claudia Rankine , Matthew Rohrer , Darin Strauss , and Ocean Vuong . Visiting faculty members in 2022-2023 will include Nuar Alsadir, Cris Beam , Marie-Helene Bertino , Alex Dimitrov , Uzodinma Iweala , Jonas Hassen Khemiri , David Lipsky , Sally Wen Mao , Leigh Newman , Julie Orringer , Rowan Ricardo Phillips , Parul Sehgal ,  Saïd Sayrafiezadeh , Brandon Taylor , Hannah Tinti , Phillip B. Williams , and Monica Youn.

Through innovative literary outreach programs, a distinguished public reading series, an exciting public student reading series, special literary seminars with visiting writers, and the production of a high-quality literary journal, students participate in a dynamic literary community actively engaged in all aspects of the literary arts—writing, reading, teaching, publishing and community outreach. Students also have the opportunity to enjoy America's most literary terrain; New York University is situated in the heart of Greenwich Village, a part of the city that has always been home to writers.

Over recent years, program alumni have received many of the nation's most distinguished literary honors, including the Pulitzer Prize , the National Book Award , the National Book Critics Circle Award , the Guggenheim Fellowship , The MacArthur Fellowship ,  The National Endowment of the Arts Literary Fellowship ,  The Wallace Stegner Award , The Whiting Award , the Yale Series of Younger Poets , and the National Poetry Series , among many others. NYU CWP alumni include  Aria Aber, Amir Ahmadi Arian, Julie Buntin, Nick Flynn, Nell Freudenberger, Aracelis Girmay, Isabella Hammad, Ishion Hutchinson, Mitchell S. Jackson, Tyehimba Jess, Raven Leilani, Dana Levin, Robin Coste Lewis, Ada Limón, Melissa Lozada-Oliva, Maaza Mengiste, John Murillo, Gregory Pardlo, Morgan Parker, Nicole Sealey, Solmaz Sharif, Peng Shepherd, Ocean Vuong, Jenny Xie,  and  Javier Zamora . 

The annual application deadline is December 18. We do not require GRE test scores. For further information about how to apply, please visit the GSAS Application Resource Center's useful online publication, " Application Requirements and Deadlines for Departments and Programs ." Specific departmental requirements can be found  here . You may also contact the Creative Writing Program at (212) 998-8816 or  [email protected]

  Saïd Sayrafiezadeh

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Ph.D. in Spanish with a Concentration in Creative Writing (Ph.D. en Español con Concentración en Escritura Creativa) (PRESENCIAL/FACE-TO-FACE)

Department of Hispanic Studies University of Houston 3553 Cullen Boulevard, Room 416 Houston, TX 77204-3062 713.743.3007 Contact Us

university of york phd creative writing

First Class of the Ph.D. in Spanish with a Concentration in Creative Writing On August 21st, the same day as the solar eclipse, the first class of the Ph.D. in Spanish with a concentration in creative writing program took place at Arte Público Press. María José Delgadillo, Dinorah García, Emilia Felker, Judith Santopietro, Daniele Zaratin, Nayeli García, Úrsula Fuentesberain, Natalia Trigo and Génesis Guerrero attended Dr. Cristina Rivera Garza’s class “Writing and Community.” This Ph.D. program is the first of its kind in the U.S.

Ph.D. in Spanish with a concentration in creative writing (concentración en escritura creativa en Español-Ph.D./ECE)

Cristina Rivera Garza

The Ph.D. in Spanish with a concentration in creative writing provides an interdisciplinary approach to literary arts through workshops and seminars designed to explore writing — prose and poetry, essay and crónica , as well as writing modes that exist between or beyond established literary genres — and digital writing. As part of a cosmopolitan metropolis and a greatly diverse campus, the program emphasizes the relationship between writing and community, non-traditional methods of editing and literary distribution, research of experimental aesthetics and their relationship to ethical intervention.

The Ph.D./ECE is part of the department of Hispanic studies that offers Ph.D. programs with specialization on literature — Latin American, Peninsular and U.S. Latino — and linguistics. Our relationship with the MFA and Ph.D. in Creative Writing incentivizes the teaching and practice of translation as well as bilingual Spanish-English writing in its multiple variations. In the same way, our relationship with the Non-Invasive Brain Machine Systems Laboratory  and the program of visual arts encourages students to produce writing informed by other disciplines and in alternative supports. The program benefits from Arte Público Press and G ulf Coast: A Journal of Literature and Fine Arts , which provide theoretical and practical emphasis on editing methodology and contemporary literary distribution. The program is also enriched by the historical and literary documents at the Recovering the U.S. Hispanic Literary Heritage Project  and the Serie de Escritores [Author Series] invited and organized by the ECE, as well as the various Reading Series that take place on campus on regular basis.

The Ph.D./ECE will accept a small number of students every year, which will assure a close working relationship between students and faculty in creative writing and the department and will provide economic support through competitive teaching and research assistantships. Aside from taking seminars in the department of Hispanic studies, students may choose to take seven of the seminars/workshops specially designed by the Ph.D.-ECE: Theory and Writing; Community and Writing; Editing; Cross-Genre Writing; Digital Writing; Translation; and Creative Writing in English (with approval from the Ph.D./MFA Program in Creative Writing).

Each candidate must submit official copies of their diploma and transcripts, three letters of recommendation, TOEFL scores, an academic writing sample (15 pages), creative writing sample (15 pages), personal poetic statement and a short essay on the relationship between writing and community.

The candidates who do not have an M.A. will have to complete that degree in literature before continuing with Ph.D./ECE. These students may indicate, on their personal statement, that they want to be considered for the M.A./Ph.D. program, which means that even though they are seeking admission to the M.A. program, they would like to also obtain a Ph.D. at the University of Houston. The students in the Ph.D. in Spanish with a concentration in creative writing can graduate with a dissertation in creative writing with a substantial theoretical analysis in order to receive a Ph.D. in Spanish with a concentration in creative writing. Applications can be submitted until January 15 th .

With its interdisciplinary approach to theory and practice, its community and collaborative service, as well as its attention to the cultural and linguistic diversity of the campus and city where it takes place, this is the first national Ph.D. program in Spanish with a concentration in creative writing in the United States and offers a unique opportunity for writers of the 21st century.

Concentración en Escritura Creativa en Español (Ph.D./ECE) Cristina Rivera Garza

El concentración en escritura creativa en Español (Ph.D./ECE) ofrece un enfoque interdisciplinario a las artes verbales a través de talleres de producción y seminarios de análisis diseñados para la exploración de escrituras — la prosa y la poesía, el ensayo y la crónica, así como modos de escritura que existen entre o más allá de los géneros literarios reconocidos — y escrituras digitales. Como parte de una metrópolis cosmopolita y un campus de gran diversidad, el programa enfatiza las relaciones entre escritura y comunidad, métodos no tradicionales de edición y distribución literaria, investigación de estéticas experimentales, y las relaciones entre la innovación formal y la intervención ética.

El Ph.D./ECE es parte del departamento de estudios Hispánicos, el cual ofrece programas de doctorado con concentraciones en literatura —Latinoamericana, Peninsular y Latina de Estado Unidos— y lingüística. Nuestra relación con el MFA y Ph.D. en escritura creativa incentiva la enseñanza y práctica de la traducción así como la escritura bilingüe español-inglés en sus múltiples variantes. De la misma forma, nuestra relación con Non-Invasive Brain Machine Systems Laboratory  y el programa de Artes Visuales alienta a los estudiantes a producir escrituras informadas por otras disciplinas y en distintos soportes. La articulación con Arte Público Press y Gulf Coast: A Journal of Literature and Fine Arts   permite un énfasis teórico y práctico en métodos de edición y distribución literaria contemporánea. El programa también se beneficia de los archivos concentrados en el Recovering the U.S. Hispanic Litearary Heritage Project , la Serie de Escritores invitados organizada desde el ECE, así como de las distintas Readings Series que se llevan a cabo en el campus.   

El Ph.D./ECE aceptará un número reducido de estudiantes cada año, lo cual incentivará relaciones cercanas de trabajo entre estudiantes y profesores de la sección y el departamento, y hará posible brindar apoyo económico en forma de teaching assistanships o research assistanships, las cuales son competitivas. Además de cursar los seminarios de análisis ofrecidos por el departamento de estudios Hispánicos, los alumnos podrán elegir entre 7 seminarios-talleres especialmente diseñados para el Ph.D./ECE: Teoría y Escritura; Comunidad y Escritura; Edición; Taller de Escrituras Cross-Genre, Escritura Digital; Traducción; y Creative Writing in English (en colaboración con el Ph.D./MFA Program in Creative Writing).

Cada candidato deberá presentar el título y las calificaciones, tres cartas de recomendación, el TOEFL, el GRE, una muestra de no más de 15 páginas de trabajo académico y no más de 15 páginas de trabajo creativo, una breve poética personal, y un ensayo corto sobre la relación entre escritura y comunidad. Los candidatos que no tengan una maestría podrán solicitar ser admitidos al Ph.D., pero tendrán que cursar primero la maestría en literatura dentro del programa M.A./Ph.D. Los estudiantes del Ph.D.concentración en escritura creativa en Español (Ph.D./ECE) podrán graduarse con una disertación de escritura creativa con un componente analítico-teórico importante, recibiendo un título de doctorado en estudios Hispánicos con concentración en escritura creativa en español. El período de recepción de solicitudes estará abierto hasta el 15 de enero.

Con su enfoque teórico-práctico e interdisciplinario, su vocación comunitaria y colaborativa, así como su atención a la diversidad cultural y lingüística del campus y ciudad en el que está situado, este primer Ph.D. en concentración en escritura creativa en Español (Ph.D./ECE) a nivel nacional es una oportunidad única para la formación de los escritores del siglo XXI.

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Creative Writing PhD (On-Campus or by Distance Learning)

Annual tuition fee 2024 entry: UK: £4,786 full-time, £2,393 part-time International: £21,840 full-time; £10,920 part-time (distance learning only) More detail .

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Work with our team of award-winning authors to develop your creative practice and its critique. Creative Writing at Birmingham is part of the Department of Film and Creative Writing, and is closely aligned to the Departments of English Literature and English Language and Applied Linguistics, allowing you to benefit from our breadth of expertise.

This practice-based PhD will support you in the development of a long-form piece of creative writing, or a sequence of related works. You will also identify critical concerns and interests related to your creative practice, situating your work within a wider literary context. The final submission is divided between the creative piece and a related critical document.

Your PhD submission will usually entail:

For prose : a creative document of either long-form prose/a novel, or a collection of short-form prose/stories supported by a critical paper. The total word count will be between 80,000 and 100,000 words, though the weighting between the two elements will vary slightly. A novel, for example, usually between 60,000 to 80,000 words. The critical paper can therefore be between 20,000 to 40,000 words. 

For poetry : a creative document of collected poems or a single work of poetry supported by a critical thesis (usually 20,000-50,000 words)

For scriptwriting (film or live performance) : a single project or a collection of multiple shorts, which should be of comparable length and commitment as the prose element, again with an accompanying critical element between 20,000 to 40,000 words.

