characteristics of good essay writing

Eight Characteristics of Good Writing

by Melissa Donovan | Dec 2, 2021 | Better Writing | 31 comments

good writing

What’s the difference between bad and good writing?

How important is it for a writer to be able to discern the difference between good writing and bad writing?

Pretty important, if you ask me.

I know some writers aren’t concerned with quality. In today’s do-it-yourself and get-it-done-fast world, quality plays second fiddle to quantity. Who cares if your books are full of typos, bad grammar, and poor logic as long as you have published lots and made a bunch of money?

Readers care. Agents, publishers, and reviewers also care. And while you can still make a million with a bunch of badly written books and a stellar marketing scheme, your work won’t be taken seriously. Also (and this is critical), while it’s possible to make it big by writing badly, it’s not likely. It happens, but it doesn’t happen often. The better your writing, the better your chances for securing a readership and building a career.

The Characteristics of Good Writing

So, what constitutes good writing? Opinions on the matter vary widely. There will be different traits that make good fiction versus good poetry or good nonfiction. However, we can cull together a general list of the characteristics of good writing (in no particular order):

  • Clarity and focus: In good writing, everything makes sense and readers don’t get lost or have to reread passages to figure out what’s going on. Focused writing sticks with the plot or core idea without running off on too many tangents.
  • Organization: A well organized piece of writing is not only clear, it’s presented in a way that is logical and aesthetically pleasing. You can tell non-linear stories or place your thesis at the end of an essay and get away with it as long as your scenes or ideas are well ordered.
  • Ideas and themes: Is the topic of your paper relevant? Does your story come complete with themes? Can the reader visualize your poem? For a piece of writing to be considered well crafted, it has to contain clearly identifiable ideas and themes.
  • Voice: This is what sets you apart from all other writers. It’s your unique way of stringing words together, formulating ideas, and relating scenes or images to the reader. In any piece of writing, the voice should be consistent and identifiable.
  • Language (word choice): We writers can never underestimate or fail to appreciate our most valuable tools: words. Good writing includes precise and accurate word choices and well crafted sentences.
  • Grammar and style: Many writers would wish this one away, but for a piece of writing to be considered good (let alone great), it has to follow the rules of grammar (and break those rules only when there’s a good reason). Style is also important in ensuring that a piece of writing is clear and consistent. Make sure you keep a grammar book and style guide handy.
  • Credibility or believability: Nothing says bad writing like getting the facts wrong or misrepresenting oneself. In fiction, the story must be believable (even if it’s impossible), and in nonfiction, accurate research can make or break a writer.
  • Thought-provoking or emotionally inspiring: Perhaps the most important quality of good writing is how the reader responds to it. Does she come away with a fresh perspective and new ideas? Does he close the cover with tears in his eyes or a sense of victory? How readers react to your work will fully determine your success as a writer.

I want to add an honorable mention for originality. Everything has been done before, so originality is somewhat arbitrary. However, putting old ideas together in new ways and creating remixes of the best that literature has to offer is a skill worth developing.

Why You Need to Know the Difference Between Good and Bad Writing

To write well, a writer must be able to recognize quality in a piece of writing. How can you assess or improve your own work if you can’t tell the difference between mediocre and better writing in others’ work? This is why it’s so important for writers to be dedicated readers!

Writing is also an art form and therefore subject to personal taste. Can you read a book and dislike it but acknowledge that the writing was good? Have you ever read a book and loved the story but felt that the writing was weak?

A writer should be able to articulate why a piece of writing succeeds or fails, and a writer should also be able to recognize the qualities in a piece of writing even when it doesn’t appeal to their personal taste. These skills are especially necessary when writers are reviewing or critiquing other writers’ work and when revising, editing, and proofreading their own work.

Where do you stand? Do you rate other people’s writing? Do you worry about whether your own writing is any good? Would you add or remove any characteristics of good writing from this list? Share your thoughts by leaving a comment, and keep writing.

10 Core Practices for Better Writing

31 Comments

Michelle

I have had work published. I have even won a competition and still I lack the courage to really commit to it. It’s like I heard a character in a ‘soap’ once saying: ” If I dream of doing it I can always hold onto the dream and live on the’ I could have done it if I tried’, whereas if I go ahead and do it I just might not be ‘good’ and then everything will be gone then, dream and all ! ” Everything you say makes sense but it’s courage I now seek to acquire as well as certain’ devil may care attitude . Courage and self belief and wee bit of discipline. 2012 might just be the year ! Michelle

Melissa Donovan

Michelle, I actually think it’s healthy to have dreams that we don’t fully intend on pursuing. It’s good for the imagination! A person might be interested or passionate about dozens of things and cannot possibly make careers out of them all. But courage is something else… and I don’t think anyone can give you courage. You have to find it within yourself. The first step is to decide that you are going to brave the writing career. After that, you muster up the courage. It’s there inside you, and if you really want it, you’ll find it 🙂 Good luck to you!

Bill Polm

Good one, Michelle, and needed too.

So many blog posts on how to drum up business or write enticing posts or articles, or even how to avoid embarrassing grammatical errors (not that those are not important).

So little on just plain old good writing. Writing that is unusually good, that delights, that informs with impact,

I love the freedom an informal style of modern English. But sometimes I worry a bit that contemporary readers are being fed to many tiny sentences to appeal to an ever-diminishing attention span.

A good list you have there. Maybe I would add that I value fluency. That adroit facility of the accomplished writer who’s covered miles of (digital) paper and now can write not only accurate and clear words and sentences but also compelling and memorable prose.

Ah, fluency is definitely necessary to good writing, although I think it comes with experience, so it might only apply to older or more advanced writers. Great food for thought, Bill. Thanks!

Michael White

Loved this blog post. It actually reminded me of a quote by Oscar Wilde, “There is no such thing as a moral or an immoral book. Books are well written or badly written.”

That quote could spur a debate, I’m sure! Thanks for sharing it, Michael. I’m going to give Oscar Wilde’s idea some serious consideration.

PlumaDame

“A writer should be able to articulate why a piece of writing succeeds or fails, and a writer should also be able to recognize the qualities in a piece of writing even when it doesn’t appeal to personal taste”

I’m reading a book right now with a story line that I don’t particularly care for. Eight chapters into it, I’m not fully invested into the story. BUT, the author’s grasp of human emotion/interaction and her ability to explicate the nuances with clarity is brilliant. That fact alone keeps interested and pulls me forward.

Ah! I’ve been there too!

Sierra

This is a very well written blog, and the advice is good for teaching people how to get their points across. However, my problem is not that I can’t tell good from bad; apparently I’m quite good at assessing the quality of other authors’ writing and helping them iprove it. My problem is that though I love writing and am proud of my plot lines and characters, I don’t have a way with words and I just can’t write. Does anyone have any advice on how to make things WORK once you have everything planned out, or am I doomed to the life of an author who can’t write? That sounded really dismal.

Beckie

How do really know your writing is bad? If you’ve got a plot that you love, characters that are filled with layers and truth, set them free! Turn off those negative thoughts and just run with it. Write your story through to the end. If you believe in what you’ve got so far then let it lead you. You will surprise yourself. You proved with your post above that you can convey feeling, let your characters have their voice. Take a deep breath and jump/write!! Best of luck and courageous hugs!

Thanks, Beckie. Well said!

My guess is that your way with words isn’t as bad as you think. I didn’t have any trouble understanding what you wrote. However, if you want to strengthen your skills in vocabulary, word choice, and sentence structure, there are two things you can do: read as much as possible and engage with poetry. Pick up an introductory book on poetry and you’ll learn tons of techniques in this area (which you can apply to fiction and nonfiction). This one can be expensive but it’s worth every penny: Perrine’s Sound and Sense . Good luck to you!

Thank you, both you and Beckie. That’s really good advice. 🙂 I’ll try to be more positive.

Yes! Keep your chin up and stick with it.

Tina Ridgway

In my estimation, for what it’s worth, you write very well. You were clear and concise. I understood the points you were trying to convey. You even allowed a bit of your personality to shine through with self deprecation. Don’t be so hard on yourself, if you wish to be a writer then you should write. I am learning that for one to write compelling characters , one must be well acquainted with the characters they are creating. I am working on fleshing out some characters who are too one dimensional. Life is not black and white. I am trying to write in between the lines in gray. Good luck with your writing.

Paul Atreides

I’ve been perusing your site all morning. I’ve found some terrific tips, some very well-thought common sense approaches to working through difficulties in writing. And as soon as I push the submit button on this I’ll be subscribing!

Though I’ve been published and produced, I find myself in an almost constant state of questioning even the most basic ability to write. On the one hand, a local critic stated “proves he can write” and “there’s a simplicity in the writing that is quite refreshing.” On the other hand, I face a writer’s group (all women) each week who continually tell me my writing is sorely lacking because there aren’t enough issues (conflicts) in any given piece and therefore the characters do not exhibit enough “emotional levels.” Facing this type of weekly demolition has made me think I need to go back to doing what I used to do (before I became unemployed!): write for my own enjoyment and forget about any further publishing.

Where can one go to determine if there is even the slightest bit of talent worth further pursuit? I don’t mean a full-on critique of a piece, but a simple “I’d give it up if I were you.” or “This [writing] shows promise, keep learning and keep writing.”

Melissa McCann

Hmmm, Paul, possibly find a few dudes for your critiques? Also, are the women published? Have good reviews themselves? Read widely in your genre? Men and women do sometimes have widely varying ideas of what makes a good story. You may be writing good, solid, plot-driven adventures (I don’t know–maybe you’re into steamy historical romance) that don’t rely on a lot of emotional nuance. I’d look for beta-readers who understand what you are trying to accomplish.

Or take the girls with a big grain of salt and use what seems to deepen your own writing while recognizing that women’s brains are different. We have bizarre and incomprehensible ideas about relationships and whatnot. I read an interesting theory from the creators of the Dramatica Pro story outlining software about how a “masculine” character (or story) is about getting from point A to Point Z while overcoming every obstacle in between whereas a feminine character (or story) is about getting everything into balance and restoring chaos to equilibrium. Both perfectly fine stories. (I prefer the masculine-type storylines myself).

Post those good reviews and read ’em every day. I have some really nice rejections that I savor whenever I’m feeling inadequate.

Thanks, Melissa!

Two of the ladies have been published but have no reviews of their work. All have complimented the basic plot lines. Their big complaint would seem to fall into the theory from Dramatica Pro you mention; they are looking for every female character to make absolute sense to them strictly within their belief structure of how the characters should/must react to a particular situation. Otherwise, they give solid line-edit critiques and they do point out the occassional hole in content.

None of them read within my genre – if I even have one, that is. I’d classify my novels as “budscapades” (you like my mash-up moniker?) – in other words the main characters are male (female characters do show up along the way) and they are definitely plot driven stories. In entering the Amazon Breakout Book Award Contest, I classified the novel as “bromantic comedy” (plenty of action for guys with a hint of romance for women).

Both your suggestions are solid. I’m sticking with the ladies but will weigh their critiques carefully before implementation and I’ll have to find some men who can show the same amount of weekly dedication to the process.

Thanks, Paul! I think that critique groups can be immensely beneficial, but I also think that each writer has to decide which feedback to apply and which to discard. Objectively, there’s good writing and bad writing, but subjectively, we all have our opinions and preferences. I guess you have to decide whether you want to step up the emotional levels in your characters and add more conflict or if you want to keep your work minimalist.

Here’s what matters: once you do publish, unless you are looking for awards and accolades, the trick is really to find your audience. And there is an audience for everything (as popular culture demonstrates). You might also take a hard look at what the others in your writing group are producing and ask whether this group is a good match to your writing style and needs. You can also ask one of the women in the group to work more closely with you to bring those emotional levels up, if you think you’d like to stretch yourself and experiment a little.

Final word of advice: do not give up on writing or publishing. Forge ahead! You might even look for a creative writing class or workshop — you’ll get a broader range of feedback.

And thank you, Melissa (not Melissa-me, Melissa-you) for putting some analysis into the question of what makes good writing. I get so frustrated with the “Good writing is subjective; it’s just what you like or don’t like,” crowd. The more you study writing, the more you begin to see the difference between good vs bad.

The difficulty, I suppose, is because writing is as complex as any other language. It’s too complex to learn by having the rules explained to us by helpful parents, “Now dear, this is a verb. It always goes after the subject. Is it time to make a poo-poo?” We learn the rules of spoken language by hearing it at a time when our brains are primed and programmed to take it in. Many people don’t start learning to read or write until after that language window is closed. Those of us who learned to read at the same time we were learning to talk have an advantage.

Yes, I’d have to agree that the younger we are when we are taught to read and write, the more naturally it comes. There is much about writing that is subjective, but I believe there is plenty that can be assessed critically and objectively: grammar, spelling, and punctuation, for starters.

David L Scurlock

i tell every mother about my baby can read…they agree and then dont get it for their child..

Matt S.

I have to admit, I share a lot of the insecurities that I have read in the comments here. I’m pretty young and new to the game, and I’m worried that even if I somehow finish this idea that I have (non-fiction) I wont be taken seriously given my lack of a college degree. I have this internal conflict raging in my subconscious, so much so that I’m starting to have dreams about it. Do I go ahead and share my thoughts with others or should I keep them to myself?

It doesn’t help that I have a fear of failure, I suppose. Writing is where I clarify my ideas and feelings, and I’m afraid that my work will be ripped apart by people that dislike it or dismiss my thoughts, mostly because I’ll take it as them dismantling my soul. Does anyone else feel this way?

As I’m writing this I’m slowly realizing that I think that what I need is a little encouragement from people that don’t know me. Man, writing is awesome!

Even if you have a degree, people can still rip your ideas apart. I believe strongly in the value of higher education, but I also know (for a fact) there are plenty of folks with degrees who lack common sense or good hearts. And there are plenty of bright people with good hearts and common sense who do not have degrees. Then again, if you’re that torn up about not having a degree, why not just go get one?

Having said all that, I think you can simply shift your focus. Most of the best writers in the literary canon did not have degrees. Many did not even finish high school. Of your favorite authors, how many have BAs or MAs? Do you know? Do you care? (I don’t.)

As for failure, everyone’s afraid of it. I don’t think we’re meant to eliminate the fear. It’s more a matter of moving forward even though we are afraid. I would say that if you publish a book, some people are not going to like it. That’s just the way it is. So what? Focus your attention and energy on all the people who do like it. If you work hard and write, and put it out there (and do your marketing), you’ll find your audience. Embrace them, and don’t worry so much about everybody else. Good luck to you!

never worry about what anyone says…if someone takes the time for a a scathing review instead of just chucking it in the trash, then you must have struck a chord with that person…all publicity is good publicity…people will want to find out what made this reviewer so angry/….if they are intelligent…

Tony Vanderwarker

Writing well is the price of admission. But beyond the basics is where it gets squishy. Eudora Welty said something like “You’re only writing when you surprise yourself”. What does that mean? You write until you discover.

I don’t know–I would say you’re only writing when you’re putting words on the page. Surprises and discoveries are bonuses in the writing process for me. Maybe it’s because I write a lot of nonfiction, which isn’t full of discovery or surprise the way fiction is.

Sally Ember, Ed.D.

Great article. I’m going to link to it on Reddit!

i think another goal of writing is to use the fewest words possible to convey an idea…similies and metaphors fill this bill…but simple truth sticks with people especially when it is a parable for something much more meaningful.

I think that’s a good goal, although it’s not every writer’s goal. I love clear, simple language, but there are exceptions when I come across a poem or story that is dripping with rich language.

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The Basic Characteristics of Effective Writing

Why Good Grammar Alone Does Not Make a Good Writer

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Experiences in school leave some people with the impression that good writing simply means writing that contains no bad mistakes—that is, no errors of grammar , punctuation  or spelling . However, good writing is much more than just correct writing. Good writing responds to the interests and needs of its intended audience and at the same time, reflects the writer's personality and individuality (the author's voice).

Good writing is often as much the result of practice and hard work as it is talent. You may be encouraged to know that the ability to write well is not necessarily a gift that some people are born with, nor a privilege extended to only a few. If you're willing to put in the effort, you can improve your writing.

Rules for Professional and Academic Writing

When writing term papers or essays for school, or should you go on to a career as a professional writer—be it as a technical writer, journalist, copywriter, or speechwriter—if follow you these established rules for effective writing, you should be able to excel, or at least perform competently for any given assignment:

  • Good writing has a clearly defined purpose .
  • It makes a definite point .
  • It supports that point with specific information.
  • The information is clearly connected and arranged .
  • The words are appropriate, and the sentences are concise , emphatic , and correct .

Use Good Grammar, Spelling, and Punctuation

While having a grasp on proper grammar, spelling, and punctuation won't make you a good writer, these basics are more essential to academic and professional writing than most other genres (although advertising is often a curious hybrid of creative and non-fiction writing).

Your Part in a Conversation

The trick to creating academic or professional writing that someone will actually want to read is to balance the aforementioned essentials with your own voice. Think of your writing, no matter how academic as your part in a conversation . Your job is to explain the information you're trying to convey in a way that's clear and easily understood. (Sometimes, it helps to imagine you're talking rather than writing.)

