Today marks the release of Aleksandar Hemon’s excellent book of personal essays, The Book of My Lives , which we loved, and which we’re convinced deserves a place in the literary canon. To that end, we were inspired to put together our list of the greatest essay collections of all time, from the classic to the contemporary, from the personal to the critical. In making our choices, we’ve steered away from posthumous omnibuses (Michel de Montaigne’s Complete Essays , the collected Orwell, etc.) and multi-author compilations, and given what might be undue weight to our favorite writers (as one does). After the jump, our picks for the 25 greatest essay collections of all time. Feel free to disagree with us, praise our intellect, or create an entirely new list in the comments.
The Book of My Lives , Aleksandar Hemon
Hemon’s memoir in essays is in turns wryly hilarious, intellectually searching, and deeply troubling. It’s the life story of a fascinating, quietly brilliant man, and it reads as such. For fans of chess and ill-advised theme parties and growing up more than once.
Slouching Towards Bethlehem , Joan Didion
Well, obviously. Didion’s extraordinary book of essays, expertly surveying both her native California in the 1960s and her own internal landscape with clear eyes and one eyebrow raised ever so slightly. This collection, her first, helped establish the idea of journalism as art, and continues to put wind in the sails of many writers after her, hoping to move in that Didion direction.
Pulphead , John Jeremiah Sullivan
This was one of those books that this writer deemed required reading for all immediate family and friends. Sullivan’s sharply observed essays take us from Christian rock festivals to underground caves to his own home, and introduce us to 19-century geniuses, imagined professors and Axl Rose. Smart, curious, and humane, this is everything an essay collection should be.
The Boys of My Youth , Jo Ann Beard
Another memoir-in-essays, or perhaps just a collection of personal narratives, Jo Ann Beard’s award-winning volume is a masterpiece. Not only does it include the luminous, emotionally destructive “The Fourth State of the Matter,” which we’ve already implored you to read , but also the incredible “Bulldozing the Baby,” which takes on a smaller tragedy: a three-year-old Beard’s separation from her doll Hal. “The gorgeous thing about Hal,” she tells us, “was that not only was he my friend, he was also my slave. I made the majority of our decisions, including the bathtub one, which in retrospect was the beginning of the end.”
Consider the Lobster , David Foster Wallace
This one’s another “duh” moment, at least if you’re a fan of the literary essay. One of the most brilliant essayists of all time, Wallace pushes the boundaries (of the form, of our patience, of his own brain) and comes back with a classic collection of writing on everything from John Updike to, well, lobsters. You’ll laugh out loud right before you rethink your whole life. And then repeat.
Notes of a Native Son , James Baldwin
Baldwin’s most influential work is a witty, passionate portrait of black life and social change in America in the 1940s and early 1950s. His essays, like so many of the greats’, are both incisive social critiques and rigorous investigations into the self, told with a perfect tension between humor and righteous fury.
Naked , David Sedaris
His essays often read more like short stories than they do social criticism (though there’s a healthy, if perhaps implied, dose of that slippery subject), but no one makes us laugh harder or longer. A genius of the form.
Against Interpretation , Susan Sontag
This collection, Sontag’s first, is a dazzling feat of intellectualism. Her essays dissect not only art but the way we think about art, imploring us to “reveal the sensuous surface of art without mucking about in it.” It also contains the brilliant “Notes on ‘Camp,'” one of our all-time favorites.
The Common Reader , Virginia Woolf
Woolf is a literary giant for a reason — she was as incisive and brilliant a critic as she was a novelist. These witty essays, written for the common reader (“He is worse educated, and nature has not gifted him so generously. He reads for his own pleasure rather than to impart knowledge or correct the opinions of others. Above all, he is guided by an instinct to create for himself, out of whatever odds and ends he can come by, some kind of whole- a portrait of a man, a sketch of an age, a theory of the art of writing”), are as illuminating and engrossing as they were when they were written.
Teaching a Stone to Talk , Annie Dillard
This is Dillard’s only book of essays, but boy is it a blazingly good one. The slender volume, filled with examinations of nature both human and not, is deft of thought and tongue, and well worth anyone’s time. As the Chicago Sun-Times ‘s Edward Abbey gushed, “This little book is haloed and informed throughout by Dillard’s distinctive passion and intensity, a sort of intellectual radiance that reminds me both Thoreau and Emily Dickinson.”
Thirteen Ways of Looking at a Black Man , Henry Louis Gates Jr.
In this eloquent volume of essays, all but one of which were originally published in the New Yorker , Gates argues against the notion of the singularly representable “black man,” preferring to represent him in a myriad of diverse profiles, from James Baldwin to Colin Powell. Humane, incisive, and satisfyingly journalistic, Gates cobbles together the ultimate portrait of the 20th-century African-American male by refusing to cobble it together, and raises important questions about race and identity even as he entertains.
Otherwise Known As the Human Condition , Geoff Dyer
This book of essays, which won the National Book Critics Circle Award in the year of its publication, covers 25 years of the uncategorizable, inimitable Geoff Dyer’s work — casually erudite and yet liable to fascinate anyone wandering in the door, witty and breathing and full of truth. As Sam Lipsyte said, “You read Dyer for his caustic wit, of course, his exquisite and perceptive crankiness, and his deep and exciting intellectual connections, but from these enthralling rants and cultural investigations there finally emerges another Dyer, a generous seeker of human feeling and experience, a man perhaps closer than he thinks to what he believes his hero Camus achieved: ‘a heart free of bitterness.'”
Art and Ardor , Cynthia Ozick
Look, Cynthia Ozick is a genius. One of David Foster Wallace’s favorite writers, and one of ours, Ozick has no less than seven essay collections to her name, and we could have chosen any one of them, each sharper and more perfectly self-conscious than the last. This one, however, includes her stunner “A Drugstore in Winter,” which was chosen by Joyce Carol Oates for The Best American Essays of the Century , so we’ll go with it.
No More Nice Girls , Ellen Willis
The venerable Ellen Willis was the first pop music critic for The New Yorker , and a rollicking anti-authoritarian, feminist, all-around bad-ass woman who had a hell of a way with words. This collection examines the women’s movement, the plight of the aging radical, race relations, cultural politics, drugs, and Picasso. Among other things.
The War Against Cliché , Martin Amis
As you know if you’ve ever heard him talk , Martin Amis is not only a notorious grouch but a sharp critical mind, particularly when it comes to literature. That quality is on full display in this collection, which spans nearly 30 years and twice as many subjects, from Vladimir Nabokov (his hero) to chess to writing about sex. Love him or hate him, there’s no denying that he’s a brilliant old grump.