Other creative formats (for example a script for a graphic novel) will follow the above model/weightings.

The creative document will be an original work of significant, publishable quality which demonstrates a sophisticated understanding of craft, genre, and form. The critical document will present a structured and developed argument that demonstrates an awareness of literary  context, and discuss - where relevant - critical and creative processes.

AHRC funding for PhD students

university of york phd creative writing

The University of Birmingham is part of the Midlands4Cities Doctoral Training Partnership (M4C), offering Arts and Humanities Research Council PhD studentships for campus-based programmes. These include a number of Collaborative Doctoral Award opportunities. Each studentship includes research fees, a substantial maintenance grant and additional research training support. Applications are open until 12:00 (noon), 13 January 2021.

Find out more

Scholarships for 2024 entry

The University of Birmingham is proud to offer a range of scholarships for our postgraduate programmes. With a scholarship pot worth over £2 million, we are committed to alleviating financial barriers to support you in taking your next steps.

Each scholarship has its own specific deadlines and eligibility criteria. Please familiarise yourself with the information on individual scholarship webpages prior to submitting an application.

Explore our scholarships

Virtual Open Day: Postgraduate opportunities in Creative Writing - 7 March 2020, 14:00-15:00

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Join us online to watch a range of staff and student videos, and take part in our online chat where Dr Daniel Vyleta will be answering your questions about postgraduate study.

Find out more and register

You can study our Creative Writing PhD full-time or part-time, on campus or by distance learning. The College of Arts and Law is experienced in delivering high-quality distance learning to students all over the world. Find out more on our  distance learning website .

At Birmingham, Postgraduate Taught and Postgraduate Research students also have the opportunity to learn graduate academic languages free of charge, to support your studies.

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university of york phd creative writing

I’ve enjoyed studying at the University of Birmingham’s state of the art green campus with its spacious library and welcoming multicultural environment. The close interaction between students and supervisors has kept my research progress on track and constantly improving. Hui-Han

Why study this course?

  • Work with published writers: You will be working with published writers in a thriving research-active environment across a range of disciplines, including poetry; short-story; novel writing; and screen-writing
  • Develop your craft: We also encourage new and diverse forms of writing and aim to develop craft, including research and editing skills, to support your creative project. The course team are experienced in helping you to theorise your approaches to your writing and research processes.
  • Creative community: You will work alongside a community of writers and scholars, which includes active researchers in all areas and disciplines. There are a number of presentations and events staged by the School and by the Creative Writing team, alongside a vibrant arts and writing community in Birmingham and the West Midlands. We encourage our students, at all levels, to be active within the community and to participate in readings, festivals, and events, both regionally and nationally.
  • Preparation for teaching: The research degree is of value for writers who wish to engage with research in academia, for preparation for teaching in Higher Education, and offers dedicated time and support to complete a significant creative project.
  • World-leading research: The University of Birmingham is ranked equal 10th in the UK amongst Russell Group universities in the Research Excellence Framework exercise 2021 according to Times Higher Education

The postgraduate experience

The College of Arts and Law offers excellent support to its postgraduates, from libraries and research spaces, to careers support and funding opportunities. Learn more about your postgraduate experience .

We charge an annual tuition fee. Fees for 2024 entry are as follows:

  • UK: £4,786 full-time; £2,393 part-time *
  • International: £21,840 full-time; £10,920 part-time (distance learning only)

The same fees apply to both campus-based and distance learning study. The distance learning programme also includes one fully-funded visit to campus in the first year of study.

The above fees quoted are for one year only; for those studying over two or more years, tuition fees will also be payable in subsequent years of your programme.

* For UK postgraduate research students the University fee level is set at Research Council rates and as such is subject to change. The final fee will be announced by Research Councils UK in spring 2024.

Eligibility for UK or international fees can be verified with Admissions. Learn more about fees for international students .

Paying your fees

Tuition fees can either be paid in full or by instalments. Learn more about postgraduate tuition fees and funding .

How To Apply

A strong application should include:

  • A detailed description of the creative project (about two pages, with references, where possible, to other supporting texts)
  • A description of the likely critical enquiry (which outlines the links between your creative project and the critical enquiry which will inform the development of the creative project).
  • Examples of creative work (please include examples which are within your discipline, so if you want to write poetry, please include poems, if you want to write a novel, then a section of a novel, etc.,.)
  • A brief statement explaining why you are interested in undertaking research with us at Birmingham. Many projects are achievable without needing a PhD, so it is helpful to see why you are interested in working within academia. It is also useful to see how this new project develops from previous projects, or relates to other creative and critical enquiries. This can be speculative.
  • A decision on whether the period of study is to be full- or part-time (it is possible to adjust this once you are undertaking the research degree). If you are interested in Distance Learning, and if your application is successful, you will be asked to complete a form in which you provide details about your access to other resources and online support. Your supervisor will help you complete this prior to your being officially accepted.

Please note: The PhD is a demanding and rewarding period of advanced creative and academic independent study. It is also a terminal degree, and we require that applicants have either successfully completed a Creative Writing MA, or can demonstrate experience within their discipline. Unlike the MA, the PhD does not typically include group workshops and seminars. A strong application will demonstrate your current ability and experience within your creative discipline (so if you wish to write a film script, but have written novels, you would need some evidence of ability and knowledge in writing for film).

This is a popular course and there is a limited supervisor capacity to support doctoral research students. Our ability to support your research proposal may be dependent on the availability of a supervisor in your area of interest.

Application deadlines

Postgraduate research can start at any time during the year, but it is important to allow time for us to review your application and communicate a decision. If you wish to start in September 2024, we would recommend that you aim to submit your application and supporting documents by 1 June 2024.

If the programme has a Distance learning option then students will usually attend a residential visit in September or January, and those students wishing to attend the September residential are also encouraged to apply by 1 June 2024. The visit will take place at the end of September/beginning of October and you will receive further details once you have accepted your offer.

Six steps to apply for our Postgraduate Research courses

Do you have an idea for an interesting research project? You can follow our six easy steps to apply to study for our postgraduate research courses . These include guidance on identifying funding opportunities and writing your research proposal .

Please also see our additional guidance for  applicants to the PhD Distance Learning study mode .

Please note: While our PhD programmes are normally studied in three years full-time or six years part-time, and Masters-level research programmes one year full-time or two years part-time, many programmes have a longer length listed in course or funding applications. This is because the course length is defined as the maximum period of registration, which includes a period of supervised study plus a thesis awaited period. The maximum period of registration for a full-time PhD is four years (three years supervision plus one year thesis awaited). For a full-time Masters-level research programme, it is two years (one year supervision plus one year thesis awaited). For part-time programmes, the periods are double the full-time equivalent.

  • How to apply

To apply for a postgraduate research programme, you will need to submit your application and supporting documents online. We have put together some helpful information on the research programme application process and supporting documents on our how to apply page . Please read this information carefully before completing your application.

Our Standard Requirements

The creative and critical elements will entail considered independent research and development. For this reason, we can only consider applications from applicants who have successfully completed an MA in Creative Writing, or candidates who can demonstrate composite professional experience (which includes publishing). This should be clearly demonstrated in your application. For the PhD, you must demonstrate how the research project relates to your current creative practice.

Please note: check the staff profiles prior to application to make sure that your proposal is within an area that we can support. We will be unable to support a research project which falls too far outside of our own field of research and teaching.

For the application we require:

  • a detailed outline describing the planned creative project
  • an outline of the potential critical enquiry and how it relates to the creative project (this can be less detailed than the description of the creative project)
  • a statement about your reasons for considering a research degree
  • examples of creative work
  • a short resume or CV
  • two references from people who are familiar with both your creative and critical abilities

The application will be reviewed by the department in several stages. If there is an interested and available supervisor we will ask you form an interview, which can happen online.

International students

We accept a range of qualifications from different countries - use our handy guide below to see what qualifications we accept from your country.

English language requirements: standard language requirements apply for this course - IELTS 6.5 with no less than 6.0 in any band. If you are made an offer of a place to study and you do not meet the language requirement, you have the option to enrol on our  English for Academic Purposes Presessional Course  - if you successfully complete the course, you will be able to fulfil the language requirement without retaking a language qualification.

International Requirements

Applicants for postgraduate research programmes should hold a Bachelors degree and a Masters degree, with a GPA of 14/20 from a recognised institution to be considered. Applicants with lower grades than this may be considered on an individual basis.

Holders of the Licenciado or an equivalent professional title from a recognised Argentinian university, with a promedio of at least 7.5, may be considered for entry to a postgraduate degree programme. Applicants for PhD degrees will normally have a Maestria or equivalent

Applicants who hold a Masters degree will be considered for admission to PhD study.

Holders of a good four-year Diplomstudium/Magister or a Masters degree from a recognised university with a minimum overall grade of 2.5 will be considered for entry to postgraduate research programmes.

Students with a good 5-year Specialist Diploma or 4-year Bachelor degree from a recognised higher education institution in Azerbaijan, with a minimum GPA of 4/5 or 80% will be considered for entry to postgraduate taught programmes at the University of Birmingham.

For postgraduate research programmes applicants should have a good 5-year Specialist Diploma (completed after 1991), with a minimum grade point average of 4/5 or 80%, from a recognised higher education institution or a Masters or “Magistr Diplomu” or “Kandidat Nauk” from a recognised higher education institution in Azerbaijan.

Applicants for postgraduate research programmes should hold a Bachelors degree and a Masters degree, with a GPA of 3.0/4.0 or 75% from a recognised institution to be considered. Applicants with lower grades than this may be considered on an individual basis.

Applicants for postgraduate research programmes should hold a Bachelors degree and will usually be required to have completed a Masters degree, with a CGPA of 3.0-3.3/4.0 or higher for 2:1 equivalency from a recognised institution to be considered for entry. Applicants with lower grades than this may be considered on an individual basis.

Students who hold a Masters degree from the University of Botswana with a minimum GPA of 3.0/4.0 or 3.5/5.0 (70%/B/'very good') will be considered for Postgraduate Diplomas and Masters degrees.

Please note 4-year bachelor degrees from the University of Botswana are considered equivalent to a Diploma of Higher Education. 5-year bachelor degrees from the University of Botswana are considered equivalent to a British Bachelor (Ordinary) degree.

Students who have completed a Masters degree from a recognised institution will be considered for PhD study.

A Licenciatura or Bacharelado degree from a recognised Brazilian university:

  • A grade of 7.5/10 for entry to programmes with a 2:1 requirement
  • A grade of 6.5/10for entry to programmes with a 2:2 requirement

Holders of a good Bachelors degree with honours (4 to 6 years) from a recognised university with a upper second class grade or higher will be considered for entry to taught postgraduate programmes.  Holders of a good Masters degree from a recognised university will be considered for entry to postgraduate research programmes.

Holders of a good post-2001 Masters degree from a recognised university will be considered for entry to postgraduate research programmes.

Students with a minimum average of 14 out of 20 (or 70%) on a 4-year Licence, Bachelor degree or Diplôme d'Etudes Superieures de Commerce (DESC) or Diplôme d'Ingénieur or a Maîtrise will be considered for Postgraduate Diplomas and Masters degrees.