Creative and Nonfiction Writing

Of course, if there were only one kind of writing, it would be easier to come up with an overarching set of conventions to define what good writing is, however, non-fiction alone encompasses a wide array of genres and formats and what works for one doesn't necessarily fly with another. Now, when you add poetry , fiction (in its myriad genres and subgenres), personal essays , playwriting, blogging, podcasting, and screenwriting (to name but a few) to the mix, it's almost impossible to come up with a one-size-fits-all umbrella that covers what makes writing good—or bad.

Separating Good Writing From Bad

One of the main reasons it's so hard to separate good writing from bad writing when it comes to disciplines such as fiction, poetry, or plays, is that the definition of what's "good" is often subjective, and that subjectivity is a matter of personal taste. People generally know what they like and what they don't like—but that doesn't necessarily mean the writing we don't like is "bad" writing.

Whale of a Tale

Let's just choose one famous piece of literature as an example: Herman Melville's 1851 novel "Moby Dick," a cautionary allegory of obsession and revenge that pits man against nature. While there's no arguing that the novel is considered a classic of American literature and is filled with its fair share of fascinating characters, Melville's narrative clocks in at over 200,000 words and nearly 600 pages (depending on the edition). When you consider that the average novel runs between 60,000 and 90,000 words, in terms of length alone, Melville's tale of the whale is a whopper.

But Not for Everyone

Unfortunately for many reading the book, the experience is much akin to being a sailor during a whaling-era sea voyage in which you went for days on end going through the routine, tedious, mundane, redundant tasks required to keep the ship going, with the exciting parts of the journey few and far between. Unless you're fascinated by page after page relating to all things whaling, reading "Moby Dick" can be a chore. Does that make it a "bad" book? Obviously not, it's just not a good book for everyone.

Famous Writers on Writing

Most professional writers—those gifted people who make writing look easy—will be the first ones to tell you that often it's not easy at all, nor is there a right way or wrong way to go about it:

Ernest Hemingway: "There is no rule on how to write. Sometimes it comes easily and perfectly: sometimes it's like drilling rock and then blasting it out with charges."

Stephen King: “If you want to be a writer, you must do two things above all others: read a lot and write a lot. There’s no way around these two things that I’m aware of, no shortcut.”

Paddy Chayefsky: "If I have anything to say to young writers, it's stop thinking of writing as art. Think of it as work. It's hard physical work. You keep saying, 'No, that's wrong, I can do it better.' "

Isaac Bashevis Singer: "One is never happy. If a writer is too happy with his writing, something is wrong with him. A real writer always feels as if he hasn't done enough. This is the reason he has the ambition to rewrite, to publish things, and so on. The bad writers are very happy with what they do. They always seem surprised about how good they are. I would say that a real writer sees that he missed a lot of opportunities."

Sinclair Lewis: "Writing is just work—there's no secret. If you dictate or use a pen or type or write with your toes—it's still just work."

Ray Bradbury: "Any man who keeps working is not a failure. He may not be a great writer, but if he applies the old-fashioned virtues of hard, constant labor, he’ll eventually make some kind of career for himself as writer."

Harlan Ellison: "People on the outside think there’s something magical about writing, that you go up in the attic at midnight and cast the bones and come down in the morning with a story, but it isn’t like that. You sit in back of the typewriter and you work, and that’s all there is to it."

Writing Rarely Comes Easily

As you can see, writing rarely comes easily to anyone—even the most accomplished writers. Don't lose heart. If you want to be a better writer, you're going to have to put in the work. Not everything you write is going to be great or even good, but the more you write the better your skills will become. Learning the basics and continuing to practice will help you gain confidence.

Master the Basics, and Learn to Enjoy It

Eventually, you'll not only be a better writer—you might actually enjoy writing. Just as a musician cannot deliver an inspired performance without first learning the rudiments of the craft and studying technique, once you've mastered the basics of writing, you'll be ready to let inspiration and imagination take you almost anywhere you wish to go.

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What is an essay?

Aldous Huxley described an essay as “A literary device for saying almost everything about almost anything”.

What is an Essay?

An essay is a piece of writing that revolves around a particular theme and contains the academic opinions of the person writing it.

An essay can perform one or more of the following functions:

  • Analyses and critically evaluates a topic
  • Presents the writer‘s argument for or against an idea
  • Describes something
  • Narrates a story
  • Persuades the reader

What is an essay?

Also, Read 6 Types of Essay

Characteristics of a Good Essay

  • Brevity: Express what you want concisely. Do not beat around the bush.
  • Coherence: Every sentence and paragraph should flow smoothly and logically from the previous one. A clumsily written essay reflects not only the lack of preparation but also the absence of clarity of thought.
  • Unity: The essay should never stray from its main purpose. Different points of view can be introduced, but they should all be used for the same subject.
  • Lucidity: The essay should be easy to read and understand. Using tough words or difficult phrases may impress a few but can confuse many others. Great writers are praised not only for their beautiful ideas but also for the simplicity of their language.

Also, Read Top 10 Essay Examples

The objective of Essay Writing

Essay writing often forms a part of English written exams to test the ability of students to

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  • Think critically: Critical thinking involves understanding the task at hand and evaluating it appropriately.
  • Structure the ideas logically: The essay has to be structured and coherent. The ideas have to neatly flow from one paragraph to the other.
  • Express views eloquently: The student should be fluent in the language he or she is writing in. Ideas when presented shoddily may not make the right impact.

Parts of an Essay

Introduction.

It constitutes the opening paragraph of the essay.

  • It helps the reader get oriented with the topic.
  • It states the purpose of the essay.
  • It captures the interest of the reader.
  • It presents the general idea of the essay.
  • It often ends with the thesis or the main idea of the essay.

Body (Supporting Paragraphs)

They constitute the supporting sentences and ideas.

  • They provide the reader with additional details about the main idea.
  • They support the thesis of the writer.
  • There is no fixed number of supporting paragraphs.
  • Ideally, every supporting paragraph should contain a different idea.

It constitutes the ending paragraph(s) of the essay.

  • It ties up loose ends of the paragraph.
  • It helps in reiterating or highlighting the main idea.
  • It summarises all the arguments.
  • It brings the essay to a logical close.
  • It never ends in detail.

Also, Read Short Essay Examples

Tips for Writing an Essay

Preparation.

  • Read: The more you read, the better you get. Reading essays will give you the inspiration to write. It will fill you with knowledge that you can use to enrich your writing.
  • Write: Practise writing essays. This will give you the necessary confidence that you require during the exams. Writing also sharpens your thought process preparing you to deal with essay questions with much ease.

1. Think about the idea given in the title or the prompt.

  • What type of essay will be appropriate?
  • What could be the main ideas?
  • How to write the introduction, the body and the conclusion?
  • Write all the ideas.

2. Structure your essay.

  • Create an outline of your essay.
  • Do not use more than two sentences for the introduction and conclusion, respectively.
  • Therefore, it is important to plan your essay before instead of writing spontaneously.
  • Arrange the ideas in chronological order if you are attempting a narrative essay.
  • Arrange them in increasing order of importance while attempting a descriptive or expository essay.
  • Remember to conclude the essay.

3. Use a consistent tense form while writing the essay.

4. Express clearly.

5. Be original in your ideas. Don‘t be afraid to think out of the box.

6. Use your own memories or your experiences to add to the essay.

7. Recheck for any grammatical errors after finishing the essay.

Also, Read Summarizing an Essay

Example of Essay

My native place.

My parents hail from a small village in Kerala which is nestled among mountains in a scenic district of the state. Every year, I visit my native place with my family. It is a trip that I look forward to all year. My father books the ticket two months in advance as it is difficult to procure reservations on short notice. Although I have lived in the city all my life, I feel that I never belonged to it. I have always felt at home in the quaint mountain village that is far removed from the hustle and bustle of city life.

It takes us 18 hours by train to reach the railway station that is closest to my village. The journey is usually gruelling in the summers but very pleasant in the winters and in the monsoons. We plan our trip in the summer months since we get a two-month vacation in April. In order to beat the heat, we travel by air-conditioned coaches every year. We board the train at noon and we reach our destination at 6 am the next day.

The morning air is heavy with the scent of flowers and wet foliage. The temple bells start ringing at 6:30 am and the sound of bhajans fills the air. The village is only a 20-minute rickshaw ride away from the station. When we enter my grandmother‘s house, we are welcomed by her diminutive figure holding a lamp.

According to her, it is auspicious to welcome loved ones by lighting the lamp at the altar of God. The moment we set foot into the house, we are filled with a sense of nostalgia and love. After a sumptuous yet simple breakfast, we relax with our family in the courtyard.

The cool mountain air is laden with scents of the rustic countryside. From afar, we hear the sounds of birds. My sister and I make paper boats and run to the little babbling brook that flows southwards. We set the boats on the water and watch them bob up and down. Far away from the world of video games and television, we seek fun in a world of simplicity.

The house itself has a personality. Simple, two-storeyed, made of stone walls and a thatched roof, the house is an old friend who warmly embraces you every time you meet. The rooms are small but well-maintained. On the ground floor is a room that my grandmother uses for storing condiments and grains. It is illuminated with a single light bulb and an old-fashioned lock-and-key style door. In its corner is a small bed.

The calming silence of the room soothes my ears and transports me into a magical place. I feel weightless. The smell of spices envelops me. On many occasions, I have spent hours sprawled on that bed reading a book or listening to music. If I ever have to pick a favourite place, then I have no doubt this would be it.

When twilight descends on the little hamlet, large clusters of stars start appearing in the sky. Such a sight is never seen in the city as the lights obscure the stars that appear in the sky. My grandmother lights the lamp again and we all gather around her to say our evening prayers. After enjoying her simple, rustic yet delicious meal, we retire for the night.

Sometimes when I am upset, I think of my quaint little house in the village, my grandmother‘s warm embrace, and the small room that smells of spices. They immediately help me put my worries away and bring a smile to my face.

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What Makes a Good Essay?

By stephanie whetstone.

The deadline for this year’s Princeton Writes Prize Staff Essay Contest has been set (March 1, 2020)! We hope you are already hard at work polishing your prose, but in case you are struggling to get started, let’s consider what makes a “good” essay.

Dictionary.com defines the essay as “a short literary composition on a particular theme or subject, usually in prose and generally analytic, speculative, or interpretative.” This leaves a lot of room for creativity. For a personal essay, focus on the personal part. Why are you writing about this subject? Why now? How does your experience connect with your audience’s? A personal essay is not self-indulgent; rather, it is a means of connecting with others through the common experience of being human.

characteristics of good essay writing

The winners of the Princeton Writes Prize have written about New South, travels in Japan, a timeworn stone step, and a dining room table. None of these subjects is inherently gripping, but they became so when connected to the writer’s thoughtful, heartfelt experience.

Write as specifically as you can about what is important to you, what excites you, what connects you to the world, or what you can’t seem to get off your mind. So how do you start? Think about your purpose: is it to entertain, to explain, to argue, to compare, or to reveal? It can also be a combination of these things.

At Princeton, we are lucky to have one of the great essay writers of our time, John McPhee, on faculty. In his wonderful essay, “Searching for Marvin Gardens,” McPhee has a few stories going at once: the “real time” experience of playing monopoly with a friend, his walk through the streets of Atlantic City, the history of the creation of the game of Monopoly, and a commentary about the economic and social realities of the time in which the essay was written. It begins:

“Go. I roll the dice—a six and a two. Through the air I move my token, the flatiron, to Vermont Avenue, where dog packs range.

“The dogs are moving (some are limping) through ruins, rubble, fire dam­age, open garbage. Doorways are gone. Lath is visible in the crumbling walls of the buildings. The street sparkles with shattered glass. I have never seen, anywhere, so many broken windows. A sign—”Slow, Children at Play”—has been bent backward by an automobile. At the farmhouse, the dogs turn up Pacific and disappear.”

The primary action puts the reader immediately into the world the writer has created and follows “characters” through a plot. The connecting paragraphs provide context and place the experience in the broader world. You may want to tell your story straight through or, like McPhee, stray from a linear structure—not just beginning, middle, end—moving back and forth in time.

Begin your story at the last possible moment you can without losing important information. If you are writing about the birth of a child, for example, you might want to start in the hospital in the midst of labor, rather than months before.

To shift in time, make sure you have an object or experience to “trigger” the shift, such as McPhee’s dogs. You need not be as accomplished as he to write your own essay, but reading his work and the work of other writers can provide guidance and inspiration.

Remember that an essay is a story, so even though it is nonfiction, it will benefit from the elements of a story: characters, plot, setting, dialogue, point of view, and tone. Is your story funny, sad, contemplative, nostalgic, magical, or a combination of these?

Your job as a writer is to help the reader imagine what you see in your mind’s eye. That requires sensory detail. Be sure to write about sounds, sights, smells, textures, and tastes. Remember, too, that your work will be read by a wide audience, so you need to determine how much of yourself and your intimate experience you are comfortable sharing.

Another great Princeton writer, Joyce Carol Oates, writes with exquisite sensory detail in her essay, “They All Just Went Away.”

“To push open a door into such silence: the absolute emptiness of a house whose occupants have departed. Often, the crack of broken glass underfoot. A startled buzzing of flies, hornets. The slithering, ticklish sensation of a garter snake crawling across floorboards.

“Left behind, as if in haste, were remnants of a lost household. A broken toy on the floor, a baby’s bottle. A rain-soaked sofa, looking as if it had been gutted with a hunter’s skilled knife. Strips of wallpaper like shredded skin. Smashed crockery, piles of tin cans; soda, beer, whiskey bottles. An icebox, its door yawning open. Once, on a counter, a dirt-stiffened rag that, unfolded like precious cloth, revealed itself to be a woman’s cheaply glamorous “see-through” blouse, threaded with glitter-strips of gold.”

No matter what you choose to write about, forgive your first draft if it’s terrible. You will improve it in the editing. And finally, read each draft aloud: tell the story first to yourself.

Happy writing!

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  • How to Write Dazzlingly Brilliant Essays: Sharp Advice for Ambitious Students

characteristics of good essay writing

Rachel McCombie, a graduate of St John’s College, Oxford, shares actionable tips on taking your essays from “Good” to “Outstanding.”

For ambitious students, essays are a chance to showcase academic flair, demonstrate original thinking and impress with advanced written English skills.

The best students relish the challenge of writing essays because they’re a chance to exercise academic research skills and construct interesting arguments. Essays allow you to demonstrate your knowledge, understanding and intelligence in a creative and relatively unrestricted way – provided you keep within the word count! But when lots of other people are answering the same essay question as you, how do you make yours stand out from the crowd? In this article, we’re going to show you the secret of writing a truly brilliant essay.

What are essays actually for?

Before we get into the nitty gritty of how to write an outstanding essay, we need to go right back to basics and think about what essays are actually designed to test. Only by understanding the purpose of an essay can you really begin to understand what it is that tutors are looking for when they read your work. No matter what the academic level of the student is, essays are designed to test many things: – Knowledge – fundamentally, essays test and help consolidate what you’ve read and learned, making them an important part of the learning process, particularly for humanities subjects. –  Comprehension – they test your ability to make sense of and clearly explain complex concepts and issues. – They test your ability to understand the question and produce a considered response to it. – They evaluate your ability to absorb and condense information from a variety of sources , which will probably mean covering a lot of material in a short space of time; this necessitates appraisal of which bits of material are relevant and which are not. – They test your ability to write a balanced and coherent argument that considers a number of points of view. – They showcase your level of written English skills. – They even put your time management to the test – essays are a part of your workload that must be planned, prioritised and delivered to a high standard, to deadline.

Characteristics of the perfect essay

Now that we know why we’re asked to write essays, what are the characteristics that define the essays that impress? The tutors marking your essays may have their own preferences and things they look for in outstanding essays, but let’s take a look at a few of the irrefutable traits of the best.

Original thinking

The hallmark of the truly brilliant essay is original thinking. That doesn’t have to mean coming up with an entirely new theory; most of, if not all, the topics you’ll be studying at GCSE , A-level or even undergraduate level have been thought about in so much depth and by so many people that virtually every possible angle will have been thought of already. But what it does mean is that the essay stands out from those of other students in that it goes beyond the obvious and takes an original approach – perhaps approaching the topic from a different angle, coming up with a different hypothesis from what you’ve been discussing in class, or introducing new evidence and intelligent insights from material not included on the reading list.

Solid, in-depth knowledge and understanding

It goes without saying that the brilliant essay should demonstrate a strong knowledge of the facts, and not just knowledge but sound comprehension of the concepts or issues being discussed and why they matter. The perfect essay demonstrates an ability to deploy relevant facts and use them to form the basis of an argument or hypothesis. It covers a wide range of material and considers every point of view, confidently making use of and quoting from a variety of sources.

Clear structure with intelligent debate

The perfect essay provides a coherent discussion of both sides of the story, developing a balanced argument throughout, and with a conclusion that weighs up the evidence you’ve covered and perhaps provides your own intelligent opinion on how the topic should be interpreted based on the evidence covered.

No superfluous information

Everything written in the perfect essay serves a purpose – to inform and persuade. There’s no rambling or going off at tangents – it sticks to the point and doesn’t waste the reader’s time. This goes back to our earlier point about sorting the relevant facts from the irrelevant material; including material that isn’t relevant shows that you’ve not quite grasped the real heart of the matter.