Cultural Amnesia: Necessary Memories From History and the Arts , Clive James
James’s collection is a strange beast, not like any other essay collection on this list but its own breed. An encyclopedia of modern culture, the book collects 110 new biographical essays, which provide more than enough room for James to flex his formidable intellect and curiosity, as he wanders off on tangents, anecdotes, and cultural criticism. It’s not the only who’s who you need, but it’s a who’s who you need.
I Feel Bad About My Neck: And Other Thoughts on Being a Woman , Nora Ephron
Oh Nora, we miss you. Again, we could have picked any of her collections here — candid, hilarious, and willing to give it to you straight, she’s like a best friend and mentor in one, only much more interesting than any of either you’ve ever had.
Arguably , Christopher Hitchens
No matter what you think of his politics (or his rhetorical strategies), there’s no denying that Christopher Hitchens was one of the most brilliant minds — and one of the most brilliant debaters — of the century. In this collection, packed with cultural commentary, literary journalism, and political writing, he is at his liveliest, his funniest, his exactingly wittiest. He’s also just as caustic as ever.
The Solace of Open Spaces , Gretel Ehrlich
Gretel Ehrlich is a poet, and in this collection, you’ll know it. In 1976, she moved to Wyoming and became a cowherd, and nearly a decade later, she published this lovely, funny set of essays about rural life in the American West.”Keenly observed the world is transformed,” she writes. “The landscape is engorged with detail, every movement on it chillingly sharp. The air between people is charged. Days unfold, bathed in their own music. Nights become hallucinatory; dreams, prescient.”
The Braindead Megaphone , George Saunders
Saunders may be the man of the moment, but he’s been at work for a long while, and not only on his celebrated short stories. His single collection of essays applies the same humor and deliciously slant view to the real world — which manages to display nearly as much absurdity as one of his trademark stories.
Against Joie de Vivre , Phillip Lopate
“Over the years,” the title essay begins, “I have developed a distaste for the spectacle of joie de vivre , the knack of knowing how to live.” Lopate goes on to dissect, in pleasantly sardonic terms, the modern dinner party. Smart and thought-provoking throughout (and not as crotchety as all that), this collection is conversational but weighty, something to be discussed at length with friends at your next — oh well, you know.
Sex and the River Styx , Edward Hoagland
Edward Hoagland, who John Updike deemed “the best essayist of my generation,” has a long and storied career and a fat bibliography, so we hesitate to choose such a recent installment in the writer’s canon. Then again, Garrison Keillor thinks it’s his best yet , so perhaps we’re not far off. Hoagland is a great nature writer (name checked by many as the modern Thoreau) but in truth, he’s just as fascinated by humanity, musing that “human nature is interstitial with nature, and not to be shunned by a naturalist.” Elegant and thoughtful, Hoagland may warn us that he’s heading towards the River Styx, but we’ll hang on to him a while longer.
Changing My Mind , Zadie Smith
Smith may be best known for her novels (and she should be), but to our eyes she is also emerging as an excellent essayist in her own right, passionate and thoughtful. Plus, any essay collection that talks about Barack Obama via Pygmalion is a winner in our book.
My Misspent Youth , Meghan Daum
Like so many other writers on this list, Daum dives head first into the culture and comes up with meat in her mouth. Her voice is fresh and her narratives daring, honest and endlessly entertaining.
The White Album , Joan Didion
Yes, Joan Didion is on this list twice, because Joan Didion is the master of the modern essay, tearing at our assumptions and building our world in brisk, clever strokes. Deal.
From advice on friendship and understanding modern life to getting a grasp on coronavirus, these books offer insight on life.
What better way to get into the work of a writer than through a collection of their essays?
These seven collections, from novelists and critics alike, address a myriad of subjects from friendship to how colleges are dealing with sexual assaults on campus to race and racism.
Trick Mirror by Jia Tolentino (2019)
As a staff writer at The New Yorker , Jia Tolentino has explored everything from a rise in youth vaping to the ongoing cultural reckoning about sexual assault. Her first book Trick Mirror takes some of those pieces for The New Yorker as well as new work to form what is one of the sharpest collections of cultural criticism today.
Using herself and her own coming of age as a lens for many of the essays, Tolentino turns her pen and her eye to everything from her generation’s obsession with extravagant weddings to how college campuses deal with sexual assault.
If you’re looking for an insight into millennial life, then Trick Mirror should be on your to-read list.
In Search of Our Mothers’ Gardens by Alice Walker (1983)
Sometimes essays collected from a sprawling period of a successful writer’s life can feel like a hasty addition to a bibliography; a smash-and-grab of notebook flotsam. Not so In Search of Our Mother’s Gardens , from which one can truly understand the sheer range of the Pulitzer Prize winner’s range of study and activism. From Walker’s first published piece of non-fiction (for which she won a prize, and spent her winnings on cut peonies) to more elegiac pieces about her heritage, Walker’s thoughts on feminism (which she terms “womanism”) and the Civil Rights Movement remain grippingly pertinent 50 years on.
Me Talk Pretty One Day by David Sedaris (2000)
That David Sedaris’s ascent to literary stardom happened later in his life – his breakthrough collection of humour essays was released when he was 44 – suited the author’s writing style perfectly. Me Talk Pretty One Day is both a painfully funny account of his childhood and an enduring snapshot of mid-forties malaise. First story ‘Go Carolina’, about his attempt to transcend a childhood lisp, is told from a perfect distance and with all the worldliness necessary to milk every drop of tragic, cringeworthy humour from his childhood. It never falters from there: by the book’s second half, in which Sedaris is living in France, he’s firmly established his niche, writing about the ways that even snobs experience utter humiliation – and Me Talk Pretty One Day is all the more human for it.