Holders of a bachelor degree with honours from a recognised Canadian university may be considered for entry to a postgraduate degree programme. A GPA of 3.0/4, 7.0/9 or 75% is usually equivalent to a UK 2.1.

Holders of the Licenciado or equivalent Professional Title from a recognised Chilean university will be considered for Postgraduate Diplomas and Masters degrees. Applicants for PhD study will preferably hold a Magister degree or equivalent.

Students with a bachelor’s degree (4 years minimum) may be considered for entry to a postgraduate degree programme. However please note that we will only consider students who meet the entry guidance below.  Please note: for the subject areas below we use the Shanghai Ranking 2022 (full table)  ,  Shanghai Ranking 2023 (full table) , and Shanghai Ranking of Chinese Art Universities 2023 .

需要具备学士学位(4年制)的申请人可申请研究生课程。请根据所申请的课程查看相应的入学要求。 请注意,中国院校名单参考 软科中国大学排名2022(总榜) ,  软科中国大学排名2023(总榜) ,以及 软科中国艺术类高校名单2023 。  

Business School    - MSc programmes (excluding MBA)  

商学院硕士课程(MBA除外)入学要求

Group 1 一类大学

 Grade requirement
均分要求75%  

院校

Group 2 二类大学

 grade requirement
均分要求80% 

软科中国大学排名2022(总榜)或软科中国大学排名2023(总榜)排名前100的大学

非‘985工程’的其他 院校

以及以下两所大学:

University of Chinese Academy of Sciences 中国科学院大学
University of Chinese Academy of Social Sciences 中国社会科学院大学

Group 3 三类大学

 grade requirement
均分要求85% 

软科中国大学排名2022(总榜)或 软科中国大学排名2023(总榜)101-200位的大学

School of Computer Science – all MSc programmes 计算机学院硕士课程入学要求

Group 1 一类大学

Grade requirement
均分要求75%  

院校

Group 2 二类大学

grade requirement
均分要求80% 

院校

Group 3 三类大学

grade requirement
均分要求85% 

College of Social Sciences – courses listed below 社会科学 学院部分硕士课程入学要求 MA Education  (including all pathways) MSc TESOL Education MSc Public Management MA Global Public Policy MA Social Policy MA Sociology Department of Political Science and International Studies  全部硕士课程 International Development Department  全部硕士课程

Group 1 一类大学

 Grade requirement
均分要求75%  

院校

Group 2 二类大学

grade requirement
均分要求80% 

院校

Group 3 三类大学

grade requirement
均分要求85% 

  All other programmes (including MBA)   所有其他 硕士课程(包括 MBA)入学要求

Group 1 一类大学

Grade requirement
均分要求75%  

院校

Group 2 二类大学

grade requirement
均分要求80% 

院校

Group 3 三类大学

grade requirement
均分要求85% 

Group 4 四类大学

We will consider students from these institutions ONLY on a case-by-case basis with minimum 85% if you have a relevant degree and very excellent grades in relevant subjects and/or relevant work experience.

来自四类大学的申请人均分要求最低85%,并同时具有出色学术背景,优异的专业成绩,以及(或)相关的工作经验,将酌情考虑。

 

 

Please note:

  • Borderline cases: We may consider students with lower average score (within 5%) on a case-by-case basis if you have a relevant degree and very excellent grades in relevant subjects and/or relevant work experience. 如申请人均分低于相应录取要求(5%以内),但具有出色学术背景,优异的专业成绩,以及(或)相关的工作经验,部分课程将有可能单独酌情考虑。
  • Please contact the China Recruitment Team for any questions on the above entry requirements. 如果您对录取要求有疑问,请联系伯明翰大学中国办公室   [email protected]

Holders of the Licenciado/Professional Title from a recognised Colombian university will be considered for our Postgraduate Diploma and Masters degrees. Applicants for PhD degrees will normally have a Maestria or equivalent.

Holders of a good bachelor degree with honours (4 to 6 years) from a recognised university with a upper second class grade or higher will be considered for entry to taught postgraduate programmes.  Holders of a good Masters degree from a recognised university will be considered for entry to postgraduate research programmes.

Holders of a good Bacclaureus (Bachelors) from a recognised Croatian Higher Education institution with a minimum overall grade of 4.0 out of 5.0, vrlo dobar ‘very good’, or a Masters degree, will be considered for entry to postgraduate research programmes.

Holders of a Bachelors degree(from the University of the West Indies or the University of Technology) may be considered for entry to a postgraduate degree programme. A Class II Upper Division degree is usually equivalent to a UK 2.1. For further details on particular institutions please refer to the list below.  Applicants for PhD level study will preferably hold a Masters degree or Mphil from the University of the West Indies.

Applicants for postgraduate research programmes should hold a good Bachelors degree from a recognised institution with a minimum overall grade of 6.5 out of 10, or a GPA of 3 out of 4, and will usually be required to have completed a good Masters degree to be considered for entry to postgraduate research programmes. Applicants with lower grades than this may be considered on an individual basis.

Holders of a good Bakalár from a recognised Czech Higher Education institution with a minimum overall grade of 1.5, B, velmi dobre ‘very good’ (post-2004) or 2, velmi dobre ‘good’ (pre-2004), or a good post-2002 Magistr (Masters), will be considered for entry to postgraduate research programmes.

Applicants for postgraduate research programmes should hold a good Bachelors degree from a recognised institution with a minimum overall grade of 7-10 out of 12 (or 8 out of 13) or higher for 2:1 equivalence and will usually be required to have completed a good Masters/ Magisterkonfereus/Magister Artium degree to be considered for entry to postgraduate research programmes. Applicants with lower grades than this may be considered on an individual basis.

Holders of the Licenciado or an equivalent professional title from a recognised Ecuadorian university may be considered for entry to a postgraduate degree programme. Grades of 70% or higher can be considered as UK 2.1 equivalent.  Applicants for PhD level study will preferably hold a Magister/Masterado or equivalent qualification, but holders of the Licenciado with excellent grades can be considered.

Applicants for postgraduate research programmes should hold a Bachelors degree and a Masters degree, with a GPA of 3.0/4.0 or 75% from a recognised institution. Applicants with lower grades than this may be considered on an individual basis.

Holders of a good Bakalaurusekraad from a recognised university with a minimum overall grade of 4/5 or B, or a good one- or two-year Magistrikraad from a recognised university, will be considered for entry to postgraduate research programmes.

Students who hold a Masters degree with very good grades (grade B, 3.5/4 GPA or 85%) will be considered for Postgraduate Diplomas and Masters degrees. 

Holders of a good Kandidaatti / Kandidat (old system), a professional title such as Ekonomi, Diplomi-insinööri, Arkkitehti, Lisensiaatti (in Medicine, Dentistry and Vetinary Medicine), or a Maisteri / Magister (new system), Lisensiaatti / Licenciat, Oikeustieteen Kandidaatti / Juris Kandidat (new system) or Proviisori / Provisor from a recognised Finnish Higher Education institution, with a minimum overall grade of 2/3 or 4/5, will be considered for entry to postgraduate research programmes.

Applicants for postgraduate research programmes should hold a should hold a Bachelors degree and will usually be required to have completed a Masters/Maîtrise with a minimum overall grade of 13 out of 20, or a Magistère / Diplôme d'Etudes Approfondies / Diplôme d'Etudes Supérieures Specialisées / Mastère Specialis, from a recognised French university or Grande École to be considered for entry. Applicants with lower grades than this may be considered on an individual basis.

Holders of a Magister Artium, a Diplom or an Erstes Staatsexamen from a recognised university with a minimum overall grade of 2.5, or a good two-year Lizentiat / Aufbaustudium / Zweites Staatsexamen or a Masters degree from a recognised university, will be considered for entry to postgraduate research programmes.

Students who hold a Bachelor degree from a recognised institution will be considered for Postgraduate Diplomas and Masters degrees. Most taught Masters programmes require a minimum of an upper second class degree (2.1) with a minimum GPA of at least 3.0/4.0 or 3.5/5.0 Students who have completed a Masters degree from a recognised institution will be considered for PhD study.

Applicants for postgraduate research programmes should hold a good four-year Ptychio (Bachelor degree) with a minimum overall grade of 6.5 out of 10, from a recognised Greek university (AEI), and will usually be required to have completed a good Metaptychiako Diploma Eidikefsis (Masters degree) from a recognised institution to be considered for entry. Applicants with lower grades than this may be considered on an individual basis.

4-year Licenciado is deemed equivalent to a UK bachelors degree. A score of 75 or higher from Universidad de San Carlos de Guatemala (USAC) can be considered comparable to a UK 2.1, 60 is comparable to a UK 2.2.  Private universities have a higher pass mark, so 80 or higher should be considered comparable to a UK 2.1, 70 is comparable to a UK 2.2

The Hong Kong Bachelor degree is considered comparable to British Bachelor degree standard. Students with bachelor degrees awarded by universities in Hong Kong may be considered for entry to one of our postgraduate degree programmes.

Students with Masters degrees may be considered for PhD study.

Holders of a good Alapfokozat / Alapképzés or Egyetemi Oklevel from a recognised university with a minimum overall grade of 3.5, or a good Mesterfokozat (Masters degree) or Egyetemi Doktor (university doctorate), will be considered for entry to postgraduate research programmes.

Applicants for postgraduate research programmes should hold a Bachelors degree and will usually be required to have completed a Masters degree, with a 60% or higher for 2:1 equivalency from a recognised institution to be considered for entry. Applicants with lower grades than this may be considered on an individual basis.

Holders of the 4 year Sarjana (S1) from a recognised Indonesian institution will be considered for postgraduate study. Entry requirements vary with a minimum requirement of a GPA of 2.8.

Applicants for postgraduate research programmes should hold a Bachelors degree and a Masters degree, with a score of 14/20 or 70% from a recognised institution to be considered. Applicants with lower grades than this may be considered on an individual basis.

Applicants for postgraduate research programmes should hold a Bachelors degree and will usually be required to have completed a Masters degree from a recognised institution, with 100 out of 110 or higher for 2:1 equivalency from a recognised institution to be considered for entry. Applicants with lower grades than this may be considered on an individual basis.

Students who hold the Maitrise, Diplome d'Etude Approfondies, Diplome d'Etude Superieures or Diplome d'Etude Superieures Specialisees will be considered for Postgraduate Diplomas and Masters degrees (14-15/20 or Bien from a well ranked institution is considered comparable to a UK 2.1, while a score of 12-13/20 or Assez Bien is considered comparable to a UK 2.2).

Students with a Bachelor degree from a recognised university in Japan will be considered for entry to a postgraduate Masters degree provided they achieve a sufficiently high overall score in their first (Bachelor) degree. A GPA of 3.0/4.0 or a B average from a good Japanese university is usually considered equivalent to a UK 2:1.

Students with a Masters degree from a recognised university in Japan will be considered for PhD study. A high overall grade will be necessary to be considered.