Exceptional English

The words in the perfect essay flow effortlessly, and the reader feels in safe hands. Sentences need never be read more than once to be understood, and each follows logically on from the next, with no random jumping about from topic to topic from one paragraph to the next. Spelling and grammar are flawless, with no careless typos. So how do you go about writing this mythical Perfect Essay? Read on to find out!

Put in extra background work

Committed students always read beyond what the reading list tells them to read. Guaranteed to impress, wide reading gives you deeper knowledge than your peers and gives you the extra knowledge and insights you need to make your essay stand out. If you’re studying English, for example, don’t just read the set text! Here are some ideas to widen your reading and give you a good range of impressive quotes to include in your essay: – Other works by the same author – how do they compare with your set text? – Works by contemporary authors – does your set text fit into a wider movement, or is it very different from what was being written at the time? – Works by the author’s predecessors – what works inspired the author of your set text? How do you see them shining through in the text you’re studying, and how have they been developed? – Literary criticism – gauge the range of opinions about your set text by reading what the literary critics have to say. Whose opinion do you most agree with, and why? – Background history – so that you can appreciate and refer to the context in which the author was writing (we’ll come back to this last point a little later). It sounds like a lot of extra work, but you don’t necessarily have to read everything in full. It’s fine to dip into these other resources providing you don’t inadvertently take points out of context.

Know what you want to say before you start writing

You’re probably sick of hearing this particular piece of advice, but it’s important to start out with a clear idea in your mind of what you want to say in your essay and how you will structure your arguments. The easiest way to do this is to write an essay plan. This needn’t be a big deal, or time-consuming; all you need to do is to open a new document on your computer, type out the ideas you want to cover and drag and drop them into a logical order. From there, you simply start typing your essay directly into the plan itself. Your essay should include an introduction, a series of paragraphs that develop an argument rather than just jumping from topic to topic, and a conclusion that weighs up the evidence.

Answer the question you’ve been set, not the question you want to answer

A common problem with students’ responses to essays is that rather than answering the question they’ve been set , they try to mould the question to what they’d prefer to write about, because that’s what they feel most comfortable with. Be very careful not to do this! You could end up writing a brilliant essay, but if didn’t actually answer the question then it’s not going to be well received by the person marking it.

Give a balanced argument…

Good essays give both sides of an argument, presenting information impartially and considering multiple points of view. One-sided arguments won’t impress, as you need to show that you’ve thought about the evidence comprehensively.

…but your opinion and interpretation matter too

Show that you’ve made your own mind up based on your weighing up of the evidence. This shows that you’re not just hiding behind what other people say about the topic, but that you’ve had the independence of mind to form your own intelligent opinion about it.

Quote liberally

Use quotations from academic works and sources to back up points you want to make. Doing so strengthens your argument by providing evidence for your statements, as well as demonstrating that you’ve read widely around your subject. However, don’t go too far and write an essay that’s essentially just a list of what other people say about the subject. Quoting too much suggests that you don’t have the confidence or knowledge to explain things in your own words, so have to hide behind those of other people. Make your own mind up about what you’re writing about – as already mentioned, it’s fine to state your own opinion if you’ve considered the arguments and presented the evidence.

Context matters

As we’ve already touched on, if you can demonstrate knowledge of the context of the subject you’re writing about, this will show that you’ve considered possible historical influences that may have shaped a work or issue. This shows that you haven’t simply taken the essay question at face value and demonstrates your ability to think beyond the obvious. An ability to look at the wider picture marks you out as an exceptional student, as many people can’t see the wood for the trees and have a very narrow focus when it comes to writing essays. If you’re an English student, for instance, an author’s work should be considered not in isolation but in the context of the historical events and thinking that helped define the period in which the author was writing. You can’t write about Blake’s poetry without some knowledge and discussion of background events such as the Industrial Revolution, and the development of the Romantic movement as a whole.

Include images and diagrams

You know what they say – a picture speaks a thousand words. What matters in an essay is effective and persuasive communication, and if a picture or diagram will help support a point you’re making, include it. As well as helping to communicate, visuals also make your essay more enjoyable to read for the person marking it – and if they enjoy reading it, the chances are you’ll get better marks! Don’t forget to ensure that you include credits for any images and diagrams you include.

Use full academic citations and a bibliography

Show you mean business by including a full set of academic citations, with a bibliography at the end, even if you haven’t been told to. The great thing about this is that it not only makes you look organised and scholarly, but it also gives you the opportunity to show off just how many extra texts you’ve studied to produce your masterpiece of an essay! Make use of the footnote feature in your word processor and include citations at the bottom of each page, with a main bibliography at the end of the essay. There are different accepted forms for citing an academic reference, but the main thing to remember is to pick one format and be consistent. Typically the citation will include the title and author of the work, the date of publication and the page number(s) of the point or quotation you’re referring to. Here’s an example: 1. Curta, F. (2007) – “Some remarks on ethnicity in medieval archaeology” in Early Medieval Europe 15 (2), pp. 159-185

Before you ask, no, a spell check isn’t good enough! How many times have you typed “form” instead of “from”? That’s just one of a huge number of errors that spell check would simply miss. Your English should be impeccable if you want to be taken seriously, and that means clear and intelligent sentence structures, no misplaced apostrophes, no typos and no grammar crimes. Include your name at the top of each page of your essay, and number the pages. Also, make sure you use a font that’s easy to read, such as Times New Roman or Arial. The person marking your essay won’t appreciate having to struggle through reading a fancy Gothic font, even if it does happen to match the Gothic literature you’re studying!

Meet the deadline

You don’t need us to tell you that, but for the sake of being comprehensive, we’re including it anyway. You could write the best essay ever, but if you deliver it late, it won’t be looked upon favourably! Don’t leave writing your essay until the last minute – start writing with plenty of time to spare, and ideally leave time to sleep on it before you submit it. Allowing time for it to sink in may result in you having a sudden brilliant revelation that you want to include. So there we have it – everything you need to know in order to write an essay to impress. If you want to get ahead, you might also want to think about attending an English summer school .

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Writing a great essay

This resource covers key considerations when writing an essay.

While reading a student’s essay, markers will ask themselves questions such as:

  • Does this essay directly address the set task?
  • Does it present a strong, supported position?
  • Does it use relevant sources appropriately?
  • Is the expression clear, and the style appropriate?
  • Is the essay organised coherently? Is there a clear introduction, body and conclusion?

You can use these questions to reflect on your own writing. Here are six top tips to help you address these criteria.

1. Analyse the question

Student essays are responses to specific questions. As an essay must address the question directly, your first step should be to analyse the question. Make sure you know exactly what is being asked of you.

Generally, essay questions contain three component parts:

  • Content terms: Key concepts that are specific to the task
  • Limiting terms: The scope that the topic focuses on
  • Directive terms: What you need to do in relation to the content, e.g. discuss, analyse, define, compare, evaluate.

Look at the following essay question:

Discuss the importance of light in Gothic architecture.
  • Content terms: Gothic architecture
  • Limiting terms: the importance of light. If you discussed some other feature of Gothic architecture, for example spires or arches, you would be deviating from what is required. This essay question is limited to a discussion of light. Likewise, it asks you to write about the importance of light – not, for example, to discuss how light enters Gothic churches.
  • Directive term: discuss. This term asks you to take a broad approach to the variety of ways in which light may be important for Gothic architecture. You should introduce and consider different ideas and opinions that you have met in academic literature on this topic, citing them appropriately .

For a more complex question, you can highlight the key words and break it down into a series of sub-questions to make sure you answer all parts of the task. Consider the following question (from Arts):

To what extent can the American Revolution be understood as a revolution ‘from below’? Why did working people become involved and with what aims in mind?

The key words here are American Revolution and revolution ‘from below’. This is a view that you would need to respond to in this essay. This response must focus on the aims and motivations of working people in the revolution, as stated in the second question.

2. Define your argument

As you plan and prepare to write the essay, you must consider what your argument is going to be. This means taking an informed position or point of view on the topic presented in the question, then defining and presenting a specific argument.

Consider these two argument statements:

The architectural use of light in Gothic cathedrals physically embodied the significance of light in medieval theology.
In the Gothic cathedral of Cologne, light served to accentuate the authority and ritual centrality of the priest.

Statements like these define an essay’s argument. They give coherence by providing an overarching theme and position towards which the entire essay is directed.

3. Use evidence, reasoning and scholarship

To convince your audience of your argument, you must use evidence and reasoning, which involves referring to and evaluating relevant scholarship.

  • Evidence provides concrete information to support your claim. It typically consists of specific examples, facts, quotations, statistics and illustrations.
  • Reasoning connects the evidence to your argument. Rather than citing evidence like a shopping list, you need to evaluate the evidence and show how it supports your argument.
  • Scholarship is used to show how your argument relates to what has been written on the topic (citing specific works). Scholarship can be used as part of your evidence and reasoning to support your argument.

4. Organise a coherent essay

An essay has three basic components - introduction, body and conclusion.

The purpose of an introduction is to introduce your essay. It typically presents information in the following order:

  • A general statement about the topic that provides context for your argument
  • A thesis statement showing your argument. You can use explicit lead-ins, such as ‘This essay argues that...’
  • A ‘road map’ of the essay, telling the reader how it is going to present and develop your argument.

Example introduction

"To what extent can the American Revolution be understood as a revolution ‘from below’? Why did working people become involved and with what aims in mind?"

Introduction*

Historians generally concentrate on the twenty-year period between 1763 and 1783 as the period which constitutes the American Revolution [This sentence sets the general context of the period] . However, when considering the involvement of working people, or people from below, in the revolution it is important to make a distinction between the pre-revolutionary period 1763-1774 and the revolutionary period 1774-1788, marked by the establishment of the continental Congress(1) [This sentence defines the key term from below and gives more context to the argument that follows] . This paper will argue that the nature and aims of the actions of working people are difficult to assess as it changed according to each phase [This is the thesis statement] . The pre-revolutionary period was characterised by opposition to Britain’s authority. During this period the aims and actions of the working people were more conservative as they responded to grievances related to taxes and scarce land, issues which directly affected them. However, examination of activities such as the organisation of crowd action and town meetings, pamphlet writing, formal communications to Britain of American grievances and physical action in the streets, demonstrates that their aims and actions became more revolutionary after 1775 [These sentences give the ‘road map’ or overview of the content of the essay] .

The body of the essay develops and elaborates your argument. It does this by presenting a reasoned case supported by evidence from relevant scholarship. Its shape corresponds to the overview that you provided in your introduction.

The body of your essay should be written in paragraphs. Each body paragraph should develop one main idea that supports your argument. To learn how to structure a paragraph, look at the page developing clarity and focus in academic writing .

Your conclusion should not offer any new material. Your evidence and argumentation should have been made clear to the reader in the body of the essay.

Use the conclusion to briefly restate the main argumentative position and provide a short summary of the themes discussed. In addition, also consider telling your reader:

  • What the significance of your findings, or the implications of your conclusion, might be
  • Whether there are other factors which need to be looked at, but which were outside the scope of the essay
  • How your topic links to the wider context (‘bigger picture’) in your discipline.

Do not simply repeat yourself in this section. A conclusion which merely summarises is repetitive and reduces the impact of your paper.

Example conclusion

Conclusion*.

Although, to a large extent, the working class were mainly those in the forefront of crowd action and they also led the revolts against wealthy plantation farmers, the American Revolution was not a class struggle [This is a statement of the concluding position of the essay]. Working people participated because the issues directly affected them – the threat posed by powerful landowners and the tyranny Britain represented. Whereas the aims and actions of the working classes were more concerned with resistance to British rule during the pre-revolutionary period, they became more revolutionary in nature after 1775 when the tension with Britain escalated [These sentences restate the key argument]. With this shift, a change in ideas occurred. In terms of considering the Revolution as a whole range of activities such as organising riots, communicating to Britain, attendance at town hall meetings and pamphlet writing, a difficulty emerges in that all classes were involved. Therefore, it is impossible to assess the extent to which a single group such as working people contributed to the American Revolution [These sentences give final thoughts on the topic].

5. Write clearly

An essay that makes good, evidence-supported points will only receive a high grade if it is written clearly. Clarity is produced through careful revision and editing, which can turn a good essay into an excellent one.

When you edit your essay, try to view it with fresh eyes – almost as if someone else had written it.

Ask yourself the following questions:

Overall structure

  • Have you clearly stated your argument in your introduction?
  • Does the actual structure correspond to the ‘road map’ set out in your introduction?
  • Have you clearly indicated how your main points support your argument?
  • Have you clearly signposted the transitions between each of your main points for your reader?
  • Does each paragraph introduce one main idea?
  • Does every sentence in the paragraph support that main idea?
  • Does each paragraph display relevant evidence and reasoning?
  • Does each paragraph logically follow on from the one before it?
  • Is each sentence grammatically complete?
  • Is the spelling correct?
  • Is the link between sentences clear to your readers?
  • Have you avoided redundancy and repetition?

See more about editing on our  editing your writing page.

6. Cite sources and evidence

Finally, check your citations to make sure that they are accurate and complete. Some faculties require you to use a specific citation style (e.g. APA) while others may allow you to choose a preferred one. Whatever style you use, you must follow its guidelines correctly and consistently. You can use Recite, the University of Melbourne style guide, to check your citations.

Further resources

  • Germov, J. (2011). Get great marks for your essays, reports and presentations (3rd ed.). NSW: Allen and Unwin.
  • Using English for Academic Purposes: A guide for students in Higher Education [online]. Retrieved January 2020 from http://www.uefap.com
  • Williams, J.M. & Colomb, G. G. (2010) Style: Lessons in clarity and grace. 10th ed. New York: Longman.

* Example introduction and conclusion adapted from a student paper.

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How to Write an Essay

Use the links below to jump directly to any section of this guide:

Essay Writing Fundamentals

How to prepare to write an essay, how to edit an essay, how to share and publish your essays, how to get essay writing help, how to find essay writing inspiration, resources for teaching essay writing.

Essays, short prose compositions on a particular theme or topic, are the bread and butter of academic life. You write them in class, for homework, and on standardized tests to show what you know. Unlike other kinds of academic writing (like the research paper) and creative writing (like short stories and poems), essays allow you to develop your original thoughts on a prompt or question. Essays come in many varieties: they can be expository (fleshing out an idea or claim), descriptive, (explaining a person, place, or thing), narrative (relating a personal experience), or persuasive (attempting to win over a reader). This guide is a collection of dozens of links about academic essay writing that we have researched, categorized, and annotated in order to help you improve your essay writing. 

Essays are different from other forms of writing; in turn, there are different kinds of essays. This section contains general resources for getting to know the essay and its variants. These resources introduce and define the essay as a genre, and will teach you what to expect from essay-based assessments.

Purdue OWL Online Writing Lab

One of the most trusted academic writing sites, Purdue OWL provides a concise introduction to the four most common types of academic essays.

"The Essay: History and Definition" (ThoughtCo)

This snappy article from ThoughtCo talks about the origins of the essay and different kinds of essays you might be asked to write. 

"What Is An Essay?" Video Lecture (Coursera)

The University of California at Irvine's free video lecture, available on Coursera, tells  you everything you need to know about the essay.

Wikipedia Article on the "Essay"

Wikipedia's article on the essay is comprehensive, providing both English-language and global perspectives on the essay form. Learn about the essay's history, forms, and styles.

"Understanding College and Academic Writing" (Aims Online Writing Lab)

This list of common academic writing assignments (including types of essay prompts) will help you know what to expect from essay-based assessments.

Before you start writing your essay, you need to figure out who you're writing for (audience), what you're writing about (topic/theme), and what you're going to say (argument and thesis). This section contains links to handouts, chapters, videos and more to help you prepare to write an essay.

How to Identify Your Audience

"Audience" (Univ. of North Carolina Writing Center)

This handout provides questions you can ask yourself to determine the audience for an academic writing assignment. It also suggests strategies for fitting your paper to your intended audience.

"Purpose, Audience, Tone, and Content" (Univ. of Minnesota Libraries)

This extensive book chapter from Writing for Success , available online through Minnesota Libraries Publishing, is followed by exercises to try out your new pre-writing skills.

"Determining Audience" (Aims Online Writing Lab)

This guide from a community college's writing center shows you how to know your audience, and how to incorporate that knowledge in your thesis statement.

"Know Your Audience" ( Paper Rater Blog)

This short blog post uses examples to show how implied audiences for essays differ. It reminds you to think of your instructor as an observer, who will know only the information you pass along.

How to Choose a Theme or Topic

"Research Tutorial: Developing Your Topic" (YouTube)

Take a look at this short video tutorial from the University of North Carolina at Chapel Hill to understand the basics of developing a writing topic.

"How to Choose a Paper Topic" (WikiHow)

This simple, step-by-step guide (with pictures!) walks you through choosing a paper topic. It starts with a detailed description of brainstorming and ends with strategies to refine your broad topic.

"How to Read an Assignment: Moving From Assignment to Topic" (Harvard College Writing Center)

Did your teacher give you a prompt or other instructions? This guide helps you understand the relationship between an essay assignment and your essay's topic.

"Guidelines for Choosing a Topic" (CliffsNotes)

This study guide from CliffsNotes both discusses how to choose a topic and makes a useful distinction between "topic" and "thesis."