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"Essay" could perhaps use a rebranding as the word may conjure up something you've been assigned to write in school, rather than something pleasurable to consume. Essay collections usually have an overarching question or theme, but each individual essay works as a self-contained narrative or argument inviting you to read at your own pace, skip around, and take in the central topic from multiple angles. From essay-style memoirs to more heady topics touching on culture, politics, and art, enjoy these collections below, all by women, released this past spring and summer.
by CJ Hauser
Ten days after calling off her wedding, CJ Hauser went on an expedition to Texas to study the whooping crane. After a week wading through the gulf, she realized she'd almost signed up to live someone else's life. Expanding on her viral sensation essay “The Crane Wife,” the author presents this deeply personal, candid and humorous memoir-in-essays that ponders what more expansive definitions of love might offer us all.
by Mia Mercado
Pondering her identity as an Asian woman living in the Midwest, including what “nice” means—and why anyone would want to be it, the author, in this thought-provoking and funny collection of essays, offers a mind-bending glimpse into our misperceptions and misconceptions as humans.
by Tajja Isen
Catapult editor-in-chief and award-winning voice actor Tajja Isen explores the absurdity of living in a world that has grown fluent in the language of social justice but doesn’t always follow through. These nine daring essays explore the sometimes troubling and often awkward nature of that discord. Isen takes on the cartoon industry’s pivot away from colorblind casting, the pursuit of diverse representation in the literary world, the law’s refusal to see inequality, and the cozy fictions of nationalism. Isen deftly examines the quick, cosmetic fixes society makes to address systemic problems and reveals the unexpected ways they can misfire.
by Raquel Gutiérrez
Part butch memoir, part ekphrastic travel diary, part queer family tree, Raquel Gutiérrez’s debut essay collection, Brown Neon, gleans insight from the sediment of land and relationships. Whether contemplating the value of adobe as both vernacular architecture and commodified art object, highlighting the feminist wounding and transphobic apparitions haunting the multigenerational lesbian social fabric, or recalling a failed romance, Gutiérrez traverses complex questions of gender, class, identity, and citizenship with curiosity and nuance.
by Elisabeth Sharp McKetta
Whether she is spending sleepless nights watching the sumo wrestler Asashoryu with her father, settling into a new life in a fishing hamlet in Cornwall, struggling with a beloved and ultimately untrainable corgi named Goblin, or emerging from a night in the woods rethinking who she might be, McKetta’s essays sparkle and twist round and about—funny and insightful and compelling.
by Jessi Klein
The New York Times best-selling author and Emmy Award-winning writer and producer hilariously destroys the cultural myths and impossible expectations of modern-day motherhood and explores the humiliations, poignancies, and possibilities of midlife.
by Elaine Castillo
A deeply personal and searching history of one woman’s reading life, and a wide-ranging and urgent intervention into our globalized conversations about why reading matters today. Castillo attacks the stale questions and less-than-critical proclamations that masquerade as vital discussion: reimagining the cartography of the classics, building a moral case against the settler colonialism of lauded writers like Joan Didion, taking aim at Nobel Prize winners and toppling indie filmmakers, and celebrating glorious moments in everything from popular TV like The Watchmen to the films of Wong Kar-wai and the work of contemporary poets like Tommy Pico.
by Negesti Kaudo
Essays at the intersection of race, sexuality, and pop culture that confront Kaudo's experience as a Black woman and ask what it means to own one's Blackness and body when contemporary white America simultaneously denigrates and appropriates Black culture.
by Erika L. Sánchez
In these essays, Sánchez writes about everything from sex to white feminism to debilitating depression, revealing an interior life rich with ideas, self-awareness, and perception. Raunchy, insightful, unapologetic, and brutally honest, Crying in the Bathroom is Sánchez at her best—a book that will make you feel that post-confessional high that comes from talking for hours with your best friend.
Summaries provided via NYPL’s catalog, which draws from multiple sources. Click through to each book’s title for more.
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Last updated: May 06, 2024
“Essays root ideas in personal experience”, the philosopher Alain de Botton tells us in his interview in which he discussed five books of “illuminating essays”. He chooses The Crowded Dance of Modern Life by Virginia Woolf, as well as a selection of DW Winnicott , The Wisdom of Life by Arthur Schopenhauer, The Secret Power of Beauty by John Armstrong and Yoga for People Who Can’t be Bothered to Do It by Geoff Dyer, which “is in praise of slacker-dom and not doing very much. It’s not about Yoga at all.”
David Russell, Associate Professor at Oxford University, recommends the best Victorian essays , including selections by Charles Lamb , Matthew Arnold , George Eliot , Walter Pater and (one twentieth-century writer) Marion Milner and discusses the connection between the essay and the development of urban culture in the 19 th century.
Dame Hermione Lee, the writer's biographer, chooses her best books on Virginia Woolf . She discusses how and why her stature has grown so much since the 1960s and selects a range of her books including diaries and novels, as well as essays, including To the Lighthouse , which she considers Woolf’s greatest novel, her Diaries and her essay " Walter Sickert: A Conversation " , which can be seen as a meditation on the disparities between painting and writing as art forms.
Adam Gopnik , of the New Yorker , chooses Woolf’s The Common Reader as well as collections by Max Beerbohm , EB White , Randall Jarrell and Clive James .
Had i known: collected essays by barbara ehrenreich, unfinished business: notes of a chronic re-reader by vivian gornick, nature matrix: new and selected essays by robert michael pyle, terroir: love, out of place by natasha sajé, maybe the people would be the times by luc sante.
Every year, the judges of the PEN/Diamonstein-Spielvogel Award for the Art of the Essay search out the best book of essays written in the past year and draw attention to the author's entire body of work. Here, Adam Gopnik , writer, journalist and PEN essay prize judge, emphasizes the role of the essay in bearing witness and explains why the five collections that reached the 2021 shortlist are, in their different ways, so important.
Every year, the judges of the PEN/Diamonstein-Spielvogel Award for the Art of the Essay search out the best book of essays written in the past year and draw attention to the author’s entire body of work. Here, Adam Gopnik, writer, journalist and PEN essay prize judge, emphasizes the role of the essay in bearing witness and explains why the five collections that reached the 2021 shortlist are, in their different ways, so important.
Selected prose by charles lamb, culture and anarchy and other writings by matthew arnold, selected essays, poems, and other writings by george eliot, studies in the history of the renaissance by walter pater, the hands of the living god: an account of a psychoanalytic treatment by marion milner.
With the advent of the Victorian age, polite maxims of eighteenth-century essays in the Spectator were replaced by a new generation of writers who thought deeply—and playfully—about social relationships, moral responsibility, education and culture. Here, Oxford literary critic David Russell explores the distinct qualities that define the Victorian essay and recommends five of its greatest practitioners.
With the advent of the Victorian age, polite maxims of eighteenth-century essays in the Spectator were replaced by a new generation of writers who thought deeply—and playfully—about social relationships, moral responsibility, education and culture. Here, Oxford literary critic David Russell explores the distinct qualities that define the Victorian essay and recommends five of its greatest practitioners.
To the lighthouse by virginia woolf, the years by virginia woolf, walter sickert: a conversation by virginia woolf, on being ill by virginia woolf, selected diaries by virginia woolf.
Virginia Woolf was long dismissed as a 'minor modernist' but now stands as one of the giants of 20th century literature. Her biographer, Hermione Lee , talks us through the novels, essays, and diaries of Virginia Woolf.