Students who have completed their Specialist Diploma Мамаң дипломы/Диплом специалиста) or "Magistr" (Магистр дипломы/Диплом магистра) degree (completed after 1991) from a recognised higher education institution, with a minimum GPA of 2.67/4.00 for courses requiring a UK lower second and 3.00/4.00 for courses requiring a UK upper second class degree, will be considered for entry to postgraduate Masters degrees and, occasionally, directly for PhD degrees.  Holders of a Bachelor "Bakalavr" degree (Бакалавр дипломы/Диплом бакалавра) from a recognised higher education institution, with a minimum GPA of  2.67/4.00 for courses requiring a UK lower second and 3.00/4.00 for courses requiring a UK upper second class degree, may also be considered for entry to taught postgraduate programmes.

Students who hold a Bachelor degree from a recognised institution will be considered for Postgraduate Diplomas and Masters degrees. Most taught Masters programmes require a minimum of an upper second class degree (2.1) with a minimum GPA of at least 3.0/4.0 or 3.5/50

Holders of a good Postgraduate Diploma (professional programme) from a recognised university or institution of Higher Education, with a minimum overall grade of 7.5 out of 10, or a post-2000 Magistrs, will be considered for entry to postgraduate research programmes.

Applicants for postgraduate research programmes should hold a Bachelors degree and a Masters degree, with a score of 16/20 or 80% from a recognised institution to be considered. Applicants with lower grades than this may be considered on an individual basis.

Holders of a Bachelors degree from a recognised university in Libya will be considered for postgraduate study. Holders of a Bachelors degree will normally be expected to have achieved score of 70% for 2:1 equivalency or 65% for 2:2 equivalency. Alternatively students will require a minimum of 3.0/4.0 or BB to be considered.

Holders of a good pre-2001 Magistras from a recognised university with a minimum overall grade of 8 out of 10, or a good post-2001 Magistras, will be considered for entry to postgraduate research programmes

Holders of a good Bachelors degree from a recognised Luxembourgish Higher Education institution with a minimum overall grade of 16 out of 20, or a Diplôme d'Études Supérieures Spécialisées (comparable to a UK PGDip) or Masters degree from a recognised Luxembourgish Higher Education institution will be considered for entry to postgraduate research programmes.

Students who hold a Masters degree will be considered for Postgraduate Diplomas and Masters degrees (70-74% or A or Marginal Distinction from a well ranked institution is considered comparable to a UK 2.1, while a score of 60-69% or B or Bare Distinction/Credit is considered comparable to a UK 2.2).

Holders of a Bachelors degree from a recognised Malaysian institution (usually achieved with the equivalent of a second class upper or a grade point average minimum of 3.0) will be considered for postgraduate study at Diploma or Masters level.

Holders of a good Bachelors degree from the University of Malta with a minimum grade of 2:1 (Hons), and/or a Masters degree, will be considered for entry to postgraduate research programmes.

Students who hold a Bachelor degree (Honours) from a recognised institution (including the University of Mauritius) will be considered for Postgraduate Diplomas and Masters degrees.  Most taught Masters programmes require a minimum of an upper second class degree (2:1).

Students who hold the Licenciado/Professional Titulo from a recognised Mexican university with a promedio of at least 8 will be considered for Postgraduate Diplomas and Masters degrees.

Students who have completed a Maestria from a recognised institution will be considered for PhD study.

Applicants for postgraduate research programmes should hold a Bachelors degree, licence or Maîtrise and a Masters degree, with a score of 14/20 or 70% from a recognised institution to be considered. Applicants with lower grades than this may be considered on an individual basis.

Students with a good four year honours degree from a recognised university will be considered for postgraduate study at the University of Birmingham. PhD applications will be considered on an individual basis.

Applicants for postgraduate research programmes should hold a Bachelors degree and will usually be required to have completed a Masters degree, with 60-74% or higher for 2:1 equivalency from a recognised institution to be considered for entry. Applicants with lower grades than this may be considered on an individual basis.

Holders of a good Doctoraal from a recognised Dutch university with a minimum overall grade of 7 out of 10, and/or a good Masters degree, will be considered for entry to postgraduate research programmes.

Students who hold a Bachelor degree (minimum 4 years and/or level 400) from a recognised institution will be considered for Postgraduate Diplomas and Masters degrees.  Most taught Masters programmes require a minimum of an upper second class degree (2.1) with a minimum GPA of at least 3.0/4.0 or 3.5/5.0

Applicants for postgraduate research programmes should hold a good Bachelors degree from a recognised institution with a minimum GPA of B/Very Good or 1.6-2.5 for a 2.1 equivalency, and will usually be required to have completed a good Masters, Mastergrad, Magister. Artium, Sivilingeniør, Candidatus realium or Candidatus philologiae degree to be considered for entry to postgraduate research programmes. Applicants with lower grades than this may be considered on an individual basis.

Applicants for postgraduate research programmes should hold a Bachelors degree and will usually be required to have completed a Masters degree, with a CGPA of 3.0/4 or higher for 2:1 equivalency from a recognised institution to be considered for entry. Applicants with lower grades than this may be considered on an individual basis.

Holders of a Bachelors degree from a recognised university in the Palestinian Territories will be considered for postgraduate study. Holders of Bachelors degree will normally be expected to have achieved a GPA of 3/4 or 80% for 2:1 equivalency or a GPA of 2.5/4 or 70% for 2:2 equivalency.    

Holders of the Título de Licenciado /Título de (4-6 years) or an equivalent professional title from a recognised Paraguayan university may be considered for entry to a postgraduate degree programme. Grades of 4/5 or higher can be considered as UK 2.1 equivalent.  The Título Intermedio is a 2-3 year degree and is equivalent to a HNC, it is not suitable for postgraduate entry but holders of this award could be considered for second year undergraduate entry or pre-Masters.  Applicants for PhD level study will preferably hold a Título de Maestría / Magister or equivalent qualification, but holders of the Título/Grado de Licenciado/a with excellent grades can be considered.

Holders of the Bachiller, Licenciado, or Título Profesional with at least 13/20 may be considered as UK 2.1 equivalent.  Applicants for PhD level study will preferably hold a Título de Maestría or equivalent qualification.

Holders of a good pre-2001 Magister from a recognised Polish university with a minimum overall grade of 4 out of 5, dobry ‘good’, and/or a good Swiadectwo Ukonczenia Studiów Podyplomowych (Certificate of Postgraduate Study) or post-2001 Magister from a recognised Polish university with a minimum overall grade of 4.5/4+ out of 5, dobry plus 'better than good', will be considered for entry to postgraduate research programmes.

Holders of a good Licenciado from a recognised university, or a Diploma de Estudos Superiores Especializados (DESE) from a recognised Polytechnic Institution, with a minimum overall grade of 16 out of 20, and/or a good Mestrado / Mestre (Masters) from a recognised university, will be considered for entry to postgraduate research programmes.

Applicants for postgraduate research programmes should hold a good Bachelors degree from a recognised Romanian Higher Education institution with a minimum overall grade of 8 out of 10, and will usually be required to have completed a Masters degree/Diploma de Master/Diploma de Studii Academice Postuniversitare (Postgraduate Diploma - Academic Studies) or Diploma de Studii Postuniversitare de Specializare (Postgraduate Diploma - Specialised Studies) to be considered for entry. Applicants with lower grades than this may be considered on an individual basis.

Holders of a good Диплом Специалиста (Specialist Diploma) or Диплом Магистра (Magistr) degree from recognised universities in Russia (minimum GPA of 4.0) will be considered for entry to taught postgraduate programmes/PhD study.

Students who hold a 4-year Bachelor degree with at least 16/20 or 70% will be considered for Postgraduate Diplomas and Masters degrees.   

Students who hold a Maitrise, Diplome d'Etude Approfondies,Diplome d'Etude Superieures or Diplome d'Etude Superieures Specialisees will be considered for Postgraduate Diplomas and Masters degrees. A score of 14-15/20 or Bien from a well ranked institution is considered comparable to a UK 2.1, while a score of 12-13/20 or Assez Bien is considered comparable to a UK 2.2

Students who hold a Bachelor (Honours) degree from a recognised institution with a minimum GPA of 3.0/4.0 or 3.5/5.0 (or a score of 60-69% or B+) from a well ranked institution will be considered for most our Postgraduate Diplomas and Masters degrees with a 2:1 requirement.

Students holding a good Bachelors Honours degree will be considered for postgraduate study at Diploma or Masters level.

Holders of a good three-year Bakalár or pre-2002 Magister from a recognised Slovakian Higher Education institution with a minimum overall grade of 1.5, B, Vel’mi dobrý ‘very good’, and/or a good Inžinier or a post-2002 Magister from a recognised Slovakian Higher Education institution will be considered for entry to postgraduate research programmes.

Holders of a good Diploma o pridobljeni univerzitetni izobrazbi (Bachelors degree), Diplomant (Professionally oriented first degree), Univerzitetni diplomant (Academically oriented first degree) or Visoko Obrazovanja (until 1999) from a recognised Slovenian Higher Education institution with a minimum overall grade of 8.0 out of 10, and/or a good Diploma specializacija (Postgraduate Diploma) or Magister (Masters) will be considered for entry to postgraduate research programmes.

Students who hold a Bachelor Honours degree (also known as Baccalaureus Honores / Baccalaureus Cum Honoribus) from a recognised institution will be considered for Postgraduate Diplomas and Masters degrees. Most Masters programmes will require a second class upper (70%) or a distinction (75%).

Holders of a Masters degree will be considered for entry to postgraduate research programmes.

Holders of a Bachelor degree from a recognised South Korean institution (usually with the equivalent of a second class upper or a grade point average 3.0/4.0 or 3.2/4.5) will be considered for Masters programmes.

Holders of a good Masters degree from a recognised institution will be considered for PhD study on an individual basis.

Applicants for postgraduate research programmes should hold a Bachelors degree and will usually be required to have completed a Masters degree, with 7 out of 10 or higher for 2:1 equivalency from a recognised institution to be considered for entry. Applicants with lower grades than this may be considered on an individual basis.

Applicants for postgraduate research programmes should hold a Bachelors degree and will usually be required to have completed a Masters degree, with 60-74% or a CGPA 3.30/4.0 or higher for 2:1 equivalency from a recognised institution to be considered for entry. Applicants with lower grades than this may be considered on an individual basis.

Holders of a good Kandidatexamen (Bachelors degree) or Yrkesexamen (Professional Bachelors degree) from a recognised Swedish Higher Education institution with the majority of subjects with a grade of VG (Val godkänd), and/or a good Magisterexamen (Masters degree), International Masters degree or Licentiatexamen (comparable to a UK Mphil), will be considered for entry to postgraduate research programmes.

Holders of a good "PostGraduate Certificate" or "PostGraduate Diploma" or a Masters degree from a recognised Swiss higher education institution (with a minimum GPA of 5/6 or 8/10 or 2/5 (gut-bien-bene/good) for a 2.1 equivalence) may be considered for entry to postgraduate research programmes.

Applicants for postgraduate research programmes should hold a Bachelors degree and a Masters degree, with a GPA of 3.0/4.0, 3.5/5 or 75% from a recognised institution to be considered. Applicants with lower grades than this may be considered on an individual basis.