How to Come Up with an Argument

"Argument" (Univ. of North Carolina Writing Center)

Not sure what "argument" means in the context of academic writing? This page from the University of North Carolina is a good place to start.

"The Essay Guide: Finding an Argument" (Study Hub)

This handout explains why it's important to have an argument when beginning your essay, and provides tools to help you choose a viable argument.

"Writing a Thesis and Making an Argument" (University of Iowa)

This page from the University of Iowa's Writing Center contains exercises through which you can develop and refine your argument and thesis statement.

"Developing a Thesis" (Harvard College Writing Center)

This page from Harvard's Writing Center collates some helpful dos and don'ts of argumentative writing, from steps in constructing a thesis to avoiding vague and confrontational thesis statements.

"Suggestions for Developing Argumentative Essays" (Berkeley Student Learning Center)

This page offers concrete suggestions for each stage of the essay writing process, from topic selection to drafting and editing. 

How to Outline your Essay

"Outlines" (Univ. of North Carolina at Chapel Hill via YouTube)

This short video tutorial from the University of North Carolina at Chapel Hill shows how to group your ideas into paragraphs or sections to begin the outlining process.

"Essay Outline" (Univ. of Washington Tacoma)

This two-page handout by a university professor simply defines the parts of an essay and then organizes them into an example outline.

"Types of Outlines and Samples" (Purdue OWL Online Writing Lab)

Purdue OWL gives examples of diverse outline strategies on this page, including the alphanumeric, full sentence, and decimal styles. 

"Outlining" (Harvard College Writing Center)

Once you have an argument, according to this handout, there are only three steps in the outline process: generalizing, ordering, and putting it all together. Then you're ready to write!

"Writing Essays" (Plymouth Univ.)

This packet, part of Plymouth University's Learning Development series, contains descriptions and diagrams relating to the outlining process.

"How to Write A Good Argumentative Essay: Logical Structure" (Criticalthinkingtutorials.com via YouTube)

This longer video tutorial gives an overview of how to structure your essay in order to support your argument or thesis. It is part of a longer course on academic writing hosted on Udemy.

Now that you've chosen and refined your topic and created an outline, use these resources to complete the writing process. Most essays contain introductions (which articulate your thesis statement), body paragraphs, and conclusions. Transitions facilitate the flow from one paragraph to the next so that support for your thesis builds throughout the essay. Sources and citations show where you got the evidence to support your thesis, which ensures that you avoid plagiarism. 

How to Write an Introduction

"Introductions" (Univ. of North Carolina Writing Center)

This page identifies the role of the introduction in any successful paper, suggests strategies for writing introductions, and warns against less effective introductions.

"How to Write A Good Introduction" (Michigan State Writing Center)

Beginning with the most common missteps in writing introductions, this guide condenses the essentials of introduction composition into seven points.

"The Introductory Paragraph" (ThoughtCo)

This blog post from academic advisor and college enrollment counselor Grace Fleming focuses on ways to grab your reader's attention at the beginning of your essay.

"Introductions and Conclusions" (Univ. of Toronto)

This guide from the University of Toronto gives advice that applies to writing both introductions and conclusions, including dos and don'ts.

"How to Write Better Essays: No One Does Introductions Properly" ( The Guardian )

This news article interviews UK professors on student essay writing; they point to introductions as the area that needs the most improvement.

How to Write a Thesis Statement

"Writing an Effective Thesis Statement" (YouTube)

This short, simple video tutorial from a college composition instructor at Tulsa Community College explains what a thesis statement is and what it does. 

"Thesis Statement: Four Steps to a Great Essay" (YouTube)

This fantastic tutorial walks you through drafting a thesis, using an essay prompt on Nathaniel Hawthorne's The Scarlet Letter as an example.

"How to Write a Thesis Statement" (WikiHow)

This step-by-step guide (with pictures!) walks you through coming up with, writing, and editing a thesis statement. It invites you think of your statement as a "working thesis" that can change.

"How to Write a Thesis Statement" (Univ. of Indiana Bloomington)

Ask yourself the questions on this page, part of Indiana Bloomington's Writing Tutorial Services, when you're writing and refining your thesis statement.

"Writing Tips: Thesis Statements" (Univ. of Illinois Center for Writing Studies)

This page gives plentiful examples of good to great thesis statements, and offers questions to ask yourself when formulating a thesis statement.

How to Write Body Paragraphs

"Body Paragraph" (Brightstorm)

This module of a free online course introduces you to the components of a body paragraph. These include the topic sentence, information, evidence, and analysis.

"Strong Body Paragraphs" (Washington Univ.)

This handout from Washington's Writing and Research Center offers in-depth descriptions of the parts of a successful body paragraph.

"Guide to Paragraph Structure" (Deakin Univ.)

This handout is notable for color-coding example body paragraphs to help you identify the functions various sentences perform.

"Writing Body Paragraphs" (Univ. of Minnesota Libraries)

The exercises in this section of Writing for Success  will help you practice writing good body paragraphs. It includes guidance on selecting primary support for your thesis.

"The Writing Process—Body Paragraphs" (Aims Online Writing Lab)

The information and exercises on this page will familiarize you with outlining and writing body paragraphs, and includes links to more information on topic sentences and transitions.

"The Five-Paragraph Essay" (ThoughtCo)

This blog post discusses body paragraphs in the context of one of the most common academic essay types in secondary schools.

How to Use Transitions

"Transitions" (Univ. of North Carolina Writing Center)

This page from the University of North Carolina at Chapel Hill explains what a transition is, and how to know if you need to improve your transitions.

"Using Transitions Effectively" (Washington Univ.)

This handout defines transitions, offers tips for using them, and contains a useful list of common transitional words and phrases grouped by function.

"Transitions" (Aims Online Writing Lab)

This page compares paragraphs without transitions to paragraphs with transitions, and in doing so shows how important these connective words and phrases are.

"Transitions in Academic Essays" (Scribbr)

This page lists four techniques that will help you make sure your reader follows your train of thought, including grouping similar information and using transition words.

"Transitions" (El Paso Community College)

This handout shows example transitions within paragraphs for context, and explains how transitions improve your essay's flow and voice.

"Make Your Paragraphs Flow to Improve Writing" (ThoughtCo)

This blog post, another from academic advisor and college enrollment counselor Grace Fleming, talks about transitions and other strategies to improve your essay's overall flow.

"Transition Words" (smartwords.org)

This handy word bank will help you find transition words when you're feeling stuck. It's grouped by the transition's function, whether that is to show agreement, opposition, condition, or consequence.

How to Write a Conclusion

"Parts of An Essay: Conclusions" (Brightstorm)

This module of a free online course explains how to conclude an academic essay. It suggests thinking about the "3Rs": return to hook, restate your thesis, and relate to the reader.

"Essay Conclusions" (Univ. of Maryland University College)

This overview of the academic essay conclusion contains helpful examples and links to further resources for writing good conclusions.

"How to End An Essay" (WikiHow)

This step-by-step guide (with pictures!) by an English Ph.D. walks you through writing a conclusion, from brainstorming to ending with a flourish.

"Ending the Essay: Conclusions" (Harvard College Writing Center)

This page collates useful strategies for writing an effective conclusion, and reminds you to "close the discussion without closing it off" to further conversation.

How to Include Sources and Citations

"Research and Citation Resources" (Purdue OWL Online Writing Lab)

Purdue OWL streamlines information about the three most common referencing styles (MLA, Chicago, and APA) and provides examples of how to cite different resources in each system.

EasyBib: Free Bibliography Generator

This online tool allows you to input information about your source and automatically generate citations in any style. Be sure to select your resource type before clicking the "cite it" button.

CitationMachine

Like EasyBib, this online tool allows you to input information about your source and automatically generate citations in any style. 

Modern Language Association Handbook (MLA)

Here, you'll find the definitive and up-to-date record of MLA referencing rules. Order through the link above, or check to see if your library has a copy.

Chicago Manual of Style

Here, you'll find the definitive and up-to-date record of Chicago referencing rules. You can take a look at the table of contents, then choose to subscribe or start a free trial.

How to Avoid Plagiarism

"What is Plagiarism?" (plagiarism.org)

This nonprofit website contains numerous resources for identifying and avoiding plagiarism, and reminds you that even common activities like copying images from another website to your own site may constitute plagiarism.

"Plagiarism" (University of Oxford)

This interactive page from the University of Oxford helps you check for plagiarism in your work, making it clear how to avoid citing another person's work without full acknowledgement.

"Avoiding Plagiarism" (MIT Comparative Media Studies)

This quick guide explains what plagiarism is, what its consequences are, and how to avoid it. It starts by defining three words—quotation, paraphrase, and summary—that all constitute citation.

"Harvard Guide to Using Sources" (Harvard Extension School)

This comprehensive website from Harvard brings together articles, videos, and handouts about referencing, citation, and plagiarism. 

Grammarly contains tons of helpful grammar and writing resources, including a free tool to automatically scan your essay to check for close affinities to published work. 

Noplag is another popular online tool that automatically scans your essay to check for signs of plagiarism. Simply copy and paste your essay into the box and click "start checking."

Once you've written your essay, you'll want to edit (improve content), proofread (check for spelling and grammar mistakes), and finalize your work until you're ready to hand it in. This section brings together tips and resources for navigating the editing process. 

"Writing a First Draft" (Academic Help)

This is an introduction to the drafting process from the site Academic Help, with tips for getting your ideas on paper before editing begins.

"Editing and Proofreading" (Univ. of North Carolina Writing Center)

This page provides general strategies for revising your writing. They've intentionally left seven errors in the handout, to give you practice in spotting them.

"How to Proofread Effectively" (ThoughtCo)

This article from ThoughtCo, along with those linked at the bottom, help describe common mistakes to check for when proofreading.

"7 Simple Edits That Make Your Writing 100% More Powerful" (SmartBlogger)

This blog post emphasizes the importance of powerful, concise language, and reminds you that even your personal writing heroes create clunky first drafts.

"Editing Tips for Effective Writing" (Univ. of Pennsylvania)

On this page from Penn's International Relations department, you'll find tips for effective prose, errors to watch out for, and reminders about formatting.

"Editing the Essay" (Harvard College Writing Center)

This article, the first of two parts, gives you applicable strategies for the editing process. It suggests reading your essay aloud, removing any jargon, and being unafraid to remove even "dazzling" sentences that don't belong.

"Guide to Editing and Proofreading" (Oxford Learning Institute)

This handout from Oxford covers the basics of editing and proofreading, and reminds you that neither task should be rushed. 

In addition to plagiarism-checkers, Grammarly has a plug-in for your web browser that checks your writing for common mistakes.

After you've prepared, written, and edited your essay, you might want to share it outside the classroom. This section alerts you to print and web opportunities to share your essays with the wider world, from online writing communities and blogs to published journals geared toward young writers.

Sharing Your Essays Online

Go Teen Writers

Go Teen Writers is an online community for writers aged 13 - 19. It was founded by Stephanie Morrill, an author of contemporary young adult novels. 

Tumblr is a blogging website where you can share your writing and interact with other writers online. It's easy to add photos, links, audio, and video components.

Writersky provides an online platform for publishing and reading other youth writers' work. Its current content is mostly devoted to fiction.

Publishing Your Essays Online

This teen literary journal publishes in print, on the web, and (more frequently), on a blog. It is committed to ensuring that "teens see their authentic experience reflected on its pages."

The Matador Review

This youth writing platform celebrates "alternative," unconventional writing. The link above will take you directly to the site's "submissions" page.

Teen Ink has a website, monthly newsprint magazine, and quarterly poetry magazine promoting the work of young writers.

The largest online reading platform, Wattpad enables you to publish your work and read others' work. Its inline commenting feature allows you to share thoughts as you read along.

Publishing Your Essays in Print

Canvas Teen Literary Journal

This quarterly literary magazine is published for young writers by young writers. They accept many kinds of writing, including essays.

The Claremont Review

This biannual international magazine, first published in 1992, publishes poetry, essays, and short stories from writers aged 13 - 19.

Skipping Stones

This young writers magazine, founded in 1988, celebrates themes relating to ecological and cultural diversity. It publishes poems, photos, articles, and stories.

The Telling Room

This nonprofit writing center based in Maine publishes children's work on their website and in book form. The link above directs you to the site's submissions page.

Essay Contests

Scholastic Arts and Writing Awards

This prestigious international writing contest for students in grades 7 - 12 has been committed to "supporting the future of creativity since 1923."

Society of Professional Journalists High School Essay Contest

An annual essay contest on the theme of journalism and media, the Society of Professional Journalists High School Essay Contest awards scholarships up to $1,000.

National YoungArts Foundation

Here, you'll find information on a government-sponsored writing competition for writers aged 15 - 18. The foundation welcomes submissions of creative nonfiction, novels, scripts, poetry, short story and spoken word.

Signet Classics Student Scholarship Essay Contest

With prompts on a different literary work each year, this competition from Signet Classics awards college scholarships up to $1,000.

"The Ultimate Guide to High School Essay Contests" (CollegeVine)

See this handy guide from CollegeVine for a list of more competitions you can enter with your academic essay, from the National Council of Teachers of English Achievement Awards to the National High School Essay Contest by the U.S. Institute of Peace.

Whether you're struggling to write academic essays or you think you're a pro, there are workshops and online tools that can help you become an even better writer. Even the most seasoned writers encounter writer's block, so be proactive and look through our curated list of resources to combat this common frustration.

Online Essay-writing Classes and Workshops

"Getting Started with Essay Writing" (Coursera)

Coursera offers lots of free, high-quality online classes taught by college professors. Here's one example, taught by instructors from the University of California Irvine.

"Writing and English" (Brightstorm)

Brightstorm's free video lectures are easy to navigate by topic. This unit on the parts of an essay features content on the essay hook, thesis, supporting evidence, and more.

"How to Write an Essay" (EdX)

EdX is another open online university course website with several two- to five-week courses on the essay. This one is geared toward English language learners.

Writer's Digest University

This renowned writers' website offers online workshops and interactive tutorials. The courses offered cover everything from how to get started through how to get published.

Writing.com

Signing up for this online writer's community gives you access to helpful resources as well as an international community of writers.

How to Overcome Writer's Block

"Symptoms and Cures for Writer's Block" (Purdue OWL)

Purdue OWL offers a list of signs you might have writer's block, along with ways to overcome it. Consider trying out some "invention strategies" or ways to curb writing anxiety.

"Overcoming Writer's Block: Three Tips" ( The Guardian )

These tips, geared toward academic writing specifically, are practical and effective. The authors advocate setting realistic goals, creating dedicated writing time, and participating in social writing.

"Writing Tips: Strategies for Overcoming Writer's Block" (Univ. of Illinois)

This page from the University of Illinois at Urbana-Champaign's Center for Writing Studies acquaints you with strategies that do and do not work to overcome writer's block.

"Writer's Block" (Univ. of Toronto)

Ask yourself the questions on this page; if the answer is "yes," try out some of the article's strategies. Each question is accompanied by at least two possible solutions.

If you have essays to write but are short on ideas, this section's links to prompts, example student essays, and celebrated essays by professional writers might help. You'll find writing prompts from a variety of sources, student essays to inspire you, and a number of essay writing collections.

Essay Writing Prompts

"50 Argumentative Essay Topics" (ThoughtCo)

Take a look at this list and the others ThoughtCo has curated for different kinds of essays. As the author notes, "a number of these topics are controversial and that's the point."

"401 Prompts for Argumentative Writing" ( New York Times )

This list (and the linked lists to persuasive and narrative writing prompts), besides being impressive in length, is put together by actual high school English teachers.

"SAT Sample Essay Prompts" (College Board)

If you're a student in the U.S., your classroom essay prompts are likely modeled on the prompts in U.S. college entrance exams. Take a look at these official examples from the SAT.

"Popular College Application Essay Topics" (Princeton Review)

This page from the Princeton Review dissects recent Common Application essay topics and discusses strategies for answering them.

Example Student Essays

"501 Writing Prompts" (DePaul Univ.)

This nearly 200-page packet, compiled by the LearningExpress Skill Builder in Focus Writing Team, is stuffed with writing prompts, example essays, and commentary.

"Topics in English" (Kibin)

Kibin is a for-pay essay help website, but its example essays (organized by topic) are available for free. You'll find essays on everything from  A Christmas Carol  to perseverance.

"Student Writing Models" (Thoughtful Learning)

Thoughtful Learning, a website that offers a variety of teaching materials, provides sample student essays on various topics and organizes them by grade level.

"Five-Paragraph Essay" (ThoughtCo)

In this blog post by a former professor of English and rhetoric, ThoughtCo brings together examples of five-paragraph essays and commentary on the form.

The Best Essay Writing Collections

The Best American Essays of the Century by Joyce Carol Oates (Amazon)

This collection of American essays spanning the twentieth century was compiled by award winning author and Princeton professor Joyce Carol Oates.

The Best American Essays 2017 by Leslie Jamison (Amazon)

Leslie Jamison, the celebrated author of essay collection  The Empathy Exams , collects recent, high-profile essays into a single volume.

The Art of the Personal Essay by Phillip Lopate (Amazon)

Documentary writer Phillip Lopate curates this historical overview of the personal essay's development, from the classical era to the present.

The White Album by Joan Didion (Amazon)

This seminal essay collection was authored by one of the most acclaimed personal essayists of all time, American journalist Joan Didion.