Virginia Woolf was long dismissed as a ‘minor modernist’ but now stands as one of the giants of 20th century literature. Her biographer, Hermione Lee, talks us through the novels, essays, and diaries of Virginia Woolf.
And even now by max beerbohm, the common reader by virginia woolf, essays of e.b. white by e.b. white, a sad heart at the supermarket by randall jarrell, visions before midnight by clive james.
What makes a great essayist? Who had it, who didn’t? And whose work left the biggest mark on the New Yorker ? Longtime writer for the magazine, Adam Gopnik , picks out five masters of the craft
What makes a great essayist? Who had it, who didn’t? And whose work left the biggest mark on the New Yorker ? Longtime writer for the magazine, Adam Gopnik, picks out five masters of the craft
The crowded dance of modern life by virginia woolf, home is where we start from by d w winnicott, the wisdom of life by arthur schopenhauer, the secret power of beauty by john armstrong, yoga for people who can’t be bothered to do it by geoff dyer.
The essay format allows the author to develop ideas but add a personal touch, says the popular philosopher Alain de Botton . Here, he chooses his favourite essay collections
The essay format allows the author to develop ideas but add a personal touch, says the popular philosopher Alain de Botton. Here, he chooses his favourite essay collections
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Rebecca holds a PhD in English and is a professor at Norwalk Community College in Connecticut. She teaches courses in composition, literature, and the arts. When she’s not reading or grading papers, she’s hanging out with her husband and son and/or riding her bike and/or buying books. She can't get enough of reading and writing about books, so she writes the bookish newsletter "Reading Indie," focusing on small press books and translations. Newsletter: Reading Indie Twitter: @ofbooksandbikes
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Calling all essay fans! For your reading pleasure, I’ve rounded up the best essay collections of 2019. It was a fabulous year for essays (although I say that about most years, to be honest). We’ve had some stellar anthologies of writing about disability, feminism, and the immigrant experience. We’ve had important collections about race, mental health, the environment, and media. And we’ve had collections of personal essays to entertain us and make us feel less alone. There should be something in this list for just about any reading mood or interest.
These books span the entire year, and in cases where the book isn’t published yet, I’ve given you the publication date so you can preorder it or add it to your library list.
I hope this list of the best essay collections of 2019 helps you find new books you love!
This book emerged from a New York Times series of personal essays on living with a disability. Each piece was written by a person in the disabled community, and the volume contains an introduction by Andrew Solomon. The topics cover romance, shame, ambition, childbearing, parenting, aging, and much more. The authors offer a wide range of perspectives on living in a world not built for them.
Emily Bernard’s essays are about her experiences of race. She writes about life as a black woman in Vermont, her family’s history in Alabama and Nashville, her job as a professor who teaches African American literature, and her adoption of twin girls from Ethiopia. It begins with the story of a stabbing in New Haven and uses that as a springboard to write about what it means to live in a black body.
Women’s anger has been the source of some important and powerful writing lately (see Rebecca Traister’s Good and Mad and Soraya Chemaly’s Rage Becomes Her ). This collection brings together a diverse group of writers to further explore the subject. The book’s 22 writers include Leslie Jamison, Melissa Febos, Evette Dionne, and more.
The Collected Schizophrenias is a collection of essays on mental and chronic illness. Wang combines research with her personal knowledge of illness to explore misconceptions about schizophrenia and disagreements in the medical community about definitions and treatments. She tells moving, honest personal stories about living with mental illness.
This volume collects work from two of Brum’s books, and includes investigative pieces and profiles about Brazil and its people. She focuses on underrepresented communities such as indigenous midwives from the Amazon and people in the favelas of São Paulo. Her book captures the lives and voices of people not often written about.
This volume collects essays written between 2016 and 2018 covering the topic she has always written so beautifully about: the natural world. The essays focus on the concept of erosion, including the erosion of land and of the self. They are her response to the often-overwhelming challenges we face in the political and the natural world.
This volume brings together an amazing group of writers including Chigozie Obioma, Jenny Zhang, Fatimah Asghar, Alexander Chee, and many more. The essayists are first and second generation immigrants who describe their personal experiences and struggles with finding their place in the U.S. The pieces connect first-person stories with broader cultural and political issues to paint an important picture of the U.S. today.
In the tradition of Samantha Irby and Sloane Crosley, this collection is a humorous look at life’s unfairness. Fishbein writes about trouble with jobs, bedbugs, fires, and cyber bullying. She covers struggles with alcohol, depression, anxiety, and failed relationships. She is honest and hilarious both, wittily capturing experiences shared by many.
This book contains new and previously published essays by New Yorker critic Emily Nussbaum. The pieces include reviews and profiles. They also argue for a new type of criticism that can accommodate the ambition and complexity of contemporary television. She makes a case for opening art criticism up to new forms and voices.
Bassey Ikpi’s essay collection is about her personal experiences dealing with Bipolar II and anxiety. She writes about struggling with mental health even while her career as a spoken word artist was flourishing. She looks at the ways our mental health is intertwined with every aspect of our lives. It’s an honest look at identity, health, and illness.
These pieces are humorous, whimsical essays about things that are on Jenny Slate’s mind. As she—an actress and stand-up comedian as well as writer—describes it, “I looked into my brain and found a book. Here it is.” With a light touch, she tells us honestly what it’s like to be her and how she sees the world, one little, weird piece of it at a time.
Here is Jamison’s follow-up essay collection to the bestselling Empathy Exams . This one is divided into three sections, “Longing,” “Looking,” and “Dwelling,” each with pieces that combine memoir and journalism. Her subjects include the Sri Lankan civil war, the online world Second Life, the whale 52 Blue, eloping in Las Vegas, giving birth, and many more.
Crucet grew up in Miami, the daughter of Cuban refugees. Here she explores her family’s attempts to fit into American culture and her feeling of being a stranger in her own country. She considers her relationship to the so-called “American Dream” and what it means to live in a place that doesn’t always recognize your right to be there.
Emilie Pine is an Irish writer, and this book is a bestseller in Ireland. These six personal essays touch on addiction, sexual assault, infertility, and more. She captures women’s experiences that often remain hidden. She writes about bodies and emotions from rage to grief to joy with honesty, clarity, and nuance.
This collection gathers together 19 writers discussing their experiences as journalists working in their home countries. These women risk their lives reporting on war and face sexual harassment and difficulties traveling alone, but they also are able to talk to women and get stories their male counterpoints can’t. Their first person accounts offer new perspectives on women’s lives and current events in the Middle East.