Holders of a good Bachelor degree (from 75% to 85% depending upon the university in Taiwan) from a recognised institution will be considered for postgraduate Masters study. Holders of a good Masters degree from a recognised institution will be considered for PhD study.

Students who hold a Bachelor degree from a recognised institution will be considered for Postgraduate Diplomas and Masters degrees.  Most taught Masters programmes require a minimum of an upper second class degree (2.1) Students who have completed a Masters degree from a recognised institution will be considered for PhD study.

Holders of a good Masters degree from a recognised institution will be considered for entry to our postgraduate research programmes.

Holders of a good Masters degree or Mphil from a recognised university will be considered for entry to postgraduate research programmes.

Students with a Bachelors degree from the following universities may be considered for entry to postgraduate programmes:

  • Ateneo de Manila University - Quezon City
  • De La Salle University - Manila
  • University of Santo Tomas
  • University of the Philippines - Diliman

Students from all other institutions with a Bachelors and a Masters degree or relevant work experience may be considered for postgraduate programmes.

Grading Schemes

1-5 where 1 is the highest 2.1 = 1.75 2.2 = 2.25 

Out of 4.0 where 4 is the highest 2.1 = 3.0 2.2 = 2.5

Letter grades and percentages 2.1 = B / 3.00 / 83% 2.2 = C+ / 2.5 / 77%

Holders of a postdoctoral qualification from a recognised institution will be considered for PhD study.  Students may be considered for PhD study if they have a Masters from one of the above listed universities.

Holders of a Lisans Diplomasi with a minimum grade point average (GPA) of 3.0/4.0 from a recognised university will be considered for postgraduate study at Diploma or Masters level.

Holders of a Yuksek Diplomasi from a recognised university will be considered for PhD study.

Students who hold a Bachelor degree from a recognised institution will be considered for Postgraduate Diplomas and Masters degrees. Most Masters programmes will require a second class upper (2.1) or GPA of 3.5/5.0

Applicants for postgraduate research programmes should hold a good Bachelors degree / Диплом бакалавра (Dyplom Bakalavra), Диплом спеціаліста (Specialist Diploma) or a Dyplom Magistra from a recognised Ukrainian higher education institution with a minimum GPA of 4.0/5.0, 3.5/4, 8/12 or 80% or higher for 2:1 equivalence and will usually be required to have completed a good Masters degree to be considered for entry to postgraduate research programmes. Applicants with lower grades than this may be considered on an individual basis.

The University will consider students who hold an Honours degree from a recognised institution in the USA with a GPA of:

  • 2.8 GPA (on a 4.0 scale) for entry to programmes with a 2:2 requirement 
  • 3.2 GPA (on a 4.0 scale) for entry to programmes with a 2:1 requirement 

Please note that some subjects which are studied at postgraduate level in the USA, eg. Medicine and Law, are traditionally studied at undergraduate level in the UK.

Holders of the Magistr Diplomi (Master's degree) or Diplomi (Specialist Diploma), awarded by prestigious universities, who have attained high grades in their studies will be considered for postgraduate study.  Holders of the Fanlari Nomzodi (Candidate of Science), where appropriate, will be considered for PhD study.

Holders of the Licenciatura/Título or an equivalent professional title from a recognised Venezuelan university may be considered for entry to a postgraduate degree programme. Scales of 1-5, 1-10 and 1-20 are used, an overall score of 70% or equivalent can be considered equivalent to a UK 2.1.  Applicants for PhD level study will preferably hold a Maestria or equivalent qualification

Holders of a Bachelors degree from a recognised Vietnamese institution (usually achieved with the equivalent of a second class upper or a grade point average minimum GPA of 7.0 and above) will be considered for postgraduate study at Diploma or Masters level.  Holders of a Masters degree (thac si) will be considered for entry to PhD programmes.

Students who hold a Masters degree with a minimum GPA of 3.5/5.0 or a mark of 2.0/2.5 (A) will be considered for Postgraduate Diplomas and Masters degrees.   

Students who hold a good Bachelor Honours degree will be considered for Postgraduate Diplomas and Masters degrees. 

The Department is home to a number of award-winning writers and our research into the aesthetic, historical and theoretical contexts of literature is complemented by our strong traditions in creative practice as research.

Please contact a staff member working in your area of interest in the first instance: Find a supervisor in Creative Writing .

The University of Birmingham is the top choice for the UK's major employers searching for graduate recruits, according to The Graduate Market 2024 report .

Your degree will provide excellent preparation for your future career, but this can also be enhanced by a range of employability support services offered by the University and the College of Arts and Law.

The University's Careers Network  provides expert guidance and activities especially for postgraduates, which will help you achieve your career goals. The College of Arts and Law also has a dedicated  careers and employability team  who offer tailored advice and a programme of College-specific careers events.

You will be encouraged to make the most of your postgraduate experience and will have the opportunity to:

  • Receive one-to-one careers advice, including guidance on your job applications, writing your CV and improving your interview technique, whether you are looking for a career inside or outside of academia
  • Meet employers face-to-face at on-campus recruitment fairs and employer presentations
  • Attend an annual programme of careers fairs, skills workshops and conferences, including bespoke events for postgraduates in the College of Arts and Law
  • Take part in a range of activities to demonstrate your knowledge and skills to potential employers and enhance your CV

What’s more, you will be able to access our full range of careers support for up to 2 years after graduation.

Over the past five years, more than 96% of Creative Writing postgraduates were in work and/or further study six months after graduation. Postgraduates in the Department of Film and Creative Writing develop a range of skills including: the ability to lead and participate in discussions; critical thinking, and an appreciation of different theoretical contexts; the ability to develop opinions and new ideas; and an aptitude for thinking and working creatively with others. While some graduates go on to careers in related industries - such as writing, media and television - others have used their transferable skills to pursue roles such as advertising, teaching, and in the heritage and cultural sectors.

  • Online chat events
  • Ask our students

MA, PhD: Creative Writing

Program overview.

The creative writing program at Binghamton University is designed to foster in its students a powerful, disciplined and skilled creativity cultivated in a supportive environment. Through its dedicated faculty, students are introduced to all facets of their art — its traditions and masters, its pleasures and responsibilities, its materials and practices.

The areas of study include poetry, fiction, non-fiction, memoir and children's literature. The program relies on writing workshops and the study of literature to encourage the development of the students as writers.

The program cultivates an active community of writers. Throughout the year, graduate students sponsor their own student readers' series, typically held off campus at venues that attract a community audience.

Degrees Offered

At the graduate level our program offers:

  • A MA in English with a concentration in creative writing
  • A PhD with a concentration in creative writing and a creative dissertation option.

Graduate Student Conference

The Writing by Degrees Creative Writing Conference, organized by the graduate students, attracts participants from across the nation.

Graduate Student Publishing

Harpur Palate, a student-edited literary journal, is produced on campus and attracts submissions from both well-established and emerging voices. A Reader's Series brings writers to campus to expose students to a wide range of literary voices while the Writing Life series has brought dozens of editors to campus to meet with students and faculty, including editors from David Godine, Inc.; Graywolf Press, BOA Editions, Four Way Books, Tupelo Press, Red Hen Press, BkMk Press, Georgia Review, Crazyhorse, Green Mountains Review, Connecticut Review, Prairie Schooner, Barrow St., NY Quarterly, Rattle and New Letters.

Visiting writers supplement the program offerings by teaching classes, offering workshops, and giving readings. Past visiting writers have included Jan Beatty, Marvin Bell, Marilyn Chin, Mark Doty, Stephen Dobyns, Denise Duhamel, Marie Howe, Mary Gaitskill, Ted Kooser, Li Young Lee, Carole Maso, Bobbie Ann Mason, Heather McHugh, Molly Peacock, Robert Pinsky, Patricia Smith, Henry Taylor, Helena Maria Viramontes, Tobias Wolff and Afaa Michael Weaver. In combination with course offerings, these activities all lead to a vibrant and challenging atmosphere.

Please visit the Graduate English pages for more information on admissions specific to the English Department.

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Last Updated: 3/8/18

The University of Edinburgh home

  • Schools & departments

Postgraduate study

Creative Writing PhD

Awards: PhD

Study modes: Full-time, Part-time

Funding opportunities

Programme website: Creative Writing

Discovery Day

Join us online on 21st August to learn more about postgraduate study at Edinburgh.

Find out more and register

Research profile

The PhD in Creative Writing offers committed and talented writers the opportunity to study Creative Writing at the highest level.

Supported by an expert supervisory team you will work independently towards the production of a substantial, publishable piece of creative writing, accompanied by a sustained exercise in critical study.

The academic staff you will be working with are all active researchers or authors, including well-published and prize-winning writers of poetry, prose, fiction and drama. They include:

  • Dr Jane Alexander - Fiction
  • Dr Lynda Clark - Fiction
  • Dr Patrick Errington - Poetry
  • Dr Miriam Gamble - Poetry
  • Dr Alan Gillis - Poetry
  • Nicola McCartney - Drama
  • Dr Jane McKie - Poetry
  • Dr Allyson Stack - Fiction
  • Kim Sherwood - Fiction
  • Alice Thompson - Fiction

Find out more about the programme and our team

Training and support

We encourage you to share your research and learn from the work of others through a programme of seminars and visiting speakers.

We have an in-house Writer-in-Residence, annual writing prizes, and a range of opportunities to learn from experts in the publishing industry.

We also offer access to opportunities provided by the Sottish Graduate School for Arts & Humanities.

Our postgraduate journal, Forum, is a valuable conduit for research findings and provides an opportunity to gain editorial experience.

  • Forum: postgraduate journal of culture and the arts

A UNESCO World City of Literature, Edinburgh is a remarkable place to study, write, publish, discuss and perform prose, poetry and drama.

Take a PhD with us and you will be based in the School of Literatures, Languages and Cultures (LLC) in the historic centre of this world-leading festival city.

Our buildings are close to:

  • National Library of Scotland (where collections include the Bute Collection of early modern English drama and the John Murray Archive)
  • Edinburgh Central Library
  • Scottish Poetry Library
  • Scottish Storytelling Centre
  • Writers’ Museum
  • Traverse Theatre

We have strong links with the Edinburgh International Book Festival, which annually welcomes around 1,000 authors to our literary city.

There are lots of opportunities to write and share your work, from Forum to The Selkie, which was founded by Creative Writing students in 2018 to showcase work by people who self-identify as underrepresented.

Around the city, you’ll find library readings and bookshop launches, spoken word gigs, cabaret nights and poetry slams, including events run by celebrated publishing outlets, from Canongate and Polygon / Birlinn to Luath Press, 404 Ink, Taproot Press and Mariscat.

You will have access to the University’s many literary treasures, which include:

  • William Drummond library
  • Lewis Grassic Gibbon library
  • Hugh MacDiarmid library
  • Norman MacCaig library
  • W.H. Auden collection
  • Corson collection
  • works by and about Sir Walter Scott
  • Ramage collection of poetry pamphlets

The Centre for Research Collections also holds a truly exceptional collection of early Shakespeare quartos and other early modern printed plays. These have been put together by the 19th century Shakespearean James Halliwell-Phillipps, the correspondence of Thomas and Jane Welsh Carlyle (the focus of one of the major editorial projects in Victorian studies of the last half-century), and the extensive Laing collection of medieval and early modern manuscripts.