Consider the Lobster by David Foster Wallace (Amazon)

Read this famous essay collection by David Foster Wallace, who is known for his experimentation with the essay form. He pushed the boundaries of personal essay, reportage, and political polemic.

"50 Successful Harvard Application Essays" (Staff of the The Harvard Crimson )

If you're looking for examples of exceptional college application essays, this volume from Harvard's daily student newspaper is one of the best collections on the market.

Are you an instructor looking for the best resources for teaching essay writing? This section contains resources for developing in-class activities and student homework assignments. You'll find content from both well-known university writing centers and online writing labs.

Essay Writing Classroom Activities for Students

"In-class Writing Exercises" (Univ. of North Carolina Writing Center)

This page lists exercises related to brainstorming, organizing, drafting, and revising. It also contains suggestions for how to implement the suggested exercises.

"Teaching with Writing" (Univ. of Minnesota Center for Writing)

Instructions and encouragement for using "freewriting," one-minute papers, logbooks, and other write-to-learn activities in the classroom can be found here.

"Writing Worksheets" (Berkeley Student Learning Center)

Berkeley offers this bank of writing worksheets to use in class. They are nested under headings for "Prewriting," "Revision," "Research Papers" and more.

"Using Sources and Avoiding Plagiarism" (DePaul University)

Use these activities and worksheets from DePaul's Teaching Commons when instructing students on proper academic citation practices.

Essay Writing Homework Activities for Students

"Grammar and Punctuation Exercises" (Aims Online Writing Lab)

These five interactive online activities allow students to practice editing and proofreading. They'll hone their skills in correcting comma splices and run-ons, identifying fragments, using correct pronoun agreement, and comma usage.

"Student Interactives" (Read Write Think)

Read Write Think hosts interactive tools, games, and videos for developing writing skills. They can practice organizing and summarizing, writing poetry, and developing lines of inquiry and analysis.

This free website offers writing and grammar activities for all grade levels. The lessons are designed to be used both for large classes and smaller groups.

"Writing Activities and Lessons for Every Grade" (Education World)

Education World's page on writing activities and lessons links you to more free, online resources for learning how to "W.R.I.T.E.": write, revise, inform, think, and edit.

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19 August 2022

What are the key elements of a good essay?

It’s likely you’ll have to write many essays throughout your time at uni. While you may know generally what an essay is and how to write one, it’s important to keep improving your approach to research, writing and essay structure. There’s always areas in which you can improve.

Here, we’ve recapped some essay basics, as well as things that your assessor will be looking for. 

Essay basics

An essay is a piece of writing where you present your opinion, backed up by evidence, in response to a topic. This opinion is referred to as ‘your contention, position or thesis statement’. There are many different types of essays, but they have several common features to help you plan and complete them ­– if you follow these guidelines!

Essays commonly contain the following:

  • your point of view, supported by ideas, arguments and evidence
  • the summary and analysis of other writers’ research and opinions
  • a clear structure, including an introduction, body paragraphs and a conclusion
  • a reference list.

Always leave enough time to prepare for writing an essay: you will need to complete the required reading (both from your classes and wider sources), brainstorm keywords and concepts, decide on your point of view, and draft an outline of the contents of your paragraphs.

What your assessor is looking for

Always follow your specific task instructions and check your assessment rubric to confirm exactly what you are being asked to do.  Most commonly, these are the elements that your assessor will be looking for when they mark your essay.

  • You have answered the essay question directly.
  • You have met the assignment criteria.
  • You have drawn on readings and discussions from your weekly seminars and classes (your unit’s weekly topics should be your guide for all of your assessments).
  • You have provided a position on the topic and shown your understanding of it.
  • You have completed the set and recommended readings.
  • You have discussed and analysed sources, and formatted them in the required referencing style.
  • You have planned your essay so that is readable, clear and logically sequenced, with a distinct introduction, body and conclusion.
  • You have kept within the set word limit.

By following these guidelines, you will set yourself up to achieve the best that you can.

Could you use some help?

This is just a taste of the  Academic Skills Guide to Essay Writing . It contains information and resources on how to write an essay, including a  guide to paragraph structure , a  paragraph planner  and a handy explanation of the steps of the writing process. Have a read if you’re looking for detailed guidance about an aspect of essay writing, or about essays more generally.

We also have  Academic Skills Guides  about researching, referencing, oral presentations and preparing for End of Unit assessments.

And, if you’ve got more questions,  chat to a Writing Mentor ,  make an appointment with a Language and Learning Adviser  or check out  Deakin’s online tutoring service Smarthinking . The Study Support team love chatting about essays and they are ready to help you out.

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Smekens Education Solutions

Six Traits of Writing

The ultimate guide.

by Kristina Smekens

Kristina Smekens

Kristina Smekens

characteristics of good essay writing

Educational research states that all good writing includes six key ingredients:

  • organization.
  • word choice.
  • sentence fluency.
  • conventions.

These are the Six Traits of Writing.

But, as you’ve likely experienced, building stronger writers can seem overwhelming, regardless of the grade you teach. Every classroom includes a broad range of students at varying writing levels. As such, a canned writing curriculum will never meet the unique needs of every student.

That’s why our team believes so strongly in the 6 Writing Traits. It’s not a program. Instead, it is a framework that uses the six qualities of “good” writing to guide every lesson, assignment, and assessment.

If you want to learn what are the Six Traits of Writing, you’ve come to the right place! For nearly 20 years, we’ve been helping educators build stronger writers with the Six Traits. In this guide, you’ll find a comprehensive overview of the Six Traits of Writing. This includes suggestions for implementation in your own classroom.

Let’s get started!

Six Traits of Writing Ultimate Guide Download

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Table of Contents

PART 1: Get Acquainted with the Six Traits

PART 2: Get Started with the Six Traits

PART 3: Spiral through Trait-Based Lessons in Writing Units

PART 4: Provide Trait-Based Feedback

PART 5: Build Six-Traits Writing Rubrics

PART 6: Understand the Research Behind the Six Traits

PART 7: Implement the Six Traits School-Wide

PART 8: Acquire Six-Traits Tools & Resources

Get Acquainted with the Six Traits

What are the 6 traits of writing.

The Six Traits of Writing are rooted in more than 50 years of research . This research reveals that all “good” writing has six key ingredients—ideas, organization, voice, word choice, sentence fluency, and conventions.

These key components provide teachers and students with a common understanding for how to compose, revise, and assess all types of writing. They are inherent in well-written essays, reports, blogs, poems, videos, and other genres. And they make up the basis for what are the 6 traits of writing.

All 6 writing traits should be taught throughout grades K-12. They are evident within the products of our youngest writers through pictures, labels, lists, etc. In the upper grades, the traits can be found in all types of writing that occurs in English-language arts. When teachers utilize the Six-Traits language across the K-12 spectrum, it continuously reinforces what “good” writing is.

Many elementary educators have been tempted to divide the traits by grade level and teach only one trait per grade (e.g., First Grade: Ideas, Second Grade: Voice, etc.). But it’s important to bundle all six traits together so that each trait can be reinforced at every grade level. What changes at each grade is the complexity of the skills and the standards by which they are assessed.

As students master skills within each trait, introduce new skills such as:

  • point of view,
  • personification,

Even high school juniors and seniors can work toward mastery with new skills in each trait.

“Trait-based writing provides a common vocabulary for talking about writing.” – Ruth Culham

It’s important to recognize the 6 Writing Traits are not a program. They are simply six words, six characteristics, six ingredients inherent in strong writing. Therefore, this vocabulary integrates easily into any writing curriculum.

Let’s take a quick look at each of the 6 writing traits .

Light bulb

Trait of Ideas

Train

Trait of Organization

Smiling face

Trait of Voice

Arrow hitting bullseye

Trait of Word Choice

Phone

Trait of Sentence Fluency

Case

Trait of Conventions

Do the traits align with the standards.

Whether your state follows the Common Core or its own set of academic standards, the expectations for achievement in writing can be found in the Six Traits.

Six Traits of Writing - individual skill raindrop

The power of the traits in writing is that they offer a means of collectively grouping many skills together under one umbrella name. (All of the raindrop skills above fall under the Trait of Ideas.)

Six-Traits Umbrellas

While the Six Traits of Writing are inherently present in state and national standards and in all curriculums, it can take a critical eye to parse out individual sub skills and tie them to specific traits.

State Standards Organized by the Six Traits

Indiana 2023 Academic Standards color coded for the 6 Traits of Writing

Is “Presentation” the seventh writing trait?

The additional writing trait (6+1) addresses the presentation of the writing itself. In written pieces, this includes handwriting, penmanship, writing on a line, letter formation, and overall legibility. In digital products, it includes the use of typography, color, graphics, images, proportions, margins, white space, etc.

The trait of presentation deals with the overall visual appeal and look of the product.

Why is it called 6 + 1 and not 7 Traits of Writing?

Although the reader values the final look of the product, presentation does not weigh equally to the Six Traits. The Six Traits in writing identify the ingredients that impact the quality of the message. However, presentation doesn’t have the same impact on the message.

Oh, it’s true, the reader appreciates neat and legible writing. But, beautiful penmanship and a visually appealing layout, does not compensate for weak content.

The opposite is true, as well. A piece with an unusual font choice or a slideshow with distracting colors may give the reader a poor first impression. However, this does not reflect a writer’s ability. The content itself and the quality of that information are separate components.

Get Started with the Six Traits of Writing

How do i introduce the six traits to students, 1. be intentional.

Introduce Ideas

Introduce Organization

Introduce Voice

Introduce Word Choice

Introduce Sentence Fluency

Introduce Conventions

2. Be Consistent

Not only do you want to consider the pacing of your introduction but also the common thread. For example, when using a mentor text to introduce the Trait of Ideas, also use a mentor text to define each trait. If you use a song to introduce the first trait, you should use parallel songs to introduce all the other traits. A consistent or patterned approach to the introduction reminds students that the traits all work together.

3. Be Visual

Honor different learning styles. The more visual you can make your writing instruction, the more students you will reach. Consequently, introduce each trait verbally and visually with a purposeful graphic icon .

You can make your own icons, or you are welcome to download the Smekens Education Six-Traits Icons to get started right away. (TIP: When the entire school uses the same icons, students benefit from hearing the same trait language and seeing the same graphics from year to year.)

Six traits bulletin board

How do you teach the Six Traits of Writing?

The first days are spent introducing the six “umbrella” ingredients. However, the rest of the year is dedicated to teaching individual “raindrop” skills that fall under each trait and are required by the standards.

What to teach after introducing the Six Traits

Argumentative, persuasive, informative, and narrative writing all include the same 6 writing traits—but they each require different subskills. Remember, your yearlong writing instruction is not focused on “teaching the traits” but instead on teaching small skills within mini-lessons. The traits simply provide a way to organize those skills into logical order, with research-based categories.

  • Organization in persuasive/argumentative writing includes a What & Why structure. The introduction identifies the topic or issue and the writer’s opinion, claim, or stance on it. The middle paragraphs then develop the reasons and evidence to explain why.
  • Organization in how-to informative writing includes a chronological structure. The introduction identifies the topic or concept, and the body describes the individual steps to achieve it. (NOTE: There are many other genres and text structures for informative writing. This is just a single example.)
  • Organization in narrative writing includes a Who, What, & How structure. The beginning introduces the character (i.e., who), the middle reveals the problem (i.e., what), and the end explains how it was resolved.

Spiral through Trait Lessons in 6 Trait Writing Units

Skills to teach in a 6-traits mini-lesson, trait of ideas mini-lessons.

  • Knowledgeable writing topics
  • Writing for a purpose
  • Narrow topic
  • Details, development, & elaboration
  • Supporting ideas with examples
  • Develop plot, characters, setting
  • Trait of Organization mini-lessons

Pre-writing & planning

  • Beginning, middle, and end
  • Like ideas clumped together
  • Hook and ending components
  • Clear transitions
  • Sequential ideas

Trait of Voice mini-lessons

  • Writing to an audience
  • Reader-writer connection
  • Writer’s feelings about the topic
  • Voice expressed with type ( NO , !!!, yuck )
  • Shifting attitudes within a piece
  • Perspective

Trait of Word Choice mini-lessons

  • Specific nouns (right word, right spot)
  • Adjectives (descriptions, 5 senses)
  • Action verbs
  • Imagery (show, don’t tell)
  • Synonyms (varied word choice)

Trait of Sentence Fluency mini-lessons

  • Complete thoughts; complete sentences
  • Different sentence beginnings
  • Sentence types (.!? simple, compound, complex)
  • Varied sentence lengths
  • Readability; easy to read aloud
  • Figurative language

Trait of Conventions mini-lessons

  • Proper use of capital letters
  • Paragraph indents
  • Grammar & mechanics
  • Punctuation (,;—’…”)
  • Readable spelling
  • Word spacing and wrapping

Six-Traits Starter Lessons Download

Get Six Free Lessons

Organize your teacher resources by trait.

Since every writing skill falls under one of the Six Traits, it makes the most sense to organize your lesson materials and resources by trait—not by writing unit.

  • If you are looking to organize digital documents, then establish six folders on your computer—one per trait.
  • If you prefer organizing paper-based resources, create an old-fashioned filing system with six folders or a set of six three-ring binders. (We developed Six-Traits mini-lesson labels to adhere to the outside of expandable hanging file folders . Use the list of skills printed on the label as a guide for collecting and organizing trait-based mini-lessons.)

Regardless of the organizational method you choose, house individual lesson plans, resources, and writing samples within their broader trait categories for easy access.

How to deliver a Six-Traits mini-lesson

Best-practice mini-lesson instruction always contains four essential steps.

STEP 1: Introduction

Step 2: instruction.

More than just telling students what to do, this is when the teacher shares her expert thinking to reveal when, where, how, and why you do it. This personal journey of thoughts accompanies the teacher’s live demonstration of the skill . It’s the pre-planned, one-person monologue, where the expert captions every action being demonstrated. This added component reshapes this teacher-demonstrated portion to include I do, you watch and listen .

Model the skill while thinking aloud

To ensure efficient and effective  Think Alouds , apply these tips:

1. Announce lessons will include an I do portion. This is the time where the teacher demonstrates, and students watch and listen. (For those eager to share, remind them not to help you but to assess if they are thinking what you are thinking.)

2. Do not make eye contact with the students. Instead, look above them, beyond them, or through them. This reinforces that the I do is a one-person monologue.

3. Speak in the first person. Rather than questioning What could you do? speak about what I could do . Use only I, me, and my statements during a Think Aloud .

4. Plan out every Think Aloud. Although teachers know how to execute various writing skills, most don’t know how they know how to do it. They just do it!

Since the skill is so automatic, it requires teachers to slow down and carefully consider their thinking process before attempting to teach it to students. If the Think Aloud isn’t planned out ahead of time, it’s easy to overgeneralize the process and return to telling and cease truly teaching.

STEP 3: Interaction

Although this interaction step includes student participation, it’s important not to lose control. Rather than calling on individuals during the mini-lesson, engage all students with opportunities to think through the skill. Use code phrases like “Turn & Talk” and “Back to Me” to let students know when to pool their thinking with a peer and when to return their attention to instruction.

The challenge of getting every student involved in the learning is not a new one. The fact of the matter is, some students don’t have the desire, the confidence, or the skill set to actively participate collaboratively.

During our professional development for teachers, we have long encouraged the “Turn & Talk” strategy to engage students in peer collaboration as they respond to a question prompted by the teacher. However, this procedure needs to be taught, practiced, and fine-tuned.

STEP 4: Closure

Step 4 closes the mini-lesson and sets students up for a response activity. After the I do (Step 2) and the We do (Step 3), it’s time for the You do  (Step 4). Identify what you want students to do with the skill on their own. While writing today, I’d like you to. . .

Remember, the students don’t get better during the lesson—it’s after the lesson when they practice the skill that they improve their abilities. Consequently, keep the lesson short.

How do I make trait-based writing lessons more engaging?

Boost engagement with concrete triggers.

Increase student engagement during a Six-Traits mini-lesson by incorporating a trigger . Not only do visual aids add a level of energy and excitement, but they also help students remember the purpose and function of specific writing skills.

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The Power of Physical Triggers

For example, when teaching students to write about a narrow topic (or focused thesis statement), the goal is to show them how to go from a large, broad subject to something smaller, more finite. It’s all about shrinking the topic.

Everyday items that get smaller are Russian stacking dolls, Tupperware, and nesting boxes. Reveal one of those objects within the lesson to demonstrate how a large subject can be narrowed down to a smaller, more focused topic.

Integrate mentor text

Step 2 of a mini-lesson often includes revealing examples of the skill in action. Although workbooks and worksheets include examples, they are typically contrived and formulaic and lack the quality and sophistication of authentic sentences. Mentor text reveals the skill within real-world writing.

  • Consider sharing picture books with your students to demonstrate a specific trait. Even middle school and high school students enjoy picture books!
  • Look for excerpts from chapter books and novels that exemplify a specific writing skill.
  • Collect authentic text (e.g., newspaper articles, websites, cartoons, etc.) to show students that current trends in writing include the traits in writing.
  • Use student anchor papers to convey what “good” writing looks like for a specific assignment.

Lilly's Purple Plastic Purse excerpt

Do I teach a new skill every day?