Picking this up is a fitting way to pay tribute to the great Toni Morrison, who just passed away last summer. This book is a collection of essays, speeches, and meditations from the past four decades. Topics include the role of the artist, African Americans in American literature, the power of language, and discussions of her own work and that of other writers and artists.
Kathleen Jamie is a poet and nature writer. These essays combine travel, memoir, and history to look at a world rapidly changing because of our warming climate. She ranges from thawing tundra in Alaska to the preserved homes of neolithic farmers in Scotland and also examines her own experiences with change as her children grow and her father dies.
As of this writing, Thick was just longlisted for a National Book Award in nonfiction. McMillan Cottom’s essays look at culture and personal experience from a sociological perspective. It’s an indispensable collection for those who want to think about race and society, who like a mix of personal and academic writing, and who want some complex, challenging ideas to chew on.
White Flights is an examination of how race gets written about in American fiction, particularly by white writers creating mostly white spaces in their books. Row looks at writers such as Don DeLillo, Annie Dillard, David Foster Wallace, Jonathan Franzen, and more to consider the role that whiteness has played in the American literary imagination.
The Witches Are Coming is Lindy West’s follow-up to her wonderful, best-selling book Shrill . She’s back with more of her incisive cultural critiques, writing essays on feminism and the misogyny that is (still) embedded in every part of our culture. She brings humor, wit, and much-needed clarity to the gender dynamics at play in media and culture.
There you have it—the best collections of 2019! This was a great year for essays, but so were the two years before. Check out my round-ups of the best essay collections from 2018 and 2017 .
These contemporary books illuminate the realities of the world for black women in america.
In her 1993 poem, “won’t you celebrate with me,” author and educator, Lucille Clifton, invites us to wonder at the life she has created:
“… i had no model born in babylon both nonwhite and woman what did i see to be except myself? i made it up.”
As a Black woman existing at the intersections of these marginalized identities (“both nonwhite and woman”), Clifton finds herself rendered invisible in the mainstream and—consequently—creates herself in the process. 30 years onwards, Black women writers continue to take on the mantle of rendering themselves visible across genres and constructing models for future generations to see themselves in.
This has been especially true in the case of personal narratives, from memoir to essay collections. Starting with Harriet Jacobs’ Incidents in the Life of a Slave Girl published in 1861 as a foundational abolitionist text, through to Angela Davis: An Autobiography released only a few years after the acquittal of the Black Panther leader and prominent feminist, Black women have narrated their stories and transformed the personal into the political with radical results.
In our own personal narratives, we shrug off duty and expectations, the needs of others become secondary to our primary, as we catalog our hurts and our hopes. We become the hero, not saving anyone else but ourselves. To borrow a phrase from the late bell hooks, we move from the margin to the center.
The following contemporary memoirs and personal essay collections released in the past ten years exemplify this growing urgency by Black women to tell our side of the story. Their words illuminate the realities of the world and the impact of racist and sexist systems of powers on the lives of the most disenfranchised. These works are affecting, funny, haunting, inspiring and all urgently salient. They are additions to the records and the archives, insisting and reminding us that our voices always matter.
Within a four-year time span, two-time National Book Award winner Jesmyn Ward saw the deaths of five Black men in her life, including that of her brother. She chronicles their lives, alongside her own, of growing up in Mississippi and the history of racial violence that surrounds around them. “Hopefully, I’ll understand why my brother died while I live,” Ward writes, ”and why I’ve been saddled with this rotten fucking story.” Her journey of reflection is one of grief, anger, and guilt, all buoyed ultimately by the love that comes through of her family and the home that raised her.
Writing about her upbringing in a wealthy, professional Black community of Chicago in the 1950s, critic Margo Jefferson reflects on the intersections of race, gender, class, and color within her community, poetically delving into the nuances of Black life. The Pulitzer Prize winner manages a tight balancing act, honestly approaching the privileges and prejudices of her childhood family and friends, whilst remaining steadfast in her knowledge and understanding that Blackness—regardless of status or hue—is still ultimately Black. “We’re considered upper-class Negroes and upper-middle-class Americans,” her mother tells her, “But most people would like to consider us Just More Negroes.”
Though comedy writing—much like comedy itself—continues to be a boy’s club, Samantha Irby fuses sarcasm, self-deprecation, and toilet humor into musings and anecdotes about her life in the Midwest. Whether she is writing about The Bachelorette or mental health or falling in love, her singular voice is sure to bring you to tears of laughter or sadness, if not both at the same time. In an especially funny take on her pain she asks, “Do Black girls even get to be depressed?” and hordes of us nod in synchronized recognition.
Author, cultural critic, and professor Roxane Gay has never shied away from the story of the violent sexual assault that took place as a child, but the story extends from that experience to explore additional themes around the (her) body. Using examples from her own lived experiences, she challenges assumptions and conventional thinking about health and wellness, taking to task all the unacknowledged fatphobia we pervasively encourage in our society. Gay’s memoir is sometimes difficult to read, but necessarily so, particularly the parts where she works through her own demons and leaves us no choice but to confront ours too. “I buried the girl I had been… and perhaps I am writing my way back to her, trying to tell her everything she needs to hear.”
In a series of wide-ranging essays, the university professor and MacArthur Genius covers beauty standards, Black maternal mortality, and the election of Barack Obama, told through personal stories, academic scholarship, and cultural criticism. Thick is intentional in centering herself and the experiences of Black women and girls—a revolutionary and counter cultural endeavor given how “[the] personal essay [has] become the way that black women writers claim legitimacy in a public discourse that defines itself, in part, by how well it excludes Black women.” McMillan Cottom refuses to be shut out.
“Remembering is a chair that is hard to sit still in,” writes Sarah M. Broom in her National Book Award-winning debut work. The title comes from the name of her childhood home in New Orleans where she grew up with her large, loving, and complicated extended family. She moves away for college and continues to move further away from the yellow house, until the tragedy of Hurricane Katrina forces her to reckon with her home and all the historical and political context of where she came from. She looks at race, class, and inequality from a humanistic lens, using her story and the stories of her loved ones to reveal the harder truths about the country and how far left there is for us to go.
For years, former Poet Laureate and Pulitzer Prize winner ran away from the defining tragedy of her childhood—the murder of her mother by her ex-husband when Tretheway was a teenager. “All those years I thought that I had been running away from my past I had, in fact, been working my way steadily back to it,” and her memoir is her way of unpacking that journey back, beginning with her mother’s death and studying all around it. As Tretheway looks at her own life, from growing up biracial around the time of Loving v. Virginia to finding her way to becoming a writer, she is tenderly attentive to the memory of her mother and grappling with the situation of her death, taking us along the often dark journey with her.