You will also have access to letters and papers by - and relating to - authors including:

  • Christopher Isherwood
  • Rudyard Kipling
  • John Middleton Murry
  • Walter de la Mare
  • George Mackay Brown
  • Compton Mackenzie

Many of the University's Special Collections are digitised and available online from our excellent Resource Centre, Computing Labs, and dedicated PhD study space in the School of Literatures, Languages and Cultures (LLC).

Look inside the PhD study space in LLC

Entry requirements

These entry requirements are for the 2024/25 academic year and requirements for future academic years may differ. Entry requirements for the 2025/26 academic year will be published on 1 Oct 2024.

A UK masters degree, or its international equivalent, in creative writing, normally with distinction.

We may also consider your application if you have equivalent qualifications or experience. For additional information please refer to the pre-application guidance in the 'How to apply' section.

International qualifications

Check whether your international qualifications meet our general entry requirements:

  • Entry requirements by country
  • English language requirements

Regardless of your nationality or country of residence, you must demonstrate a level of English language competency at a level that will enable you to succeed in your studies.

English language tests

We accept the following English language qualifications at the grades specified:

  • IELTS Academic: total 7.0 with at least 6.5 in each component. We do not accept IELTS One Skill Retake to meet our English language requirements.
  • TOEFL-iBT (including Home Edition): total 100 with at least 23 in each component. We do not accept TOEFL MyBest Score to meet our English language requirements.
  • C1 Advanced ( CAE ) / C2 Proficiency ( CPE ): total 185 with at least 176 in each component.
  • Trinity ISE : ISE III with passes in all four components.
  • PTE Academic: total 70 with at least 62 in each component.

Your English language qualification must be no more than three and a half years old from the start date of the programme you are applying to study, unless you are using IELTS , TOEFL, Trinity ISE or PTE , in which case it must be no more than two years old.

Degrees taught and assessed in English

We also accept an undergraduate or postgraduate degree that has been taught and assessed in English in a majority English speaking country, as defined by UK Visas and Immigration:

  • UKVI list of majority English speaking countries

We also accept a degree that has been taught and assessed in English from a university on our list of approved universities in non-majority English speaking countries (non-MESC).

  • Approved universities in non-MESC

If you are not a national of a majority English speaking country, then your degree must be no more than five years old* at the beginning of your programme of study. (*Revised 05 March 2024 to extend degree validity to five years.)

Find out more about our language requirements:

  • Fees and costs

Read our general information on tuition fees and studying costs:

Scholarships and funding

Featured funding.

There are a number of scholarship schemes available to eligible candidates on this PhD programme, including awards from the Arts and Humanities Research Council.

Please be advised that many scholarships have more than one application stage, and early deadlines.

  • Find out more about scholarships in literatures, languages and cultures

Other funding opportunities

Search for scholarships and funding opportunities:

  • Search for funding

Further information

  • Phone: +44 (0)131 650 4086
  • Contact: [email protected]
  • School of Literatures, Languages & Cultures
  • 50 George Square
  • Central Campus
  • Programme: Creative Writing
  • School: Literatures, Languages & Cultures
  • College: Arts, Humanities & Social Sciences

This programme is not currently accepting applications. Applications for the next intake usually open in October.

Start date: September

Awards: PhD (36 mth FT, 72 mth PT)

Application deadlines

Due to high demand, the school operates a number of selection deadlines. We will make a small number of offers to the most outstanding candidates on an ongoing basis, but hold the majority of applications until the next published selection deadline when we will offer a proportion of the places available to applicants selected through a competitive process.

Deadlines for applicants applying to study in 2024/25:

Round Application deadline Places awarded by
1 24 November 2023 15 December 2023
2 30 April 2024 14 June 2024
  • How to apply
  • Pre-application guidance

Before you formally apply for this PhD, you should look at the pre-application information and guidance on the programme website.

This will help you decide if this programme is right for you, and help us gain a clearer picture of what you hope to achieve.

The guidance details the writing samples you should send us as part of your application (either fiction or poetry, along with a shorter sample of your academic writing).

It will also give you practical advice for writing your project summary – one of the most important parts of your application.

Find out more about the general application process for postgraduate programmes:

PhD in Creative Writing

Program overview.

The PhD in Creative Writing and Literature is a four-year course of study. Following two years of course work that includes workshop, forms classes, pedagogical training, and literature, students take exams in two areas, one that examines texts through the lens of craft and another that examines them through the lens of literary history and theory. Recent examples of the genre area include Comic Fiction, History of the Love Lyric, and Fantasy; recent examples of the scholarly area include History of the Novel, 20th Century American Poetry, and Modern & Contemporary British Fiction. In the first two years, students take three courses per semester; the teaching load throughout the program is one class per semester. Every PhD student has the opportunity to teach creative writing, with many also teaching literature classes. Most students are funded by teaching, with two or three at a time funded by editorial work at  The Cincinnati Review or Acre Books, and others funded in their dissertation year by college- or university-level fellowships. Fifth-year support, while not guaranteed, has generally been available to interested students in the form of student lecturerships, which carry a 2-2 load. The Creative Writing PhD at the University of Cincinnati has maintained over the last decade more than a 75% placement rate into full-time academic jobs for its doctoral graduates. Two-thirds of these positions are tenure-track.

Application Information

  • Exam Areas and Committee
  • Doctoral Candidacy Form
  • Foreign Language
  • Exam Procedures
  • Dissertations
  • Applying for Fifth-Year Funding
  • Working for The Cincinnati Review
  • Teaching Opportunities
  • All Creative Writing Graduate Courses
  • Archive of Technique & Form Courses

University of Missouri

College of arts and science.

Although there are benefits for students who simply want to take courses at the undergraduate level, it is sustained practice and discipline in craft that leads to the development of habits, skills, and reflexes that are necessary to create successful literary art. The Ph.D. in English with a Creative Writing emphasis is conceived of as an opportunity to specialize for individuals whose relationship to their craft is lifelong. This means honoring the individual goals and aesthetics of the student writer, and enabling them to succeed on their terms.

The University of Missouri offers a Ph.D. in English with a Creative Writing emphasis. Students may specialize in Poetry, Fiction, Creative Nonfiction, or any combination of the genres. It is a fully-funded program designed to be completed over a five-year period, and there are three stages to the process which, for Creative Writing graduate students, often looks like the following:

Coursework (2 years) Preparation for Comprehensive Examination (1-2 years) Dissertation Writing (1-2 years)*

* Progress through the Ph.D. for Creative Writers often varies from the Ph.D. Sample Timeline, because Creative Writing students often need two full years to complete their Comprehensive Exam reading, and because Creative Writing students often develop their dissertation over the course of the entire five-year period.

For full program details, visit the Graduate Program . 

  • Our incoming Ph.D. students enter the program with Master’s Degrees (either an MFA in Creative Writing or an MA in a related field), and usually pursue the Doctorate in order to give them (1) the time to write, (2) the formal training to excel in their field, and/or (3) the qualifications to teach at institutions of higher education or to work in a non-academic field.
  • We believe that poetry, fiction, and nonfiction are mutually informing genres, and therefore our Ph.D. students are expected to take courses in more than one area.
  • During the course of the five-year program, our Ph.D. students have multiple opportunities to teach Creative Writing within their primary genre(s), and often in other genre(s) as well.
  • Because Ph.D. students in Creative Writing often enter the program with strong publication records, developed voices, and goals for their own writing, the role of the faculty is to help students articulate and fulfill the goals that they already possess as mature literary artists.

Study Postgraduate

Phd in literary practice (2025 entry).

Literary Practice student at the University of Warwick

Course code

6 October 2025

3-4 years full-time; 7 years part-time

Qualification

Warwick Writing Programme, SCAPVC

University of Warwick

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Find out more about our Literary Practice PhD degree at Warwick

Take time to write your novel, poetry, short stories or non-fiction under the supervision of our published, prize-winning writers.

The Warwick Writing Programme, founded in 1996, is the largest and most comprehensive of its kind in Europe and was ranked first by The Times and Sunday Times Good University Guide 2021.

Course overview

Creative writing is beginning to take its place in the academy across Europe as well as in the Anglophone world. Taking a doctorate in a creative practice is a way of qualifying for a teaching and/or research career in higher education in the UK or elsewhere. You might also be interested in this degree if you want not only to complete a novel, short story, poetry collection or work of creative non-fiction under the supervision of well-known writers and teachers, but also to situate your own writing practice in relation to literary traditions, theories and new developments.

PhD theses, albeit in creative form, will be founded on rigorous research, reflection and participation in academic life.

We offer our PhD students the attention of our best writers and scholars; a place in our real and virtual spaces where writers at all stages of their careers listen and speak to each other; and all the artistic and scholarly resources of a world-leading university located between several exciting cities.

Further information on the PhD in Literary Practice Link opens in a new window  is available on the Warwick Writing Programme website Link opens in a new window .

Teaching and learning

The structure of the phd.

Over 3 or 4 years (full-time) or up to 7 years (part-time), you will write a thesis of between 80,000 and 100,000 words, consisting of two parts:

(i) an original creative work (a novel, a collection of stories, a collection of poetry, a work or collection of creative non-fiction) which must have been undertaken during the period of registration. Work undertaken prior to registration on the PhD course cannot be submitted as part of the thesis.

(ii) a critical essay demonstrating the cultural and intellectual context of the creative work. The ratio between the creative and the critical components will vary, but the creative part will in all cases be the longer; the standard ratio of creative to critical work will be 80:20. Variations on the 80:20 ratio may be negotiated, usually by writers of poetry, novellas or short story collections.

The essay is a work of non-fiction prose that will be evaluated for its literary form as well as for the research presented. In some cases it may be desirable for a student to write a scholarly essay in academic prose, but generally we prefer the essay to take other forms. In all circumstances the essay should be no less than 20,000 and no more than 40,000 words (excluding references, appendices, and bibliography), according to the appropriate ratio, and must be of doctoral standard.

Parts (i) and (ii) of the research project must be comprehensively and convincingly integrated and the complete submitted project must reach the required standard of a PhD as outlined in the School and the University’s standard regulations.

Screenwriting: 90-120 pages for the creative submission and 20-40k for the critical component.

Poetry: Poets submitting 90-94 pages aim for 25-30k for the essay while those submitting 95-100 pages should aim for 20-25k of essay.

Teaching and supervisions

Each student will have one or two supervisors, at least one of whom will be among the teaching staff of the Warwick Writing Programme. You will meet with your supervisors, together or separately, at least once a month during the teaching year (if full-time) or twice a term (part-time). These meetings should normally be in person but may sometimes be conducted remotely when convenient to both parties.

You will also have a personal tutor, whose role is pastoral. There is no taught component of this degree, but each student is invited to a one-to-one meeting with our subject librarian to explore resources for his or her project. Students will participate in the online research skills modules, seminars, talks and events provided for and by research students in the School.