No, you do not teach a new skill every day. You teach a mini-lesson every day, but the same skill will be taught across multiple days.

Teach one skill across 3+ days

characteristics of good essay writing

Mini-Lesson Planning Template

The first mini-lesson focused on studying the skill as a reader. Day 2 transitions to Try It as a writer. Instruction must include the teacher modeling how to return to a previous draft and insert the skill in context. This will again require Thinking Aloud during the lesson .

Provide Trait-Based Feedback

One of the most powerful aspects of the Six-Traits language is its application beyond instruction. Provide writers with clear feedback within formative assessments and daily conferences utilizing the same six ingredients of good writing.

How do I use the Six Traits to offer feedback?

Engage in trait-based writing conferences.

Literacy expert Carl Anderson has done extensive work in the area of writer conferencing. He claims that conferring with students is a teacher’s most crucial writer’s workshop role. This type of formative assessment reveals the skills students are mastering but also what they need next instructionally.

Conferring with students is nothing new, and most teachers agree on the benefits of conferencing. However, this facet of writing can often be grueling for teachers. It’s important to understand that there are different types of conferences that each serve a unique purpose.

Product Conferences

The notion of conferencing often includes a long, laborious meeting with one student at a time at a separate table or at the teacher’s desk. Such a conference is called a product conference as the teacher will spend 15-25 minutes with an individual student going over all parts of his piece.

The advantage of this meeting is that the teacher can point out numerous strengths and numerous areas for improvement in preparation for a final draft. While spending all this time with one student is powerful, the other 25 kids lack teacher feedback and support for a long time.

“We are not editors, but teachers. The goal of a conference is to help students become better writers.” – Carl Anderson

Process Conferences

Students need feedback during all stages of the writing process—not just during the final revision and editing stages . Unlike the longer product conference, a process conference lasts only a few minutes, and it can happen at any stage in the writing process. Teachers may sit down with students and talk about choosing a topic or discuss their pre-writing plan or give feedback as they draft a new piece or when they’re fine-tuning it.

Students would rather have a few minutes of teacher feedback regularly versus 20 minutes once a month. They need to be in touch with the teacher more often, but they do not necessarily need to be one-on-one. Leading a process conference with small groups of students allows more students to receive feedback more often.

Group process conferences allow teachers to touch base with more students each day and provide a critical, formative assessment of where students are and what they need next.

Provide students with compliments & comments

Build six-traits writing rubrics, build a kid-friendly six-traits writing rubric.

Often teachers draft a rubric on their own and then “go over” it with the kids. However, with this approach, students have little ownership and may not understand some of the rubric language.

Consequently, create a writing rubric with your students . Since the criteria and language are generated by the students, this ensures that it’s a kid-friendly assessment tool. Furthermore, this method honors the education research . Here’s the process for building a Six-Traits rubric with students:

  • HIGH: Work together to describe what each trait looks like within a “good” one.
  • MIDDLE: Then, consider a “pretty good” writing piece—one not as strong as the HIGH but not LOW either. This MIDDLE level must include parallel criteria described in the HIGH level.
  • LOW: Repeat this process describing the qualities and characteristics of a LOW-level product.

Kid-friendly writing rubric

Provide individualized feedback using the rubric

With a kid-friendly Six-Traits rubric, you can provide students with individualized feedback on their writing. But contrary to popular belief, providing precise feedback to student writers does not have to involve an all-encompassing critique with the red pen. After creating/updating the rubric with students, use this tool to do the majority of the work. Accompany each piece of writing with a copy of the rubric.

After creating/updating the rubric with students, use this tool to do the majority of the work. Accompany each piece of student writing with a copy of the rubric.

  • Instead of writing Add more detail or Fantastic verb choice in multiple places on the student’s draft, simply highlight those criteria within the rubric.
  • Next to the highlighted criteria, include specific words or paragraph numbers the comment pertains to.
  • Using the annotated rubric , students apply your customized comments and compliments in revision.

This approach helps teachers transition from simply fixing student writing to focus on building writers .

Use a Six-Traits writing rubric to assign grades

This same kid-friendly analytic Six-Traits rubric can be used to generate grades as well. However, it’s important to adhere to these three guiding principles :

1. NO ONE CAN FAIL ON THE RUBRIC. Students earn a failing grade if they do not attempt the assignment (i.e., do not turn it in). However, submitting a product must qualify them for at least a D-. If a weak attempt is valued the same as no attempt (i.e., failing), then many students stop trying. Therefore, the lowest score on the rubric, a Level 1, needs to be within a passing range (e.g., 60% or D-).

2. HONOR THOSE WHO GO BEYOND THE GOAL. Include at least one level that describes a product that knocks your socks off. Have an A level (Level 4), but then have an exceeding or A+ level (Level 5).

3. DON’T WEIGH TRAITS EQUALLY. Depending on the piece, different traits are emphasized. If students are only writing a first draft, then conventions would likely weigh less than the traits of ideas and organization.

However, in poetry, word choice and sentence fluency might be valued more. Identify the traits you want to score and the point value that coincides with where you spent your instructional time.

Convert Six-Traits rubric scores to a grade

How to use the six-traits rubric calculator:.

1. Identify which traits you want to score. 2. Determine the value you want to give each one 3. Read a student’s piece. 4. Click each individual trait score based on rubric criteria. 5. Click to calculate the earned grades, points, and percentage for your grade book.

Calculator icon

Six-Traits Rubric Calculator

How do the 6 traits of writing fit within state writing rubrics.

The power of the Six-Traits writing framework is its universal application to every grade level, writing genre, and student writing assessment. Although ideas, organization, voice, word choice, sentence fluency, and conventions are the essential traits that are embedded in all state and national testing rubrics , they are not necessarily labeled by those names.

Six Traits within state writing rubrics

Kentucky On-Demand Writing Rubrics ( Grade 5 , Grade 8 , Grade 11 )

Understand the Research Behind the Six Traits

Where did the traits come from.

In the 1960s, a researcher named Paul Diederich asked a group of professionals to identify what makes writing effective. He received hundreds of responses, ranging from strong metaphors to correct semicolons. But no one can remember hundreds of things simultaneously, so Diederich grouped the responses and found they fell within six categories.

In 1984, literacy expert Vicki Spandel led a team who replicated Diederich’s study. In the end, Spandel, curriculum experts at the Northwest Regional Education Laboratory, and willing teachers from Missoula, Montana and Beaverton, Oregon all settled on the same six ingredients.

Since that time, the research has been formally conducted a third time. Using an even wider variety of writing genres, including digital and online writings, Education Northwest has proven that the same six ingredients are still the core of “good” writing.

The Six Traits of Writing model is now used in all 50 of the United States as well as multiple countries around the world.

Traits Writing: The Gold Standard of Writing Instruction and Assessment

Scholastic Traits Writing

In order to know how to launch and execute a fluid Six-Traits model that is responsive to student needs, teachers need the support of ongoing professional development. After all, most teachers didn’t learn how to teach writing in college, making vague guidance from the language arts textbook a recipe for shallow writing instruction. Using professional development as a catalyst to school-wide implementation of the Six Traits involves a continued cycle of professional learning, practice, and collaboration.

Six-Traits Professional Learning

Initial professional learning on the Six Traits should focus on building a shared understanding of not only the six words, but more importantly, what the traits look like in all genres and at each developmental level (i.e., pictorial writing in grades PK-1 ).

Chances are, teachers are already using the traits in one form or another. (Remember, the traits are inherent characteristics of good writing. Consequently, teachers are already targeting many of these individual writing skills. They just aren’t taking advantage of the power and prioritization that comes from grouping them by the six words.)

With this in mind, the first focus of professional learning is to identify what teachers already know about good writing and marry it with the Six-Traits framework. Teachers will be put at ease when they realize they don’t have to abandon all that they are already doing.

After a baseline understanding has been established for teachers, the next step is to reveal strategies for introducing the trait language to students. It’s important for teachers to learn classroom-tested techniques. This includes how to use characters, picture books, graphic icons, songs, or a combination of these tools to launch an intentional introduction of the Six Traits. This sets the stage for a yearlong sequence of trait-based writing lessons tied to different modes and genres.

Professional learning can occur in many forms. But the more frequent and firsthand learning teachers experience, the better the chances that the Six-Traits framework will be implemented school-wide. There are several ways to engage entire staffs with Six-Traits professional learning:

1. Get the ball rolling with a book study that examines the foundations of the Six-Traits framework. Great starter titles include Ruth Culham’s books, 6+1 Traits of Writing: Primary Grades , 6+1 Traits of Writing: Grades 3 and Up , and Traits of Writing: The Complete Guide for Middle School .

Kristi McCullough Six Traits of Writing Mini-Lesson Modeling

4. After teachers have embedded the Six Traits into their writing lessons, assignments, and assessments, engage teams in instructional rounds. This activity allows educators to observe their colleagues deliver trait-based instruction and then collaborate afterward to offer feedback and encouragement.

5. Use PLC time to examine how the Six Traits are being implemented and how learning is ultimately being impacted. As learning gaps are identified throughout the school year, use professional learning tools such as Smekens Education’s webPD . This will provide teachers with innovative strategies to address specific writing weaknesses.

Acquire Six-Traits Tools & Resources

Identify your next steps.

Six Traits of Writing Online Workshops

View our Six-Traits on-demand workshops

Smekens website on laptop

Access free resources on the Learning Center

Six Traits bundle

Get Six-Traits classroom triggers, posters, & resources

Get the essential bundle of Six-Traits Smekens Originals—teacher-friendly resources to help you implement the Six Traits. This discounted bundle is a cost-effective way to embed trait language into your classroom environment and your instruction.

Six Traits Launch booklets

Get trait-based lessons & resources

Our best-selling resource,  Launching the Writer’s Workshop is packed with more than 50 explicit trait-based lessons and resources. Lessons will help you establish a writer’s workshop, introduce the traits, and target essential writing skills throughout the school year.

Final thoughts

Ready to Learn More?

characteristics of good essay writing

Four Cs of Effective Writing

characteristics of good essay writing

Four Cs of Effective Writing Podcast

Four cs of effective writing transcript.

Greetings everyone! This is Kurtis Clements with another effective writing podcast. In this episode, I am going to talk about the four Cs of effective writing.

When I was in my early twenties, I began sending out my writing, mostly short stories and poems, for publication consideration to magazines like the New Yorker and Atlantic Monthly. I sent out each piece with hopeful anticipation, and each and every piece was returned to me with a brief form reply basically saying, “Thanks, but no thanks.” My father, military-schooled with a bottom line way of thinking, suggested I show one of my professors my work and ask him how to “fix it.” What my father did not understand–and he is not alone–is that fixing a piece of writing is no easy task; in fact, there are so many variables to consider in a piece of writing that fixing one aspect of the piece may cause problems elsewhere. Fixing a piece of writing is not like fixing a car. If a brake light goes out, the bulb is replaced and the problem is fixed–it’s as easy as that. Writing doesn’t work this way.

So what’s a writer to do?

For starters, writers need to consider their audience and purpose. If you do not know who you are writing to and why, the writing is probably already doomed. You also need to learn to trust the writing process itself, for shaping content into meaning takes time. Beyond these concerns, you need to consider what constitutes good writing. To this end, I find it helpful to think about the hallmarks of effective writing, what I call the four Cs of effective writing. Effective writing is clear, complete, concise, and correct.

Good writing is clear. You need to express your thoughts in a way in which a reader will understand what you are trying to say, the point. Clear writing is specific. It is precise. Clear writing is using the best words you can find to convey meaning. It’s the difference, to paraphrase Mark Twain in a somewhat different context, between lightening and the lightening bug. As a writer, you need to ask yourself: Would my audience understand what I am trying to say?

To better understand my point (for I, too, must ask the same question mentioned above of my own work), consider the following anecdote. My first and most important writing mentor was my 6th grade English teacher Mrs. Walters. The Mrs. Walters in my memory had a warm smile, deep brown eyes, and a pair of green-framed glasses strung on a cord dangling around her neck. Pencils and pens kept her brown hair up in a bun. Mrs. Walters was passionate about writing. She was encouraging. One of her favorite sayings about writing, a tip that has stayed with me for over thirty years, was “to be terrific, you must be specific.” I have this saying written on an index card, tacked to the wall in front of where I work. While the saying may seem cutesy, the truth of the remark contains penetrating wisdom. It is something I remind myself of every time I write.

If I write, “My grandparents are getting old,” would you understand what I am trying to say? In a general way, perhaps, but in terms of communicating a specific meaning to an audience, my remark falls short, for it is not clear. What exactly do I mean by “old”? A more effective way to communicate my idea would require greater specificity in the words I use. In this case, if I write, “My grandparents are in their late eighties,” you would have a much better understanding of my meaning.

Clarity, however, moves beyond words and must be applied to paragraphs and, indeed, to the composition as a whole. What writers need to consider here is how the sentences are organized to form paragraphs, and how the paragraphs are organized to form an essay. If you were going to give me directions to your house, how would you organize the content? Would you start in the middle? The end? In all likelihood, you would arrange the directions by some kind of chronology or sequence. To give directions clearly, you would start at point A, proceed to point B, then on to C, and so forth. Right? You would use words such as start, proceed, and then (as I do in this example) so that the order of the content is logical—I, or anyone else, could follow the directions and reach the destination.

For the writing to be clear, you need to present your content in a manner that is easy for the reader to follow and, therefore, understand. You need to use words that help guide the reader through a paragraph so that the point you are making is understandable—it is clear. These guide words (also called transitional expressions) are the glue to your content; they are the words that help you give order to your writing.

Effective writing is also complete in that you develop your ideas for an audience. You need to take your time and develop your points so that they make sense to someone else. You need to prove that what you say is true and that takes time; depending on your purpose, you will need to use examples, details, facts, quotes, statistics, and testimony to give meaning to your ideas. Complete writing is sustained writing.

As a way to understand the idea of being complete in your writing, think about this: Imagine it is summer. Late July. In New Orleans. If I were to state that it is snowing outside, would you believe me? Probably not, right. After all, it is July in New Orleans and the likelihood of snow is nil. But even beyond this fact, a statement with no proof, no development, is just an assertion. And an assertion is incomplete in the sense that it lacks sustained development. But what if after I said it’s snowing out (remember, it’s July in New Orleans!), I said, “Yup, it’s snowing outside. I can see my next-door neighbor, Mr. Hibble, a slight man in his 70s, out in his driveway right now, shoveling. He’s wearing a light yellow hat and tan gloves. And here comes the snow plow—will you listen to that clatter!” If I said all of that, you would be convinced, right? How could you not be?

While the above example is an exaggeration, the point should be clear: When you express yourself in writing, you need to develop your thoughts completely, taking your time and developing your point with specific, concrete details and examples so that you communicate meaning to an audience. That’s the idea of being complete—show readers the snow!

The next of the four Cs of effective writing is the idea of being concise—of having your ideas understood quickly and easily. The idea of being concise, on the sentence level, is to use only the number of words necessary to convey meaning. Being concise does not suggest brevity; you do not want a lot of short, choppy sentences. If you need fifty words to say what you need to say, use fifty words. But if you can express the same idea with forty-four words, use forty-four words. Concise writing is tight writing.

Here are a couple of examples to help you understand. Here’s a sentence that’s a bit wordy:

Wordy: The people who are in my writing group help me improve my work.

Tighter: The people in my writing group help me improve my work.

Sometimes all you need to do is cut dead wood—words that are hollow and simply taking up space. Sometimes, though, you will need to overhaul the entire sentence. Listen:

Even Tighter: My writing group helps me improve my work. Did you hear the difference?

Let’s listen to another example:

Wordy: It is baldness which has caused men to search unceasingly for centuries to find a remedy that would cure their plight.

And here is the same sentence written more concisely: For centuries, men have searched for a remedy for baldness.

Being concise also applies to paragraphs and the composition as a whole. What the writer needs to think about in these contexts is whether or not the information included is needed. Concise writing is unified writing insofar as the content that is included is relevant and necessary. All the information in a paragraph must contribute to the idea the writer is trying to express; otherwise, the content is superfluous and the paragraph lacks unity.

The last of the four Cs concerns correctness. Effective writing is correct in that the writer has taken the time to ensure the writing is free from as many possible errors as possible—errors not only of grammar, usage, and mechanics, but also of format and content. As a writer trying to communicate meaning to an audience, it is your responsibility to check and recheck your document for errors. In terms of grammar, usage, and mechanics (or, GUM), you want to avoid major sentence errors. Such errors include

  • Subject-verb agreement
  • Pronoun reference agreement
  • Comma splice
  • Run-on (also called fused sentence)

These are “major” errors because they involve basic grammar and for most people, with a little practice, such errors can be conquered. (This topic might make for a good future podcast!)

Correct writing also requires that you verify facts to make sure your message is accurate. For example, if you are writing a reaction to an essay entitled “Black Men and Public Space” written by Brent Staples, and you refer to the author in your composition as Bret Staples or Brent Staple, then you have an error in fact—the correct spelling of the writer’s name. While this may seem minor, believe me, it is not, for this type of error will affect your credibility; if you don’t have credibility, then your audience will not take what you say seriously.

Whenever you are dealing with someone’s name, a title, a place, a date, and the like, you alone are responsible for recording that information accurately.