Much like its author, Just Us is a text that defies categorization. The poet, playwright, and essayist utilizes poems, footnotes, essays, photographs, quotes, scripts, tweets and Facebook statuses to explore and indict American racism. Rankine’s writing is grounded in her own experiences, using everything from dinner party conversations with other academics and faculty members to moments between her and her White husband in couples therapy, resulting in a text that is personal, vulnerable, and filled with beauty. Rankine asks, “How does one combat the racism of a culture?” Just Us answers.
Former editor of the iconic hip-hop and R&B publication VIBE Magazine , Danyel Smith’s memoir doubles as a music history on Black women musicians. Smith chronicles her life growing up in Oakland and her journalistic path, looking to icons like Aretha Franklin, Donna Summer and Stephanie Mills as inspiration as to who she could be, and pays them their due through her own story. “I want Black women who create music to be known and understood, as I want to be known and understood,” Danyel writes, demanding that we pay attention to them and her too.
Ordinary Notes can be understood best as meditations—on Blackness, on life, on the human condition—penned deftly and poignantly by the woman described in the New York Times as “shaping a generation of Black thought.” Professor Sharpe intimately walks us through her life, from the museums she walks, to the songs she listens to, to the family histories she unearths, and in the final section, she dedicates pages considering the books she describes as “giving me a place to land in difficult times.” To Sharpe, they show “Black worlds of making and possibility.” Ordinary Notes does the same.
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Elizabeth kadetsky on the multiple ways we can look at the self.
While the personal essay has enjoyed continued popularity, a book-length collection of linked essays, centered on an author’s self or life, is less common than a traditional memoir or novel. A truly successful essay collection can reveal the author processing experiences at many different points in time and through many different lenses. As a writer, I’ve always been drawn to the essay as a form, for its concision, for its ability to highlight an intriguing gap between author and narrator that lends an inherent tension and self-questioning. A collection of essays treating the same or related inquiries multiplies this effect.
The distance afforded by those multivalent lenses can allow an author to regard one’s younger self as a different character, a different persona. This can create an unease or uncertainty that is exciting, and also very relatable to the reader. An author’s ability to forgive that earlier version of herself is especially prevalent in the memoir-in-essays, perhaps because of the extended time period covered as a writer composes essays across years or even decades.
We are lucky enough to be in the middle of a renaissance. Several recent and upcoming memoirs-in-essays use the inquisitive essay form to tell life stories from different vantage points and make the reader question and revel in unreliable narrators and new perspectives. The more traditional memoir focuses on seeking and attaining redemption. The nonlinear structure of an essay collection reveals that there is never easy redemption, never clear resolution: bad things happen for no reason; overcoming one trial does not lessen the need to adapt in the next.
These new, enchanting and powerful collections are a welcome reminder that in our collective state of unrest and unknown futures, there is a comfort in knowing that there is an inherent uncertainty in having the answers.
Emily Arnason Casey, Made Holy: Essays (University of Georgia Press)
In beautiful, scenic prose, Emily Arnason Casey probes her middle American childhood from the stance of different venues, times of life, and primary characters—a family cabin and repository for memories both happy and sad; a little sister who grew up and wasn’t a sidekick anymore; a mother who didn’t reveal the family propensity to alcoholism until it was too late; an aunt who succumbed to the illness’s lure. In a spiral-like structure that keeps returning to a central and unanswerable question—how, and why, must this family battle the draws and effects of alcohol addiction—Arnason Casey tells a poignant story of a “normal” family that through its quirks and desires must find a path to survival. The author finds solace in nostalgia and a way forward by examining the errors of the past and by embracing, as a mother, the promise of the future generation. Her probing and compulsive need to question reminds us that alcoholism has no simple etiology, and that its cures are as individual as they are elusive.
Sonja Livingston, The Virgin of Prince Street: Expeditions into Devotion } (University of Nebraska Press)
At a time of dwindling religiosity, Livingston finds herself wishing for greater connection to her Catholic roots while also exploring the physical space of the church in upstate New York that made memories for her as a child. Because of religious attrition, the church that she grew up in becomes the gathering space for dozens of rescued saint statues deaccessioned from other churches nearby. Livingston embarks upon a quest to find a missing Virgin Mary statue, that moves not in straight lines but elliptically, following a parallel physical and emotional journey that is an exploration into faith, Catholicism, and a desire for spiritual connection on modern terms. In examining the sustained power of a central icon of the Catholic church and an object of personal, sentimental attachment, Livingston’s linked essays highlight the irresolvable paradox of modern religiosity—that the seeker must follow an uncharted middle pathway when the old texts and their tropes, their patriarchy and their strictures, necessarily fall away.
Amy Long, Codependence (Cleveland State University Poetry Center)
In this haunting and troubling book, Long revisits scenes and anecdotes from her boyfriend’s heroin addiction and her subsequent dependence on opioids for chronic pain. Formal experiments such as essays disguised as lists, prescription forms, and medical reports are interspersed among scene-driven recollections from different points in time: the author’s first introduction to the drug; the allure of an older addict; attempts at recovery. The grounding presence of the author’s supportive mother is offset by the narrative’s tragic other constant—the euphoria and escape offered by the drug. By eschewing a linear narrative structure, Long illustrates the difficulty of achieving recovery and puts lie to the myth that addiction is a logical disease that naturally ends with a cure. In its very form, this memoir undermines the narrative so prevalent in media treatments of this illness—that in order to trounce the beast, the individual suffering from addiction need only attend a recovery program. Having written about and witnessed my own sister’s decades’ long struggle to overcome opioid addiction, I was drawn to Long’s wisdom in portraying addiction not as a problem to be solved so much as a complexity to be observed and penetrated.
Sejal Shah, This Is One Way to Dance (University of Georgia Press)
The Indian-American author continually revisits her troubled relationship to her American identity through layered essays treating her bifurcated Indian and American past. Exploring her family’s immersion in Gujarati subculture when she was a child growing up in Rochester, New York; her experience as one of few people of color in her MFA creative writing program; and many family weddings in which she must confront her presumed future as a desi bride, Shah questions her place in both American culture and the thriving American-Gujarati subculture. By placing dates at the ends of the essays, it is suggested that her complicated and lifelong conflicts about race and cultural identity can be told chronologically. But, as she explains in her introduction, many essays had multiple end dates after having been revised and reconsidered as time moved forward. The multiple end dates elegantly upend the notion that a rational, hypothesis-thesis-synthesis structure can encompass the complexities of identity and belonging. Shah’s choice to write non-narratively about her conflicts of identity provide insight for anyone raised with a dual or multiple cultural identity—anyone who may, at different points of time, feel a greater allegiance to one culture, another, or a never straightforward amalgam of many. Who we understand ourselves to be, Shah’s book tells the reader in subtle ways, is not a fact so much as a moving target, an unending query.