General entry requirements

Minimum requirements.

Applicants should normally hold a BA ( classmark 2:1 or First or the international equivalent thereof) and an MA/MFA/MPhil in a subject related to the proposed doctoral project with a grade of at least 65 or the international equivalent thereof.

Evidence of publication would be preferred but is not essential. We require two references from people familiar with your work and, if English was not the medium of instruction for your previous degrees, an IELTS score of at least 7.5 or equivalent.  

In exceptional circumstances, we may be able to vary these conditions for applicants who are able to demonstrate compelling evidence of advanced writing experience and an awareness of the critical requirements of creative writing practice in an academic environment. This would require the submission of both creative and critical writing reaching at least the standards of MA-level work.  

Places on the PhD are awarded following a holistic assessment of the application, which includes consideration of the applicant’s academic qualifications, the strength and originality of the proposal (including the critical component), the quality of the writing sample(s) submitted, and the availability of suitable supervisors.  

English language requirements

You can find out more about our English language requirements Link opens in a new window . This course requires the following:

  • IELTS overall (Academic) score of 7.5 with a maximum of two component scores at 6.5 or 7.0 (or equivalent).

International qualifications

We welcome applications from students with other internationally recognised qualifications.

For more information, please visit the international entry requirements page Link opens in a new window .

Additional requirements

There are no additional entry requirements for this course.

Our research

Areas for PhD supervision include:

  • Historical fiction
  • Screenwriting
  • Hybrid writing
  • Creative nonfiction
  • Contemporary literature and cultural studies
  • Genre fiction
  • Translation history and philosophy
  • Translation methodology, practice and sociology
  • Stylistic approaches to translation

Find a supervisor

Find your supervisor Link opens in a new window and discuss with them the area you'd like to research.

It is recommended that you approach your preferred supervisor before submitting your application. Our supervisors Link opens in a new window include Tim Leach, Maureen Freely, David Morley, Gonzalo C. Garcia, Nell Stevens, Lucy Brydon, Dragan Todorovic and Jodie Kim. We welcome interdisciplinary projects and will try to arrange co-supervision beyond the Writing Programme where it is desirable and possible to do so.

You can also see our general University guidance about finding a supervisor. Link opens in a new window

Research proposals

You should prepare a succinct 500-word proposal in the first instance, indicating:

  • What you intend to write (e.g., novel, screenplay, poetry collection)
  • Which research questions you intend to explore
  • What the relationship is between your work and current literary practice
  • How the critical component of your thesis will relate to the practice element
  • A sample of creative work (5,000 – 10,000 words of prose or 20 – 25 single-spaced pages of poetry) should accompany all applications and should be in the genre proposed for PhD study.

See our guidance on writing a proposal for the PhD in Literary Practice (Creative Writing) Link opens in a new window .

Tuition fees

Tuition fees are payable for each year of your course at the start of the academic year, or at the start of your course, if later. Academic fees cover the cost of tuition, examinations and registration and some student amenities.

Find your research course fees

Fee Status Guidance

We carry out an initial fee status assessment based on the information you provide in your application. Students will be classified as Home or Overseas fee status. Your fee status determines tuition fees, and what financial support and scholarships may be available. If you receive an offer, your fee status will be clearly stated alongside the tuition fee information.

Do you need your fee classification to be reviewed?

If you believe that your fee status has been classified incorrectly, you can complete a fee status assessment questionnaire. Please follow the instructions in your offer information and provide the documents needed to reassess your status.

Find out more about how universities assess fee status

Additional course costs

As well as tuition fees and living expenses, some courses may require you to cover the cost of field trips or costs associated with travel abroad.

For departmental specific costs, please see the Modules tab on the course web page for the list of core and optional core modules with hyperlinks to our  Module Catalogue  (please visit the Department’s website if the Module Catalogue hyperlinks are not provided).

Associated costs can be found on the Study tab for each module listed in the Module Catalogue (please note most of the module content applies to 2022/23 year of study). Information about module department specific costs should be considered in conjunction with the more general costs below:

  • Core text books
  • Printer credits
  • Dissertation binding
  • Robe hire for your degree ceremony

Scholarships and bursaries

Scholarships and financial support.

Find out about the different funding routes available, including; postgraduate loans, scholarships, fee awards and academic department bursaries.

Living costs

Find out more about the cost of living as a postgraduate student at the University of Warwick.

Warwick Writing Programme

Welcome to the Warwick Writing Programme, an internationally acclaimed writing programme that attracts writers and literary translators from across the globe. If you join us , you will immerse yourself in contemporary and experimental narratives, including screenwriting, literary translation, gaming, creative non-fiction, spoken word , and fieldwork.  

We foster and maintain excellent creative industry links and networks to enable our students to achieve their career ambitions. We are the home of the Warwick Prize for Women in Translation.  

Our teaching staff of novelists, poets, non-fiction writers, screenwriters and literary translators includes A.L. Kennedy, Tim Leach, Nell Stevens, Maureen Freely, Gonzalo C. Garcia, David Morley, Lucy Brydon, Dragan Todorovic, and Jodie Kim.  

Find out more about us on our website.

Our courses

  • Literary Practice (PhD)
  • Literary Translation Studies (MA)
  • Literary Translation Studies (PhD)
  • Writing (MA)

How to apply

The application process for courses that start in September and October 2025 will open on 2 October 2024.

For research courses that start in September and October 2025 the application deadline for students who require a visa to study in the UK is 2 August 2025. This should allow sufficient time to complete the admissions process and to obtain a visa to study in the UK.

How to apply for a postgraduate research course  

university of york phd creative writing

After you’ve applied

Find out how we process your application.

university of york phd creative writing

Applicant Portal

Track your application and update your details.

university of york phd creative writing

Admissions statement

See Warwick’s postgraduate admissions policy.

university of york phd creative writing

Join a live chat

Ask questions and engage with Warwick.

Explore ways to connect with us

We understand how important it is to visit and explore your future university before you apply. That's why we have put together a range of online and in-person options to help you discover more about your course, visit campus, and get a sense of postgraduate life at Warwick. Our events offer includes:

  • Warwick hosted events
  • Postgraduate Fairs
  • Talk and Tours
  • Department events

Why Warwick

Discover why Warwick is one of the best universities in the UK and renowned globally.

university of york phd creative writing

9th in the UK

of the UK's best universities (The Guardian University Guide 2024, The Times and Sunday Times Good University Guide 2024.)

university of york phd creative writing

5th Most Targeted University

by the UK's top 100 graduate employers (The Graduate Market in 2023, High Fliers Research Ltd.)

university of york phd creative writing

67th in the World

out of 1,500 institutions across 104 locations (QS World University Rankings 2024.)

university of york phd creative writing

10th in the UK

for our 'Graduate Prospects' score. (The Times and Sunday Times Good University Guide 2024.)

university of york phd creative writing

Gold Standard Teaching

Gold, the highest possible rating across all three categories (student experience, student outcomes, and overall) (Teaching Excellence Framework 2023)

Page updates

We may have revised the information on this page since publication. See the edits we have made and content history .

About the information on this page

This information is applicable for 2025 entry. Given the interval between the publication of courses and enrolment, some of the information may change. It is important to check our website before you apply. Please read our terms and conditions to find out more.

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English - Creative Writing Emphasis

Focus on the craft of writing with the support and instruction of an array of well-published, award-winning faculty.

Tell Your Story

This growing major is an excellent choice for those who love to read and write, and are passionate about expressing themselves through language. Classes include multi-genre writing workshops, as well as those that focus on specific types of writing such as playwriting, novel writing and creation of essays, short stories, and poetry. Through unique projects and class discussions, you'll foster creativity, insight and empathy — skills that are highly sought after by writers. A variety of electives and course topics throughout the emphasis allow you to study the areas that interest you and best align with your career goals.

While pursuing your degree, you'll experience the incredible benefits of small class sizes. Our courses allow for personalized learning, individualized mentoring, and the formation of meaningful, lasting connections. Your professors and classmates will know you by name and do all they can to help you achieve your personal and professional goals.

Graduates of the program leave with the knowledge and skills to create original and effective poetry, fiction, and creative nonfiction works.

Whether you dream of publishing a novel, sharing your poetry, crafting blogs or writing a play, a bachelor's degree in creative writing from UW-Eau Claire can help make anything possible. 

Program Details

two female students at a table for a tutoring sessions, laptops on the table, both are looking at the screen

As a creative writing major or minor, you'll have the unique opportunity to work as an academic apprentice. Facilitate class discussions, assist teams with group work, answer questions, provide input for class activities, and assignments and teach part of a class session. Or tutor other students outside of the English department by becoming a Center for Writing Excellence writing assistant. These experiences provide a chance for you to build skills in leadership, interpersonal communication, and problem-solving, while also enhancing your writing abilities.

English student research project award

Endless undergraduate research opportunities are available to students at UWEC. Some of the exciting projects taken on by students and faculty in English involve conducting research and interviewing research subjects. Your work could lead to presentations at local and national research conferences, providing you with even more learning and networking opportunities.

NOTA student reading in the Cabin

Joining a student organization at UWEC builds your skill set — and your resume. You may mentor current and potential students, organize events, or give back to the community. You'll also meet students who, like you, are interested in English and all that it offers. A popular student org for creative writing majors is NOTA, or None of the Above, which is a campus literary magazine — entirely student-run — that publishes a biannual collection of the top student submissions in the categories of art, poetry, and prose.

Immersion in India English faculty

Writing in a new and different environment can lead to some pretty incredible work. Find inspiration while studying abroad in places like England, France, Italy, Spain, Costa Rica, Germany, Ireland, Scotland, South Korea, South Africa, or Japan. Or join faculty on a cultural immersion program to renowned places right here in the U.S. These enriching academic experiences are exactly the kind of high-impact practices that set UW-Eau Claire apart from other institutions, making UWEC an excellent place to pursue your creative writing degree. 

Blugold Stories

A group picture of NOTA members

Some people might stay away from English classes because they think they're bad writers. I would say no one is a bad writer. Writing, like art, is very subjective, and I promise you there is someone out there who will share your story and see the light in your writing. If you're interested in expressing yourself or just have feelings you need to work through, creative writing is something that you should try.

Creative Writing and Teaching - English and Language Arts Major Maggie O'Brien smiling

I had no idea how much I would be welcomed and how much all of my professors genuinely care about me. They are so willing to just have a chat or I can come to their office hours. It's just something that is so nice and I didn't know I was going to have that.

A student on a study abroad program in England, Winchester taking picture with Big Ben tower

Just the facts

100% Employed or Continuing Education Every 2022-2023 graduate from this major is currently employed or continuing their education.

5 Majors, 4 Minors, 3 Certificates Our personalized curriculum builds your skillset and talent for the future you want.

BJ Hollars with student at awards

Where can the english - creative writing emphasis program lead me after graduation?

Graduates of UW-Eau Claire's English - creative writing emphasis degree leave with the knowledge, tools, skills, and passion to become successful, published authors. 