You must also proofread carefully, watching for typographical errors such as repeated words, wrong letters, omitted words.

You must watch out for homonym errors such as the following:

  • There, their, they’re
  • Too, to, two

Lastly, you must make sure that your paper is setup correctly and follows the formatting guidelines established for the course. What this likely means is that you will need to consult a good source for proper setup depending on whether your course uses APA, MLA, or some other style.

Writing requires attention and practice to keep skills sharp. It’s not enough just to put words on the page; indeed, you have to think about whether those words on the page add up to something that is clear, concise, complete, and correct. To this end, keep the four Cs of effective writing in mind when you compose.

Thanks for listening everyone. Happy writing.

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  • The four main types of essay | Quick guide with examples

The Four Main Types of Essay | Quick Guide with Examples

Published on September 4, 2020 by Jack Caulfield . Revised on July 23, 2023.

An essay is a focused piece of writing designed to inform or persuade. There are many different types of essay, but they are often defined in four categories: argumentative, expository, narrative, and descriptive essays.

Argumentative and expository essays are focused on conveying information and making clear points, while narrative and descriptive essays are about exercising creativity and writing in an interesting way. At university level, argumentative essays are the most common type. 

Essay type Skills tested Example prompt
Has the rise of the internet had a positive or negative impact on education?
Explain how the invention of the printing press changed European society in the 15th century.
Write about an experience where you learned something about yourself.
Describe an object that has sentimental value for you.

In high school and college, you will also often have to write textual analysis essays, which test your skills in close reading and interpretation.

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Table of contents

Argumentative essays, expository essays, narrative essays, descriptive essays, textual analysis essays, other interesting articles, frequently asked questions about types of essays.

An argumentative essay presents an extended, evidence-based argument. It requires a strong thesis statement —a clearly defined stance on your topic. Your aim is to convince the reader of your thesis using evidence (such as quotations ) and analysis.

Argumentative essays test your ability to research and present your own position on a topic. This is the most common type of essay at college level—most papers you write will involve some kind of argumentation.

The essay is divided into an introduction, body, and conclusion:

  • The introduction provides your topic and thesis statement
  • The body presents your evidence and arguments
  • The conclusion summarizes your argument and emphasizes its importance

The example below is a paragraph from the body of an argumentative essay about the effects of the internet on education. Mouse over it to learn more.

A common frustration for teachers is students’ use of Wikipedia as a source in their writing. Its prevalence among students is not exaggerated; a survey found that the vast majority of the students surveyed used Wikipedia (Head & Eisenberg, 2010). An article in The Guardian stresses a common objection to its use: “a reliance on Wikipedia can discourage students from engaging with genuine academic writing” (Coomer, 2013). Teachers are clearly not mistaken in viewing Wikipedia usage as ubiquitous among their students; but the claim that it discourages engagement with academic sources requires further investigation. This point is treated as self-evident by many teachers, but Wikipedia itself explicitly encourages students to look into other sources. Its articles often provide references to academic publications and include warning notes where citations are missing; the site’s own guidelines for research make clear that it should be used as a starting point, emphasizing that users should always “read the references and check whether they really do support what the article says” (“Wikipedia:Researching with Wikipedia,” 2020). Indeed, for many students, Wikipedia is their first encounter with the concepts of citation and referencing. The use of Wikipedia therefore has a positive side that merits deeper consideration than it often receives.

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An expository essay provides a clear, focused explanation of a topic. It doesn’t require an original argument, just a balanced and well-organized view of the topic.

Expository essays test your familiarity with a topic and your ability to organize and convey information. They are commonly assigned at high school or in exam questions at college level.

The introduction of an expository essay states your topic and provides some general background, the body presents the details, and the conclusion summarizes the information presented.

A typical body paragraph from an expository essay about the invention of the printing press is shown below. Mouse over it to learn more.

The invention of the printing press in 1440 changed this situation dramatically. Johannes Gutenberg, who had worked as a goldsmith, used his knowledge of metals in the design of the press. He made his type from an alloy of lead, tin, and antimony, whose durability allowed for the reliable production of high-quality books. This new technology allowed texts to be reproduced and disseminated on a much larger scale than was previously possible. The Gutenberg Bible appeared in the 1450s, and a large number of printing presses sprang up across the continent in the following decades. Gutenberg’s invention rapidly transformed cultural production in Europe; among other things, it would lead to the Protestant Reformation.

A narrative essay is one that tells a story. This is usually a story about a personal experience you had, but it may also be an imaginative exploration of something you have not experienced.

Narrative essays test your ability to build up a narrative in an engaging, well-structured way. They are much more personal and creative than other kinds of academic writing . Writing a personal statement for an application requires the same skills as a narrative essay.

A narrative essay isn’t strictly divided into introduction, body, and conclusion, but it should still begin by setting up the narrative and finish by expressing the point of the story—what you learned from your experience, or why it made an impression on you.

Mouse over the example below, a short narrative essay responding to the prompt “Write about an experience where you learned something about yourself,” to explore its structure.

Since elementary school, I have always favored subjects like science and math over the humanities. My instinct was always to think of these subjects as more solid and serious than classes like English. If there was no right answer, I thought, why bother? But recently I had an experience that taught me my academic interests are more flexible than I had thought: I took my first philosophy class.

Before I entered the classroom, I was skeptical. I waited outside with the other students and wondered what exactly philosophy would involve—I really had no idea. I imagined something pretty abstract: long, stilted conversations pondering the meaning of life. But what I got was something quite different.

A young man in jeans, Mr. Jones—“but you can call me Rob”—was far from the white-haired, buttoned-up old man I had half-expected. And rather than pulling us into pedantic arguments about obscure philosophical points, Rob engaged us on our level. To talk free will, we looked at our own choices. To talk ethics, we looked at dilemmas we had faced ourselves. By the end of class, I’d discovered that questions with no right answer can turn out to be the most interesting ones.

The experience has taught me to look at things a little more “philosophically”—and not just because it was a philosophy class! I learned that if I let go of my preconceptions, I can actually get a lot out of subjects I was previously dismissive of. The class taught me—in more ways than one—to look at things with an open mind.

A descriptive essay provides a detailed sensory description of something. Like narrative essays, they allow you to be more creative than most academic writing, but they are more tightly focused than narrative essays. You might describe a specific place or object, rather than telling a whole story.

Descriptive essays test your ability to use language creatively, making striking word choices to convey a memorable picture of what you’re describing.

A descriptive essay can be quite loosely structured, though it should usually begin by introducing the object of your description and end by drawing an overall picture of it. The important thing is to use careful word choices and figurative language to create an original description of your object.

Mouse over the example below, a response to the prompt “Describe a place you love to spend time in,” to learn more about descriptive essays.

On Sunday afternoons I like to spend my time in the garden behind my house. The garden is narrow but long, a corridor of green extending from the back of the house, and I sit on a lawn chair at the far end to read and relax. I am in my small peaceful paradise: the shade of the tree, the feel of the grass on my feet, the gentle activity of the fish in the pond beside me.

My cat crosses the garden nimbly and leaps onto the fence to survey it from above. From his perch he can watch over his little kingdom and keep an eye on the neighbours. He does this until the barking of next door’s dog scares him from his post and he bolts for the cat flap to govern from the safety of the kitchen.

With that, I am left alone with the fish, whose whole world is the pond by my feet. The fish explore the pond every day as if for the first time, prodding and inspecting every stone. I sometimes feel the same about sitting here in the garden; I know the place better than anyone, but whenever I return I still feel compelled to pay attention to all its details and novelties—a new bird perched in the tree, the growth of the grass, and the movement of the insects it shelters…

Sitting out in the garden, I feel serene. I feel at home. And yet I always feel there is more to discover. The bounds of my garden may be small, but there is a whole world contained within it, and it is one I will never get tired of inhabiting.

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Though every essay type tests your writing skills, some essays also test your ability to read carefully and critically. In a textual analysis essay, you don’t just present information on a topic, but closely analyze a text to explain how it achieves certain effects.

Rhetorical analysis

A rhetorical analysis looks at a persuasive text (e.g. a speech, an essay, a political cartoon) in terms of the rhetorical devices it uses, and evaluates their effectiveness.

The goal is not to state whether you agree with the author’s argument but to look at how they have constructed it.

The introduction of a rhetorical analysis presents the text, some background information, and your thesis statement; the body comprises the analysis itself; and the conclusion wraps up your analysis of the text, emphasizing its relevance to broader concerns.

The example below is from a rhetorical analysis of Martin Luther King Jr.’s “I Have a Dream” speech . Mouse over it to learn more.

King’s speech is infused with prophetic language throughout. Even before the famous “dream” part of the speech, King’s language consistently strikes a prophetic tone. He refers to the Lincoln Memorial as a “hallowed spot” and speaks of rising “from the dark and desolate valley of segregation” to “make justice a reality for all of God’s children.” The assumption of this prophetic voice constitutes the text’s strongest ethical appeal; after linking himself with political figures like Lincoln and the Founding Fathers, King’s ethos adopts a distinctly religious tone, recalling Biblical prophets and preachers of change from across history. This adds significant force to his words; standing before an audience of hundreds of thousands, he states not just what the future should be, but what it will be: “The whirlwinds of revolt will continue to shake the foundations of our nation until the bright day of justice emerges.” This warning is almost apocalyptic in tone, though it concludes with the positive image of the “bright day of justice.” The power of King’s rhetoric thus stems not only from the pathos of his vision of a brighter future, but from the ethos of the prophetic voice he adopts in expressing this vision.

Literary analysis

A literary analysis essay presents a close reading of a work of literature—e.g. a poem or novel—to explore the choices made by the author and how they help to convey the text’s theme. It is not simply a book report or a review, but an in-depth interpretation of the text.

Literary analysis looks at things like setting, characters, themes, and figurative language. The goal is to closely analyze what the author conveys and how.

The introduction of a literary analysis essay presents the text and background, and provides your thesis statement; the body consists of close readings of the text with quotations and analysis in support of your argument; and the conclusion emphasizes what your approach tells us about the text.

Mouse over the example below, the introduction to a literary analysis essay on Frankenstein , to learn more.

Mary Shelley’s Frankenstein is often read as a crude cautionary tale about the dangers of scientific advancement unrestrained by ethical considerations. In this reading, protagonist Victor Frankenstein is a stable representation of the callous ambition of modern science throughout the novel. This essay, however, argues that far from providing a stable image of the character, Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as. This essay begins by exploring the positive portrayal of Frankenstein in the first volume, then moves on to the creature’s perception of him, and finally discusses the third volume’s narrative shift toward viewing Frankenstein as the creature views him.

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

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At high school and in composition classes at university, you’ll often be told to write a specific type of essay , but you might also just be given prompts.

Look for keywords in these prompts that suggest a certain approach: The word “explain” suggests you should write an expository essay , while the word “describe” implies a descriptive essay . An argumentative essay might be prompted with the word “assess” or “argue.”

The vast majority of essays written at university are some sort of argumentative essay . Almost all academic writing involves building up an argument, though other types of essay might be assigned in composition classes.

Essays can present arguments about all kinds of different topics. For example:

  • In a literary analysis essay, you might make an argument for a specific interpretation of a text
  • In a history essay, you might present an argument for the importance of a particular event
  • In a politics essay, you might argue for the validity of a certain political theory

An argumentative essay tends to be a longer essay involving independent research, and aims to make an original argument about a topic. Its thesis statement makes a contentious claim that must be supported in an objective, evidence-based way.

An expository essay also aims to be objective, but it doesn’t have to make an original argument. Rather, it aims to explain something (e.g., a process or idea) in a clear, concise way. Expository essays are often shorter assignments and rely less on research.

The key difference is that a narrative essay is designed to tell a complete story, while a descriptive essay is meant to convey an intense description of a particular place, object, or concept.

Narrative and descriptive essays both allow you to write more personally and creatively than other kinds of essays , and similar writing skills can apply to both.

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What Is Good Writing?

Celeste Mora, Sr. Content Strategy Manager at Grammarly

I’ve written things on the Internet for a minute–between six and eight years, depending on how you count.

In that time, I’ve seen many people online shamed for being “bad writers.” From outright trolling to well-meaning “grammar policing,” it seems that every egg on Twitter has thoughts on others’ writing mechanics, tone, or delivery.

But I don’t think “good” and “bad” writers exist. There are simply writers. Some improve their writing. Some don’t.

A small group of these writers delight their readers with a well-turned phrase or clearly-structured argument. Others confuse their readers with hedging language or repeated eggcorns. Either way, we’re all writers, and there is no grammatical or stylistic mistake that can strip us of that distinction.

Good writing is a journey, not a destination

So what is good writing? There is no single definition—but I know it when I see it. 

Improving your writing is a lifelong process of learning, self-discovery, and editing. Lots of editing.

One of the qualities of good writers is the ability (and humility) to edit their own work. Your writing may be pretty good on the first draft, but knowing that it can always improve is what makes it great. We’re all on a journey to find the perfect sentence construction, word, and tone for the things we write, and I don’t believe we’ll ever get there. So enjoy the journey of honing your writing style, because you’ll never hit a point where it’s perfect. That point just doesn’t exist.

Having said that, there are a few best practices you can adopt to elevate your writing, from mechanics to delivery.

1 Practice writing and ask for feedback

The best advice I can give to new writers is to start writing. If you’re not practicing the writing you’d like to master regularly, completing your ultimate task will be much more difficult. That’s true whether you’re writing an essay, an email, a blog post, an Instagram caption, or a 400-page novel.

Some writing experts recommend writing every day, and this has been helpful for me in the past. But even if you don’t have time to write your daily 500 words or fifteen15 minutes, getting a regular cadence of writing started is key to developing your skills.

One element of this discussion that is often left out, though, is also regularly asking for feedback on your writing! If you’re writing every day but not improving, you might be journaling, not developing a skill. There are plenty of online writing communities that give feedback, in-person writing groups to join, and classes you can take to get in-depth feedback on your writing—whether you’re working on a business book or a creative brief. If you aspire to a specific genre or type of writing, others likely enjoy it as well. These are the people you want giving you honest, unfiltered feedback on your work.

2 Write to a specific reader

Part of the reason to regularly ask for feedback is to better understand how your reader (the person who isn’t you who that reads your writing) will react to the things you write. Are the technical instructions in your manual clear? Is your sonnet compelling? These are both things you could ask a reader of your writing—and they’d probably be happy to tell you!

Before you find readers and ask for feedback, though, you should try to write to a specific reader. Even when writing this general blog post about writing, I’m imagining a specific reader: he’s about 55 years old, has had a long career in finance, and wants to work on his writing skills so he can start a memoir. I’ve nicknamed him Bryan. He probably has a dog.

Although you don’t need to picture a specific person, it’s helpful to think about the audience for your writing. What are their needs? What do they want you to tell them? What do they already know, and what do you need to explain to them? How will they best receive that message? Answer these questions, and congrats, you have a reader in mind.

3 Plan your writing

I once had a writing teacher who said: “I will turn you from a producer to a plotter.” He didn’t say this to belittle producers, but to hint at the difference between free-writing your thoughts and carefully planning a piece. Often, for a first draft, you need to free-write to get some of your thoughts down on paper. After that, though, it’s time to plan your article, story, long email, etc.

You can use a variety of structures to plan your piece, depending on which type of writing you’re focused on. How do you find these structures? Read! Read everything you can find by writers you admire. If you’re writing fiction, read short stories. If you’re writing a cookbook, read recipes. If you’re writing the next great management book, read Dale Carnegie. This way, you can find templates that will help you plan your next large piece of writing.

4 Do your research, and check your facts

Whether you’re writing a novella or a recipe, you need facts to back up any claims you make in writing. In nonfiction, opinion, and technical writing, this often means finding out what research or thought has already been done on the topic you’re covering. You can use an academic framework like this one , a journalistic approach similar to this , or create your own reporting process. The important thing is that you get a sense of where the conversation around your topic has been, so you can shape where it goes next. You don’t want to repeat past ideas or research, both because it’s plagiarism and because it’s boring for informed readers.

But what about fiction? Surely, if you’re creating a fantasy space-world with seven-armed aliens, you don’t need to do research, right? On the contrary! For creative writing, you can and should do some research into the themes you’re covering, your characters’ interests, and the setting you’ve chosen. You may even choose to include facts about certain places and historical events in your story to ground it in a sense of place and time. How can you make the world you’re building feel as real as possible for your reader?

5 More writing is not better writing

Why say something in a paragraph when you can express it in a sentence?

You don’t always need to write 6,000 words to prove your point. Sometimes, you can use one powerful word or phrase, and your reader will immediately know what you mean. Keeping your writing concise will help you keep your reader’s attention. It will also help you make a clear point.

Here’s a tip: (If you need help making your writing more concise, never fear! Grammarly is here to help with that.)

Our journey to great writing is neverending, which means this single blog post won’t make you a great writer. But if you’d like to further develop your writing skills , I’d recommend you start with these easy-to-use writing tips . Onward, writers!

characteristics of good essay writing

The Writing Center • University of North Carolina at Chapel Hill

What is Good Writing?

At the Writing Center, we’re often asked “What makes good writing?” or “What makes someone a good writer?” Instructors wonder whether anyone can really be taught to write and why their students don’t know how to write by now. To begin to understand what makes writing, and writers, “good,” we need to ask the larger question “What is writing?”