Sue William Silverman, How to Survive Death and Other Inconveniences (University of Nebraska Press)
Silverman is the author of three previous memoirs. In How to Survive Death and Other Inconveniences , she tells her life story through the lens of an obsession with death and the desire to come to terms with the inevitable but often avoided reality that in the end we are mortal. The essays begin with a chronological life story of growing up in New Jersey and encountering American culture’s death-avoidance, but then take a swerve when several brief but elusive mentions accrue into an account of a rape at a young age and a discovery that her memory of the event connects to her fixation on death. A chronological structure gives way to a thematic plot, in which Silverman seeks to confront her topic through reporting, immersion, and reflection—for instance by visiting a morgue, exploring mythological figures associated with death, and recollecting a family funeral. The sophisticated writing and structure make the whole greater than the sum of its many fascinating and worthy parts. Silverman’s essays continually reveal the irrational functioning of memory and how it connects our pasts to our worldviews. Honoring subconscious logic, How to Survive Death and Other Inconveniences makes the gambit that the mysteries of the self are both keys to understanding and uncertainties to be celebrated. We become who we are without being fully conscious of our choices—probing those choices won’t give us easy answers, but the discoveries along the way will be illuminating and well worth the necessary befuddlements.
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Elizabeth Kadetsky’s memoir , The Memory Eaters, is available now from University of Massachusetts Press.
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By John Ackermann
Posted August 25, 2024 12:22 pm.
David Roche calls himself an inspirational humourist. The Sunshine Coast-based author and public speaker was born with a vascular malformation. The veins in his face, head, neck, throat, and tongue have continued to grow throughout his life. He calls his facial difference an incredible gift because it made him look inside himself to find beauty and self-worth.
His second and latest book — Standing at the Back Door of Happiness (And How I Unlocked It) — is all about finding and nurturing a positive sense of himself and encouraging it in others.
“They’re usually my stories, but if you look for a thread, you’ll find a sense of community, of family, of relationships, which is how I have survived and thrived over the years.”
The book isn’t a straight-up A-Z memoir per se, but a collection of 28 bite-sized essays. The first one is entitled For The Love of Scars , a meditation on his facial difference.
“Scars are the adoptees in the family of flesh,” he said. “Scars have a purpose of protecting nerves. They do the hard work in life as part of the human body. [But] they get a bad rap in life. [People say] ‘I gotta hide my scars.’ No. Be proud of your scars. They’re doing a good job for you.”
Another essay, Picasso , talks about how Roche came to accept his reflection in the mirror.
“Now, that changed with the internet, because I saw myself looking at myself on a screen,” he said. “And it’s pretty unavoidable when you’re on Zoom and you can’t avoid looking at yourself. And I just had this incident where I saw something that I did not recognize as my own face. It shocked me deeply, and I had a very brief time when I had to piece all the pieces together as if it were a Picasso painting, and I had to adjust to that.”
But now he says he is more comfortable with his appearance.
“There’s always a substratum of discomfort [but] I do feel very accepting of myself,” Roche said. “I actually think that I’m quite cute, and I believe that, because people tell me that, and I think like, ‘Oh, they’re just being nice to the little disfigured guy.’ But no, they think I’m cute. And somehow, I carry it off. So, there you go.”
Roche credits his inner strength to his Irish-Catholic upbringing in Hammond, Indiana.
“I was born during the Second World War,” he said. “My father was living in Stalag 17, a Nazi prisoner of war camp, and my mother, her two sisters, my grandmother, and my grandfather did not know if he was going to come back. So, when I was born, I was like King David, because I was a treasure at that time, in a time of war and horror. So, I was never teased in my family, one of seven kids. Well, it helped being the eldest, that’s for sure.”
So, what does it mean to stand at the back door of happiness? Roche admits he just liked the sound of it.
“I just thought was a cute title,” he said. “I don’t have a good reason for it. I just thought was clever.”
But if there is one overall takeaway from the book, Roche hopes the reader learns that one key to happiness is connection.
“So, if you’re standing at the back door of happiness, [as] we all are, there’s a way in, and that’s not by yourself, but with other people,” he said.
The 28 essays are in a loose chronological order, but you can open the book just about anywhere and take away some nugget of wisdom.
Standing at the Back Door of Happiness (And How I Unlocked It) is available from Harbour Publishing.
Major sewer works on Oak Street and West 70th Ave continue Tuesday and are creating massive delays for drivers in the area.
Fire crews say that a 17-year-old teen boy has died after falling off a cliff at Lynn Canyon Park in North Vancouver on Sunday.
Police say someone was taken into custody and sent to hospital during a report of "disturbance at a residence" in Burnaby Monday.
In today’s The Big Story podcast, safe supply programs across the country that aim to provide alternatives to street drugs are under scrutiny right now. But today's story isn't an official safe supply...
The Big Story
Premier David Eby and Health Minister Adrian Dix toured the site of the new Surrey Hospital and BC Cancer Centre on Monday, one year since construction began. The project is set to be completed by 2029, and open in early 2030. Kate Walker reports.
Landlords in B.C. will only be able to raise rents by a maximum of three per cent in 2025. As Kier Junos reports, the increase is actually less than last year.
Members of the federal Liberal cabinet are in Halifax for a three-day retreat. Glen McGregor reports.
A man has been taken into custody following a horrific knife attack in Western Germany that left 3 people dead and 8 others injured. Karling Donoghue details the ongoing investigation – that is now in the hands of Germany's federal public prosecutor.
Flooding has killed at least 36 people in Bangladesh and northeast India, while over 200,000 have been evacuated from their homes. Catalina Gillies has the details.
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Below is a curated list of 30 recently published essay collections, each offering an assortment of bite-size writing from a particular author (or, in some cases, an invited collection of authors). Larissa Pham's Pop Song reads like a memoir-in-essays, with each chapter considering a different way of falling in love.
To prove that there are a zillion amazing essay collections out there, I compiled 50 great contemporary essay collections, just from the last 18 months alone. Ranging in topics from food, nature, politics, sex, celebrity, and more, there is something here for everyone! ... Samantha Irby (Goodreads Author) 3.90 avg rating — 46,041 ratings.