Example Careers

  • Content manager
  • Content writer
  • Technical writer
  • Social media director
  • Freelance writer

The English - creative writing emphasis bachelor's degree includes countless opportunities to create and evaluate forms of verbal art, including poetry, fiction and nonfiction. Coursework throughout the program will help you to become a better reader and writer of imaginative literature. Pair your studies with a minor or another major in areas like history, marketing, journalism, public relations, communication studies, political science or graphic design for even more career opportunities. 

Here are a few courses in English - Creative Writing Emphasis at UW-Eau Claire.

Introduction to Creative Writing

Introduction to creative writing with opportunities for the student to create and evaluate several forms of verbal art (poetry, fiction and/or nonfiction).

Creative Writing Workshop - Fiction

Special emphasis on class discussion and personal conferences for advanced writers of fiction.

Creative and Narrative Nonfiction

Survey of nonfiction works (reportage, autobiography, travel, and nature writing) which combines factual reporting with literary techniques to reveal American society.

Get More Info

Sign up to receive additional information about our campus.

Related Programs

Thinking about studying english - creative writing emphasis? You might also be interested in exploring these related programs.

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What's Next?

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University of Wisconsin-Eau Claire

105 Garfield Avenue  P.O. Box 4004  Eau Claire, WI 54702-4004 

715-836-4636

NBC New York

A breaking hero emerges: Meet Australia's Raygun

An australian professor had some breaking moves, and people had thoughts., by nbc staff • published august 9, 2024 • updated on august 9, 2024 at 3:19 pm.

As Dr. Rachel Gunn, she's a 36-year-old lecturer at Macquarie University in Australia . She holds a PhD in cultural science. She researches and lectures on the cultural politics of breaking .

As Raygun, she's an Olympian breaker, competing for Australia.

Raygun lost all three of her matches, against B-Girls named Nicka, Syssy and Logistx. Yes, that sentence is accurate.

24/7 New York news stream: Watch NBC 4 free wherever you are

But Raygun had some moves. And people had some thoughts.

What my nephew does after telling all of us to “watch this” pic.twitter.com/366LjIRl4j — Liz Charboneau (@lizchar) August 9, 2024
There has not been an Olympic performance this dominant since Usain Bolt’s 100m sprint at Beijing in 2008. Honestly, the moment Raygun broke out her Kangaroo move this competition was over! Give her the #breakdancing gold 🥇 pic.twitter.com/6q8qAft1BX — Trapper Haskins (@TrapperHaskins) August 9, 2024
Get Tri-state area news delivered to your inbox. Sign up for NBC New York's News Headlines newsletter.
All I can think about when I see this is the hip hop dance teacher from Bob’s Burgers but if instead she was from Australia and was a 36 year old woman named Raygun https://t.co/nUwYVLnrms pic.twitter.com/Wl5FResHw7 — Shereef Sakr (@ShereefKeef) August 9, 2024

Paris 2024 Summer Olympics

Watch all the action from the Paris Olympics live on NBC

university of york phd creative writing

Jordan Chiles' stripped bronze is biggest gymnastics controversy since Sydney Olympics disaster

university of york phd creative writing

Gold medalist Nick Mayhugh wants to help make kids aware of the importance of the Paralympics

when Raygun hit the kangaroo jawn I couldn't see the screen I was crying so hard pic.twitter.com/jcICfTu11d — Bradford Pearson (@BradfordPearson) August 9, 2024
I think I found the source of inspiration for the Raygun breakdance at the Olympics. https://t.co/t94Iyu1dPZ pic.twitter.com/a7DL9etwRz — Noodson (@noodson) August 9, 2024
Raygun was like pic.twitter.com/KvXVPVGScx — Charles J. Moore (@charles270) August 9, 2024
Raygun did THE SPRINKLER at this breakdance thing, this is the worst thing Australia has ever done. — Luis Paez-Pumar (@lppny) August 9, 2024

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Incoming English PhD student wins Presidential Fellowship

Gogoi Headshot

Priyadarshini Oshin Gogoi, an incoming Creative Writing Ph.D. student, is the winner of the University of Georgia's Presidential Fellowship Award . It is the University’s most prestigious award for graduate students, made to the most qualified doctoral trainees. The award consists of a $10,000 supplemental award for   four years, in addition to the assistantship provided by the English Department. During that time The Graduate School will pay mandatory student fees, provide travel support of $1,000 per year, offer regular programming that emphasizes professional / leadership development, and host regular meetings with senior university leadership.

“Thank you so much to the University of Georgia for the trust and investment that it has placed in my work. What drew me to UGA's Creative Writing program was how strongly it nurtures writers and scholars of postcolonial, South Asian, Northeast Indian, and Indigenous literature, and its fantastic faculty that I almost can't believe I now get to work with! I'm thrilled to join this wonderful and vibrant creative community, and look forward to scaling new artistic heights with my peers and mentors.” -Priyadarshini Oshin Gogoi
"Our program is delighted that Priyadarshini has been awarded a Presidential Scholarship! This distinction confirms that the university administration beyond the English Department has recognized her achievements and potential. Over the past several years CWP has distinguished itself by attracting many talented Anglophone writers from Asia and Africa. Priyadarshini is a wonderful addition to our program. " -Dr. Magdalena Zurawski, Director of Creative Writing Program
"We are delighted to welcome Priyadarshini Oshin Gogoi to our department. She will be part of a strong cohort of promising writers, a new generation of students who will shape the future of our program. As the University's most prestigious award for graduate students, the Presidential Fellowship will hopefully allow her to continue to pursue her creative projects with renewed energy at her new institution." -Dr. Roland Végső

Priyadarshini Oshin Gogoi is a Presidential Fellow at the University of Georgia. She has an MFA in Creative Writing from Miami University of Ohio, and a BA and MA in English Literature from the University of Delhi. Her areas of interest include postcolonial, South Asian, and Northeast Indian coming of age writing, as well as children's and young adult literature. 

Priyadarshini is also a children's author, and many of her picture books have won acclaim across India, including the Bangalore Literature Festival Prize 2023, the FICCI Children's Book of the Year Prize 2024, a Neev Book Award 2024 shortlist, as well as features in the Parag Honor List 2022 and 2024. Her fiction and poetry have appeared in  The Bombay Review ,  The Selkie UK ,  The Alipore Post , etc. 

Support English at UGA

We greatly appreciate your generosity. Your gift enables us to offer our students and faculty opportunities for research, travel, and any number of educational events that augment the classroom experience.   Support the efforts of the Department of English by visiting our giving section.  Give Now  

EVERY DOLLAR CONTRIBUTED TO THE DEPARTMENT HAS A DIRECT IMPACT ON OUR STUDENTS AND FACULTY.

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Teach Writing With The New York Times: Our 2024-25 Curriculum

Our nine writing units are based on real-world features like reviews, photo essays, narratives, podcasts and more.

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By The Learning Network

Please note: Fully updated versions of each unit, as well as all supporting materials, will be published before each related contest opens for submissions.

What can the news, features, essays, interviews, photos, videos, podcasts and graphics in The New York Times teach your students about composing for a real audience? So much, we hope, that the units we detail below are just a beginning.

Our writing curriculum is a road map for teachers as well as an invitation to students. For teachers, it organizes our offerings into nine units, each of which focuses on a different genre or type of composing that your students can find not just in The Times but also in all kinds of real-world sources.

For students, these units offer confirmation that they have something valuable to say, choices about how to say it and a global audience eager to listen. Promoting student voices has always been a pillar of our site, and through the opportunities for publication woven into each unit, we want to encourage students to go beyond simply consuming media to becoming creators themselves.

Though some of the units spotlight mediums like photography or podcasting, writing is at the heart of each one. All our units begin and end with written reflection and depend on writing throughout — to plan and organize, to outline and script, to summarize and process. Increasingly, Times journalists are composing in multimedia, weaving photos, illustrations, video and audio into their written reports. We’re inviting students to do the same.

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  17. MA, PhD: Creative Writing

    Learn about the graduate degree programs in English with a concentration in creative writing, graduate publications and more at Binghamton University.

  18. PhD English

    Combine the traditional strengths of historically and textually based modes of analysis with modern theoretical approaches in the doctoral program in English. From British, U.S. and postcolonial literature to critical theory, creative writing and media you will develop key competencies in creative and critical inquiry. Discover the convergences and departures of intellectual, writerly, and ...

  19. Creative Writing PhD

    Research profile. The PhD in Creative Writing offers committed and talented writers the opportunity to study Creative Writing at the highest level. Supported by an expert supervisory team you will work independently towards the production of a substantial, publishable piece of creative writing, accompanied by a sustained exercise in critical ...

  20. PhD in Creative Writing

    The PhD in Creative Writing and Literature is a four-year course of study. Following two years of course work that includes workshop, forms classes, pedagogical training, and literature, students take exams in two areas, one that examines texts through the lens of craft and another that examines them through the lens of literary history and ...

  21. Ph.D.

    The University of Missouri offers a Ph.D. in English with a Creative Writing emphasis. Students may specialize in Poetry, Fiction, Creative Nonfiction, or any combination of the genres. It is a fully-funded program designed to be completed over a five-year period, and there are three stages to the process which, for Creative Writing graduate students, often looks like the following: Coursework ...

  22. PhD in Literary Practice (2024 Entry)

    Have the attention of great writers and scholars on Warwick's PhD in Literary Practice. Designed by Warwick Writing Programme, ranked 1st in REF 2014, the 'national centre of excellence for creative writing'. Complete a novel, short story, poetry or work of non-fiction with specialist supervision.

  23. PDF The PhD in Creative Writing

    The PhD in Creative Writing The PhD programme in Creative Writing provides you with the opportunity to engage in individual research over three to four years of full-time study or six years of part-time study under the supervision of a member of academic staff who is a specialist in your field, leading to a dissertation that includes creative work and a critical commentary.

  24. Graduate Student Research + Scholarly Creative Activity Grants

    The Graduate Student Research and Scholarly and Creative Activity (RSCA) Grants program is designed to support projects performed by graduate students.

  25. English

    Where can the english - creative writing emphasis program lead me after graduation? Graduates of UW-Eau Claire's English - creative writing emphasis degree leave with the knowledge, tools, skills, and passion to become successful, published authors.

  26. A breaking hero emerges: Meet Australia's Raygun

    As Dr. Rachel Gunn, she's a 36-year-old lecturer at Macquarie University in Australia. She holds a PhD in cultural science. She researches and lectures on the cultural politics of breaking. As ...

  27. Incoming English PhD student wins Presidential Fellowship

    Priyadarshini Oshin Gogoi, an incoming Creative Writing Ph.D. student, is the winner of the University of Georgia's Presidential Fellowship Award. It is the University's most prestigious award for graduate students, made to the most qualified doctoral trainees. The award consists of a $10,000 supplemental award for four years, in addition to the assistantship provided by the English Department.

  28. Teach Writing With The New York Times: Our 2024-25 Curriculum

    If your class is writing essays of 600 words or longer, our unit Teach Narrative Writing With The New York Times links to dozens of free resources, including six lessons that use Times mentor ...