It’s easy to agree on the definition of writing if we limit it to something like “putting pen to paper” or “typing ideas into a computer.” But if we look more closely at the elements of the act of writing, the definition comes to life. The following paragraphs might prompt your thinking about how writing happens for your students and for you.

Writing is a response.

We write because we are reacting to someone or something. While writing can feel like an isolating, individual act—just you and the computer or pad of paper—it is really a social act, a way in which we respond to the people and world around us. Writing happens in specific, often prescribed contexts. We are not just writing—we are always writing to an audience(s) for some particular purpose. When we write, we do so because we want, need, or have been required to create a fixed space for someone to receive and react to our ideas. Understanding this social or rhetorical context—who our readers may be, why they want to read our ideas, when and where they will be reading, how they might view us as writers—governs some of the choices we make. The writing context requires writers to have a sense of the reader’s expectations and an awareness of conventions for a particular piece of writing. The context of the piece further determines the appropriate tone, level of vocabulary, kind and placement of evidence, genre, and sometimes even punctuation.

Writing is linear.

In order to communicate effectively, we need to order our words and ideas on the page in ways that make sense to a reader. We name this requirement in various ways: “grammar,” “logic,” or “flow.” While we would all agree that organization is important, the process of lining up ideas is far from simple and is not always recognized as “writing.” We assume that if a person has ideas, putting them on the page is a simple matter of recording them, when in fact the process is usually more complicated. As we’ve all experienced, our ideas do not necessarily arise in a linear form. We may have a scattering of related ideas, a hunch that something feels true, or some other sense that an idea is “right” before we have worked out the details. It is often through the act of writing that we begin to create the logical relationships that develop the idea into something that someone else may receive and perhaps find interesting. The process of putting ideas into words and arranging them for a reader helps us to see, create, and explore new connections. So not only does a writer need to “have” ideas, but the writer also has to put them in linear form, to “write” them for a reader, in order for those ideas to be meaningful. As a result, when we are writing, we often try to immediately fit our choices into linear structures (which may or may not suit our habits of mind).

Writing is recursive.

As we write, we constantly rewrite. Sometimes we do this unconsciously, as we juggle words, then choose, delete, and choose again. Sometimes we do this rewriting very consciously and conscientiously as we reread a paragraph or page for clarity, coherence, or simply to see what we’ve just said and decide whether we like it. Having read, we rewrite the same phrases or ideas to make a closer match to our intentions or to refine our discoveries through language. The process of writing and then reviewing, changing, and rewriting is a natural and important part of shaping expression for an anticipated audience. So while we are trying to put our words and ideas into a logical line, we are also circling round and back and over again.

Writing is both subject and object.

We value writing because it reveals the personal choices a writer has made and thereby reveals something of her habits of mind, her ability to connect and shape ideas, and her ability to transform or change us as readers. We take writing as evidence of a subject or subjective position. Especially in an academic environment, we read written language as individual expression (whether or not multiple voices have informed the one voice we privilege on the page), as a volley from one individual mind to another. That said, writing also serves as an object for us, a “piece” or a “paper” whose shape, size, and function are determined by genre and conventions. While we don’t think of writing as technology, it is also that; it allows us to remove a person’s ideas from the confines of her head and fix those ideas in another place, a place where they will be evaluated according to standards, objectively. Here is where our sense of what counts as “good” writing develops. We have created objective (although highly contextualized) ideals for writing that include measures of appropriate voice, vocabulary, evidence, and arrangement. So while writing is very personal, or subjective, it creates an objective space, a place apart from the individual, and we measure it against objective standards derived from the context. It creates space both for the individual (the subject) and the idea (the object) to coexist so that we can both judge the merits of the individual voicing the idea and contend with the idea on the page.

Writing is decision making.

It may seem obvious, but in order to get something on the page, a writer chooses the words, the order of the words in the sentence, the grouping of sentences into paragraphs, and the order of the paragraphs within a piece. While there is an ordinariness about this—we make choices or decisions almost unconsciously about many things all day long—with writing, as we have all experienced, such decision-making can be a complex process, full of discovery, despair, determination, and deadlines. Making decisions about words and ideas can be a messy, fascinating, perplexing experience that often results in something mysterious, something the writer may not be sure “works” until she has auditioned it for a real reader.

Writing is a process.

Contending with the decision-making, linearity, social context, subjectivity, and objectivity that constitute writing is a process that takes place over time and through language. When producing a piece of writing for an audience, experienced writers use systems they have developed. Each writer has an idiosyncratic combination of thinking, planning, drafting, and revising that means “writing” something. No matter how we each describe our writing process (e.g., “First I think about my idea then dump thoughts onto the computer,” or “I make an outline then work out topic sentences”), we all (usually unconsciously) negotiate the series of choices required in an individual context and produce a draft that begins to capture a representation of our ideas. For most people, this negotiation includes trial and error (this word or that?), false starts (beginning with an example that later proves misleading), contradictions (I can’t say X because it may throw Y into question), sorting (how much do I need to say about this?), doubt about how the idea will be received, and satisfaction when they think they have cleared these hurdles successfully. For most people, this process happens through language. In other words, we use words to discover what, how, and why we believe. Research supports the adage “I don’t know what I think until I read what I’ve said.”

Altogether these elements make writing both an interesting and challenging act—one that is rich, complex, and valuable. What else is writing for you? Think about what the definitions discussed here miss and how you might complete the sentence “Writing is like…” From your experience as a writer, what else about writing seems essential? How is that connected to what you value about the process of writing and the final pieces that you produce?

For more information about student writing or to talk with someone about your writing assignments, contact Kimberly Abels [email protected] at the Writing Center.

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Home ➔ What's an Essay?

What Is an Essay and Its Features?

The are various definitions for “essay.” But here, we will focus on the meaning of this word, which has become a significant element of education in countries such as the United States, Canada, the United Kingdom, and Australia.

If summarized in simple terms within the academic context, the essay’s definition would be the following:

An essay is a short, nonfictional piece of formal writing assigned to students to improve their writing skills or assess their knowledge of a given subject.

Text that says What is an Essay? with books on the background

Alternative Essay Definitions

Here are some of the many definitions of an essay:

  • According to Frederick Crews, professor of English at the University of California at Berkeley, an essay is “a fairly brief piece of nonfiction that tries to make a point in an interesting way.”
  • A famous essayist, Aldous Huxley, notes that “the essay is a literary device for saying almost everything about almost anything” and divides essays into personal-biographical, objectively-factual, and abstract-universal.
  • The Oxford Dictionary defines it as “a short piece of writing on a particular subject.”

Essays can be broadly categorized into formal essays and informal essays. Formal essays are characterized by their structured nature, employing a more formal language, and having a clearly defined purpose, contrasting with the more free-form and personal tone of informal essays.

Note: Apart from the secondary and tertiary education purpose, essays (also called papers reports) are often required when applying to colleges and universities to help them select the best applicants during the admissions.

If you study the word’s origin and history, you might better understand its purpose. The word “essay” comes from the Middle French word essayer, which in turn comes from Latin exigere, meaning “to test,” “examine,” and “drive out.”

the origin of the word essay

This “archaeological” linguistic journey reveals the idea behind essays, encouraging learners to examine their ideas concerning a particular topic in-depth and test them. By nature, essays are short and require a clearly defined purpose of writing that you must adhere to in your paper.

There’s a lot to be learned from essay writing: critical analysis, observation, interpretation, narration, persuasion, close reading, preparation, and time management. All these skills can be valuable even beyond the school walls.

Lastly, in the visual arts, creative works can also be called essays if they present a personal reflection on a particular matter. So, film essays or photo essays fall into the general category of essays.

What is an essay structure like?

An essay is generally composed of three parts and has the following structure :

  • Introduction (hook, background information, and your thesis statement) – provides context for the reader and gives an argument in the form of a thesis statement.
  • Body section (usually, one paragraph for each main idea) – the main section where evidence is presented to persuade the reader to adopt the writer’s point of view or prove something.
  • Conclusion – the last section that summarizes everything you have discussed in your essay and provides the final perspective on the subject.

Generally, an essay must focus on the author’s argument and supporting evidence. However, the variety of essay types involves many other forms and styles. Argumentative and expository essays are particularly common in university-level education, known for their structured approach to presenting information and making clear points.

Common Essay Types

Understanding the different types of essays is pretty important for your academic success. Each essay type serves its own purpose and requires a different approach, so here’s a brief look at some of the most common essay types you might encounter during your school times.

Argumentative Essay

An argumentative essay demands you to present a viewpoint on a (usually) controversial issue. Your task would generally be to persuade the reader through some solid logical reasoning and credible evidence with relevant examples. All that will involve creating a very clear thesis statement, presenting well-researched evidence, and addressing opposing views and ideas, if there are such. Getting an argumentative essay as an assignment is common in subjects like politics, ethics, and social sciences, where there’s a lot of debate on different topics. An example of a common topic for this essay would be something like “Should the death penalty be abolished?”

Expository Essay

An expository essay focuses more on explaining a topic in a straightforward and logical manner. In such an essay, you will be presenting facts, statistics, and examples without any kind of your personal opinion. It’s usually built around a clear thesis statement and uses logical transitions to connect ideas from one paragraph to another. In general, expository essays are often used in academic settings to test students’ understanding of a subject or to explain complex ideas in a simple way. A common topic would be “The process of photosynthesis in plants.”, for example.

Narrative Essay

Narrative essays tell a story. These are often personal and can be both factual (based on a true story) and fictional. The key elements of this essay include a plot, characters, setting, and a climax. Unlike other essays, a narrative essay is much more creative and allows you to express your experiences or a story imaginatively and without some kind of rigid structure to follow. It’s often used in high school and college writing courses to develop storytelling skills. You would write about something like “A memorable trip to the mountains.”

Descriptive Essay

A descriptive essay aims to paint a picture but with words. This essay uses vivid descriptions and sensory details to engage the reader’s senses and emotions and is more focused on the details and nuances of the subject, whether it’s a person, place, object, or event. Descriptive essays are great for creative writing classes and help develop one’s ability to describe something in great detail. One of the possible topics here might be “The bustling atmosphere of a city market.”

Critical Essay

A critical essay evaluates a text, piece of art, or performance. It involves a thorough analysis and interpretation of the work, supported by credible evidence. The goal when writing this one is to provide a critical perspective, assessing the subject’s strengths and weaknesses. This type of essay is a common assignment in literature, film studies, and art history courses, where critical thinking and analytical skills are essential for the subject. A common topic here would be ‘An analysis of the themes in “To Kill a Mockingbird.”‘

History Essay

A history essay examines historical events and their impact. This type requires extensive research and a deep understanding of historical context. When writing it, you will be analyzing various historical sources, presenting a clear argument on the topic, and supporting it with historical evidence. History essays are obviously assigned in history courses and help develop research and analytical skills, as well as the ability to construct coherent historical narratives. Something like “The causes and effects of the French Revolution.” would be a common topic here.

10 Characteristics of a Good Essay

The structure and characteristics vary, but there are criteria you can apply to almost any academic essay. Below are ten characteristics that make a good essay.

You can find many works like Victor Segalen’s “Essay on Exoticism: An Aesthetics of Diversity” spanning many pages. But, as an academic assignment, essays are usually concise and range from 200 to 500 words.

Note: To learn more about essay length, check this article — How Long Should My Paper Be?

A narrowed-down topic

Because of the word count limit, your topic cannot be extensive and should focus on one aspect of the subject.

A subject is a broad concept: gun control, US history, WWII, Napoleonic Wars, business ethics, academic dishonesty, school dress code, etc. Those are not topics because you can write books on them.

Choose a more specific topic to cover. Ask yourself “Who? What? Where? When? Why? and How?” questions about the subject matter. That strategy will allow you to limit the number of choices and pick something you like.

For instance, let’s narrow down the gun control subject . Something like “Video games are not the problem, but poor gun control policies are” can be your topic.

Well-structured body paragraphs

In a nutshell, an essay’s body can be described as a series of paragraphs. But they all have a uniform structure you must maintain in the paper. It goes as follows:

1. Topic sentence

This is the first sentence, and it expresses the paragraph’s main idea. It acts like a mini-hook that attracts the reader’s attention.

Let’s say you’re working on a descriptive essay about your brother’s room.

Bad topic sentence:

My brother’s room is a mess.

Good topic sentence:

If they gave me one dollar every time I walked into my brother’s room and thought it was clean, I would be dead broke.

2. The main part

Here, you develop your topic sentence further, and there are many ways to do that:

  • Provide facts or statistics
  • Give reasons
  • Illustrate with examples
  • Use relevant quotes
  • Present your opinion
  • Share experiences
  • Leverage human senses

Note: Make sure to cite your sources properly. Learn more here: How to Cite Sources (MLA and APA styles) .

3. Conclusion with a transition

If you had to write only one paragraph, this is where you would end the narrative. But, in academic essays, this last sentence transitions to the next idea — the next paragraph.

Clear thesis statement

A thesis is the main idea of your paper. It’s usually one sentence that shows the reader what your essay is about. The challenging part is to squeeze the purpose of your writing into one sentence and in such a way that would make the reader want to debate it.

To check if your thesis statement is correct, make sure:

  • It’s not just an announcement of purpose that starts with “In this paper.”
  • It’s not a question because thesis statements answer, not ask.
  • It’s not a mere fact.
  • It’s not a broad topic without a challenging opinion.
  • It’s not a vague thought — make it more focused.
  • It’s not disconnected from the main paragraphs.

Personal motivation

This one seems quite simple, but you won’t always find the answer to the “Why do I want to write about this topic” question easily. Even if the subject feels like the last thing you’d be interested in, there’s always something that can motivate you to write.

The reader would notice if you had zero motivation while writing the essay.

There’s no trick — just start writing . Once you are working on it, brainstorm all the ideas related to the subject. If you find it challenging to organize your thoughts right away, try freewriting — start writing everything that comes to your mind. Yes, there will be a lot of ideas not connected with one another, but you can choose the ones making sense and work with them further.

Evidence and examples support claims

Each of your topic sentences in the main paragraphs should be supported. You can:

  • Explain what you meant by defining the main terms or phenomena.
  • Provide more details about the topic sentence.
  • Illustrate with examples, facts, or statistics.
  • Cite field experts who support your opinion.
  • Share your relevant experience, if any.

Use the method you believe is the most appropriate in your case.

Evidence is analyzed

Just facts, statistics, or quotations are not enough. You must analyze the proof and show how you can compare data and establish causal links.

Note: Use cohesive devices like transition words and conjunctions to hold your essay together as one unit.

No grammar mistakes

The last period is placed, and you think, “Finally, it’s done! Now, back to the fun stuff.” By doing so, you will hand in an essay riddled with mistakes.

Proofreading matters. After the first draft, double-check it for all possible mistakes: grammar, punctuation, word usage, logic flow, etc.

  • Read it out loud.
  • Ask your friend or family member to give their opinion.
  • Put it away for some time to proofread it later.

The structure is consistent

Ensure your paper follows the structure described before. Check if your conclusion and introduction are about the same — the same applies to the body paragraphs.

Note: This article will give you valuable insights into the structure — How to Write an Essay .

It is coherent

Another criterion they use to grade your essay is its coherence (unity). To check this point, ask yourself:

  • Are all ideas related to the essay’s topic and thesis statement?
  • Are all my evidence, arguments, and conclusions connected to my thesis statement?
  • Are all ideas arranged in a logical order?
  • Are there enough linking words? Or is it too many of them?
  • Are there enough pronouns and synonyms so that the essay isn’t repetitive?

The last tip on essay writing: always check your assignment sheet and clarify anything you don’t understand with your tutor or professor. Your college might have some special requirements regarding the content or style. So, make sure you studied all the instructions for the task thoroughly.

Why do we have to write essays in school?

Writing essays in school is a crucial component of academic writing, serving as a foundational practice for developing skills in various types of essays, such as argumentative, descriptive, narrative, expository, and more. Through the process of essay writing, students learn to articulate their ideas and thoughts more coherently, practice forming main and alternative arguments backed up by evidence, and enhance their ability to present clear explanations, craft creative descriptions, and structure narratives effectively. This practice not only helps build strong academic writing skills but also prepares students for writing research papers, submission essays, and contributing to academic journals, thereby playing a significant role in their academic and professional growth.

How are essays evaluated?

In schools, essays are typically evaluated based on a combination of criteria such as quality of your argument, evidence you presented, structure and organization, grammar and vocabulary accuracy, adherence to formatting requirements (if any), creativity, originality, critical thinking skills displayed, etc. The evaluator (usually your teacher or professor) will look at all these aspects to assess the essay’s overall quality.

How many paragraphs should there be in an essay?

The number of paragraphs in an essay will vary depending on its length and purpose. In general, a standard essay should have at least 3-4 paragraphs: an introduction paragraph to provide background information and set out your main argument; 2-3 body paragraphs where you flesh out your argument with evidence; and a conclusion paragraph summarizing your key points or drawing conclusions from your evidence.

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The list of references

  • What is an essay? — Bow Valley College
  • Overview of the Academic Essay — Harvard University
  • Essay Writing — Purdue University
  • Basic Essay and Paragraph Format — Utah Valley University

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