48 Reader-Approved New Essay Collections. Posted by Cybil on May 12, 2023. 49 likes 1 comment. Essay collections are enjoying something of a renaissance these days. Perhaps it's all the genuinely amazing writers working in this short-form tradition in recent years. Or maybe it's a concession to the modern attention span?
3. Orwell's Roses by Rebecca Solnit. (Viking) 12 Rave • 13 Positive • 1 Mixed. Read an excerpt from Orwell's Roses here. "… on its simplest level, a tribute by one fine essayist of the political left to another of an earlier generation.
Robin Wall Kimmerer, Braiding Sweetgrass (2013) Of every essay in my relentlessly earmarked copy of Braiding Sweetgrass, Dr. Robin Wall Kimmerer's gorgeously rendered argument for why and how we should keep going, there's one that especially hits home: her account of professor-turned-forester Franz Dolp.When Dolp, several decades ago, revisited the farm that he had once shared with his ex ...
4. Body Work: The Radical Power of Personal Narrative by Melissa Febos. "In her new book, Body Work: The Radical Power of Personal Narrative, memoirist Melissa Febos handily recuperates the art of writing the self from some of the most common biases against it: that the memoir is a lesser form than the novel.
Each of these are written by one particular author, but you can find essay collections with multiple contributors. The Best American Essays are a great place to start — the most recent one was guest edited by Alexander Chee, who has a book also listed below. He knows essays! ... Baldwin's famous essay collection about racism and the lives ...
The Daily Beast. Goodreads. Book Riot. Flavorwire 2. Better World Books. The first nonfiction work by one of the most distinctive prose stylists of our era, Joan Didion's Slouching Towards Bethlehem remains, decades after its first publication, the essential portrait of America―particularly California―in the sixties.
Art & Ardor — Cynthia Ozick. 5. The Art of the Personal Essay — anthology, edited by Phillip Lopate. 6. Bad Feminist — Roxane Gay. 7. The Best American Essays of the Century — anthology, edited by Joyce Carol Oates. 8. The Best American Essays series — published every year, series edited by Robert Atwan.
After the jump, our picks for the 25 greatest essay collections of all time. Feel free to disagree with us, praise our intellect, or create an entirely new list in the comments. The Book of My ...
Essay collections: Like short stories, but TRUE! When you're in the mood for fact over fiction, check out these must-read contemporary essay collections. Articles. Main; ... "How to Write an Autobiographical Novel is the author's manifesto on the entangling of life, literature, and politics, and how the lessons learned from a life spent ...
The Anthropocene Reviewed: Essays on a Human-Centered Planet (Hardcover) by. John Green (Goodreads Author) (shelved 53 times as essay-collections) avg rating 4.36 — 135,277 ratings — published 2021. Want to Read. Rate this book. 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars.
That David Sedaris's ascent to literary stardom happened later in his life - his breakthrough collection of humour essays was released when he was 44 - suited the author's writing style perfectly. Me Talk Pretty One Day is both a painfully funny account of his childhood and an enduring snapshot of mid-forties malaise. First story 'Go ...
2 Unfinished Business: Notes of a Chronic Re-Reader by Vivian Gornick. 3 Nature Matrix: New and Selected Essays by Robert Michael Pyle. 4 Terroir: Love, Out of Place by Natasha Sajé. 5 Maybe the People Would be the Times by Luc Sante. W e're talking about the books shortlisted for the 2021 PEN/Diamonstein-Spielvogel Award for the Art of the ...
Zadie Smith's Intimations, Helen Macdonald's Vesper Flights, Claudia Rankine's Just Us, and Samantha Irby's Wow, No Thank You all feature among the Best Reviewed Essay Collections of 2020.Article continues after advertisementRemove Ads Brought to you by Book Marks, Lit Hub's "Rotten Tomatoes for books." * 1. Vesper Flights by Helen Macdonald (Grove)Article continues after ...
by Raquel Gutiérrez. Part butch memoir, part ekphrastic travel diary, part queer family tree, Raquel Gutiérrez's debut essay collection, Brown Neon, gleans insight from the sediment of land and relationships.Whether contemplating the value of adobe as both vernacular architecture and commodified art object, highlighting the feminist wounding and transphobic apparitions haunting the ...
The best collection of essays that I've read so far. 14 well-written essays by Eric Arthur Blair (1903-1950) also known as George Orwell.It covers a wide range of topics from his childhood, Spanish Civil War, Mahatma Gandhi, Charles Dickens, Rudyard Kipling, Jewish religion, politics, etc to his shooting of an elephant while serving as a police in Burma.
The essay format allows the author to develop ideas but add a personal touch, says the popular philosopher Alain de Botton. Here, he chooses his favourite essay collections. Illuminating Essays, recommended by Alain de Botton. About.
Erosion: Essays of Undoing by Terry Tempest Williams (Sarah Crichton Books, October 8) This volume collects essays written between 2016 and 2018 covering the topic she has always written so beautifully about: the natural world. The essays focus on the concept of erosion, including the erosion of land and of the self.
The following contemporary memoirs and personal essay collections released in the past ten years exemplify this growing urgency by Black women to tell our side of the story. Their words illuminate the realities of the world and the impact of racist and sexist systems of powers on the lives of the most disenfranchised. ... Author, cultural ...
20,515ratings3,235reviews. Kindle $4.99. Comprising a selection of essays, Upstream finds beloved poet Mary Oliver reflecting on her astonishment and admiration for the natural world and the craft of writing. As she contemplates the pleasure of artistic labor, finding solace and safety within the woods, and the joyful and rhythmic beating of ...
"Planes Flying Over a Monster," a new essay collection from Mexican author and poet Daniel Saldaña París, is a writerly coming-of-age story of sorts. The 10 essays (translated from Spanish ...
While the personal essay has enjoyed continued popularity, a book-length collection of linked essays, centered on an author's self or life, is less common than a traditional memoir or novel. A truly successful essay collection can reveal the author processing experiences at many different points in time and through many different lenses. As a writer, […]
The book isn't a straight-up A-Z memoir per se, but a collection of 28 bite-sized essays. The first one is entitled For The Love of Scars, a meditation on his facial difference. John-Ackermann-speaks-to-David-Roche-author-of-Standing-at-the-Back-Door-of-Happiness "Scars are the adoptees in the family of flesh," he said.
8,761 reviews 155 followers. August 1, 2018. A comprehensive collection of essays by C. S. Lewis. This book contains 135 essays and short pieces. It is divided into 11 parts: The Search for God, Aspects of Faith, The Christian in the World, The Church, English and Literature, The Art of Writing and the Gifts of Writers, Education and History ...